Lena Paul - Airtight Invasion
AIRTIGHT INVASION
Teen Uses All Her Holes to DP and Get Revenge on Male Captors
A STATEMENT FROM LENA PAUL:
I've never felt drawn to expressing my own personal trauma in my porn because I generally find it a little inappropriate to air your dirty laundry online. However, when Bree approached me to write a story for Pure Taboo, I felt it was an opportunity to share my own experiences in a serious adult piece.
The parameters of my story stem from a recurring nightmare I had after being assaulted. I'd like to offer this project as my #MeToo, in that I wanted to create a story that women who've suffered trauma could feel empowered about watching.
A lot of women who watch porn, particularly rough sex scenarios, after experiencing trauma feel a lot of shame about it, despite it being an extremely common fantasy (top 5 actually according to some studies) for women.
It was my desire to thread the needle of empowering women while also placing my character in a seemingly dangerous or degrading setting to talk about how this juxtaposition can feel both complicated and pleasurable for viewers.
I hope, in the end, that Airtight Invasion will continue our industry's conversations about female empowerment and representation.
SCENE opens one night as a beautiful young woman named Veronica shuts down her family's house for the evening. Veronica is the daughter of a rich businessman with suspected ties to organized crime and she looks every bit like a mob boss' daughter, with a full face of makeup and flashy clothing. But, despite her grown-up appearance, Veronica is an anxious girl ... pacing through the different levels of her mansion and pleading with her father on the phone. It's the first time that she's been left alone for the weekend with only one guard on duty and Veronica does not believe he will be enough to protect her, especially from any of daddy's enemies. Her father is dismissive, telling her to calm down, she is 18-years-old, and that the guard is a trained professional. He and her mother will be home in the morning. Strutting into the kitchen, she takes a deep breath before agreeing and her father hangs up, leaving her to reflect for a moment in the silence of the room. She opens the fridge, grabs a bottle of water, and heads to the front door. The security guard, Bruno, is standing in front of it as he always does during the night shift. Opening the door, she says goodnight sweetly and offers him the water, which he takes gratefully. It's hot out. Veronica kisses him on the cheek and thanks him for always keeping her safe, before closing the door. Bruno turns back to his duties, standing on the front steps and sipping his water. He smiles at the thought of the sweet innocent girl.
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Bruno is lying passed out on the front steps, the water bottle open and dripping beside him. Three men, dressed in black, step over him cautiously and open the door. It is not locked. They quietly file into the foyer and down through the various levels of the house to Veronica's room. She is resting in her bed, dressed in silk pajamas. They approach and stare down at her, each wearing black ski masks and breathing hard. The teen girl tosses for a moment before slowly waking up and staring straight at them. Her eyes go wide. 'You're coming with us,' one of them growls. Cut to black over sounds of rustling and resistance.
8 Hours Later. Veronica struggles to see. Something is over her head and she begs the men to remove it. They rip it off, a pillowcase, and, for the first time, she is exposed to her surroundings. She is being kept in a messy storage locker and surrounded by two of the men, who seem almost as anxious as she is. 'Who are you?' she mutters. The two men look at each other, before turning back. 'You are being held until your father pays us what he owes us,' one says. Veronica lowers her eyes in fear. Her hands are crudely tied together, and she winches at the ropes. 'Do you think you could please remove these?' She begs. 'I'm obviously not going anywhere.' The men look at each other again, debating what to do, before the other pops open a switchblade and cuts her hands free. 'You better sit still,' he meekly warns, 'or else!' Suddenly, a door opens and a third man, the eldest of the three, comes strutting in the room with a gun and a cell phone. He sees that Veronica is loose and immediately rushes over, leaving the door ajar, to berate the other men for untying her. They tell him to chill, she promised not to run, and besides ... they all know she has nowhere to go. Calming down, the third man gets right into Veronica's face and tries to intimidate her. He warns her not to cross them or try anything stupid. They are trained professionals. They don't care how they make their money at the end of the day ... and disposal is much easier than ransom negotiations. Veronica clams up and agrees with everything that the man, who is clearly the leader, says. He seems to take great satisfaction from this power trip and tosses the phone into the hands of the other two men. 'Use this burner, boys,' he barks, turning back and flashing a sadistic grin at Veronica. 'Time to call daddy!'
24 Hours Later. Veronica sits slumped in a corner, sweaty and anxious, while the men try to talk to her father. This is the fourth call they've placed since the heist, and her dad is sobbing on the other end of the line. He can put together some of the ransom but not everything they are asking for. They are being unreasonable, and he begs for leniency. He hasn't called the cops, after all. He is playing along. Finally, the leader hangs up on him angrily. This is not going as he had expected. He lashes out at the other two men, waving his gun around, and telling them that they are being too soft on the girl. If they had the balls to send her father a special delivery, it would wrap things up quickly. Veronica shrinks back and whispers that her father is just trying to negotiate. That's what he does. He's always been cheap. He has the whole amount. The leader grabs her. 'So, what the fuck do you recommend we try next, then?' He yells.
36 Hours Later. Veronica sits quietly in between the two men, as the leader yells into the phone. He is telling the father that he knows about the hidden safe in his office and all the reserves he keeps there. As they argue, Veronica tries to whisper a few key details to help the leader prove his point. The father claims he emptied that safe out months ago. There must be some other way. Without thinking, Veronica stands up and yells 'Dad, Please!' This causes the father to panic, hearing his daughter in distress. The leader hangs up the phone abruptly and spins around, as the other two cover her mouth and pull her back down to the ground. 'I told you not to do anything stupid!' He yells. Slowly, Veronica removes the hand from her mouth and says. 'That wasn't stupid, that was exactly what you needed. He's nervous. Now, you just have to make him terrified!'
48 Hours Later. The three men sit in a corner, away from the girl, debating over what to do. The two men are becoming very antsy, urging the leader to just get rid of Veronica and abandon the job. She watches and listens closely, biting her lip. The leader argues that they should stick it out, they just need to do something that will really fuck the man up and get him to cough up the whole amount. It needs to be a real threat, no more pussying around. The room goes silent. 'You should all fuck me,' Veronica says quietly. 'Do whatever the fuck you want. Just send my father the evidence. As soon as he sees his daughter like that, he will cooperate with you. No more pussying around.' The men look at each other in shock. 'Does she have Stockholm syndrome or something?' One of them laughs nervously. Veronica stands up, shaking, and starts to under her pajama top. 'But, you need to make it look rough, make it look you ruined me. All three of you need to be in on it. Inside of me. Airtight. I want this to be done as much as you do.' She takes off her pants and stands naked before them. The leader flashes a smile and starts to approach her, as the other man chimes in to protest. 'What if she is playing us?' The leader tells him to stop pussying around, like the lady said, and get his phone out. It's picture time. The leader rests his gun on the ground, kicking it to the side, as he peels off his clothes. 'Grabs the masks,' he tells the other man. 'We don't want to be recognized!' The three men strip down, put their masks back on, and approach Veronica. 'Are you ready, sweetheart?' The leader coos in her ear. She says YES and drops to her knees. BBBG Rough Sex Scene with Airtight DP penetration. Throughout the sex, they take turns taking photos. In the end, the three men give Veronica a full facial and make her pose for a picture. While they laugh and look at the photos (the audience never actually sees the photos), she quietly sneaks to the side of the room where the gun was tossed, grabs it, and points it in their direction. Cut to black as gunshots are heard.
Over a black frame, a voice over of Veronica calling her father. She asks if he saw the photos. He says yes, crying. She tells him this will be the last time they let her speak to him unless he gives them what they want. Through tears, he agrees. She tells him to bring the full amount to a location that will be texted to him. He must come alone. He must not involve the authorities. He agrees. The phone is cut.
A final shot shows the father sitting, with a suitcase. A car pulls up and rolls down the window. It's Veronica -- dressed immaculately. She hushes her father and tells him it's ok, as a man in a black ski mask gets out of the car and collects the suit case. 'Will you let her go now?' the father pleads. As Veronica rolls the window back up, she hears the man pull the trigger and her father fall to the ground. The man in the ski mask gets back the front driver's seat and takes off his mask. It's Bruno. 'Where to now, Miss Veronica?' he asks politely. 'To the airport,' she replies.
Khloe Kapri - Second Parents
Nominated - Best Sex Scene -- Taboo-Themed: Khloe Kapri, Ryan Keely, XBIZ 2020
SECOND PARENTS
TEEN FUCKED BY BEST FRIEND'S PARENTS AT FAMILY HOLIDAY
SCENE OPENS as Sarah, a typical teenage girl, drives through a suburban neighborhood. She's on her way to pick up Karen, her best friend, to celebrate the July 4th weekend at her parents' house. She pulls up to the curb and finds Karen waiting at the end of her driveway. Tote bag in hand, she hops in the front seat and the pair drive off. The two 18-year-old girls have been close since they were kids and, now that they have both recently graduated from high school, this will be the last holiday they spend together before college. It has been a longstanding tradition that Karen spends the weekend with Sarah's family, since they always plan better Independence Day activities than her own. Sarah's father is particularly over-the-top about holidays ... making sure his family has lots of fun things to do. It's part of the reason Karen has always looked up to Sarah. Her life seems so perfect. As the two girls small talk, they drive back to Sarah's house and pull into the driveway. Sarah's father is waiting for them on the landing, sporting a cheesy BBQ apron and waving. 'Oh god, how embarrassing,' Sarah laughs. Karen laughs too, noting that at least it isn't as bad as the one he wore last year. They get out of the car and run up the stairs, each hugging Sarah's father, before heading inside.
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That afternoon, the family spends time together in the backyard. Sarah's father is tending to the grill while his wife relaxes with the two girls. They chat about their college plans and Sarah's mother teasingly asks Karen if she has a boyfriend yet. Karen responds that she doesn't ... but Sarah's mother doesn't let it go. While this conversation is happening, Sarah's father grills in the background. The camera frequently cuts to his point of view, as we see him zero in on Karen and watch her intently, scanning up and down her body. The mom keeps asking questions and it gets to the point where Karen begins to feel a little uncomfortable. She is much more reserved than her best friend, especially when it comes to boys, so she isn't used to divulging intimate information. Sarah catches wind of this and quickly changes the subject, as the parents smile at each other.
CUT to the dining room table. The family has just finished dinner: hamburgers from the grill. They are sharing memories about all the 4th of July celebrations they've had together over the years, and Sarah's father raises his glass to make a toast. He thanks his beautiful wife and daughter for blessing him every day with their love. And he thanks the girl he considers to be just like another daughter, Karen, for being such a good friend and influence for Sarah. He gushes about how much she's grown over the years and how she has become such a gorgeous young woman. The camera frequently cuts to the father's point of view, as he studies Karen's chest breathing heavily as she grows more awkward. 'If only I were 18 and single again,' he says jokingly. 'You would have to watch out!' The parents laugh ... as Karen grips her napkin underneath the table. Something seems strange. Sarah hurriedly changes the subject again and, noting the time, asks her father to let them go get ready for the fireworks.
CUT to outside at dusk. From the father's point of view, he studies the girls as they dance around with sparklers. Flashes of light hit their faces, as they react to the sound of fireworks and try to draw hearts in the air with their sparklers. After a few minutes of observing them, playing close attention to their supple teenage bodies as they play, Sarah's mom walks up into the frame and whispers to her husband that it's time to get the girls ready for bed. Their sparklers have gone out. Sarah begs to stay up a bit longer, but her father insists they turn in for an early night. He has a long weekend planned. She looks a bit frustrated but agrees.
CUT to Sarah's bed. She is already under the covers on her side, looking at her phone, when Karen exits the bathroom and crawls in beside her. She starts to talk about social media gossip when Sarah abruptly puts her phone away. 'I'm tired,' she says curtly. 'Let's just go to bed.' Karen seems a bit put off by her coldness. 'Everything ok?' She asks. Sarah says yes and turns her back on her friend. Karen lies there in silence for a moment. She doesn't understand what's going on. 'Are you sure there isn't something up between you and your parents?' She asks cautiously. 'Things seem a bit tense this weekend.' Sarah laughs sarcastically to herself and mutters something about her parents liking Karen more than her anyway, so why is she so concerned. Karen tries to protest but Sarah tells her to forget about it and go to bed. Begrudgingly, Karen turns off the light and closes her eyes.
CUT to the middle of the night. Karen's eyes pop open because the light has been turned back on in the room. Sarah still lies passed out on her side of the bed, back turned. As Karen slowly sits up, she realizes that she is being straddled by Sarah's mom, who somehow crawled into the bed behind her. Shocked, she asks what's going on. Sarah's mom hushes her and says that she was having a bad dream. As she says this, Sarah's father tip-toes into the room with a glass of water. He is wearing only boxer shorts and Karen is taken aback by how fit her best friend's father is. She can clearly see his penis underneath his boxers and it makes her very nervous. Nonchalantly, he hands her the glass of water and comforts her, echoing his wife when he says that Karen's tossing and turning woke them both up. They wanted to make sure she was ok. As they both pet and coddle her, she anxiously looks over at her friend. 'Is there something wrong with Sarah?' She whispers. They shake their head and tell Karen that she is just a sound snoozer. She shouldn't worry about her. She should just concentrate on herself and feeling better. Sarah's mom kisses her forehead and holds her tightly while her father takes the glass back and starts kneading her shoulders. He tells her she is very tense, she must have been very anxious. Is she stressed? Not knowing what to do, Karen shakes her head. Sarah's mom asks if they are helping her to relax. Karen nods and thanks them, looking over at Sarah again. Why isn't she waking up?
