Emily Willis - Quid Pro Quo
QUID PRO QUOTeacher Entices Lesbian Student Into Seducing His Daughter While He WatchesSCENE OPENS on Mr. Jennings (Steve Holmes), who answers his door. Michelle (Naomi Swann) stands there. She looks nervous and reluctant. Ah, Michelle! Mr. Jennings says with a pleasant smile. Come in, please, he says. Michelle enters the house wordlessly. 'SO glad you're here. I can't TELL you how much I appreciate you coming!' Mr. Jennings says brightly. 'Well... it's not like you gave me much of a choice,' Michelle says, an edge of contempt in her voice. 'Oh come on now Michelle, I'm only your TEACHER. I can't control what you do! You're 18, you make your OWN decisions,' Mr. Jennings says. 'Although a decision that you made...a BAD one, I might add, is really what brought you here today.' Mr. Jennings says. 'WELL! In any case, it is lucky for you, then, that we've figured out a way for you to make up for that bad decision,' he continues, in a very stern-teacher way. 'So! What do you say we get my beautiful daughter down here? I just can't WAIT for you to meet her!' Mr. Jennings says. Holly! Mr. Jennings calls. After a moment, Holly (Emily Willis) comes into the living room. Hi! She must be Michelle? Holly says enthusiastically. Yeah...hi, Michelle says, smiling. Ready to get started? Holly asks. Um, yeah, sure, and...and thanks again for doing this, Michelle says. 'Yeah of course! Dad's never asked me to tutor one of his students before, so I hope I do ok!' Holly says with a little chuckle, taking a seat next to Michelle at the table. 'Oh, I'm sure you'll do GREAT honey,' Mr. Jennings says in a sickly-sweet tone. Thanks, Dad, Holly says happily. Mr. Jennings is about to walk out of the room but turns back. 'And be good, you two!' he says seemingly jokingly. 'Don't worry about us, Dad,' Holly laughs. 'Oh I'm not worried. In fact, I think the two of you are going to get along...JUST FINE,' he says with a smile, but a hint of something darker, something...unknown lurks under his grin.CUT TO TITLEAs Holly shows Michelle something on a shared paper, circling something with a pen, she pauses and looks up at Michelle. So...what's it like having him as a teacher? Holly asks, sincerely curious. 'Your dad? Well, he's um, he's...' Michelle says, seemingly unsure of how to answer as she glances at the room's entranceway. We don't see what she's looking at. Actually he's her STEP-dad, Holly clarifies. Oh...she didn't know that, Michelle says. Yeah, he married her mom a few years back, Holly responds. 'I'm 18 now, so I guess it was about...3 years ago?' Holly muses aloud. Oh ok, that's cool, Michelle says noncommittally. But, her mom died last year, so...now it's just the two of them, Holly says, a hint of sadness in her voice. Oh, she's...she's so sorry, Michelle says sincerely. That's ok, Holly says, snapping back to her bubbly self. So? What IS he like as a teacher? Holly presses. Um...Michelle says, fidgeting nervously. She glances again at the room's entranceway warily, but Holly doesn't seem to notice the look. We now see what Michelle is looking at: Mr. Jennings, who is spying into the room, unbeknownst to his daughter. When Michelle glances at him, they lock eyes and he gives her a glare through gritted teeth. He's...he's really nice, Michelle says finally. Holly laughs. 'Don't worry, you can say it,' Holly says. S-say what? Michelle asks cautiously. That he's a goof, Holly laughs. With all his corny sayings and cheesy jokes, Holly says. Oh...yeah, Michelle says, giving a phony laugh and glancing again at the living room entranceway. Aware that Mr. Jennings is watching, Michelle becomes slightly flirty with Holly. Mr. Jennings watches impatiently. Michelle begins to seduce Holly as Mr. Jennings watches with increasing pleasure. The seduction is successful and Michelle leans in to kiss Holly. Holly returns her kiss tentatively, but as she gets swept up and lost in the moment, Holly kisses Michelle back with increasing passion. From the room's entranceway, we see Mr. Jennings. His eyes are lit up as he watches, licking his lips. Swept up in the moment, the girls makeout increases in intensity as Mr. Jennings watches, fondling himself over his pants. Realizing she got carried away, Holly stops the makeout and rushes out of the room in embarrassment, running into her father. Holly realizes that he saw the whole thing. To her shock, Mr. Jennings reveals that he caught Michelle dealing on school property and she agreed to seduce Holly in exchange for his silence. Holly is disgusted, but not wanting Michelle's life to be ruined, agrees to continue. Holly and Michelle begin to kiss again, tentatively and nervously. No...he's seen THIS already, let's move this along, Mr. Jennings says impatiently. 'Take off her clothes...and do it SLOWLY,' Mr. Jennings says to Michelle. Angry and disgusted, Michelle starts to take off Holly's clothes. Holly continues to be nervous, but Michelle tries to calm her down, leading her through the humiliating experience. Michelle begins to eat Holly's pussy. Holly seems ashamed that her dad is watching, but can't help but enjoy it. After a while, Mr. Jennings says 'now it's YOUR turn, sweetie,' and directs Holly to eat Michelle's pussy. Mr. Jennings wanted to watch, but soon enough, WATCHING'S not going to be enough.
Lexi Lore - Sins Of The Father
SINS OF THE FATHERVirgin Teen Discovers Terrifying Secret In Family AtticSCENE OPENS on a closed door in a hallway. A moment later, Jillian (Lexi Lore) opens the door and turns off the bathroom light as she comes into the hallway. The house is completely quiet as she softly walks down the hallway back to her room. Suddenly, from somewhere off-screen we hear a soft tapping. TAP. TAP. Jillian stops, looking behind her towards the source of the noise. The tapping continues, getting increasingly louder. Suddenly the tapping turns into a loud THUMP. Jillian jumps. Fear crosses her face, but she has now discerned where the noise is coming from: the attic. She moves toward the attic. Suddenly the house is oppressively silent. The quiet seems to squeeze the air out of her as she approaches the attic door. As Jillian's hand reaches up to grasp the cord that hangs from the attic door, she seems to be holding her breath. But suddenly, a dark figure standing in the hall startles her. She yelps in terror, moving away from the figure. But then...her shoulders sag with relief when she sees who it is: her father, Stan.When she theorizes that the attic is haunted by the ghosts of her father's first wife and unborn child, who both died in childbirth, Stan dismisses her concerns harshly. 'I mean, GHOSTS?! Jesus Christ, you're 18 YEARS OLD! GROW UP, for god's sake! I'm your GODDAMN father, so why don't you start LISTENING to me and LEAVE IT ALONE,' he continues, shaking his head in apparent disappointment. She recoils in the face of his outburst, looking shocked and puzzled, as if his words have made her look at something in a new light. O-ok dad, Jillian stammers, thoroughly rattled. She turns to go back to her bedroom. 'And Jillian? DON'T tell your mother about this. I don't want you putting any of these ridiculous ideas in her head. You KNOW how confused she gets,' Stan adds. Jillian silently nods. She reaches her bedroom door, opening it. Before she goes back in, she looks back into the hall, her gaze fixed on the attic door.CUT TO TITLEThe next day, Jillian's curiosity gets the better of her and she goes up into the attic. She looks around the room, her eyes wide with surprise and fear. The attic is cluttered and spooky, but out in the most open area she sees a sort of nest of old ratty sheets, next to a rusty old bucket. Her dread mounting, she looks around. Suddenly, as her eyes sweep over the surroundings, she squints. What IS that? She peers closer. Her eyes widen and she reels backward, terrified. She puts her hand over her mouth, her eyes filling up with horrified tears. In the corner, crouched like a rat, is a filthy, disheveled looking young man (Michael Vegas). He wears a pair of underwear only and gazes back at her, at first with a mixture of fear and confusion.'A-are you---who are---?' she stammers, at a loss. The boy's eyes betray almost no understanding. How long has he---?, she asks, trailing off as she glances again at the mattress and bucket. He looks back at her in fear and her eyes soften with sympathy. 'Who...who did this to you?' she asks him slowly, as if speaking to a child. Something changes in his eyes. 'NOT MY SON! NOT MY SON!' the boy growls, repeating something that has been said to him in the past. Confused, she tries to probe for information. 'Not WHOSE son?! What are you trying to tell me?! Did someone SAY that to you??' she asks him gently. 'SON OF A CHEATING WHORE!' the boy says frantically. Someone was a cheater?? Who is he TALKING about??, Jillian asks. 'NOT my blood! NOT MY BLOOD!' the boy growls again. Realization slowly dawns on Jillian's face. This beast-like man is about to unleash all of his primal sexual energy on Jillian, but not before she uncovers the terrifying truth about him...and the truth of the sin that her father is so desperate to hide.
Alina Lopez - Bishop's Interview: An Alina Lopez Story
Winner - Best Actress -- Taboo-Themed Release: Alina Lopez, XBIZ 2020
Nominated - Best Actor - Featurette: Dick Chibbles, AVN 2020
Nominated - Best Actress - Featurette: Alina Lopez, AVN 2020
Nominated - Best Featurette, AVN 2020
Nominated - Taboo-Themed Release of the Year, XBIZ 2020
Nominated - Best Actor -- Taboo-Themed Release: Dick Chibbles, XBIZ 2020
Nominated - Best Sex Scene -- Taboo-Themed: Alina Lopez & Dick Chibbles, XBIZ 2020
BISHOP'S INTERVIEW: AN ALINA LOPEZ STORYCorrupt Bishop Manipulates 18 Year Old Girl Into SexAlicia (Alina Lopez) is nervously fidgeting, sitting in a pew with the congregation. A sacrament tray is passed towards her, which is the source of her stress right now. She takes the tray, and hesitates, looking down at it. She knows she SHOULD take a sacrament but she can't. Not after she...Alicia bites her lip then passes the tray onward, hoping that no one's seen that she rejected the sacrament. However, when she looks up to where Bishop Bond (Dick Chibbles) sits, their eyes meet. Alicia's stomach churns as the Bishop smiles.When the service ends, Alicia is eager to get out of there but is stopped by the Bishop. Her anxiety spikes when he tells her he wants to see her, although she breathes a sigh of relief when he adds that he wants to discuss her recommendation letter to BYU. She shakily agrees to the meeting and soon finds herself in the Bishop's office.Although she thinks she's there to get the letter of recommendation from the Bishop, it quickly becomes apparent that he knows that Alicia's recently sinned. He confronts her about her purity, uncovering that Alicia lost her virginity to her boyfriend. Unfortunately for Alicia, the Bishop won't be able to write that letter of recommendation after all. However, if Alicia agrees to have sex with HIM, he can cleanse her of her sins...
Kenna James - Needing Daddy's Seed
NEEDING DADDY'S SEEDDaughter Begs Step-Father For Creampie To Get Her PregnantSCENE OPENS to Peter (John Strong) masturbating to daddy/daughter porn on his laptop. He's quite into it, entranced by the nature of the relationship and sensual acts on the screen, though he's interrupted by his own step-daughter, Mary (Kenna James), knocking at the door. He quickly closes the laptop and hides the tissues, then allows her into the room, where it's revealed she has something important to tell him.Peter is attentive as she thanks him for being a wonderful step-father. Although he's done his best to give her a happy life, she still feels like something is missing. It still doesn't feel like they're a REAL family...Although Peter is at a bit of a loss, he tells her that he'd be happy to adopt her to make everything more real. But she insists that that's not what she needs... No, she wants to start a real family with Peter... She wants him to get her pregnant!Peter is stunned, insisting that he absolutely can't get her pregnant! She's his daughter! Yet, Mary is quick to remind him that she's his step-daughter... She further hacks away at his resolve by stating that she knows he lusts for her. She knows he watches videos of family roleplay. Here's the chance to live out the fantasy! Even if she doesn't get pregnant, they can have fun trying!Unable to deny his desires any further, Peter gives in. As he watches his daughter eagerly go down on him, he knows there's no turning back...
