Latest 'Teen' updates from Pornstar Scenes (Page 145)

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

'Since mankind's dawn, a handful of oppressors have accepted the responsibility over our lives that we should have accepted for ourselves. By doing so, they took our power. By doing nothing, we gave it away.'
-Alan Moore, V For Vendetta

MODEL CITIZEN
Law Enforcer Audits Young Housewife's Lifestyle In Dystopian Future

Citizen Val (Aria Lee) sits obediently in front of a television, her eyes focused solely on the screen. Before her, Mother relays her daily message of love, ensuring that all her children can hear her soothing voice. As a model citizen, it's up to Citizen Val to do her part for the good of society, which includes ONLY having romantic and sexual relations with designated partners of approved genetic compatibility.

When there is a knock on the door, she is quick to answer. Auditor Bale (Tyler Nixon) stands before her, his presence a powerful one that she respects without question. In a calm, authoritative voice, he announces that he's there to do a routine audit of the household to ensure that everything is in working order. Although Citizen Val finds this a bit suspicious, since she was audited only a couple weeks ago, she allows him inside.

Auditor Bale surveys the house, making sure that everything is exactly as it should be, especially when it comes to receiving Mother's messages. He then asks Citizen Val routine questions to ensure that she's been doing her part as a model citizen. With each question asked, Citizen Val grows more nervous, although Auditor Bale doesn't seem to catch on.

Finally, it's time for the physical examination to ensure that Citizen Val's genetic profile is up to date.

'Do you understand and accept that only Auditors have the authority to disable the broadcast, and that as a model citizen you must never disable it of your own volition?' Auditor Bale relays, clearly having said the line hundreds of times before.

'Yes,' Citizen Val utters.

As Auditor Bale disables the surveillance all around her, Citizen Val's heart pounds wildly in her chest for what's to come.

CAREFUL WHAT YOU WISH FOR
OVERPROTECTIVE MOM CONVINCES DAUGHTER TO LOSE VIRGINITY TO STEPFATHER

Marie (Silvia Saige) and her husband Steve (Eric Masterson) sit on the bed in their daughter's room. Don't do this Marie...he's telling her, this can ONLY end badly, Steve says. Marie looks at him with a reassuring smile. This is the RIGHT decision, she KNOWS it is, Marie says, patting his leg. But it's a solution to something that's not EVEN a problem, he adds. YET, Marie clarifies. It's not a problem YET, she adds. 'You know how teenagers are. It's only a matter of time before she starts experimenting, and once she does...that'll be IT...we WON'T be able to protect her anymore,' Marie says. Doesn't he WANT to protect her?, Marie asks Steve. That's not fair, of COURSE he wants to protect her, and Marie knows that, but...but not like THIS, Steve says. She's his DAUGHTER for god's sake, he says. 'She's your STEP-daughter, and in this situation, that distinction makes ALL the difference,' Marie says. Steve scoffs, still unconvinced. 'Steve...do you trust me?' Marie asks him. Yes, he trusts her, Steve says quietly. So trust her on THIS, Marie says. He nods wordlessly. It's time, Marie says patiently. He sighs loudly. Jesus Christ, what the hell are they doing?, he wonders aloud quietly. 'Lindsay! Can you come into your room please?' Marie calls to another room.

After a moment, Lindsay (Jaye Summers) walks in. Marie smiles warmly, but Steve still looks serious. Lindsay can obviously tell that something's up. Um...what are they doing in her room? What's wrong?, she asks suspiciously. Marie clears her throat. They have to talk to her, Marie says. Okaaay, Lindsay says, still suspicious. Well, they...they wanted to talk to her about...some changes that are coming, Marie begins. The kinds of changes that they're talking about are...changes that SHE'LL be experiencing, Marie continues. Lindsay laughs. Oh god, are they about to give her THE TALK?!, Lindsay asks with dread. 'I'm 18. I know all about the birds and the bees, so let's just spare us all a whole lot of embarrassment,' Lindsay says good-naturedly.

Yes, they know that she's well aware of how things...work, Marie says. But...Lindsay is a beautiful young woman, and soon...soon--if not ALREADY--she'll have lots of boys chasing after her, Marie says. And these boys only have one thing on their mind, Marie continues. Woah, now they're REALLY freaking her out...what the hell is going on?, Lindsay asks, her alarm bells going off. Well, Lindsay's told her that she's still a virgin, Marie says. But the fact is that she's NOT going to stay a virgin for long, Marie continues. And these...these boys who want to...who want to TAKE that from her...they DON'T have her best interests in mind, Marie says. But as her parents...THEY do, Marie continues. But if Lindsay's going to lose her virginity, Marie wants it to be with someone Lindsay trusts, someone she...loves, Marie says. Marie adds that they just want to protect her, so...'Honey, we want you to lose your virginity...to your father,' Marie says delicately.

Lindsay is disgusted and wants nothing to do with their plan, but through finely crafted fear-mongering, Marie seems to be doing a good job of convincing Lindsay that this is the right thing. O-ok...she'll do it, Lindsay says finally.

CUT TO TITLE

A few minutes later, Steve and Lindsay sit on the bed together. After a few moments of nervous small talk, they lean in and kiss each other. Leading Lindsay through her first sexual experience, Steve eats Lindsay's pussy. As he goes down on her, the camera shifts to the doorway, where Marie can be seen watching the two hook up. She watches as a satisfied smile forms on her face before she moves away from the door.

Later that night, Marie tries to ask Steve how it went, but he is evasive and distracted, not wanting to touch her. Good night, he mumbles, turning out his bedside light. Good night, Marie says, a worried look crossing her face.

A few days later. Marie is passing by the doorway of Lindsay's bedroom with a laundry basket when she hears odd sounds coming from within. She carefully opens the door to the bedroom opening a crack, slowly and soundlessly. Her eyes widen with shock and she almost drops the laundry basket when she sees that Lindsay is sucking Steve's dick. They don't notice Marie watching. Marie looks hurt and shocked, but she can't seem to turn away.

Be careful what you wish for, Marie...

Story inspired by an original submission by Pure Taboo member, GTIlover!

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

Dad's Paddle Collection
TEEN DAUGHTER UNCOVERS DAD'S REPRESSED DARK AND KINKY PAST

'He was now in that state of fire that she loved. She wanted to be burnt.' - Anaïs Nin

We open to Gracie (Marley Brinx), an innocent teen simply looking for her step-father's fishing gear so that she can spend a day out with friends. However, when she searches Tyler (Charles Dera)'s room, she finds a mysterious trunk that opens up a whole new world to her...

She's mystified as her eyes and fingers trail over the variety of paddles and riding crops delicately laid across a red velvet pillow. She picks up a paddle, feeling the solid weight of it in her hand as she carefully spins it around. She's drawn to it, like a moth to a flame... until she's suddenly snapped out of it by Tyler's stern voice behind her.

Instead of being afraid of Tyler, she sees a darker side to him that stirs a fire within she never knew existed. The way he describes his dark desires and past while lovingly handling his paddle collection has her hooked. This is a man who knows what he's doing and enjoys doing it, although he's denied himself such pleasure for so long. He vowed to put it all away to become a respected family man. He dedicated himself to his new wife and raising his step-daughter.

Yet, while Tyler tries his hardest to be a good father, Gracie soon tempts him to be anything but.

FAMILY VACATION
SEPARATED TEEN FOSTER SISTERS REUNITE UNDER BIZARRE CIRCUMSTANCES DURING FAMILY VACATION

Two teenage girls, Allie (Gia Paige) and Beth (Avi Love), are sharing a tearful goodbye. They'd been in the foster system together for years -- it's like they're sisters -- but now Beth is moving in with a different foster family. For the first time, they're going to be separated, and Allie is worried that Beth is going to forget all about her once she has a taste of her new life. Although Beth assures her that that's never going to happen, when they hug then part ways, Allie's sure she's never going to see her best friend ever again.

Her hopes are lifted when she receives a phone call from Beth weeks later, inviting her to visit her at the family's vacation home. Although Allie is hurt that Beth didn't contact her sooner, she jumps at the chance to see her again.

When she later arrives at Beth's new home, which is more luxurious than anything she's ever seen in her life, Allie feels out of place. She feels even MORE out of place once she reunites with Beth and meets her new foster parents, Maria (Silvia Saige) and Shane (Steve Holmes). Beth is... different... somehow, and Maria and Shane give off creepy vibes with how intimate they are with Beth.

It doesn't feel right. Concerned for Beth, Allie tries to privately ask her if she's safe. Allie's world comes crashing down when she learns that Beth has been having sex with Maria and Shane in exchange for stability! Although she's horrified at the thought, when the family offers the same deal to Allie, it's the hardest decision she'll ever have to make.

DADDY'S GOLDEN RULES
DISCIPLINARY DAD MAKES DAUGHTER WET HERSELF
A teen girl, Carrie (April Aniston) quietly sneaks into her house long after her curfew. She thinks she's in the clear until her step-father, Kirk (Mr. Pete) calls out to her from the living room.

Busted.

Carrie has to endure her step-father voicing his resentment about being a step-father. As he begins to tell her off, she starts to squirm, needing to use the bathroom. She's been out all night, after all. However, Kirk isn't about to let her go without her reciting his three golden rules. He does everything for her, so the very least she can do is respect his rules.

She recites the golden rules, desperate to get out of there. Respect her mother and step-father, never bring boys home, and... never be late. But Kirk isn't happy. She's broken two of the three rules, so she knows what that means -- she has to wet herself.

Carrie is shocked -- the LAST time they were in this situation and she wet herself, she thought it was an accident, but it's clear now that Kirk gets off on it!

She begins to storm away, but Kirk threatens to double or triple her chores to make sure she doesn't have any time for fun anymore. Maybe he can tell her mother how bad she's been, too. She wouldn't want to disappoint her mom, would she?

Although Carrie's grossed out, she decides to give into what he wants just to get it over with. Little does she know, this is just the beginning of what he has in store for her. Kirk plans to make sure his daughter NEVER disrespects his golden rules ever again.

KEEP YOUR FAMILY CLOSE
CHEATING HUSBAND IS CORNERED WHEN ONLINE MISTRESS SHOWS UP ON HIS DOORSTEP

A wife (Chanel Preston) makes her husband (Charles Dera), a nice dinner. She tries striking up a conversation with him but he's too distracted. Little does she know, it's because he's busy staring at a string of messages on his phone from an apparent mistress of his. Annoyed by her husband's lack of caring, her eyes linger on a birthday card from her sister. 'Family's important, isn't it?' she directs to her husband, who once again ignores her, showing that he takes his wife and family for granted.

Unfortunately for HIM, karma's out to get him.

The next day, the husband's world is turned upside down when a teen girl (Whitney Wright) shows up on his doorsteps. She's eerily calm while he is too shocked to do anything but stare at her. Before he can shoo her away, the wife catches sight of the teen and invites her in, thinking she's there selling cookies. The teen comments that there's a misunderstanding... she's not there to sell cookies, she's there to see her dad!

The husband is stuck between a rock and a hard place as the wife gets over her initial shock and invites the teen girl inside, giving her a place to stay now that they're family! While the wife is over the moon with happiness, the husband knows he's screwed as the teen casts him dark, sultry stares when the wife isn't looking.

There's more here than meets the eye, and the husband's troubles are just beginning.

CHARITY CASE
HOMELESS TEEN STALKS FAMILY MAN WHO SHOWED HER KINDNESS

Ben (Will Pounder), a family man, returns home from an outing. He parks in his dark garage and climbs out of his car, chatting with his wife on his phone. Unbeknownst to him, as he says 'I love you' and hangs up, someone is lurking in the shadows.

When he turns on the lights, he's startled to see Cassie (Lisey Sweet) there, dressed in a cap and baggy hoodie. Ben goes on the defensive, thinking that he's being mugged in his own home, but she insists that he knows her. She's Cassie, a homeless teen he's shared sandwiches with before! She was so used to seeing him around when she was on the streets that when he stopped showing up, she panicked. She just wanted to make sure he was okay!

Although Ben's freaked out at first, he assures her that he's perfectly fine. Seeing how shaken she is, he takes pity on Cassie and invites her inside to get washed up. Obviously, she can't stay with him, but he'll do what he can to help her.

Cassie is smitten with him. She's drawn to his kindness, wanting nothing but affection from him, but she doesn't know how to properly show it. She comes on too strong and weirds Ben out, causing him to deny her every advance. Confused and desperate for human contact, she begins undressing, trying to get him to look at her naked skin. Ben is again freaked out, which only confuses Cassie even more. Doesn't he WANT to have sex with her? Otherwise, why would he have been so kind to her?

Ben is appalled -- he's a family man who loves his wife very much! Not every guy wants to take advantage of her. But when Cassie refuses to leave and comes onto him stronger than before, Ben is conflicted. If he gives in this one time, maybe she'll get out of his life and never come back...

DADDY'S SPECIAL HUG
BITTER STEP-DAD CONDITIONS INNOCENT TEEN DAUGHTER TO BE HIS SEX TOY

A sweet teen girl, Katie (Lexi Lore), is sitting on the couch, gazing off and in her own little world. Meanwhile, her step-father, Michael (Derrick Pierce), is at the front door talking to a neighbor. It's Katie's 18th birthday today, so the neighbor brought over some cupcakes! Can he give them to her?

Michael tenses but plays it cool, telling the neighbor that she's not feeling so well today, so... The neighbor hands over the cupcakes and marvels over what a good step-father he is, but doesn't push the issue any further before taking his leave. Now when Michael returns to Katie, who obediently and sensually licks the icing he scooped off the cupcake from his finger, it seems like he's anything but a good step-father.

When they're alone in Katie's bedroom shortly after, Katie expresses that she wishes her mother was there to share the special day with. Michael tenses again, saying he wishes her mother was there, too. She was a wonderful woman and he misses her, but... now he has Katie, who has grown up to be a perfect, beautiful young woman... She's finally ready for his special hug.

Katie, too innocent and trusting of Michael, fails to catch onto the hungry, sexual energy directed towards her. She asks about the special hug and is told that it requires them to be naked, which she doesn't question since she'd been conditioned all her life for this moment. She's more curious than anything, especially once they undress and she sees Michael's cock for the first time.

It's all new to her, but Michael's praise and affection is everything to Katie, and she's willing to do whatever it takes to earn his love.

HOME ALONE
VOYEUR NEIGHBOR PREYS ON TEEN WHILE HER FAMILY'S AWAY

SCENE OPENS with a man, Mr. Rodgers (Mr. Pete), rushing to the front door of his neighbor's house. He has a toolbox in his hand and there's a sense of urgency as a teenage girl, Kat (Maya Kendrick), opens the door and hurries him inside. She was doing dishes in the dishwasher but something went wrong and now there's water everywhere!

Mr. Rodgers quickly gets to work and stops the flow by closing the valve under the sink, though the problem itself is still not entirely fixed. The hose is broken, but he's going to go to the hardware store, anyway, so he'll pick up a hose and replace it for her. He encourages Kat to stoop down and look under the sink with him so that she knows which valve to close in the future if a hose ever breaks again. As she enthusiastically joins him, though, his eyes linger on her tight ass when she's not looking.

Once they're done, Kat thanks him so much for rushing over to help. If he wasn't her next door neighbor, she doesn't know what she would've done, with her parents being out right now! Imagine if something like this happened while she was away at college? Mr. Pete comments that it'll be sad when she leaves... Kat giggles and reflects that she's 18 now -- she can't stay home forever!

As she walks him to the door to see him out, Mr. Rodgers pauses. While he's here, he may as well check the access panel to make sure that the hoses aren't eroding. Usually if one goes, another is right behind. Kat, thankful that he's so thoughtful, agrees and shows him further into the house.

As Mr. Rodgers moves from room to room to find the access panel, Kat starts to get a little suspicious, especially when he looks for it in her bedroom. While he's checking out the closet, she hurriedly tucks some of her personal belongings, including underwear, out of sight. Sure enough, the access panel is in her closet and the hoses do need to be replaced, but he's going to get right on that!

But instead of immediately leaving, Mr. Rodgers instead goes to her window, commenting on the million-dollar view she has. Hey, look, did Kat ever realize that she could see his bedroom window from hers? Kat is uneasy as she looks out the window and sees that, yeah, she can, which means that Mr. Rodgers could just as easily see into HER bedroom as well. She's so embarrassed, nervously asking if he's seen anything...

'I may have seen a thing or two,' he says in a darker tone, his helpful neighbor demeanor completely gone now. Like how Kat lets her boyfriend use the back door, so to speak.

Kat grows more defensive -- they're adults, they can do whatever they want now. Sure, Mr. Rodgers says, though he's known her father for 22 years and he's asked him to keep an eye on her, so that's what he's doing. She's shocked, asking if he's been spying on her. Mr. Rodgers smirks and says, 'Let's just say, I think you should invest in some blinds.'

Kat, barely able to look Mr. Rodgers in the eye, asks him to leave. Mr. Rodgers says he'll leave, of course, but her father will be SO displeased to find out what she and her boyfriend get up to. He even has the footage to prove it.

Kat is freaked out and angry that the neighbor she's known all her life is such a pervert. When he starts coming onto her, she realizes that she's cornered and lashes out at him. It's time to make a decision. If he's going to make her have sex with him in return for his silence, then she's going to do whatever she can to claw back control.

Nominated - Best Non-Sex Performance: Dick Chibbles, XBIZ 2020

MY DAUGHTER, THE WHORE
FATHER WHORES OUT HIS FIRSTBORN DAUGHTER TO PAY OFF HIS DEBTS

SCENE OPENS on a man sitting in a chair in his living room, casually reading a newspaper as the sounds of sex can be heard from an adjacent room. The man, Roger (Dick Chibbles), doesn't seem to pay any mind to the noises. Soon, there is a loud grunt from the man in the other room as he cums. A few moments later, a man exits the adjacent room, closing the door behind him. He zips up his fly as he exits the room.

