Latest Updates from 'Deeper' (Page 10)

Evelyn Claire in 'Always'

Evelyn Claire - Always

I love you. I love you always. I love you with passion and I love you with kindness and I love you with force. Singly. Unrestrainedly. You and always you.

Vina Skyy in 'Make Me Feel Something'

Vina Skyy - Make Me Feel Something

The stalemate between Vina and Mick is palpable as the two live side by side in silence. Finally Mick breaks, slamming his fist into the piano keys that Vina plays. "You're only here for the money," he says coldly. She pulls him down by the collar and wraps his fingers around her throat. She squeezes for him. "Then give me something else."

Khloe Kapri in 'Did You Change'

Khloe Kapri - Did You Change

Khloe shyly retreats to her room after she interrupts her father's work with a client, but once the client is left alone, she finds her way back to him. He studies her mouth as he makes his mind up about her. By the time they're done, both are left dripping.

Cecilia Lion in 'Patient'

Cecilia Lion - Patient

Cecilia loses track of what is real and what is imagined as she grapples with a growing desire to give up control completely. Her therapist presses her for more information, unaware that he's an inspired part of the problem in the first place.

Audrey Noir in 'Take It Slow'

Audrey Noir - Take It Slow

When Juan rushes the physical advance, Audrey makes a show of reminding him that it is the journey and not the arrival that matters.

Ivy Lebelle in 'Bad'

Ivy Lebelle - Bad

When Markus tries to fire Ivy, she makes it clear that she has leverage she's willing to press. What she doesn't know is that Markus has more leverage. "I am expected to be bad," he says. "When you are bad, everything crumbles." The problem is that neither side can quite deny the lure of the other's position.

Alina Lopez in 'I Will Make a Beast of You'

Alina Lopez - I Will Make a Beast of You

Alina makes Mickey Mod take a seat as she puts on a performance that brings him fully into the moment before she allows him to break free.

Janice Griffith in 'Come Here'

Janice Griffith - Come Here

Mickey Mod has been fantasizing for a long time about dominating his teaching assistant, Janice. One late night he builds up the courage to try but isn't strong enough. She sees an opportunity and takes control instead.


Vicki Chase in 'Relentless'

Vicki Chase - Relentless

"I don't want to be asked, I want to be made. I want to be told and pulled throat-first down on your cock, hair in your fists, eyes watering and sated." Vicki Chase and Markus Dupree ignite in this anal scene that toys with the lines of domination and subordination for the newest volume of our award-winning series, Sacrosanct.

Kayden Kross in 'Champagne room'

Kayden Kross - Champagne room

This episode of sacrosanct is about as personal for me as a sex act caught on camera can be. Not only did I direct this project and then insert myself into the cast, but the idea is borne of some muddy mix of personal fantasy and real-life memory.- Kayden Kross

Angela White in 'Sirens'

Angela White - Sirens

In Greek mythology, sirens were dangerous creatures who lured sailors to shipwreck on the rocks of their island. In an abandoned urban warehouse, these creatures are reimagined as sexual hooks that Angela White is pulled back from as she makes her way deeper into the structure. Manuel appears to let her look but not taste—not too much, anyway—but sometimes we only hold back because we are holding out, and the best is yet to come. Appearing in a short cameo, director Kayden Kross puts Angela in a scene well outside of her usual branding. The mood is dark, the air thick, and the bodies seem to multiply when the speed picks up.

Honey Gold in 'and Mick Blue'

Honey Gold - and Mick Blue

In this surrealistic sleepover, Kayden tempts Honey with the question, "Have you ever slept with a man you don't know?"No," Honey says, but already the box has been cracked. Honey lifts the lid a little further and follows her curiosity to its own natural end. As the two explore the unspoken contracts of sex between strangers, Kayden lures her on. "You're only human, Honey. We all trespass a little, given the chance." And then, finding Mick bare-chested at her fingertips, Honey bites.

Katrina Jade in 'Katrina and Nigel'

Katrina Jade - Katrina and Nigel

"He is more myself than I am. Whatever our souls are made of, his and mine are the same." Emily Bronte. Katrina stares deeply into husband Nigel's eyes as hooded men take turns entering her from behind."Let him come in you," Nigel commands, before slipping his fingers in to make sure she obeyed. Kayden Kross directs real-life couple Katrina Jade and Nigel Dictator in an exploration of trust and proclivities. The intense bond between the pair is palpable...leaping off the screen, even. While dark in tone, the film ends in the sweetest of moments: Nigel tenderly cradling his beloved, now spent and dripping.

Riley Reid in 'The First Time'

Riley Reid - The First Time

Do you remember the first time? The pressure and the unending need building there, swelling to a blood-hot flush in your cheeks and in your toes. And that other person—how strange it was that you knew that other person—the two bodies distinct in one moment, freshly exposed, then so blended as to never be undone the same way. This scene is an adaptation of 'The First Time' as originally published on unkrossed.com

Melina Mason in 'Do You Miss Me'

Melina Mason - Do You Miss Me

Even with an expensive divorce between them, Mick's ex-wife still manages to sink her hooks in. He dreads what he knows will be a game-filled visit, but he needs something from her and the only way to get it faces her. "Do you miss me, hubby?" she asks coyly. "No," he says. That doesn't sit well with Melina. She makes him say it.