Izzy Lush - Health, Wealth and Unhappiness
HEALTH, WEALTH & UNHAPPINESSMAN GROWS PARANOID THAT HIS NEW BRIDE IS TRYING TO KILL HIM FOR HIS MONEYSCENE OPENS on Jeff (Jake Adams). He sits nervously in his car. He taps the steering wheel, looking at his watch impatiently. His phone rings. He answers it, putting it on speaker. Hey man, he says to the phone. Hey little bro, his brother Bobby greets him. 'So did you pick her up yet?' Bobby asks. No not yet, he's actually at the airport now, her plane's already landed so now he's just waiting for her to get through customs, he says. IF she gets through customs, who KNOWS what she's hiding, Bobby says with a little laugh. That's not funny, Jeff says. He knows how he feels about this whole thing, but he doesn't need to constantly be taking little shots at him, Jeff says crossly. 'Sorry, it's just...I'm worried about you. She's a MAIL ORDER BRIDE for fuck's sake,' Bobby says. Jeff sighs, exasperated. Yeah, he knows that he sounds like a broken record, but really: how much does he ACTUALLY know about this girl?, Bobby asks, concerned. 'We've been over this a million times now Bobby. She's a 22-year-old girl from a small town. She's never even been on a PLANE before. She's just looking for a better life. And I can GIVE her that life,' Jeff says. Bobby sighs. They have a connection, Jeff adds. It's really easy to fake a connection with someone when they're MILES away and you've only ever talked to them on the phone, Bobby continues. 'Let's face it, Jeff. When Dad died he left us A LOT of money, and there are certain people who would want to...take advantage of that. You're a good guy Jeff. You're one of the most trusting people I know. But YOU'VE NEVER met this person. You don't know who she really is. I DON'T want to see you get hurt, man' Bobby says. 'I hear you, Bobby, but I DO know her. The things we've shared in our conversations...look, I love you, but I'm a big boy, I can take care of myself,' Jeff says. Before Bobby can respond, Jeff looks out the window of his car. She's here! He's gotta go, he says excitedly. Bobby seems to be about to say something, but Jeff seemingly ends the call and tosses the phone on the passenger seat as he hops out of the car. He didn't end the call properly and Bobby can be heard saying 'Hello? Jeff? Think you forgot to hang up the call, bud.' Bobby sighs loudly. 'Goddammit, just be careful, Jeff,' Bobby says worriedly to himself, ending the call with a click.CUT TO TITLEAnna (Izzy Lush) is now in the car beside Jeff as he drives them back from the airport. Anna looks nervous, wide-eyed and a bit overwhelmed as she looks out the window at the passing sights. So is she ready to see her new house?, he asks, pulling the car to a stop. She nods, her nervousness giving way to excitement. Almost a year passes since the couple has married. In the bedroom one evening, Anna gets Jeff his regular pills after telling him that she filled his prescription yesterday. Jeff realizes that they are the wrong pills and doesn't take them, wondering aloud what they would have done to him if he had. Suddenly, Jeff is gripped momentarily by suspicion towards his wife since he just added her to his will the week before. He dismisses these suspicions immediately, kissing her before settling into bed.Days later, Jeff comes home with a bandage on his forehead, injured because the brakes on his car failed. His paranoia growing, he calls the mechanic, who tells him that it's possible that a puncture they found in the brake line could have been done on purpose. This sends Jeff over the edge and he is completely suspicious of his wife now. The next day, Jeff rifles through Anna's things trying to find something incriminating. He discovers a brochure for a funeral parlor. When Anna walks in, he confronts her and accuses her of trying to murder him for his money. She denies his accusation. Enraged, he is determined to show her that he is not someone to be trifled with. He begins to unbutton his shirt. What is he...doing?, she asks with trepidation. 'WHAT?! Is there something WRONG with a husband wanting to be with his LOVING wife?' he asks. Anna looks at him, taking a deep breath and gulping down her fear. 'N-no, of course not, t-there's nothing wrong with that...that's...fine,' she says softly. He takes off his shirt and begins to take his pants off. He shakes his head disgustedly. 'You think I'm some IDIOT that you can just do this to?!' he spits, getting in her face. 'Well, I'm NOT FUCKING stupid,' he says, his words seething as his eyes burn with heartache and rage.Jeff is about to find out whether or not he can TRULY trust his beautiful young wife.
Joanna Angel - Maid Of Honor
Nominated - Best Actress - Featurette: Joanna Angel, AVN 2020
MAID OF HONORBride's Vindictive Sister Sabotages Her WeddingSCENE OPENS on Jane Wilde. She's talking on the phone to her step-sister Joanna Angel. Jane's very grateful and appreciative that Joanna's letting her move in with her - she's tried being independent by moving out with her boyfriend after she turned 18 but things with her boyfriend are a bit rocky right now and she doesn't want to be around him. And since Jane is Joanna's maid of honor for Joanna's upcoming wedding, Jane will be able to help out with the wedding in any way she can. Jane ends the call, telling Joanna that she'll see her soon.CUT TO TITLEJane arrives at Joanna's house, hugging her sister happily as she puts down her bags. Jane reminds Joanna that she's here to help with the wedding too. Jane even suggests that Joanna gives her her phone so that Joanna can just completely relax and Jane will take care of everything. Joanna mentions that she downloaded a wedding planning app. Joanna's hesitant to hand-off the planning of her big day, but Jane eventually convinces her and she gives Jane her phone, telling her that the planning is up to her now. Relieved that she can finally relax, Joanna tells Jane that she and her fiancee are going to go on one last date as boyfriend and girlfriend. As Joanna enjoys her date with her fiancee Aaron (Small Hands), Jane uses Joanna's phone, giggling maliciously as she pretends to be Joanna, canceling the wedding cake. When Joanna and Aaron return from the date, Jane greets Aaron, telling him how excited she is that she's planning the wedding. Aaron is far from excited though, and is suspicious of Jane's real motives. Joanna tries to convince Aaron that he's worrying for nothing. After all, what's the worst that could happen?The next morning, Aaron is sipping on a cup of coffee in the kitchen when Jane approaches him, hopping up onto the counter next to him. She flirts with him shamelessly. Aaron tries to get her to stop, but Jane keeps going, telling Aaron that when he's kissing his new bride, he'll be thinking about fucking HER. Aaron retorts that he and Jane were only together for ONE night, and it was a huge mistake...something that will NEVER happen again. Joanna walks in, interrupting them and mentions that she needs to go pick up her wedding dress, but Jane volunteers to do it for her. But unbeknownst to Joanna, Jane doesn't just pick up the dress, but rips it to shreds, laughing maniacally as she does it. Later, Aaron drives Jane and Joanna to the wedding venue. When Joanna dozes off in the backseat, Jane flirts with Aaron again, flashing him her perky titties as he drives. She tries to convince Aaron to fuck her one last time before he's a married man. As they pull up to the venue, Aaron's resistance finally crumbles and he kisses Jane intensely. Hurrying inside to get at each other, they leave Joanna dozing in the car. It isn't long before Joanna's eyes flutter open. Groggy, she finds herself alone in the car and grabs her phone from the front seat. As she scrolls through it, she's shocked and anguished by what she sees. The cake...canceled. Dozens of missed calls. The wedding...ruined. Joanna screams with rage.Joanna stalks angrily toward the reception hall, where Jane is sucking Aaron's dick hungrily. Unbeknownst to them both, Joanna sees them through a window. Rather than confront them, in her shock and despair she leaves the room in a hurry and rushes outside into the wedding reception area, where decorations and tables and chairs are all set up to celebrate her impending marriage which has just gone up in flames.The sight of the reception fills her with a dark rage, and she begins screaming and tossing the tables and chairs, and destroying decorations. Finally, the reception area is trashed but Joanna is still seething and panting. She looks back towards the door and seems to have a thought. With a scary determination, she pushes open the door and heads back inside.Joanna confronts them both - Aaron tries to apologize but Jane tells him to save his breath, he chose her over Joanna and Joanna is just going to have to deal with it. Vanity and rivalry consume the two sisters and they almost start to ignore Aaron as they start to cat-fight for his affections and for superiority of who's the 'better sister'. Aaron seems somewhat helpless as they fight over his dick. They're BOTH going to fuck him, and by the time it's over, he's going to have to choose who he REALLY wants to be with--his heartbroken bride-to-be...or her wicked maid of honor.
Emily Willis - Nerd's Breaking Point
Nominated - Best Girl/Girl Sex Scene: Emily Willis & Gianna Dior, AVN 2020
NERD'S BREAKING POINTNerd Has Rough Sex With Sadistic Bully As Payback For Years Of HumiliationDelores (Emily Willis), a nerdy high schooler is approached by her longtime bully, Nikki (Gianna Dior). Delores freezes, obviously terrified. A shadow falls across her back as Nikki steps up behind her. 'God, how have I put UP with your UGLY-ass face since we were 13---for FIVE whole years now?! I mean, I hate EVERYTHING about you. Even those dollar-bin glasses,' Nikki says, grabbing the glasses from Delores' face and smashing them on the ground. Nikki walks away laughing. Delores stands there for another moment, shaking, her fists clenched with anger. Suddenly Delores' fury boils over and she finally let's go, unleashing an ear-splitting scream of rage.OPENING CREDITSA few days later, Delores sits in the driver's seat of her car. Her glasses are taped up. The door is open and she sits half outside with her feet on the pavement. She seems expectant, glancing up often as if she is waiting for something to happen. Finally, she seems to see what she's been waiting for and reaches over to the passenger seat, grabbing a bottle of clear liquid. She glances up again and as if she has received a cue, she takes off the bottle cap and begins to slowly bring the bottle to her lips, as if she is about to sip on it. Before it reaches her lips, we hear Nikki, from off-screen: 'What the FUCK?!' Nikki approaches Delores. 'About to go on a little afternoon BENDER, Clitoris?!' Nikki asks. Doing exactly what she expected Nikki to do, the bully steals the bottle and takes a swig. 'What the hell!? This isn't BOOZE! Whatever it is, it tastes AWFUL!' Nikki says, puzzled.Sometime later, Nikki's eyes flutter open. Groggy, she slowly and laboriously sits up. She looks around, confused, wondering aloud to herself where she is. She sees that she is in a wooded, outdoor area. Nikki looks down at herself, discovering that she is in her bra and panties. She glances around and sees that Delores is squatting down to be level with Nikki.Delores is holding a lead pipe. Delores begins to lightly tap the lead pipe on her hand. There is something unsettling and threatening about this gesture. Delores gives Nikki an ultimatum: Nikki will do whatever Delores tells her to do. If she doesn't, Delores will send compromising photos of Nikki to Nikki's father. Nikki begrudgingly agrees.Delores has reached her breaking point, and Nikki's going to be sorry that she ever messed with her...
Lexi Lore - Uncle's Muse
UNCLE'S MUSEUncle Lures Niece Into Compromising Poses During Nude ModelingSasha (Lexi Lore) is excited to spend the weekend with her favorite uncle, Uncle Jack (Eric Masterson)! As an artist, he'd always been the fun uncle, and she's always admired his work. They hadn't been able to spend much time together since his wife, Sasha's aunt, passed away, but now they finally have the chance!Unfortunately, Uncle Jack bursts her bubble when he reveals that he has an important project to work on during her stay. To make matters worse, his regular model dropped out! Of course, Sasha could always volunteer to be his model so that he can get his work done AND spend more time with her...Eager to hang out with her uncle, Sasha easily agrees to be a model -- until he throws in that she'd have to pose nude. Although she's uncomfortable with the thought, Uncle Jack is family and she's willing to do anything for family.Uncle Jack is delighted as he leads the young woman into his studio and encourages her to strip down. Once she's seated naked before him, her nerves kick in as she holds an arm shly across her breasts. When Uncle Jack sits next to her and slowly runs his strong hands over her, posing her perfect body into tantalizing positions, she's about to become his best piece yet.