'We've always considered you to be an extended member of our family,' Sarah's mom says, looking her husband dead in the eye. 'We worry about you just as if you were our own.' Sarah's father agrees, adding how much they've come to love her over all these years and how sad they are that she is going to be moving away in the fall. Shell-shocked, Karen tries to appease them by saying how welcome she's always felt and how sad she is to be leaving as well. They're like her second parents. 'We want to make sure you leave with only the best memories,' Sarah's mom continues, wrapping her arms tightly around Karen. 'And, now that you are 18,' her father adds, 'we want to show you just how much we care about you ... before you go!' Sarah's mom smiles at her husband and they lean in to kiss each other, directly over top of Karen. Karen swallows hard, her eyes darting between them and her best friend. She sees Sarah's mom pull her father's cock out from his shorts and start to stroke it. Her eyes go wide. Sensing her reaction, Sarah's mom tells her that it's ok to look, she doesn't mind. She knows how handsome Sarah's father is and she is aware of how close Karen has grown with him, especially since she came of age. Karen tries to awkwardly protest but Sarah's father chimes in. 'What?!' he asks, jokingly. 'You don't like me anymore?!' Karen doesn't know how to react. She tells him she really likes him. She likes all of them. 'Good,' Sarah's mother says, slowly sitting back and pulling Karen onto her back. 'So why don't you just relax then, and we can all have a little fun together. Would that be alright with you?' Karen gulps, looks over at her friend one more time, before slowly saying YES. Sarah's father pulls down his boxer shorts and kneels to start removing Karen's pajamas. Sarah's mother holds her gently in place and pets her head, asking her if she's ever been intimate with a grown man before. Karen stammers that she's a virgin and, smiling at each other, the mom warmly tells promises that this will be special. Her special little secret with her second parents. Karen says 'ok' slowly, as she gulps again and looks down to see Sarah's father start to lick her pussy. BG SEX. As Sarah's father has first-time sex with the awkward yet eager to please Karen, Sarah's mother participates passively by holding the girl in various positions and encouraging her and her husband's love making. Throughout the sex, the camera regularly shows Sarah's father's point of view, as he looks down on his daughter's best friend and his wife. In the end, he cums on Karen's face while his wife looks up at him proudly.
When it is over, the stunned Karen doesn't know what to do. She wipes the cum off her face as the sweaty parents quickly tuck her in to bed, climbing on either side of her. As Sarah's mom turns out the light, she tells Karen that they'll all share the bed together tonight to make sure she doesn't have any more bad dreams. Karen asks again about Sarah and her father reminds her that she is just a sound snoozer and will wake up happily with them in the morning. She'll understand. They often share a bed all together when she gets scared. As they drift off, the camera slowly moves over to reveal Sarah's face for the first time. She has been lying, completely awake the whole ordeal, tears pouring down her face. She knew what her corrupt parents had planned for this holiday weekend and she led her best friend straight to them.
India Summer - The Fosters
THE FOSTERS
18 Year Old Shy Girl is Fostered and Fucked by Overbearing Parents
SCENE OPENS on Jamie, an 18-year-old girl with a troubled past. Abandoned by a drug addicted mother when she was very young, the teenager has spent most of her life bouncing between orphanages, juvenile detention centers, and the street. She is very introverted and socially challenged, barely able to look someone in the eye when she speaks.
Out of concern, her social worker has reached out to a church program that helps integrate high risk young women into adulthood. Seated on the couch beside two parental volunteers, 'Daddy' Ron and 'Mama' Mary Foster, the social worker explains Jamie's case while they study the shy girl with great compassion. She stares at her feet awkwardly, not knowing how to react with a real family. The Fosters reassure her that they will look after her just like real parents, even joking how much they live up to their family's last name.
When the social worker seems satisfied and says goodbye, Jamie looks up for the first time, silently longing for her not to leave. Daddy Ron escorts the social worker out and Mary leans in to put her arm around Jamie. 'It'll be just fine, sweetheart!' She coos. Jamie slowly nods and pushes a smile. Daddy Ron comes back into the room and sits down, tapping his knee. 'Now you be a good girl,' he says. 'And come sit on my lap!' Jamie slowly turns her head and looks at him in surprise.
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The next day. Jamie sits at the kitchen table, peeling potatoes, while Mama Mary cooks behind her. The woman is lecturing her about the family and their history with foster daughters. Life is easy going but, also, strict. There are chores to do, appointments to keep, and a firm commitment to their faith. Church four times a week, twice on Sundays, and daily bible readings. Jamie nods absently, as she struggles with the potatoes. Daddy Ron comes home from work and greets his wife with a big kiss. As they embrace, Jamie catches the man pinching his wife's behind and she blushes red. She isn't used to such intimacy. Mama tells him that dinner will be ready shortly and Daddy Ron excuses himself to freshen up. They will do their bible study after dinner.
CUT to the living room, in front of a roaring fireplace. Mama Mary is listening, eyes closed and swaying, while Daddy Ron reads a passage from the Bible. Jamie is sitting on his lap again, looking terribly awkward.
Colossians 3:20 And whatsoever ye do in word or deed, do all in the name of the Lord Jesus, giving thanks to God and the Father by him. Wives, submit yourselves unto your own husbands, as it is fit in the Lord. Husbands, love your wives, and be not bitter against them. Children, obey your parents in all things: for this is well pleasing unto the Lord. Fathers, provoke not your children to anger, lest they be discouraged. Servants, obey in all things your masters according to the flesh; not with eyeservice, as menpleasers; but in singleness of heart, fearing God.
Daddy Ron finishes and asks his foster daughter what she thought the moral of the passage was. Jamie doesn't say anything. Mama instructs her to be respectful and respond. Jamie looks up at Daddy Ron and mumbles something about needing to obey your parents. Mama kisses her on the forehead proudly while Daddy smiles on. 'Time for bed,' he says to his family.
CUT to the middle of the night. The camera opens on an ECU of Jamie's face as she slowly wakes up. She lays on a small mattress at the foot of her foster parents' bed. As her eyes flutter open, the camera leans out to reveal Daddy Ron and Mama Mary fucking on all fours on the bed above her. They don't realize she is awake and she overhears them dirty talking about her. She lays, eyes peeled and nervous, as they fuck inches from her for a few intense minutes before she closes her eyes again to try and drift off.
CUT to several hours later. Jamie is screaming as Mama wakes her up. Startled and sweaty, the girl looks up to see the foster mother very concerned. 'You were having a nightmare, sweetheart!' She says, clutching her tightly. Jamie can't remember if what she saw a few hours earlier was just a dream. 'I'm scared ... can I stay with you?' she asks. Mama suggests she share the bed with her new parents. When she pulls back the covers to tuck Jamie in, Mama exposes Daddy Ron. He is lying on his back naked, with a half-erect penis, staring calmly at Jamie. She averts her eyes nervously and lays down close to Mama. There is a long silence.
'Do you want to know what I do when I'm scared?' Mama says quietly. Jamie shakes her head no. 'I cuddle up to Daddy Ron ... like this!' She puts her arms around both Jamie and Ron and pulls them all together to create a family sandwich. Jamie can feel Ron's penis brush up against her leg and it makes her feel very funny. She takes a deep breath to calm her nerves. 'Daddy is big, isn't he?' Mama continues, smiling. 'You should touch it and see how big it can get!' Jamie doesn't know what to do. She is incredibly nervous but also strangely turned on. She has never been so close to anyone before and looks deep into her foster mother's eyes before slowly nodding. She reaches her hand down and wraps it around Ron's shaft. Mamma kisses her forehead and looks over at Daddy Ron, smiling, before putting her own hand down and wrapping it over Jamie's. Together, the women slowly jerk him off. Jamie's breath quickens as she gets excited, wedged between the couple. Sensing her new daughter's quiet enthusiasm, Mama then instructs them both to perform fellatio on him. After all, the Fosters believe in traditional family values where the man of the house deserves to be taken care of. BGG sex scene. Throughout the sex, Jamie is shell-shocked but consents to everything her foster mother asks her to do, wanting to please the overbearing parental volunteers and not being able to explain her own sexual curiosities. Daddy Ron ultimately cums on her stomach, as Mama sucks it up and spits it back into Jamie's mouth like a baby bird.
After they have finished, the parents put Jamie in between them. They say a prayer and turn off the light. As they drift off, Jamie stares up at the ceiling ... her eyes peeled. The shy, introverted girl has begun a new life.
Abella Danger - Trailer Park Taboo - Part 3: Hell is Other People
Winner XBIZ Best Sex Scene -- Feature Movie
Winner AVN Best Supporting Actress Joanna Angel
Scene opens on Joanna Angel on her bed studying hard for physics. She invites her friend, Abella Danger, over to help her. When Abella asks her how her relationship with Jack is going, Joanna confesses that she's really into him but that there's a slight problem; she feels like she doesn't know him at all. She has an idea and if Abella is willing to help her, she might actually be able to pull it off. Since most guys are into threesomes perhaps Abella could help her seduce him and maybe get him to open up in the process? When they solidify their plan to blindfold him, the girls are just in time as the doorbells rings. Jack walks in and introduces himself. Joanna tells him she's got a surprise for him and pulls him to the bed. When Abella starts kissing him, he gets the message fairly quickly. She takes off her top and blindfolds him. While Abella sucks his dick, she takes his wallet out of his pant pocket and takes a picture of his driver's license. Now that she has his address, she can check out where he lives and see what he's hiding from her. When they finish off, the girls leave the room temporarily. Jack spots Abella's purse on the floor, he hesitates for a moment but decides to finally open it. When he sees her wallet, he grabs it and quickly puts it in his pocket. He shakes his head in regret and leaves Joanna's place as he closes the door behind him.
Scene opens to Jack walking into his place. Kenzie is on the couch and is so happy he's back. When he tells her he's finally got hold of some cash to afford the abortion, she breaks down and starts sobbing. She exclaims that she wants this baby, that God wants this for them but Jack doesn't want to hear another word from her. He leans an inch away from her face and yells at her saying that he's her fucking stepbrother and not her boyfriend or husband. He doesn't want to raise a kid with her and stay in this godforsaken trailer park. He grabs her face, looks at into the depths of her lost little soul and tells her he doesn't love her. He throws her back on the couch as she recoils. He then adds that they're gonna to go to the clinic tomorrow and get rid of this fucking baby that she wasn't even supposed to be able to have in the first place. Much to his surprise, she agrees. But Kenzie has one condition; he has to fuck her one last time, it's not like she can get pregnant anyway. He shakes his head but shouldn't be surprised, she grabs his cock telling him that he can shake his head all she wants but she knows there's a part of him that wants her. He yells at her telling her this is going to be the last fucking time.
Scene cuts to Joanna driving on a highway looking preoccupied. Meanwhile back at the trailer, Jack is taking all his anger and frustration on his stepsister. Pounding her, he chocks her every time she speaks. He doesn't want to hear another word coming out of her lying mouth. Joanna is now at the door, looking in watching Jack fuck his sister. When Jack cums all over Kenzie's face he does this to spite her. Joanna walks in with a look of disgust and when Jack tries to explain himself, she tells him he's a wretched liar and storms out of the room. Kenzie's is on the bed smiling. She finally has her brother back where he belongs. She knows he's not gonna amount to anything and he knows this as well. He sees it written all over Kenzie's face. As he starts to punch her, she screams for more, echoing his agony and shame. He storms out of her house leaving Kenzie bruised and wanting more while she sits up on the bed smiling victoriously.
Jill Kassidy - Future Darkly: Artifamily
Winner XBIZ Best Non-Sex Performance Nina Hartley
Winner XBIZ Taboo Release of The YearARTIFAMILY
Father Seduced by Android Clone of 18-YO Daughter
SCENE opens with an homage to the famous POV sequence from the 1987 sci-fi film, Robocop. A lead scientist leans over the POV of a locked-off camera and examines the frame. She is standing in a stark, well-lit room accompanied by a small team, dressed neatly in lab coats, and taking notes. The lead scientist is commenting on the final stages of their new version. She talks about the exteroceptive sensors and the CCD cameras, asking questions to make sure that the actuators that malfunctioned previously will be completed prior to the trial. As she speaks, the frame periodically populates with code (VFX), suggesting that the scientists are leaning over a computer. When the scientist is satisfied, she asks the team to drain it and dress it in civilian clothes. The father will be arriving shortly. She leaves, and the team gives one final long look before exiting the frame.
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TEXT PLATE: March 15, 2095
A CU of a man's shoes. He taps his feet and shakes his legs as the camera slowly pulls up to reveal an anxious looking man named Robert sitting in a minimalist white office. It's been six months since his beloved wife and 18-year-old step daughter were killed in a car accident and the man is sick with grief. Despite the support of his family and friends, he has been hospitalized twice with severe PTSD and recently placed on a medical leave by his employer. It was his therapist, in fact, who insisted he sign up for this government program as part of his treatment. Robert runs his hands through his hair and wipes his face to get himself together, as the lead scientist and her team of staff enter the room.
