Latest 'Younger' updates from Pornstar Scenes (Page 7)

Winner - Best Actress -- Taboo-Themed Release: Alina Lopez, XBIZ 2020

Nominated - Best Actor - Featurette: Dick Chibbles, AVN 2020

Nominated - Best Actress - Featurette: Alina Lopez, AVN 2020

Nominated - Best Featurette, AVN 2020

Nominated - Taboo-Themed Release of the Year, XBIZ 2020

Nominated - Best Actor -- Taboo-Themed Release: Dick Chibbles, XBIZ 2020

Nominated - Best Sex Scene -- Taboo-Themed: Alina Lopez & Dick Chibbles, XBIZ 2020

BISHOP'S INTERVIEW: AN ALINA LOPEZ STORY
Corrupt Bishop Manipulates 18 Year Old Girl Into Sex

Alicia (Alina Lopez) is nervously fidgeting, sitting in a pew with the congregation. A sacrament tray is passed towards her, which is the source of her stress right now. She takes the tray, and hesitates, looking down at it. She knows she SHOULD take a sacrament but she can't. Not after she...

Alicia bites her lip then passes the tray onward, hoping that no one's seen that she rejected the sacrament. However, when she looks up to where Bishop Bond (Dick Chibbles) sits, their eyes meet. Alicia's stomach churns as the Bishop smiles.

When the service ends, Alicia is eager to get out of there but is stopped by the Bishop. Her anxiety spikes when he tells her he wants to see her, although she breathes a sigh of relief when he adds that he wants to discuss her recommendation letter to BYU. She shakily agrees to the meeting and soon finds herself in the Bishop's office.

Although she thinks she's there to get the letter of recommendation from the Bishop, it quickly becomes apparent that he knows that Alicia's recently sinned. He confronts her about her purity, uncovering that Alicia lost her virginity to her boyfriend. Unfortunately for Alicia, the Bishop won't be able to write that letter of recommendation after all. However, if Alicia agrees to have sex with HIM, he can cleanse her of her sins...

NOWHERE TO RUN
Teen's Car Breaks Down and She Accepts Help From A Suspicious Stranger

SCENE OPENS on Anita (Autumn Falls), a young woman. She's in her car and lightly hits the steering wheel. Why won't you just START?, she complains to herself. She exhales heavily, reaching for her cell phone. She tries to turn it on, but it's dead. She opens the glove compartment and roots around in it. After a moment, her head sags in disappointment. 'Aaaaaaaand you didn't bring your charger. GREAT job Anita,' she chastises herself. At that moment, there is a sudden knock at the window. She jumps with a slight yelp, completely startled. Standing at her window is Shane (Derrick Pierce), a somewhat rough looking man. He is unsmiling and motions for her to roll down the window. She regards him warily and hesitantly rolls down her window, but just a crack. Uh...yes?, she asks cautiously. Hey, he's sorry to scare her, but he was coming home and saw her car stall and quit on her, he begins, his tone even and non-threatening.

Oh uh, yeah, it...it won't start no matter what she does, she answers, a touch of wariness still in her voice. Ok, well if she wants, his house is right there, he says, pointing to his nearby house. And he can help her push the car into his garage and see if he can figure what's wrong with it himself, he offers. Oh that's ok, she says still acting a bit wary of the stranger but smiling politely, she wouldn't want to inconvenience him, she can just call the tow service. If she says so, he shrugs, but it'll probably take them hours to get here. And this isn't the best place for a girl like her to be waiting around. She debates for another moment, unsure of what to do. Then she looks down at her phone and remembers it's dead. '...I guess we could give it a shot,' she says hesitantly. He looks at her, shrugging noncommittally. 'Your call,' he says.

After pushing the car into his garage, they chat about what a bad neighborhood it is. Well, he'd better get started, he adds, moving towards the garage door, grabbing the top of it as he prepares to pull it down. Oh um...what is he doing?, Anita asks meekly. The light coming in from outside is shining in his eyes, gonna make it hard to look around and scout out what the problem is. He's just gonna close the door and hook a light to the hood so he can see what he's doing better, he says. That's cool...right?, he asks, a vaguely threatening undertone in his voice. She looks out of the garage toward the street, perhaps deciding whether or not she should just get out of there. Um...yeah, of course that's cool, Anita says, smiling nervously. He looks at her for a second, sizing her up. He pulls down the garage door. It loudly hits the floor, sealing them in.

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Shane hunches over the open hood of the car, tinkering around inside. What's she DOING in this neighborhood anyway?, he asks as he continues working on the car. She was just passing through actually, on her way back from touring a new school, she responds. High school?, he asks, looking over his shoulder at her with an eyebrow raised. No, no, she's 18, she's in college, she clarifies.

'Do me a favor. Pass me a screwdriver. From that toolbox over there,' he says, pointing to a toolbox on the floor. Sure, Anita says, turning around. She bends over, opening the toolbox and rooting around in it. As she searches, Shane is staring at her ass hungrily, licking his lips. Um, there's NO screwdriver in here, Anita says, puzzled. Ohhh, sorry, he FORGOT, the screwdriver is in THAT toolbox, he says with a crooked smile. She immediately goes to the other toolbox he indicated and withdraws the screwdriver, handing it to him quickly. Thanks, he says quietly, turning back to the car.

Ah dammit, he says aloud. What?, she asks, concerned. This cable's been worn away, he says. She narrows her eyes suspiciously, walking over to the hood. Don't worry, she doesn't need to come over here, he's got it, he says, trying to wave her off. No, she wants to see it, she responds firmly, peering under the hood. He is holding a wrench, watching her closely. Yeah, she sees it, but...it looks like it's been...she begins, her eyes resting on a pair of wire cutters that are lying adjacent to the car. Her eyes go wide with fear. ...it looks like it's been CUT, she says in horror, backing away from him cautiously. He has a hard look on his face and slowly leans towards her. Going somewhere?, he asks in a bored, teasing tone. 'Y-you...you DID that to the car. You CUT that cable! You did it on purpose. W-why would you DO something like that?? A-are you trying to...?' she asks, trailing off, unable to articulate what she's trying to say..

'I ain't tryin to do a GODDAMN thing other than fix your car. You can LEAVE anytime you want. Your car sure isn't going anywhere though,' he says, leaning in and sneering with a big wicked grin. That's fine, she says defiantly. She'll walk if she has to. He laughs. Through THIS neighborhood?? She could try. A tasty little morsel like her would attract a lot of unwanted attention. But on the other hand, if she wants him to finish the job so that she can be on her way safely, she could always do...a little something...for HIM, he says, a toothy grin on his face. He swings the wrench around, almost absent-mindedly. She looks upset at his suggestion. What's stopping her from running out into the street and just yelling for someone to call the cops?!, she asks. Nothing, he gloats and goads her, in fact go ahead and try it. People out here fuckin' HATE cops, he says. 'You go runnin' out of here shouting for the pigs to come save you, you think you're gonna get ANY sympathy?? Girlie, you wouldn't even make it two BLOCKS,' he says. Her shoulders sag with disappointed realization as she gulps, weighing her options. Her eyes dart to the garage door. She takes a deep breath. If... if he promises not to hurt her and fixes her car afterwards, then...FINE, she says finally, an edge of defiance and anger in her voice. He can do whatever disgusting thing he has in mind. Shane grins as he draws Anita to him, squeezing a handful of her massive tits.

Anita's got nowhere to run, and EVERYTHING to lose.

FAMILY BARBECUE
Seedy Uncle Lures Teen Niece Into Gangbang At Creepy Family Gathering

It's the Fourth of July and Penny (Whitney Wright) is ready to celebrate with her Uncle Jonas (Steve Holmes) and his family (Small Hands, Nathan Bronson, Jake Adams). Jonas has only recently married into Penny's family, so she's never met relatives from his side but is eager to do so. Although she's nervous, Jonas assures her that everyone's REALLY looking forward to meeting her, too, and that she should start mingling...

With his coaxing, Penny leaves her uncle's side to greet the other partygoers. As she mingles, oblivious to the hungry stares from the surrounding guests, she soon realizes that there are no other women at the party. Every time she asks about her absent family relatives, the men brush her off, making lame excuses.

It's only now that she is aware of how vulnerable she is amongst these strangers. Freaked out, she rushes to her Uncle Jonas' side for comfort, only to learn that there's a family tradition of all the men on his side sharing new female family members!

Although Penny's initially reluctant, her uncle seduces her by building up her confidence and curiosity. He especially preys on her insecurities as a virgin, which he knows is a weak spot for her. Eventually, Penny tentatively agrees that it WOULD be nice to get some... experience... as long as her family promises to take good care of her.

SHADOW OF A DOUBT
Paranoid Wife Thinks New Babysitter Wants To Steal Her Husband

SCENE OPENS to Kathy (Krissy Lynn) and her husband, David (Ryan Driller), anxiously awaiting the new teen babysitter, Lynn (Chloe Temple). Kathy, who is prone to paranoia, is especially finding it difficult mentally preparing for a new babysitter. Yet, David soothes her like usual, assuring her that everything will be fine. If she can't trust David, the father of her children and love of her life, who CAN she trust?

When Lynn arrives, she SEEMS sweet enough... Maybe it's Kathy's mind playing tricks on her, but Lynn seems particularly drawn to David. It doesn't help that Kathy is SURE Lynn said, 'It's going to be so fun becoming you...' Of course, Lynn claims she said, 'It's going to be fun getting to know you...'

When Kathy and David arrive home from work each day, Kathy's anxiety intensifies. Lynn is TOO perfect... She's even starting to copy Kathy's style?? She's wearing the same shirts, has the same hair... Something's not right here.

Kathy is sure that David's cheating on her and that she'll get the boot soon enough. Even the KIDS love Lynn! When she confronts David about it, he actually sticks up for Lynn, reminding Kathy that she's overthinking it and that she always sees the worst in people. Kathy is devastated -- why can't he see the truth like she can? What kind of spell has Lynn put on him?

When she next comes home, only to find that David's arrived before her and is now alone with Lynn, she finally exposes what her instinct's been telling her all along...

SEX ADDICTS ANONYMOUS
3 NYMPHOMANIACS CONFESS TO COMPULSIVE & DESTRUCTIVE SEXUAL HABITS IN SUPPORT GROUP

SCENE OPENS on Marlene (Reagan Foxx), Laura (Jaye Summers), and Bianca (Jane Wilde). They all hold coffee cups and look nervous and somewhat uncomfortable, fidgeting in their chairs. They sit in a circle. They eye each other warily before shifting their gaze to Robert (Seth Gamble), a charming, handsome and sympathetic-looking man. 'As you know, my name is Robert... and I'm an addict,' Robert says. But like all of them, it's not heroin or booze that's his addiction and affliction --he's a sex addict, he continues. He's been in recovery for 5 years now, and leading meetings like this for 3, Robert goes on. He's sure they've noticed that this is a much smaller group than they're all used to, Robert continues. 'I invited each of the three of you to come tonight because you've each stood out to me in the regular meetings due to the fact that each of your stories is particularly...troubling,' he adds, 'and felt you might benefit from some special attention.' Again, the three ladies eye each other curiously. So he'd like to thank them all for coming, he continues. As they work through their steps, they are offered the chance to tell their stories, he goes on. Of course, sharing is NOT obligatory, but it can be a very helpful tool in recovery, so he would like to now go around in a circle, he continues. 'Please introduce yourselves, and if you're comfortable...share,' he says.

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'And we can begin with you,' Robert says kindly, indicating Marlene. She hesitantly describes being tricked into fucking her boyfriend and her stepdaughter by the manipulative daughter. The event traumatized her, causing her to associate family with sex.

Robert looks at her kindly. Thanks for sharing Marlene, he says. That kind of experience can send you into behavior loops and patterns that you think you'll never break free from, he continues. 'But I promise you---and I'M living proof---I promise you that there IS an answer out there for you,' he says kindly. Marlene smiles thinly at him.

Next, Bianca shares her story of being blackmailed into cheating on her boyfriend when she was 19 while, unbeknownst to him, he listened on the phone. As he listens, a look of lust comes over Robert and he licks his lips subtly. The women don't notice.Since then, Bianca adds, she's lost her innocence and no longer believes in monogamy, feeding her addiction by fucking random men. Thanks for sharing, Robert says to Bianca. 'It's important to remember that your past doesn't define you, and your past ACTIONS don't define you. You can DECIDE to be something new every day,' Robert says. And THAT, is the way to move forward, he adds.

When it's time for Laura to speak, she shares her story of losing her virginity just after she turned 18. As she was fucking for the first time, a group of people watched and filmed everything, ultimately posting the video online. As Laura speaks, we focus in on Robert, who we see is subtly and, apparently unbeknownst to the women, fondling his crotch. He has seemingly been doing it for the entire time Laura has been speaking. Laura expresses that she's fearful because the events of that night have caused her to become a thrill-seeker and engage in increasingly risky sex acts. Thanks for sharing Laura, he smiles. 'And that's the first step, isn't it? Admitting that you can't control yourself, admitting that you're POWERLESS over your addiction,' Robert says.

Well, I'm here to give you a WAY to take back the power, to take CONTROL over that addiction, Robert says. And there's only one way to do that, he continues. By EMBRACING their urges, not RUNNING from them, he continues. He can HELP them become at peace with it, he says. He can help them see the freedom in surrendering themselves to it...TOGETHER, he adds, looking at them lustfully and licking his lips suggestively. It becomes clear what he means. W-what the fuck is wrong with you?, Bianca says incredulously, gathering her things and getting up to leave. Fucking sicko!, Laura says, shaking her head in disbelief. She too begins to gather her things and prepare to leave. Marlene is at a loss for words, her face a mask of shock as she wordlessly gets up to follow the other two women. 'I wouldn't do that if I were you,' he says evenly. They stop in their tracks. Why NOT?, demands Laura. 'Why should we listen to ANOTHER word that you have to say, you fucking pervert??' Bianca asks.

'People need to be so CAREFUL about what they say these days, given all the technology that we have at our fingertips. It's so...EASY to say something in the wrong place...at the wrong time. And it's even EASIER to make sure that the whole world finds out about it,' he says smarmily. Realization dawns on the women's faces as they look around, searching for something. 'And of course once something gets on the internet these days, it never really goes away, does it?' So, if they want to avoid that...he suggests that they reconsider leaving, Robert says.

'The world already KNOWS every inch of me. I don't have to listen to your pathetic threats,' Laura says, turning to go. 'No, you DON'T have to, but you WANT to,' Robert says to Laura. He has clearly struck a nerve. 'Don't you Laura?' he asks softly. 'You're always trying to satisfy that urge, aren't you? You ALL are. That's why you're HERE, isn't it?' Robert asks all three women. He is clearly getting to them, they are shaking their heads but it's very half-hearted and their body language suggests they're considering not leaving. 'You're ALL just looking for an excuse to give in. Well, I'm GIVING you that excuse,' Robert continues. 'This IS the answer waiting out there for you,' he continues, looking at Marlene. 'You can rid yourself of all this regret by just accepting that this is who you really are,' he continues. 'You have no IDEA who we really are,' Laura spits back at him. 'Of course I do, because I'm the SAME as you. The only difference is that I've accepted it. So...will you let me help YOU accept it?,' Robert asks. The women look at each other with uncertainty, biting their lips, their resolve clearly weakening. Finally, they relent, the three of them saying ok, yes, and alright, in hushed and defeated tones.

They sink to their knees in front of Robert, powerless over their dark desires.

PATERNITY TESTED
WOMAN TRIES TO TRAP MAN WHO MAY BE LYING ABOUT BEING HER BIRTH FATHER

SCENE OPENS to a man named Charles (Mr. Pete) showing up at a beautiful house. Kelly (Jill Kassidy) has been waiting for this moment her whole life, so she eagerly invites him in when he makes himself known.