Hearing him, Roger looks up from his newspaper with a wide grin. Everything was satisfactory?, he asks the other man. Oh yeah, as beautiful as always, but....the man hesitates, before continuing,...she did seem a bit...tired today, he finishes. Oh, she did?, Roger asks, subconsciously gripping the newspaper hard enough to crumple the paper. Yeah, the client replies, not as eager as usual.

Roger politely apologizes, he's so sorry about that, the client can expect a better time on his next visit, Roger says. 'I will PERSONALLY...make sure that this does not happen again,' Roger adds with a tone of menace. The man tells him he appreciates it, and Roger walks him out the door. He waves the man off with a smile and closes the door behind him. As soon as the man has gone, Roger turns around, his smile replaced with a look of fury.

He opens the door of the bedroom to reveal a naked girl, Lucy (Athena Rayne), who is on the bed hugging her knees. She looks exhausted and spent, staring off into space. When Roger comes in, she is startled out of her daze and looks at him. What the fuck Lucy?!, Roger asks angrily, standing over her on the bed. He said she seemed...TIRED?, he continues. That guy is one of their best clients, has really fallen in love with her, so they need to make sure to keep him happy no matter what, Roger continues with barely contained rage. 'I know, I just...I really AM so...SO tired...tired of all of this...he was the third guy today,' Lucy says wearily. 'I don't give a shit if you're tired! You know how serious our situation is,' Roger says. She knows, she just...she can't do this anymore, it needs to stop, Lucy says numbly.

Roger takes a deep breath to steady his anger, closes his eyes for a moment. He sits on the edge of the bed next to Lucy, adopting a more patient caring tone to try to reason with her. 'Lucy... you know what they'll do to me if we don't square things away, right? You don't want me to go away, right? Then it's up to you to fix this.'

Lucy nods along with him, resigned. 'Good, so clean your fucking self up, you look disgusting, and you've got another appointment arriving in a few minutes...and you can't greet a client looking like...this,' he says, gruffly, his tender demeanor instantly vanishing as he waves a hand disgustedly at her. 'I raised you better than that, didn't I?' he adds. Lucy looks up at him with tired eyes. 'Yes Daddy,' she says.

CUT TO TITLE

The doorbell rings and Roger goes to answer it. He smiles as he opens the door to greet his daughter's latest client, John (Tommy Pistol). The client says hello coldly, not smiling. Roger invites him in. So this is his first time here right? Roger asks amiably. Yes, the man says curtly. Ok, so he'll explain the ground rules, Roger says.

Cut to Lucy's room as Roger explains the ground rules, muffled behind the door. Lucy is almost done cleaning up. We watch as she finishes reapplying her makeup in a compact mirror and puts on some sexy lingerie. She looks good and well put-together, but her eyes betray an exhaustion that is soul-deep. She sits down on the edge of the bed and stares off into space.

Cut back to Roger and John. Roger has just finished explaining the ground rules. So does he understand?, Roger asks. The man pauses. Yes, everything's clear, he says quietly. 'Also, I should mention that there are some...activities...I'm interested in that may...not EXACTLY be what she's used to...' John says. 'I'm sure there's something that we can work out,' Roger responds.

Cut back to Lucy in her room, who is still staring blankly, lost in thought. There is a knock on the door, which startles her out of her reverie. She shakes her head, trying to pull herself together. Just one sec, she calls to the person who knocked on the door. Lucy looks in the mirror. She takes a deep breath, and with effort, her blank expression of exhaustion turns to a seductive, flirty expression, as her eyes brighten and she pouts her lips. Where she was weary and spent a few moments ago, she now appears younger, youthful and vibrant: Lucy's game-face is on. She lies down on her stomach on the bed, resting her head in her hands as she smiles up at the door. She kicks her legs absentmindedly behind her in an energetic, innocent way. She tells the visitors to come in.

Roger opens the door and invites John in, introducing him to Lucy. John says hello stiffly. 'You're just in time, I was starting to get lonely,' Lucy says flirtatiously. 'There's been a...change in plans Lucy,' Roger says, closing the door so that the three of them are in the room together. Lucy's eyes widen in horrified shock. 'What are you...?' she asks.

Well, John has asked him to stay...and watch, Roger says casually, without a hint of trepidation in his voice. 'Yes, I love an...audience, and there's really no better audience than a loving father watching his precious daughter get defiled in front of his very eyes,' John says.

Roger coughs to clear his throat, clearly a bit put off by the request but trying his best to keep it hidden. That's not a problem...IS IT, Lucy?, Roger asks in a vaguely threatening tone. Lucy hesitates for the briefest of moments before she buries her horror down deep.

No...of course not, she's up for whatever he wants.

GAPING TRAINING
SUGAR DADDY MAKES HIS TEEN GIRLFRIEND TRAIN FOR ANAL SEX

A teen, Tracy (Lola Fae), walks uncomfortably outdoors towards her sugar daddy boyfriend (Bill Bailey)'s house. Her movements are slow and careful, although once she arrives and is greeted by the older man, he's pleased to see that she's wearing the butt plug, just like he asked. He even removes it to get a good look at the little gape while Tracy squeaks and blushed. He knows it's uncomfortable, especially since it's Tracy's first time, but she wants Daddy's dick, right? Then she has to keep up with the training...

Back at home, while having dinner with her actual father, Tracy's father shows concern for how awkwardly she's holding herself. She tries to insist that there's nothing to worry about and encourages them to just have a nice meal.

That's when her sugar daddy sends a text, demanding to see her pussy. No, better yet, he wants her to send him pictures of her fingering herself under the table. Although she's nervous about being caught, there's a certain thrill there as well as she does what he asks, then sends the picture. Although her real dad almost catches her, she just barely escapes his notice.

Tracy, eager to please her boyfriend, continues to wear butt plugs in her everyday life, even in public. While she's at work as a waitress, she tries her best to concentrate, almost getting caught by a coworker for looking so uncomfortable. Fortunately, she's able to get away from the situation by pretending she has cramps. It's perfect timing since her daddy messages her, demanding to see how she's progressing. She excuses herself and rushes to the bathroom. Once she's there, she takes pictures of her gape and sends them to her daddy.

Finally, her sugar daddy declares that she's ready for the wicked evening he has in store for her.

DUTY CALLS
TEEN CHEATS ON BOYFRIEND WITH HIS BROTHER WHILE LYING TO BOYFRIEND ON THE PHONE

A teen girl, Carmen (Ember Snow), is crying when Brett (Johnny Goodluck), her boyfriend's brother, returns home. Brett seems to take an interest in her, almost like a predator sniffing out prey, as he sees how vulnerable she looks. He learns that Carmen and his brother got into a huge fight about her jealousy and insecurity towards other girls, and he stormed out. She's been crying her eyes out the past few minutes until Brett got home.

Brett sees an opportunity to wreak some havoc and have a bit of fun. He starts acting sweet and consoles Carmen, sympathizing with her and telling her his brother is an asshole. He asks how old she is and when she tells him she's 18, he tells her that because of being older, he knows more about how these things work. He tells her she needs to move on, not just because she deserves better but also because he lies that it sounds pretty clear his brother broke up with her. This upsets Carmen even more.

Brett tries to convince Carmen to have sex to get back at her boyfriend. Carmen doesn't want to, she still thinks her boyfriend loves her, so Brett plays to her insecurities and asks how she's sure his brother HASN'T been sleeping around with other girls?

Brett sees Carmen is starting to doubt and puts on the pressure - wouldn't it really make his brother jealous if SHE had sex with another guy? Someone like... him? Carmen is still reluctant, but all of her doubts and anger and frustration fuel her decision and she finally leans towards Brett, kissing him intensely. He slowly moves his hand between her legs and rubs her pussy as she gasps.

Carmen thinks she's getting the ultimate payback, but what she's really doing is EXACTLY what Brett wants her to do.

THE PRODIGAL DAUGHTER
IMPOSTER POSES AS COUPLE'S LONG-LOST DAUGHTER TO FULFILL TWISTED DESIRES

SCENE OPENS on Bryce (Derrick Pierce), Kim (Dee Williams), Darryl (Brock Slayden), and Rhonda (Venice Rose), all waiting anxiously in a living room. Bryce and Kim are excited and nervous. Kim says she can't believe this is happening after all this time! Bryce kisses his wife's forehead lovingly. He says that he can't believe it either -- their little girl is coming back to them! They have a second chance to be a family -- it's almost too good to be true.

'It IS too good to be true,' Bryce's brother, Darryl, speaks up. His expression is suspicious. His wife, Rhonda, is standing nearby and looking worried as well. 'SOMEONE has to be the voice of reason, so it may as well be your brother. Your little girl went missing 12 years ago. No one turned up ANYTHING! Not the cops, not the FBI -- NO ONE. And now Scarlett suddenly pops up out of nowhere?' Darryl states. At that moment, the doorbell rings, and Bryce and Kim answer it excitedly. A teen, Scarlett (Jane Wilde), waits on their doorstep with a police officer, announcing that she's the daughter they've been looking for.

As they greet each other, Scarlett avoids talking about her past, though her parents don't seem to find it suspicious. Darryl and Rhonda are even more suspicious of Scarlett, and she seems to recognize that they are a threat to her plan. Kim says that she'll show Scarlett to her room. 'That'd be great... Mom,' she says. Yet, as they head off, Scarlett gives one more cautious look back to Darryl and Rhonda.

When Kim and Scarlett leave the room, Bryce gets even angrier at Darryl when Darryl tries to warn him again. Exasperated that he's not getting through to his brother, Darryl and Rhonda leave the house.

A week later, Bryce returns home from work and overhears Scarlett having a suspicious conversation that signals she may not be who she seems. Scarlett hears him listening at her door, asking if there's anybody there? Bryce makes himself known by opening the door and acting like nothing is wrong. She lies and tells him that she was napping. Bryce knows that isn't the truth, so he looks a bit taken aback as he tries to recover. He says that she should wash up because when Mom gets home shortly, they're going to go out for dinner.

Scarlett starts to double-down on her deception, trying to resort to sexuality to find out what Bryce knows, but their confrontation is interrupted by Kim coming home. 'Ahh, that's your mother. I'll leave you to get ready for dinner,' he says as he leaves the bedroom. As he slips out, Scarlett's expression becomes worried and dark.

Downstairs, Bryce quietly talks to Kim, sharing that he's worried something is amiss with Scarlett. Kim looks more anxious now, asking if he thinks Darryl and Rhonda are right? 'Right about what?' Scarlett suddenly speaks up, appearing behind them. She's still trying to look innocent, but there's something more sinister about her now as she approaches them. 'You ARE our precious Scarlett, aren't you?' Kim asks, her voice trembling as she grips Bryce more tightly.

She hugs herself, putting on a show, and says that when she was six and on a playground, she was... taken away by a man and woman. They claimed they were friends of Bryce and Kim's, and that they were there to take her home. But... they never took her home. She'd repressed it for many years but then started to wonder when she was a teen where she came from. Then, just after she turned 18, she finally found a story in an old newspaper at the local library about a missing child. When she saw the picture, she knew it was HER. That's how she got Bryce and Kim's names, and, well, here she is, after all this time...

Bryce questions what Scarlett was wearing the day she went missing. Scarlett accurately describes the clothes that were mentioned in articles about the missing child. But Kim asks more specifically about a necklace, which Scarlett stumbles over. Faced with no other choice, Scarlett finally admits that she's not their real daughter. Kim chokes back a sob and Bryce shouts at Scarlett to get the fuck out of their house before they call the cops! Scarlett is unmoved and unafraid, saying that wasn't the past week the best week of their lives? 'That was when we thought you were our child! Our flesh and blood!' Kim cries.

Scarlett continues to manipulate them, trying to get them to accept them as their daughter to live out their fantasy of having a real family. She's more than happy to keep this up and build a life with them, although it'd be nice if there were some... extra perks... with the arrangement as well. As she says this, she traces a finger along Bryce's arm, looking at them with more seductive eyes. They're very beautiful people -- it's a shame she never got their genes. Bryce and Kim are horrified and reject Scarlett. She presses on, breaking them down by threatening to lie to the police and tell them that Bryce and Kim were the ones who kidnapped her and were keeping her locked in their basement for all these years.

Bryce and Kim seems to be breaking down now, at a loss for what to do. Scarlett takes this time to feel them up a little, though she works it into a hug, squeezing them close. 'So, what will it be?' Bryce and Kim look at each other, broken. Kim swallows hard and nods briefly. Scarlett looks pleased and says that they made the choice, so now it's time to seal the deal with a little something extra. A little fucking around in exchange for their family name to be carried on for generations to come? That's nothing, right?

It might feel wrong at first, but Mommy and Daddy will learn to like fucking their prodigal daughter soon enough!

BIOGRAPHY OF A VIRGIN
OBSESSED TEACHER DEVELOPS DARK FIXATION ON VIRGIN STUDENT

Mr. Davies (Michael Vegas) is burning the midnight oil as he grades papers in his home office. He's down to the last one for the night, thankfully, although once he starts reading it, time seems to slow down.

The essay is about a girl (Carolina Sweets) owning the fact that she's an 18-year old virgin. Betty's proud, recognizing that her virginity is a special gift -- she doesn't want to give it away to just anyone...

Mr. Davies fixates on the student, hearing her utter, 'I'm a virgin,' in his head over and over again, slowly driving him mad with lust. It's like she's calling to him to be that special someone to make her complete...

The next day, he invites Betty over to discuss the essay and how beautifully it was written. Betty is naive about everything, though is happy to be in the presence of a teacher she admires. Yet, when Mr. Davies starts paying her more compliments than she's used to, she grows suspicious of his true intentions.

Finally, Mr. Davies asks if she feels it, too? The connection between them? When he read her essay, it was as though it was specifically written for HIM -- as if she was asking HIM to have the honor of taking her virginity.

Betty is shocked, exclaiming that that's not what she was implying at all, but Mr. Davies has power over her. If she doesn't give herself to him, he might stop her from graduating school or getting accepted into good colleges. He could end all her dreams with just one report card...

To save face, she submits to Mr. Davies' twisted delusion, willing to give up her virginity in order to prevent him from taking EVERYTHING from her.

CUM INSIDE
TEEN'S CREAMPIE HOOKUP AD DRAWS UNWANTED ATTENTION FROM INTRUDER

SCENE OPENS on a teen, Meg (Gianna Dior), in her bra and panties on her bed. She is sensually humping a pillow between her legs, moaning as she thrusts into it. She's holding her phone in her other hand, and every time she gets a message she slows her humping to look at the phone and type a response. 'Yes, I AM all alone right now, my parents won't be back for hours...' she says out loud with a smile as she types and then sends the message. She goes back to playing with herself.

A few moments later, her phone sounds again. 'Yes, I AM over 18 - eggplant emoji,' she says, dictating her text all the way down to the emoji she adds for effect. She goes back to pleasuring herself. Seconds pass, and her phone sounds a third time. 'Oooh, I can't wait for you to cum inside me,' she says as she types. She sends the text, and then types up another message. 'My address is...'. She hits send. Almost instantly, she gets a single one-line reply, which we see displayed on the phone. 'see you soon.' it reads.

With a smile, Meg puts down the phone and gets back to pleasuring herself with the pillow. Her ass is mesmerizing in her skimpy underwear as she bucks her hips back and forth. She licks a finger of her now free hand. She slips the finger through the waistband of her underwear and starts fingering her pussy, pressing in deeper as she backs into it after each thrust forward into the pillow. She enjoys this rhythm for about a half-minute, before pausing to pull a dildo and lube out of her nightstand drawer. She lowers her underwear and lubes up the dildo with gentle strokes of her hand over the plastic. Eagerly, she sticks it in her pussy, easing it deeper into herself with soft moans. She begins fucking herself with the dildo and fingering herself on the bed for several minutes.

Her phone sounds again, and Meg wonders aloud to herself as she picks up her phone whether he got lost. She looks at her messages and remarks that it's a message from another guy. She reads it silently to herself and bites her lip and grins. 'I'm busy for a little while... but how about in an hour?' she says as she types. She types with one hand, and we see her other hand playing idly with her lubed up pussy as she waits for a response. 'Sure, I can host. I'll text you the address...' She types rapidly into her phone and hits send. She starts to type another message - 'I can't wait for you to...' At the moment where she would say the words 'cum inside', we cut to the title plate of the same name.

TITLE PLATE

CUT TO another day, Meg is wearing some casual clothing and milling about her bedroom. She is dancing energetically as she tidies up her room. Her booty shakes enticingly as she moves. We watch from a male gaze POV for a good half-minute. Then, suddenly, we cut to a different POV, a voyeuristic one watching her dancing from outside her window which is ajar. We cut back to the interior of her room, then back again to the voyeur's perspective.

Meg finishes cleaning and then decides to unwind with a bath. We watch her undress from the interior male gaze POV, though we see the tail end of her undressing and her leaving the room from the voyeur POV. After a few seconds of staring into the empty room, the voyeur POV seems to get up and walk forward.

CUT TO inside the washroom, where Meg is naked and is turning on the water for the bathtub. She checks the temperature of the water with her hand, then makes an impatient face. She waits for a few moments awkwardly. Suddenly she hears a faint creaking sound from the other room. She cranes her neck to listen, then asks if anyone is there. She peeks around the bathroom door and sees a strange man (Seth Gamble) looking back at her.

