Latest Updates from 'Deeper' (Page 13)

Kenzie Reeves in 'Dare You'

Kenzie Reeves - Dare You

Kenzie leaves her lover a series of notes that question his strength as they dare him to prove her wrong, in the process inciting exactly the reaction she'd hoped for.

Riley Reid in 'Try Me'

Riley Reid - Try Me

When Riley sparks jealousy at a party, her love interest wants revenge. The trouble with sex though is that one person's revenge might be another's fantasy. Aaron lays the ground rules and Riley smirks. 'Try me.'

Kayden Kross in 'Play With Your Life'

Kayden Kross - Play With Your Life

Kayden pushes Riley to venture toward the outer limits of sex in a surreal pitch on what a kiss can do.

Demi Sutra in 'Stronger'

Demi Sutra - Stronger

Demi demands that her lover leave her with marks that are as strong as the feeling was.

Naomi Swann in 'Rule 1'

Naomi Swann - Rule 1

Mickey and Naomi play a game that has only a handful of rules. Rule 1 is simple: always be ready. The game is not knowing what for.

Morgan Rain in 'Don't Let Me Stop You'

Morgan Rain - Don't Let Me Stop You

Roommate matters run most smoothly when they tread lightly near each other's partners, and when Morgan catches Paige's boyfriend spying on her, she thinks she's doing Paige a favor by showing him as the culprit he is. Paige is unrelenting though. She makes him finish the crime. Then she punishes him in biblical fashion—an eye for an eye.

Evelin Stone in 'Taken'

Evelin Stone - Taken

First dates are always a gamble, and Evelin finds Kyle to be a losing bet. When a more suitable mate interrupts their meal, Evelin doesn't look back. She should have, though, because Kyle is right behind them.

Kenna James in 'Want'

Kenna James - Want

Megan's only desire is to serve as a slave to Kenna, and serve she does. When Ryan questions the relationship, Kenna cuts to the center of what he's asking. 'Do you want to try her?' Of course he does. No need to pretend otherwise for the sake of nicety.

Skylar Vox in stunning 5K
Mia Melano in 'Audition'

Mia Melano - Audition

Given the chance to audition for a great, Mia takes the stage with a quiet apprehension. Her performance is good enough, but what Markus demands is exactitude. He sets her legs apart by forcing her to suspend a chain between her ankles, then spreads her knees wider with a crop. 'Do you know my methods,' he asks. She nods. 'And do you consent?'

Karla Kush in 'The Line'

Karla Kush - The Line

Karla's partner begs her to try a cuckold fantasy he's had his mind on, but Karla knows him well enough to know better. She also has a large enough soft spot for him that she does it anyway. But once it begins, a line is drawn in the sand. Both choose their sides, and both are surprised by what they find there.

Lena Paul in 'She Was Me'

Lena Paul - She Was Me

"She was me. Her face, her hair, her skin, her breasts. And the question suddenly became not who he was cheating on me with, but whether he had found my twin to be attractive on account of her likeness to me, or attractive on account of her difference from me, the only difference being, as far as I could tell, our identities. My personhood versus hers." Lena forces her husband to fuck his mistress in front of her, then compares his energy to how he fucks her.

Emily Willis in 'Happy Birthday'

Emily Willis - Happy Birthday

It's his special day - and Emily has the perfect birthday present for Marcus. Forget watches, aftershave and other gifts, because this birthday surprise is one he is never likely to forget.

Ashley Lane in 'The Hook'

Ashley Lane - The Hook

The sound of the rope-do you hear it? That's the sound of you being let off the world's hook.

Rebel Lynn in 'Enemy'

Rebel Lynn - Enemy

Rebel refuses the idea of holding back for the sake of propriety. When her boss denies her advances with the tired suggestion that the two remain friends, she makes it clear that two people on opposite sides of the line cannot be friends. Opposing forces are enemies.

Haley Reed in 'Let Me Tell You A Story'

Haley Reed - Let Me Tell You A Story

Haley tells the oldest story in the book—the one about a woman who sets her sights on what she wants and the man she pulls in with her.

Adria Rae in 'Going Deeper'

Adria Rae - Going Deeper

The touch of his hand is all that is required for Adria to desire him enough to try something he truly wants. She is an open book to him and he can read her perfectly. She wants more than she has ever experienced and she is about to be fully filled - as deep as she can take it.


Janice Griffith in 'Coupledom part 2'

Janice Griffith - Coupledom part 2

After a sex-fuelled session, Janice is fully satisfied and turns her attention to the one member of the party who she feels has missed out. Time to ensure that everyone present gets a piece of the action.