Kelly's been on the hunt for her birth father for years, with many disappointments along the way because of dishonest people. She's doubled her efforts since her mother passed away, desperate for more family, but she doesn't want to have her heart broken again.

Charles seems nice enough, though Kelly has her suspicions. She doesn't want yet another con man weaseling his way into her life just to get hold of her mother's estate. While she remains pleasant, she begins sussing Charles out by asking him misleading questions, trying to determine if he's lying or not. When did he and her mother first meet? Where was their first vacation together? What was her favorite hobby? It quickly becomes a game of cat and mouse as Kelly's suspicions about him grows... Sometimes Charles says the right things, but everything seems TOO convenient for Kelly. The alarms sound in her head as tension between them builds.

Finally, Kelly has no choice but to outright confront Charles, needing to know the truth once and for all.

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

'... there are those who cause you to freeze inside... Those you should keep away from. They are not good for you, even though others might say that they are good people...'
-Bodil Bredsdorff

THE KINDNESS OF STRANGERS
Rich Philanthropist Takes In Homeless Teen Who Discovers His BDSM Sex Dungeon

SCENE OPENS to Billie (Avi Love) awkwardly standing in a luxurious mansion. She's a teen living on the streets, though she had the good fortune of being invited to a fundraiser hosted by a well-respected philanthropist, Tom Ridge (Derrick Pierce). She feels so out of place, especially once she catches the rich, handsome man's eye.

Tom is charming and sweet, which Billie is naturally drawn to, though she is still guarded. Yet, she doesn't know what to make of him when he offers for her to stay in this beautiful home with him! She's suspicious -- there HAS to be a catch! Tom assures her that there is no catch... Well, except that she'd have to rely completely on the kindness of strangers.

Although Billie is still uncertain, she can't turn down the once-in-a-lifetime offer.

The next morning, Billie is given free rein of the house as Tom attends to business elsewhere. However, the one thing Tom's made clear is that she ISN'T allowed to do is go into a private room across from her own. Although she's able to resist temptation for most of the day, the mysterious wooden door seems to be calling her name.

Finally, she can't resist as she sneaks inside the room, only to uncover a BDSM sex dungeon.

As she carefully explores the room, blown away by all that surrounds her, it's hard to envision the kind community man having any part in THIS. Yet, she's about to find out just how dark his desires are when he returns home and discovers she's broken his one rule...

BREAKING THE VOW
Serial Cheating Husband Lures Online Hookup Into Lewd Sex Acts

A beautiful, young woman, Vanessa (Keira Croft), is preparing for a date night. She's texting back and forth with a man named Tony (Steve Holmes), who she'll soon be meeting up with. She seems eager to please, changing her appearance based on what he's expressed that he likes. He likes the red lingerie she wore in a profile picture, so she changes from black to red... He normally prefers brunettes, so she dyes her hair from blonde to brown...

Then it's time for the date.

When Vanessa arrives, one of the first things she learns is that Tony is married. Although she's uncomfortable with the hookup now, Tony assures her that everything is fine and that there's nothing to worry about! Sure, his wife doesn't know about his cheating ways, but she doesn't need to! He gives her everything she needs, so he doesn't feel guilty getting what HE needs on the side as well. He needs to fuck -- and fuck a lot! He also craves variety, needing things to be kinkier than his sweet wife can handle.

Although Vanessa is still shy and uncertain, Tony eventually convinces her to go ahead with the fun they had planned. Yet, Tony has no idea that Vanessa is soon going to give him the surprise of his life...

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

Dad's Paddle Collection
TEEN DAUGHTER UNCOVERS DAD'S REPRESSED DARK AND KINKY PAST

'He was now in that state of fire that she loved. She wanted to be burnt.' - Anaïs Nin

We open to Gracie (Marley Brinx), an innocent teen simply looking for her step-father's fishing gear so that she can spend a day out with friends. However, when she searches Tyler (Charles Dera)'s room, she finds a mysterious trunk that opens up a whole new world to her...

She's mystified as her eyes and fingers trail over the variety of paddles and riding crops delicately laid across a red velvet pillow. She picks up a paddle, feeling the solid weight of it in her hand as she carefully spins it around. She's drawn to it, like a moth to a flame... until she's suddenly snapped out of it by Tyler's stern voice behind her.

Instead of being afraid of Tyler, she sees a darker side to him that stirs a fire within she never knew existed. The way he describes his dark desires and past while lovingly handling his paddle collection has her hooked. This is a man who knows what he's doing and enjoys doing it, although he's denied himself such pleasure for so long. He vowed to put it all away to become a respected family man. He dedicated himself to his new wife and raising his step-daughter.

Yet, while Tyler tries his hardest to be a good father, Gracie soon tempts him to be anything but.

FAMILY VACATION
SEPARATED TEEN FOSTER SISTERS REUNITE UNDER BIZARRE CIRCUMSTANCES DURING FAMILY VACATION

Two teenage girls, Allie (Gia Paige) and Beth (Avi Love), are sharing a tearful goodbye. They'd been in the foster system together for years -- it's like they're sisters -- but now Beth is moving in with a different foster family. For the first time, they're going to be separated, and Allie is worried that Beth is going to forget all about her once she has a taste of her new life. Although Beth assures her that that's never going to happen, when they hug then part ways, Allie's sure she's never going to see her best friend ever again.

Her hopes are lifted when she receives a phone call from Beth weeks later, inviting her to visit her at the family's vacation home. Although Allie is hurt that Beth didn't contact her sooner, she jumps at the chance to see her again.

When she later arrives at Beth's new home, which is more luxurious than anything she's ever seen in her life, Allie feels out of place. She feels even MORE out of place once she reunites with Beth and meets her new foster parents, Maria (Silvia Saige) and Shane (Steve Holmes). Beth is... different... somehow, and Maria and Shane give off creepy vibes with how intimate they are with Beth.

It doesn't feel right. Concerned for Beth, Allie tries to privately ask her if she's safe. Allie's world comes crashing down when she learns that Beth has been having sex with Maria and Shane in exchange for stability! Although she's horrified at the thought, when the family offers the same deal to Allie, it's the hardest decision she'll ever have to make.

DADDY'S GOLDEN RULES
DISCIPLINARY DAD MAKES DAUGHTER WET HERSELF
A teen girl, Carrie (April Aniston) quietly sneaks into her house long after her curfew. She thinks she's in the clear until her step-father, Kirk (Mr. Pete) calls out to her from the living room.

Busted.

Carrie has to endure her step-father voicing his resentment about being a step-father. As he begins to tell her off, she starts to squirm, needing to use the bathroom. She's been out all night, after all. However, Kirk isn't about to let her go without her reciting his three golden rules. He does everything for her, so the very least she can do is respect his rules.

She recites the golden rules, desperate to get out of there. Respect her mother and step-father, never bring boys home, and... never be late. But Kirk isn't happy. She's broken two of the three rules, so she knows what that means -- she has to wet herself.

Carrie is shocked -- the LAST time they were in this situation and she wet herself, she thought it was an accident, but it's clear now that Kirk gets off on it!

She begins to storm away, but Kirk threatens to double or triple her chores to make sure she doesn't have any time for fun anymore. Maybe he can tell her mother how bad she's been, too. She wouldn't want to disappoint her mom, would she?

Although Carrie's grossed out, she decides to give into what he wants just to get it over with. Little does she know, this is just the beginning of what he has in store for her. Kirk plans to make sure his daughter NEVER disrespects his golden rules ever again.

SWAPPING DAUGHTERS: THE OTHER FAMILY
PARENTS SWAP DAUGHTERS TO USE NEW DAUGHTER FOR SEX

Scene opens on a young girl, Becky (Maya Kendrick), who sits in the back of a car. She looks excited and anxious to get out of the car. The car pulls up to a flawless suburban home with a perfectly manicured lawn. Outside, three people stand. These are the members of the Darling family: husband Doug (Mr. Pete), wife Doris (Dee Williams) and son Davey (Seth Gamble). Becky smiles when she sees them. The three stand in a perfectly straight line and have the same exaggeratingly welcoming smile on their faces. They wave in unison and are all dressed in similarly preppy fashion with matching colored clothing. As the car pulls into the driveway, Becky notices the odd way they're waving and her smile falters for a second as she regards them skeptically. But she seems to push her worries aside immediately and regains her smile. The car pulls to a stop. Becky thanks the driver and hops out excitedly. She must be Becky!, Doug says enthusiastically. Yes, Becky confirms. Doug introduces himself and presents his wife and son. Doug asks Davey to get Becky's bags from the car. Davey goes to get the bags.

Welcome to Canada, they are so happy to have her here!, Doris says brightly. Becky says that she's happy to be here for her cultural exchange, and it's not nearly as cold as her parents said it would be. Yes, people tend to exaggerate about the climate here, says Doug. 'We don't all live in igloos you know!' Doug adds with a laugh. Why doesn't he take Becky's bags upstairs and show her her new room?, Doug suggests to Davey. She arrived just in time for dinner, Doris says. Dinner is every night at six o'clock SHARP, Doug says firmly. 'And no matter what we are doing, we ALWAYS come home for family dinner at six. NO. EXCEPTIONS.' Doris says, with an oddly insistent edge. She'll see that there are many...family rules, but these rules just make them closer as a family, Doris says. 'Isn't that right sweetie?' she asks Davey. Yes Mother!, Davey answers energetically. Becky catches that and laughs nervously. Well, they'd better get Becky's bags upstairs, dinner will be on the table soon!, Doris says. They'll take care of paying for the cab while Davey takes care of Becky, Doug adds.

As Davey walks Becky up the driveway into the house, they chat. Um... is everything as...strict as they just made it sound?, she asks with a nervous chuckle. Yeah, Mom and Dad just like things done a certain...way, Davey says. She'll get used to it, he adds. He thought it was a little weird at first too, he says. He was 15 when his dad married Doris, but it's been four years now and he's totally used to all their little rules, he adds. 'And trust me, once you get used to them, you'll LOVE it here. I know I do,' he says with a chuckle, as his eyes look Becky's body up and down. Becky laughs nervously.

Cut to the dinner table, where the four sit with their meals in front of them. The three Darlings, virtually in unison, fold their napkins and place them onto their laps. Becky looks on, a quizzical expression on her face, but a moment later, follows along, placing her own napkin on her lap. So Davey showed her her new room?, Doug asks. Yes, it's great!, Becky says happily. Before they can continue their conversation, Doris lightly taps her glass with her fork, getting everyone's attention. It's time to say grace!, Doris announces with a smile. The three Darlings join hands, but Becky hesitates. Is there a problem dear?, Doris asks. Um, no, she just...isn't used to saying grace, Becky says, smiling awkwardly. Well, in this family, they give thanks before every meal, because in life, there is so MUCH to be thankful for, Doug says earnestly. And since Becky's a part of this family now, it's important that she takes part in this, Doug adds, again offering his hand for Becky to take.

Becky smiles nervously and takes Doug's hand and with her other, grasps Davey's outstretched hand. Doug begins by saying that they are thankful for the meal that they are about to receive, they are thankful for their health, and...they are very thankful for Becky, the newest member of their family. When he says 'newest member of their family', all three Darlings turn their heads to look at Becky with unblinking grins. Just as when he married Doris and she became Davey's mother, they have formed a new family, Doug continues. 'We are thankful to be blessed with this young woman, who will be taking part in all of our...family traditions,' Doug adds. As Doug is saying this, Davey's fingers begin to rub Becky's palm. Feeling this, her eyes open with mild surprise. She looks at Davey, who stares at her. He slowly licks his lips.

She subtly tries to take her hand out from his but Davey grips her hand harder, preventing her from pulling away. Becky looks towards Doug, who stares back at her with a blank smile. To Becky's growing alarm, Doug licks his lips. Becky looks toward Doris, who is also staring at her and licking her lips hungrily. She looks around in disbelief at the three of them as they stare back at her.

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They begin to eat. Soon, there is a buzzing sound under the table, coming from where Becky is sitting. She takes her cell phone from her pocket, apologizing. 'Davey, didn't you tell Becky about our cell phone rule?' asks Doris, staring angrily at Davey. No Mother, he didn't, he says, hanging his head in shame. Doris turns to Becky, her fury replaced by a manufactured smile and an artificial sweetness. 'Dear, we don't allow cell phones or any other gadgets like that in this house. We don't even own a television or a computer actually. Those kinds of things are nothing but...distractions. And we don't want ANYTHING distracting us from each other, because family...comes first, isn't that right gang?' Doris says, smiling her sickly sweet grin. The Darlings all smile back at her and say that's right.

Oh um ok, well, she'll put her phone away then, Becky says. Oh no dear, she'll have to give her phone to Doug for safekeeping, Doris says with a smile. Becky hesitates. They really want her to give her phone to them?, she asks incredulously. Oh yes, Doris says with a smile. It's for the best, adds Davey with the same smile. But what about emergencies?, Becky asks softly, clearly becoming weirded out. 'Well, aren't you going to be spending all your time with us?' Doris asks. Yes, she sure is, and they'll make sure that NOTHING bad happens to her, Doug adds, putting out his hand for her phone. Becky hesitates for a moment longer and finally, slowly puts her phone into Doug's hand.

Cut to a few days later. The family is in the living room, enjoying a game of charades. The family plays a few rounds. When it is Becky's turn to act out, she acts out the phrase 'rowboat' successfully. The family congratulates her. Despite the weirdness of the first night's dinner, this wholesome family game seems to be helping Becky relax. Next, it is Davey's turn to act out the clue. He looks at the slip of paper and seeing what it is, smiles mischievously. He gets up in front of the couch, and the family watches him. He begins to squeeze imaginary breasts, staring at Becky as he does so. Becky shifts uncomfortably, looking away. Davey's parents don't see anything sexual about it at all and eventually, Doris guesses 'arthritis' enthusiastically, seemingly interpreting his squeezing motion as him stretching his arthritic hands. That turns out to be the correct answer and the Darlings cheer.

Can he PLEASE go again?, Davey asks with a smirk. That was too easy and he wants a real challenge with a harder clue, he adds. Well, they ARE just playing for fun and aren't even keeping score, so she doesn't see why not, Doris says. Super!, Davey says, choosing another slip of paper. He thinks for a second and begins to mime what can only be licking a pussy, flicking his tongue obscenely in the air as he spreads an imaginary pussy with two fingers of each hand. Again, he stares at Becky as he does it. She is getting increasingly uncomfortable and looks to Doug and Doris for assistance. But they are really into the game, still seemingly not noticing the sexual nature of Davey's actions, and don't even look at Becky. Oh wait, he knows this one, he does this ALL the time, Doug says before guessing 'licking an envelope.' The Darlings again celebrate the correct answer while Becky looks on, outwardly disturbed now. After a moment, Davey again pleads with his parents to let him go one more time. Doug is unsure, he tells Davey he should let other people have a turn, but Davey almost begs him and he finally relents. But this is the LAST time, Doug adds firmly. For sure Dad!, Davey says and grabs another slip of paper.

He grins and thinks for a moment. He begins to thrust his hips as if he's fucking. He then mimes a slap, as if he's slapping the ass of the person that he's fucking. Again, he stares at Becky, grinning a lustful grin. Becky looks again at Doug and Doris for help, but they don't pay attention to her. They are just happily guessing, playing the game. This is too much for Becky now. 'Um HELLO?!, don't you see what he's doing?!' she asks Doug and Doris incredulously. Davey stops his actions. What does she mean?, Doug asks Becky. 'He's...he's acting out...you know...sexual things...and...and staring at me,' Becky says. Dear, he's CLEARLY riding a horse, Doug says patiently. Isn't that right Davey?, Doug asks his son. That's EXACTLY right!, Davey says indignantly.