The intruder is standing calmly, hands in the pockets of his ratty jacket, his hood up over his head. He looks tough and intimidating. Meg's heart is racing and her breath is shallow and panicked, clearly frightened by the stranger standing just to the side of the doorway out of the bathroom.

She asks him what he's doing, how did he get in here? The stranger replies 'You left your door open,' in an eerily calm soft voice. His calmness just makes Meg even more nervous, and she shrinks back a bit. Why is he here? 'I got your invite,' the intruder answers. Meg looks him up and down, still frightened but also confused. She didn't send him any invites. The intruder tells her softly that she should be more careful with giving out her address so freely online. The internet can be such a scary place.

Meg tries to muster up the courage to seem less afraid than she really is. 'I'm not really in the mood for sex right now,' she says, trying to reason with him. 'That's too bad,' he replies sounding disappointed, 'I am.' Meg gulps and tries to ignore his reply. She tries to lie, and suggests that maybe he could give her his contact information and they could hook up another time. The intruder pouts and says why not do it now? He's here, she's naked, now seems like as good a time as any.

Meg insists a bit more strongly that now is NOT a good time. 'Oh... ok...' the intruder says disappointed but doesn't press the issue further. Meg waits expecting him to say something, move, leave, but he just stands there. Her voice wavers as she asks why he won't leave. 'YOU can leave,' he says almost as an invitation, 'the door's right there.'

She stands still in place, terrified. Almost tauntingly, he follows up by asking her what she's waiting for. She starts to walk towards the door, slow and hesitant, and gets a couple of steps forward until he makes a quick gesture causing her to flinch backwards - nothing violent, just something to spook her. He laughs almost playfully, he was just teasing her. She really can just walk right past him if she wants to leave. What is she afraid of? But instead of walking forward again, Meg shrinks back further into a corner.

The intruder remarks that it seems like she doesn't want to leave, it seems like she wants to stay. 'Please,' Meg begs, but is too scared to get more words out besides incoherent mumbling. The intruder takes a step forward into the room, and asks please what? Please fuck her? That's all he's been asking to do all along. Meg shakes her head but can't manage to choke out any other words. The intruder says he'll leave if he can fuck her. That's what she wants, right? Meg clutches at the towel barely covering her body and nods yes, still not able to form any words. The intruder asks that she meant she wants him to fuck her, right? Because it almost seemed like she nodded because she wanted him to leave. But the invite said she wanted to get fucked.

Meg puts her hands over her face in desperation, then after a moment of reflection she gives in. Yes, she says defeatedly, she'll let him fuck her if he promises to leave after. As he starts unzipping his pants, the intruder says matter-of-factly that of course he'd leave after, this isn't his house.

NYMPHOMANIA: AN EMILY WILLIS STORY
PSYCH PATIENT HAS SEX WITH DOCTORS AFTER GETTING CAUGHT MASTURBATING

SCENE OPENS on Katherine (Emily Willis), a 19-year-old patient, as she is dragged through the halls of the hospital she lives in by a male orderly (Chad White). She is kicking, biting, and screaming in a long straight jacket that envelopes most of her petite frame. Her fuzzy blue socks slip on the floor as she struggles, begging the man to take her back to her room. She promises not to do it again! But the man silently pulls her through a set of double doors and into an empty white room where the chief psychiatrist (Michael Vegas) is quietly waiting for her. The orderly slams her down in a chair in front of him and goes to wait by the doors.

'Katherine,' the psychiatrist begins calmly. 'How many times do we need to go over this? It's a strict rule in this facility that you cannot have sexual intercourse with the other patients!' He leans closely into Katherine's face and stares her down, as she turns her head. 'I'm sorry, doctor,' she whispers. 'I couldn't help myself ... I can't control it.'

The doctor steps back and pulls up a chair to face her. 'Katherine, I fear that your disorder is going to continue to put you in harm's way,' he continues. 'Do you forget what happened a few months ago with the patient in zone B?' Katherine shakes her head and squeezes her eyes shut. Her mind flashes back to the image of a terrifying man behind bars, coaxing her to come inside with him. 'Do you remember the beating? The way he tore you up?' the psychiatrist continues. 'How he nearly took everything away from you? Almost took your life away from you?'

Katherine opens her eyes as tears well up. 'Please don't talk about it,' she begs. 'I can't think about it anymore!' The psychiatrist continues to berate her, suggesting that her nymphomania provoked it, that she is to blame for all her transgressions, that she won't stop no matter how rough it gets, and that one day it'll mean the end of her if she doesn't stick to her treatments like a good girl.

Finally, Katherine screams at the doctor to stop. Covering her ears and crying, she begs to be taken back to her room. The psychiatrist smiles. 'This is your final warning, Katherine,' he says, becoming calm again. 'You will complete your abstinence program, which means no sex, no masturbating, no touching yourself of any kind.' As he makes his final warning, the orderly steps back in and calmly picks Katherine up and carries the nervous woman out of the room.

CUT TO TITLE PLATE

Several days later. The orderly is doing his rounds, when he peers in on Katherine's room. She is on the floor by her bed, naked except for her white cotton panties. Her legs are spread wide and the patient is choking herself with one hand while using the other to finger her wet pussy. Authoritatively, the orderly opens the door and storms into the room, chasing the scrambling girl back to her bed. In a panic, she pleads with him not to say anything. She doesn't want to be restrained again. The orderly laughs in her face. 'Well, you should have done what you were told then!' he sneers. 'Now, I'm going to do what I've been told ... and take you back to the doctor. Your actions have consequences, Katherine!' He slams her down on the bed and begins to put her in her jacket, as she begs and pleads for mercy.

CUT TO the white room. The double doors bust open and the restrained girl is tossed on the floor at the feet of her psychiatrist. She cowers beneath him, as the orderly tells him that he caught her masturbating and trying to auto-asphyxiate herself. The psychiatrist shakes his head as she cries out, 'Please, doctor. Please! I am so sorry, I won't do it again. I promise! Please don't send me down to B. Please have mercy!'

He leans in close again, grabbing her chin in his hand. 'I guess this is just who you are, isn't it?' he says condescendingly. 'You'd rather have sex and suffer the consequences than just control yourself?' She shakes anxiously.

Dropping her back to the ground, the psychiatrist begins to slut shame her as he circles the restrained girl. He tells her that she is the one to blame. She keeps provoking her partners. She keeps putting herself in these situations for a reason. It's the violence she craves. The roughness. The patient in B was just a warm up for what she really wants. Men that will hurt her and punish her for the slut that she is. She probably deserves it all.

As he rants, Katherine begins to cry. She is traumatized by her own thoughts and actions and begs her doctor to stop being so cruel. She looks back at the orderly and notices him rubbing himself over his scrubs. He smiles at her. Looking back at the psychiatrist, she reiterates that she can't help it. She can't control herself. 'Are you ready to go back to B? Because we won't protect you this time!' the psychiatrist coos. Katherine pleads for forgiveness. 'Please, please don't make me go back there!' she cries. 'I'll stop, I promise. I won't be able to take it again, doctor. Please I'll do anything you want!'

The psychiatrist and the orderly look at each other and smirk. 'You're such a selfish little nympho,' he says, taking off his jacket. 'You only care about pleasing yourself. What about your partners? Are they pleased when they're through with you and your holes?' Katherine asks what he is talking about. 'You love sex more than anything, don't you? You'd do it with practically anybody, wouldn't you?' he continues, slipping off his shoes.

She looks around confused. 'I have a condition,' she says slowly. 'And what about how we feel?' he asks. 'We have to tolerate your bullshit and disobedience every day ... without any kind of relief. Don't you think you should be a little more grateful to us?' As the psychiatrist says this, both men pull their cocks out of their pants. At first Katherine looks away in shock and closes her eyes. The men move their cocks closer to her face. She bites her lip. She can feel them near and it drives her insane. She starts to writhe in her straight jacket. 'That isn't professional,' she mumbles, her eyes still closed.

The psychiatrist asks if she wants them to remove her straight jacket. She nods nervously. The psychiatrist asks if she wants to be taken back to her room. She nods again, opening her eyes to stare at the cocks surrounding her. She is almost salivating. 'Then you need to be a good girl and let us have a piece of you too ... just like everybody else,' the psychiatrist orders. The orderly chimes in. 'Are you going to agree with your doctor?' he asks. She stares at him, holding his cock, before turning back to the psychiatrist. 'Yes ... sir,' she says slowly, biting her lip and squeezing her legs together on the floor.

EYE FOR AN EYE
PETTY TEEN SEDUCES FRIEND'S BOYFRIEND AS REVENGE FOR MINOR SLIGHT

Alexis (Kristen Scott) and Cori (Vanna Bardot), two friends, walk out of school, waiting for Cori's dad to arrive to pick her up. They make a bit of smalltalk as Alexis casually asks Cori how things are going with Jason, her boyfriend? Cori is a bit religious and proper, so tries to avoid talking directly about anything sexual with her and Jason, though Alexis playfully eggs her on -- come on, they're best friends, they can tell each other anything! Cori gives in and says that Jason tried to get a blowjob from her once, but he should know better -- they agreed to wait until marriage! Sure, she's 18 and he's still got a couple years left of college, so marriage isn't going to be happening any time soon, but before then he always seemed very understanding and willing to wait... Since then, though, he's been a bit standoffish. What if she drives him away by not doing things with him?

'I mean, I personally don't think you should make a great guy like him wait so long. You should be making sure to lock a good thing like that down. A lot of girls would be happy to have him...' Alexis insists. Cori gasps and playfully shoves Alexis, telling her that those girls will have to get through her first! Alexis then smiles and shrugs, saying that if it's meant to be, it'll be. If he's 'the one' for Cori, then he'll wait...

Cori then curiously asks Alexis what it was like when she lost HER virginity? Alexis says it was nothing great... Cori hums and says it was that nerd from their physics class, right? Freckles, or whatever his name was. 'Yeah, but you KNOW that's a sore spot for me. I could've done so much better than FRECKLES! It was my 18th birthday and I wanted to do something wild and he was literally the first guy I saw, so... As far as everyone knows, I got my cherry popped, or whatever, by that sexy quarterback, Taggart, behind the bleachers like the proud slut that I am,' Alexis insists.

Cori then pauses, looking guilty. 'Oh...' Alexis slows and raises her brow. 'Oh...? Cori, what did you do!?' Cori admits that she was talking to some girls in their biology class who were making fun of Freckles, saying that he was never gonna get laid... And she may have stood up for him saying that he DID get laid... by Alexis.

Alexis is devastated, unable to believe that Cori betrayed her. 'Cori, how could you! That was supposed to be between US!' she exclaims. 'I didn't MEAN to! They were just being so mean to him. I felt BAD!' Cori insists. 'Oh, my god, they're all going to think I'm SUCH a loser now!' Alexis moans.

Cori continues talking, trying to win Alexis back over. Alexis is her best friend -- she'd never mean to intentionally hurt her! She's sorry and wants to make it up to her. What about dinner tonight? Her treat! Alexis shrugs off the offer bitterly saying she has plans tonight. 'Is there anything I can do to make you forgive me?' Cori asks. Alexis takes a deep breath and then puts on a small smile. It's fine, Cori, she says, she was overreacting. Cori is relieved to see her that friend isn't mad at her anymore. Cori's dad has arrived, and she heads down to his car, waving to Alexis and apologizing again. Have fun with those plans tonight, Cori says joyfully. Oh, she will, Alexis says. She'll tell Cori all about it tomorrow.

As Cori walks away, Alexis' expression darkens and over seconds turns into full-on disturbed rage - she is quietly seething and hyperventilating as she pulls at her hair, looking like she's about to scream in anger any moment.

TITLE PLATE

CUT TO Jason (Nathan Bronson) sitting in his house, working on some schoolwork. There's a knock on the door and when he answers it, Alexis is standing there. He's confused to see her and asks what she's doing there? Is Cori with her? Is Cori OK?? Alexis tells him to relax and says she just happened to be in the neighborhood and wanted to say hi. It seems like he's so busy these days! Jason apologizes, saying that he's been so swamped with his projects. College is way more demanding than high school! He wasn't expecting it. Now it feels like high school was a breeze... He's a little jealous of Cori and Alexis, to be honest!

'YOU'RE jealous of US? If anything, I'M jealous of HER,' Alexis wistfully says as she follows Jason inside to the table, giving him a flirty look. She takes a seat across from him. 'What, why?' Jason asks, shifting a little uncomfortably under the look. 'Well, LOOK at you -- you're so smart, hardworking, polite, ...attractive... you're such a good guy, a guy who deserves to be rewarded in life so much more than he is...' she says. Jason is taken aback, hesitantly asking her what she means. Alexis laughs. 'Oh, come on, I'm Cori's best friend, I know all about the situation between you two... her saving herself for marriage, and everything,' she says in a kind but almost patronizing way. 'It's so sweet of you to do that for her. But that must be so HARD for you... What was it like when she blew you off when you wanted your dick sucked?'

Jason is flustered, saying that he really doesn't want to be discussing his sex life with her. 'Or lack of,' Alexis retorts. Alexis apologizes and corrects herself, saying that what she meant was that Jason is sacrificing so much for Cori to make her happy. What is she sacrificing for him in return? Jason stutters, flustered, that's not how relationships work... she doesn't have to... Alexis continues digging at his insecurities though, saying that the blowjob he suggested could have been a perfect compromise, still saving Cori's virginity but giving him some needed attention too. And what did Cori do when he asked her? She turned him down. SELFISH, that's what it is, Alexis says. It's bad enough she's denied him the basic pleasures of a relationship, but now she's even made him feel bad for wishing for more. With Cori. Or with other girls. Jason shouldn't ever feel bad for those urges, he's supposed to be in his sexual prime and instead he's like a beaten dog on a leash.

Alexis slowly rises out of her chair and saunters around the table and stands behind him. She puts her arms over his shoulders and glides her hands along his firm chest. 'Oh, come on, Jason... I know you want me... I see those looks you give me when you think no one's watching... To be honest, I've been wanting you ever since I first met you...' Alexis says. But obviously, she's a good friend so she kept her hands to herself... until now...

Jason asks what changed? Alexis half-lies and says that she just can't sit idly by anymore while Cori ignores HIS needs. Jason's been so patient with her, but shouldn't she be thinking about HIM, too? Does he even WANT to wait until marriage? Why SHOULD he, when there's so many other women out there that would LOVE to have his cock in their mouths. Jason tells Alexis that it's time for her to leave; he can't let this go ANY further-- he loves Cori. He turns away from her.

When he turns back to Alexis, he sees that instead of leaving, she's slipped off her clothes and stands there naked. Slowly she walks over to him as Jason stares at her tight body. 'Please, Jason,' she says seductively, showing off her naked body to him in full display. 'Haven't you waited enough? Haven't we both??' Those words, plus the sight of a pussy just waiting for him to dive in, finally win him over. Yeah, he says softly and Alexis slides her hands down to the front of his pants, pulling his dick out. She sucks on his balls before sliding her mouth over his shaft.

Alexis is going to give Jason exactly what he's been missing, and in the process, make Cori regret ever betraying her...

YOU'RE SAFE NOW
TROUBLED VIRGIN EXPLOITED BY SOCIAL WORKER AFTER BEING RESCUED FROM CULT

SCENE opens and a fragile-looking girl (Whitney Wright) nervously shuffles along the walkway to the doorstep of a social worker's house. She is clearly not comfortable, looking a little paranoid as she glances around her as if checking that there's no one laying in wait around the next corner. She's easy to startle, flinching as a car drives by in the background. She lets out a shuddery breath to calm herself, then hugs herself, trying to provide the comfort she's been deprived of for so many days.

She steals a moment to brace herself on the steps, telling herself that she can do this. Just as she lifts a hand to knock on the door, the door opens, revealing a man (Derrick Pierce) with a warm smile. Lily jumps with surprise and he apologizes, saying that he saw her through the window. He seems approachable. He says that she must be Lily and invites her in after introducing himself as Aiden Taylor, her social worker. She seems to relax slightly -- only slightly -- with his warm greeting.

She steps inside the home, thanking him for seeing her, though hesitantly comments that she was surprised he asked her to come to his house, not his office. Aiden replies that he likes working from home since he finds that people who have trouble trusting others -- like many of his clients, perhaps even like her -- feel more at ease meeting in a comfortable, inviting setting than in a big cold corporate office. He's worked a lot of cases and the home environment seems to work best, especially for teens who are often otherwise distrustful of authority figures.

She pauses a moment and responds that she guess she can see that, sure, warming up a little to his attempts at putting her at ease. He sees she is still a little skittish and smiles, reassuring her that she doesn't need to be afraid anymore as he puts a firm hand on her shoulder. Lily tenses and he immediately pulls back with an apologetic look, gesturing instead with that same hand for her to head towards the office. As he does, he promises that she's safe now, but as he closes the door, there's a glimpse of a smile turned sinister.

TITLE PLATE

Lily and Aiden step into the home office, which is warm and inviting. There are two armchairs in the office facing each other. A desk might be present, but Aiden opts instead not to sit behind it, taking instead one of the two chairs facing each other. Aiden gestures to and pats the other chair across from him, encouraging Aiden to sit, as he sits opposite of her. He keeps a comfortable and standard distance from her of about three feet to promote intimacy. She's nervous as he picks up a notepad and pen. Her posture is closed off, with her shoulders pulled in, her hands fisted tight against her lap.

Aiden and Lily begins discussing the case. To start with, he just needs some basic information to make sure everything gets processed correctly. He asks to check the spelling of her name and her birthdate. She gives her name and birthdate to him, and he asks if that means she's 19, which she confirms. He also asks about her family, which makes her shift uncomfortably. She gives the names of her parents, as well as her younger sister, Emily. He asks how old Emily is, seeming intrigued -- she's Lily's YOUNGER sister, right? Emily confirms yes, she just turned 18 this month. Only a few days before they ran away, in fact. Aiden seems pleased with this response.

