Latest Updates from 'Deeper' (Page 13)

Megan's only desire is to serve as a slave to Kenna, and serve she does. When Ryan questions the relationship, Kenna cuts to the center of what he's asking. 'Do you want to try her?' Of course he does. No need to pretend otherwise for the sake of nicety.

Given the chance to audition for a great, Mia takes the stage with a quiet apprehension. Her performance is good enough, but what Markus demands is exactitude. He sets her legs apart by forcing her to suspend a chain between her ankles, then spreads her knees wider with a crop. 'Do you know my methods,' he asks. She nods. 'And do you consent?'

Karla's partner begs her to try a cuckold fantasy he's had his mind on, but Karla knows him well enough to know better. She also has a large enough soft spot for him that she does it anyway. But once it begins, a line is drawn in the sand. Both choose their sides, and both are surprised by what they find there.

"She was me. Her face, her hair, her skin, her breasts. And the question suddenly became not who he was cheating on me with, but whether he had found my twin to be attractive on account of her likeness to me, or attractive on account of her difference from me, the only difference being, as far as I could tell, our identities. My personhood versus hers." Lena forces her husband to fuck his mistress in front of her, then compares his energy to how he fucks her.

It's his special day - and Emily has the perfect birthday present for Marcus. Forget watches, aftershave and other gifts, because this birthday surprise is one he is never likely to forget.

The sound of the rope-do you hear it? That's the sound of you being let off the world's hook.

Rebel refuses the idea of holding back for the sake of propriety. When her boss denies her advances with the tired suggestion that the two remain friends, she makes it clear that two people on opposite sides of the line cannot be friends. Opposing forces are enemies.

Haley tells the oldest story in the book—the one about a woman who sets her sights on what she wants and the man she pulls in with her.

The touch of his hand is all that is required for Adria to desire him enough to try something he truly wants. She is an open book to him and he can read her perfectly. She wants more than she has ever experienced and she is about to be fully filled - as deep as she can take it.

After a sex-fuelled session, Janice is fully satisfied and turns her attention to the one member of the party who she feels has missed out. Time to ensure that everyone present gets a piece of the action.

Nicole is still under suspicion for her husband's murder and his employee too - and there's some serious proof against them. When Angela, the investigating officer takes things to the next level, he will have no alternative but to come clean - and with the evidence stacked against him, she can think of a few ways to make him confess.

When Nicole's husband is killed, she is the prime suspect. He loved to play naughty games online and it appears that this time, things went a little awry. Now she is being interrogated, and her husband's employee is there for the ride. Will the truth be discovered?

This scene plays like a short film between two characters whose relationship is revealed to be a twisted game of obsession. When Angela confronts Markus on a betrayal, what unfolds is a roller coaster of attraction and repulsion as they both fall into the dynamic that promises to keep pulling them back together.

I love you. I love you always. I love you with passion and I love you with kindness and I love you with force. Singly. Unrestrainedly. You and always you.

The stalemate between Vina and Mick is palpable as the two live side by side in silence. Finally Mick breaks, slamming his fist into the piano keys that Vina plays. "You're only here for the money," he says coldly. She pulls him down by the collar and wraps his fingers around her throat. She squeezes for him. "Then give me something else."

Khloe shyly retreats to her room after she interrupts her father's work with a client, but once the client is left alone, she finds her way back to him. He studies her mouth as he makes his mind up about her. By the time they're done, both are left dripping.

Cecilia loses track of what is real and what is imagined as she grapples with a growing desire to give up control completely. Her therapist presses her for more information, unaware that he's an inspired part of the problem in the first place.

When Juan rushes the physical advance, Audrey makes a show of reminding him that it is the journey and not the arrival that matters.

When Markus tries to fire Ivy, she makes it clear that she has leverage she's willing to press. What she doesn't know is that Markus has more leverage. "I am expected to be bad," he says. "When you are bad, everything crumbles." The problem is that neither side can quite deny the lure of the other's position.