Oh come on, they can't SERIOUSLY believe that!?, Becky says to Doug and Doris. Well, if that IS what happened, it's certainly no cause for fighting, Doris says. 'He just got a little carried away is all, and you can hardly blame him. He's a competitive boy, that one!' Doris adds with a little laugh. Oh what does it matter anyway, Mom?!, Davey asks. She's going to find out soon enough what's REALLY going on,' Davey adds, a mean-spirited smile on his face. 'David Darling, don't you say ANOTHER WORD. Go to your room, young man,' Doug says instantly. Davey huffs off.

Becky is puzzled and feeling very uncomfortable. Um, what was Davey talking about when he said 'what's really going on'?, Becky asks cautiously. Oh nothing Becky, she knows how boys his age like to joke around, Doug plays it off. Is he sure about that?, it didn't really seem like a joke, Becky probes skeptically. Doug and Doris exchange a conspiratorial glance between them. Becky sees this glance. 'Please, just tell me, you're freaking me out,' she says. Well, they were going to wait until she was fully settled in to tell her, but now Davey's gone and spoiled that, so they may as well explain, Doris says. Is she sure Becky can handle it?, Doug asks Doris. 'Well, I guess we're just going to have to have a little faith in her', Doris says, running a hand through Becky's hair. Becky recoils slightly. This is starting to scare her, can they just tell her what's going on?!, Becky pleads.

Okay honey, she'll do her best to explain it, Doris begins. Well, her husband, like many men, like many...fathers, has certain...urges, certain...proclivities, Doris continues. And as part of dealing with these urges, Doris and Doug are members of an online group, a...support group of sorts, where other fathers with the same tastes can...help each other, Doris continues. What kind of...urges is she talking about?, Becky asks fearfully. Let's call them...appetites, Doug offers. His...appetites are---well, most people would frown upon these kinds of appetites, since they involve...his daughter, Doug continues.

Hearing this, Becky's eyes go wide. 'Your daughter...wh-what did you do to your daughter??, Becky asks fearfully. Oh don't worry, she's absolutely fine and completely safe, Doris explains soothingly. Becky, these urges that they're talking about are perfectly natural, Doris says, smiling sweetly. But Doug would NEVER act on these urges with their own daughter, Doris continues. 'Which is why we made an...arrangement with your parents,' Doug continues.

What the fuck is he talking about?, Becky asks with horror. They made an arrangement that when each of their daughters turned 18, they would...perform an exchange, so that each family could...satisfy their unique appetites, Doug says. 'S-stop, I don't want to hear any more of this! You guys are a bunch of sick fucks and I'm getting the hell out of here, I'm going home to my parents,' Becky says angrily. 'Give me my phone NOW!' she practically yells at them.

He's afraid that's not possible, Doug says. Her phone is in a safe place, but he can't give it to her, he adds. 'Those are the rules of the house, young lady, and as long as you're part of this family, you WILL obey those rules,' Doug says firmly. 'I'm NOT part of your fucking family, asshole!' Becky fires back. 'Becky, that's no way to talk to your father!' Doris scolds Becky. 'My FATHER?!' Becky asks in disbelief. 'You guys are NUTS, I am fucking LEAVING,' Becky adds, moving to exit the house.

Where does she plan on going at this time of night?, Doug asks. Where she goes is none of his business, she's going to call a cab and get out of here, Becky says indignantly. With what money?, asks Doug. What is THAT supposed to mean?!, Becky asks. 'Well, sweetheart, your bank accounts and credit cards have all been canceled, of course,' Doris says with sickening sweetness. What?, Becky asks with disbelief. 'Those people who you used to call your 'parents'? Well, they don't want you anymore sweetie. Don't you see?' Doris says. 'You're OUR daughter now,' Doug says, smiling. No!, Becky screams, running away in horror. We hear a door slam. Sounds like she went up to her room, Doug says to Doris. Yes, let's let her rest, it's been a tough night, Doris says. Yes it has, and they should get some shut-eye too.

Cut to later that night. From the hallway, we see Becky's bedroom door opening quietly. Becky pokes her head out, looking up and down the hall. It is dimly lit and quiet. Everyone seems to be in bed. She sneaks out of her room, careful not to make any noise. She creeps into the living room, constantly looking over her shoulder to see if anyone has heard her. She is very nervous. She begins to quietly look through the drawers of a cabinet that is in the living room. She doesn't find what she's looking for and seems to be getting increasingly frantic as she goes through drawer after drawer.

'Are you looking for this?' Doug suddenly says, making Becky jump in surprise. He emerges from the shadows of the hallway, holding Becky's cell phone in his hand. Becky's jaw drops and she says nothing. Take it, Doug says, offering the cell phone to her. She narrows her eyes suspiciously. 'No tricks, just take it and call your parents, then you can finally understand and maybe might calm down a little,' he says.

She thinks for a moment before approaching Doug, quickly snatching the phone from his hand. He sits on the couch patiently. She frantically dials a number. No answer. She dials it again and again, but still nothing.

'Do you understand now Becky?' Doug asks from the couch. She's stunned.

They didn't answer, did they?, Doris says, emerging from the hallway. Becky is startled by her sudden arrival. No, Doris knows they didn't, and that's because her old life is over, Doris continues, sitting next to her husband on the couch. 'Your new life is here Becky, and you need to accept that,' Doug says. Please, come and sit down, Doug says, patting the couch next to him.

Becky seems almost broken by her parents' rejection and sits down heavily without protest. As part of her new life as a family, as they've told her, there are certain rules, and one of those rules, is that they need to have...family time, Doris says as Doug begins to lightly play with Becky's hair. And family time means being together...as a family....in EVERY way, Doug says, laying his hand on Becky's lap.

At this, Becky snaps out of her daze. No, no, she won't be part of their disgusting games, she says, though she doesn't seem to muster up as much energy. She's going to leave, and call the police, she says, as she begins to dial on her phone. And what exactly is she going to tell them?, Doris says. No one has done ANYTHING wrong, Doris continues. And she's so far from home, with no money...and no home to go back to, Doug says.

At that moment, Davey walks in, rubbing his eyes groggily. What's going on?, he asks. Oh, they're sorry for the noise, they're just having a family...meeting, Doris says. Ooh, he LOVES 'family meetings', Davey smiles naughtily, shooting a glance at Becky as he pokes his tongue crudely in the corner of his cheek in a classic 'giving a blowjob' gesture.

His parents seem to ignore it and Becky looks away in disgust. 'We were just telling your new sister that she has nowhere to go, so she might as well start following the house rules,' Doug tells Davey. Dad's right, and believe him, the house rules aren't so bad at all, Davey says. 'When I became his mother, Davey had some...difficulties, but eventually he got into the swing of things, isn't that right sweetie?' Doris asks Davey. That's right, Davey grins, licking his lips as he looks at Doris. 'And when I finally had a taste of Mom's goodies, I couldn't BELIEVE what I had been missing,' Davey adds, leering now.

Becky looks appalled. 'You can act all doom and gloom if you'd like Becky, but I for one, think this is cause for celebration. After all, it's not every day that we get to welcome a new member into our family! And what better way to celebrate than with some quality family time together!' Doris says brightly. Ok?, Doris asks Becky pointedly. OK BECKY?, Doris asks, a hint of threat creeping into her voice. Okay, Becky says softly. 'That's wonderful! So why don't come over here and give your mother a kiss?' Doris asks Becky.

BIOGRAPHY OF A VIRGIN
OBSESSED TEACHER DEVELOPS DARK FIXATION ON VIRGIN STUDENT

Mr. Davies (Michael Vegas) is burning the midnight oil as he grades papers in his home office. He's down to the last one for the night, thankfully, although once he starts reading it, time seems to slow down.

The essay is about a girl (Carolina Sweets) owning the fact that she's an 18-year old virgin. Betty's proud, recognizing that her virginity is a special gift -- she doesn't want to give it away to just anyone...

Mr. Davies fixates on the student, hearing her utter, 'I'm a virgin,' in his head over and over again, slowly driving him mad with lust. It's like she's calling to him to be that special someone to make her complete...

The next day, he invites Betty over to discuss the essay and how beautifully it was written. Betty is naive about everything, though is happy to be in the presence of a teacher she admires. Yet, when Mr. Davies starts paying her more compliments than she's used to, she grows suspicious of his true intentions.

Finally, Mr. Davies asks if she feels it, too? The connection between them? When he read her essay, it was as though it was specifically written for HIM -- as if she was asking HIM to have the honor of taking her virginity.

Betty is shocked, exclaiming that that's not what she was implying at all, but Mr. Davies has power over her. If she doesn't give herself to him, he might stop her from graduating school or getting accepted into good colleges. He could end all her dreams with just one report card...

To save face, she submits to Mr. Davies' twisted delusion, willing to give up her virginity in order to prevent him from taking EVERYTHING from her.

IMPREGNATING THE SITTER
GRIEVING HUSBAND IMPREGNATES TEEN TO FULFILL LATE WIFE'S LAST WISH

April (Alina Lopez), a teen babysitter, climbs the front steps of a residential home. For her, this is just another day. Another job and a few more dollars in her pocket, which she really needs. However, it looks like the man living in this home is well off because the place is HUGE!

She knocks on the door and a pleasant man (Dick Chibbles) greets her. 'Mr. Perry?' April greets with a smile. 'Yes, that's me. You must be April, welcome!' Trent says. April beams, saying that she's pleased to meet him and that she can't wait to meet the boys.

April moves into the living room with Trent, making some small talk where it's revealed that she's raising her younger brother. Her parents passed away, so it's all on her now. Trent is sympathetic, though he moves onto asking her questions that seem a little beyond small talk. What nationality is she, is she a gymnast, how's school going?

April politely answers all the questions the best she can, even if she's uncomfortable. When it comes to school, she admits that she wants to go into fashion, though money's a bit tight since she didn't get a scholarship. Trent seems intrigued and says, well, there's no shame in working for it!

April then asks where the kids are and he says they're in the playroom. He's just going to be gone for a few hours, so hopefully she won't have issues with them. When April asks when the wife will be home, though, Trent gets a bit dodgy. He simply says that she won't be coming home. She's at work and has a deadline, so... Anyway, is April ready to meet the kids? April smiles and says that she is and heads off down the hall where she's directed.

As she does, Trent walks behind her with a longing gaze. 'One hell of a mother...' he says under his breath.

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CUT TO hours later, and April is tidying up the living room after having put the kids to bed. She picks up a few toys then moves to a table where there are crayons and a drawing. She sets the toys aside and smiles to herself. 'Aw, I wonder what they drew...?' she says to herself as she picks up the drawing. As soon as she gazes at it, her brows furrow with confusion.

It's a picture with stick figures, very much a child's drawing. There's a man labeled 'Dad' and a woman next to him labeled 'Claire.' They are surrounded by three kids, the boys. They all look happy. There's another woman off to the far side labeled 'Mom.' She is smiling too but a dark crayon has scribbled her out. The picture has a disturbing vibe.

'What does this mean?' April murmurs to herself as she tries to make sense of the picture. She's a little unnerved, putting the paper back down on the table.

Curious, she takes out her phone and does some research. She pulls up a search engine and searches Trent Perry's name. She quickly finds an obituary for his wife.

She hears movement behind her and whirls around. Trent is looming in the doorway, looking menacing. April's startled, demanding to know what the hell is going on in this house? She points to the page on her phone with his wife's obituary -- why is he lying?! Trent looks devastated as grief washes over him, though he shakes it off. 'Listen, I can explain...' he starts, begging for her to just hear him out.

April hurries to get out of there, but before she's out the door, Trent blurts, 'Have you ever had someone just DIE on you?'

April pauses, painfully remembering her parents' deaths, and remains, letting him have a chance to explain himself. He begins to tell her a sad story about how he and his wife had been trying to have a baby for YEARS. Then one day, they finally got lucky, though the doctor told her not to take the baby to term. She did, anyway, but died during childbirth, giving Trent their firstborn son. Even though he loves his son, he wished he'd been given a daughter because that's what they've always wanted.

April is wary, but moved by his plight, and says she's sorry for his loss. She was so confused by the picture... But who's Claire? Trent explains that Claire, the sweet young woman in that drawing, was a wet nurse for his son in that first year, someone he came to know very well in those dark days, and like April, she was someone with great maternal instincts. Desperate to rebuild his family, they made an arrangement in hopes of Claire giving him a daughter, but he got two other sons instead.

And now? Claire is gone...

When April asks where Claire is now, Trent dismisses the question. Instead, he says that he hopes that April can be the one to give him a daughter.

April is freaked out, flat-out refusing him, though Trent quickly assures her that she doesn't need to be in LOVE with him! He's just asking her to be the vessel for his daughter. Listen, April needs to pay for college, right? He can take care of that for her! Her younger brother? Trent can make sure he gets into the best private school. Money isn't an issue for him, he just needs a womb. It's just 9 months of April's life. Plus, she'd be fulfilling his wife's last wish...

April needs a few moments to think it over, conflicted. This is a lot to ask of someone, but she needs the money. She has to provide for her brother and she has big dreams for herself as well. Finally, she asks how much Trent can offer her, signaling that she's open to the deal.

Trent is relieved as he approaches April and takes her by the arm, their eyes meeting. Without saying a word, although there is a mutual understanding, he slowly leads her upstairs.

THE DAUGHTER DISASTER
STEP-FATHER MADE TO CHOOSE BETWEEN WIFE & PREGNANT DAUGHTER

SCENE OPENS on a teen, Nancy (Elena Koshka), taking a home pregnancy test. She's impatiently holding the stick in her hand. She taps her fingers against it with nervous anticipation as she mutters to it to come on and work faster. Her breathing is quick, panicked and shallow, and she even starts hyperventilating for several seconds and has to calm herself down by taking deep, controlled breaths. Once she's calmed herself down, she looks back down at the stick and sees two lines appear on the small display.

Pregnant.

Suddenly she's interrupted by a knock on the door, and the voice of her step-father, Frank (Steve Holmes). He asks if anyone's in there. Nancy's eyes widen and she quickly tries to hide the evidence of the test as she says that yes, she's in here -- she grabs the stick and the small cardboard box it came in and hides them behind her back, and flushes the toilet. It's just in the nick of time, as Frank tells her that he's late for an interview and he hopes she's done in there because he's coming in.

The door opens, and Nancy tries to act like everything's normal. She and Frank awkwardly brush past each other, his hands accidentally grazing against her body, as he moves towards the sink and she moves to get out of the bathroom without him seeing the test in her hands. He fidgets with his hair in front of the mirror and asks Nancy how he looks. Nancy looks away from him, the question clearly bothering her, and she mutters 'You look fine.' He tells her he has a good feeling about today, this is his first 2nd interview for a company. This could be the end of their troubles. Nancy sneaks a look at the pregnancy test in her hand. 'Yeah, Frank,' she says flatly, 'sure it could...' Frank gives his step-daughter a quick kiss, then exits the bathroom -- he's off to get this job.

Once he's gone, she has flashbacks to when she had sex with both her step-father and her step-father's ex-boss. She clutches the pregnancy box test in her hand so hard it starts to crumple in her hand as she sinks down along the wall and starts crying.

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CUT TO a little later that day, Nancy is curled up on the couch with her laptop. She's looking up articles on what to do when you find out you're pregnant through a search engine. Her mother, Kate (Sarah Vandella), walks into the living room and Nancy quickly closes the laptop.

Kate says bitterly that she just heard from Frank, he's on his way back already, there won't be any second interview after all. When he arrived at the office he learned that they'd gotten him mixed up with another applicant, he was never among their top choices. It's embarrassing, she says, he's not even memorable enough to leave a bad impression, he's just completely forgettable. No wonder he was fired from his last job. Over twenty years he was there, and never even got a title change. Why he didn't beg to keep that old job when he had the chance, she'll never know.