Abigail Mac - The Casting: An Abigail Mac Story
Nominated - Best Three-Way Sex Scene -- B/B/G: Abigail Mac, Seth Gamble & Jake Adams, AVN 2020
THE CASTINGStruggling Actress Coerced Into Sex Audition By Creepy Director Scene opens on Amy (Abigail Mac), a young waitress, as she waits by a bus stop at the end of a long shift. Still dressed in her work uniform, she rifles through her purse to find some change for the bus when her phone rings. It's her agent on the other end of the line, calling to inform the struggling actress that she received an invitation to audition for a new mainstream project -- a lead role in a pilot. Amy is ecstatic and surprised. It's the first audition she's ever had... The agent tells her that he received the invitation from the director himself, eager to meet Amy after seeing her demo reel. Eager to accept, she tells the agent to set up a time and she'll be there. 'Do you think you could make it to Los Verdes by 5pm?' The agent asks. Amy looks down at herself. 'As long as they don't mind my work uniform,' she jokes. The agent tells her he'll set it up and send the address. Amy puts the phone back in her purse and sits quietly for a moment, before jumping up and down in excitement at the bus stop.CUT TO TITLE PLATE Inside a staged living room, several crew members finish setting up lights and preparing their cameras. A small bespectacled man, the director (Jake Adams), comes on to the set and barks orders at several of them. Despite his slight stature, he commands a presence and the crew work obediently under him. He walks over to a separate area, where a makeup artist is finishing up with the male lead (Seth Gamble)'s hair. 'Tony Romeo,' the director says, clasping the man's hand. 'Do I have a fun audition for you today!' The actor flashes a toothy grin. 'Like last time?' he asks. The director smirks at him, adjusting his glasses, before telling the makeup artist to wrap it up. The actress will be here any moment. And he wants a closed set.Outside the building, Amy paces by the door. It is already after 5pm and she doesn't want to make a bad impression. A PA lets her in, paging the director on his walkie-talkie. Amy steps inside to view the set. It looks so professional ... like a real living room! She nervously sits down on the couch when the director storms in. With a strong handshake, he introduces himself. 'I'm Steven Rothschild, welcome to my set!' Amy recognizes the name instantly. Rothschild is one of cable's most successful showrunners. 'You're the guy behind Red, White, and Bad!' she exclaims. 'That's one of the best shows on television right now!'Tony struts into the room. 'OR ever!' he says, jokingly sliding into their conversation. Amy looks doubly starstruck. Tony Romeo is the hottest young actor in Hollywood right now. 'Oh my god, Tony Romeo. Are you in this?' He smiles, looking at the director. 'Are you kidding? Stevie wrote this for me!' He clasps his director friend on the back before sitting down on the couch. The director puts his arm around Amy and tells her that Tony is going to be helping read lines for her audition today. Is she ready to get started? Amy nods, then asks if he got her portfolio the agent sent over. Steven looks her up and down. 'Don't worry, I've seen everything I need to see about you already,' he says with a smile before turning to tell the crew to leave the room. This is a closed audition.The director sits down beside Tony and asks Amy to stand before them. He asks her age, height, weight and then to spin around for him. Amy looks a little confused. 'Do we have a script?' she asks. The director smiles and repeats his request, with Tony chiming in. 'Stevie likes to freestyle his auditions,' he adds. 'Starting off with how you look!' Amy slowly turns around, trying to keep her composure. She feels awkward. The director likes what he sees and pays several compliments to Amy's physique. 'You look like you take very good care of yourself,' he says, jotting down a note. 'Have you done a lot of physical roles in the past?' Amy feels even more awkward. 'Um ... I work out,' she replies.The two men look at each other and nod, before Tony gets up and walks over beside her. The director compliments how good they look together. 'Now, that's an attractive cast!' he remarks. Tony comes in close to Amy and puts his arm around her. He smells great and is very handsome. Amy blushes at the thought of him touching her. 'Thanks,' she squeaks. 'Now, are you sure you don't want me to read anything in specific?'The director stands up and walks over to them, scoping them out. 'Are you comfortable with romantic roles?' he asks Amy. Amy nods. 'Good,' the director continues. 'Because this new project is a love story and it's going to feature several very intimate scenes.' The camera lingers on Amy's face, as she tries to remain confident and professional despite her unease. Tony playfully teases her by saying not to worry, he brushed his teeth. 'I'm sure that won't be a problem,' she replies quietly.The director goes on to explain that there is one pivotal scene in the project that involves nudity. It is very important that she feels comfortable with being nude on camera. Amy's smile wavers. 'Um ... ok, I guess,' she replies. The director's tone changes sharply. 'Well, are you ok with being nude on camera or not?' he barks. Tony releases his grip and looks at her. Feeling cornered, Amy nods nervously. 'Yes, of course. I'm an actress,' she says. The director relaxes. 'Great,' he says, clasping his hands together. 'So, let's see you out of these clothes then. I want to make sure you don't have any tattoos or blemishes that would take away from the innocence of your character.'Amy stares at the men in shock, before slowly looking across the room. It is empty. The crew have left. She is completely alone. 'I don't have any tattoos,' she whispers. The director crosses his arms and motions again for her to undress. 'He just wants to make sure,' Tony adds reassuringly. There is a long pause before Amy slowly begins to remove her work uniform. She strips down to her bra and panties. 'See, no tattoos,' she says, eager to redress. The director stops her. 'Let me take a good look,' he says scanning her body. 'Please remove your undergarments.' Amy wraps her arms around her chest. 'I don't think that's necessary, do you?' she asks. Tony chimes in again, joking that she might have something hidden under there. They just need to take a quick look. It's not a big deal. 'You are an actress, right?' he says, his joking attitude turning serious. Feeling intimidated, Amy nods and slowly slips off the rest of her clothing.She stands before the two men fully nude and vulnerable. They exchange knowing looks before the director compliments her body again, saying how lovely she looks and what great shape she is in. She is a natural born star. Amy fakes a smile. 'Thank you,' she says. 'Shall I get dressed now?' The director says sure and goes back to sit on the couch when Tony interjects. 'Wait, wait, wait!' he says enthusiastically. 'Stevie, I have a great idea! Since we are all here and there is such a good vibe going on, why don't we just rehearse that scene you told us about to see what the chemistry is like? You can work out the angles you'd like for when we actually film it!' The director smiles. 'That is a FANTASTIC idea!' he replies as Amy covers herself up and the director leaves the room to grab his camera.Tony starts to remove his clothing, staring intently at the nervous woman. 'You should really relax,' he says coldly. 'Stevie hates difficult women!' He pulls down his pants to reveal his semi-erect cock, as she turns away embarrassed. The director returns with his camera and begins to guide them into position. 'I imagine that this scene starts with a long, intimate kiss,' he says. 'Standing just about where you are now. When you're ready, please begin.' He kneels to get a nice low angle look at Amy as Tony closes in on her. 'Are you ready, beautiful?' he says, inches from her lips. Looking down at his cock on her thigh, she closes her eyes and says 'ok.'The director yells action and Tony kisses her. She nervously kisses him back, not sure what to do with her hands, but the leading man grabs them and wraps them around his muscular frame. 'Closer,' the director whispers eagerly. 'More passionate!' Throughout the awkward make out session, the director moves around the couple to view his various angles. When he is not satisfied with something, he sharply asks Amy to bend and contort herself. The requests become increasingly exploitative and she tries to protest but both men remind her that this is an audition and she shouldn't break character. 'If you do what the director asks, you will get the part,' Tony whispers aggressively in her ear. 'So, don't be a diva about it!' She feels horribly conflicted but doesn't want to lose the role of a lifetime so, mustering up her courage, she tries her best to do everything the director says, no matter how invasive. She ends up spread eagle on the couch for both men to see, as the director sticks his lens right up to to her pussy and breathes heavily. 'This will make a perfect transition,' he mutters to himself as he hands his camera to Tony. 'Tony, I want your character to begin the sex scene with oral first, followed by penetration,' he says, matter-of-factly as he undoes his zipper. 'But, it needs to feel authentic, so let me show you how I'd like you to do it first.' Tony nods, pointing the camera. Amy looks at the director. 'I'm sorry ... What?!' she stammers. Looking at her coldly, the director arches an eyebrow. 'You don't have any issue with me showing him, right? I like to get into the minds of my characters through roleplay. It's just my style.' She closes her legs and starts to get up. 'I don't think I feel comfortable with that, I'm sorry.' She rushes over to her clothes and starts to gather them on the ground when she hears the men laughing behind her. Angry, she stands up and turns around. 'What is so funny?' She asks, her anger welling up alongside her anxiety. The men stop snickering and face her. 'You chicks are all the same,' Tony says. 'You take an opportunity and you ruin it with your attitude! Nobody wants to work with a bitch like that.'Amy tries to defend herself. She doesn't have an issue with nudity or even a sex scene, she just wished she'd be informed. 'I thoroughly explained this all to your agent,' the director adds. 'He assured me that you were professional and experienced.' Amy walks back over to them, pleading. 'I am,' she says, exasperated. 'And I want this role, I really do! I just wasn't expecting this much pressure!'Tony puts his arm around her and slowly pushes her back down on the couch. 'Look, I'm sorry if I offended you, I just hate it when actors aren't respectful on set. It's my biggest pet peeve ... right, Stevie?' The director nods, pulling his dick out. 'Nobody is here to pressure you sweetheart,' he says. 'We just want to make sure we create the most authentic scene possible!' She stares at the penis in his hands, her lips quivering. 'So, are you willing to continue?' he says. 'Because I've got girls lined up if you don't think you're strong enough for this role!' Amy closes her eyes. This isn't what she expected. But, if she doesn't do it, she won't get the role. Slowly, she spreads her legs wide again and stares at him. 'Yes,' she says quietly.