Aiden then uses the tried-and-true method of small talk for easing her into the session. He talks about the weather, and she mentions that the weather was really nice for walking to his place. It felt like she was seeing everything for the first time. Aiden asks her how does she mean seeing everything for the first time? She shrugs, looking a bit sheepish as she admits that the sun is brighter, the wind warmer, the birds more cheerful... Emily was so excited when she saw a florist shop for the first time a couple days ago, Lily adds with a small but fond smile. The flowers were so colorful, like the ones just outside on Aiden's street. 'Father Warren used to say that boastful colors were the devil's palette, so we only had white flowers in our homes.'

Aiden then continues, probing more into the situation. He starts by asking how many days she's been in the city? She says it's only been a week? She remarks that it's hard to tell because so much has happened -- it feels like her head is still spinning. He asks her where she's staying, and she says that they're at a local shelter. He asks her how the conditions have been and she admits they aren't great, nothing like how things were at the compound.

Aiden assures her that it's normal for her to feel anxiety, but that she's doing fine. He then asks her to discuss the commune. She's still uncertain, looking around nervously while rubbing her arm or biting her bottom lip. Aiden assures her that everything they discuss is strictly between them. He's there to help her. She gazes at him for a few moments, choosing to trust him, then explains how her parents have both been part of the commune since before she was born, they were some of the first members to join. It was the only life she's ever known. She didn't think anything of it until a few months ago when she started hearing rumors. Aiden asks her what rumors she's heard. Lily is quicker to respond now, desperate to be heard as she leans forward in her chair, becoming more animated.

She says that she heard that their leader, Father Warren, was taking girls into the barn to... to DO things to them... 'What KIND of things?' Aiden asks, leaning in as if almost perversely wanting to learn more, his warm presence starting to shift to something unsettling. Since she's so desperate to get everything out into the open now, she doesn't catch onto Aiden's change of demeanor. She says she's heard that he takes them back there to have sex with them.

'And why did you feel uncomfortable about the rumors? ...Is it perhaps because you secretly wanted to be one of those girls?' Aiden asks, still in a professional tone, which seems creepier now because of the nature of the questioning and the way he seems even MORE focused on her. His eyes even flicker over her body briefly, which she catches.

She closes her body off again, gasping. 'No, of course not! Why would I want that?' she exclaims. Aiden slips back into a practiced smile as he leans back into the chair. He apologizes to her for making her uncomfortable, explaining that he's worked with many troubled teens that developed attraction towards the men that have been exploiting them. He invites her to continue speaking.

Lily is a little wary again now, but continues talking, unable to help herself. She NEEDS to be heard! She says that ever since she started hearing the rumors, it was like a fog has been lifted. She noticed other strange things, too, like how everyone seemed TOO happy, but any time she tried to talk to her parents about it, they denied everything. Finally, she decided that she NEEDED to get Emily to safety. She couldn't let Emily be the next one that Father Warren decided to be sinful with. They fled, having no belongings, no money, nowhere to stay... They got a ride to the city and have been staying at the women's shelter for now, but it's not enough. They can't stay there forever. When she asked the homeless shelter volunteers, they referred them to Aiden, so that's why she's there. They said a social worker might be able to help her and her sister get the care and resources she needs to ensure that she and Emily are truly SAFE. She's the big sister -- she HAS to take care of Emily. She can't risk them being sent back to that crazy place now.

Aiden says that he think he may be able to get them into a transitional home and goes to the computer to check. However, he's not really looking anything up at all as he instead watches Lily from afar. After a few moments, he approaches her and says that he can help them. But there's a lot of people ahead of them on the waiting lists...

Aiden then reveals that he is convinced that Lily and Emily were part of a sex cult. Lily is shocked, but especially when Aiden crouches close and suddenly looks a whole lot creepier. Aiden reflects out loud that if the commune was that strict about sex, Lily is probably still a virgin then... but, he asks, has she ever at least masturbated?

Lily is shocked by the change, recoiling away from him. She finally states that she's REALLY uncomfortable about all this and doesn't think he's the right fit for her needs. She makes for the door but Aiden speaks up again in a cold drawl. 'You COULD leave, if you want. I certainly won't stop you. Just know that I'm the ONLY one that can help you get what you need to start a new life. No one else will help you if I exaggerate a few things in my notes here...' Lily exclaims that he can't do that. He counters that he CAN and WILL.

She's horrified and torn. 'No, I HAVE to protect Emily... I have to get her AWAY from all this...' Aiden smiles darkly as he undoes his pants and removes his cock. 'If YOU cooperate, I can help make sure you BOTH get the new life you've dreamed of. You can be together and HAPPY for the rest of your lives...' he teases.

Lily tries not to stare at the cock, since it's her first time seeing one, shocked by everything that's happening. She backs up as he approaches until her back is against the nearest wall. 'What are you doing?? No, I-I can't do this...' she stammers. He asks if she's REALLY going to let her dear little sister down like that? He said he'd help her and he plans to keep his promise. Now she has a choice to make.

She finally reluctantly agrees to have sex with him if it means securing a better future. She nervously drops to her knees and parts her lips while looking up at him. He mockingly says that she's made the right choice and that her sister should be SO PROUD of her for being so brave...

IMPREGNATING THE SITTER
GRIEVING HUSBAND IMPREGNATES TEEN TO FULFILL LATE WIFE'S LAST WISH

April (Alina Lopez), a teen babysitter, climbs the front steps of a residential home. For her, this is just another day. Another job and a few more dollars in her pocket, which she really needs. However, it looks like the man living in this home is well off because the place is HUGE!

She knocks on the door and a pleasant man (Dick Chibbles) greets her. 'Mr. Perry?' April greets with a smile. 'Yes, that's me. You must be April, welcome!' Trent says. April beams, saying that she's pleased to meet him and that she can't wait to meet the boys.

April moves into the living room with Trent, making some small talk where it's revealed that she's raising her younger brother. Her parents passed away, so it's all on her now. Trent is sympathetic, though he moves onto asking her questions that seem a little beyond small talk. What nationality is she, is she a gymnast, how's school going?

April politely answers all the questions the best she can, even if she's uncomfortable. When it comes to school, she admits that she wants to go into fashion, though money's a bit tight since she didn't get a scholarship. Trent seems intrigued and says, well, there's no shame in working for it!

April then asks where the kids are and he says they're in the playroom. He's just going to be gone for a few hours, so hopefully she won't have issues with them. When April asks when the wife will be home, though, Trent gets a bit dodgy. He simply says that she won't be coming home. She's at work and has a deadline, so... Anyway, is April ready to meet the kids? April smiles and says that she is and heads off down the hall where she's directed.

As she does, Trent walks behind her with a longing gaze. 'One hell of a mother...' he says under his breath.

TITLE PLATE

CUT TO hours later, and April is tidying up the living room after having put the kids to bed. She picks up a few toys then moves to a table where there are crayons and a drawing. She sets the toys aside and smiles to herself. 'Aw, I wonder what they drew...?' she says to herself as she picks up the drawing. As soon as she gazes at it, her brows furrow with confusion.

It's a picture with stick figures, very much a child's drawing. There's a man labeled 'Dad' and a woman next to him labeled 'Claire.' They are surrounded by three kids, the boys. They all look happy. There's another woman off to the far side labeled 'Mom.' She is smiling too but a dark crayon has scribbled her out. The picture has a disturbing vibe.

'What does this mean?' April murmurs to herself as she tries to make sense of the picture. She's a little unnerved, putting the paper back down on the table.

Curious, she takes out her phone and does some research. She pulls up a search engine and searches Trent Perry's name. She quickly finds an obituary for his wife.

She hears movement behind her and whirls around. Trent is looming in the doorway, looking menacing. April's startled, demanding to know what the hell is going on in this house? She points to the page on her phone with his wife's obituary -- why is he lying?! Trent looks devastated as grief washes over him, though he shakes it off. 'Listen, I can explain...' he starts, begging for her to just hear him out.

April hurries to get out of there, but before she's out the door, Trent blurts, 'Have you ever had someone just DIE on you?'

April pauses, painfully remembering her parents' deaths, and remains, letting him have a chance to explain himself. He begins to tell her a sad story about how he and his wife had been trying to have a baby for YEARS. Then one day, they finally got lucky, though the doctor told her not to take the baby to term. She did, anyway, but died during childbirth, giving Trent their firstborn son. Even though he loves his son, he wished he'd been given a daughter because that's what they've always wanted.

April is wary, but moved by his plight, and says she's sorry for his loss. She was so confused by the picture... But who's Claire? Trent explains that Claire, the sweet young woman in that drawing, was a wet nurse for his son in that first year, someone he came to know very well in those dark days, and like April, she was someone with great maternal instincts. Desperate to rebuild his family, they made an arrangement in hopes of Claire giving him a daughter, but he got two other sons instead.

And now? Claire is gone...

When April asks where Claire is now, Trent dismisses the question. Instead, he says that he hopes that April can be the one to give him a daughter.

April is freaked out, flat-out refusing him, though Trent quickly assures her that she doesn't need to be in LOVE with him! He's just asking her to be the vessel for his daughter. Listen, April needs to pay for college, right? He can take care of that for her! Her younger brother? Trent can make sure he gets into the best private school. Money isn't an issue for him, he just needs a womb. It's just 9 months of April's life. Plus, she'd be fulfilling his wife's last wish...

April needs a few moments to think it over, conflicted. This is a lot to ask of someone, but she needs the money. She has to provide for her brother and she has big dreams for herself as well. Finally, she asks how much Trent can offer her, signaling that she's open to the deal.

Trent is relieved as he approaches April and takes her by the arm, their eyes meeting. Without saying a word, although there is a mutual understanding, he slowly leads her upstairs.

WHY ARE YOU DOING THIS!?
SADISTIC BOYFRIEND MAKES GIRLFRIEND SEDUCE HER STEPMOM UNDER THREAT OF EVICTION

Scene opens on Alison (Emma Hix), who is in her living room, pacing nervously. She is clearly worried about something. She hears a knock at the door and hurries to answer it. Her boyfriend Bradley (Lucas Frost) is there. He greets her, kissing her on the cheek as he walks into the house like he owns the place. He loudly sits down on the couch and puts his feet on the coffee table obnoxiously. So tonight's the night huh?, Bradley leers at Alison. 'I don't think I can do this,' she says worriedly, still standing. Baby, come here, he says, motioning for her to sit on the couch next to him. When she moves to sit down, he instead grabs her around the waist and pulls her onto his lap. She lets out a surprised gasp. 'Baby, you know I love you right?' he asks smoothly. She says 'yeah' quietly. And he's not making her do anything she doesn't want to do, right?, he says. It's her choice, but she knows what's going to happen if she doesn't do it, he continues, raising his eyebrow. Her eyes go wide as she stares at him, frozen. 'I don't want that to happen, but if you don't do what we agreed on, I WILL make sure it happens', Bradley says icily. But don't even worry, she's going to love it, he adds. She nods, still extremely nervous but clearly acquiescing to his demands. He looks her up and down like she's an object he's appraising. 'You look like a nice little slut,' he says, his formerly kind tone completely replaced by one that is vaguely sinister. He kisses her hard. 'Are you my little slut?' he asks her. Yeah baby, she responds. 'And you're gonna eat her fucking pussy right, aren't you?' he asks, reaching around and grabbing her ass. 'Yes baby,' she says, gasping. 'Fuck yeah you are...and I'm gonna watch you do it,' he says. Just then, they hear a key being inserted into the lock. 'And there she is now. She has no idea what we have planned for her tonight,' he says, a sleazy grin plastering his face. The door opens and Connie (Sarah Vandella) walks in. Immediately, Bradley separates himself from Alison and his sleazy grin transforms into a polite and welcoming smile. Connie smiles and says hello. 'Hi...Mom,' Alison says.

CUT TO TITLE PLATE

Cut to the dinner table, where the three have just finished eating dinner. 'That was delicious, Connie,' Bradley says. 'Oh thank you Brad,' Connie returns his grin. 'It's Bradley,' he corrects her, the agreeable and positive image he projects faltering for a moment as an edge of anger creeps into his voice. Oh, she's sorry, she forgot, Connie says, somewhat taken aback by the glimpse of what lies beneath Bradley's surface. That's ok!, Bradley says, flashing her a charming grin as he snaps back to his friendly appearance. Alison seems distracted, perhaps focused on the task that lays ahead of her. 'And how's the house? Everything good here?', Bradley asks, waving his hand around the room. Connie tells him that it's wonderful and thanks Bradley again for everything he's done. It was so tough after the accident, with her husband gone...and of course she couldn't work anymore...,Connie says sadly. Bradley nods, pretending to be sympathetic. So when Bradley came along, she was just so happy that Alison had someone, Connie continues. And then he arranged for his dad to help them with this place...Connie continues. 'You've really been a godsend,' Connie says to Bradley, smiling warmly at him. Oh it's really nothing, Bradley says with false modesty. 'It's not nothing. There's no way we'd be able to afford this place if your dad didn't own it and hadn't given us a discount on the rent,' Connie says appreciatively.

'It's no problem at all,' he says, with a faux sweet smile. 'Anything for my girl,' he adds, kissing Alison on the cheek but then leaning in close to her ear and whispering 'Do it now.' Alison looks at Bradley pleadingly. Connie begins to clear her plate, putting her napkin and cutlery on it, so is too distracted to see the exchange between Connie and Bradley. Bradley, through gritted teeth, motions her to get on with it. Alison takes a deep breath. 'Mom...there's something I wanted to talk to you about...something...private,' Alison says hesitantly. Sure, what's going on honey?, Connie asks brightly. Well..., Alison clears her throat, trailing off. Bradley, playing his part, steps in. Why don't they go to Connie's bedroom, where they can speak privately and he can wash the dishes while they talk?, Bradley suggests. That's so nice, thank you Bradley, Connie says. Connie and Alison get up and leave the room. Bradley pretends to shuffle the dishes around, watching Alison and Connie as they leave. He listens for a moment, and once he's satisfied that they're in Connie's bedroom, he leaves the kitchen. Cut to an over-the-shoulder shot of Bradley as he quietly creeps down the hall, arriving at the open door of Connie's bedroom.

We see Alison and Connie talking as he watches. They are sitting on Connie's bed together. So what is it honey?, Connie asks. Alison is frozen in nervousness. 'I've been having these...thoughts lately Mom,' Alison says, looking up at her mom. What kind of thoughts?, asks Connie. 'Thoughts about...you,' Alison says slowly. 'Thoughts about me? What does that mean exactly?' Connie asks, a little wary. 'I've just started to...look at you differently. I mean, you're so...beautiful,' Alison says. 'I just....I think I love you,' Alison says. 'I love you too honey. Even though I'm not your biological mom, you don't ever need to doubt that,' Connie says tenderly. 'No no I mean...I'm IN love with you,' Alison says. Here we go, Bradley whispers to himself, fondling his crotch in anticipation, seal the deal baby.

'Oh my god,' Connie says softly, her mouth wide in shock. 'I know I'm your stepmom Alison, but for all intents and purposes, I'm still your MOM, and there are boundaries that mothers and daughters don't cross,' Connie says patiently and firmly. 'You do understand that, don't you honey?' Connie asks. 'I know Mom, I'm not a kid. I'm 18-years-old, I get how these things work, but I just...I can't deny how I feel. I had to tell you: I want to be with you,' Alison says, putting her hand on Connie's knee. Oh no, no Connie laments, they can't do this, it's completely inappropriate. Connie softly removes Alison's hand from her leg. 'I know how lonely you've been since my dad died,' Alison says, sliding her hand under Connie's skirt between her legs. Connie removes Alison's hand from under her skirt. 'Alison, stop this right now! What's gotten into you?! Your boyfriend is right downstairs!' Connie says fiercely. 'I don't care,' Alison whispers desperately and again slips her hand between her mom's legs. Despite her misgivings, Connie is clearly thirsting for human touch and doesn't resist this time. She gasps as Alison rubs her pussy while she kisses Connie's neck. However, she seems just about to come to her senses and push Alison away when seeing this, Bradley chooses this moment to make his entrance, pretending that he just stumbled upon the scene by accident. 'Just wanted to---oh my god!,' he exclaims.

Connie snaps her eyes open, abruptly moving away from her daughter. Connie looks horrified. Alison doesn't look surprised to see Bradley since this was all part of the plan. Connie exhales loudly, smoothing out her skirt. 'Bradley this isn't---' she stammers. 'Oh please. I know exactly what this is,' he says with a smarmy tone and plops down into the chair that faces the bed. 'Carry on,' he says with a dismissive wave of his hand. 'C-carry on?! Nothing was happening, I swear to you Bradley, we were just talking and then suddenly...,' Connie says frantically. Bradley insists that he knows what he saw. Connie and Alison are going to get back to what they were doing when he came in, Bradley says. 'And I'm going to sit right here. And I'm going to watch,' Bradley says. 'Just like we talked about, right baby?' he asks Alison. Alison doesn't answer, instead looking down at her lap, deeply ashamed. Connie looks at her daughter. 'You...knew about this?! So all that talk about being in love with me,...that was all to get me to do this with you...for HIM?!' she asks Alison. Alison looks up from her lap to her mom. 'Please Mom I--,' Alison begins, but Bradley cuts her off. Fucking right she knew about it, he wanted them to put on a little show, so he told Alison that she needed to make it happen, Bradley says. 'And Alison does what I say. Because she knows exactly what the consequences will be if she doesn't,' Bradley says threateningly. 'You're disgusting, get the fuck out of my house!' Connie yells at Bradley angrily.