The scientist greets Robert with great sensitivity, shaking the man's hand before extending it into a hug and introducing him to her team. She asks Robert to sit down again so they may begin the orientation. Taking her cue, one of the team members uses a tablet to cast a hologram screen beside the scientist (VFX*), as she begins speaking. She welcomes Robert formally to the ARTIFAMILY institute and starts to explain its history. It was founded in 2040 by Dr. Philip Bernard, a psychiatrist and futurist entrepreneur, who had a vision of using artificial intelligence to treat mental illness. Since Bernard's humble beginnings, ARTIFAMILY has evolved to become the leading treatment facility for victims of exploitation, emotional distress, and extreme bereavement. As the scientist explains their story, the screen beside her displays various images of Bernard and the ARTIFAMILY institute. Robert can only half-follow, visibly distracted and anxious about being there.
Taking a pause to gauge his reaction, the scientist continues to explain his case. As she talks about the tragic accident, images of his wife and smiling daughter come on the screen. Robert looks sick, having to put his head between his knees at a certain point. The scientist signals another team member, who brings the man a silver can. Robert sips it meekly as the scientist goes on to discuss his subsequent PTSD diagnosis, work leave, and therapist recommendations. She empathizes about how hard it is for humans to retain employment and that he is lucky his corporation is so supportive. He has no expression.
Kneeling beside him, the scientist sympathetically reminds him that today is the first step in his healing process. ARTIFAMILY specializes in creating android clones of deceased loved ones so that no one must suffer the loss of losing someone too soon ever again. Their team of scientists were able to upload and digitize their brain cells to construct an exact clone, using machine learning and patented algorithms to generate a personality match from the digital data. Apart from a small microchip behind the left earlobe, you would never know that ARTIFAMILY members weren't human. As she tells Robert about the program, the screen displays various sales pitches and stock images of androids being built. Robert stares at them in disbelief. The scientist signals her team to leave the room and they file out obediently, the hologram screen closing as they exit.
'Mr. White,' she says quietly. 'In compliance with the AIX act, I need to inform you that we are only legally allowed to dispatch one android clone per household. Since you did not specify your preference in the initial application, we have taken the liberty to generate the more viable of the two candidates. I hope it will suffice.' Robert looks at her blankly, asking what she means by 'viable' as the team re-enters the room behind them. They are escorting the android daughter, who stands rigidly between them in a white tank top and white shorts. 'Daddy,' she whispers. Robert freezes. His eyes well up as he slowly turns around to see the perfect likeness to his daughter. She looks expressionless for a moment before smiling and laughing. 'It's so good to see you,' she says cheerfully. He staggers over to her, feeling her face, her arms, her legs, and exclaiming inaudibly before collapsing at her feet in tears. The team look amongst themselves proudly as the scientist shows off the girl's features, including her seamless movement, integrated computer system that is both wireless and SMART, and a discreet on/off function. She reminds Robert of the paperwork he needs to sign before they can leave. In a state of euphoria, he happily agrees to sign whatever papers are necessary to get his precious girl home.
TEXT PLATE: March 16, 2095
Cut to Robert opening the front door with his luggage and ushering his daughter inside. Cautiously and not willing to let go of her hand, he calls her by name (Jessica) and asks if she remembers their home. She steps inside, turns around, and smiling nods her head -- telling her father the exact date and time he and his late wife moved their family into the house, along with the property's coordinates: 34.0259 N, 118.7798 W. Robert's smile wavers; a small, stinging reminder that Jessica is not quite the same. He asks if she wants to see her room again and, after a slight pause, she eagerly nods and gives him a giant hug. They exit.
Cut to Jessica entering her bedroom. She turns around and asks curiously why he didn't take her to his room. Robert reminds her that she has her own room. 'But I snooze with you when I don't want to be alone,' she says, stepping into him for a hug. He winches again, looking at the subtle microchip tattooed behind her ear as he holds her. 'Yes sweetheart,' he says. 'But that was when you were little. You're 18-years-old now.' She looks up at him. 'The legal age of consent to fuck with another person in the state of California is 18 years old, daddy, so, I'm going to fuck you!' She grabs his crotch. Robert steps back awkwardly and takes her hand off. 'No, that is not right, Jessica,' He says nervously. 'You must have that confused. I'm your step-father. I'll be downstairs.' He leaves the room abruptly, as Jessica stares at him before slowly slipping her fingers down her shorts and pulling them up to reveal sticky, wet fingers.
Cut to that evening. Robert is eating dinner while Jessica sits watching him. The room is quiet and awkward when Jessica breaks the silence. 'Sexual intercourse.' She starts spouting. 'The sexual contact between individuals involving penetration, especially the insertion of a man's erect penis into a woman's vagina, typically culminating in orgasm and the ejaculation of semen.' Robert puts his fork down in shock. She stares at him before saying sweetly, 'When are you going to penetrate me, daddy?'
TEXT PLATE: March 17, 2095
Robert sits in the living room, with Jessica across from him. He is trying to discreetly read the ARTIFAMILY manual he was given, particularly the diagram about how to turn the android off. All he needs to do is place his left thumb between her eyes to disable her function. It has been programmed to his thumbprint for security. Nervously, he looks it over a final time, opens a web browser and starts to type in 'what to do if your ARTIFAMILY malfunctions' before deciding against it and closing his tablet. Instead, he asks his daughter what she wants to do tonight, and they embark on a few minutes of small talk. The conversation almost seems normal and Robert starts to let his guard down when, suddenly, Jessica starts removing her clothes. She asks him why he was searching for malfunctions with her body when, bending over, she can easily show him that nothing has malfunctioned. Robert stares at his android daughter's pussy before clasping his hand over his eyes. He tells her to put her clothing back on. 'No daddy,' she argues. 'Not until I show you that I am fully functional and do not require any updates.' Robert slowly removes his hand and tells her that he can see. 'I am a perfectly proportioned 18-year-old girl,' she continues spreading her lips. 'My skin is soft, I am easy to lubricate, and I am always eager to please you.' Robert shakes his head in disbelief. 'But you are my daughter,' he begs. 'Yes daddy,' she smiles turning onto her knees and crawling to his lap. 'I am the best version of your daughter. I want you to fuck me, daddy!' She unzips his pants and stares up at him to accept his cock. In a panic, he presses his left thumb between her eyes, which emits a red glowing button (VFX) and the android clone closes her eyes and falls into a sleep mode position.
TEXT PLATE: March 18, 2095
Jessica sits in the exact same frozen position while Robert paces frantically in the background.
TEXT PLATE: March 19, 2095
Jessica sits in the exact same frozen position while Robert leans in to her face. He looks horribly conflicted. He tells his house's SMART assistant to call the ARTIFAMILY INSTITUTE but as soon as the app agrees, he quickly changes his mind and cancels the call.
TEXT PLATE: March 20, 2095
Jessica sits in the exact same frozen position while Robert sits back in his chair. He hasn't slept or eaten in several days and he is exasperated. Shooting her an evil look, he tells her she isn't even his real daughter. 'My daughter was a spoiled brat who never appreciated me,' he starts yelling. 'My daughter caused my wife so much stress that that's why she probably decided to try to drive the car herself that night. Why the hell else would she have done that? Nobody fucking drives themselves anymore!' He grabs the frozen girl's face aggressively. 'I should just fuck you till you break!' He yells. In the heat of the moment, his thumb re-actives her -- a green glow emitting from her forehead. (VFX) She turns on, looks up at him and opens her mouth. 'Yes daddy, please daddy ... please fuck me!' Robert grabs his cock out of his pants and shoves it deep into her android mouth. BG Rough Sex Scene. Throughout the sex, Robert hate fucks the android while she eagerly encourages him to go harder, using lots of family roleplay talk. In the end, he jizzes all over her face. Looking up at him, she repeatedly says 'Thank you daddy' as she begins to short-circuit. She collapses to the floor.
Panicked and overwhelmed by what he has done, Robert stares at his android daughter lying on the floor glitching (VFX) before screaming to his SMART APP to call the ARTIFAMILY institute. The SMART APP asks if he is certain this time. He screams yes and the phone rings. When a receptionist at ARTIFAMILY answers, all that the tormented Robert can scream is 'HELP ME!'
THE END
Whitney Wright - The Last House on the Right
THE LAST HOUSE ON THE RIGHT
TEEN GIRLS SKIP CLASS AND END UP FUCKED BY PARANOID HOMELESS MAN
SCENE opens as two schoolgirls, Ashley and Nina, whip around a street corner and wipe the frame. They are laughing, almost out of breath, as Ashley says, 'I can't believe you almost got us caught shoplifting!' The girls slow down to a walk and Nina pulls two bikinis from her backpack. She calls Ashley a pussy and teases her that she'd never actually get them caught! Besides, now they have a new look for Summer. They small talk as they walk down the street: about school, gossip and the basketball team. Nina is 19-years-old, a year older than Ashley. She is known around school as a difficult girl with a history of bad behavior. But, Ashley is a follower. A loner for most of her life, Nina has been the first friend she's ever really had, so she lets herself get pressured into situations past her comfort zone. They reach another corner. 'What do you want to do now?' Ashley asks, 'I can't go home yet. They'll know I skipped school.' Nina suggests they go check out this condemned lot at the end of her street. It's about to be demolished. Some mid-century mansion where they used to host celebrity orgies and stuff. Ashley looks at her friend sideways and Nina laughs, running ahead. 'Just kidding,' she yells over her shoulder. 'Are you coming or what?' Ashley hesitates for a second before running after her friend.
CUT TO TITLE PLATE
The camera weaves through a junk-filled yard to find Ashley and Nina wandering through the mess. Nina is telling her friend more about the history of the property (or, at least, according to her father) as Ashley looks around nervously. She is worried about them trespassing. They come upon the house itself, old and derelict. It hasn't been lived in for years and, apart from some garbage, sits completely empty. 'Isn't this so fucking cool?' Nina says, pulling her friend inside and spinning around the living room. Ashley pushes a smile. She finds the place creepy. Nina pulls out a cigarette and lights it, starting to boast about all the things she'd do if she could gut the place herself. She passes the cigarette to Ashley, who awkwardly takes it and puffs without inhaling. Nina reaches into her backpack and tosses her friend an unmarked water bottle. 'What's this?' Ashley asks. 'Just have it,' Nina replies. 'It's good.' Ashley takes a sip and passes it back.
CUT to an hour later. The water bottle is empty. Nina is taking selfies while Ashley sits with her arms around her legs against a wall. She is trying to not let her bare knees touch the dirty floor. Bored, Nina suggests they try on their new bikinis and pose for pictures together. She drags Ashley back up and starts undoing her blouse. The girls strip down and put on the bikini bottoms. Still topless, Nina tries to sneak a photo of Ashley changing as a joke and the girl freaks out, running around the corner to avoid the photo. She trips over something and falls crashing to the floor. Nina comes running after her laughing but stops in her tracks as both her and Ashley look down at the homeless man unconscious on the floor between them.
'Do you think he's alive?' Ashley whispers after a long pause, covering her bare chest. The young man, probably in his late-twenties, lies strewn across the floor in very dirty clothing. He is unshaven, greasy, and drooling. Nina bites her lip and leans over him gingerly, her tits still out. She shakes her head. 'I can hear him breathing,' she whispers back. 'He's probably just passed out.' Ashley runs into the other room to grab her blouse, tossing it on and grabbing Nina's on the way back. When she re-enters, she is shocked to find Nina posing suggestively for a selfie on top of the homeless man. Ashley demands her to stop. 'What?!' Nina retorts. 'This is fucking hilarious. Stop being such a bitch!' Ashley watches anxiously as Nina goes back to her duck faces and suggestive poses. 'I'm going to send these to my boyfriend and tell him I found a better man!' She says, laughing ... and Ashley can't help but crack a smile. Nina begs her to come and take some photos. 'Please,' she says. 'Derek's going to freak out! I have to do it ... just a few more pics and then we can go, promise.' The reluctant friend takes the phone and starts to photograph Nina as she poses around the man and ends up straddling him in a reverse cowgirl pose. As the girls take their final photo, giggling, the homeless man suddenly wakes up with a jolt and grabs Nina. She screams. Ashley drops the phone.
The homeless man, dazed and surprised, stammers inaudibly as he clutches Nina. She squirms her way out from under his grasp and crawls towards Ashley who takes her hand and pulls her into the other room. As they scramble to gather their things, he storms after them and pins them into a corner. 'Who are you?' He rants. 'And how did you get in here? How did you find this place? This is my place! Everyone knows this is my place!' The school girls look at each other in shock before Nina slowly responds that they were just taking some photos. The man backs off and looks each of them up and down. 'What kind of photos?' He asks, sounding paranoid. 'It was just a joke,' Ashley mutters. 'A joke?' The man asks, sounding even more paranoid. 'Yes,' Nina jumps in, trying to steer the conversation. 'A joke. I was sending my boyfriend photos of you as a joke.' The man asks how old the girls are. They reply: 18 and 19 years old. He unzips his pants and takes out his erect penis, which causes the girls to step back even further. 'Look at what your joke did!' He says angrily. Ashley looks at her friend in a panic but Nina motions for her to stay back. She approaches the man. 'I'm sorry,' she says. 'I didn't mean to rub up on you like that. I just wanted the photos to look convincing.' There is an awkward silence before Ashley pipes in to warn the man that this is indecent exposure. The man responds that it can be way worse if she wants.