'Mom...' Nancy tries to interrupt but Kate continues. That job was way better to him than he deserved, Kate says, he should have been willing to do anything to not let that job slip through his fingers. 'MOM,' Nancy cuts her off, and tells Kate there's something she needs to know about the day he got fired. Kate looks alarmed -- what does she mean?

Nancy tells her all about what happened that day -- how Frank bargained for his job back by whoring out Nancy to his boss, how he got fired, anyways, and then how he hate-fucked Nancy afterwards...

Kate is livid, though isn't on her daughter's side. Ever since she turned eighteen Nancy's been acting like a complete slut, and it's just been getting worse. She bets it wasn't even Frank's idea to do it, it was probably Nancy's idea, she's seen how Nancy dresses, how Nancy behaves around men. It was probably her fault that Frank was fired, and her fault that Frank was willing to fuck his own step-daughter! The two start screaming and arguing, both feeling betrayed, sad, and angry.

CUT TO an unspecified amount of time later, Frank walks through the door and hears the sounds of shouting coming from the other room. Worriedly, he kicks off his shoes and drops his keys and briefcase and hurries to the living room where Nancy and Kate are still fighting. He asks them what's going on, and Kate instantly turns on him, telling him that Nancy told her about what they did the day he got fired and she can't believe he lied to her and didn't tell her about it. He stutters to say something, but Nancy cuts in, asking how Kate could possibly blame her for what he did when he lied to her about it, too. Kate tells Nancy to stay out of this, calls her a whore, and turns back to Frank asking how he could do all that to her. With her own daughter!

Frank struggles to say something as both crying angry women stare him down, and Kate gives up remarking that Frank doesn't even have anything to say for himself, he can't even say he's sorry. Frank says of course he's sorry, but it's too late and Kate has already stormed off to the master bedroom leaving Frank alone with Nancy. In tears, Nancy complains to Frank that he didn't even stick up for her, he tried to whore his own step-daughter out to his boss and he doesn't even have the guts to admit it to his wife. Frank tries to calm her down, promising he'll talk to Kate, and tries to put his hands comfortingly on Nancy's shoulders but she pushes him away. She storms off to her room as Frank calls out to her that he promises he'll make things right.

Frank enters the master bedroom, where Kate is sobbing on the bed. Frank comes up to try to comfort her with his apologies, but she pushes him away saying he's ruined their lives. Much like when trying to negotiate with his boss, Frank's weak and cowardly tendencies start to flare up instinctively. He begs Kate to forgive him, and starts completely lying to her. He tells her that things that day just escalated. With the way that Nancy dresses, it wasn't surprising that his boss wanted to fuck her. Frank also tried to resist her, but he couldn't! He loves Kate and is faithful to only her, and wants to make it right again.

Kate asks if all that is really true. She wants to believe him but he really hurt her. If he does again, she's going to leave him. Frank swears it is, he would never want to do anything to hurt Kate. Afterwards he was scared and humiliated to tell anyone, and above all he didn't want to break up Kate's family. They embrace each other, and then Frank kisses Kate passionately saying again how sorry he is. Kate says how is she supposed to forgive him, she just wants to forget the whole thing ever happened. She kisses him again, and their passionate kissing slowly devolves into tender and erotic make-up sex.

Frank brings Kate to orgasm, but is unable to cum himself. He catches his breath and puts his hands to his forehead in exhaustion. Kate asks him what's wrong and he explains that he has too much stress on his mind to cum, all the unfinished business with Nancy is preoccupying him. Kate is sympathetic, and says maybe he just needs a few minutes, but Frank says he should go speak to Nancy and try to resolve things between them. Kate agrees that's a good idea, and says she'll give them both some space to work things out together. Frank puts on a plain t-shirt and boxers and leaves the room.

CUT TO Frank entering Nancy's bedroom. Nancy is curled up on the bed, and bitterly asks what Frank wants. Frank tells her he made up with Kate, and has come to do the same with her. Nancy looks up, and asks how he was able to get Kate to forgive her. Frank looks away for a second and finds himself lying again instinctively, saying that he told Kate the truth, that it was his idea to offer a deal to his boss to fuck his teen step-daughter in exchange for keeping his job. It took a lot of begging and apologizing but Kate finally decided to forgive him. He says that he also told Kate that Nancy didn't try to seduce him at all, it was his idea in a moment of weakness. Nancy is surprised, he really said that? Frank continues to lie and says yes, he just wants she and her mother to get along so he told her it was all him. How could Kate forgive him for what he did? She really forgave him? Frank keeps saying yes, she did, and the important thing now is that they forget about it and move on.

Nancy says she can't just forget about it. He says that he didn't treat her right before, but he wants to now. He says to her that there was another reason he didn't mind taking the blame for having sex with her, and it was because there was some truth to it, there's a part of him that secretly wanted her all along. That still wants her. She must have felt it, too, surely? She hesitantly says that she has, a little bit. Frank moves in to kiss her and she lets him have his way with her, slowly spreading her legs and inviting the hand on her lap to move towards her pussy. He asks her what she was going to say and she says just that she wants him right here, right now.

THE BAD UNCLE RETURNS
UNCLE CONVINCES NIECE TO HELP LURE & SEDUCE HER YOUNGER SISTER

PREVIOUSLY ON PURE TABOO: This is the story about how Diana (Jaye Summers) really lost her virginity. He'd been her dad's best friend for years. Uncle Joe (Charles Dera), as he called himself, had watched her grow up -- and she was his princess, the niece he never had. But once Diana turned 18, something changed about Joe. His fondness for her turned into an obsession. So he came up with a plan to get her alone...

SCENE OPENS on present-day Diana and her Uncle Joe fucking in Joe's spare bedroom on the bed, she is riding him cowgirl-style and clearly putting in a lot more work and enthusiasm. She gasps and moans in pleasure and calls out Uncle Joe's name as she bounces up and down on his dick, while Joe mostly lies there and just offers a few generic grunts in reply. Diana seems to reach orgasm after a little while and then starts asking Joe to cum inside her - Diana exclaims that she can feel it and starts to slow and eventually stop.

She pulls off of him and collapses to his side on the bed, rolling over to snuggle up to him placing her arm on his chest. He doesn't seem to reciprocate much. Diana tells her uncle that was great, but he corrects her - 'it was fine,' he says gruffly. She asks him what's wrong, she did all his favorites for him! He waves her off, telling her yeah yeah, she was swell... he doesn't seem to mean it. She sits up a bit and looks worriedly at him, did she do something wrong, or something? He looks at her with a serious expression and grips both sides of her head with his hands, playing lightly with her hair. 'Listen 'Princess', no offense, but...' he starts in a rude tone, the novelty's kind of wearing off. She's no longer a teenager and she's certainly not a virgin anymore...

She asks him what she could do, what he wants her to do to make him happy. He looks her up and down, considering her, then pinches her cheek affectionately, saying she's cute when she's desperate. He asks about her younger step-sister, she must be getting around 18 these days, mustn't she? Diana reluctantly says yeah, she just turned it a couple of months ago. And she's a virgin, like Diana was? '...Yes,' Diana admits. Uncle Joe looks pleased at himself for the idea and says yeah... yeah, that would do the trick alright. 'Bring her here,' he instructs her, and goes back to stroking her hair with one hand. She looks at him with reluctant subservience but doesn't say anything in reply.

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CUT TO another day, where Diana and Cammy (Emily Willis) are greeted at the door by a much friendlier-seeming Uncle Joe. 'There's my princesses!' he exclaims. He takes their bags from their hands and tosses them to the side, then welcomes them in. He gives Diana a brisk, business-like hug then moves on to Cammy, and hugs her for much longer. Wow, she laughs at how warmly he's greeting her, uh hi Uncle Joe! Long time no see! Uncle Joe releases her from the hug but keeps his hands on her arms as he looks her up and down, remarking at how much she's grown. He remembers when he used to come over to their house to visit their dad, and would pick her up for piggy-back rides like it was nothing, feels like only yesterday. Although he bets he could still do it! Without even waiting for permission, he scoops Cammy up in his arms and she yelps in surprise, then giggles in embarrassment. 'Uncle Joe!' she squeaks. Diana looks at them with a mix of jealousy and guilt.

Once she's set down, Cammy starts to pick up her bag and Joe says no, let him take care of it! He turns back to Diana. Why doesn't she give Cammy the tour, he says suggestively to her, while he gets all their things settled in their room. Then they can all meet up outside at the pool for a swim. A pool! Cammy squeaks with excitement, she can't wait! Uncle Joe sidles up behind Diana and puts his hand firmly, ominously even, on her shoulder. Make sure the two of them don't skimp on the tour, he says to her with fake innocence, take all the time they want. She nods obediently without looking back at him, and then slips her hand into Cammy's. They scamper off, and Uncle Joe shoots a devious look at the bags.

CUT TO poolside, Uncle Joe is seated comfortably in a pool chair wearing his sunglasses when the two girls emerge from the house - Cammy is still wearing her original clothes while Diana is wearing a bikini. Uncle Joe? Cammy asks, he wouldn't have happened to have seen her bathing suit when he brought the bags up to the room, did he? Uncle Joe feigns innocence and says no, he hardly touched the bags other than to bring them upstairs. Diana looks to Cammy and says see, she knew Uncle Joe wouldn't know where it is, Cammy probably forgot to pack it. But Cammy swears she remembered putting it in her bag, it was one of the first things she packed - she was really excited to go swimming and absolutely didn't want to forget. Oh, Uncle Joe says, well she shouldn't let a little thing like that ruin her fun, now. She can just swim in her underwear, he suggests. Cammy seems a bit hesitant, but Uncle Joe says come on, between her step-sister and him being their dad's best friend, they're all practically family here - no need to be so bashful. O-okay, Cammy says, warming up to the idea as she sees they don't seem to mind. She strips out of her clothes, revealing a white bra and panties underneath. 'Atta girl, Uncle Joe says, don't be shy. She flashes a grin at him and then jumps into the pool with a splash and a playful shriek. Unbeknownst to her, her white bra and panties once wet now show Uncle Joe a great view of her nubile teen body.

Uncle Joe catches Diana's eye and shoots her a meaningful look and a tilt of his head towards Cammy. Diana looks back obediently and nods again slightly. She joins Cammy in the pool. 'Hey Cammy,' Diana calls out, does she remember when they used to play pool tag as kids? They should play that again! Cammy says that it might be a bit lame with just two people, and Diana taunts her, she's just saying that because she knows she won't be able to catch Cammy. Oh, it's on! Cammy giggles and chases after Diana.

The two of them frolic in the water, laughing and giggling as they chase around the pool, splashing each other and trying to catch each other. Whenever Diana is 'it' and catches Cammy, she gets very handsy, giggling and hugging and pressing her body up against Cammy's. Cammy takes a cue from her and starts to do the same. Soon the two of them are barely running or chasing at all, but rather wrestling each other in the pool. Diana even playfully lowers one of Cammy's bra straps or tries to remove it, and Cammy gasps in happy shock and tries to get revenge by doing the same. Throughout, Uncle Joe watches them through his sunglasses with perverted interest.

Cammy remarks she's getting hungry, and is going to fix herself a snack. She asks if Uncle Joe wants one and he jokes that he's good, he's got a couple of tasty morsels already right in front of him. Cammy looks weirded out for a moment then laughs the comment off saying that Uncle Joe is so silly, but behind her Diana shoots Uncle Joe a glare of concern.

Uncle Joe then watches, with no attempt to hide it, as Cammy steps out of the pool dripping wet and grabs a towel, heading back into the house. Diana steps out of the pool next and rushes up to Uncle Joe. He has to be more careful, she warns him quietly, he's going to scare her off. They have to take things more slowly and get her warmed up to the idea, having sex with her dad's best friend is one thing but sex with her own step-sister too - it's going to make her freak if they don't handle it carefully. Uncle Joe tells Diana she'd better make damn well sure that doesn't happen, because he's just starting to enjoy himself and he's not in the mood to take things slow. So it's up to Diana to make sure her sister behaves when the time comes. Diana wouldn't want to disappoint him, would she? Diana timidly says she'll do what she can. Uncle Joe gives her a smack on the ass and tells her to get going inside.

CUT TO late that night - both girls are dreaming sweet dreams, side by side in bedrolls on the floor. The bedroom door creaks open, and the light of the hall spills out into the dark bedroom. Uncle Joe's feet step into frame. He looks the girls over hungrily, edging his way into the room to get a closer look at their teen bodies in their nightwear. He moves into the space in the middle of them both and, careful not to alert them, he settles in lying down between them. His attention goes straight to Cammy. He rolls onto his side to spoon her - she moans comfortably in her dreams. He holds her like that for several seconds, then feeling emboldened, he backs up slightly from her body and pulls his hard dick out from his boxer shorts. He strokes himself, inching as close as he can to Cammy without touching her again now that his dick's out. He breathes heavily against her neck as he strokes himself. Sensing his presence, Cammy's eyes flutter open. 'D-Diana?' she asks quietly and timidly, 'is that you?' No, princess, Uncle Joe says back in a low voice, it's her Uncle Joe.

Cammy still seems a bit groggy, Uncle Joe? What is he doing h- ... she rolls to her other side and sees him stroking himself and her eyes go wide. She calls out to Diana, get up, Uncle Joe is-! Diana's eyes snap open and she instantly starts to reassure her, Cammy, it's ok, it's ok! Cammy doesn't calm down right away, and tries to get Diana to realize what's going on, but Diana tells her she knows. 'What do you mean you know?' Cammy asks, panicked. Diana explains that Uncle Joe has something he wants to share with the two of them, something very special. 'No, but-' Cammy starts to protest, but Diana interrupts her. It's okay, she tells her little sister, she's going to like it, see? She grabs Uncle Joe's hard dick in her hand, and then puts her mouth on it to suck it, looking Cammy right in the eyes as she does it and saying mmmm.

'Diana, what are you-?!' Cammy tries to say, but Diana pulls her mouth off of his dick and cuts her off again. See, Cammy? she says, moving his dick to point at her little sister now as if offering it to her. It's no big deal, he just wants the two of them to thank him for his hospitality. Didn't mom and dad teach them to show manners growing up? Cammy starts to get flustered and frustrated, but this isn't right, she insists, this- 'Cammy,' Diana hisses, sounding a bit desperate. 'You're being rude! Uncle Joe invited us here, we're guests in his home, and this is how he wants us to thank him. Quit being such a brat and just give him what he wants.' Her tone softens, and she continues, saying that she promises Cammy will enjoy it. Just like Diana did.

Cammy's eyes widen - like she did? Diana nods and says it makes Uncle Joe happy. It makes her happy too. Cammy looks from her sister to Uncle Joe, who's staring intently at her. 'What do you say, princess?' he coaxes her and strokes her hair. 'Don't you wanna make your Uncle Joe happy?' Cammy looks down at his dick, which he continues to stroke with his other hand. She says she guesses she can try, but she's never done anything like this before. Uncle Joe tells her don't worry, her big sister will show her everything she needs to know.

To Catch A Cheater
Cheating Wife Is Catfished & Exploited Into Sex By Her Husband's Son

SCENE OPENS on the interior of a car, where loving husband Joe in the driver's seat has just pulled to a stop and put on his blinkers. He leans his arm casually against the window-frame, his wedding ring noticeable on his propped-up hand, and he turns to look lovingly at his wife in the passenger's seat. Vanessa (India Summer) has pulled down the passenger's visor and is applying a retouch of her make-up using the visor mirror, but shoots a glance and a smile at her husband as he turns to look at her. Joe asks if she's sure she doesn't want him to drive her the rest of the way, he really doesn't mind. Vanessa says 'Oh, no, honey! That's so sweet, but you have a lot of work to get done. I'll be OK, it's just a few more blocks to walk from here.'  Vanessa finishes applying her makeup but is still fixated on the mirror, flouncing her hair to look just right. In any case, she says, she doesn't know how long this meeting is going to last so he probably shouldn't wait up for her. He should go out for a bit, have some fun with the boys. Joe is disappointed, saying that his son, Danny, is coming for dinner that night. Vanessa gasps, saying that she can't believe she's going to miss Danny again! Joe sighs and says it's okay and that she'll just have to meet him next time.