Well, he guesses he'll have to tell her about those consequences then, Bradley says. 'You see, that's just it. This ISN'T your house,' Bradley says calmly. Connie's brow furrows as she contemplates the implications of his question. 'That's right, it's not, it's my father's property,' Bradley continues. And his father loves him very much, so if Bradley asks him to, he'll evict Connie and Alison so fast that it'll make their fucking heads spin, Bradley says. 'So I suggest...that you both...Take. Off. Your. Fucking. Clothes,' Bradley says menacingly. There is a long silence. 'You seemed so...nice,' Connie says, almost to herself as she shakes her head in disbelief. He is nice, he just gets...bored sometimes, Bradley says absently. 'You're doing this because you're BORED?! How can you be so cruel?' Connie asks softly, horrified. Who knows really?, Bradley asks rhetorically. Maybe it's because he's rich and entitled?, or because he likes being in control?, or because his mommy left him when he was a little baby?, Bradley asks gleefully, mock crying as he mentions his mommy. Or maybe it's just because...why the fuck not? laughs Bradley sadistically. 'So you have a choice: Are you going to hit the sheets or hit the streets?' Bradley asks. 'Hit the streets or hit the sheets? That's pretty good huh? I came up with it while I was driving over here!' Bradley laughs. So what's it gonna be?, he asks, his laughter stopping abruptly. Connie looks at Bradley with pure rage and terror. Realizing that she only really has one option, she turns to Alison. She puts her hand on her daughter's knee and leans in reluctantly for a kiss. 'No, stop. I need to hear you say it, otherwise, it's no fun. Is this what you want?' Bradley asks. Yes, Connie says quietly through gritted teeth. Yes baby, Alison says numbly. 'Good choice,' Bradley says. 'Now, Connie? Fuck your fucking slut daughter please,' Bradley says evenly. Flashing Bradley a look of hatred, Connie turns to her daughter. They begin to kiss and Alison slides down between her mom's legs, slipping her panties off. Alison licks Connie's clit hungrily as her mom gasps, unable to conceal her pleasure while Bradley watches.

But they'll find out soon enough that Bradley wants to do a lot more than just watch, and Bradley ALWAYS gets what he wants...

IT'S NOT YOU
CLOSETED LESBIAN COAXED INTO STRAIGHT SEX WITH BOYFRIEND

SCENE OPENS on a teen woman Sheena (Aidra Fox) standing in her bedroom. 'Billy, I have something to tell you...' she says to an unseen recipient, clearly struggling with the words. 'I'm a lesbian.' She waits with a pause, but there's no response - after a couple of seconds, the camera cuts wider to reveal that she's in fact practicing in front of a mirror. She sighs in exasperation, and mutters to herself that it's too blunt. 'Billy,' she tries again in a slightly different tone, 'you know that I love you, right? But... I can't, like, LOVE love you. Because... I love women. UGH!' She continues to get more and more frustrated as she practices coming out in different ways in front of the mirror, none of them sounding right to her. Eventually she gets so upset that she hits the side of her fist against the wall with a large smack. She swears to herself as she shakes off the pain and paces around the room. She shoots a look over to her cell phone, which is laying conspicuously in the middle of her perfectly made bed, dead center. It seems to stare at her, and she stares back in hesitation for several seconds. Finally, with a burst of nervous energy she picks up the phone and dials a number.

As the phone rings, Sheena bites her thumb and shakes her legs restlessly. On the third ring, her boyfriend Billy (Robby Echo) picks up. 'Hey babe,' we hear his voice say casually on the other end of the line. 'Hey bab- hey Billy,' Sheena replies, obviously uncomfortable with using their usual terms of endearment towards him. He asks her what's up, and she starts off with a variation of the speech she was practicing in the mirror. She asks him that he knows she loves him, right? He says yeah, of course, he loves her too. She says well, she has something to tell him. She goes on to say that she's figured some stuff out about herself, important stuff... she stops herself mid-sentence, and asks to start over. She tells her he's very special to him, and she has some news to tell him. He replies with worry that she sounds serious - is it something bad? Thrown off by the question, she stutters that it's not bad, just... different.

Billy laughs nervously, 'Babe, you're not making much sense.' The conversation is silent on both ends, as Billy waits for a reply and Sheena takes a deep breath in, desperate for air, and puts her hand to her head frustrated with herself. After a moment, Billy asks if she's there. 'Yeah, I'm still here, sorry...' Sheena says in apology. She suggests maybe they can get together - this might be something better to talk about in person. Billy says sure, she can come to his place - his parents are up at the cottage all weekend so they'll have the place to themselves. That's good, Sheena says with relief, it's probably better that they're alone actually. They finalize plans for her to come over, and then say their goodbyes. 'Love you, babe,' Billy says on the other line. Sheena pauses, almost hanging up, but stops herself and puts her phone back to her ear. 'You too,' she says softly. She hangs up, and then tosses her phone to the side of the bed in dismay. She pulls a pillow from the head of her bed and pulls it towards her for comfort, curling up with it and stifling the urge to cry.

TITLE PLATE

Sheena is on the front porch of a house as the door opens and her boyfriend Billy opens the door. He moves in to kiss her but she deflects, scooping him into a hug instead. He's none the wiser, and hugs her back warmly before offering for her to come inside. As he leads her to his kitchen, he tells her that he was hoping she would call. He knows she's been really busy the past few weeks and they haven't had as much time to spend together, he's been trying not to be needy about it... but with his parents gone all weekend he was going to have a lot of time alone on his hands, so he's glad she reached out so they get a chance to be together for a bit.

They get settled in in the kitchen. Billy asks her if she wants a snack, and Sheena says no, she's fine thanks. Is she thirsty? he asks as a follow-up. A bit annoyed, she shakes her head and says no, then realizes she was being snappy and in a nicer tone she says she just wants HIM for a second.

Sheena starts a new speech, this time in a bit of a roundabout way. She explains that Billy's not just her boyfriend, he's her best friend. He says that she's his best friend too. She confesses that there's something that's been on her mind for a while... a new part of herself, and it took her a little while to understand what she was feeling, but now that she does, she wanted to share that part of herself with Billy before anybody else. Billy stops her - she doesn't need to say anything else. He's felt it too. Sheena looks surprised - he has? Billy nods reassuringly, and says that he didn't want to pressure her into saying or doing anything she wasn't ready for, but if she wants to, then he's ready too. They hold hands as Billy leads her to his bedroom, where they sit on the edge of the bed.

Sheena exhales with relief and a smile of disbelief. She's ready, she says. She closes her eyes, and takes a deep breath. Unbeknownst to her, Billy takes this as a sign to lean in and kiss her on the lips. Just as his lips are about to reach hers she opens her eyes to declare 'I'm gay.' She sees him inches away from her face.

Both recoil, upset at the confusion. Sheena asks what Billy was doing. Hurt and confused, he said he was about to kiss her. What does she mean, she's gay?! Sheena ignores his question, and asks why he was about to kiss her?! Billy pulls his hands away from hers and gets defensive, saying that he thought she was telling him she was ready to have sex. This upsets Sheena, and the two of them argue over his confusion towards what she said about 'sharing a new part of herself' - he thought she meant she had finally gotten over her hang-ups about having sex before marriage and was ready to be with him.

Welling up into tears, Sheena explains that she was trying to come out to him. She's felt so alone, she had nobody to tell and he's her best friend but he's also her boyfriend and she knew it would break his heart. Feeling betrayed, he asks how long she's known about this and didn't tell him. She tells him she's only felt certain about it for a few weeks, but in the back of her mind she's known something felt off since even before she was 18 and they started dating. Billy asks if that's why she's been avoiding him for the past few weeks, saying she's always busy when he wants to spend time with her. Sheena doesn't answer directly, but replies as she wipes back tears that she was looking for a way to tell him that wouldn't hurt his feelings. Billy tells her he was saving himself for her, because he loves her so much and because she said she wanted to wait until marriage. But that was a lie, wasn't it, she just didn't want to have sex with him. Sheena pleads with him - 'It's not you, Billy, it has nothing to do with you! You're the sweetest guy I ever met!' Billy doesn't meet her eyes, and Sheena continues, explaining that she tried for so long to convince myself she could be happy - THEY could be happy - together. But she was just fooling herself.

Billy looks up at her pleadingly. 'But... I love you,' he says. Sheena looks away. 'But I don't love you, Billy,' she explains, 'at least not in that way.' Billy looks stung, and replies more urgently - how does she even know that, though? It's not like she's ever tried?! Sheena insists that she just knows, she doesn't know how she knows but she knows. Billy starts to bargain in desperation, maybe if she tries it she'll actually find out she really likes it. Sheena mutters that she doesn't think it works that way. But she doesn't KNOW, Billy insists. Right? Isn't it worth a shot? Shouldn't she at least try it once before making up her mind, before she throws away everything they have together?

Sheena says nothing until Billy asks what Sheena's father will think. She's confused and asks him why does that matter? And how would he even find out? They lock eyes and Sheena realizes that Billy is not as sweet and caring as she thought he was. In order to stop him from telling her father, she will have to give in and give herself to him. But at the same time, maybe somehow she can prove to him through the ultimate betrayal of her own body that she's gay once and for all.

AND ALL THROUGH THE HOUSE
UNHINGED MALL SANTA GETS BACK AT EX-BOSS BY FUCKING DAUGHTER

Larry (Derrick Pierce) is being escorted down a hallway by security. He is wearing a Santa Claus outfit. He is nervous as he tries to make small talk with security, asking if they've finished their Christmas shopping yet, but he's ignored.

There is not a smile to be seen on Mr. Willis's face as the mall manager directs Larry to take a seat, gesturing to the chair across from the desk. Larry tries to start with small talk, spotting the framed picture of Mr. Willis's teenage daughter, Carrie Ann (Emily Willis), on the desk. He smiles and asks Mr. Willis how the daughter's doing? She just turned 18 a few weeks ago, right? Mr. Willis curtly responds with 'Yeah, she's 18, but I don't see what that has to do with anything,' and rotates the picture away from Larry, seemingly eager to end the conversation there.

Mr. Willis sternly tells Larry that he's been called in for more pressing matters. There's been a lot of complaints about his behaviour, particularly around female teenagers... Larry looks anxious as he watches Mr. Willis leisurely suck on a candy cane. He tells Mr. Willis that you can't believe anything that teenagers say, really -- they lie! He's sure that some of them were even purposely trying to get a rise out of him! He's been doing a GREAT job! The little ones love him -- there's no denying that. Their faces light up so much when he asks them what they want for Christmas...

Mr. Willis is not moved by Larry's attempts to sway the manager. The manager firmly asserts that they can't keep Larry as a mall Santa for any longer. It's a family establishment and the mall is not going to risk a scandal for some replaceable loser.

Where's Mr. Willis's Christmas spirit, Larry insists, begging for sympathy. Has has a family to provide for, too. It's right before Christmas! The boss tells Larry again that he needs to leave immediately. If he doesn't, Mr. Willis has no issue getting the cops involved.

'Oh, what, the MALL cops?' Larry mocks. He then tries to attack Mr. Willis, but the same security guard grabs him. Larry argues and shouts the whole time as he's dragged out, looking more and more unhinged, telling Mr. Willis that they're going to pay.

TITLE PLATE

CUT to outside later that day, when Mr. Willis returns home from work. When Mr. Willis is gone, Larry emerges from the backseat of the car with a crowbar.

Larry is decked in his full Santa suit except the beard, Larry himself looking slightly dirty and disheveled, and is slowly dragging a crowbar at his feet as he approaches Mr. Willis's house. He sees Mr. Willis and Carrie Ann through a front window. They look happy as they hang the last few decorations on a Christmas tree. They are talking to one another but we only see their lips moving. Carrie Ann is the main focus now, looking so cute and innocent in her Christmas PJs. Now he just has to wait...

When it becomes dark, Larry makes his move. To his surprise, the door is left unlocked and ajar, so he lets himself inside. He carefully creeps through the house, his eyes lingering on anything Christmas-related that paints the household as happy and normal. He stops by the Christmas tree and plucks a candy cane off a branch. Larry then continues stealthily through the house. He pauses briefly as he sees Mr. Willis sleeping in his bedroom, then continues on.

He still has his crowbar with him the whole time, lightly smacking it against his palm or tapping it against his leg as he walks. He continues down a hall, then reaches a door with girly decorations on it, which signals that it belongs to the daughter. He seems to deliberate for a moment - continue down the hall, or change his plans? - then seems to have a change of heart and turns, slowly opening Carrie Ann's door.

Carrie Ann is in a state of deep rest tucked away in bed and is wearing Christmas PJs. Larry slowly approaches her bed, setting the crowbar quietly down. He looms menacingly over her, gazing over her body with the male gaze POV as he slowly pulls down her blanket to get a look at her full body. Even though she's wearing innocent PJs, her shirt's pulled away from her shoulder a bit, showing bare skin. His gloved fingers twitch with anticipation as he slowly reaches out as if to touch her, though he doesn't quite.

She stirs, groggy and disoriented, seemingly confused about the presence of someone else in her room, though she can't see clearly. She rubs at her eyes and sees Larry, squinting at him. 'Santa? Wait, am I dreaming?' she questions. Larry shushes her, saying, 'Yeah, sure, sweetheart. This is a dream, why not?' Now that she's up, he sits down on the bed beside her and runs a hand over her leg, telling her that Santa came to check up on her. She's still a bit groggy and trying to get her bearings. If this is a dream, why does he have a crowbar? Larry pauses a moment and mentions that Santa had to do some emergency repairs on his sleigh, so... Even as he says this, he moves closer to her, being slow and methodical. Although Carrie Ann lightly tries to back away into the bed's headrest at first, admitting that this is a really weird dream, she tells Santa that she thought he'd look... different. He looks... handsome. Larry gives a sleazy disgusting grin and says Santa likes how she looks too in her cute little PJs.

She asks why Santa's here and not downstairs - he tells her that her parent Mr. Willis has been very bad this year and is on Santa's naughty list, but he wanted to give Carrie Ann the chance to prove she belongs on the nice list. Carrie Ann mumbles groggily that she wants to be on the nice list. Larry says that that means she has to do what Santa says, does she understand? Santa has a very special present for her this year but only if she behaves...

IT SLIPPED IN
TEEN AND HER BFF TRICK MEAN BROTHER INTO FUCKING HIS SISTER

Jenny (Carolina Sweets) and her friend Sandra (Whitney Wright) are giggling and gossiping in Jenny's room as they study for an upcoming text, textbooks sprawled across the bed and floor. Jenny comes across as much shyer than her friend, who is proudly listing off her sexual conquests - Jenny marvels at how experienced she is for being just 19 (even at times being shocked at the perverse things her friend is admitting to have done) and especially how nonchalant she is about it. Sandra asks, well what about her, surely she has SOME kiss-and-tell stories she can share? Jenny admits not really, she's kissed a few boys but never anything more serious than some over-the-clothes fondling.

It's about then that Dane (Lucas Frost) is walking past in the hallway and butts into the conversation. He remarks that it's no wonder that nobody is ever going to have sex with Jenny when she looks so ugly, she's unfuckable. Jenny tries to tell her older step-brother to stop, but clearly has trouble standing up to him, and Sandra looks on silently fuming as Dane takes advantage of his younger step-sister's shyness to talk over her and continue to pick on her. He makes fun of her nerdy clothing, saying it looks more like what someone in their sixties would wear, not someone who's barely 18. He makes fun of her glasses. He says that he's glad he's not really related to her because he'd hate to think if his future kids had a chance of looking anything like her. Finally, Jenny loses her calm and shrieks at him to leave. Dane ends the conversation with a final insult, telling her to go back to studying since books are the only thing that are as dull as she is.

When he's gone, Sandra stops holding her tongue and tells her friend that she can't believe how horrible Jenny's older step-brother is. How long has she been putting up with that? Jenny says ever since he moved in with them, two years ago. Sandra tells her that she would never put up with that kind of torment, and Jenny confesses she feels like she has no choice, he's so loud and rude and she's so quiet and reserved that he basically can walk all over her. Sandra tells her that he needs to be taught a lesson, she doesn't deserve that kind of treatment and he'll just keep doing it until he sees there are consequences for his actions. Besides, she says, what if he's doing this kind of thing to other poor girls at school?

Hearing this, Jenny starts to grow a backbone - her friend is right, she would never want anybody else to feel as shitty as he makes her feel. But what could she possibly do to make him so regretful that he would never think of tormenting her again? He obviously doesn't feel bad when she cries or tells him to stop. No, Sandra agrees, bullies like that only understand one language, and that's an eye for an eye. He's been humiliating her, so she needs to do something to make him feel humiliated back. Something that's the ultimate revenge for telling her nobody would have sex with her, something that he'll remember every single time he sees her that'll trigger him. Like what? Jenny asks. Sandra gets a devious look in her eye and says she knows just the thing.

TITLE PLATE

Sandra plays innocent as she walks down the hall towards Dane's room, where he is taking a shower. She waits until he comes out, surprising him. 'Whatcha doing?' Sandra says with a flirty smile. Oh, he says, he thought she was his step-sister. Aren't the two of them supposed to be studying for some big test? Sandra says yes, but they're going to be studying all night, and she needed a break. But Jenny wants to keep going and doesn't want a break. Such a nerd, huh!? she says lightly. Dane chuckles and agrees. Aren't they friends though? Sandra says kinda, and explains that that's the thing about friends, is it pays off to keep a wide circle of 'friends' who can each give her something she doesn't already have. Like the answers to all the tests, she says with a wink. Dane laughs and shakes his head, impressed at her bluntness. Or, she continues, like a cute older brother who she can blow off some steam with during a study break. Dane looks up at her, surprised and speechless, clearly not used to getting hit on despite all his bravado.