There is a cold, intimidating silence before Nina draws a breath and laughs awkwardly to cut the tension. 'You're funny,' she says. 'What's your name?' The homeless man, switching back to paranoia, tells her it's none of her business. He doesn't give away his private information. And they are invading his privacy. 'Well, none of your business, how about you just help us with these photos then ... and we can be on our way?' The man stares at her while Ashley protests in the background. What the hell is Nina doing? She always tags along no matter what, but this has gone too far. Nina tells her to shut up and be cool. 'What kind of photos?' He asks. Nina drops to her knees and looks up at him. 'Just something to make my boyfriend really jealous!' She says, snapping back at Ashley and ordering her to take the photos. Ashley can't believe what her friend is doing. She pleads for them to just leave but the man laughs. 'You're not going anywhere,' he says. Nina tries to calm the situation. 'He's right, Ashley,' she says sternly. 'We are just going to take these photos with him and then we are going to leave.' Ashley begrudgingly takes the photos as Nina smiles beside the man's penis. He starts to ask her questions about it: how she thinks it looks, how it made her feel when she was on top of him. He tells her it has been awhile since he was inside a woman. She feigns a smile and responds to his questions, urging her friend to keep taking the pictures. He asks her if she will put it in her mouth. Nina, not knowing what else to do, say yes and starts to suck on it. Ashley puts the phone down. 'Nina, I've got the pictures ... let's go.' She says.
But Nina is now engrossed in sucking the man's dick, as he puts his hands on her head and face fucks her hard. Looking up at Ashley, he asks if she will suck his balls. He always likes it when girls suck his balls. Nina, mouth full of cock, urges her friend to get down on her knees and help her out. They'll go right after. She promises. 'That's right,' the man says, removing his dirty sweat-stained shirt. 'You both make me cum and then you can do whatever you want in my place.' Ashley puts her head in her hands as the man pulls Nina to her feet and pulls down her bikini bottoms. Nina pleads with her friend to stop being a pussy. They are supposed to be best friends. He doesn't smell, and his cock is pretty big. It'll be a funny story. The man pushes her up against a wall and enters her. As he fucks her feverishly, Ashley goes up beside her and demands to know why she is doing this. This is insane. 'Ashley,' Nina yells as she's being pounded. 'I'm your only fucking friend, ok? You're a loser without me and you know it. Now, if you hadn't been such a pussy and ran out the room, we never would have tripped over this guy. We're in this mess together. Just pull down your pants and close your eyes.' Ashley resigns to what her friend is saying, knowing that she's right. They must get of the situation somehow. 'Fine,' she says leaning against the wall and pulling her bottoms down. 'I'll do it. But I'm not sucking your balls!' The homeless man eagerly pulls out and penetrates Ashley. BGG Sex Scene. Throughout the sex, the homeless man feverishly fucks them both, switching between lust and paranoia, while the two girls take it. Nina acts eager and submissive, to get the man to cum faster, and Ashley fucks him to spite what her friend is making her do. In the end, he drops them both to their knees and spreads his cum across their faces.
Falling back against the wall, the man starts to put his shirt back on as the two girls grab their things. Ashley looks pissed. Nina thinks it's hilarious. They exit the house together and walk quietly through the junk yard in the moonlight. 'My parents are going to wonder where I am,' Ashley says coldly. 'So, I'm going to go now.' Not waiting for a reply, she storms off into the night leaving Nina standing there. The tough girl yells that she'll see her in class on Monday before starting to walk herself. As she walks alone, she starts to cry, knowing she just lost her best friend.
India Summer - Trailer Park Taboo - Part 2: We are our Choices
Winner XBIZ Best Sex Scene -- Feature Movie
Scene opens to Tommy Pistol relieving himself and zipping up. When he turns around, he asks India Summer where the car is. He needs to go buy some cigarettes. Kenzie Reeves enters the scene and greets the two as she sits down. When India reminds him that Jack (Small Hands) took the car to school, Tommy starts getting angry. He says that Tommy needs to stop wasting his time in school and get a job. When India retorts that his daughter's not working either, he reminds her that she's a tight little hottie who can sell her ass if need be.
Jack comes back from school and greets everyone. Tommy tells him that he better have filled the gas tank or he's gonna be sorry. Jack gives him a dirty look and kisses his mother on the check. Kenzie is ecstatic that her stepbrother is back as she grills him with questions. When he replies that she knew he was at school, she tells him she spotted a moving truck in the neighborhood and stole some brand new pillows from the back just for him. He shakes his head in disbelief and starts yelling at her that he didn't want her doing that. When he walks away from her in disgust, Kenzie realizes that she needs to regain control. She's losing him. She tells the family to gather around as she has some big news to share. When her parents ask her what it could possibly, Jack just looks on wondering what plan she's hatched now. Much to Jack's horror, she tells her family that she's pregnant. When her parents ask her who the father is, she looks at Jack and adds that it's someone special. Jack interrupts them asking Kenzie if he could talk to her inside adding that he would like to see those pillows she stole for them. With Jack and Kenzie gone, Tommy tells India that they should celebrate. He pulls her close and kisses her face. She asks him what he has in mind; he pulls her shirt up and starts sucking on her tits. When he pulls her pants down, he sticks his tongue right in her ass as she demands he shove it in deeper.
Back inside the house, Jack is furious with Kenzie. He can't believe she would pull a stunt like that. He thought her getting pregnant was impossible; she was on the pill for fuck's sake! Kenzie tells him it's a miracle and now they can finally be a family. He yells, asking if she realizes that she's clearly lost her fucking mind. They are on the brink of poverty and the last thing they need is another mouth to feed. When she tells him she's keeping the baby, he gets so angry that he slaps her in the face. When she screams for him to do it again, he storms out of the house and slams the door behind him. Kenzie is left on the bed all alone collecting her tears.
Jack gets into the car and turns on the ignition but it won't start. He slams the steering wheel and screams. When he gets out of the car, the punches the hood in frustration. He has no idea how he's going to get out of this. Trying to collect his thoughts, he paces back and forth. He sits back down in the car and pulls the seat back so he can lie down. He stares out into a starless sky and tries to find a way out of this nightmare.
Scene opens to early morning sunshine as Jack waits pensively. When he sees Joanna walking towards him, his face lights up for the first time in awhile. He kisses and thanks her for meeting him so early as she hands him a coffee. Back home, Kenzie walks out the trailer and closes the door behind her. As she gets on her bike, it's clear that she's on her way to look for Jack. She bikes through her neighborhood, looking around to see if she can spot her stepbrother. As Jack and Joanna chat on the park bench, Kenzie spots them from a distance and starts crying. She can't believe her brother would do this to her. She doesn't care who this bimbo is, no one is going to destroy the special relationship she has with Jack. When she goes to confront them, she tells Jack that he needs to come back home and give mom her car keys. Jack knows what kind of game Kenzie is playing but has to play it cool. He's very aware that she could ruin everything if she decides to tell Joanna about their relationship. When Kenzie invites Joanna over to the house, she's hoping that when she sees that Jack is white trash, she can count on her leaving their lives forever - and Kenzie can have her brother all to herself.
Scene opens with Kenzie back home going through her makeup bag again. She pulls out her pregnancy kit and prays to God that she's pregnant. She knows that once Jack sees their child he'll get rid of the bimbo and be Kenzie's forever. All she has to do now is test positive and have his baby. She sits down and waits for the results as she prays for a miracle. When the time elapses, it seems that God didn't answer her prayers because it's still negative. She smashes the kit on the floor and storms out of the house. When she finds her mother outside, she takes a cigarette out of her pack and lights it. Her mother tells her that she shouldn't be smoking, it's bad for the baby. Kenzie confesses that the kit indicated that she wasn't pregnant. She begs her mother to keep this a secret from Jack and her dad. India flat out asks her if she's just trying to get pregnant to keep a man; she explains that that didn't work with Jack's father, and it ain't gonna work here. The trick is to look and stay pretty. When Kenzie confesses that she hasn't felt pretty in a long time, India kisses her stepdaughter on the mouth, promising she'll make it all better.
Elena Koshka - The Daughter Deal
Nominated - Best Actor - Featurette: Steve Holmes, AVN 2020
THE DAUGHTER DEAL
Teen Double Creampied by Step-Dad & Boss While at the Office
SCENE opens one morning as Frank, a middle-aged sales rep, and his 18-year-old step-daughter, Nancy, pull into the parking lot of his office. Nancy sits frowning in the front seat, wearing a big puffy jacket with her arms folded in her lap. The family hasn't said one word to each other the entire drive and the car is filled with tension. Finally, Frank turns to his daughter and demands that she behave herself today. She scoffs and looks out the window, cursing him under her breath. Frank reminds her that she got herself suspended from school. She left him no choice but to take her with him to work because her mother doesn't trust her home alone anymore. 'And whatever mom says, you do ... right dad?' she says, pouting. 'I don't trust you alone either,' Frank snaps, correcting her. 'And if your mom could have taken you, she would. But, they don't let irresponsible, class-skipping, pill-popping teenagers lurk around the pharmacy!' Nancy mutters in defiance. 'Frank, it was one mistake. It's 2018 ... I'm 19 years old. Calm down!' Frank grabs the teenager by the collar. 'Look ... I am not your buddy. I am your step-father and you will treat me with respect,' he yells. Nancy shrinks back, surprised. He lets go and orders her to 'Get out of the car, march into my office, and keep quiet. I've got a huge deal on the line today and I'm stressed out enough as it is!' He gets out and slams the door. Nancy looks after him nervously before slowly taking off her jacket to reveal a scantily clad crop top. She innocently adjusts the bra and steps out of the car.
CUT TO TITLE PLATE
Several hours later. Frank is on the phone talking to a client, desperately trying to close a deal, while Nancy leans up against the desk on her phone ... her long legs stretched out on the carpet. Bored, she's been taking selfies and ends up caught mid-suggestive pose when Frank's boss, Darryl, walks in. Darryl is the owner's son and newly promoted Senior Sales Director. He is younger than Frank. He is more gregarious than Frank. He is more successful at closing deals than Frank. And Frank despises him. But, now that the middle-aged rep must report to the owner's son, he has no choice but to suck up. Darryl takes one look at Nancy, pulling her tiny top down to expose her cleavage for the camera, before turning to Frank and demanding to know what's going on. Frank hangs up and rushes over to Darryl, saying it isn't what it looks like. She is his step-daughter. She had been suspended from school, so he had to take her to the office to keep an eye on her today. Darryl looks Nancy up and down slowly before turning back to Frank. 'This isn't a fucking daycare, Frank,' he sneers, before moving in to introduce himself to the girl. 'Hi cutie,' he says, putting on the charm. 'My name is Darryl. I'm your father's boss. What's your name?' Nancy bites her lip and reaches out her hand to introduce herself. He smiles at her suggestively. 'You better be careful, posting photos like that, Nancy.' He coos. 'You're going to make men fall in love with you!' She blushes, still hanging on to his hand. Frank's eyes narrow as he watches Darryl putting the moves on his daughter. 'I promise Nancy won't cause any problems, Darryl,' he affirms. 'And I should have that LOI on your desk by tomorrow morning. Just ironing out the details.'
Darryl lets go of Nancy's hand and looks back at Frank. 'That's not necessary,' he says. 'I'm going to give that deal to Jerry. In fact, I'm going to give your entire portfolio to him. You're fired.' Frank sputters in disbelief, as Darryl continues to berate him. He tells him that he's outstayed his welcome, that they were just keeping him on board out of pity, and that bringing his distraction of a daughter to work today was the last straw. He storms out of the room, leaving Frank alone with his daughter.
There is a long, awkward pause before Nancy tries to say something. Frank barks at her to shut up, turning away in a rage and blaming her for the entire situation. If she hadn't been so irresponsible at school, if she hadn't have dressed so inappropriately today ... she never would have attracted his attention. Now, Darryl has a perfect excuse to humiliate him! Nancy tries to calm her father down, encouraging him to go talk to his boss and smooth things over. Frank continues to bitch about his daughter, berating her for how much he has had to put up with since he married her mom. Always trading in his own success for them. And now, after nearly 10 years at this company, she's gets him fired. 'You're a salesman, dad,' she pleads. 'I'm sure you can find out what he needs to make this go away ... and if there is anything I can do to help, I will. I promise!' Frank stares at his daughter in hatred before an idea slowly creeps into his mind. If she got him into this, maybe she can get him out of this as well. He presses the intercom and asks Darryl's secretary if she could him back in for a moment. It's urgent.
Darryl comes back in, a cardboard box in his hand. He slams it on Frank's desk. 'I thought I told you, you're fired,' he barks. Frank takes a deep breath before asking Darryl if he can quickly speak to him about something, one more proposal before he leaves. Darryl arches an eyebrow and studies Frank's expression. Nancy stands back ... looking awkward. 'Hurry up,' Darryl orders. Frank takes another deep breath and moves closer to Darryl, speaking quietly. He starts to talk about Nancy, how much trouble she's become and the real reason she was suspended from school. Her teacher found her with a bag of amphetamines, letting boys finger bang her in the bathroom. One after another ... all afternoon. This on top of all the trouble at home. Nancy mouth falls open in shock, stunned at what her father is saying.
'Your step-daughter's a slut, Frank!' Darryl says laughing, his eyes shifting between the two of them. 'But most women are. I don't understand what this has to do with me.' Frank grits his teeth and explains that he saw how Darryl was looking at his daughter. He saw how his daughter was looking at Darryl. If his boss would consider forgetting about today, Frank is certain Nancy would let him have a go at her. Nancy scoffs in shock as Darryl's expression changes. There is a long silence. Finally, Darryl leans in and asks if he is serious. Frank nods as Nancy stares at him, mouth ajar. Darryl licks his lips. 'Is that what you want, sweetheart?' he asks. Frank nods and tells him that she said she'd do whatever it takes to help make things right. 'Dad!' Nancy exclaims. Frank tells Darryl to stay put and moves back over to where his daughter is standing.