Angela White in 'Diabolique Part 2'

Angela White - Diabolique Part 2

Nicole is still under suspicion for her husband's murder and his employee too - and there's some serious proof against them. When Angela, the investigating officer takes things to the next level, he will have no alternative but to come clean - and with the evidence stacked against him, she can think of a few ways to make him confess.

Nicole Aniston in 'Diabolique Part 1'

Nicole Aniston - Diabolique Part 1

When Nicole's husband is killed, she is the prime suspect. He loved to play naughty games online and it appears that this time, things went a little awry. Now she is being interrogated, and her husband's employee is there for the ride. Will the truth be discovered?

Angela White in 'Who's Becky'

Angela White - Who's Becky

This scene plays like a short film between two characters whose relationship is revealed to be a twisted game of obsession. When Angela confronts Markus on a betrayal, what unfolds is a roller coaster of attraction and repulsion as they both fall into the dynamic that promises to keep pulling them back together.

Evelyn Claire in 'Always'

Evelyn Claire - Always

I love you. I love you always. I love you with passion and I love you with kindness and I love you with force. Singly. Unrestrainedly. You and always you.

Vina Skyy in 'Make Me Feel Something'

Vina Skyy - Make Me Feel Something

The stalemate between Vina and Mick is palpable as the two live side by side in silence. Finally Mick breaks, slamming his fist into the piano keys that Vina plays. "You're only here for the money," he says coldly. She pulls him down by the collar and wraps his fingers around her throat. She squeezes for him. "Then give me something else."

Khloe Kapri in 'Did You Change'

Khloe Kapri - Did You Change

Khloe shyly retreats to her room after she interrupts her father's work with a client, but once the client is left alone, she finds her way back to him. He studies her mouth as he makes his mind up about her. By the time they're done, both are left dripping.

Cecilia Lion in 'Patient'

Cecilia Lion - Patient

Cecilia loses track of what is real and what is imagined as she grapples with a growing desire to give up control completely. Her therapist presses her for more information, unaware that he's an inspired part of the problem in the first place.


Audrey Noir in 'Take It Slow'

Audrey Noir - Take It Slow

When Juan rushes the physical advance, Audrey makes a show of reminding him that it is the journey and not the arrival that matters.

Ivy Lebelle in 'Bad'

Ivy Lebelle - Bad

When Markus tries to fire Ivy, she makes it clear that she has leverage she's willing to press. What she doesn't know is that Markus has more leverage. "I am expected to be bad," he says. "When you are bad, everything crumbles." The problem is that neither side can quite deny the lure of the other's position.

Alina Lopez in 'I Will Make a Beast of You'

Alina Lopez - I Will Make a Beast of You

Alina makes Mickey Mod take a seat as she puts on a performance that brings him fully into the moment before she allows him to break free.

Janice Griffith in 'Come Here'

Janice Griffith - Come Here

Mickey Mod has been fantasizing for a long time about dominating his teaching assistant, Janice. One late night he builds up the courage to try but isn't strong enough. She sees an opportunity and takes control instead.

Vicki Chase in 'Relentless'

Vicki Chase - Relentless

"I don't want to be asked, I want to be made. I want to be told and pulled throat-first down on your cock, hair in your fists, eyes watering and sated." Vicki Chase and Markus Dupree ignite in this anal scene that toys with the lines of domination and subordination for the newest volume of our award-winning series, Sacrosanct.

Kayden Kross in 'Champagne room'

Kayden Kross - Champagne room

This episode of sacrosanct is about as personal for me as a sex act caught on camera can be. Not only did I direct this project and then insert myself into the cast, but the idea is borne of some muddy mix of personal fantasy and real-life memory.- Kayden Kross

Angela White in 'Sirens'

Angela White - Sirens

In Greek mythology, sirens were dangerous creatures who lured sailors to shipwreck on the rocks of their island. In an abandoned urban warehouse, these creatures are reimagined as sexual hooks that Angela White is pulled back from as she makes her way deeper into the structure. Manuel appears to let her look but not taste—not too much, anyway—but sometimes we only hold back because we are holding out, and the best is yet to come. Appearing in a short cameo, director Kayden Kross puts Angela in a scene well outside of her usual branding. The mood is dark, the air thick, and the bodies seem to multiply when the speed picks up.

Honey Gold in 'and Mick Blue'

Honey Gold - and Mick Blue

In this surrealistic sleepover, Kayden tempts Honey with the question, "Have you ever slept with a man you don't know?"No," Honey says, but already the box has been cracked. Honey lifts the lid a little further and follows her curiosity to its own natural end. As the two explore the unspoken contracts of sex between strangers, Kayden lures her on. "You're only human, Honey. We all trespass a little, given the chance." And then, finding Mick bare-chested at her fingertips, Honey bites.