Joe leans over for a kiss after wishing her good luck for the day, but she steps out of the car without acknowledging him. From a wide flat perspective outside the passenger's side of the car, we see Vanessa step out of the car and close the door. Elegant and purposeful, she slowly walks towards the camera. As the car pulls away, Vanessa looks back for a moment, then forward again, looking straight towards (or past) the camera. With a subtle smile, she continues walking, and as she gets closer we clearly see her hold her hand out in front of her and remove her wedding ring from her finger.

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Vanessa arrives at a house entranceway and rings the bell. A young male teenager (Dustin Daring) answers the door. She looks him up and down, and says 'You must be Danny,' before nonchalantly walking past him into the house. He closes the door behind him, then takes a picture with her since his friends would never believe he's getting with such a hot piece. She asks if he's 18, and he says yes - he points back out of the room and says he can show her his license if she doesn't believe him. She says no, it's fine, she believes him. She stands in the hallway but with a nosey curiosity starts looking around through the open areas of the house. She says it's a pretty nice place, and asks if it's his parents' house. The teen says no, he doesn't live with his parents, he's renting it with some roommates. They're not home right now.

'So what do I call you?' Danny asks. She tells him he doesn't need to call her anything, they're just here to have some fun and then she'll never see him again. They go into his bedroom and she pushes him to the bed. She begins taking off her heels and he asks if it's the first time she ever used the dating site. He says that it is for him, though his buddy uses the website and ended up with a married woman! She's not married, is she? Vanessa says that it's complicated. Danny is worried about what her husband will think. She says he doesn't know about it, it's better for a marriage to have a couple of secrets. The teen corrects her, better for her, she means.

She rolls her eyes, what does he care? He's the one fucking a married woman, so he can cool it with the ethics lesson. Is he going to fuck her or not? 'Oh, I'm going to fuck you, Vanessa,' Danny says while taking off his shirt. Vanessa is shocked as she sees a family picture of Danny and Joe on the shelf, putting two and two together. She tells Danny that this isn't what it seems and that he can't possibly understand! Danny tells her that he's going to send the picture of them to his dad so that he can see how big of a whore she is, going around to young strange men's houses discreetly behind his back.

Vanessa tries to bargain with and seduce him, telling Danny that she sees what this is -- he just wants to fuck his step-mother. He tells her that she's pathetic, but that she'd better get down on her knees and suck his dick. Vanessa, never wanting that picture to see the light of day, slowly sinks down to her knees as the cougar becomes prey to the catfish.

THE LOVE HOTEL
ROBOT SELF-DESTRUCTS AFTER A NIGHT OF SEX WITH HER CLIENTS

SCENE opens on a dark bathroom. From a birds-eye angle over the tub, the lights in the room turn on as a woman known only as unit #30562 (Emily Willis) floats in the milky bath water. She opens her eyes, calmly getting out of the tub and drying herself off. She has a perfectly proportioned body. She walks over to a large mirror and, pressing her fingertips in the lower right corner, causes the mirror to illuminate before it turns into a smart screen. A message pops up, thanking unit #30562 for signing in. 'Are you ready for your next shift?' The mirror asks in a soft female voice. #30562 says yes and the screen loads her itinerary for the evening. It explains that her first guest will be a returning client: John Doe, 57 years old, solar sales manager, 6'0'' tall, 165 lbs, brown hair, blue eyes. His kinks include school girls, anal sex, ass worship, rimming, ATM. Past crypto tips include 8000 tokens: extra rough, 10000 tokens: novelty take home, and 500 tokens: kissing on the mouth. Accept client? 'Accepted,' says #30562. As the smart screen processes the order and a confirmation appears, the door buzzes.

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#30562 opens the door and John Doe (Steve Holmes) enters, breezing into the room in a silver bomber jacket and matching wraparound mirrored glasses. He looks her up and down lustfully before pulling out a card and inserting it into the reader. A hologram screen pops up and confirms that the tokens have been accepted. #30562 takes a deep breath, puts on a big smile, and guides John over to the bed. She bends over, and he buries his face in her perfect ass, before sliding his cock inside her tight hole. After he pulls out and cums on her ass, she asks if he would like to kiss and he eagerly agrees. The room flashes green and replies to confirm the extra gratuity. They make out for a few moments before John Doe happily puts his clothes back on and leaves the room.

#30562 goes back to the mirror and stares at herself for a moment, emotionless. She presses the tips of her fingers against the glass and the smart screen wakes up. It explains that her next guest is also a returning client: Richard Roe, 30 years old, space tourism guide, 5'10'' tall, 170 lbs, auburn hair, blue eyes. Kinks include rough sex, breath play, collaring, fisting, and golden showers. Note from management: client is limited to rough sex after last session resulted in damages. Accept client? 'Accepted,' says #30562. As the smart screen processes the order and a confirmation appears, she stares at herself blankly and the door buzzes.

CUT to the door opening. Richard (Charles Dera) enters briskly. He backs #30562 in a corner and places his hand around her throat, his lips curling up in a sneer to reveal shiny gold teeth. 'Remember me?' He growls. She smiles and advises him to scan his card. The man backs off slowly, places his card into the reader, and a hologram screen pops up to confirm his tokens have been accepted. #30562 takes a deep breath and walks over to him. He hoists her over his shoulder and goes to the bed. Throwing her onto the bed, he licks her tight pussy, getting it nice and wet before he fucks her hard. At a certain point, he is about to pee on her when the room flashes red and reminds him that this activity has been blocked. Frustrated, he shoves his dick back in #30562's pussy and keeps fucking her till he pulls out and cums on her face. While the woman catches her breath and wipes the cum from her eyes, Richard gathers his things and leaves without a word.

When #30562 stands up, she finds herself very dizzy. The room beeps red and instructs her to return to her charging station. She crawls to a corner of the room and stands on a white platform to recharge. As soon as her feet plant on top of the station, she becomes still while her body powers up.

CUT to an hour later. #30562 is still charging, eyes closed, when the door buzzes. She opens her eyes and steps off the platform, walking to the mirror in the bathroom to accept the next client but discovers the screen is off. The room buzzes again. #30562 goes and opens the door anyway. A naked woman (Penny Pax) steps inside, clutching a holographic bag. #30562 has never seen another woman before and she is awestruck. 'Please scan your card here...' she says to the woman. The woman looks at her for a long time and feels #30562's face, trying to hold back tears, before reaching into her bag and pulling out a coin. 'Is this accepted?' She begs. #30562 takes the coin into her hand and stares at it. She's never seen anything like it before. She places it on the counter beside the card reader. 'What would you like to do to me this evening?' She asks the woman. Biting her lip and trying to contain her nervous energy, the woman reaches back into her bag and pulls out a shiny silver dildo. 'I want you to fuck me as hard as you can.' She says. #30562 takes the dildo and puts on a big smile, leading the woman to the bed. Unit #30562 may be programmed to please, but this latest client of The Love Hotel is not who she seems, and by the time she's done with #30562, the sexbot's world will never be the same.

DAUGHTER SLUT-SHAMING
FATHER DISCIPLINES BRATTY STEP-DAUGHTER FOR HAVING SEX WITH STRANGERS

SCENE OPENS on a vestibule in the early hours of the morning, where 18-year-old teen Veronica (Emily Willis) is trying not to make any noise as she sneaks through the door. After a night of partying, evident by her slightly disheveled look and party clothes, the teen is being careful not to wake her dad. She holds her heels in her hands to make less noise, and starts tiptoeing into the hallway. She makes her way into the kitchen, where she grabs some headache pills for her already developing hangover. Rounding the corner, she's shocked to see her stepfather Hugo (Steve Holmes), holding a cup of coffee. He has a stern look on his face and a rigid posture. Veronica is embarrassed to have gotten caught but tries to play things cool -- 'hi daddy,' she says sweetly, 'uhh, how long have you been up?' He says long enough to see that she didn't rest in her bed last night. She tells him that she was studying at a friend's house and slept over. Skeptical, he picks up the bottle of pills, saying that apparently math gives her a headache. Veronica sticks to her story, but Hugo isn't having it, and slams the pill bottle onto the counter angrily as he demands to know what's going on. Reluctantly, Veronica admits that she was out late at a party.

Uncomfortably, clearly not eager to say what she has to say next, she says that she needs a ride to the pharmacy. He asks what for. She winces. She confesses she needs to buy some morning-after pills -- she got a little wild at the party today. Hugo takes a deep breath, trying to keep his cool. Who was the boy? Veronica is very nervous, and admits she doesn't exactly know... some guy at the party, she didn't get his name. Hugo looks furious, and starts yelling at her - she lost her virginity at a party to a complete stranger?! That's incredibly irresponsible! Veronica begrudgingly corrects him, 'well.... not exactly... I sort of... well, I didn't lose my virginity tonight, that is.' Hugo looks at her stone-faced and incredulous. 'How many times have you had sex?!' he asks. She turns her head and doesn't answer. He grabs her by the wrist and insists she looks him in the eye. 'How many guys have you slept with?!' he repeats. Humiliated and close to tears, she reluctantly meets her step-father's glare. 'I've sort of... lost count.' Something snaps inside Hugo. He takes a deep long angry breath through his nose, and then exhales. He grips Veronica's throat and starts walking away, pulling her along with him. She resists being pulled -- 'what are you going to do to me, daddy?!' she cries out. Throwing her onto the living room couch, he leans in menacingly. 'I'm going to treat my step-daughter like the slut she is.'

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Standing above her, he looks her up and down for a moment. He tells her that she's been acting like a brat so he's going to treat her like one, and discipline her just like when she would act bratty when she was younger. He asks patronizingly if she remembers what that means. 'You want to SPANK me?!' she says in alarm, shrinking from his angry glare. She's 18 years old now, she pleads, he can't do that anymore, she's an adult. It's weird. It's GROSS. Hugo argues back, she certainly isn't acting like an adult. She's acting like a brat who needs to be taught a lesson. If she wants to live under his roof, she has to abide by his rules. She does want to keep living under his roof, right? Reluctantly, she says yes. She doesn't want to be kicked out, right? Begrudgingly, she answers back no. Then she's going to do what he says, right? Through gritted teeth and holding back tears, she says yes, she'll do whatever he says.

He tells her to take off her pants, it's time for her punishment. He instructs her to turn around. She does, and we watch from a male gaze POV as she takes off her pants slowly and reluctantly. She looks back at him with a betrayed look before also taking her panties off slowly. She stands there for a moment uncomfortably. Finally, he coldly instructs her to come bend over on daddy's lap.Lying across her step-father's lap, ass up in the air, Veronica winces and braces herself for the spanking. Hugo starts first by taunting her, rubbing his palm in circles across the circumference of her ass for several seconds, before starting off with a sharp smack. Veronica lets out a yelp from the pain. He rubs more circles with his palm before slapping the other cheek once as well. Incredulous at the size of her skimpy panties, he rips them off and proceeds to mercilessly spank his daughter while she begs for his forgiveness. He is cruel and taunting, insulting her while expressing his disappointment in her. He tells her that her mom would be appalled if she was still with them. He tells her that he didn't raise his daughter to be a disgusting slut and demands to know how many men she's fucked, spanking her ass hard for every man she's been with.

As he spanks her furiously, Hugo spreads her ass cheeks and repositions her legs to get better views of her pussy and asshole on his lap. At this point she feels something hard pressing into her body, and squeals with disgust 'Ew, are you hard right now, dad?!' She struggles on his lap and protests that it's sick that he's getting hard from spanking his own daughter. He hasn't gotten laid since her mother died, and he could use a warm hole. Hugo tells his step-daughter that she's going to be his warm hole now, whipping out his hard dick. Veronica is shocked -- no fucking way! He's taking it too far, it's disgusting. Hugo points out that just earlier, she was asking him to treat her as an adult. What could be more adult than fucking? She starts to protest, but he reminds her that she should think twice about standing up to him if she still wants a home to come back to after her nights of partying. Hurt and reluctant, she asks what she has to do, and begrudgingly agrees to do it. Veronica's about to find out that her stepfather is just getting started shaming his slut daughter.

A STUDY IN GAPING
STUDENT SUBMITS TO INVASIVE ASSHOLE GAPING FROM HER OBSESSED PROFESSOR

SCENE OPENS on a professor's lush, old-fashioned-looking university office. Professor Claremont (Mick Blue) stands at an ornate window, looking out lost in thought onto the university campus. On the visitors couch across the room, his teacher's assistant Annabelle (Adriana Chechik) sits, waiting and fidgeting in the awkward silence. The ticking decorative clock on his desk is the only sound for several seconds. Finally, Annabelle breaks the silence -- 'umm, you were saying, professor?' Professor Claremont snaps out of his reverie and turns to face her. Ah, yes, sorry, he apologizes. His thoughts had whisked him away to unknown places, he says playfully. The professor appears eccentric but charming, like a man from another era. Annabelle seems used to his odd behavior, even a bit enamored by it. He says that they've done enough for the day and dismisses her. But as she's leaving, he calls her back to get her thoughts on a new biology project he's working on. He trusts her like he trusted her sister, who he taught years ago. Annabelle is flattered, but tries to act nonchalant about it. He continues, saying that the project would be controversial but of great interest to him on both a professional and personal level. She asks him to go on, but before he does, he moves to sit beside her on the couch and switches to a very serious tone. He insists that she swears she not tell anybody what he's about to tell her. He repeats that it's quite controversial, and it could jeopardize his career if anybody were to find out about his interest in the subject. Annabelle looks a bit taken aback, but promises that she won't tell anybody. 'Marvellous!' he says, switching back to a lighthearted tone. He pats her knee with his hand innocently. 'Now then, tell me - what do you know about 'gaping'?'

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Annabelle tries to recoil a bit from her professor without being obvious about it, moving away from the couch to the desk to make some distance between them. Gaping, she asks incredulously, you mean like the sex thing? Yes, precisely, he answers. He explains that he finds it fascinating... from an anatomical point of view, of course. He remarks that so much of human sexuality is driven by a lust for external body parts -- breasts, legs, butts. But those who are interested in gaping want to see the beauty of the insides. He says that it's remarkable, doesn't she agree? Annabelle looks quite weirded out, tells the professor that she's not the right person for this, and moves to leave. But the professor stops her, grabbing her roughly by the throat. Realizing immediately that he has gone too far, he releases her and apologizes. Annabelle gets her bag and is leaving, but something stops her. Despite her hesitance, something has...intrigued her. The professor regards Annabelle for a moment and then, opening up a desk drawer, slowly and silently removes a magazine and sets it on the desk. Annabelle tentatively looks at the magazine, which is filled with dozens of gaping photos. The professor moves behind her. 'Isn't it beautiful?' he whispers in her ear. Annabelle looks scared, but also a little turned-on. He asks her if she trusts him. Reluctantly she admits that she does trust him and she wants to be a part of something important. The professor is pleased to hear that and reminds Annabelle how her sister trusting him proved very beneficial for her. What they're about to do will change the world, the professor says. Annabelle is ready, and asks the professor what she has to do. In response, the professor silently unbuttons the first few buttons of her blouse before sitting back down on the couch. Annabelle takes the hint and unbuttons the rest of her blouse, taking it off as the professor watches.