Looking anxious and agitated, Frank sternly tells his daughter that this is something she must do for him. His job is on the line. His whole career. Everything he worked for. She looks confused. Frank continues, pleading with his daughter to just do what Darryl wants for five minutes. It won't take longer than that. It won't be much different from all the boys at school. Nancy steps back, shocked. 'I can't believe you're asking me to rest with your boss!' She whispers. Frank takes another deep breath. 'He's all talk, Nancy. It won't last more than five minutes.' Nancy shakes her head in disbelief. 'You fucking coward!' She stammers. Frank grabs her, pulling her in close to him, and demands that she help him. She did this to him. She promised to do whatever it takes to get him out of it.
Darryl clears his throat. Frank drops his daughter and steps back. The trio stare at each other, not sure who should make the first move. Nancy is shaking her head at her dad, full of hatred. Finally, she turns to Darryl. 'I'm sure your cock is way bigger than my dad's,' she says. 'Why don't you take it out and let me see it?' Frank goes to interject when Darryl, smiling, steps between them and tells the father to go wait outside. The staff meeting is just about to end, and they need privacy. Frank goes outside and shuts the door, leaning against the doorway. He lets out another deep breath and punches the wall beside him.
Inside, Darryl puts the moves on submissive Nancy, who is so angry at her father's betrayal that she wants to be as loud as possible. BG Sex Sequence with CP, intercut with a few shots of Frank outside waiting and listening as his co-workers occasionally file past him at the office. He looks dejected.
After they've finished, Frank is called back in. He enters to discover his daughter, naked and sweaty all over his desk with cum dripping from her pussy. Darryl is doing up his zipper with a big smile on his face. He walks past Frank and pats him on the back, thanking him for the ride. Frank asks nervously if tomorrow will still work for the LOI. Darryl grabs the cardboard box and pushes it into Frank's hands. 'I told you, you're fired.' He says. 'Just because you sell out your step-daughter, doesn't mean you have a job. Why would I keep a scumbag like that? Now clear out your shit ... I want you gone by the end of the day.' He leaves.
Frank turns to Nancy, sprawled out on his desk. He hates her. She hates him. 'I hope you're satisfied, dad.' She tells him. Frank is lost, staring at his daughter's glistening pussy. He can't believe what just happened. 'Just get up and get dressed,' he mutters. But Nancy doesn't move. 'I'm going to tell mom everything,' she continues. 'I'm going to tell my guidance counselor. I might even call the police.' Frank orders her not to do that. He's suffered enough. Nancy laughs. 'You tried to use me as collateral, dad, after all the self-righteous bullshit you've put me through. You're lucky I thought he was sexy!' Frank snaps at her to shut up. 'No, you shut up!' She screams. 'I know how you've looked at me. I know how much secretly got off on the idea that I'm a slut. Well, now you have it.' Frank calls her a whore. ''You act like me dressing sexy is so bad, but I bet it''s just because you can''t admit it turns you on, getting turned on by your step-daughter like a fucking creep.' She continues to rant. Frank looms over her and tells her to shut up again. She continues, 'Well go ahead and look, dad, actually why stop there. I already let your boss fuck me, might as well let you fuck me too dad, because I'm just a slut who'll let anybody fuck me, right? Go ahead, fuck me, so you can have his sloppy seconds like the loser you are.' and then Frank scowls at her and then unzips his pants and angrily plunges his dick into her. This descends into the second BG Sex Sequence with CP. After Frank has cum inside his step-daughter's pussy, they dress in silence as he packs up his desk and puts it inside the cardboard box. They exit the office.
Angela White - The Weight of Infidelity
Winner AVN Best Featurette
Winner AVN Best Actor - Featurette Tommy Pistol
Winner XBIZ Best Actor -- Couples-Themed Release Tommy Pistol
THE WEIGHT OF infidelity
Wife and Mistress Get Revenge on Manipulative HUSBAND
SCENE opens one morning as a married couple, John and Angie, have sex in their kitchen. Naked and sweaty, we watch them fuck feverishly for a few minutes against the cabinets until John cums deep inside his Angie's mouth. She swallows his load before springing up and wrapping her arms around her husband. They seem so happy. As they wind down, Angie struts over to the freezer and grabs a pint of ice cream. This causes John to stop. He asks what she is doing and, nonchalantly, she tells him that she wants something sweet. After all, she just burnt a ton of calories! John's expression falls, and he reminds her how much work she's put in over the past few months. She shouldn't slip up now. Angie laughs, protesting that it's just a little bit of ice cream but John grabs the pint and puts it back in the freezer, shutting the door. 'I'm serious,' he says. 'You don't want to gain weight. You still have so much to lose!' Angie takes the spoon out of her mouth, her demeanor changing. 'It's ok baby,' she whispers. 'I have a body pump class during my lunch break and I'll go to the gym after work.' John takes the spoon from her hand and puts it in the dishwasher. 'I don't know how many times we have to go over this,' he says curtly. 'This is not a joke. It's for your own good!' Angie shrinks back, covering herself. Submissively, she apologizes, saying she didn't think it would be a big deal. She's already lost so much; does she really have that much more to lose? John stares at her in silence until Angie begins to look visibly upset. 'You know I'm only saying this to protect you,' he says, moving in closer to embrace her. 'I'll always love you no matter what. You have so much potential to be beautiful. But, you're lucky I can look past the physical.' Defeated and vulnerable, Angie thanks her husband for being so patient and understanding. He kisses her on the forehead and tells her to go get ready for work.
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Angie is working away at her desk with the remnants of a very healthy, light lunch beside her. She is having difficulty concentrating and keeps looking down at her desk drawer. Finally, she pulls it out to reveal a stash of candy and snack bars.
Cut to a public washroom. Angie is kneeling inside a closed stall, throwing up. She flushes and exits awkwardly as a co-worker enters, in gym clothes, and asks if she is ready to head to body pump. She smiles and says yes, reverting to her usual cheerful disposition, and they exit.
Cut to the couple's home. John is pacing anxiously, checking himself in the mirror and looking out the front window. Unbeknownst to Angie, he has left his workplace early to meet up with Karen, a woman he's been having an affair with. Karen has no idea that John is married. He receives a text message from her saying she's two minutes away. John texts back asking if she bought the cupcakes. She says yes. He tells her the door is open. He waits by the door, loosening his tie, as she walks in. Karen is a beautiful, voluptuous woman with far greater curves than Angie ... quite the opposite of everything that John has pressuring Angie to become. The lustful man grabs his mistress and they make out up the stairs to the master bedroom.
Cut to several hours later. Angie comes home through the front door, still sweaty and in workout clothes. As soon as she puts down her gym bag, she begins to hear noises coming from the upstairs bedroom. She slowly creeps up the stairs, her expression falling as she realizes what she is hearing.
Inside the master bedroom, John is having sex with Karen on the couple's bed (BG Sequence 2). He is worshiping Karen's curvy body, feeding her the cupcakes, and clearly taking great pleasure in having sex with a plus size woman. Angie watches from the doorway, devastated. She looks down at her soaked gym clothes in disgust and confusion. How could this be happening?! On the one hand, she is heart broken over John's infidelity but also unable to understand why he spent so much energy convincing her to lose weight when he was clearly attracted to women much curvier than her. Shots of them fucking are intercut with Angie as she watches. John pulls out and cums all over Karen's stomach as Angie finally breaks down and runs out of the house.
As she runs frantically, the sun setting behind her, flashbacks of what she just saw flood her mind. John and Karen fucking. John worshiping Karen's curves. John feeding Karen. Her flashbacks are intercut with memories of how John had treated her in the past. Taking her plate away at meals. Making her weigh herself every morning. Always judging her physical appearance. Angie's face turns from devastation to anger. Her flashbacks start to shift to fantasy, as she imagines herself talking John's place, fucking and worshiping Karen with the same devotion as her cheating husband. The two women make out, their hands all over each other. Angie slides down Karen's body and she begins to eat her pussy. (GG Sex Sequence #3.) As the sex progresses, Angie begins nibbling and biting Karen's thighs and stomach. The camera drifts slowly up to Karen's face, as she moans in pleasure. Her moans, however, start to change into looks of anguish as we hear the off-camera sounds of chewing and ripping begin to take over. Karen screams as she looks up into the POV of Angie.
SMASHCUT to Angie, her face red and dripping, as she stares down at a plate of ribs. It's been several days since Angie caught her husband in the act. Rather than confronting him, she has scanned his email to find Karen's contact info. Now, the women have agreed to meet in public to discuss the situation. She wipes her face, stone cold, as the meek Karen enters the restaurant and approaches her. She asks Angie if she is John's wife and Angie nods, motioning her to sit down. In near tears, Karen profusely apologizes and tells Angie she had no idea John was married. They had met on an adult community site six months ago and he seemed like a great guy: A self-described feeder looking for a partner. She thought it would be fun to try. But, as the months went on, he became more and more fixated on her size, pressuring her to gain as much as possible. In fact, he promised to only let her move in with him if she hit a certain target weight. Karen seems devastated and betrayed as she makes her confession. Angie shakes her head in disbelief. John's demands have nothing to do with their appearance, she tells Karen, comforting her. His manipulations are all about control, trying to break them down for his own sick sexual gratification. She was blind to it for years, feeling as though nobody else would ever love her based on her appearance. But, she's not going to take it anymore. Karen asks if Angie has confronted John. Angie says no, but she knows how she wants to do it. And she needs Karen's help.
That night, John comes home from work. He calls out to his wife as he enters the foyer. There is no response. Confused, he turns just as someone strikes him.
John wakes up. He is naked and has been tied to a chair in the master bedroom. The room around him is covered in plastic. He looks up in shock to see his wife and mistress standing naked in front him with knives. In a final POV shot, we see the two women approach him and kneel below the frame. John begins to scream as the frame cuts to black over the sound of the women eating.
Eliza Jane - The Countdown
THE COUNTDOWN
Strangers Held by Unknown Powers and Tricked into Fucking for Freedom
SCENE opens on an unconscious 19-year-old girl, Nora, lying on the floor of an empty cell. She is wearing 'weekend' clothes: a tank top and skirt. From her perspective, we hear the voice of a man telling her to wake up. As she comes to her senses, she opens her eyes and, through her POV, sees a man, Alan, clearly older than her, mid 30s, dressed in boring business clothes (math teacher). 'Are you okay?' He asks. She screams and tries to get away from him. The man also gets frightened and moves away in his corner. 'I don't want to hurt you, I'm in here like you!' The girl lets out a gasp and looks around the cell, nervously pacing. 'It's no use,' says Alan, nervously. 'I've tried.' 'Where are we?' asks Nora. 'I don't know! I think we might have been... taken!' While screaming and kicking, Nora notices a security camera in the corner of the cell, near the ceiling. She screams at it 'LET US OUT!' Alan, still in shock his corner of the cell, says 'I've been here almost a full day, they haven't said anything. I think they brought you in when I was snoozing.' Nora sits down, her head in her hands. 'What do they want from us?' Alan responds 'I don't know... all I know is that we are being watched .... and... there is...that!' He points to the '4th wall.' From the POV of the wall, Nora gets up and slowly walks towards the camera. A reverse shot reveals a big digital clock reading '23:55:04' and counting down.
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CU of the clock: 19:59:39 and counting down. Under the clock are 5 unlit led lights.
Nora is in a ball in a corner of the cell, rubbing her arms to be warmer. Alan is in the other corner resting. As she shivers harder and harder, Alan wakes up. 'It's almost been 2 days, look at you ... you are shivering! I told you I am not going to hurt you. Come and sit next to me, I'll warm you up.' 'No thank you' she replies. Alan gets up and removes his dress shirt, leaving him in an undershirt. He walks towards Nora 'At least take this, I can't stand to see you like this!' She is clearly hesitant, but lets the man come closer. As he puts his shirt around her shoulder, he kneels and says 'here, at least you won't freeze!' He puts his hand on her folded leg. As soon as their skin touches, all lights shut down, and a mechanical sound is heard. When the lights come back on, two blankets and a whole chicken are on the ground. At first, both fear the noise, but then see the blankets and food. They both jump on it. They wrap themselves in the blankets and start eating like starved animals each in their corners. The camera slowly pans towards the countdown on the wall. 19:57:22.
Smash cut to the bare chicken bones on the ground. We can hear their bellies grumbling. Both detainees are sitting in their corners. Nora speaks 'So... do you think at the end of this countdown they will let us go?' As she points to the clock, it now shows 37:13:45. 'I don't know,' says Alan, rubbing his wedding ring. 'I'm... I'm Nora by the way.' 'Alan.' A silent moment. Nora adds ' And... what were you doing before... you know.' 'I was going home from class... I... I teach math at Northwestern, and I'. Before he finishes, Nora cuts him 'I used to go there.' She tells him how she used to attend College to become a lawyer but dropped out when she turned 19 because she wanted to become a painter. He tells her how he was in a promising band in College but was pressured into taking a real job by his girlfriend of the time. They share a look that says, 'We are different but we are the same', followed by an awkward moment. 'Good night Alan' she says, before turning away in the blanket.