Carolina Sweets - Cock-Slut Conditioning
COCK-SLUT CONDITIONINGManipulative Boyfriend Conditions Teen To Fuck Him In Front Of Her ParentsA young teen, Kaylee (Carolina Sweets), is getting ready to go out. Her parents, Leo (Derrick Pierce) and Diana (Chanel Preston), seem wary and uncomfortable as Kaylee excitedly announces that she's going out with Chad. It's their three-month anniversary and she thinks he has something special planned. Leo seems to be at a breaking point as he shakes his head. 'No, I'm not going to sit idly by anymore while our baby girl dates that piece of shit! Kaylee, what the HELL are you doing?''You've been on my case about Chad ever since we got together! Why can't you be happy for us??' Kaylee demands of both of them. Diana tells Kaylee that they're just worried about her. Chad is older after all, and they're worried he's been a bad influence on her. 'We're in LOVE, why can't you see that? He's THE ONE!' Kaylee responds. 'You're only 18, there's no way he's 'the one' for you!' Leo says angrily. 'Daddy, I'm not your baby girl anymore. You gotta let me go,' Kaylee sneers. Both Leo and Diana are stunned, though they don't get a chance to respond before there's a knock on the door.Diana and Leo watch as Kaylee bounces to the door and opens it, revealing Chad (Dean Van Damme). 'Hey, cutie!' Chad greets, as he grabs and hauls her in for a smooch, which is filthy and shameless. Kaylee melts into the kiss, not ashamed of acting this way in front of her parents. Leo confronts Chad, stepping forward with anger. 'It's bad enough you're dating my daughter, but to behave like this under our roof...!''Daddy! Leave him alone,' Kaylee speaks up. Leo barks that a guy like Chad only has one thing on his mind...Chad retaliates and insults Leo, which results in a physical altercation between them. Kaylee, blinded by her infatuation, takes Chad's side. Chad grins and puts an arm around Kaylee as he opens the door, telling her to come with him. Leo and Diana call for her to come back but their words fall on deaf ears. Kaylee heads out the door. 'I'm gonna make you both so sorry you did that, just you wait... ' Chad says smugly as he grins sinisterly and ducks out the door, leaving Leo and Diana stunned.TITLE PLATEThree weeks have passed since Kaylee's left home. Leo and Diana are looking at updates on Kaylee's social media when they hear the front door open. They rush to the door and discover Kaylee, distraught. She tearfully admits that they were right to be suspicious of Chad all along.'Did he hurt you?? Did he keep you there against your will?' Leo demands. 'No! No, of course not dad, no, it's not like there was anything stopping me, but it took me so long to work up the courage... But tonight, he went to play a gig at some dive bar, so I... left. I just... opened that door and didn't look back, and... here I am. God, it's all a blur,' Kaylee says. Leo is furious and wants to get the police involved, but Kaylee convinces him not to.Later that evening, the family tries to relax and recover. There is a knock on the door. Everyone is instantly tense. Finally, we hear Chad on the other side, saying, 'Kaylee? It's me, come on, I just want to talk!' Leo aggressively confronts Chad at the front door, though Chad insists that he's just there to talk to her. Leo doesn't want to let him in, but does so when Kaylee convinces him to.Chad moves inside to the living room, claiming that he was worried about Kaylee and just wanted to see WHY she'd run off. 'You KNOW why!' Kaylee exclaims. 'You're not who I thought you were! You- you-' she starts, but is too ashamed to continue on in the presence of her parents.'Chad, look what you DID to her!' Diana utters as she tries to comfort Kaylee.Now Chad's expression gets darker as he grins. 'Did to her? Hah. I turned her into a nice little cock slut, that's what I did to her,' he announces, much to the horror of everyone there. 'Is this some kind of sick GAME to you?' Kaylee tearfully gasps.'Oh, sweet Kaylee, so naive. You were always so eager to please, so it really wasn't hard to condition you.''Condition me? What are you talking about?!' Kaylee asks, confused and disgusted. 'You don't remember?' Chad teases. 'Well of course you don't, I conditioned you not to.' 'Kaylee, what the hell is he saying?' Leo asks her. 'I don't know, Dad!! I don't know what he's talking about!?''You're upsetting her, just leave us alone!' Diana frets. Chad ignores her and continues. 'Sweet Kaylee... I have you wrapped around my little finger -- or my big cock, rather. Even though you hate me now, I can have you over here on your knees in a heartbeat. All you need is the trigger.''You're DELUSIONAL! You didn't-... I never-' Kaylee protests almost in tears. 'Delusional? See for yourself!' Chad says with a smirk as he whips out his cock.As Leo and Diana look on horrified, Kaylee becomes inexplicably hungry for sex. As if a switch has been flipped, she shamelessly sucks Chad's cock in front of her parents. 'I'm his good little cock-slut,' Kaylee says happily, not hesitating to take his cock and lick it, lavishing it with attention.Her parents are disgusted and confused, yelling some more, but when they try to grab her shoulder to drag her away from Chad, Kaylee shrugs them off and hungrily goes back to giving Chad head.Chad brags about how easy Kaylee was to condition for sex. He encourages her parents to stay and watch them have sex to humilate everyone there. At a complete loss but also wanting to be there for their daughter, they very reluctantly sit nearby. Leo hugs Diana close, putting her head to his shoulder, their faces grimacing in agony as they watch their sweet daughter become the greedy little cock-slut that Chad conditioned her to be...
Lola Fae - Wrong Way: A Lola Fae Story
WRONG WAY: A LOLA FAE STORYEscort Finds Comfort From Her Tragic Past In The Arms Of A Smitten ClientSCENE OPENS to Annie (Lola Fae) at a bar when a young man, Bradley (Seth Gamble) approaches her. Her eyes light up at the sight of him since Bradley is a sweet guy that she enjoys spending time with. He seems to be really smitten with her, wanting to spoil her rotten and take care of her...But right now, he can't keep his hands off her, so they steal away to the bathroom to have some fun.After their romp, she goes with Bradley, even though she knows she probably shouldn't. Once they arrive at his motel room, Bradley is contented to coddle her, especially once she starts to look distracted. When he asks her about it, she hesitates before regaling him with a story of how much of a nightmare her family is. Her father and step-brothers are just so cruel... It's because of them that she does whatever she has to to make ends meet.Bradley can't stand to hear the horrors Annie's been through. If she'll let him, he'll take care of her forever. Hell, if she wants, he'll go and take care of her family, too, if she catches his drift...Annie lights up at the promise of safety and security, though insists that Bradley keep her family out of this. No, why don't they run away together instead? Get away from all this? For Bradley, such a thing is a dream come true, and they seal the deal by passionately coming together once again.Yet, is everything really as it seems?
Cherie DeVille - The Ghost Rocket
Winner - Most Outrageous Sex Scene: Cherie DeVille & Michael Vegas, AVN 2020
Nominated - Best Art Direction, AVN 2020
Nominated - Best Special Effects, AVN 2020
'Those Whom We Love Are Often The Most Alien To Us.' -- Christopher PaoliniTHE GHOST ROCKETConspiracy Theorist Is Anally Probed By Sexy Female Extra-TerrestrialSCENE opens on an empty field late one night. The stars twinkle in the sky, as the camera slowly tracks back to reveal Roger (Michael Vegas) looking through a telescope. The self-published conspiracy theorist is wearing nothing but his boxer shorts, a UFO t-shirt, and LED translucent glasses. His hair is greased back, and he is guzzling a can of liquid caffeine, as he shifts from the telescope to the back of his flatbed truck, where he finishes setting up his latest invention. It's a small but powerful antenna designed to transmit mathematical equations into space in the hopes of contacting a ghost rocket. Roger believes this long-disputed UFO phenomenon is the key to contacting alien life forms. As he connects the final pieces of his machine together, he mutters into a makeshift gadget on his wrist: 'In 1946 and 1947, numerous reports occurred of ghost rockets appearing over Scandinavian countries, primarily Sweden, which then spread into other European countries. In 2046, similar reports resurfaced of ghost rockets appearing in the Pacific Northwest and down through parts of California and Mexico. All 200 sightings have been refuted by the US government, despite being verified with radar returns and, in some cases, physical fragments...' He puts his wrist down, stripping off his shirt and putting a tin foil cap on his head. '...Until now, you sons of bitches!' He shouts into the night, removing his glasses, placing transmitters in his ears, and rubbing his chest with petroleum jelly. He plugs some final code into his laptop before hitting enter and pointing his antenna towards the sky. A static sound in his ears grows louder and louder as he spins the antenna around. Finally, it connects with something and a beam of light penetrates the sky and strikes the antenna. Then, as quickly as it started, the beam disappears, and Roger falls to the ground. The antenna lies at his side, melted and destroyed. CUT TO TITLE PLATE Roger drives home from the field, feeling frustrated. He mutters and swears to himself before rolling down the window and throwing his antenna out. He puts his wrist to his mouth and begins to report the failed experiment when, suddenly, he comes upon a beautiful woman (Cherie DeVille) standing in the middle of the road. She is shimmering in a metallic body suit, with windswept hair, and staring at him like a deer in headlights. He slams on the breaks. They regard each other for a moment before she starts to approach the car. Roger is scared. What is this strange woman doing out here? She presses her hands on his driver side window, trying to open it, and speaking in a strange language he doesn't understand. Finally, Roger rolls it down. 'What... do... you... want?' He stammers. She stops, takes a moment to compute what she just heard, and then begins talking slowly again -- in English. 'Hello human male,' she says. 'May I please enter your craft so I may breed with you?''Who... are... you?' He asks slowly. The woman unfolds her arms and puts her hands in front of her. The broken antenna appears. 'I am responding to your signal,' she says. Roger stares at the antenna in disbelief. 'You were on a ghost rocket?' He mutters. 'Affirmative.' she replies, and the antenna disappears. 'I have been sent to earth to breed with a human male. Are you a human male?' 'How do I know you're not just putting me on?' He asks. 'Do you require proof?' She asks. He nods. Her hands pull apart her face. He is horrified by what he sees and slumps back before raising his arms in surrender and stating that he is, indeed, a human male. She stops, puts her face back and, revealing her human form again, smiles. 'Excellent! We must hurry and get to a breeding chamber,' she says. Stunned, Roger opens up the passenger door and she steps inside. 'Is my bedroom ok?' He asks, getting in himself. 'Affirmative,' She says smiling.They arrive at Roger's home. It is bare bones, with only UFO posters on the wall, stacks of papers, and a basic blowup mattress in the middle. The woman walks in and examines the surroundings. 'Human males are strange and primitive life forms,' she says matter-of-factly. Roger nervously clears an area around his bed and invites her to sit. 'I would like to consume your seed now so it may stimulate this human shell and support my arousal.' Roger flushes red. She unzips her top to expose her breasts and puts his hands on her. He has never felt anything so good in his life. She tells him to take out his member. Nervously, he does, and she slips her hand around his cock, stroking it, all the while exclaiming how fascinating his human penis is. Finally, she puts his hard cock into her mouth, tasting him before she guides him into her pussy. He gasps as she rides his cock. Roger can hardly believe his good fortune, but how will he react when it's HIS turn to be probed?
Casey Calvert - Can't Say No
CAN'T SAY NOWoman Cheats With Ex While On The Phone With Current BoyfriendSCENE OPENS with Mandy (Casey Calvert) on her way to her ex's house. She's in her car and on the phone with her current boyfriend, Todd, who isn't too keen on her going to her ex's just to get an old sweater. He knows the history and chemistry they have, and is afraid that the ex might tempt Casey... Casey tries to assure Todd that everything is going to be fine! He trusts her, right? He can even call her in 20 minutes to give her an easy out. Todd promises that he will. If she doesn't pick up, he will charge over there to rescue her. Casey thanks him for his concern, then hangs up to focus on the task at hand...When she arrives, her ex, Luke (Donny Sins), answers the door. He's as handsome as ever and her attraction to him makes itself instantly known. Although she loves Todd, Luke has raw, sexual appeal that's impossible to ignore. She tries to remind herself that she's just there for her sweater, but even Luke sees through her pathetic attempts.They both know she's there to fuck. For everything that they got wrong in their relationship, the one thing they got right was that they knew how to fuck.Casey's unable to resist Luke as he lays on the charm. As she loses herself in a whirlwind of passion, her phone rings...