As she turns to him and begins removing her pants, revealing her perfect ass, he breaks the silence, saying that as soon as he heard about the phenomenon of gaping, he was intrigued. He's since researched thousands of videos on gaping, but none of the videos get it right. That's where Annabelle comes in. Together, she and the professor are going to make it perfect. He leads her over to his desk, where she gets on all fours, sticking her ass up in the air. Slowly, methodically, he slips her panties off. He caresses her ass approvingly, complimenting her on her beautiful asshole. The professor gets to work, lubing up Annabelle's butthole. This is the first step in creating a beautiful gape, he continues. Sliding his thumb in her lubed up ass, she moans in pleasure. The professor begins to get to work in earnest, and his invasive study doesn't stop with just his thumb. With the implements he has at the ready to probe and penetrate her (previously) tight asshole, Annabelle's faith in her professor is about to be stretched to its absolute limits.

OVER HER HEADEXTRA SMALL TEEN LIES TO OLDER GUY ABOUT BEING A VIRGIN

The scene opens on an 18-year-old girl, Aubrey (Lily Rader), as she leaves her family's house ... casually saying goodbye to her parents. When she gets safely inside her car, she pulls off the baggy sweater she is wearing to reveal a skimpy top. She calls a friend on speaker and starts to drive. She asks if her friend will back her up because she lied to her parents about having a slumber party together. She is actually planning to meet up with a man she's been chatting with. When her friend pushes for details, Aubrey explains that he is a lot older and that he thinks she's in college. He doesn't know that she's barely 18 and still in high school. When her friend warns her about meeting him alone at his house, Aubrey reassures her that he's a super nice guy and that they've talked on the phone already. She even confides that they've been sending dirty messages. Besides, it would be cool to lose her virginity to an older man ... she even bought some condoms! The friends laugh and, after making her promise to back her up, Aubrey gets off the phone and continues driving to the man's house.

When Aubrey shows up at the house, she is greeted by the man's roommate ... who leads her inside. Damien (Dean Van Damme), the guy she's there to meet, is playing darts. He warmly greets her. Aubrey is bubbly and friendly. She thinks they are going to head off to a party, as planned, and asks about it eagerly. Damien makes sure that his roommate is gone before getting her to sit down. He seems a little edgy. Still flirtatious but getting a little nervous now, she small talks while he brings her closer towards him.

Soon, they are making out and he is getting increasingly forward with her. She hesitates. He asks her what the matter is and, not wanting to admit she's a virgin, she plays it cool and keeps kissing, as he removes her shirt. She hesitates again, using the excuse of his roommate being around. Damien tells her that he won't be back for ages. Again, not wanting to seem naïve, Aubrey plays it off and allows Damien to continue pulling her clothes off. When he pushes her down for a blowjob and face fucks her hard, she strains a smile at him as her eyes water and she chokes on his cock. This is way more intense than any BJ she has given before! When he bends her over, she hesitates again and tells him she has a condom in her purse. He laughs ... why would they need a condom? She's on the pill right? She does this all the time, right?! Nervously, Aubrey lies and says she does do it all the time, he's right, she doesn't need a condom. She is totally protected. He can do it. With that, he slides his big cock deep inside of her and takes her virginity.

YOU REMIND ME OF ME
Coach Lures Teen Cheerleader Into Sex With Her And Her Husband

SCENE OPENS on Heather (Cory Chase) welcoming Kelly (Mackenzie Moss) into her home. Kelly seems excited, even a little starstruck to be there. Heather, a well-known former cheerleader, is Kelly's cheerleading coach. She has taken a special interest in Kelly and has invited Kelly there for a last-minute pep talk before an upcoming competition.

Looking at old photos of Heather taken when Heather was 18, the same age Kelly is, they remark how much Kelly looks like Heather when she was younger. This segues into them chatting about the upcoming competition. Heather offers advice to Kelly about being an effective leader and dealing with the pressure of the competition.

At that moment, Heather's husband Donald (Stirling Cooper) wanders in, seemingly by accident. He remarks on how much they look alike and conversation turns to Heather's old uniform, which she gets up to go get.

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As they chat, Heather seems to get an idea: Kelly should put on Heather's old uniform for some fun and innocent photos. Kelly agrees but is shocked when they ask her to change in front of them. Despite her reluctance and growing disquiet, Kelly changes into the cheerleader outfit in front of Donald and Heather as they leer at her.

Donald and Heather take some photos as the atmosphere becomes even creepier. Soon, Heather and Donald reveal their plan: to have a threesome with Kelly. She refuses, but when Heather threatens to kick her off the squad, Kelly ultimately agrees. 'F-Fine, I'll do it,' Kelly says.

This conniving couple will do ANYTHING to get what they want...

A FATHER UNLEASHED
UNCLE BAITS FATHER INTO DP'ING HIS STEP-DAUGHTER

SCENE opens on an 18-year-old girl and an older man, Darla and her Uncle Gus, laughing and small-talking as they are midway through enjoying a coffee at a sunny outdoor café. At Darla's feet are several bags from high-end shopping boutiques, the spoils of their afternoon out together. We close in on them to catch the tail end of an anecdote, where Gus is telling Darla yet another embarrassing story about her step-father in his youth. 'I can't believe Dad was so wild as a kid,' Darla laughs, 'he's so normal and boring now. You on the other hand...' She trails off with a wink and a laugh before taking another sip of her coffee. Gus chuckles and says 'Well, I was always a bad influence on him. Just like you're a bad influence on me!' he says, gesturing to the shopping bags at their feet, 'I spoil you way too much! But...you know I just can't say no to such a pretty face.' His compliment has a sinister undertone to it, but Darla is too enamored with her uncle to notice. 'You know,' she says after a time, 'my mom's out of town for a business trip all weekend, if you don't have any plans you should come back to the house with me. You haven't been over for supper in ages!' Uncle Gus's ears perk up at the invitation. He looks Darla up and down, hungrily basking in her features for a moment. 'That sounds wonderful!' he exclaims. 'Who knows, maybe we can get you to bring out a bit of that wild side in your dad too.'

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Darla's step-father, Eric, is at his kitchen counter preparing dinner when Darla walks in, returning from her afternoon out. She greets her dad with a smile and starts setting down her bags in the kitchen. Eric is in the middle of greeting her and about to ask how her day was when his brother Gus steps into view. A few steps behind Darla, Gus leans nonchalantly against the doorframe to the kitchen, and gives his brother a smug smile. Eric's body noticeably tenses at the sight of him, and they share a look. 'Hello Gus,' Eric mutters. 'Long time no see, Ricky!' Gus says cordially. Eric winces and reminds his brother to call him Eric. 'What are you doing here, Gus?' Darla, not noticing the tension between them, casually explains that she invited Uncle Gus over for supper. 'With mom gone all weekend, I thought we could use the extra company!' she beams. Eric sputters and clears his throat, and eventually just says 'Fine.' He is clearly not happy. Gus strolls into the kitchen and pats Eric on the back. He starts telling his brother about their day out, and about all the clothes he bought Darla. He remarks that the girl's so gorgeous, she didn't try on a single item that didn't look stunning on her. 'In fact,' he says joyfully, 'Darla sweetheart, why don't you try on a couple of your new outfits for your dear old dad and I?' Darla gladly agrees, and heads to another room with a bag to change.

While Darla is out of the room, the tension breaks as Eric becomes less reserved and more angry. 'You shouldn't be here, Gus, if Marlene found out you were at our house...' Gus keeps his cool and seems to enjoy pushing his brother's buttons. 'Good thing she's on a business trip then, she never has to know I was here.' Eric blinks back, a bit deflated. 'She thinks you're a bad influence on me.' Gus laughs, bemused. 'Does she now... maybe she just doesn't know the real you then. Or maybe you haven't told her about all the shit we used to do together. Picking up random girls, fucking their brains out, sometimes filling up both their holes at once...' Eric winces as Gus brings up all his old exploits, those days are behind him now. He's a father now. 'Step-father,' Gus corrects. 'It's not like you've developed some kind of 'paternal instincts' or anything, I know the old wild Ricky is still in you somewhere.' Eric hears scuffling from the other room and shushes his brother, just in time for Darla to walk back out clad in a cocktail or clubbing dress and heels. 'Wow, beaaautiful!' Gus gushes, and he encourages Darla to pose in various positions while he goads Eric on. 'Doesn't she look amazing?' Eric watches stiffly and chokes out some one-word responses while Darla poses in her outfit and talks with Gus. After a minute or so, Gus suggests they see another one. Darla picks up another outfit and moves to walk out of the room when Gus says 'Darla, you can change here, it's no bother! We're all family here, right?' Darla shrugs, she supposes it's fine.

She starts removing her outfit. From over the two men's shoulders, we watch intently as Darla kicks off her heels and changes from her more elegant outfit to a skimpier one, a tight tee-shirt and short shorts. With a slight turn of his head, not enough to obstruct the camera's view, Gus turns to speak softly to his brother. 'Look at thaaat,' he mutters. Eric winces again. Gus begins describing Darla's features as they watch her change, putting emphasis on how young she looks. 'Don't tell me that doesn't bring out something in you, Ricky. I've watched Darla grow up, and man has she grown. You have eyes just like I do. I know you see it too.' Eric has a pained expression on his face, but despite that he can't help watching Darla change. His breath is ragged, and he's biting his lip hard.

Darla finishes changing, and again Gus convinces her to pose for them. For the first minute, Eric remains stiff and silent, but then something cracks in him. He asks if she can hand him something from one of the lower cabinets. 'Sure dad,' she says cheerily, and bends down to open the cabinet door. Eric takes a prolonged look at her ass as she does. 'Attagirl,' he says. Gus sees this change in his brother and smiles. Gus asks for Darla to show off another purchase - he remembers a nice bra and panties they picked up at an underwear store, what about that? For the first time, Darla looks skeptical - wouldn't that be a bit weird? But Eric clears his throat and says 'No, it's fine. Actually, if my daughter's buying fancy underwear, that's something her dad should know about, right? Might mean she has a boy around.' Darla rolls her eyes, meanwhile Gus corrects him a second time - 'Step-daughter. And Darla's eighteen now, she can do what she wants, right Darla?' Exactly, she says, and fishes out the bra and panties to hold up to her dad. 'See? They're not even that sexual. They're just nice material.'

Gus asks her to put them on, and for the first time Darla looks truly uncomfortable. 'I don't know, that's not really appropriate, is it?' Gus puts on a pouty face. 'I spent a lot of money on these gifts for you, Darla, don't I deserve to at least see them on you?' Darla starts to stutter back a response but doesn't quite know what to say. Her dad cuts her off. 'Darla, don't be rude. If your uncle gave you a gift and he just wants to see you enjoying that gift, it's not a lot to ask, is it?' She looks flustered, but she supposes not. She is about to head off to change, when her father stops her. 'Here's fine. Remember what your uncle said? We're all family.' Darla looks uncomfortable but says 'OK dad' and starts undressing.

The mood for this third change of outfits is palpably different. Darla takes her clothes off hesitantly and tries to cover up her breasts and her crotch with her hands when she removes her old underwear to put on the store-bought ones. All the while, she sneaks frequent concerned glances back up at the men as she does. All subtlety from the two men is gone, they're watching her almost like animal predators stalking prey. No words are exchanged between the two, and Darla's attempts at lightening the mood fall flat. By the time she's changed into the bra and panties, she's no longer in the mood for posing. She looks and feels exposed as she stands in front of the two.

'Very nice,' Gus says approvingly, 'don't you think she looks very nice, Ricky?' Her dad breathes in deeply, acting more and more unlike the stiff man from earlier. 'Yes, Gus, she does look quite nice. My daughter's a full-grown woman now.' Gus takes a step forward, closing the distance between him and Darla. 'I have to confess, just getting to see her in these outfits... isn't doing enough for me. You know, I've bought you a lot of gifts over the years. I think it's time I got a proper thank you.' What does he mean, Darla asks nervously. Gus tauntingly plays with the fly of his pants. 'I want the kind of thank you only a grateful young woman like yourself can give. I want to fuck you.' Darla protests - what? No! That's disgusting! They're family! She turns to her dad pleadingly, but he looks back at her vacantly. 'Well, Darla, he did buy you all these nice things. You accepted them. Surely the thought must have crossed your mind he might want something in return. You're old enough to know that your actions have consequences.' Darla looks at him with tearful betrayal. Then she looks back to Gus. 'Tell me what to do and I'll do it. But just this one time, I'm not taking a cent from you ever again.'

Gus tells her to get on her knees in front of him and unzips his fly. He instructs her to suck his dick. She does so, and for about a minute Ricky looks on at her sucking dick with an expression of craving and curiosity. Eventually, his hand moves towards his crotch, and Gus notices this. He stops Darla from sucking. 'You know,' Gus says, 'your step-dad has paid to take care of you for years now. He's raised you as his own daughter. Doesn't he deserve a proper thank you too?' Darla looks up at them both with rage and disappointment in her eyes, but after several seconds nods her head yes. Eric unzips his fly and pulls out his hard dick and brings his daughter's head forward to suck it.

SWAPPED AT BIRTH
Parents Reveal To Teen That She Was Traded At Birth So They Can Fuck Their Daughter

SCENE OPENS just as Alice (Jane Wilde) takes the last bite of a piece of cake and polishes off her fork. Her parents Fred (Eric Masterson) and Barbara (Brandi Love) sit next to her, looking on lovingly. Around the table there are also the scraps of gift bags and wrapping paper suggesting a small birthday celebration between the family. Barbara comments that she can't believe Alice is 18 ALREADY. Where does the time go?

As Barbara tidies up the dishes by taking them to the other room, Fred adds that as Alice gets older, she just gets more and more beautiful.

Fred and Barbara give each other a curious look as Barbara re-emerges from the other room. Together, Fred and Barbara drop a bombshell on Alice: she is NOT actually their daughter.

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Fred and Barbara reveal that as part of an arrangement with another couple down the block, the Greens, Alice and the Greens' daughter were swapped at birth, so that each couple could indulge their fantasy and fuck their 'daughter' when she came of age.

Alice threatens to call the police, but when Fred and Barbara point out that her life will be turned upside down as a result, she backs down and agrees to the threesome.

Alice's life will NEVER be the same again...

SWAPPING DAUGHTERS
PARENTS USE EXCHANGE PROGRAM TO SWAP DAUGHTERS AND START FAKE FAMILY

SCENE opens on a family of three, Mr. and Mrs. Valentine (Dale and Gina) and their daughter Becky, in the driveway of their house. To their side a parked ride-share car and its driver wait with the trunk open. The family is going over the final preparations for their daughter's trip. The daughter is dressed to travel, with two suitcases and some travel bags at her feet, and is loading them into the trunk of the car all the while being fussed over by her attentive parents who are insistent on making sure she's prepared. While the father lectures her on travel safety tips, the mother sporadically asks about whether she's remembered to pack this or that. Even after all the bags are packed and the trunk door closed, the chatter continues until the daughter insists that she's going to miss her flight if she doesn't leave soon, and her parents begrudgingly stop fussing over her and let her get moving. 'But not until we get one last hug as a family,' the father insists, and the daughter happily obliges. She's going to miss them over the next two months, she says as she hugs them tight, but she hopes they have a good time with the new exchange student. The couple exchange a knowing glance, unseen by their daughter, and say they're sure they will. The daughter says her final goodbyes, and hops into the passenger seat of the car. She waves to her parents through the window, and they back to her, as the car starts to pull away. 'It's really happening,' the father says discreetly to his wife as he waves, 'it still doesn't feel real.' 'I know,' the mother agrees, and wistfully asks her husband, '...do you think she'll be okay?' The father puts his other hand on his wife's back and rubs it reassuringly. 'We can't think about that now,' he says as he continues to wave, 'what's done is done. She's not our problem to worry about anymore.' With the car turning out of sight, he drops his waving hand and turns to his wife, clasping her hands. 'Now come on, we have a lot to do before our new daughter gets here.' As he says the words 'new daughter', they both look at each other with nervous excitement, the expression of two people about to do something they've never done before but are clearly looking forward to. They turn to head back to the front door together, holding each other at the waist with an excited spring in their step.