18:29:56
Nora is pacing the room as Alan is sitting in a corner, rocking back and forth rubbing his wedding ring.
'My wife must be worried sick.' 'You are married?' 'Yes, almost 10 years now. And now she must be alone, pregnant and scared.' 'Pregnant?' Nora asks. Alan starts crying. He explains how his girlfriend from college pressured him into taking a job because she was pregnant back then. They got married and then had the child who then passed away. They didn't think they could have another child, the pain was too much. 'But then Maria got pregnant again... that was 6 months ago.' He sobs.
Nora slowly walks toward him. 'Hey ... don't worry, I'm sure we'll get out'. She reaches her arm towards his shoulder. As soon as they touch, the lights go pitch black and, a moment later, pillows appear. They tense up and stare at them.
Alan gets up, wiping the tears off his face. 'Wait a second...' He suddenly grabs her arm. The lights go out again, and candies appear. 'I get it,' says Alan, terrified, 'when I gave you my shirt, and just then my shoulder and now your arm... they want us to touch each other!' Puzzled, Nora puts a hand on Alan's chest, over his undershirt. Nothing happens. Alan moves her hand slowly to his exposed skin, the lights go black and more candies appear. CU on the security camera zooming in.
They both look at each other. Alan is the first one to understand and takes a step back and says, 'Oh my god' as he grabs his face. Nora goes 'What? Now we know how to get food!' 'Don't you get it Nora...They are watching us... they reward us when we touch skin on skin. This is some twisted pervert!' (trailer moment).
Nora stares at him. Then she looks at the clock. Then looks at the security camera, she walks towards it. She takes off her tank top revealing her breasts. A green light flashes, and the clocks beeps fast-forwarding to 09:59:59. Alan in horror tries to look away muttering 'what are you doing?'. She pulls down her skirt and panties. The green light flashes, and the clocks beeps fast-forwarding to 00:04:59:59.
Her attitude suddenly changed, she is now more aggressive. She turns toward Alan and goes to him. 'Get naked Alan, that's what they want!' She tries to pull him up. He struggles to not look at her. 'Come on, you pussy, we're not at church! We can get the fuck out of here if we give them what they want! Strip!' Alan collects himself. 'All right... all right'. He takes off his undershirt and pants. The green light flashes, and the clocks beeps fastforwarding to 00:59:59 and counting down.
As Alan finishes taking off his socks, Nora screams 'Ok! Now what!? You sick fucks!' When Alan is done, one of the five led lights under the clocks lights up. They stare at it for a beat. Nora turns to Alan 'You need to fuck me!'
Alan stares back in silence. 'You were right Alan, this is a fucked up little circus we've been put into. I bet you they want us to fuck before the clock hits zero.' Alan stutters 'But I ... My wife... I just...' Nora pins him against the wall, 'Look, it's this or we are both gonna be in here for ever or until we starve. I know you are a good man, but I want to get out of here, I know you do too! Do it FOR your wife, do it FOR your kid!' Nora points at the security camera as she says ' Tell them! Tell them you will fuck me!' Alan takes a moment, then says 'Ill... I'll do it. I'll fucking do it!'.
Nora drops to her knees and start blowing him. After a minute or so, a second led light lights up under the clock. Alan says: 'It's working!'
They descend in BG sex scene where Nora dominates and yells at the security camera 'You like what you see?' etc... As they change position, the led lights turn on one after the other leaving only one off.
Alan's attitude gradually changes as he his pumped by Nora's yelling.
As Alan is stroking his dick before cumming onto Nora's face, they both say the each other 'It's almost over, we're getting out! Almost there' and then to the camera 'That's what you wanted you twisted perverts?' He cums on her face. They take a beat looking into each other's eyes, proud of themselves. Alan is then struck by what he just did and stumbles backward. Nora then turns to the clock, now reading 00:00:20 and still counting down, with one led still off.
'It didn't work' says Nora. 'It's still counting down!' Alan comes near her. They both are now hysterical, yelling 'Wait, we'll do it again, please, no let us g..!'.
Their voices are cut off over the image of the clock going to 00:00:00.
Credits over total silence.
Arya Fae - Doctor's Origins
DOCTOR'S ORIGINS
Perverted Doctor Gives Teen Patient a Sponge Bath and Vaginal Probe
SCENE opens late one night as Dr. Marshall is finishing her rounds at the hospital. She walks through the emergency room door and briskly heads down the hall to visit her final patients, accompanied by a tired-looking resident under her supervision. The resident, named Bill, has been on call for the past 48 hours and is ready to collapse -- he can barely keep up. But Dr. Marshall pays no attention; she's used to this life and expects the same from her residents. She waits impatiently for him before softly knocking on the patient's door and entering the room. There are two recovery beds set up inside. Dr. Marshall walks over to the first and kneels to check on the male patient. He grumbles and complains about being woken up as she adjusts his pillows and makes a few quiet requests for the resident to jot down. As he absentmindedly does this, Bill looks over to the patient in the second bed. A young woman lays there, dreaming, her leg in a fracture boot, her arm in a sling. She is wearing a neck brace. Bill seems transfixed by her innocence. He stares at her, lost in thought, when an announcement comes over the loud speaker, paging Dr. Marshall to return to emergency. The busy Doctor hands her clipboard over to the resident and informs Bill that he will need to finish the rounds himself. It's probably the McGuire patient, responding negatively to surgery. Just check vitals on the female patient and ensure she is in a comfortable position before signing out. Dr. Marshall exits the room, leaving Bill alone. He swallows hard and turns back to stare at the girl.
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Approaching the bed slowly, Bill continues to stare. His eyes scan over the girl's petite body, as she adjusts in her slumber. Her hospital gown is loose, and he can easily peek underneath it. He takes a deep breath and slowly leans in to get a closer look when the girl suddenly wakes up. Innocently, she asks what time it is. Composing himself, Bill calmly informs her that it is early in the morning. He has come in to check on her. Yawning, she tries to sit up and Bill swoops in to assist, moving the bed to an upright position and adjusting her pillows. She looks over at the next patient, who is now snoring, and awkwardly complains about having to share a room with a strange man. Bill laughs nervously as he settles her.
She asks if he can remove her neck brace, just for a few minutes. Bill nods and moves behind her. He has her lean forward, so he can unstrap the brace ... long enough for him to look down through the cracks in the back of her gown. She is naked underneath. He starts to gently massage her neck as she sighs, relieved to have it removed. Casually, he asks what happened to her and the girl, who introduces herself as Rebecca, tells him she was in a car accident. It was her stupid boyfriend's fault ... and the prick didn't even get a scratch. Meanwhile, she has a broken foot, sprained wrist and whiplash. At least she is supposed to be released in the next day or so. Moving around to check her vitals, Bill asks how old she is. She tells him she is 19 years old. He begins to sweat at the thought of such an innocent young woman. He knows he needs to get a closer look. Suddenly, his fatigue has faded.
Eying a bath kit on a nearby dresser, Bill pauses for a moment before walking over to the first bed, confirming the male patient is out, and then closing the door. He wrings his hands nervously, walks back towards Rebecca and asks her to get undressed. He is supposed to give her a bed bath. Rebecca, who has done this several times during her stay already, questions the resident as to why a Doctor is giving her one instead of a nurse. Thinking quickly, Bill informs her that he is a new Doctor on staff and is very hands-on. She still seems skeptical. Smiling, Bill he quips that he can go and get a nurse if it will make her more comfortable, but he'd rather do it himself, so he can be assured she has the proper care. Rebecca stares at Bill, as he wipes his brow. He seems professional. So, she asks if he will help her get undressed.
He slowly slips her arm out of its sling, revealing a bandaged wrist. Then, he has her lean forward and undoes the back of her gown. Gingerly, she pulls it off and uses it to cover her front as he slides off the boot and places her bruised foot on a pillow. Discreetly pinching the bulge in his scrubs, he walks over to the bath kit. He unscrews a bottle of distilled water, fills the tub, and brings it over to Rebecca's bedside. He puts on some gloves before dampening a wash cloth and putting it over her eyes. This seems strange to Rebecca - no other nurse did it. Bill calmly explains that he thought it would relax her, so she doesn't have to see the other patient in the room while she was naked. Rebecca laughs nervously as she can hear the man snoring softly in the background. She agrees. While they continue to small talk about her hospital stay, her boyfriend, and how he hasn't even bothered to visit her once, Bill gives the girl a sponge bath. He takes great pleasure in wiping and lightly massaging her body, starting from her head and working his way down towards her legs. Remaining professional on the surface, he asks for permission each time he moves into a new area. But, unbeknownst to Rebecca, he slowly removes one of his gloves and pulls out his erect penis. Stroking in between wipes, his breath quickens as he nears her pussy. He asks her if he can spread her legs, so he can clean her genital area. Nervously, she says ok and, taking his hand off his dick, he opens her wide and sees her fully exposed for the first time. He starts to wipe around her pussy.
Rebecca twitches at the cold touch of his fingers and the sponge. There is a long awkward silence before she makes a bad joke about this being the most action she's received in a long time. Bill laughs, telling her he is just doing his job while cautiously removing the other glove. He asks why she doesn't dump her boyfriend, especially after the accident. Rebecca tells him that he is the only man she's ever been with and, even if he is an asshole, he still says he'll marry her one day. Not really listening, Bill informs her he is go inside of her now. She hesitates before saying OK and he sticks his fingers in her, wiggling them around. Why do you have to clean my insides? She asks. Bill, still stroking his dick, tells her that many female patients end up with sores or infections from not properly cleaning themselves. It's customary for a Doctor to do a quick check. He wiggles his fingers some more before pulling out and tucking his dick back inside his scrubs. He turns around, licking his fingers, before grabbing his clipboard and taking some notes. He lets out an audible sigh of concern before the room goes silent. Rebecca slowly pulls the towel off her face and looks at him.
What is it, Doctor? She asks nervously. Did you find something? Bill composes himself again before turning around. Yes, I'm afraid. He says. I felt an abnormality in the cervical region. It could simply be that your cervix is in a low-hanging position due to your limited sexual experience, but it could also be something else much more serious. My concern is whether it is the result of an internal injury from your accident. Rebecca looks panicked. She asks him what, in layman's terms, he means. Wiping his brow again, Bill does his best to calm the patient and explain that a woman's cervix is normally in a higher position relative to the opening of her vagina. Hers is very low, which could be because her organs were damaged during the collision and are now putting pressure on her uterus. The last thing she wants is a rupture! Rebecca looks very anxious before asking how he can be sure. Well, I'm going to recommend a vaginal probe, Bill says matter-of-factly. This will allow me to properly investigate how pliable your cervix is before determining whether an emergency surgery is required. Rebecca nods and asks if he can do it now himself. Bill guides her back down on the bed and assures her that it is a quick procedure. She just needs to be quiet out of respect for the other patients. She asks if it will hurt and he explains that he uses his own body vs. an instrument to keep the pain levels low. Plus, since she's been with her boyfriend before, it shouldn't feel all that different. Just relax and let him do his job. This descends into the BG sex scene where Bill quietly fucks Rebecca just out of earshot of the other patient. He has her carefully move into several positions, to minimize her discomfort with her injuries, and all within the ruse of him checking her cervix. She agrees to each one innocently ... and bravely continues even she is in physical discomfort. In the end, Bill pulls out and cums just outside of her pussy on the bedsheets. Nervous about leaving evidence, he wipes it up and then tells Rebecca that the final step will be a douche to ensure he leaves her fully flushed out. He unwraps a douche from the bath kit and squeezes it inside her swollen pussy. The water seeps out as she asks him if he can now make a proper diagnosis. Wiping her up, Bill tells her that he was able to adjust her cervix into its proper position and that she can be rest assured, there were no internal injuries. He slides the girl's gown back on, puts her foot into its boot, and helps her into her sling. Just as he is about to put her neck brace back on, she asks if its ok for her to rest without it. He smiles and leaves it on the bedside. Get lots of rest Rebecca, he says and quietly exits the room.
Dillion Harper - Open House
OPEN HOUSE
Young Real Estate Agent Tricked into Sex by Creepy Pervert
SCENE opens on Karen, a 20-year-old real estate assistant, as she puts a tray of cookies into the oven. She is preparing one of her new properties for an open house today and wants everything to be perfect. While the cookies bake, she walks through the downstairs to make sure everything is in order: straightening pillows, spraying air freshener, placing a bouquet of flowers on the table, and stacking her house flyers neatly by the door. You can tell the young woman is nervous, it's her first ever showing on her own and she is eager to become an actual seller's agent one day. She checks herself in the mirror and adjusts her pencil skirt and blouse ... before walking out onto the lawn and staking an 'OPEN HOUSE' sign into the ground. A long POV shot shows her walk back into the house and close the door, before a creepy young man steps into the frame and reveals that he has been watching her. He grabs the bulge in his pants and walks towards the house.
CUT to Karen arranging the cookies on a plate when the man quietly enters the house. He watches her from the hallway for a moment before noticing him. She steps back startled as he approaches. 'I'm sorry to frighten you,' he says calmly. 'I'm here for the open house.' Karen composes herself and apologizes, quickly snapping into show mode. She offers the man a cookie and begins to show him the kitchen, proudly explaining that this is her first listing as a real estate assistant and, once she sells it, she will be able to move up the ranks in her agency and get a full-time position. While she is explaining, the man lingers behind her staring. POV angles show him watching her every move. She can feel his eyes on him and it makes her nervous. When she asks him questions, he always answers calmly ... but his eyes never leave her. He seems very insistent on seeing the view from the master bedroom.