Athena Faris - Cum Addiction Intervention
CUM ADDICTION INTERVENTIONTeen Begs Brother For Double Creampie To Feed Her Cum AddictionSCENE OPENS on girlfriend and boyfriend Carla (Athena Faris) and Rich (Codey Steele). They are in each other's arms on Carla's bed, chatting and laughing. They start to makeout and before long, things are pretty hot and heavy. As they kiss, Rich squeezes Carla's tits. As he moves his hand between her legs, he starts to rub her pussy over her pants but she gently pulls his hand away and breaks the kiss. She...she's not sure if she's...ready, she says softly. REALLY?, Rich asks, clearly disappointed. Yeah...she...she told him that she wanted to take things slow, Carla says. Yeah but...there's slow and then there's... SLOW, Rich says, visibly annoyed. 'We've been together for six months now. We're BOTH 18, so...what's going on? Don't you want to be with me?' Rich says, playing the victim a little. No, that's not it, of COURSE she wants to be with him, Carla says, seemingly worried that she's upset him. 'So what's stopping us, then? Let's be brave and go for it...' Rich says with a lusty grin. He resumes kissing her and gets handsy again almost immediately. But...but what about her step-brother? He's home and he might hear them, Carla points out, worried. Well, they'll just have to be quiet then, he responds. She hesitates. OK?, he asks. She still seems a little reluctant, but clearly wants to please her boyfriend. Ok, she smiles nervously, taking a deep breath.Rich and Carla have sex. She begins it nervously, since it is her first time being with him, but as she grows to enjoy it, her skittishness falls away. As the sex winds down, Rich is telling Carla how much he loves her and announces that he's going to cum any moment. She tells him to pull out, but as he continues thrusting, he says he's getting close. She protests, telling him that she's never done that before, but he pressures her, telling her that it will bring them closer together. 'Please, I'm so close...!' She still seems reluctant, but again wanting to please him, she falls prey to her own guilt and hesitantly says 'O-ok, yeah,' allowing him to creampie her. He moans loudly as he cums.When he leaves the room, she is fascinated by the cum dripping from her pussy. When she tentatively tastes it, it's as if she has an epiphany and is transfixed by the feeling and taste of cum. She exhales a huge breath, trying to get herself under control as she breathes rapidly, staring off into space, as if she is reborn.CUT TO TITLEWeeks later, Carla sneaks into the house, late at night. No longer sweet and virginal, she is disheveled and seems like she's been partying all night. She goes into her bathroom and takes a shower. Zombie-like, she dips her fingers in her pussy and licks what appears to be cum off them. As she showers, her stepbrother Toby (Robby Echo) enters the washroom. When she steps out of the shower, he desperately tells her that he needs to talk to her about something.Toby tells her that she's changed drastically in the past few weeks, going from sweet-natured and happy to a walking zombie who sneaks home late every night. It becomes clear that Carla has been sleeping with random men each night. Toby is worried and wants to help. 'Awwwwww. Mr. Nice Guy Toby just wants to help his poor messed-up step-sister Carla?!' she says mockingly. 'Give me a fucking break,' she says, rolling her eyes with a mean-spirited laugh. Please Carla...., Toby begins. 'You know what I think? I don't think you want to help, I think that you came in here because you're jealous,' Carla says, moving towards Toby. What is she...?, Toby says. She thinks he's jealous of ALL those guys that she fucks, Carla grins wickedly. Why is she SAYING these things?!, Toby pleads, sounding very distressed. That IS it, isn't it?, Carla says, moving closer still to Toby. He's jealous of all those guys...because that's all he's EVER wanted isn't it?, she asks. To get a little taste for himself, she adds tauntingly. N-no, of COURSE not! He would never even CONSIDER...Toby says, appalled at the suggestion. 'Don't worry, you can be honest. We tell each other EVERYTHING right? That's what brothers and sisters are SUPPOSED to do...?' Carla says, caressing his arm. He pulls away, but she seems to have struck a chord because his gaze lingers on her for a moment. He denies her accusation. Hungry for more cum, she begins to aggressively seduce him. 'You want to FUCK me? You want to...FILL ME UP?' she says, a crazed look coming over her face as she caresses his arm, pressing her body against his. No, she's wrong! Toby says fiercely, struggling valiantly to resist. 'Y-you...you don't know WHAT I want,' Toby stammers. Yeah...she DOES...she KNOWS that he wants...to give her all his...she begins, trailing her hand down his chest. Hot...Sticky...CUM, she whispers fiercely, licking her lips hungrily. Carla...he stutters, his resistance nearly gone. Well, GIVE it to her then...give her EVERY last drop, she says, her voice thick with need. Finally, any last semblance of hesitance from Toby is gone. Ok, he says softly. Carla is addicted to cum, and she's going to feed that addiction...no matter what.
Autumn Falls - Nowhere To Run
NOWHERE TO RUNTeen's Car Breaks Down and She Accepts Help From A Suspicious StrangerSCENE OPENS on Anita (Autumn Falls), a young woman. She's in her car and lightly hits the steering wheel. Why won't you just START?, she complains to herself. She exhales heavily, reaching for her cell phone. She tries to turn it on, but it's dead. She opens the glove compartment and roots around in it. After a moment, her head sags in disappointment. 'Aaaaaaaand you didn't bring your charger. GREAT job Anita,' she chastises herself. At that moment, there is a sudden knock at the window. She jumps with a slight yelp, completely startled. Standing at her window is Shane (Derrick Pierce), a somewhat rough looking man. He is unsmiling and motions for her to roll down the window. She regards him warily and hesitantly rolls down her window, but just a crack. Uh...yes?, she asks cautiously. Hey, he's sorry to scare her, but he was coming home and saw her car stall and quit on her, he begins, his tone even and non-threatening. Oh uh, yeah, it...it won't start no matter what she does, she answers, a touch of wariness still in her voice. Ok, well if she wants, his house is right there, he says, pointing to his nearby house. And he can help her push the car into his garage and see if he can figure what's wrong with it himself, he offers. Oh that's ok, she says still acting a bit wary of the stranger but smiling politely, she wouldn't want to inconvenience him, she can just call the tow service. If she says so, he shrugs, but it'll probably take them hours to get here. And this isn't the best place for a girl like her to be waiting around. She debates for another moment, unsure of what to do. Then she looks down at her phone and remembers it's dead. '...I guess we could give it a shot,' she says hesitantly. He looks at her, shrugging noncommittally. 'Your call,' he says.After pushing the car into his garage, they chat about what a bad neighborhood it is. Well, he'd better get started, he adds, moving towards the garage door, grabbing the top of it as he prepares to pull it down. Oh um...what is he doing?, Anita asks meekly. The light coming in from outside is shining in his eyes, gonna make it hard to look around and scout out what the problem is. He's just gonna close the door and hook a light to the hood so he can see what he's doing better, he says. That's cool...right?, he asks, a vaguely threatening undertone in his voice. She looks out of the garage toward the street, perhaps deciding whether or not she should just get out of there. Um...yeah, of course that's cool, Anita says, smiling nervously. He looks at her for a second, sizing her up. He pulls down the garage door. It loudly hits the floor, sealing them in.CUT TO TITLEShane hunches over the open hood of the car, tinkering around inside. What's she DOING in this neighborhood anyway?, he asks as he continues working on the car. She was just passing through actually, on her way back from touring a new school, she responds. High school?, he asks, looking over his shoulder at her with an eyebrow raised. No, no, she's 18, she's in college, she clarifies.'Do me a favor. Pass me a screwdriver. From that toolbox over there,' he says, pointing to a toolbox on the floor. Sure, Anita says, turning around. She bends over, opening the toolbox and rooting around in it. As she searches, Shane is staring at her ass hungrily, licking his lips. Um, there's NO screwdriver in here, Anita says, puzzled. Ohhh, sorry, he FORGOT, the screwdriver is in THAT toolbox, he says with a crooked smile. She immediately goes to the other toolbox he indicated and withdraws the screwdriver, handing it to him quickly. Thanks, he says quietly, turning back to the car.Ah dammit, he says aloud. What?, she asks, concerned. This cable's been worn away, he says. She narrows her eyes suspiciously, walking over to the hood. Don't worry, she doesn't need to come over here, he's got it, he says, trying to wave her off. No, she wants to see it, she responds firmly, peering under the hood. He is holding a wrench, watching her closely. Yeah, she sees it, but...it looks like it's been...she begins, her eyes resting on a pair of wire cutters that are lying adjacent to the car. Her eyes go wide with fear. ...it looks like it's been CUT, she says in horror, backing away from him cautiously. He has a hard look on his face and slowly leans towards her. Going somewhere?, he asks in a bored, teasing tone. 'Y-you...you DID that to the car. You CUT that cable! You did it on purpose. W-why would you DO something like that?? A-are you trying to...?' she asks, trailing off, unable to articulate what she's trying to say.. 'I ain't tryin to do a GODDAMN thing other than fix your car. You can LEAVE anytime you want. Your car sure isn't going anywhere though,' he says, leaning in and sneering with a big wicked grin. That's fine, she says defiantly. She'll walk if she has to. He laughs. Through THIS neighborhood?? She could try. A tasty little morsel like her would attract a lot of unwanted attention. But on the other hand, if she wants him to finish the job so that she can be on her way safely, she could always do...a little something...for HIM, he says, a toothy grin on his face. He swings the wrench around, almost absent-mindedly. She looks upset at his suggestion. What's stopping her from running out into the street and just yelling for someone to call the cops?!, she asks. Nothing, he gloats and goads her, in fact go ahead and try it. People out here fuckin' HATE cops, he says. 'You go runnin' out of here shouting for the pigs to come save you, you think you're gonna get ANY sympathy?? Girlie, you wouldn't even make it two BLOCKS,' he says. Her shoulders sag with disappointed realization as she gulps, weighing her options. Her eyes dart to the garage door. She takes a deep breath. If... if he promises not to hurt her and fixes her car afterwards, then...FINE, she says finally, an edge of defiance and anger in her voice. He can do whatever disgusting thing he has in mind. Shane grins as he draws Anita to him, squeezing a handful of her massive tits. Anita's got nowhere to run, and EVERYTHING to lose.
Whitney Wright - Family Barbecue
FAMILY BARBECUESeedy Uncle Lures Teen Niece Into Gangbang At Creepy Family GatheringIt's the Fourth of July and Penny (Whitney Wright) is ready to celebrate with her Uncle Jonas (Steve Holmes) and his family (Small Hands, Nathan Bronson, Jake Adams). Jonas has only recently married into Penny's family, so she's never met relatives from his side but is eager to do so. Although she's nervous, Jonas assures her that everyone's REALLY looking forward to meeting her, too, and that she should start mingling...With his coaxing, Penny leaves her uncle's side to greet the other partygoers. As she mingles, oblivious to the hungry stares from the surrounding guests, she soon realizes that there are no other women at the party. Every time she asks about her absent family relatives, the men brush her off, making lame excuses.It's only now that she is aware of how vulnerable she is amongst these strangers. Freaked out, she rushes to her Uncle Jonas' side for comfort, only to learn that there's a family tradition of all the men on his side sharing new female family members!Although Penny's initially reluctant, her uncle seduces her by building up her confidence and curiosity. He especially preys on her insecurities as a virgin, which he knows is a weak spot for her. Eventually, Penny tentatively agrees that it WOULD be nice to get some... experience... as long as her family promises to take good care of her.
Alexis Fawx - Parent-Teacher Trap
PARENT-TEACHER TRAPTeacher Demands Sex From Student & Her Mother In Exchange For Not Expelling The StudentMiss Morgan (Kendra James), a high school history teacher, is at a desk correcting homework, scowling to herself as she makes notes in bright red pen. To the side of her desk, a bright red apple sits in full view, a small pocket knife next to it folded closed. Something catches her eye and she suspiciously flips back and forth between two different pieces of homework. She mutters to herself that this is unbelievable - the nerve of some students. She flips back to the cover page, sees the name on the paper, and narrows her eyes with a furious glare. Miss Morgan picks up the phone.'Yes, is this Cheryl Best, Mandy's step-mother? This is Miss Morgan, Mandy's history teacher. ... I need to have a talk with you and your daughter. ... No, here at the school. ... The earliest you can make it. ... no, I'm afraid I INSIST. .... Good. We'll see each other shortly then. Goodbye,' Miss Morgan says curtly. She hangs up the phone and taps it sharply with her fingernails before moving her hand over towards the apple, however it stops short at the knife and she hovers over it. She picks it up and flicks it open with a flourish.OPENING CREDITSCheryl (Alexis Fawx) and Mandy (Mackenzie Moss) arrive, and Miss Morgan tells them that she knows Mandy's been copying off of other students. M-Mandy! Is this true?? Cheryl asks. 'Y-yes, it's true... I'm so sorry! It's just that I'm 18 now and about to graduate! There's just SO MUCH PRESSURE to have high grades to get into the schools you and dad want me to...' Mandy stammers.Miss Morgan reveals that this isn't the first time Mandy was caught copying work. Cheryl still hesitates to blame Mandy or put her foot down, so Miss Morgan threatens to expel Mandy. Both mother and daughter protest that she can't do that, it will ruin Mandy's chances at getting into a good college. Cheryl insists that Miss Morgan is being way too harsh! Miss Morgan says that clearly Mandy needs some tough love, and if Cheryl isn't the one to give it to her then she will. It's about time SOMEBODY slapped some sense into her.Cheryl becomes desperate to avoid conflict, asking what else she could do to make this go away? A favor from one of her husband's many influential friends? A donation to the school maybe? As Cheryl lists these off, Miss Morgan gets more and more upset at Cheryl's attitude. Miss Morgan declares she wants Cheryl to spank Mandy. Mandy and Cheryl are shocked, with Cheryl insisting that she'd NEVER spank her step-daughter! Miss Morgan says it's because of parents being wusses these days that kids get away with everything. Spank Mandy and she'll consider not taking this to the principal or the school board like she SHOULD. Cheryl seems taken aback but says that when she and Mandy get home they can of course discuss it as part of Mandy's punishment. Miss Morgan tells her she misunderstands - she wants Cheryl to spank Mandy right now, in front of her. How else can she be sure that Cheryl is going to be true to her word with all the dishonesty that comes out of that family of hers?Mandy agrees to be spanked to get the punishment over with. Yet, as she's spanked, Miss Morgan becomes aroused and starts feeling herself up.As Cheryl notices Miss Morgan touching herself, she abruptly stops spanking Mandy and hurriedly tells her it's time to go. Miss Morgan becomes angry at the interruption and tells them that they've only made things worse for themselves now. She demands sex from them. Mandy and Cheryl are outraged, and move to leave again.'You can refuse, of course... but you'll be sealing your fate at this school. Maybe even the whole school board. Especially once I tell them all the SICK things you both tried to get me to do. Pulling down your own daughter's pants to expose her to me like this??' Miss Morgan says. Cheryl is disturbed but agrees with Mandy to have sex with Miss Morgan to keep everything quiet. Miss Morgan stares at Cheryl with a cold resolve, darkness tinting her eyes. 'Take off your shirt,' Miss Morgan tells Cheryl. Cheryl and Mandy have walked right into Miss Morgan's twisted trap.