She moves in closer to him, crossing the threshold into his room. 'You know,' she says, 'we could be 'friends' too...' She starts to squat lower to meet his eye level, and she moves her hand to crawl her fingers up his knee like a spider. 'I bet YOU could give me something I don't already have, too...' she says seductively as her hand goes towards his inner thigh, almost right up to his crotch. He chuckles nervously, here? Now? What if his sister comes looking for her? Sandra smiles and says she's got her nose buried in books, she won't be going anywhere. So what does he say, does he want to have a little fun? Dane nods nervously but enthusiastically.

Sandra starts playing with his chest over his clothes and giggling as she feels him up. She lifts his shirt up slightly, ooh, she giggles, a six-pack. He blushes and tries to boast a bit lamely saying yeah, he works out a lot. She then starts unbuttoning his pants, saying what other fun surprises is she going to find. Then her face brightens and she says she has an idea, why doesn't she give him a couple of surprises of her own? Wouldn't it be fun if he doesn't see what she's doing? That way she could give him all sorts of fun surprises, things she's sure he's going to like. Dane seems hesitant, so Sandra continues to coax him, saying that she's heard that all the other senses are heightened when you can't see what's going on. Hearing... TOUCH, she says, as she strokes his leg with her hand... tasssste, she says, as she moves her lips inches away from his tauntingly. Dane breathes heavily and says o-okay, sure. Sandra gives him a flirty compliment saying he's so brave, willing to try something new, she likes that. She gets him to close his eyes - or, optionally, perhaps she lifts his shirt and pulls it over his head so that the shirt covers his face. Now, she says, lie back and relax.

As Dane gets comfortable, Sandra gestures outside to the hall for someone to approach. Jenny tiptoes into the room, careful not to make any noise, and Sandra helps her get into position right where she was kneeling. 'Now,' Sandra says from just beside Jenny to confuse the brother, 'are you ready?' Yeah, the brother says with his eyes covered, he's so ready!

Jenny unzips his pants, trying hard not to laugh as she and Sandra exchange looks of shock and disbelief that this is happening. Jenny takes his dick out from his boxers and starts stroking it. Dane moans in pleasure. Jenny strokes it for a little while as Sandra teases Dane verbally. Finally she asks if he wants his next surprise - it's a wet one. Dane says yes, he wants it so bad. Jenny looks to her friend for a moment uncertainly, but her friend urges her silently to go for it, and Jenny opens her mouth and swirls her tongue along the tip of her brother's dick. Ohhh! he moans in surprise. Ooh, Sandra says, so sensitive! Jenny goes further, starting to suck and lick her brother's hard cock. Sandra is careful to tease him verbally only when his sister pulls away momentarily, to keep the ruse going.

Finally, Sandra says she has one more surprise for him, a really... tight surprise. Jenny looks at her friend in surprise and shakes her head, mouthing no, it's too much. Sandra says out loud in a flirty voice, 'Do you trust me?', clearly talking to Jenny but making Dane believe she's asking him. Sandra is about to say no again, but Dane interrupts saying yeah, he trusts her, do it! Jenny bites her lip and looks over at her brother, then her friend, who is nodding vigorously with an evil glint in her eye.

Nominated - Best Three-Way Sex Scene - B/B/G: Emily Willis, Charles Dera & Danny Mountain, AVN 2020

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Sex Scene -- All-Sex: Emily Willis, Charles Dera & Danny Mountain, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

'Being your slave, what should I do but tend
Upon the hours and times of your desire?
I have no precious time at all to spend,
Nor services to do till you require.'
- William Shakespeare

THE DATE

We watch a beautiful young woman (Emily Willis) in her apartment getting ready for the evening. She showers, lotions up her body, puts on expensive perfume, and dresses -- first into expensive black satin lingerie, stockings, garters, and heels and then slipping into a beige rain jacket. She looks like she just walked off a runway. The camera voyeuristically watches her, almost like a reverse striptease.

CUT TO the woman, in her jacket, bare legs and heels, as she exits her building and steps into a black town car. A man waiting for her shuts the door and gets into the driver seat.

CUT TO a car mount shot, looking in at the silent driver in a black suit and ray bans, and the girl who sits in the middle of the back seat. To her right is a very handsome man (Danny Mountain) in an expensive suit. A second man (Charles Dera), equally handsome and dressed the same, sits on her left.

CUT TO the road. As they drive, the man in the back asks the woman if she is ready. Obediently, she says 'yes.' He asks if she will give herself over completely. She says 'yes.' He strips her out of her jacket, exposing her bare skin. She quivers. He takes a brown paper bag and puts it over her head, before holding her arms to keep her still. They ride for a moment with her body writhing. The men look cool and collected, staring straight ahead. All you can hear are the light gasps and moans from the submissive woman as she is being driven, eagerly awaiting what's to come.

'My only submission is complete submission.
I will kneel before you, naked and unashamed,
My eyes down, my chin up.

'I will do as you say and be rewarded.
Always saying please and thank you,
Accepting my punishments like a good girl,
Never touching myself until you have given permission,
And always swallow, never spit.

'I will surrender to your will
And always remember who I belong to.'

CUTTING THE CORD: A JANE WILDE STORY
CURIOUS TEENAGER CHEATS ON BOYFRIEND WITH OLDER UNCIRCUMCISED MAN

Scene opens on Leah (Jane Wilde), a 19-year-old junior counselor at a conservative camp. The shy Jewish teenager has been attending the camp for years, but this will be her first year as a counselor. It is also where she met her boyfriend, Josh (Jake Adams), another junior counselor. They've been together for a year and Josh is a shining example of exactly who her religious parents want her to marry. He comes from an upscale family with deep roots and is planning to go into pre-med in the fall. Once he is settled, they will get married and she will start having his children. It's all been perfectly planned out. But, as they set up their tent for the camp's annual wilderness kickoff, Leah finds herself conflicted. She loves Josh, but she is anxious about spending the rest of her life with him. He is her only sexual experience. And, this summer, will be her last chance to explore herself before she makes that final commitment.

She reviews the checklist on her clipboard, while Josh fumbles in the background to finish setting up their tent. He is busy talking about all the cliques in the camp and how Leah shouldn't worry about the fact that her family makes less money than most of them. She is with him now and everybody will accept her. Plus, they're junior counselors ... one step away from running the place! As Leah nods aimlessly, she notices one of the senior counselors approaching them.

Charlie (Danny Mountain) is the only non-Jewish counselor at the camp, brought in several years ago as the football coach. Leah has always been fascinated by him. He is British, in his mid-thirties, athletic, and absolutely the opposite of everything her parents would approve of. With a boisterous laugh, Charlie struts over and checks in to see if Josh needs any help. 'There are a still a lot of tents to set up before the kids arrive, mate!' Josh looks irritated. 'I'll get them done,...' he replies. Flashing a wink at Leah, Charlie heads off to talk to another counselor. In the distance, Leah watches him. As Josh grumbles, she stares almost transfixed. CUT to inside her mind, as she fantasizes about Charlie kissing her and pushing her down to her knees. She stares up at his erection as he pulls out his uncircumcised cock and lays it over her face. CUT back to the present. Josh has said her name several times, annoyed, before she snaps back to reality. 'Can you help me finish this tent please?' he whines. She puts the clipboard down and turns to help him, apologizing, but not before sneaking one final look back over her shoulder.

CUT TO TITLE PLATE

Cut to that night, as the sun sets. Leah sits on Josh's lap in front of their tent. Apart from some flashlights going off in the tents behind them, all is quiet on the camp. The couple have 30 minutes left of 'watch duty' before they can retire, so they pass the time talking about their relationship. How they first saw each other years earlier at his brother's bar mitzvah, how he finally worked up the nerve to ask her out on her 18th birthday last summer, and the type of wedding they want to plan. Josh holds her tightly and kisses the top of her head as they talk. It's clear how much he loves her. Feeling conflicted, she tries to say something but backs down when she looks in his eyes. 'Is everything ok?' He asks. She wishes she could look at him and feel safe, secure, and in love. But she doesn't. 'What?' he asks again. 'Nothing,' she quickly replies. 'You just -- you're so amazing!' Josh smiles. 'Well, you know how much I love you. I don't have to say it.' Leah quickly shakes her head. 'No, you don't. You don't ever have to say it!'

She leans in and kisses him on the lips. He kisses back, and they begin making out. They kiss intensely for a moment, as Leah desperately tries to feel something. Anything. Any sort of passion or excitement inside. She deepens the kiss and begins to undo his shorts when Josh pulls away. 'Whoa, are you sure?' he asks, looking around. She nods quickly. She knows she can't keep feeling like this. She wants things to go back to how they were when they first met. She doesn't want to hurt him. 'Of course, I am. I want to make you feel good.' He protests a little about their plans to wait till the wedding before she assures him it will just be a BJ. They've done that plenty of times before, just not in public. He smiles sheepishly as she grabs his hand, leading them away from the cluster of tents.

They get to a tree and Leah pushes Josh against it. She sinks down to her knees, undoes his shorts, and takes out his dick. It's exactly as it always has been. Circumcised - the only one she's ever seen. She takes it in her mouth and starts to blow him, desperate to feel SOMETHING for her boyfriend...

After the session, which leaves her feeling more anxious and guilt-ridden before, Josh's walkie-talkie buzzes. It's a senior counselor, asking why he left his post. There is a camper who just threw up and needs to see the nurse. He kisses Leah goodbye and tells her he'll take care of it. She should go shower or something. He jogs off, leaving the girl standing in the woods.

CUT to Leah in the shower. As she runs her hands down her body, she closes her eyes and flashes of Charlie's face come to mind. She sees him smiling at her. His muscular, hard body. The slight bulge in his shorts. She can't help but slip a finger inside herself, still keeping her eyes closed. She moans softly and plays with herself, letting the fantasy take over. All thoughts of religion, Josh, and her parents are gone... She knows what she needs to do now.

CUT to the gravel road. Her hair still wet, she looks down at her own walkie-talkie. Nervously, she tunes it to Charlie's frequency and calls him. 'What's up, my Jewish American princess?' he responds jovially. Leah takes a deep breath before stammering, 'Charlie, I need to see you. I need you to help me with something.' There is a pause before Charlie, with a notable change in his voice, replies. 'Of course, Leah. I'm down in the rec room. Meet me there.' Putting her walkie-talkie down, Leah takes one long look down the road before turning to run towards her first ever act of rebellion, breaking the number one rule she was raised to obey.

Nominated - Best Sex Scene -- Taboo-Themed: Alina Lopez, Reagan Foxx & Brad Newman, XBIZ 2020

LIKE MOTHER, LIKE DAUGHTER
VINDICTIVE TEEN REVENGE FUCKS STEP-MOM'S NEW BOYFRIEND

A woman, Marlene (Reagan Foxx), is fussing about the living room nervously, straightening the couch cushions, re-facing the decorations on the fireplace mantle and the coffee table, etc. when her boyfriend, Tom (Brad Newman), comes up behind her and puts his hands comfortingly on her shoulders. Just relax, he tells her, come on, sit down, she just needs to breathe and not stress out so much. He leads her to the bay window and sits down, taking her hands in his and gently pulling her down to sit too. She tells him she can't help but be worried - this is her one chance to reconnect with Alyssa (Alina Lopez), and she doesn't want to screw it up. Tom tells her not to worry, he's sure her step-daughter is ready to make amends. Why else would she have accepted Marlene's invitation after all this time, if she still held a grudge? Marlene supposes that Tom's right, and puts her hand on his cheek. Either way, she's glad he was willing to stick by her side this whole weekend, otherwise she'd be an emotional wreck. He didn't have to do that. Tom kisses her hands and tells her of course, he'll always support her no matter what. She knows that.

Their tender moment is interrupted by a car pulling into view in the driveway just outside the bay window. That must be her, Marlene says a bit scared. Tom puts his hand again on her shoulder and gives it a quick rub. She can do this, he reassures her. She nods and looks back out the window where a young woman has stepped out of the back of the car, a travel bag in tow. She lifts her sunglasses and takes a sweeping look around the large mansion-like house with a cold, inscrutable look on her face, before putting her glasses back on her face and closing the car door behind her. The car pulls off as Marlene straightens up and moves out of the living room towards the door to greet the girl, wringing her hands nervously as she walks. Tom follows.

'Alyssa, dear,' Marlene says solemnly as she opens the door and holds out her arms to welcome the teen. 'I'm so grateful you finally decided to come, it's been so long. TOO long.' She continues to hold her arms out but it's clear Alyssa has no intention of reciprocating the gesture, she stops short several inches from Marlene's reach. 'Hello, mother,' she says coldly, not betraying any signs of emotion behind her sunglasses. She turns her head to Tom who is standing a couple of paces back from Marlene, looking a bit awkward and trying not to intrude. 'You must be the boyfriend,' she says to him. He smiles and introduces himself, holding out his hand to shake hers. Bemused, she gives the smallest of smiles as she hands off her bag into her mother's hands without even looking at her, and then takes off her sunglasses. She shakes his hand, and he tells her Marlene has told him so much about her, he's been really looking forward to meeting her.

Pulling back his hand after a firm shake, Tom looks a bit surprised now that her sunglasses are off. Wow, he remarks, the two of them really do look so much alike - if Marlene hadn't told him, he would have sworn that they were real, flesh-and-blood mother and daughter. Alyssa says that that's the ONLY thing the two of them have in common. Tom says come now, he's sure that's not true, he bets that Alyssa is a perfectly wonderful and charming young woman. 'Exactly,' Alyssa says pointedly as she walks forward past Marlene to Tom, taking the sunglasses still in her hand and slipping them into his shirt's breast pocket. She walks past him into the house. 'Coming, mother?' Alyssa calls back from inside the house. Marlene looks over worriedly at Tom, and he tries to reassure her again while rubbing his palm across her back, although he's not quite as brimming with confidence as he was earlier. She's just 18, Tom reminds her, all teenagers are moody and sarcastic. She still came, didn't she? Marlene supposes he's right, and Tom winks saying he knows he is. He heads into the house. Marlene lets in and out a long sigh to calm herself, and then heads inside.

TITLE PLATE

An hour or so later that day, Marlene brings some freshly baked cookies to the table where Alyssa is on her laptop. As Marlene nears, she tells Alyssa that she's baked her favorite. Alyssa looks down at the tray with disdain and disinterest and then back to Marlene. Cushy place she's got here, Alyssa says gesturing at the big house. Guess her decision to cut and run on the family after Alyssa's dad died paid off.

'Alyssa,' Marlene sits down gently and begins to pour her heart out - she must understand, she never meant to hurt Alyssa or her siblings. Her husband had just passed away, she was grieving, in shock. She didn't know how to cope. She figured the family would go stay with their real mother - his ex-wife - and her new husband... so Marlene didn't feel like she was abandoning them. If anything, she thought they would be better off. She was never planning on leaving them forever, she just needed some time to heal. But that's not an excuse. She realizes now that that was the wrong thing to do, that it must have doubled the sense of loss the family had felt. She's truly sorry, and she's been trying to make amends ever since. All of Alyssa's other siblings have since forgiven her, why can't she?

Alyssa sits up slowly, and for a moment she looks sincere with a sympathetic expression on her face. She starts to slowly reach out across the table to Marlene, and seeing this, Marlene starts to reach out too to meet her in the middle. But at the last second, Alyssa fakes her out, and picks up a cookie from the table between them. She picks it up and bites into it. 'Thanks for the snack, mom,' she says snidely as she gets up and walks away from Marlene, who sits there looking devastated.

Later that day, Tom goes to check on Marlene who has retreated to the kitchen and is desperately trying to distract herself with chores. He starts to tell her that Alyssa FINALLY decided what she wanted to order for take-out, but then stops when he sees that his girlfriend looks sad and distant. Tom comes up to her and asks if everything's alright, and Marlene turns to him and lets him wrap her into a supportive hug. Things don't seem to be going well at all, Marlene confesses as she pulls out from the hug, she's been trying all day to connect with Alyssa but she just keeps ignoring her, or worse. No matter how much Tom has pointed out that Alyssa still agreed to come, she still seems to be holding a grudge. She doesn't know what else to do anymore. Tom tries to reassure Marlene that maybe it's not her fault, maybe it was just too soon. Alyssa's still a teenager, after all, whereas her siblings are now in their twenties. Maybe it'll just take some time. But he insists that Marlene at least is trying, and maybe Alyssa will remember that someday and come around. Marlene gushes and remarks that Tom always seems to know just the right thing to say. Then this gives her an idea - maybe HE can talk to Alyssa. Tom confesses he doesn't know if that's such a good idea. But Marlene points out that Alyssa at least seems to be engaging with Tom, she's been following him around all day and the two of them seem to have a good rapport, she clearly likes him better than Marlene at any rate. Could it hurt for him to try to talk to her? Tom is about to say he is not sure about this, but he sees how desperate Marlene is for this to work out, so he hesitantly says he'll at least give it a try.

Tom arrives at Alyssa's open door, where Alyssa is lying on her bed listening to music through headphones while browsing on her cell phone. He sits on the edge of the bed and nudges her foot to get her attention. She removes the ear buds and looks up at him expectantly, and Tom says he wants to talk to her. Alyssa has a knowing look on her face, and she gets up to kneel on her bed, her bent legs spread wide open towards Tom. 'Fire away,' she says suggestively.