Just as they are about to go upstairs, the doorbell rings and another visitor arrives. Relieved, Karen excuses herself and goes to open the door. She begins to show them around while the man hovers at the stairs, watching her. After a few moments, he slowly walks up the stairs and disappears.
Two Hours Later
Karen opens the door and shows the final visitor out, thanking them profusely for the visit and urging them to check her other listings out online. The young agent seems desperate. She closes the door and presses herself against it, swearing. All that effort to get the house ready and ANOTHER failure. She had promised the listing agent she would sell it today and she knows they will never give her a chance now. Muttering to herself, she kicks off her heels, throws the flyers, flowers, and cookies in a trash bag, and heads upstairs to shut off the lights.
When she walks into the bedroom, trash bag in hand, she is startled again to see the man standing there admiring the view. She lets out a noise as he spins around and smiles at her. 'It's beautiful up here,' he says. Stuttering, she apologizes ... she didn't realize he was still here. The man stares at her for a moment before slowly approaching. 'I overheard you downstairs,' he continues. 'It's a shame that you didn't get any leads today. I know how cutthroat real estate can be! How old are you anyway, you seem so young?' Karen stares down at the bag and her bare feet and tells him she is 20 years old. It was her final test with this agency today but she will find another one. 'Everything happens for a reason, right?' She says, trying to remain cheery. The man walks around the room a little more, admiring it. 'Well, maybe I can help you with this.' He says. 'What was the listing price again?' Karen's ears prick up and she fishes in the trash bag for a flyer, handing it to him. 'It's $749,000 asking,' she says. 'But I'm sure the homeowner would be open to negotiate that down a bit.' The man stares at her while she urges him to look over the details again. He smiles. 'I'll take it.'
Karen can't believe it. A huge smile crosses her face as she hugs the man, thanking him profusely. She tells him she'll need to get some paperwork and an initial offer in the books today to meet her quota. The man assures her he wants to offer full list price and, because she was such a great agent, he wants to double her commission. The young woman can't help but jump up and down in excitement. The man calmly walks over to the bed and sits down. This causes Karen to stop awkwardly. 'This is a really big bedroom,' the man says. 'Do you think I could get a lot of girls in this bedroom?' Not wanting to lose the sale, Karen says yes and tells him she is sure it will make a great bachelor pad. 'I think I'll put mirrors on the ceiling,' he continues. 'So I can watch the girls while I fuck them. Do you think that would look nice?' Karen makes a face before awkwardly nodding. 'Do you want me to go get that paperwork now?' She asks, trying to steer the conversation away. 'If only there was a way I could test this room out first,' he continues. 'It would be a shame to commit to this house without really knowing if its what I want.' He stares at her blankly. She stares back. 'What kind of test would you need?' She asks slowly. 'Well, I think if you would come over here and let me test you out, that would probably work.' Karen closes her eyes, fully realizing what the man is proposing. 'Will it be quick?' she asks. He says yes. 'And will you promise to double the commission, like you said?' He says yes. Karen bites her lips and starts to unbutton her blouse in front of the man. He asks her to strip down completely, which she does. He asks her to get on her knees and crawl to him. She does. Looking up as he unzips his pants, he asks her to start by sucking his dick. She says YES and this descends into the BG sex scene.
After he has cum on her face, the man begins dressing behind her as the overwhelmed Karen wipes the cum from her face and asks if she can go get the paperwork now. The man silently grabs his tie and approaches her, filing the frame. CUT to outside the house. In a final long shot, the man hurriedly exits the house and walks over the lawn, grabbing the 'Open House' sign for sales as he exits.
Kenzie Reeves - Trailer Park Taboo - Part 1: Existence is an Imperfection
Winner XBIZ Best Sex Scene -- Feature Movie Kenzie Reeves & Small Hands
Scene opens to Kenzie Reeves lying on her bed, chest down, smoking a cigarette. She glares out the window as her brother Jack (Small Hands) reads a book on the living room couch. When she offers Jack a cigarette, he refuses, reminding her that he quit. She gets up from the bed and approaches the couch, telling him that he could just have one. He reminds her that people who quit tend to no longer smoke. When she confronts him as to why he's reading books all of a sudden, he gets visibly annoyed. 'I'm trying to better myself,' he retorts. When she tells him about all the good times they used to have getting trashed together, he shakes his head in bewilderment stating that that was almost a decade ago. She ashes her cigarette and it lands right in his book. Jack yells at her, telling her his schooling is important to him. But Kenzie is bored and doesn't care about her stepbrother's scholastic endeavors. She wants to kill some time and starts seducing him. He tells her to get lost but it's clear that Kenzie isn't going to let up. She gets on her knees and starts running her hand up his leg. Jack tells her that what they did in the past was a mistake; they were young and confused and didn't know any better. Kenzie starts jerking him off and Jack can't help but put his book down. He tells her that this is going to be the last time. She nods eagerly, desperate to feel his touch as he grabs her head and starts kissing her. He pulls down his shorts and shoves his cock deep down her throat. She chokes on it and gags taking it all in at once. He holds her hair and pushes her down on his dick as she swallows him whole. She takes both of his balls in her mouth as he slaps his dick on her face. When he gets up, he face fucks her, grabbing her by the throat and asking if she likes it. She nods as he picks her up and throws her on the bed. He removes her panties as she waits eagerly for his dick. He slaps her face as he shoves his cock inside her, asking her if this what she wants. She says yes as he pounds her cunt ramming her with every thrust. As she rides his dick, she makes sure he cums inside of her. He lies down instantly regretting the whole thing.
Scene cuts to Jack sitting up on the bed with a look of desperation on his face. His life needs to change and in order to do so, he needs to stop repeating old patterns. He tells Kenzie that he needs to leave this trailer park or he's gonna end up stuck there like everybody else. She smiles, telling him that she'll go anywhere he wants to go. He shakes his head in disbelief, explaining that wherever he ends up, he's going alone. She pulls him down to the bed, saying that they should get some rest. Jack is wide awake thinking about his life and what he needs to do. He can't go on like this and has to make a decision. He gets up and packs some things and leaves the house. When Kenzie comes to, she calls out to Jack but gets no answer. When she turns around, she realizes that he's gone. She calls his name in a panic as the scene cuts to Jack walking outside. He looks tormented and directionless. As he glances back at his former life, he struts to the car, opens the door angrily and drives away.
Scene opens to Jack lounging in his car with his legs lying out the window. We see Joanna Angel in the distance walking towards the car. She looks ahead wondering who's inside the car and what they're up to. She walks towards it and knocks on the hood, waking Jack up in the process. He recognizes his classmate and greets her. When she asks him why he's napping in his car, he tells her that he wanted a good parking spot. They laugh as she offers to wait for him so they can walk to class together. When she offers him a coffee, he can't resist a free cup of Joe. He enthusiastically grabs his things and joins her.
Scene cuts back to Kenzie frantically searching through a makeup bag. She finds her birth control kit and sits down on the toilet. She waits for the appropriate time to pass and looks at the results. When she realizes she's not pregnant, she screams in agony begging the silence for a baby. She knows that if she has Jack's child, it will push him to stay home with her. She rubs her stomach as the camera fades to black.
Scene opens with Jack anxiously writing his test. Time runs out. His teacher asks the students to leave the exams on her desk. She then says that before they leave, she'd like to conclude the class with a sharing session. Joanna volunteers first, speaking honestly about how her parents laid out a path that has never served her and how she's been struggling and continues to struggle with making her life hers once and for all. Jack raises his hand and, with a defeated look in his eyes, confesses how his free will has worked against him, despite his best intentions. The teacher steps in, stating that it looks like he's getting ahead of the curriculum as they will be covering these very same topics next week. The class ends as Joanna asks Jack what time his next class is. When he responds that he has quite some time till the next one, she invites him back to her apartment, adding that it's not much but certainly more comfortable than his car.
Scene opens to Joanna and Jack making out as they lean against the kitchen counter. They stop for a moment and confess their feelings for each other as they embrace more passionately than before. As Jack runs his hands over her chest, Joanna runs her hands through his hair. He pulls up her skirt and starts eating her wet pussy. As he devours her, she cums all over his face. He gets up and unbuttons his shirt when she stops him to confess something. She stutters trying to get the words out, then finally tells him her big secret...she's a virgin. Jack is stunned and can't believe his ears. He tells her that he likes her and can wait if she wants to, but Joanna wants him now. She suggests he fuck her ass instead. He doesn't presume to understand her logic but will fuck her ass nonetheless. She leads him to the living room and takes off her panties. She gets on her knees and starts sucking his dick, deep throating it in the process. She makes sure it's nice and wet so it can slide perfectly into her ass. When she climbs on top of him, he starts thrusting himself in and out of her ass, pounding Joanna in the process. He fucks her missionary as he chokes her and then from behind. Fucking her doggie style, he cums all over her ass.
They get dressed. Joanna hopes to see Jack soon, adding that she would really like to get to know him better. Jack laughs, saying that he's pretty certain she wouldn't. When she asks him where his next class is, she finds out that they're going in the same direction. Joana tells him to wait up so she can join him. They exit her apartment, kissing under a sunshine-filled sky.
Aaliyah Love - Massage Bait
MASSAGE BAIT
Teen Tricked into Sex by Masseuse and Her Creepy Husband
SCENE opens on Tori, a petite 21-year-old woman, as she taps her feet idly in a waiting room. She has an appointment today with her regular massage therapist, Linda, a kind older woman. Tori has been visiting Linda for years to help with lower back pain caused from sports injuries. When Linda warmly greets her, the two women hug and head into the massage room. They small talk for a few minutes before Linda asks her to undress and get on the table. She leaves. Tori takes off all her clothes, folds them neatly, and gets onto the massage table. Cut to Linda in the next room. She looks incredibly anxious. When she hears Tori call out that she's ready, she nervously glances over to a man sitting beside her. It's Richard, her husband. She asks if he is sure that everything is locked and secure, that there is no way they could get caught. Irritated, he snaps at her to quit worrying -- she's always being such a pussy. Besides, she promised. So, if they just do what he says, everything will be fine. Linda swallows hard, a conflicted look on her face, and they get up and exit.
CUT TO TITLE PLATE
Tori is lying face down on the massage table when Linda enters the room. She begins the massage and, with a slight quiver in her voice, advises Tori that today she is planning to do something a little different with her technique. She calls it a 'four hand treatment' and asks Tori for her permission to begin. Tori innocently asks what is going to happen and Linda tells her she'll simply be adding something to increase the pressure and to stimulate her muscles, particularly in the lower areas of the body which hold the most tension. Tori happily agrees and Linda, looking guilty, asks her to close her eyes and relax, while quietly summoning Richard into the room.
Together, they begin trading off between themselves ... each taking a turn to touch Tori. They do not cross any sexual boundaries, but they begin to work further down Tori's body into increasingly intimate areas of the lower back and upper thighs. Tori is completely unaware that two people are massaging her - she just assumes it's her regular therapist. Throughout it all, Linda keeps talking to Tori to maintain the illusion, while her husband ogles the woman on the sidelines. He begins stroking himself while watching his wife rub Tori and then jumps in to touch her with his hands himself, his penis never actually coming into physical contact with her but looming very close.
Linda asks Tori to turn over on her back, so she may massage her front. When the woman does this, Richard ducks out of view. He stands just behind her head, fully erect. Linda becomes increasingly complimentary about Tori's body and starts asking her sexual questions. Tori, thinking she is having girl talk, answers freely. Linda keeps looking knowingly at her husband and he silently pushes her to take the conversation further. Through gritted teeth, she starts to talk about her own sex life with Richard and asking Tori what she thinks of him. Tori innocently confides that she thinks he is cute but that she never looks at married men. Richard strokes harder behind her head. Linda mentions that Richard is going to start taking clients himself and jokes whether she'd like to book a session with him. Feeling somewhat awkward, Tori says maybe in the future but today she is happy to be in familiar hands. Linda puts a hot cloth over her eyes to calm her, while Richard creeps to kneel by her pussy. He smells her and stares at her, as Linda rubs her thighs and the women keep talking. Linda asks to go deeper and deeper, getting increasingly close to Tori's pussy. She can feel hot breath on her labia. She begins to loosen up and enjoy the new technique that her therapist is giving ... even getting to the point where it begins feeling good sexually. She moans, squirms and bite her lip finally removing the cloth to look at what's happening. To her shock, she sees Richard in the room, smelling her pussy, and leaps off the table.
While Tori grabs her clothing to cover herself, Linda profusely apologies. Richard steps in front of her, taking control, and begins to reason with Tori. What did she think about their new 'four handed' technique? She agreed to try it, after all? Did she enjoy how it made her feel? What if she just got back on the table and relaxed like before? Tori demands to know what the hell is going on ... is the couple trying to seduce her in some sick way? Is this a swinger scheme? She feels betrayed by Linda, a woman she's knows and trusts. Linda feels terrible and encourages her to just leave but Richard shoots her a dirty look and continues to reason with Tori. He tells her that Linda has been fantasizing about him fucking with her clients for years ...that the whole thing was her idea because she is frigid and cannot satisfy him any longer. As he lies, Linda looks increasingly defeated. When Tori asks her if it's true, she says yes and stands behind her husband.