Chloe Temple - Shadow Of A Doubt
SHADOW OF A DOUBTParanoid Wife Thinks New Babysitter Wants To Steal Her HusbandSCENE OPENS to Kathy (Krissy Lynn) and her husband, David (Ryan Driller), anxiously awaiting the new teen babysitter, Lynn (Chloe Temple). Kathy, who is prone to paranoia, is especially finding it difficult mentally preparing for a new babysitter. Yet, David soothes her like usual, assuring her that everything will be fine. If she can't trust David, the father of her children and love of her life, who CAN she trust?When Lynn arrives, she SEEMS sweet enough... Maybe it's Kathy's mind playing tricks on her, but Lynn seems particularly drawn to David. It doesn't help that Kathy is SURE Lynn said, 'It's going to be so fun becoming you...' Of course, Lynn claims she said, 'It's going to be fun getting to know you...'When Kathy and David arrive home from work each day, Kathy's anxiety intensifies. Lynn is TOO perfect... She's even starting to copy Kathy's style?? She's wearing the same shirts, has the same hair... Something's not right here.Kathy is sure that David's cheating on her and that she'll get the boot soon enough. Even the KIDS love Lynn! When she confronts David about it, he actually sticks up for Lynn, reminding Kathy that she's overthinking it and that she always sees the worst in people. Kathy is devastated -- why can't he see the truth like she can? What kind of spell has Lynn put on him?When she next comes home, only to find that David's arrived before her and is now alone with Lynn, she finally exposes what her instinct's been telling her all along...
Kenzie Taylor - The Daddy Interview
THE DADDY INTERVIEWKinky Mom & Daughter Interview Potential Daddy To Join Their Twisted FamilyRoxy (Kenzie Taylor) is relaxing on the couch, lovingly cuddled up to her step-daughter, Chelsea (Carolina Sweets). As she glides her fingers affectionately through Chelsea's hair, she admits that it's time to start dating again. It's been awhile since she divorced Chelsea's dad... Roxy can only give Chelsea so much, needing a man to do the rest for her dear, sweet daughter... Chelsea needs a daddy.Although Chelsea is worried at first, she soon eagerly helps Roxy set up an online date with a doctor named Marc (Tommy Gunn). If all goes well, their little family will be complete, and Chelsea will have the daddy she sorely craves...When Marc arrives, he is entranced by Roxy, yet unnerved when she introduces him to Chelsea. While Marc thinks it's unusual to introduce Chelsea so soon, Roxy argues that getting formalities out of the way will just make things easier for them. They need a family man in their life, and he's a family man, right?As they settle for dinner, Marc begins to suspect that something is amiss with the women. Roxy is exuding raw sexual energy in front of Chelsea and Chelsea herself doesn't look so innocent either. Things only get more unsettling as Roxy heavily comes onto him by groping him under the table.Or at least he THINKS it's Roxy feeling him up until he sees that it's Chelsea! When Roxy coyly asks how he'd punish Chelsea if she were his own daughter, the date only becomes more twisted. Roxy declares that Chelsea needs a new daddy and they think Marc could be the one. Although Marc is hesitant, his resolve crumbles under the sultry gaze of the mother-daughter duo...Story inspired by an original submission by Pure Taboo member, S P I N K I N G!
Alina Lopez - All The Time In The World
Nominated - Best Art Direction, AVN 2020
Nominated - Best Special Effects, AVN 2020
'Time is the longest distance between two places.'รข?? Tennessee Williams, The Glass MenagerieALL THE TIME IN THE WORLDDesperate Man Uses Time-Freezing Tech To Have Sex With CrushSCENE OPENS on Ted (Justin Hunt), who is in his room, preparing for a dinner party for his friend Gabi's birthday. There is the sound of a Newton's Cradle which we see clacking in the foreground on his desk. We can also hear the faint sounds of a cityscape through his bedroom window. Ted is nervous and adjusting his clothes. He is rehearsing in front of the mirror, trying to come up with a way to express his love for his best friend Gabi and to convince her to break up with her longtime boyfriend Drake.He retrieves a pocket watch that he got for Gabi's birthday. He thinks it's broken and manhandles it, accidentally uncovering a secret compartment that emits a strange effect as it opens.The distortion effect ripples out across the screen like a shockwave. Sound and movement slow to a stop for everyone but Ted. Ted is confused, looks around the room, sees that his clock is no longer moving. He remarks that it's weird the clock stopped. He feels something is amiss and sees that the Newton's Cradle has stopped in mid swing. He can't believe what he's seeing, and pulls back a bit in fear.Ted leans in to peer and scrutinize the Newton's Cradle with shock and curiosity. Ted looks in wonder and cautiously reaches a hand out. He touches the Cradle. At his touch, the balls instantly start to swing again, the clacking sound whooshing back. Ted stares for a moment at the moving Cradle, then something catches his attention out the window. He goes to look out the window. 'What...the...hell? Everything's just...STOPPED. The birds...the people. Nothing's...MOVING. Th-that's IMPOSSIBLE. It's like time is just...FROZEN,' Ted says in stunned disbelief. Ted looks down at his hand, only now noticing he still is idly holding the open watch in his hand. It starts to dawn on him that the watch did this. He looks out at the frozen city in awe, gazing back and forth between the city and the watch a few times. He seems to get an idea. As he stares out the window, he snaps the clock closed.Instantaneously, the sounds of the cityscape whoosh back in and the clock hand begins moving again. Everything has become unfrozen. Ted stares, stunned into silence, for several seconds. 'Gabi...' he finally whispers.CUT TO TITLECUT TO another day. Gabi's birthday dinner party is in full swing. Gabi (Alina Lopez) sits beside Drake (Nathan Bronson) at the dinner table. Ted sits across from Gabi. Their mutual friends Pat and Leslie sit around them, and everybody but Ted are clearly enjoying themselves, engaged in light and lively conversation, laughing and joking. Ted seems withdrawn and distracted, spaced-out. He isn't talking to anyone, and instead keeps pulling the watch in and out of his pocket and looking at it under the table.As the other guests are busy, Gabi notices Ted's distraction. She touches his hand and asks what's wrong. Ted snaps out of his distraction, seemingly reminded of his strong feelings for Gabi. Ted is about to profess his love for Gabi when he is interrupted by Drake getting on bended knee in front of Gabi. He proposes and Gabi says yes as Ted panics. Ted's panic boils over and he makes a snap decision, activating the watch to freeze time.Sound and movement slow to a stop for everyone but Ted. Gabi's words cut off as she freezes, hand out.Ted gets up slowly from his chair and paces the room, slowly walking and examining the guests. He seems bitter and disgusted at their happy expressions. He looks at Gabi first, then over to Drake with jealousy, then enters the kitchen briefly to circle Pat and Leslie making sure they're frozen - waving his hand in front of their faces and snapping his fingers in front of their eyes. Ted takes a deep breath, exhaling heavily as he calms down, glancing at the pocket watch and considering what to do.Ted resumes his spot at the dining room table, sighing. He looks back at Gabi, Drake beside her, her hand held out to Ted showing off the ring. His expression turns possessive as he gazes at her. He readies himself and reaches out to touch her outstretched hand.Gabi unfreezes and immediately panics when she discovers everyone else is frozen except her and Ted. She tries to wake Drake up but can't. Ted explains that the pocket watch can stop time. Ted finally professes his love for Gabi, thinking she will reciprocate, but she doesn't. He reveals that he stopped time so that they could be together forever.Gabi is freaked out. Ted feels betrayed and hurt that she doesn't share his feelings. He threatens to smash the watch unless she fucks him. Gabi, full of resentment, agrees to have sex - 'You aren't the person I thought you were, Ted... I'll have sex with you, but I could NEVER love you after this.' Ted tells her that she'll see, she'll change her mind.She tries to lead him to the bedroom. Ted says that he wants them to do it in front of Drake so he can prove to Gabi he's a better lover than Drake. Gabi is appalled but reluctantly agrees.Ted's going to take his time with Gabi. They DO have all the time in the world, after all.