Tom clears his throat uncomfortably. Look, he starts, clearly she has no interest in accepting her mom's apologies, and if he had known that she would behave like this then he never would have reached out to her to encourage her to come. But now that she IS here, can't she at least be...? Alyssa puts a finger up Tom's lips and shushes him. She says she never came here for her mom's sake in the first place, she came here for Tom's. Tom is confused - for his sake? Alyssa starts leaning towards him even further, holding herself up on the bed on her fours like a cat on the prowl. She says that she's seen the pictures of him and her mom, and he seems like a nice guy. A big, STRONG, nice guy she says as she spiders her fingers up his biceps, making him flinch. And she likes making nice guys happy, she concludes. In fact, she's very GOOD at making guys happy.

Tom swats her hand away - what the hell is she doing? Alyssa pouts and says she just wanted to make him happy - that's why she came, after all. Wasn't that why he reached out to her, why he BEGGED her to come? Tom insists that she knows that's not why. Alyssa says yeah, sure, he wanted them to resolve their differences so Marlene could be happy and blah blah blah. But at the end of the day, that's not what he reaaally wants, she teases him, he just wants what any guy wants. She unbuttons the top buttons of her blouse and lowers it down past her shoulders. Tom orders her to stop and put her shirt back on. Alyssa tells him she doesn't want to stop, she's having fun, and points at his crotch saying it looks like he's having fun too, a LOT of fun from the looks of it. No wonder her mom likes him.

He leaps off the bed. This was a huge mistake, he says, and moves to leave. Go ahead, leave, Alyssa taunts him. She'll just keep acting worse and worse all weekend until Marlene is so miserable she's finally had enough and kicks her out, and then Tom can pick up the pieces. But if Tom wants her to behave, she says in a flirty tone as she moves her hand towards her crotch, he's going to have to MAKE her behave. She starts rubbing her hands on her body over her clothing, and lets out a fake moan. Stop it! Tom hisses at her quietly, her mom's going to hear her. In response, she just moans louder. Shut up! Tom hisses and moves to cover her mouth with his hands. Alyssa pulls away and giggles sadistically. Make me, she says. She starts moaning again, even louder, and Tom looks back in fear to the hall outside. Distracted, desperate, panicked and (although he hates to admit it) a little turned on, Tom turns back to Alyssa and says he'll make her, alright. He then does the only thing he can think of to get her to stop, he kisses her fiercely, grabbing her head with both hands. Alyssa encourages him, urging him onward.

Tom hate-fucks Alyssa, though Alyssa enjoying making him squirm. At times Tom panics about Alyssa getting too loud and tries to get her to be quiet. Eventually Tom gets so into it he stops paying attention to how loud they're being...

The door slams open and a gasp is heard behind them. Tom looks over in horror as Marlene stands in the doorway in shock. 'Tom?!' she says horrified, 'How COULD you...?!'

From under Tom, Alyssa pokes out and gloats that it seems like Tom's chosen her daughter over her. Tom tells her to shut up, and tries to plead with Marlene that it's not like that, but Alyssa keeps goading them, saying that it was probably a huge turn-on to find out there was a hotter, younger version of his girlfriend. No, Tom insists, he loves Marlene! Alyssa tells Marlene, who's still speechless, that Tom in fact was the one who contacted her and convinced her to come this weekend. Marlene looks in shock over to Tom - is this true? Tom is flustered and tries to explain, yes, it's true, but it's not how it sounds...

Tom is stumbling over his words and Alyssa cuts back in. Now her mom knows what it feels like to be betrayed and abandoned, hm? But this weekend is all about making amends, and Alyssa would be willing to share if Marlene is desperate enough for love to get fucked by somebody who just cheated on her with her own daughter. Better than ending up alone, isn't it?

Tom begs for the chance to explain but Marlene just sits on the bed in shock. Keep fucking her, she tells Tom in a resigned voice. Tom looks at her perplexed and whispers 'What?!' and Marlene looks at him with sad eyes. Just keep fucking her, she says, he clearly wants to. He tries to protest but Alyssa takes the lead and starts grinding against his dick again, causing him to moan uncontrollably. Didn't you hear her? Alyssa says to Tom, Marlene wants them to keep going!

THE DAUGHTER DISASTER
STEP-FATHER MADE TO CHOOSE BETWEEN WIFE & PREGNANT DAUGHTER

SCENE OPENS on a teen, Nancy (Elena Koshka), taking a home pregnancy test. She's impatiently holding the stick in her hand. She taps her fingers against it with nervous anticipation as she mutters to it to come on and work faster. Her breathing is quick, panicked and shallow, and she even starts hyperventilating for several seconds and has to calm herself down by taking deep, controlled breaths. Once she's calmed herself down, she looks back down at the stick and sees two lines appear on the small display.

Pregnant.

Suddenly she's interrupted by a knock on the door, and the voice of her step-father, Frank (Steve Holmes). He asks if anyone's in there. Nancy's eyes widen and she quickly tries to hide the evidence of the test as she says that yes, she's in here -- she grabs the stick and the small cardboard box it came in and hides them behind her back, and flushes the toilet. It's just in the nick of time, as Frank tells her that he's late for an interview and he hopes she's done in there because he's coming in.

The door opens, and Nancy tries to act like everything's normal. She and Frank awkwardly brush past each other, his hands accidentally grazing against her body, as he moves towards the sink and she moves to get out of the bathroom without him seeing the test in her hands. He fidgets with his hair in front of the mirror and asks Nancy how he looks. Nancy looks away from him, the question clearly bothering her, and she mutters 'You look fine.' He tells her he has a good feeling about today, this is his first 2nd interview for a company. This could be the end of their troubles. Nancy sneaks a look at the pregnancy test in her hand. 'Yeah, Frank,' she says flatly, 'sure it could...' Frank gives his step-daughter a quick kiss, then exits the bathroom -- he's off to get this job.

Once he's gone, she has flashbacks to when she had sex with both her step-father and her step-father's ex-boss. She clutches the pregnancy box test in her hand so hard it starts to crumple in her hand as she sinks down along the wall and starts crying.

TITLE PLATE

CUT TO a little later that day, Nancy is curled up on the couch with her laptop. She's looking up articles on what to do when you find out you're pregnant through a search engine. Her mother, Kate (Sarah Vandella), walks into the living room and Nancy quickly closes the laptop.

Kate says bitterly that she just heard from Frank, he's on his way back already, there won't be any second interview after all. When he arrived at the office he learned that they'd gotten him mixed up with another applicant, he was never among their top choices. It's embarrassing, she says, he's not even memorable enough to leave a bad impression, he's just completely forgettable. No wonder he was fired from his last job. Over twenty years he was there, and never even got a title change. Why he didn't beg to keep that old job when he had the chance, she'll never know.

'Mom...' Nancy tries to interrupt but Kate continues. That job was way better to him than he deserved, Kate says, he should have been willing to do anything to not let that job slip through his fingers. 'MOM,' Nancy cuts her off, and tells Kate there's something she needs to know about the day he got fired. Kate looks alarmed -- what does she mean?

Nancy tells her all about what happened that day -- how Frank bargained for his job back by whoring out Nancy to his boss, how he got fired, anyways, and then how he hate-fucked Nancy afterwards...

Kate is livid, though isn't on her daughter's side. Ever since she turned eighteen Nancy's been acting like a complete slut, and it's just been getting worse. She bets it wasn't even Frank's idea to do it, it was probably Nancy's idea, she's seen how Nancy dresses, how Nancy behaves around men. It was probably her fault that Frank was fired, and her fault that Frank was willing to fuck his own step-daughter! The two start screaming and arguing, both feeling betrayed, sad, and angry.

CUT TO an unspecified amount of time later, Frank walks through the door and hears the sounds of shouting coming from the other room. Worriedly, he kicks off his shoes and drops his keys and briefcase and hurries to the living room where Nancy and Kate are still fighting. He asks them what's going on, and Kate instantly turns on him, telling him that Nancy told her about what they did the day he got fired and she can't believe he lied to her and didn't tell her about it. He stutters to say something, but Nancy cuts in, asking how Kate could possibly blame her for what he did when he lied to her about it, too. Kate tells Nancy to stay out of this, calls her a whore, and turns back to Frank asking how he could do all that to her. With her own daughter!

Frank struggles to say something as both crying angry women stare him down, and Kate gives up remarking that Frank doesn't even have anything to say for himself, he can't even say he's sorry. Frank says of course he's sorry, but it's too late and Kate has already stormed off to the master bedroom leaving Frank alone with Nancy. In tears, Nancy complains to Frank that he didn't even stick up for her, he tried to whore his own step-daughter out to his boss and he doesn't even have the guts to admit it to his wife. Frank tries to calm her down, promising he'll talk to Kate, and tries to put his hands comfortingly on Nancy's shoulders but she pushes him away. She storms off to her room as Frank calls out to her that he promises he'll make things right.

Frank enters the master bedroom, where Kate is sobbing on the bed. Frank comes up to try to comfort her with his apologies, but she pushes him away saying he's ruined their lives. Much like when trying to negotiate with his boss, Frank's weak and cowardly tendencies start to flare up instinctively. He begs Kate to forgive him, and starts completely lying to her. He tells her that things that day just escalated. With the way that Nancy dresses, it wasn't surprising that his boss wanted to fuck her. Frank also tried to resist her, but he couldn't! He loves Kate and is faithful to only her, and wants to make it right again.

Kate asks if all that is really true. She wants to believe him but he really hurt her. If he does again, she's going to leave him. Frank swears it is, he would never want to do anything to hurt Kate. Afterwards he was scared and humiliated to tell anyone, and above all he didn't want to break up Kate's family. They embrace each other, and then Frank kisses Kate passionately saying again how sorry he is. Kate says how is she supposed to forgive him, she just wants to forget the whole thing ever happened. She kisses him again, and their passionate kissing slowly devolves into tender and erotic make-up sex.

Frank brings Kate to orgasm, but is unable to cum himself. He catches his breath and puts his hands to his forehead in exhaustion. Kate asks him what's wrong and he explains that he has too much stress on his mind to cum, all the unfinished business with Nancy is preoccupying him. Kate is sympathetic, and says maybe he just needs a few minutes, but Frank says he should go speak to Nancy and try to resolve things between them. Kate agrees that's a good idea, and says she'll give them both some space to work things out together. Frank puts on a plain t-shirt and boxers and leaves the room.

CUT TO Frank entering Nancy's bedroom. Nancy is curled up on the bed, and bitterly asks what Frank wants. Frank tells her he made up with Kate, and has come to do the same with her. Nancy looks up, and asks how he was able to get Kate to forgive her. Frank looks away for a second and finds himself lying again instinctively, saying that he told Kate the truth, that it was his idea to offer a deal to his boss to fuck his teen step-daughter in exchange for keeping his job. It took a lot of begging and apologizing but Kate finally decided to forgive him. He says that he also told Kate that Nancy didn't try to seduce him at all, it was his idea in a moment of weakness. Nancy is surprised, he really said that? Frank continues to lie and says yes, he just wants she and her mother to get along so he told her it was all him. How could Kate forgive him for what he did? She really forgave him? Frank keeps saying yes, she did, and the important thing now is that they forget about it and move on.

Nancy says she can't just forget about it. He says that he didn't treat her right before, but he wants to now. He says to her that there was another reason he didn't mind taking the blame for having sex with her, and it was because there was some truth to it, there's a part of him that secretly wanted her all along. That still wants her. She must have felt it, too, surely? She hesitantly says that she has, a little bit. Frank moves in to kiss her and she lets him have his way with her, slowly spreading her legs and inviting the hand on her lap to move towards her pussy. He asks her what she was going to say and she says just that she wants him right here, right now.

THE BAD UNCLE RETURNS
UNCLE CONVINCES NIECE TO HELP LURE & SEDUCE HER YOUNGER SISTER

PREVIOUSLY ON PURE TABOO: This is the story about how Diana (Jaye Summers) really lost her virginity. He'd been her dad's best friend for years. Uncle Joe (Charles Dera), as he called himself, had watched her grow up -- and she was his princess, the niece he never had. But once Diana turned 18, something changed about Joe. His fondness for her turned into an obsession. So he came up with a plan to get her alone...

SCENE OPENS on present-day Diana and her Uncle Joe fucking in Joe's spare bedroom on the bed, she is riding him cowgirl-style and clearly putting in a lot more work and enthusiasm. She gasps and moans in pleasure and calls out Uncle Joe's name as she bounces up and down on his dick, while Joe mostly lies there and just offers a few generic grunts in reply. Diana seems to reach orgasm after a little while and then starts asking Joe to cum inside her - Diana exclaims that she can feel it and starts to slow and eventually stop.

She pulls off of him and collapses to his side on the bed, rolling over to snuggle up to him placing her arm on his chest. He doesn't seem to reciprocate much. Diana tells her uncle that was great, but he corrects her - 'it was fine,' he says gruffly. She asks him what's wrong, she did all his favorites for him! He waves her off, telling her yeah yeah, she was swell... he doesn't seem to mean it. She sits up a bit and looks worriedly at him, did she do something wrong, or something? He looks at her with a serious expression and grips both sides of her head with his hands, playing lightly with her hair. 'Listen 'Princess', no offense, but...' he starts in a rude tone, the novelty's kind of wearing off. She's no longer a teenager and she's certainly not a virgin anymore...

She asks him what she could do, what he wants her to do to make him happy. He looks her up and down, considering her, then pinches her cheek affectionately, saying she's cute when she's desperate. He asks about her younger step-sister, she must be getting around 18 these days, mustn't she? Diana reluctantly says yeah, she just turned it a couple of months ago. And she's a virgin, like Diana was? '...Yes,' Diana admits. Uncle Joe looks pleased at himself for the idea and says yeah... yeah, that would do the trick alright. 'Bring her here,' he instructs her, and goes back to stroking her hair with one hand. She looks at him with reluctant subservience but doesn't say anything in reply.

TITLE PLATE

CUT TO another day, where Diana and Cammy (Emily Willis) are greeted at the door by a much friendlier-seeming Uncle Joe. 'There's my princesses!' he exclaims. He takes their bags from their hands and tosses them to the side, then welcomes them in. He gives Diana a brisk, business-like hug then moves on to Cammy, and hugs her for much longer. Wow, she laughs at how warmly he's greeting her, uh hi Uncle Joe! Long time no see! Uncle Joe releases her from the hug but keeps his hands on her arms as he looks her up and down, remarking at how much she's grown. He remembers when he used to come over to their house to visit their dad, and would pick her up for piggy-back rides like it was nothing, feels like only yesterday. Although he bets he could still do it! Without even waiting for permission, he scoops Cammy up in his arms and she yelps in surprise, then giggles in embarrassment. 'Uncle Joe!' she squeaks. Diana looks at them with a mix of jealousy and guilt.

Once she's set down, Cammy starts to pick up her bag and Joe says no, let him take care of it! He turns back to Diana. Why doesn't she give Cammy the tour, he says suggestively to her, while he gets all their things settled in their room. Then they can all meet up outside at the pool for a swim. A pool! Cammy squeaks with excitement, she can't wait! Uncle Joe sidles up behind Diana and puts his hand firmly, ominously even, on her shoulder. Make sure the two of them don't skimp on the tour, he says to her with fake innocence, take all the time they want. She nods obediently without looking back at him, and then slips her hand into Cammy's. They scamper off, and Uncle Joe shoots a devious look at the bags.

CUT TO poolside, Uncle Joe is seated comfortably in a pool chair wearing his sunglasses when the two girls emerge from the house - Cammy is still wearing her original clothes while Diana is wearing a bikini. Uncle Joe? Cammy asks, he wouldn't have happened to have seen her bathing suit when he brought the bags up to the room, did he? Uncle Joe feigns innocence and says no, he hardly touched the bags other than to bring them upstairs. Diana looks to Cammy and says see, she knew Uncle Joe wouldn't know where it is, Cammy probably forgot to pack it. But Cammy swears she remembered putting it in her bag, it was one of the first things she packed - she was really excited to go swimming and absolutely didn't want to forget. Oh, Uncle Joe says, well she shouldn't let a little thing like that ruin her fun, now. She can just swim in her underwear, he suggests. Cammy seems a bit hesitant, but Uncle Joe says come on, between her step-sister and him being their dad's best friend, they're all practically family here - no need to be so bashful. O-okay, Cammy says, warming up to the idea as she sees they don't seem to mind. She strips out of her clothes, revealing a white bra and panties underneath. 'Atta girl, Uncle Joe says, don't be shy. She flashes a grin at him and then jumps into the pool with a splash and a playful shriek. Unbeknownst to her, her white bra and panties once wet now show Uncle Joe a great view of her nubile teen body.

Uncle Joe catches Diana's eye and shoots her a meaningful look and a tilt of his head towards Cammy. Diana looks back obediently and nods again slightly. She joins Cammy in the pool. 'Hey Cammy,' Diana calls out, does she remember when they used to play pool tag as kids? They should play that again! Cammy says that it might be a bit lame with just two people, and Diana taunts her, she's just saying that because she knows she won't be able to catch Cammy. Oh, it's on! Cammy giggles and chases after Diana.

The two of them frolic in the water, laughing and giggling as they chase around the pool, splashing each other and trying to catch each other. Whenever Diana is 'it' and catches Cammy, she gets very handsy, giggling and hugging and pressing her body up against Cammy's. Cammy takes a cue from her and starts to do the same. Soon the two of them are barely running or chasing at all, but rather wrestling each other in the pool. Diana even playfully lowers one of Cammy's bra straps or tries to remove it, and Cammy gasps in happy shock and tries to get revenge by doing the same. Throughout, Uncle Joe watches them through his sunglasses with perverted interest.

Cammy remarks she's getting hungry, and is going to fix herself a snack. She asks if Uncle Joe wants one and he jokes that he's good, he's got a couple of tasty morsels already right in front of him. Cammy looks weirded out for a moment then laughs the comment off saying that Uncle Joe is so silly, but behind her Diana shoots Uncle Joe a glare of concern.