There are several rounds of back/forth negotiation before Tori finally agrees to let the couple finish what they started. But, as soon as she has accepted, Richard tells Linda to leave the room so he can have his fun ALONE. This is another shock to Tori, who thought her familiar therapist would at least be involved. There is a second round of negotiation before Tori agrees to let Richard fuck her. She is so angry at Linda that she ultimately consents as a means of punishing the therapist who betrayed her.
After he has cum on her face, Richard exits ... leaving the overwhelmed Tori on the table. In a final long shot, we watch her dress and leave silently, walking past Linda who is left to clean up the table.
Giselle Palmer - Uncle Fucker
UNCLE FUCKER
Teen Caught Getting Fucked by Father's Best Friend
SCENE opens on Jessica, a precocious 18-year-old girl, as she sits knees tucked on her bedroom floor finishing her makeup in front of a mirror. She smiles and pouts at herself, taking a few selfies, before overhearing her father call her into the kitchen. It's Sunday, the day of the big game, and he is having several buddies over ... including John, a man who's always been like an Uncle to Jessica and someone she's crushed on for years. When she struts in the kitchen, Jessica's father is shocked. How come she is dressed up like that? She is way too young to be wearing such provocative clothing! Jessica tries to protest, telling her dad its just what teenage girls wear these days, but dad is insistent that she go back and change. His friends are coming over, for goodness sake! She had promised to help him host ... not be a slut! Jessica glares at her father before storming back into her room and slamming the door.
Jessica's bedroom door slowly opens, as she creeps out into the hall amid sounds of men cheering and laughing in the other room. The game has begun. The camera slowly pans out to reveal the teenager dressed in another provocative outfit ... despite what her father said. She looks smug as she walks into the kitchen, grabs a bowl of chips, and makes her way towards the living room. Her father and his two buddies are all engrossed in the game when Jessica asks if anyone wants a beverage ... and awkwardly says hi to John. Jessica's father looks annoyed when he sees her outfit but can't say anything in front of his friends, so he just shoos her off. John, on the other hand, seems fixated on the 18-year-old. He asks if she needs any help and follows her back to the kitchen.
As they open a few beers, Jessica tries to act mature and sophisticated with John, to impress him. After telling him her college plans, she gushes that he is her favorite Uncle, even if they aren't related. She reminisces about all the good times they've had over the years, with John hanging around the house and being her dad's best friend. John is charming and sweet with Jessica, all the while keeping an eye on her father in the other room. At a certain point, he leans in and whispers something about wanting to eat her pretty little pussy. Jessica is stunned, assuming she's misheard. She asks him to repeat himself and he just smiles, saying he wants to eat the chips ... before walking back to the living room. Jessica flushes red. Did he just really say that?!
One Hour Later
Jessica sits wedged on the couch with her father and his friends. They are all still engrossed in the game, while she looks nervous. She keeps thinking about what John said. He is staring at her now and starting to play footsie with her subtly, right in front of her father. The light teasing continues until Jessica can't handle it anymore and excuses herself to go refill the chips.
Inside the kitchen, she opens the pantry and grabs a bag, opening its contents into the bowl. When she turns around, John is standing right behind her. He startles her so much that she drops the chips on the floor. Embarrassed, she apologizes for being so jumpy and leans over to pick them up. John is still sweet and charming but doesn't do anything to help her ... instead, he just looms over her as she bends down, ass innocently up in the air. There is something strange about the way he is calmly watching her while keeping an eye on the men in the other room. By the time Jessica gets back up, there is an uncomfortable silence between them. She squirms awkwardly as John stares at her, inching closer.
'Jessica,' John asks. 'Can I ask you a question?' She nervously nods her head. John steps closer. 'Your dad told me once that you have a little crush on me. Is that still true?' he asks coyly. Jessica freezes, her big doe eyes staring up at him. How embarrassing! 'I can't believe he said that,' she dismisses. 'That's ridiculous. You're like family to me!' She tries to move back to the living room, but John pulls her back by the hand. 'But is it true?' He asks again, rubbing her arm. She looks down at it before slowly looking back up at him. 'It was just a silly school girl crush kind of thing,' she brushes off. 'That's why I never pursued it. You're Uncle Jack. Besides, I'm too young for you ... I just turned eighteen!' Smiling, John continues to ask questions as he slowly backs her up in the kitchen, asking what she used to think about him, what she thinks about him now, and confirming the fact that they are just family friends. Her reluctance plays out more in body language than actual words, as she nervously backs up into a corner of the kitchen. Finally, he gets her to admit that she still likes him and that she has even touched herself at the thought of him fucking her. Jessica is extremely nervous about having this discussion while her dad is in the other room but John keeps distracting her, pulling her down in the kitchen so they can keep talking without raising suspicion. Finally, John asks if he can kiss her and, after some final hesitation, she agrees. After some foreplay, she also verbally agrees to have sex with him.
Throughout the BG sex scene, she enjoys what's happening but is very worried and distracted about being too loud and arousing her dad's suspicions. John eagerly devours her, giving her a long rim job and having her deep throat his cock before sliding into her pussy and unloading on her ass. She feels the cum drip off her cheeks, just as she looks up and sees her disgusted father and his other friend staring down at them both. Game's over.
Gina Valentina - The Sting
THE STING
Two Men Lure Teen to Seedy Motel for Double Creampie
SCENE opens one night as Trix, an 18-year-old street girl, looms in front of a large graffiti wall that marks her favorite corner. Cars and pedestrians pass by, as the girl lingers. The camera cuts in closer to reveal her scantily clad outfit and high heels as they dig into the gravel road. She lights up a cigarette. A car slowly pulls up and a man leans out the window. 'Do you want a ride?' He asks gruffly. Giving him the quick once-over and stubbing out her smoke, Trix agrees and crosses the car to get into the front seat. Once inside, the man, a husky blue-collar type, takes a moment before asking what she's into. Putting on her street-smart attitude, Trix tells him that it depends what he's looking for. 'I'm looking for an all- night kind of thing,' he replies coldly. Trix bites her lip, giving him another good look, before cautiously responding that that is fine. He tells he knows a good motel and they drive off. A hotel clerk sits hunched behind his desk, scribbling annotations into a small field notes book when the bell chimes. He looks up, distracted, to find the blue-collar man standing with Trix at his side. He asks for a room for the right, preferably the one on the end if it's free. The clerk closes his book and stares at the couple. Without saying anything, he points to a NO SOLICITING sign beside his window. Trix steps forward and assures the clerk that it's just her and her man passing through town and looking for a quiet place to rest. Nothing to worry about. The clerk looks hard at the girl before turning his eyes back to the man. 'Last one's vacant,' he says. 'I'll need some ID.' The man hands the clerk a card as the clerk hands him back a key.
CUT to Trix and the man exiting the clerk's office and walking down the motel's exterior lobby to their room on the end. They disappear inside, leaving the camera to linger on the stillness of the night. After a few moments, the office door slowly opens and the clerk steps out, his field book in hand and a gun tucked in the back of his pants. He cautiously walks down to the room and looks in through the window. From his POV, we see Trix and the man settling into the room. She stands before him, presenting herself.
CUT to inside the room. The man asks how old Trix is and she tells him 18-years-old. He asks how she came to be such a whore. Rolling her eyes at the small talk, she tells him she ran away from home and she isn't a whore. She has daddy issues, that's all. The man asks if she has a pimp. Trix laughs ... and says no. I know how to take of myself. She cuts the conversation short by asking what the man would like to do first. He tells her to strip which she does. Then he tells her to take clothes off. She does. The man tells her he likes rough sex. She tells him fine, but no marks. He tells her he'll be careful. This descends into the first BG sex scene, where the man roughly fucks Trix in several positions around the room ... each rougher than the last. The sex scene is intercut with POV shots from the window, as the clerk watches what is unfolding in his room. He scribbles down observations as he watches. In the end, the man takes great pleasure in finishing Trix off with a big creampie which dribbles out of her. She lays exhausted on the bed, wiping her pussy. 'You know, I never usually let men cum inside of me,' she says. The man laughs and tells her not worry, she'll get what's coming to her after he cleans up. He excuses himself to the bathroom. While the shower runs, the girl slowly gets herself up and starts gathering her things.
CUT to the window. The clerk closes his field book and tucks it in his back pocket. In its place, he pulls out a badge (hidden under his shirt) and the gun tucked behind his back and kicks open the door. Catching Trix by surprise, the clerk bursts in telling her to freeze and put her hands up. This is a sting operation. The frightened girl freezes like a deer in headlights. She knows what this means, as the man steps out of the bathroom and pats the clerk on the back. 'Thanks for letting me get that creampie,' he says before turning to Trix. 'Remember this, the next time you try something like this, sweetheart!' She scowls at him, covering herself up. He kisses her on the forehead condescendingly before leaving the room. 'Now we can do this the hard way,' the clerk says, 'which involves my partner and I taking you down to the station ... or we can do this the easy way.' Trix crosses her legs and stares at the man in disgust. The room goes silent except for the sound of her leg shaking nervously. 'Fine,' Trix says. 'I'll blow you too, is that what you want?' The clerk looks her up and down before slowly shaking his head. Trix asks what it'll take. The man, slowly putting his badge and gun down on the dresser, tells her she'll need to do everything she just did to his partner to him. She shakes her head. 'I already took one load,' she says defiantly, 'I'm not taking another. I'm not on the pill.' The man laughs and tells her it's not his fault she's careless. They exchange several more rounds of debate before the frustrated girl agrees to have sex with the clerk. This descends into the second BG sex scene, where the clerk rough fucks Trix and gives her a second creampie of the night. All during the sex, she fucks him back in anger ... pissed off that she's got caught and trying to make him cum as quickly as possible. After he has finished, the clerk stands up sweaty and triumphant. 'Clean yourself up and get out of here,' he orders as he throws his clothes on and leaves the room. Trix stares at the door, gritting her teeth, before breathing a sigh of relief. She looks around the room and notices the gun and badge still on the dresser. Cautiously, she walks over and picks the badge up: it's a cheap novelty item. She's been had. She grabs the gun and. In a fury, storms out of the hotel room slamming the door.
Blair Williams - Mamma's Boy
MAMMA'S BOY
Step-Sister Tricks Brother into Sex After Discovering his Mom Crush
SCENE opens on Rachel, a 20-year-old girl, as she walks down the stairs and struts into her family's kitchen -- barely dressed and hair tousled from a late night out partying. Her younger step-brother, Nathan, is eating cereal and dressed neatly in his school uniform. When he sees her, he lowers his eyes in disgust and exclaims that she shouldn't be walking around the house like that. Laughing at him, Rachel grabs some food and sits down beside her brother. She teases him for still wearing his uniformto school, even though he doesn't have to. He's 18-years-old and still acts like a school boy. Nathan tells her to leave him alone, he dresses like this because he is a good student. He's planning to graduate and go to college, unlike her! Ignoring him, she continues to tease him and act like a bitch when Nathan mutters that she's lucky his mom had to work the early shift this week because, otherwise, she would be in big trouble for making fun of him. She laughs even harder and calls him a mama's boy before he slams his spoon down and storms out of the room.
Nathan storms into the living room and calls his mother. Over the phone, he tells her that Rachel is making fun of him again. Moreover, he's pretty sure she's hungover and planning to do something bad this week while she's out working. Telling on his sister is Nathan's attempt to try and get his mother to come home, because he doesn't like being alone with her. She makes him feel uncomfortable. His mother assures him that he is a big boy and that he shouldn't worry about his step-sister like that. She is just figuring herself out, especially with her father always travelling on business and not giving her attention. Besides, it's nice to see the two of them finally spend quality time together. After all, they are a blended family. She tells him she loves him, but she must go back to work, and the mother and son have a sappy, sentimental parting. When Nathan gets off the phone, he still feels frustrated. He turns to leave when he realizes Rachel has been listening the entire time. 'I make you feel uncomfortable?' she asks teasingly. Nathan tells her not to be gross, they're like family. She needs to go put real clothes on and not dress like such a floozy. What would mom say? Rachel asks why Nathan is always running to his mom when he needs something. Does he have a crush on her or something? It's weird for him to be such a mamma's boy! Nathan tells her to leave him alone, grabs his backpack, and storms out of the house for school.
CUT to that evening. Nathan comes home when he hears moaning. He calls out to his mother, but gets no reply. Slowly walking up the stairs, he realizes that the noises are coming from his bedroom! When he opens the door, he is shocked to see his step-sister watching one of his pornos on TV. Embarrassed, he tries to turn the TV off while she mocks him about all the dirty movies she found hidden under his bed. She is wearing nothing but a crop top and panties.
Finally getting the TV to turn off, he runs over to his bed to try and conceal the pile of DVDs strewn all over. It seems like he is desperately searching for something. Smiling triumphantly, Rachel watches him scramble before asking 'Are you looking for the photos of mom?' Nathan freezes. His eyes look wild with anger. Rachel pulls out a series of cum-stained photographs of his mother and shows them to Nathan. 'These look really soiled,' she says. 'How many loads did you drop on this photo? Does my dad know that you jack off to photos of your mother?' Nathan tries to grab the photos away, but Rachel runs around the room, teasing them in his face and continuing to berate them. 'Between these cum soaked pictures and all your hardcore porn, I think it's safe to say that I have something rather important to tell our parents about your perverted behavior!'