Jaye Summers - Sex Addicts Anonymous
SEX ADDICTS ANONYMOUS3 NYMPHOMANIACS CONFESS TO COMPULSIVE & DESTRUCTIVE SEXUAL HABITS IN SUPPORT GROUPSCENE OPENS on Marlene (Reagan Foxx), Laura (Jaye Summers), and Bianca (Jane Wilde). They all hold coffee cups and look nervous and somewhat uncomfortable, fidgeting in their chairs. They sit in a circle. They eye each other warily before shifting their gaze to Robert (Seth Gamble), a charming, handsome and sympathetic-looking man. 'As you know, my name is Robert... and I'm an addict,' Robert says. But like all of them, it's not heroin or booze that's his addiction and affliction --he's a sex addict, he continues. He's been in recovery for 5 years now, and leading meetings like this for 3, Robert goes on. He's sure they've noticed that this is a much smaller group than they're all used to, Robert continues. 'I invited each of the three of you to come tonight because you've each stood out to me in the regular meetings due to the fact that each of your stories is particularly...troubling,' he adds, 'and felt you might benefit from some special attention.' Again, the three ladies eye each other curiously. So he'd like to thank them all for coming, he continues. As they work through their steps, they are offered the chance to tell their stories, he goes on. Of course, sharing is NOT obligatory, but it can be a very helpful tool in recovery, so he would like to now go around in a circle, he continues. 'Please introduce yourselves, and if you're comfortable...share,' he says. CUT TO TITLE'And we can begin with you,' Robert says kindly, indicating Marlene. She hesitantly describes being tricked into fucking her boyfriend and her stepdaughter by the manipulative daughter. The event traumatized her, causing her to associate family with sex.Robert looks at her kindly. Thanks for sharing Marlene, he says. That kind of experience can send you into behavior loops and patterns that you think you'll never break free from, he continues. 'But I promise you---and I'M living proof---I promise you that there IS an answer out there for you,' he says kindly. Marlene smiles thinly at him.Next, Bianca shares her story of being blackmailed into cheating on her boyfriend when she was 19 while, unbeknownst to him, he listened on the phone. As he listens, a look of lust comes over Robert and he licks his lips subtly. The women don't notice.Since then, Bianca adds, she's lost her innocence and no longer believes in monogamy, feeding her addiction by fucking random men. Thanks for sharing, Robert says to Bianca. 'It's important to remember that your past doesn't define you, and your past ACTIONS don't define you. You can DECIDE to be something new every day,' Robert says. And THAT, is the way to move forward, he adds.When it's time for Laura to speak, she shares her story of losing her virginity just after she turned 18. As she was fucking for the first time, a group of people watched and filmed everything, ultimately posting the video online. As Laura speaks, we focus in on Robert, who we see is subtly and, apparently unbeknownst to the women, fondling his crotch. He has seemingly been doing it for the entire time Laura has been speaking. Laura expresses that she's fearful because the events of that night have caused her to become a thrill-seeker and engage in increasingly risky sex acts. Thanks for sharing Laura, he smiles. 'And that's the first step, isn't it? Admitting that you can't control yourself, admitting that you're POWERLESS over your addiction,' Robert says. Well, I'm here to give you a WAY to take back the power, to take CONTROL over that addiction, Robert says. And there's only one way to do that, he continues. By EMBRACING their urges, not RUNNING from them, he continues. He can HELP them become at peace with it, he says. He can help them see the freedom in surrendering themselves to it...TOGETHER, he adds, looking at them lustfully and licking his lips suggestively. It becomes clear what he means. W-what the fuck is wrong with you?, Bianca says incredulously, gathering her things and getting up to leave. Fucking sicko!, Laura says, shaking her head in disbelief. She too begins to gather her things and prepare to leave. Marlene is at a loss for words, her face a mask of shock as she wordlessly gets up to follow the other two women. 'I wouldn't do that if I were you,' he says evenly. They stop in their tracks. Why NOT?, demands Laura. 'Why should we listen to ANOTHER word that you have to say, you fucking pervert??' Bianca asks.'People need to be so CAREFUL about what they say these days, given all the technology that we have at our fingertips. It's so...EASY to say something in the wrong place...at the wrong time. And it's even EASIER to make sure that the whole world finds out about it,' he says smarmily. Realization dawns on the women's faces as they look around, searching for something. 'And of course once something gets on the internet these days, it never really goes away, does it?' So, if they want to avoid that...he suggests that they reconsider leaving, Robert says. 'The world already KNOWS every inch of me. I don't have to listen to your pathetic threats,' Laura says, turning to go. 'No, you DON'T have to, but you WANT to,' Robert says to Laura. He has clearly struck a nerve. 'Don't you Laura?' he asks softly. 'You're always trying to satisfy that urge, aren't you? You ALL are. That's why you're HERE, isn't it?' Robert asks all three women. He is clearly getting to them, they are shaking their heads but it's very half-hearted and their body language suggests they're considering not leaving. 'You're ALL just looking for an excuse to give in. Well, I'm GIVING you that excuse,' Robert continues. 'This IS the answer waiting out there for you,' he continues, looking at Marlene. 'You can rid yourself of all this regret by just accepting that this is who you really are,' he continues. 'You have no IDEA who we really are,' Laura spits back at him. 'Of course I do, because I'm the SAME as you. The only difference is that I've accepted it. So...will you let me help YOU accept it?,' Robert asks. The women look at each other with uncertainty, biting their lips, their resolve clearly weakening. Finally, they relent, the three of them saying ok, yes, and alright, in hushed and defeated tones. They sink to their knees in front of Robert, powerless over their dark desires.
Anny Aurora - An Honest Living
AN HONEST LIVINGHomeowner's Son Terrorizes Honest Hardworking HousemaidAmelia (Anny Aurora), a hardworking and honest housemaid, casts uncertain looks over her shoulder as she cautiously approaches her employer, Mr. Winters. There's something she's been wanting to tell him for months, and today's the day that she's finally going to do it. Yet, she freezes as she stands before Mr. Winters, who is impatiently waiting for her to spit it out. Although Amelia tries her hardest, words fail her, leading Mr. Winters to think she's simply shy about asking for a raise. However, nothing could be further from the truth...Admitting defeat, she returns to the kitchen to clean the floor, only to be startled by Adam (Alex D), her employer's son. Adam is calculated and cruel, taking great pleasure in tormenting Amelia at every given opportunity. He hasn't shown mercy since the first day she started work. Even though he's not her boss, Amelia feels powerless to stop him from taking what he wants whenever he wants.As Adam toys with her, he reveals that he knows Amelia was trying to tattle on him. She deserves to be punished for such subordinance... Although Amelia doesn't want to submit to him, she can't afford to lose this job and be left penniless. Once again, as she slowly unties her apron and bends over the counter, she gives in to Adam's demands.
Whitney Wright - Alpha Male
ALPHA MALEFather And Son DP Son's Cheating GirlfriendSCENE OPENS to Toby (Robby Echo) and his girlfriend, Crystal (Whitney Wright), arriving at his father's house to do some studying. They seem like a sweet couple, though Toby is on edge. Crystal hasn't met Toby's father, Hunter (Stirling Cooper), yet, and Toby was more than happy to keep it that way. To him, Hunter is abrasive and a complete pig. He doesn't know how to treat women right! Meanwhile, Crystal tries to calm her boyfriend down, insisting he's being too hard on his old man. She's sure Hunter's just fine!But when Hunter struts into view moments later, she's suddenly hit with just HOW fine Hunter is... He's much bigger, stronger, and more confident than Toby. He's undeniably attractive, although Crystal tries to push it all out of her mind...She keeps close to Toby to resist these unexpected urges, both of them soon parting to study elsewhere. Even so, she's distracted -- so much so that Toby has to point out that she accidentally left her books out in the living room. Crystal snaps back to attention and excuses herself to fetch the books.Along the way, she comes across Hunter. Immediately, she's weak in the knees as he comes onto her, whispering promises of a wild night to remember. His hands are strong, his breath warm, and his voice a low rumble. He has charisma that she can't deny and a cock that soon makes her gasp with pleasure as she eagerly accepts it into her pussy.But when Toby walks in on them, she's soon caught between the two men in a battle of dominance. Just who will come out on top?
Jill Kassidy - Paternity Tested
PATERNITY TESTEDWOMAN TRIES TO TRAP MAN WHO MAY BE LYING ABOUT BEING HER BIRTH FATHERSCENE OPENS to a man named Charles (Mr. Pete) showing up at a beautiful house. Kelly (Jill Kassidy) has been waiting for this moment her whole life, so she eagerly invites him in when he makes himself known.Kelly's been on the hunt for her birth father for years, with many disappointments along the way because of dishonest people. She's doubled her efforts since her mother passed away, desperate for more family, but she doesn't want to have her heart broken again.Charles seems nice enough, though Kelly has her suspicions. She doesn't want yet another con man weaseling his way into her life just to get hold of her mother's estate. While she remains pleasant, she begins sussing Charles out by asking him misleading questions, trying to determine if he's lying or not. When did he and her mother first meet? Where was their first vacation together? What was her favorite hobby? It quickly becomes a game of cat and mouse as Kelly's suspicions about him grows... Sometimes Charles says the right things, but everything seems TOO convenient for Kelly. The alarms sound in her head as tension between them builds.Finally, Kelly has no choice but to outright confront Charles, needing to know the truth once and for all.
Alexis Fawx - Seen Not Heard: An Alexis Fawx Story
Nominated - Best Actress - Featurette: Alexis Fawx, AVN 2020
SEEN NOT HEARD: AN ALEXIS FAWX STORYFEMALE PATIENT RELIVES PAST SEXUAL EXPERIENCES WITH HOSPITAL STAFFSCENE OPENS on Anna (Alexis Fawx), a frazzled woman dressed in a patient gown, as she sits on the edge of her hospital bed with her eyes closed. Her body is tense but still, with her fists clenched. The room is dark and only her silhouette is really visible, set against the various shadows that move in the hallway on the other side of the curtain. Anna muses:'Monsters are not only bred from darkness, monsters are also created. A monster by definition is an imaginary creature that is typically large, ugly and frightening. It's the unknown lingering under your bed making you wish your blankets had the power of invisibility. A monster comes in many shapes and forms; its main purpose to destroy. They are creatures of elaborate pain, a motherless, fatherless creature shadowed in robes, veiled in black taking shape of all the things we fear most.'Suddenly we flashback to a different time, many years ago. We are looking at the face of 18-year-old Anna (Bobbi Dylan). She sits on the edge of her bed. An older man walks into frame with a paper bag in his hand. 'Hi sweetie, how was your day?' the man says as he blindfolds the young woman, intimately caressing the side of her face as he does so. His index finger grazes her mouth for a brief second and then he reaches over into a brown paper bag he has by his side. 'Are you going to be a good girl?' She nods and opens her mouth somewhat reluctantly. From the paper bag, the man takes a small container of chocolate pudding and dips his finger in it. He slides his finger into her mouth as she licks the pudding off. 'You know what happens if you get this wrong, don't you Anna?' He whispers. The girl looks up, despite being blindfolded, and nods as she chews. She hears the bedroom door slam.Back in the present day, Anna is now having a panic attack, rocking back and forth. 'I guessed it right!' She half cries, half laughs as she continues to rock back and forth. A young male hospital orderly (Seth Gamble) walks into the room. Taking the woman by the shoulders, he guides her back into bed, tucking her in. 'Don't worry Anna, everything is going to be alright. The doctor will see you in the morning.' He smiles gently, as he caresses her face intimately and she closes her eyes.CUT TO TITLE PLATEThe next morning, Anna wakes up suddenly. Sitting in a corner of the room is the girl from her memory, her younger self, still dressed in her nightgown. 'It's about time you wake up sleepy head, the doctor is waiting for us!' The younger Anna says innocently.At the same moment, the orderly walks in to the room. Both women look at him, but he only looks at the older version of Anna, 'The Doctor is ready for you,' he says. Anna gets up reluctantly, examining herself and the younger woman beside her. She is expecting the orderly to say something -- but he seems oblivious. Finally, the younger Anna takes her hand and pulls her forward, as they follow the orderly out of the room.In the doctor's office, Anna sits in a chair in front of the doctor (Eric Masterson) as he reviews her chart. He asks how she is feeling, how her appetite has been, and whether she's still been having those dreams they talked about. As Anna struggles to answer, the younger version of her leans in and whispers 'Remember dear, you must be seen and not heard!' Anna closes her eyes to try and tune it all out.We flashback to another memory of the younger Anna. She opens her eyes to stare at herself. She is sitting in front of a mirror, as her mother brushes her hair. We don't see the woman's face, but we hear her saying 'Remember dear, you must be seen, not heard!' Young Anna listens to this being repeated before she starts to say it to herself as well. Back in the doctor's office, Anna opens her eyes in a panic. The Doctor tries to calm her down, as she starts shouting 'be seen, not heard' repeatedly. He yells for help and the orderly comes back in to take her away. The younger Anna watches them leave with a sly smile on her lips before turning around and winking at the Doctor, who has no idea she is there.Later that night, the orderly comes in to Anna's room with a dinner tray. 'I'm not hungry!' Anna shouts, as she turns over in her bed to reveal the younger version of herself also lying there. 'You have to eat something,' the orderly tries to coax her. The younger Anna sits up, picking a piece of food from the tray. 'You should really be a good girl Anna, you know what happens when you misbehave!' She whispers, slipping her fingers into Anna's mouth and then licking them herself. She then stands up and walks over to the hospital orderly, before looking back and saying, 'I'm eighteen now ... so why don't I show you how a good girl should behave!' She pulls the orderly's pants down, gets on her knees and asks to give him a blow job. In a calm voice, he says 'sure Anna'. Young Anna slides the orderly's cock into her mouth. Older Anna watches from the bed, utterly confused. Her mind races. Is what she's seeing even REAL?