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The couple emerges on the inside of their house from the front door, but it's clearly a different day and they are neither alone nor empty-handed. They are helping an 18-year-old girl Cassie with her many travel bags and suitcases, and all three are chattering excitedly - about how she's going to love it in the States, about how she loves warm weather and they get so much less of it in Canada, about what food she can't wait to try, etc. When all the bags are finally inside and the front door closed, Mr. Valentine shrugs and gestures around himself a bit awkwardly. 'Well Cassie, welcome to your new home!' he gushes. 'Yeah! Well, for the next two months, that is,' Cassie says excitedly, as the Valentines exchange another knowing look between each other

The Valentines seem nervously eager to impress Cassie, the same way a goofy teen boy might try to win over his date's dad. They tell her about all the amenities of the house, explain to her their ground rules (they insist there aren't very many - they try to be 'cool' parents, after all), and mention that they like Swapping daughters Parents Use Exchange Program To Swap Daughters And Start Fake Family to leave plenty of time for family activities and bonding, and they hope she feels welcome to join them. Throughout, Cassie is endeared by their well-meaning attitude. The whole arrangement seems like a dream come true! She can't wait to go see her room and unpack - Mrs. Valentine helps her with her bags up the stairs, while Mr. Valentine calls out that dinner's at six and he hopes she likes hamburgers!

CUT to a few days later, Cassie is in a chipper mood as she emerges downstairs to find Mr. and Mrs. Valentine in the living room. They are in their pajamas and sipping coffee when she arrives, with Mrs. Valentine reading a book while Mr. Valentine is on his laptop. 'Good morning, Mr. and Mrs. Valentine!' Cassie exclaims. 'Nuh uh uh!' Mrs. Valentine says sweetly, 'What did we say about that 'Mr. and Mrs. Valentine' stuff?' Cassie giggles and rolls her eyes - she knows they said she can call them mom and dad while she's staying here, it just feels a little weird. But she's warming up to the idea.

The Valentines inquire about Cassie's plans for the day, and gush when she says she's meeting some friends at the mall - they're so proud that she's managed to make friends in so little time here, but of course who wouldn't love to spend time with a girl as sweet as Cassie. She should feel welcome to invite them over to the house at any time, any friend of Cassie's is a friend of theirs! Cassie blushes at all the attention. She excuses herself and is about to leave for the mall when she remembers to ask - 'Oh, by the way, has the internet been down or anything the past couple of days?' No, they answer, not that they know of, anyway - why? Cassie remarks, a bit let down, that her parents promised they'd call and she hasn't heard from them once since she got here. The Valentines try to console her - they're sure she'll hear from them soon, they're probably just busy. Parents are supposed to worry about their kids, not the other way around, she should forget about it for now and just enjoy her trip. They manage to cheer Cassie back up by insisting it's probably nothing. She thanks them, about to call them Mr. and Mrs. Valentine again, and stops herself. 'I mean, mom and dad,' she grins and says cheekily, and they look positively delighted to hear the words. In good spirits, she leaves for the mall.

Once she's gone, Gina turns to Dale and says that they'll have to tell her soon. Dale nods but says he thinks they should still wait a couple more days. They'll have to find the right time. Gina says she thinks she's going to fix herself a snack and gets up off the couch, does Dale want one? Dale says absolutely. Gina leaves the room, and Dale continues working on his computer. Suddenly he gets an incoming Skype call on his laptop - we can see it's from their daughter, Becky. Dale makes a pained face, sighs, and then moves his mouse over the red button to not accept the incoming call and clicks, ending the ringing. He looks down and sees that now the icon appears that shows she's typing something. A message flashes on the screen, which reads: 'Mom, dad, please pick up!!! These people are crazy, they keep saying you made some kind of weird deal with them'. Then another message flashes, 'PLEASE, answer me, I wanna come home, these people are sick!!!' Dale sighs, and then starts moving his mouse. A third message flashes, 'PLEASE, I can see you're online, PLEASE ANSWER ME!!!!' Dale right-clicks on the name and selects to block contact. The message appears, are you sure you want to block this contact? Dale selects Block and then closes his laptop with a sigh.

CUT to two days later, in the late evening. Cassie and the Valentines are playing a family/party game on their phones together in the living room. It's clear they're all having a great time together. After the round, Cassie yawns and puts her phone on the coffee table. She remarks that it's getting late, and she was planning on meeting her friends early tomorrow so she thinks she'll head to bed early. 'Actually,' the Valentines say as they look at each other then back to Cassie, 'before you go, there's something we need to talk to you about.' They pat the seat in between them as a gesture for Cassie to come sit next to them both. Cassie looks taken aback but acquiesces. Once seated, the Valentines try to ease in to the topic - they've so enjoyed having her here, they all get along so well, it's been the best weeks of their life... Cassie looks confused and upset, they're talking like they're about to kick her out - did she do something wrong? Nervously they try to calm her down, no, in fact it's the opposite, they want to offer her a permanent home here, as her new parents. Cassie looks relieved, and says that she's loved being here too, but she of course can't accept their offer - she has a life back in Canada, friends, a home and a family. Mrs. Valentine takes a breath and explains that actually, she doesn't. Cassie looks confused, and Mr. Valentine steps in to explain that Cassie's parents made a deal with them to give Cassie to them. 'Cassie, sweetie... they don't want you anymore.'

Still seated, Cassie looks shocked and upset - what is he talking about? What does he mean a deal? The Valentines explain to her that Dale has certain... needs... needs he couldn't get from his home life with Gina and their daughter Becky. But Gina wanted to help, so together they searched the internet and discovered a small group of like-minded fathers with similar problems. That's how they met Cassie's parents, and together they came up with a solution to help both families. They made a deal to swap their daughters. The two families convinced their daughters to sign up for a cultural exchange program so they could ease them into the idea of a new family after the swap had already happened. That way there would be no turning back.

None of this is making sense to Cassie, who shakes her head hurt and confused. What does 'swapping' their daughters help? What needs are they talking about? Gina explains that Dale was feeling unnatural urges towards their daughter Becky. Urges he knew was wrong. He knew he couldn't act on those urges, but the temptation was too strong. It was actually Cassie's dad's idea, for them to swap daughters so they could each start a new 'family', a perfect family like the one they always wanted. A family they could fuck.

Cassie gets up from the couch, disgusted. What kind of fucked up plan is that? This whole thing is sick, they're both sick! Mrs. Valentine looks distraught, and Mr. Valentine speaks out uncharacteristically angry in defense of his wife. 'Now stop that, Cassie, look how upset you're making your mother.'

'She's not my mother!' Cassie shrieks. 'And you're not my father! And you're not going to FUCK me, you disgusting creeps! I'm getting my stuff and I'm getting out of here and going HOME!' But the Valentines try to reason with her - she doesn't have a home to go back to. Her old family gave her up, they don't want her anymore. And because she's over 18, they don't legally have to take her back in. He and Gina are the only family she's got now, so she can either agree to their terms or try her luck on the streets. Defiantly, Cassie pouts that she wants to call home. Mr. Valentine sighs defeatedly - they won't want to talk to her. But Cassie insists. Mr. Valentine hands her her phone from the coffee table and Cassie rapidly types in a number and dials. After a couple of rings, a grown man's voice answers. 'Dad,' Cassie starts, 'Dad it's me, I-' but the voice cuts her off. 'Who is this?' Cassie tries to tell the voice that it's her, it's Cassie, but the voice nervously says he doesn't know a Cassie, clearly lying. She tries one more time but he cuts her off saying 'L-look... whoever you are, I don't want you bothering my family, we're very happy together. Just... don't call here again.' Cassie tries to say something more but the man hangs up.

Cassie is unable to move, stunned into silence clutching the phone to her ear. After a few seconds, her arm falls to her side, still clutching the phone loosely. Dale slowly gets up from the couch and gently takes the phone out of her hand, putting it back on the coffee table. 'See Cassie?' he says sympathetically but with an I-Told-You-So vibe. 'Those people aren't your family anymore. We are. And we care about you.' Cassie looks at him bitterly - 'you just want to fuck me', she says through gritted teeth. Dale looks hurt, that's not true. He wants to love her, to be a family to her. He just wants them to be a closer family than most. Gina points out that it took her some time to understand it too, but she's come to accept it. She thinks Cassie could too.

There is a look of defeat on Cassie's face - she doesn't want to be homeless, she says. She wants to stay. The Valentines look relieved, and say of course she can stay. She's their daughter. They'll take great care of her. As long as she understands that means they get to fuck her too. 'Yes,' Cassie says defeated. 'Yes, what?' Mr. Valentine says coachingly. 'Yes... daddy,' Cassie says obediently. Good, Mr. Valentine says with satisfaction. Of course, they still have to deal with the whole business of Cassie's little tantrum. Good girls obey their parents, and if Cassie is going to be their daughter she has to learn to obey. He tells Cassie to pull her pants down and bend over his knee to get punished. '...yes, daddy,' Cassie says obligingly as she timidly strips out of her pants and walks over to assume the position.

The CONSULTATION
18-YEAR-OLD WITH LOW SELF-ESTEEM TRICKED INTO SEX BY PLASTIC SURGEON

SCENE OPENS as a homeowner opens their front door to greet Patricia, a teenage girl with big glasses and low self-esteem. Dressed in a frumpy pencil skirt and blouse and speaking no louder than a mouse, she is trying to sell knives door-to-door as a part-time job. While most girls are getting ready for college, Patricia is desperate to save enough money to cure her of all the torment she endured in high school. Teasing, bullying, being called flat and ugly her whole life. The homeowner tells her he isn't interested and shuts the door. CUT to another door being opened and Patricia repeating her sales pitch. They are also not interested. CUT to a third door opening just as Patricia drops open her knife case and gives her best attempt about being outgoing. This time, the homeowner asks if she offers free sharpening and, looking defeated, she says yes and steps inside.

CUT to Patricia tossing the knife case in the trunk and getting into her car. It's been another unsuccessful day and she is frustrated. Just as she is about to start the engine, her phone rings. It is the office of a well-respected plastic surgeon, Dr. Swell, who she's been trying to book a consultation with for months. Surely, all her savings can afford at least one procedure to help her before she starts at jer new school. Eagerly, she speaks to the female receptionist on the other end of the line. The receptionist asks her if she is over eighteen because, those seeking surgery under age, require their parent's consent. Patricia confirms that she is eighteen and a full-fledged adult, able to make her own decisions without her parents. She even sent the doctor some photos of herself along with her application, to show him the seriousness of her situation. The receptionist takes a long pause ... long enough for the awkward Patricia to check the line. 'Are you still there?' She asks desperately. The receptionist replies that the doctor would be willing to see her today if she is available. He is working out of his private residence. She will text her the address. Patricia, elated, gets off the phone and has a private moment of excitement before driving off.

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The gate opens, and Patricia drives up the path to a beautifully appointed mansion. She has never seen a house so nice. A gardener, working out front, advises her when she approaches to wait in the gazebo. Dr. Swell greets all his patients in the gazebo. Eagerly, she nods, and he lets her into the back before turning back to his gardening with a slight smile. Patricia walks through the backyard pool area astounded. It is so beautiful. She walks to a fountain at the edge of the property and looks out over the city below. She takes her glasses off and closes her eyes, taking in the breeze. Dr. Swell, dressed smartly in a black suit with his doctor's coat, approaches her from behind. 'It's hard to see when you're eyes are closed,' he says coldly. Patricia spins around, surprised, and scrambles to put her glasses back on. She apologizes for not waiting in the gazebo as instructed but the stern doctor brushes it off, taking her hand and giving her a look over. She squirms as he studies her face and body. 'I see...' He says slowly and without compassion. 'Well, let's go inside and we can begin your consultation.' Patricia is very shy and uncomfortable but knows she must be brave and do what is needed to get her surgery approved.

Inside the house, Dr. Swell takes the girl up to his master suite, where he has an exam table set up opposite his bed, complete with caddy and supplies. Patricia finds this very unusual but goes along with it. After all, he is a respected doctor. He invites her to sit on the bed while he picks up a notepad and pulls over his medical stool to sit across from her.

He confirms her age again. She tells him 18. He asks her birthdate. She says January 15, 2000. He makes a comment about millennials and asks whether her parents (or anyone else) knows that she is here for a consultation today. She tells him no, her parents don't know, they wouldn't understand, and she doesn't exactly have any friends to tell. Dr. Swell senses the girl's low-self-esteem and continues. He asks her to describe in detail what she is looking for in terms of a procedure. Patricia nervously tells him that she has always been teased for her smaller breasts. Kids used to call her Flatty Patty. She's never had a boy even look at her. No dates, no first loves, no anything. Before she goes to college, she needs to start over -- to have big boobs like all the popular girls. Whatever it takes to turn her into someone else. Dr. Swell takes down notes as he looks the girl over. She shrinks back in shyness at his cold stare. 'There are several factors that are important in deciding when and for whom surgery is appropriate,' he says in a steady monotone. 'Your ability to understand the procedure itself, knowing that your desire for surgery comes from an appropriate place, and that your expectations are realistic.' He puts his notepad down and leans in. 'If you just have low self-esteem and no friends, Patricia, cosmetic surgery may not be the right answer for you. Rather, I would recommend counseling.'

Patricia leaps off the bed in desperation, pleading with the doctor to take her seriously. This isn't something she just thought of. She has been planning and saving up for it ever since freshman year. College will finally be her chance to truly be herself. She needs this surgery! Dr. Swell allows her to vent for a moment before calming her down. 'It's alright, Patricia,' he says. 'Don't get me wrong, if a young woman has realistic expectations and the right head on her shoulders, surgery can be a great option. I wasn't saying no ... I just need to know all these things to make the right consultation. Now, let's take a look at these breasts, shall we?'

Dr. Swell guides Patricia to his exam table and asks her to remove her top. She nervously undoes her blouse. The Doctor examines her supple young breasts, asking for permission to remove her bra. Nervously, she asks if its necessary and the Doctor assures her it's the only way he can truly assess her situation. She says OK and he undoes her strap with one finger, releasing the girl's bare chest. As he cups and squeezes her, he explains that the most common reason teenage girls undergo cosmetic procedures is to treat breast maldevelopment. Sometimes this can include deformities or severe underdevelopment of the breasts and nipples. He pinches her nipples to see if they grow erect and Patricia closes her eyes in embarrassment. 'Am I deformed?' She asks nervously. Dr. Swell assures her that she is perfectly normal, just slightly under average. 'Your breasts look and feel like a perfectly normal teenage girl,' he says, sitting back on his stool. 'I can't really see any medical reason for greenlighting the procedure.' Patricia puts her head in her hands and starts to cry. She pleads with the Doctor to consider approving her anyway, just to make them big enough, so she doesn't feel so ashamed anymore. She wants to feel confident enough to go out on a date for the first time in her life. Dr. Swell stares at her, without feeling, as she sobs on his table.