Gia Derza in 'Things Worth Having Are Difficult'

Gia Derza - Things Worth Having Are Difficult

Markus has been around longer than Gia, which is why he rolls with the punches of her youthful indiscretions. "You love it," she says teasingly. "No," he says, "but things worth having are difficult." When she turns her back to him and pouts, he lubricates his hand with butter. She learns how good a difficult thing can be.


Karla Kush in 'Closing Time'

Karla Kush - Closing Time

Karla decides to close early when her bookstore is slow. Walking towards the back, she kicks off her heels and loses her sweater. God help the poor soul who happens to see her topless through the window. Then again, he should have heeded the sign on the door. It said Closed.

Kenna James in 'Check Your Phone'

Kenna James - Check Your Phone

Unfulfilled, Kenna stepped outside of her relationship to find what Logan no longer gives her. He suspects that something has changed, but can't put his finger on it. At dinner one evening, the tension builds to such a point that the muffled sound of a text bursts the dam. "Check your phone," Logan demands. What he discovers forces them both to find what went missing.

Gianna Dior in 'Unlocked'

Gianna Dior - Unlocked

Gianna's boyfriend has been friends with Mick for a long time, but when Mick overhears something he shouldn't, the friendship crumbles. Mick and Gianna are left alone, and Mick is no longer playing fair.

Casey Calvert in 'Merry Christmas'

Casey Calvert - Merry Christmas

Mickey's gift for girlfriend Casey is unconventional, to say the least, but she's as game as he is to try it. Featuring Christmas lights as bondage and a leather flogging whip, the couple makes BDSM play look almost wholesome. Almost.

Abella Danger in 'One on One'

Abella Danger - One on One

When Abella and Ramon meet, there is immediately an air of contention between them. The problem is there's a bit of attraction, too. This builds as she joins him in a one-on-one game on the basketball court, but once she gets frustrated she pushes too far. He responds by pressing her against the pole by the neck. She responds by shoving her tongue down his throat.

Autumn Falls in 'Training The Maid'

Autumn Falls - Training The Maid

When Markus catches his maid cleaning sloppily, he calls her into his room. "When you were a girl, and you misbehaved, what used to happen?" he asks. She looks at him reluctantly. "I was spanked, sir." He considers this, before proceeding. "And did that curb the behaviour?" She looks down. "Yes."

Izzy Lush in 'Anything'

Izzy Lush - Anything

"Did you dress for me," Manuel asks before letting Izzy in through a cast iron gate. She shows him the lingerie beneath her trenchcoat. After leading her through the labyrinth of the strange house, he pushes her against a wall on a staircase landing. "What would you do for me," he asks. "Anything," she says. He looks at her closely. "Anything?"

Eliza Ibarra in 'Let Go'

Eliza Ibarra - Let Go

Isiah Maxwell has control issues, but not the fun kind. Eliza tries to be patient through the compulsive attention he pays to set up a romantic bath for the two of them, but when he can't centre his attention back on her she throws him up against the shower wall. 'Let go,' she says.


Elsa Jean in 'Sex Doll'

Elsa Jean - Sex Doll

Elsa is unattainable and uses Markus to her own ends, but in Markus' obsessive fantasy she's perfectly available to him and his every whim—a living doll suited for his needs.

Giselle Palmer in 'Where It Will Hurt'

Giselle Palmer - Where It Will Hurt

Giselle can't get over her sexual fixation on the first man who ever dominated her.

Alexa Grace in 'You Took Off Your Ring'

Alexa Grace - You Took Off Your Ring

Alexa and Ricky have nurtured a mutual crush in the office for years, but Ricky is married. The day comes when both are out of town on a business trip. Alexa becomes determined to seduce him on their last day there, and sits down alone with him under the guise of work. The two awkwardly sidestep the issue of their attraction, but once he removes his wedding ring, she picks up the aggression.

Ivy Wolfe in 'Oops'

Ivy Wolfe - Oops

When Michael disappears from Ivy's party of two to take a business call, Ivy gets down to business too. Interrupting him wearing nothing but killer lingerie and a man's shirt, she gives Michael one last chance before the games begin. He blows it. But when Ivy's glass shatters on the floor, Michael finally gives her the attention she came for. Deadpan, she raises an eyebrow and says, Oops. Next, he gives her the punishment she came for.

Elena Koshka in 'Elena and Manuel'

Elena Koshka - Elena and Manuel

When his daughter brings a friend home to study, Manuel tries not to notice. Elena notices him, though, and makes no secret of it. Once his daughter leaves for work, Manuel is left to fight his temptations. It's not a fair fight.

Alexa Grace in 'I Got You'

Alexa Grace - I Got You

Markus works after hours grading papers at his desk when a student drops in. 'You're not supposed to be here,' he says with apprehension. She smiles at him, almost with pity. 'I'm your student, aren't I? Makes sense that I would be here.' But he's right. She's not supposed to be there, and she doesn't take no for an answer.

Kayden Kross in 'You Talking to Johnny'

Kayden Kross - You Talking to Johnny

A car pulls up at Ana's house uninvited. One of Ana's guests looks out the window. "Does she have a bat," he asks. The girl with the bat has questions of her own. She squares off with Ana. "You talkin' to Johnny?" Ana stands up and straightens her dress coolly. "What if I am?"

Valentina Nappi in 'Valentina and her Husband Have a Game'

Valentina Nappi - Valentina and her Husband Have a Game

The game is simple. She can do whatever it takes to seduce a man, and he can do whatever it takes to deter the man. If the man fucks her, she wins.

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