Riley Reyes - Homewrecker
HOMEWRECKERANGRY EX GETS REVENGE BY HATE-FUCKING HIS EX'S NEW LESBIAN GIRLFRIENDA young woman, Evie (Riley Reyes), is enjoying a peaceful day at home when there's a knock on the door. A cableman (Mr. Pete) politely greets her, but Evie is confused since she didn't call him to have anything fixed. The confusion is cleared up when they work out that Evie's girlfriend, Casey, is the one who put in the work order. Satisfied, Evie lets the man in to do his job.However, things take an unsettling turn when Evie catches the cableman ogling a framed picture of her and her girlfriend. Although he brushes it off and plays innocent, Evie is further unnerved when she catches him wandering off through the apartment, NOT doing his job. She starts to suspect that something isn't right and is about to call her girlfriend in secret when the cableman suddenly reappears.'Who ARE you?!' she demands, though isn't expecting what she gets in response. The man is none other than Mitchell, Casey's ex -- the same man Casey left to be with Evie. To say he's upset that his girlfriend left him for another girl is an understatement. Mitchell believes that Evie corrupted Casey, stealing her away from him. He wants Casey to know what it's like to have your heart shattered into a million pieces...And he's going to make Evie, Casey's beloved, help him.
Avi Love - The Kindness Of Strangers
Nominated - All-Sex Release of the Year, XBIZ 2020
Nominated - Best Cinematography, XBIZ 2020
Nominated - Best Art Direction, XBIZ 2020
'... there are those who cause you to freeze inside... Those you should keep away from. They are not good for you, even though others might say that they are good people...'-Bodil BredsdorffTHE KINDNESS OF STRANGERSRich Philanthropist Takes In Homeless Teen Who Discovers His BDSM Sex DungeonSCENE OPENS to Billie (Avi Love) awkwardly standing in a luxurious mansion. She's a teen living on the streets, though she had the good fortune of being invited to a fundraiser hosted by a well-respected philanthropist, Tom Ridge (Derrick Pierce). She feels so out of place, especially once she catches the rich, handsome man's eye.Tom is charming and sweet, which Billie is naturally drawn to, though she is still guarded. Yet, she doesn't know what to make of him when he offers for her to stay in this beautiful home with him! She's suspicious -- there HAS to be a catch! Tom assures her that there is no catch... Well, except that she'd have to rely completely on the kindness of strangers.Although Billie is still uncertain, she can't turn down the once-in-a-lifetime offer.The next morning, Billie is given free rein of the house as Tom attends to business elsewhere. However, the one thing Tom's made clear is that she ISN'T allowed to do is go into a private room across from her own. Although she's able to resist temptation for most of the day, the mysterious wooden door seems to be calling her name.Finally, she can't resist as she sneaks inside the room, only to uncover a BDSM sex dungeon.As she carefully explores the room, blown away by all that surrounds her, it's hard to envision the kind community man having any part in THIS. Yet, she's about to find out just how dark his desires are when he returns home and discovers she's broken his one rule...
Keira Croft - Breaking The Vow
BREAKING THE VOWSerial Cheating Husband Lures Online Hookup Into Lewd Sex ActsA beautiful, young woman, Vanessa (Keira Croft), is preparing for a date night. She's texting back and forth with a man named Tony (Steve Holmes), who she'll soon be meeting up with. She seems eager to please, changing her appearance based on what he's expressed that he likes. He likes the red lingerie she wore in a profile picture, so she changes from black to red... He normally prefers brunettes, so she dyes her hair from blonde to brown...Then it's time for the date.When Vanessa arrives, one of the first things she learns is that Tony is married. Although she's uncomfortable with the hookup now, Tony assures her that everything is fine and that there's nothing to worry about! Sure, his wife doesn't know about his cheating ways, but she doesn't need to! He gives her everything she needs, so he doesn't feel guilty getting what HE needs on the side as well. He needs to fuck -- and fuck a lot! He also craves variety, needing things to be kinkier than his sweet wife can handle.Although Vanessa is still shy and uncertain, Tony eventually convinces her to go ahead with the fun they had planned. Yet, Tony has no idea that Vanessa is soon going to give him the surprise of his life...
Christiana Cinn - Close Your Eyes
CLOSE YOUR EYESLONELY DAD GETS CATFISHED & BAITED INTO SEX WITH STEPDAUGHTERSCENE opens on Tim (Dick Chibbles) and his stepdaughter Laura (Mackenzie Moss). They're sitting next to each other on the living room couch eating from bowls of cereal. Tim looks up from his paper, smiling warmly at Laura. So, what is she up to today?, Tim asks. Oh not much, she's probably going to go meet Sharon to see a movie later, but for now, she's just going to hang out in her room...read a little, Laura says pleasantly. Lazy Sunday, huh?, Tim smiles. Exactly, Laura responds. 'Well, you deserve a lazy day. You've been working so hard lately. You're only 18 and your work ethic is ALREADY better than mine ever was,' Tim says with a little laugh. Well, it takes a lot of work to get into a good college, Laura says modestly. He looks at her lovingly. Her mom would be SO proud of her, he says softly, an edge of sadness in his voice. Thanks, Tim, Laura says, her voice heavy with emotion. He told her that she could get used to starting to call him 'Dad' if she wants, Tim says gently. But no pressure, he adds reassuringly. Ok, Laura smiles. And what about him, what does he have planned for the day?, Laura asks. He's probably going to have a pretty lazy day too, Tim says. He has to catch up on some emails, but that's about all the firm plans he has for the day, Tim says. Emails, huh? Anything...important?, Laura asks. 'Um....well, we'll see,' Tim says, smiling hopefully. Ok, well, have a good day!, she says, getting up and kissing him on the cheek. He smiles at her as she takes her bowl of cereal and exits the room. A short time later, Tim chats with a woman online, arranging for her to come over that evening so that they can meet for the first time. Tim goes to tell Laura about the date. He's nervous and excited. 'Don't worry, you'll be great. You're an...AMAZING guy and she's a lucky girl,' Laura says encouragingly. He smiles at her, brimming with love for his stepdaughter. Thanks, sweetie, he says kindly. They smile at each other for another moment before Tim says that he'll leave her to it, exiting the room as he closes the door softly behind him. We stay in the room with Laura, who smiles. As she looks down at her laptop, we see what is on her screen. Unbeknownst to Tim, she is the one who he has been chatting with online.CUT TO TITLELater that day, Tim's date Rachel (Christiana Cinn) arrives. He's nervous, but as they chat, it's evident that their online chemistry has extended to real life. As get to know each other, they begin to make out. When Rachel wants to take things beyond just kissing, Tim is hesitant. But she reassures him and they go to his bedroom. In the bedroom, Rachel suggests that he put a blindfold on so that he can't see when they have sex. Tim's not too sure about it, but when Rachel explains that she finds it very erotic, he agrees and covers his eyes. She grins up flirtatiously at him as she begins to unbuckle his belt. Don't worry, she'll take GOOD care of him, Rachel says, but seems to say it a little louder than is necessary, turning her head toward the bedroom door as she speaks. It is clearly a signal to someone standing outside the door. At that moment, the bedroom door slowly and soundlessly opens and a pair of bare feet softly pad in, careful not to make any noise. As the unidentified visitor enters, they bend down to get on their knees next to Rachel and it is revealed that this visitor is...Laura! She smiles knowingly at Rachel, who nods coldly back at her. Wordlessly and gracefully, Rachel slides over and Laura takes her place in front of her stepfather. Laura slides Tim's pants and underwear off and looks at his cock, licking her lips expectantly, as if she has been waiting a long time for this moment. 'Are you ready to feel some soft, delicate hands wrapped around your BIG juicy cock?' Rachel asks seductively. Yes, Tim whispers. Laura bites her lip and begins to stroke his cock, slowly and tenderly. He gasps. Tim's eyes may be closed, but when he opens them, he's in for a rude awakening.
Aria Lee - Future Darkly: Model Citizen
Nominated - Best Art Direction, AVN 2020
Nominated - Best Special Effects, AVN 2020
'Since mankind's dawn, a handful of oppressors have accepted the responsibility over our lives that we should have accepted for ourselves. By doing so, they took our power. By doing nothing, we gave it away.'-Alan Moore, V For VendettaMODEL CITIZENLaw Enforcer Audits Young Housewife's Lifestyle In Dystopian FutureCitizen Val (Aria Lee) sits obediently in front of a television, her eyes focused solely on the screen. Before her, Mother relays her daily message of love, ensuring that all her children can hear her soothing voice. As a model citizen, it's up to Citizen Val to do her part for the good of society, which includes ONLY having romantic and sexual relations with designated partners of approved genetic compatibility.When there is a knock on the door, she is quick to answer. Auditor Bale (Tyler Nixon) stands before her, his presence a powerful one that she respects without question. In a calm, authoritative voice, he announces that he's there to do a routine audit of the household to ensure that everything is in working order. Although Citizen Val finds this a bit suspicious, since she was audited only a couple weeks ago, she allows him inside.Auditor Bale surveys the house, making sure that everything is exactly as it should be, especially when it comes to receiving Mother's messages. He then asks Citizen Val routine questions to ensure that she's been doing her part as a model citizen. With each question asked, Citizen Val grows more nervous, although Auditor Bale doesn't seem to catch on.Finally, it's time for the physical examination to ensure that Citizen Val's genetic profile is up to date.'Do you understand and accept that only Auditors have the authority to disable the broadcast, and that as a model citizen you must never disable it of your own volition?' Auditor Bale relays, clearly having said the line hundreds of times before.'Yes,' Citizen Val utters.As Auditor Bale disables the surveillance all around her, Citizen Val's heart pounds wildly in her chest for what's to come.
Avi Love - Watching You
WATCHING YOUYOUNG WOMAN BECOMES PARANOID SHE'S BEING STALKED THROUGH HER COMPUTERJessie (Avi Love) is a young woman looking to rebuild her life after her boyfriend, Ashton (Mike Mancini) cheated on her. To start off on the right foot, she gets her laptop wiped so that she NEVER has to see anything reminding her of that asshole ever again. Yet, as soon as she returns home, her ex is waiting for her, confronting her in a heated argument. 'You'll regret this!' he threatens as she slams the door in his face. She may be rattled now, but she's sure there are brighter days ahead of her.Although she's hoping for a fresh start, Jessie's past quickly comes back to haunt her. First, her friend informs her that someone's hacked her social media and posted a raunchy update, claiming that she's looking for guys to fuck. Then she receives an unsolicited dick pic from an unknown number. Finally, her laptop camera keeps turning on and off as if someone's watching her...Terrified, she calls Ashton, begging him to leave her alone, although he insists that it's not him and that she's just crazy. Exhausted and confused, Jessie's almost at her breaking point. When she catches sight of a suspicious vehicle parked in front of her home, she just KNOWS that whoever is in that car is responsible for all of this.As Jessie grabs a baseball bat, she storms into the street, ready to settle this once and for all. Little does she know, the worst is yet to come as she comes face-to-face with her stalker.
Zoey Monroe - Middle Of Nowhere
MIDDLE OF NOWHEREFEMALE HITCHHIKER IS MADE TO PLEASURE BACKWOODS BROTHERS IN EXCHANGE FOR RIDEA young woman, Tania (Zoey Monroe), is walking down a deserted road, looking worried and tired. Her phone isn't working and no one has driven by in what feels like forever. However, when gets scared away from the road by a coyote howl, she returns just in time to see the taillights of a car as it zooms past. She's sure that she's missed her chance at a timely rescue, though her prayers are answered when a second vehicle stops for her not long after.When she approaches the car, the two men inside unsettle her. There's something about the way they look at her and talk to each other that creeps her out. Yet, she can't afford to turn down help, so she agrees to hitch a ride with them. Billy (Seth Gamble) and Willy (Jake Adams) are... odd... to say the least. Her nervousness intensifies when the brothers insist that they need to run an errand at their mother's house first, then they'll get Tania back on the road where she wants to be. Although Tania wants to protest, she doesn't have a choice. She's in the middle of nowhere and has to rely on the weird brothers to take care of her.Once they arrive at the house, it becomes painfully obvious that they've brought her back to fuck her -- together. They'll take her to where she needs to go IF she lets them have a little fun with her. It's her choice, though... she can fuck them or she can start walking out there in the middle of the night. Who knows what's lurking in the dark?Although Tania hesitates at first, she gives in, not wanting to take her chances out there. 'Fine, but you better make it quick,' she states as the brothers slowly grin.