Alina makes Mickey Mod take a seat as she puts on a performance that brings him fully into the moment before she allows him to break free.

Mickey Mod has been fantasizing for a long time about dominating his teaching assistant, Janice. One late night he builds up the courage to try but isn't strong enough. She sees an opportunity and takes control instead.

"I don't want to be asked, I want to be made. I want to be told and pulled throat-first down on your cock, hair in your fists, eyes watering and sated." Vicki Chase and Markus Dupree ignite in this anal scene that toys with the lines of domination and subordination for the newest volume of our award-winning series, Sacrosanct.

This episode of sacrosanct is about as personal for me as a sex act caught on camera can be. Not only did I direct this project and then insert myself into the cast, but the idea is borne of some muddy mix of personal fantasy and real-life memory.- Kayden Kross

In Greek mythology, sirens were dangerous creatures who lured sailors to shipwreck on the rocks of their island. In an abandoned urban warehouse, these creatures are reimagined as sexual hooks that Angela White is pulled back from as she makes her way deeper into the structure. Manuel appears to let her look but not taste—not too much, anyway—but sometimes we only hold back because we are holding out, and the best is yet to come. Appearing in a short cameo, director Kayden Kross puts Angela in a scene well outside of her usual branding. The mood is dark, the air thick, and the bodies seem to multiply when the speed picks up.

In this surrealistic sleepover, Kayden tempts Honey with the question, "Have you ever slept with a man you don't know?"No," Honey says, but already the box has been cracked. Honey lifts the lid a little further and follows her curiosity to its own natural end. As the two explore the unspoken contracts of sex between strangers, Kayden lures her on. "You're only human, Honey. We all trespass a little, given the chance." And then, finding Mick bare-chested at her fingertips, Honey bites.

"He is more myself than I am. Whatever our souls are made of, his and mine are the same." Emily Bronte. Katrina stares deeply into husband Nigel's eyes as hooded men take turns entering her from behind."Let him come in you," Nigel commands, before slipping his fingers in to make sure she obeyed. Kayden Kross directs real-life couple Katrina Jade and Nigel Dictator in an exploration of trust and proclivities. The intense bond between the pair is palpable...leaping off the screen, even. While dark in tone, the film ends in the sweetest of moments: Nigel tenderly cradling his beloved, now spent and dripping.

Do you remember the first time? The pressure and the unending need building there, swelling to a blood-hot flush in your cheeks and in your toes. And that other person—how strange it was that you knew that other person—the two bodies distinct in one moment, freshly exposed, then so blended as to never be undone the same way. This scene is an adaptation of 'The First Time' as originally published on unkrossed.com

Even with an expensive divorce between them, Mick's ex-wife still manages to sink her hooks in. He dreads what he knows will be a game-filled visit, but he needs something from her and the only way to get it faces her. "Do you miss me, hubby?" she asks coyly. "No," he says. That doesn't sit well with Melina. She makes him say it.

Markus has been around longer than Gia, which is why he rolls with the punches of her youthful indiscretions. "You love it," she says teasingly. "No," he says, "but things worth having are difficult." When she turns her back to him and pouts, he lubricates his hand with butter. She learns how good a difficult thing can be.

Karla decides to close early when her bookstore is slow. Walking towards the back, she kicks off her heels and loses her sweater. God help the poor soul who happens to see her topless through the window. Then again, he should have heeded the sign on the door. It said Closed.

Unfulfilled, Kenna stepped outside of her relationship to find what Logan no longer gives her. He suspects that something has changed, but can't put his finger on it. At dinner one evening, the tension builds to such a point that the muffled sound of a text bursts the dam. "Check your phone," Logan demands. What he discovers forces them both to find what went missing.

Gianna's boyfriend has been friends with Mick for a long time, but when Mick overhears something he shouldn't, the friendship crumbles. Mick and Gianna are left alone, and Mick is no longer playing fair.