Uncle Joe then watches, with no attempt to hide it, as Cammy steps out of the pool dripping wet and grabs a towel, heading back into the house. Diana steps out of the pool next and rushes up to Uncle Joe. He has to be more careful, she warns him quietly, he's going to scare her off. They have to take things more slowly and get her warmed up to the idea, having sex with her dad's best friend is one thing but sex with her own step-sister too - it's going to make her freak if they don't handle it carefully. Uncle Joe tells Diana she'd better make damn well sure that doesn't happen, because he's just starting to enjoy himself and he's not in the mood to take things slow. So it's up to Diana to make sure her sister behaves when the time comes. Diana wouldn't want to disappoint him, would she? Diana timidly says she'll do what she can. Uncle Joe gives her a smack on the ass and tells her to get going inside.

CUT TO late that night - both girls are dreaming sweet dreams, side by side in bedrolls on the floor. The bedroom door creaks open, and the light of the hall spills out into the dark bedroom. Uncle Joe's feet step into frame. He looks the girls over hungrily, edging his way into the room to get a closer look at their teen bodies in their nightwear. He moves into the space in the middle of them both and, careful not to alert them, he settles in lying down between them. His attention goes straight to Cammy. He rolls onto his side to spoon her - she moans comfortably in her dreams. He holds her like that for several seconds, then feeling emboldened, he backs up slightly from her body and pulls his hard dick out from his boxer shorts. He strokes himself, inching as close as he can to Cammy without touching her again now that his dick's out. He breathes heavily against her neck as he strokes himself. Sensing his presence, Cammy's eyes flutter open. 'D-Diana?' she asks quietly and timidly, 'is that you?' No, princess, Uncle Joe says back in a low voice, it's her Uncle Joe.

Cammy still seems a bit groggy, Uncle Joe? What is he doing h- ... she rolls to her other side and sees him stroking himself and her eyes go wide. She calls out to Diana, get up, Uncle Joe is-! Diana's eyes snap open and she instantly starts to reassure her, Cammy, it's ok, it's ok! Cammy doesn't calm down right away, and tries to get Diana to realize what's going on, but Diana tells her she knows. 'What do you mean you know?' Cammy asks, panicked. Diana explains that Uncle Joe has something he wants to share with the two of them, something very special. 'No, but-' Cammy starts to protest, but Diana interrupts her. It's okay, she tells her little sister, she's going to like it, see? She grabs Uncle Joe's hard dick in her hand, and then puts her mouth on it to suck it, looking Cammy right in the eyes as she does it and saying mmmm.

'Diana, what are you-?!' Cammy tries to say, but Diana pulls her mouth off of his dick and cuts her off again. See, Cammy? she says, moving his dick to point at her little sister now as if offering it to her. It's no big deal, he just wants the two of them to thank him for his hospitality. Didn't mom and dad teach them to show manners growing up? Cammy starts to get flustered and frustrated, but this isn't right, she insists, this- 'Cammy,' Diana hisses, sounding a bit desperate. 'You're being rude! Uncle Joe invited us here, we're guests in his home, and this is how he wants us to thank him. Quit being such a brat and just give him what he wants.' Her tone softens, and she continues, saying that she promises Cammy will enjoy it. Just like Diana did.

Cammy's eyes widen - like she did? Diana nods and says it makes Uncle Joe happy. It makes her happy too. Cammy looks from her sister to Uncle Joe, who's staring intently at her. 'What do you say, princess?' he coaxes her and strokes her hair. 'Don't you wanna make your Uncle Joe happy?' Cammy looks down at his dick, which he continues to stroke with his other hand. She says she guesses she can try, but she's never done anything like this before. Uncle Joe tells her don't worry, her big sister will show her everything she needs to know.

In Private Specials, Rimming Ladies 4 the saucy blonde Lola Shine (aka Aon Flux) is horny and in need of some attention however her man Totti is far too tired to give it to her. That's why the cheeky Lola has come up with a surprise for the next morning and she wastes no time diving in for breakfast with some ass licking action and a mouthful of cock to wake her man up. Lola then gets all the attention she needs as she enjoys a hard fuck that has her moaning and screaming all the way to a hot facial cumshot.

The horny and single Mischelle Klein is spending the weekend with her best friend, they share everything together and we really mean everything as Mischelle is kindly given boyfriend Alberto Blanco for some well needed fun. Watch Mischelle get straight down to business with a nice sloppy deepthroat blowjob before offering up her juicy pussy and tight little ass for some intense anal action. Enjoy this stunning teen as she puts that petite tattooed body to work riding, grinding and fucking all the way to a facial cumshot, another scene of true private class.

SEVEN MINUTES IN HELL
SHY TEEN CAUGHT, HUMILIATED & RECORDED FUCKING IN PUBLIC

Laura (Jaye Summers) sits alone on a set of stairs and watches quietly as a party carries on. It's late into the night at this point, and what was presumably started as a crowded, high energy event has started to wind down as most of the partygoers have left by now, the basement littered with red cups, beverage bottles, bowls of chips, and a general state of messiness left behind. The 10 or so teens who remain are chilling around the room as party music plays softly in the background, most talking in twos or small groups with Laura being the odd one out. One of the guys bounds down the stairs excitedly holding a red cup filled with liquid in each hand, brushing into Laura as he passes and almost spilling the beverages on her, and she makes an uncomfortable face as he passes her unapologetically.

Laura continues to sit in silence for a little while, and it becomes clear that she's not just watching the party, but staring at one guy in particular - Vince (Zac Wild) - as he laughs and jokes along with a pretty girl across the room. She looks on with a bit of envy, clearly wishing she could take the place of the girl he's talking to.

Just then, her fixation on him is broken when Janet, the party host and Laura's best friend, gets everybody's attention by flashing her tits. She laughs and says good, now that she's got everybody's attention, it's time to bring some life back into this party - who's up for a game of Seven Minutes In Heaven? Everyone groans and mocks her for such a dumb suggestion. She explains that they're all 18 here so this isn't going to be some lame-ass PG-13 kiss on the lips shit - anything goes as long as both people consent to it. She holds up a fistful of ripped paper scraps and waves them in the air - she's written down everybody's name on the paper - yeah, EVERYBODY she says as a couple of the teens chuckle nervously - and she's going to pull out one guy's name and one girl's name. And they know the rest!

Janet quickly divides the scraps of paper into two hats, and then pulls two strips of paper out of the hat. She announces the two names, Felicia and Brad - Felicia being the girl that Vince was talking to earlier - and the two of them look at each other with nervous smiles and shrugs. Janet tells them the clock is ticking as she starts a stopwatch app on her cell phone and then urges Brad and Felicia upstairs and starting the countdown. 'Have fun, you two lovebirds!' Janet mocks before heading back to the others who have settled back into party mode.

Janet looks around the room and sees Laura sitting by herself, and comes and sits next to her on the stairs. How is she liking the party so far? It's fine, Laura replies. Liar, Janet says. She knows Laura's been moping around staring at Vince all night and hasn't said a word to him. Laura blushes, is it that obvious? Janet says absolutely, she's just lucky that everyone their age is so self-centered that nobody has noticed. Laura ducks her head in her arms and moans, why can't she just talk to him? Janet tells Laura that it's easy, she just has to get up and say hi to him. Men like women that are forward.

After a minute or two of them talking, Felicia bursts out of the connected room. 'Boooo!' Janet says holding up her phone and pointing at it, they still had almost 5 minutes left! Felicia says nonchalantly that Brad was too hairy, it was disgusting, and she returns to the party without looking back. Brad comes back out the room too with an embarrassed shrug and tries to play it off as fine, some girls like a guy with a hairy chest. Felicia jokes that she wasn't talking about his chest, and the rest of the partygoers ooh and laugh at Brad.

Janet gets back up and pulls out the next two pieces of paper. She opens the first one up, and we see it says 'Vince'. She calls out his name and he raises his fists triumphantly, and a couple of his buddies wolf-whistle him in encouragement. Janet opens up the next slip of paper, and we can see the name 'Janet' written on it, but she closes it quickly without anybody else seeing it. 'Laura!' she calls out. Laura looks up, flustered, and says she didn't think she was playing. Janet says of course, she told them that EVERYONE was playing. Laura tries to excuse herself, saying she's fine sitting out, maybe Felicia would want to take her place since she didn't use her full time... but as she's saying this, Vince looks at Laura with a charming smile and tells her he likes the pairing as it is. Laura stutters, and Vince says reassuringly not to worry, he won't bite. C'mon! Laura is wide-eyed and almost speechless, but she nods okay and gets up to follow him into the room. Janet closes the door with a mischievous grin and starts the timer.

TITLE PLATE

Vince turns to Laura and asks so, where should they start? Laura blushes and says he doesn't have to do anything if he doesn't want to, they can just talk... or even not talk, if he'd rather. Vince asks her why on earth he wouldn't want to do something with her? She's one of the cutest girls in school. Laura looks surprised to hear it, and says that she didn't think he even knew who she was. He's hardly ever talked to her. Vince explains that he didn't want to screw up his chances or give her a bad impression by coming on too strong, she seemed like the type who didn't like rowdy guys, and likes to keep to herself. He was waiting for her to make the first move. Laura blushes and says oh, she had no idea. Vince grins and says he guesses fate must have put them together tonight. Laura tells him she doesn't mind if he comes on her... comes on to her! she corrects herself with embarrassment. Vince smirks and says he could even do both. Laura gasps and giggles nervously. Vince asks if she does really want to JUST talk. Laura shakes her head no, she wants more than that. Good, Vince replies, he does too.

They're still in there! Kyle laughs as he, Janet and perhaps one or two other partygoers huddle around quietly after several minutes of not having heard from the two upstairs. Janet smirks and says she knows, it's already been like ten minutes, things must be going well. Kyle mentions that there's only one way to find out. Janet gets serious, no, hey, Kyle, don't even think about it. Kyle has already started to walk away and says don't worry, he's not going to interrupt them, he's just going to stick his head in for a quick peek. After all, what if he's hurting her or something? Janet tells him that's not funny and Kyle says he's serious, wouldn't Janet rather be safe than sorry? Janet reluctantly admits he has a point. Thank you! Kyle says arrogantly, and creeps upstairs to the door of the bedroom. He opens it quietly and edges his way through the door and into the room.

He sees that Vince and Laura are mid-fucking and stifles a laugh. Oh shit! he says to himself. He watches them fuck for a good solid minute, intrigued and bemused, as Laura is being very vocal, telling Vince don't stop, keep going. Finally, Kyle sneaks back out. 'They're totally fucking!' he says in a loud excited whisper, not just to Janet but to the whole room. Janet looks pissed at Kyle for telling everyone, but several others in the room start to gather towards him to gossip. Is he serious? Vince, with HER? Isn't she a virgin though? and so on. Kyle relishes at being the one to tell them what he saw, how she was practically begging him for his dick. Janet looks increasingly upset, and tries to get them to respect Laura's privacy, but others in the group insist that they want to see too, they won't believe it until they see it. Slowly, people start to gather towards the bedroom, as shy Laura unsuspectingly continues to enjoy her seven minutes in heaven with her crush, unaware of the hell that's about to unleash.

FOOL ME ONCE...
OBSESSED STALKER TEEN LURES UNSUSPECTING CRUSH INTO SEX TRAP

SCENE OPENS on a teen, Kimberly, as she unlocks the door to her house and lets in her companion, a handsome young man, Jamal, only a few years older than her. They are both wearing gym clothes with gym bags slung over their shoulders, and are sipping on smoothies as they engage in lively small talk. They seem to have great chemistry together. Jamal remarks that Kimberly has a really nice place, and she replies that her family is pretty well off so when it came time that she wanted to move out on her own when she turned 18, her parents paid for everything. She jokes that she always gets what she wants, and Jamal suavely asks her what it is she wants right now. 'You'll see,' Kimberly says teasingly. She leads him in to the living room and invites him to get comfortable.

Jamal asks Kimberly how long she's been going to that gym, and she says she joined probably about two months ago? What a coincidence, Jamal says, it's been about two months for him too. He remarks that they seem to have similar schedules too, he jokes that it feels like he's seen her almost every time he's been there. And yet it took him this long to come up and say hi? Kimberly asks with a smirk. Jamal chuckles and says he likes to take things slow but that Kimberly definitely caught his eye right away. Kimberly asks him what about her caught his eye right away? With a laugh and a gesture towards her whole body, Jamal asks besides the obvious? Well, he did actually also happen to notice she was wearing a t-shirt of his favorite band. Kimberly seems surprised, that band is his favorite? It's hers too! They both gush about the band for a bit, and compare some other bands they like as well as listing off other favorites, like favorite foods and colors. Both of them seem excited and shocked to learn how many interests and activities they have in common.

Kimberly mentions it's crazy it took them so long to meet each other with so much in common, and that they should do one of their shared activities together sometime. This encourages Jamal to turn on the charm, and he hints to Kimberly that he bets there's one other activity they could do if she's interested. Kimberly takes the hint and flirts back, saying that he read her mind. That's exactly what she wants, right now. 'And you always get what you want, right?' Jamal asks with a smile as he leans in closer to her. 'You bet I do,' Kimberly replies. Their faces are inches away, and there's a moment of electric tension before they close the gap and start kissing intensely, with tongue. Jamal's hands move over Kimberly's upper body, feeling her up over her clothes as they make out.

After a good half-minute, Kimberly breaks away. She tells him she just wants to freshen up for a second in the bathroom before they go further, and Jamal says no problem. He jokes that she knows where to find him when she gets back. Kimberly laughs and makes her way to the bathroom. Once there, she closes the door and pulls out her phone with a greedy, secretive look on her face.

Kimberly wets her finger with her tongue and slips it down her pants to finger her pussy teasingly for a few seconds as she stares at her phone, pleasuring herself to the voyeuristic pictures she'd taken of Jamal from a previous day. Then she closes the phone and puts it back away, and opens up her bathroom drawer. She pulls out a sterile specimen cup, the seal not yet broken, and hides it discreetly in her hand behind her back. She gives a quick check in the mirror of her appearance, and then leaves the bathroom, turning off the light and closing the door behind her, shutting out the camera as we catch a last glimpse of the specimen cup in her hand.

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Kimberly comes back to the couch and says she hopes Jamal wasn't kept waiting too long. Jamal says he likes to take things slow, remember? He'd only ever get with a woman he thinks is worth waiting for. Kimberly remarks that he's quite the gentleman... but she hopes he knows how to be a bit of an animal too. Jamal boasts that he can be as nasty as she wants him to be. Kimberly stealthily tucks the specimen cup behind her back somewhere nearby but out of sight, and then straddles his lap instead of taking her seat back beside him. Her ass sticks out teasingly in this position, and Jamal puts his hands firmly on either side of her ass over her clothes and starts groping her cheeks as they resume making out. Kimberly encourages him to keep being nasty and playfully calls Jamal 'Mr. Williams' , at which point Jamal slows for a second and remarks that he doesn't remember ever telling her his last name, did he? Kimberly lies and says she overheard the greeter at the gym call him that one time, and Jamal believes her.

They continue to kiss and grope each other as Kimberly straddles Jamal. He peels her top off revealing her sports bra, and plays with lowering her pants and tugging teasingly at her thong. Kimberly also lifts Jamal's shirt up and eventually off. As she traces her finger along his facial hair, she remarks that she likes it way better than when he was completely shaven, she finds it way more sexy and distinguished. Jamal chuckles but it quickly turns to nervous laughter, and he takes her hand in his and pulls it back. He hasn't been completely shaven for four months, he says. But she's only seen him for two months. Kimberly casually tries to convince him that no, he definitely was completely shaven at the gym, she remembers he had it when he took that spin class she was in. Yeah, Jamal says, at his old gym. He hasn't taken any classes since he joined the new gym. Right, Kimberly continues as if nothing is wrong, his old gym across the street from his house. He doesn't remember her from there too? Jamal's voice grows more concerned and he says no, he doesn't. But more importantly, how does she know where he lives? Kimberly doesn't have an answer, and Jamal tosses her off his lap and spits out the truth - she's some kind of fucking stalker or something, isn't she?!

Jamal realizes more and more how much Kimberly had fooled him. He gets up to get farther away from her. All that stuff she said they had in common, that was just bullshit, wasn't it, she's just like obsessed with him or some shit. Kimberly gets up too to try to close the distance between them. She swears that no, maybe it's true she hadn't tried most of that stuff before meeting Jamal but once she found out what he liked, she started learning more about it all and she really does love it. Jamal calls her a crazy bitch, she just stalked him and invaded his privacy and then tried to trick him into fucking her. He's getting the hell out of here.

Desperate, Kimberly tells him he can't go. Jamal says 'Watch me,' and pushes past her, snatching up his shirt from the couch. Kimberly hesitates for a moment, but seeing she has no other choice, she blurts out that she'll tell everyone all his secrets if he leaves. He stops, but is reluctant to believe her. What secrets, he asks. 'Gloria' she replies, and Jamal's shocked that she knows about his wife. Also about Sarah, a mistress... Kimberly can tell Gloria all about his weekly trips to the motel at the next PTA meeting for his son...

Jamal keeps from shouting, though it's clear that he's barely holding back his anger. She's fucking crazy, does she know that? Like seriously unhinged. How can she say she loves him, and then threaten to ruin his life? Kimberly insists that Jamal only has two options: making love to her or Gloria finding out all about Sarah. Jamal shakes his head again and mutters another insult about how fucked up this is under his breath, then says 'Let's just get this over with...' He pushes her face-down onto the couch since he doesn't even want to see her face while he does what he has to do.