'You are a virgin, correct?' He says matter-of-factly, after a long pause. Patricia stops crying and looks at him, drying her eyes. She says yes. 'Has a man ever looked at your vagina before?' He asks. Patricia covers herself again and shakes her head in shame. Dr. Swell pulls his medical stool back over to her. 'In that case, I would be much more concerned about a labiaplasty, if I were you.' He says, starting to put on some gloves from his supply caddy. She asks him what that is. He asks her to remove her skirt and panties and lie down on the table. He can perform a quick physical, if she's interested to know more about it. Patricia hesitates for a moment before slowly slipping off her clothes and doing as the doctor instructed. He spreads her legs and takes in her virgin pussy for the first time. 'Labiaplasty,' he begins, touching her, 'is plastic surgery for the lips surrounding your vagina. This can be performed at the same time as a vaginoplasty, to ensure that your labia are symmetrical and appealing to the eye.' He slowly slips off his glove and asks to enter her body, to check how tight she is. Patricia nervously agrees, asking him why that's necessary. As he fingers her, Dr. Swell informs her that the kind of vagina that most men find desirable is one that is snug and well lubricated. Women who are candidates for this type of procedure are those who are slack or loose ... and it can even happen to virgins if they leave their vaginas untreated for too long. If the hymen is not broken by a certain age, it is unlikely to even be penetrated or for the woman to enjoy a normal sex life. Patricia looks horrified. She asks him what he sees. Dr. Swell spends a long time silently digging up inside of Patricia, putting up to 3 fingers in her pussy, and even discreetly licking her juices on his finger, before pulling out and wiping his hands. He lords over the vulnerable girl and presents his findings. If she wants her breast augmentation done ahead of the new school year, she should strongly consider having the vaginal procedures done as well. Otherwise, it won't be worth her investment. She will look exactly the way she wants ... but she won't be able to enjoy it. He turns away from her, to write down his recommendation on his notepad, while she crawls off the table and sits back on the bed. There is another long silence.

'How much will that all cost?' She asks, sheepishly. Dr. Swell hands her a quote from his notepad. Patricia's face falls. 'I only saved up enough for the breast implants,' she says, starting to tear up again. 'I can't afford this!' Dr. Swell takes off his medical coat and sits down beside her. He starts to untie his shoes while she stares at him, through wet eyes. 'There are certain alternatives we can explore,' he says as he slips the final shoe off. She asks him what, reiterating how desperate she is to get it all done before school. 'If I break your hymen today,' he continues. 'Then you won't have to worry about the one procedure. And I can offer you a bundle package on the other two, to fit within your original budget.' Patricia smiles. 'Really, you can do that here?' she asks. The Doctor asks her to lie down on his bed. He can do it here so long as it is quick, and she remains discreet. He isn't supposed to do this outside of the office ... but he understands the severity of her situation and how desperate she is. She profusely thanks him, and does exactly as she is instructed. Even though it seems very strange that her surgeon is undressing himself and mounting her, he assures her it a safe and non-intrusive way to achieve the same result as a vaginoplasty. He coldly takes Patricia's virginity and she reacts realistically to the first-time sexual experience. BG with pull out and cum on stomach.

After he is finished, the doctor quickly cleans himself up and encourages Patricia to get dressed. She asks him if it went well and he tells her she will be perfectly ready to move on to the next procedures. He will have his receptionist follow up with her to schedule the appointment. She goes to take his quote and put it in her pocket when, noticing it, he quickly snatches it back. 'I'll have a new one made for you,' he says. 'On official letterhead.' They exit his room together.

In a final shot, he opens his front door and she walks out, limping and bow-legged from her first sexual experience. 'Thank you Doctor,' she says smiling. 'You're welcome, now get some rest.' He says, closing the door. He leans against the door, an evil smirk crossing his face, the first real time he has shown any emotion. It's always the 18-year-olds. They don't require their parents anymore ... but they really should.

Nominated - Best Sex Scene -- Taboo-Themed: Khloe Kapri, Ryan Keely, XBIZ 2020

SECOND PARENTS
TEEN FUCKED BY BEST FRIEND'S PARENTS AT FAMILY HOLIDAY

SCENE OPENS as Sarah, a typical teenage girl, drives through a suburban neighborhood. She's on her way to pick up Karen, her best friend, to celebrate the July 4th weekend at her parents' house. She pulls up to the curb and finds Karen waiting at the end of her driveway. Tote bag in hand, she hops in the front seat and the pair drive off. The two 18-year-old girls have been close since they were kids and, now that they have both recently graduated from high school, this will be the last holiday they spend together before college. It has been a longstanding tradition that Karen spends the weekend with Sarah's family, since they always plan better Independence Day activities than her own. Sarah's father is particularly over-the-top about holidays ... making sure his family has lots of fun things to do. It's part of the reason Karen has always looked up to Sarah. Her life seems so perfect. As the two girls small talk, they drive back to Sarah's house and pull into the driveway. Sarah's father is waiting for them on the landing, sporting a cheesy BBQ apron and waving. 'Oh god, how embarrassing,' Sarah laughs. Karen laughs too, noting that at least it isn't as bad as the one he wore last year. They get out of the car and run up the stairs, each hugging Sarah's father, before heading inside.

CUT TO TITLE PLATE

That afternoon, the family spends time together in the backyard. Sarah's father is tending to the grill while his wife relaxes with the two girls. They chat about their college plans and Sarah's mother teasingly asks Karen if she has a boyfriend yet. Karen responds that she doesn't ... but Sarah's mother doesn't let it go. While this conversation is happening, Sarah's father grills in the background. The camera frequently cuts to his point of view, as we see him zero in on Karen and watch her intently, scanning up and down her body. The mom keeps asking questions and it gets to the point where Karen begins to feel a little uncomfortable. She is much more reserved than her best friend, especially when it comes to boys, so she isn't used to divulging intimate information. Sarah catches wind of this and quickly changes the subject, as the parents smile at each other.

CUT to the dining room table. The family has just finished dinner: hamburgers from the grill. They are sharing memories about all the 4th of July celebrations they've had together over the years, and Sarah's father raises his glass to make a toast. He thanks his beautiful wife and daughter for blessing him every day with their love. And he thanks the girl he considers to be just like another daughter, Karen, for being such a good friend and influence for Sarah. He gushes about how much she's grown over the years and how she has become such a gorgeous young woman. The camera frequently cuts to the father's point of view, as he studies Karen's chest breathing heavily as she grows more awkward. 'If only I were 18 and single again,' he says jokingly. 'You would have to watch out!' The parents laugh ... as Karen grips her napkin underneath the table. Something seems strange. Sarah hurriedly changes the subject again and, noting the time, asks her father to let them go get ready for the fireworks.

CUT to outside at dusk. From the father's point of view, he studies the girls as they dance around with sparklers. Flashes of light hit their faces, as they react to the sound of fireworks and try to draw hearts in the air with their sparklers. After a few minutes of observing them, playing close attention to their supple teenage bodies as they play, Sarah's mom walks up into the frame and whispers to her husband that it's time to get the girls ready for bed. Their sparklers have gone out. Sarah begs to stay up a bit longer, but her father insists they turn in for an early night. He has a long weekend planned. She looks a bit frustrated but agrees.

CUT to Sarah's bed. She is already under the covers on her side, looking at her phone, when Karen exits the bathroom and crawls in beside her. She starts to talk about social media gossip when Sarah abruptly puts her phone away. 'I'm tired,' she says curtly. 'Let's just go to bed.' Karen seems a bit put off by her coldness. 'Everything ok?' She asks. Sarah says yes and turns her back on her friend. Karen lies there in silence for a moment. She doesn't understand what's going on. 'Are you sure there isn't something up between you and your parents?' She asks cautiously. 'Things seem a bit tense this weekend.' Sarah laughs sarcastically to herself and mutters something about her parents liking Karen more than her anyway, so why is she so concerned. Karen tries to protest but Sarah tells her to forget about it and go to bed. Begrudgingly, Karen turns off the light and closes her eyes.

CUT to the middle of the night. Karen's eyes pop open because the light has been turned back on in the room. Sarah still lies passed out on her side of the bed, back turned. As Karen slowly sits up, she realizes that she is being straddled by Sarah's mom, who somehow crawled into the bed behind her. Shocked, she asks what's going on. Sarah's mom hushes her and says that she was having a bad dream. As she says this, Sarah's father tip-toes into the room with a glass of water. He is wearing only boxer shorts and Karen is taken aback by how fit her best friend's father is. She can clearly see his penis underneath his boxers and it makes her very nervous. Nonchalantly, he hands her the glass of water and comforts her, echoing his wife when he says that Karen's tossing and turning woke them both up. They wanted to make sure she was ok. As they both pet and coddle her, she anxiously looks over at her friend. 'Is there something wrong with Sarah?' She whispers. They shake their head and tell Karen that she is just a sound snoozer. She shouldn't worry about her. She should just concentrate on herself and feeling better. Sarah's mom kisses her forehead and holds her tightly while her father takes the glass back and starts kneading her shoulders. He tells her she is very tense, she must have been very anxious. Is she stressed? Not knowing what to do, Karen shakes her head. Sarah's mom asks if they are helping her to relax. Karen nods and thanks them, looking over at Sarah again. Why isn't she waking up?

'We've always considered you to be an extended member of our family,' Sarah's mom says, looking her husband dead in the eye. 'We worry about you just as if you were our own.' Sarah's father agrees, adding how much they've come to love her over all these years and how sad they are that she is going to be moving away in the fall. Shell-shocked, Karen tries to appease them by saying how welcome she's always felt and how sad she is to be leaving as well. They're like her second parents. 'We want to make sure you leave with only the best memories,' Sarah's mom continues, wrapping her arms tightly around Karen. 'And, now that you are 18,' her father adds, 'we want to show you just how much we care about you ... before you go!' Sarah's mom smiles at her husband and they lean in to kiss each other, directly over top of Karen. Karen swallows hard, her eyes darting between them and her best friend. She sees Sarah's mom pull her father's cock out from his shorts and start to stroke it. Her eyes go wide. Sensing her reaction, Sarah's mom tells her that it's ok to look, she doesn't mind. She knows how handsome Sarah's father is and she is aware of how close Karen has grown with him, especially since she came of age. Karen tries to awkwardly protest but Sarah's father chimes in. 'What?!' he asks, jokingly. 'You don't like me anymore?!' Karen doesn't know how to react. She tells him she really likes him. She likes all of them. 'Good,' Sarah's mother says, slowly sitting back and pulling Karen onto her back. 'So why don't you just relax then, and we can all have a little fun together. Would that be alright with you?' Karen gulps, looks over at her friend one more time, before slowly saying YES. Sarah's father pulls down his boxer shorts and kneels to start removing Karen's pajamas. Sarah's mother holds her gently in place and pets her head, asking her if she's ever been intimate with a grown man before. Karen stammers that she's a virgin and, smiling at each other, the mom warmly tells promises that this will be special. Her special little secret with her second parents. Karen says 'ok' slowly, as she gulps again and looks down to see Sarah's father start to lick her pussy. BG SEX. As Sarah's father has first-time sex with the awkward yet eager to please Karen, Sarah's mother participates passively by holding the girl in various positions and encouraging her and her husband's love making. Throughout the sex, the camera regularly shows Sarah's father's point of view, as he looks down on his daughter's best friend and his wife. In the end, he cums on Karen's face while his wife looks up at him proudly.

When it is over, the stunned Karen doesn't know what to do. She wipes the cum off her face as the sweaty parents quickly tuck her in to bed, climbing on either side of her. As Sarah's mom turns out the light, she tells Karen that they'll all share the bed together tonight to make sure she doesn't have any more bad dreams. Karen asks again about Sarah and her father reminds her that she is just a sound snoozer and will wake up happily with them in the morning. She'll understand. They often share a bed all together when she gets scared. As they drift off, the camera slowly moves over to reveal Sarah's face for the first time. She has been lying, completely awake the whole ordeal, tears pouring down her face. She knew what her corrupt parents had planned for this holiday weekend and she led her best friend straight to them.

UNCLE FUCKER
Teen Caught Getting Fucked by Father's Best Friend

SCENE opens on Jessica, a precocious 18-year-old girl, as she sits knees tucked on her bedroom floor finishing her makeup in front of a mirror. She smiles and pouts at herself, taking a few selfies, before overhearing her father call her into the kitchen. It's Sunday, the day of the big game, and he is having several buddies over ... including John, a man who's always been like an Uncle to Jessica and someone she's crushed on for years. When she struts in the kitchen, Jessica's father is shocked. How come she is dressed up like that? She is way too young to be wearing such provocative clothing! Jessica tries to protest, telling her dad its just what teenage girls wear these days, but dad is insistent that she go back and change. His friends are coming over, for goodness sake! She had promised to help him host ... not be a slut! Jessica glares at her father before storming back into her room and slamming the door.

Jessica's bedroom door slowly opens, as she creeps out into the hall amid sounds of men cheering and laughing in the other room. The game has begun. The camera slowly pans out to reveal the teenager dressed in another provocative outfit ... despite what her father said. She looks smug as she walks into the kitchen, grabs a bowl of chips, and makes her way towards the living room. Her father and his two buddies are all engrossed in the game when Jessica asks if anyone wants a beverage ... and awkwardly says hi to John. Jessica's father looks annoyed when he sees her outfit but can't say anything in front of his friends, so he just shoos her off. John, on the other hand, seems fixated on the 18-year-old. He asks if she needs any help and follows her back to the kitchen.

As they open a few beers, Jessica tries to act mature and sophisticated with John, to impress him. After telling him her college plans, she gushes that he is her favorite Uncle, even if they aren't related. She reminisces about all the good times they've had over the years, with John hanging around the house and being her dad's best friend. John is charming and sweet with Jessica, all the while keeping an eye on her father in the other room. At a certain point, he leans in and whispers something about wanting to eat her pretty little pussy. Jessica is stunned, assuming she's misheard. She asks him to repeat himself and he just smiles, saying he wants to eat the chips ... before walking back to the living room. Jessica flushes red. Did he just really say that?!

One Hour Later

Jessica sits wedged on the couch with her father and his friends. They are all still engrossed in the game, while she looks nervous. She keeps thinking about what John said. He is staring at her now and starting to play footsie with her subtly, right in front of her father. The light teasing continues until Jessica can't handle it anymore and excuses herself to go refill the chips.

Inside the kitchen, she opens the pantry and grabs a bag, opening its contents into the bowl. When she turns around, John is standing right behind her. He startles her so much that she drops the chips on the floor. Embarrassed, she apologizes for being so jumpy and leans over to pick them up. John is still sweet and charming but doesn't do anything to help her ... instead, he just looms over her as she bends down, ass innocently up in the air. There is something strange about the way he is calmly watching her while keeping an eye on the men in the other room. By the time Jessica gets back up, there is an uncomfortable silence between them. She squirms awkwardly as John stares at her, inching closer.

'Jessica,' John asks. 'Can I ask you a question?' She nervously nods her head. John steps closer. 'Your dad told me once that you have a little crush on me. Is that still true?' he asks coyly. Jessica freezes, her big doe eyes staring up at him. How embarrassing! 'I can't believe he said that,' she dismisses. 'That's ridiculous. You're like family to me!' She tries to move back to the living room, but John pulls her back by the hand. 'But is it true?' He asks again, rubbing her arm. She looks down at it before slowly looking back up at him. 'It was just a silly school girl crush kind of thing,' she brushes off. 'That's why I never pursued it. You're Uncle Jack. Besides, I'm too young for you ... I just turned eighteen!' Smiling, John continues to ask questions as he slowly backs her up in the kitchen, asking what she used to think about him, what she thinks about him now, and confirming the fact that they are just family friends. Her reluctance plays out more in body language than actual words, as she nervously backs up into a corner of the kitchen. Finally, he gets her to admit that she still likes him and that she has even touched herself at the thought of him fucking her. Jessica is extremely nervous about having this discussion while her dad is in the other room but John keeps distracting her, pulling her down in the kitchen so they can keep talking without raising suspicion. Finally, John asks if he can kiss her and, after some final hesitation, she agrees. After some foreplay, she also verbally agrees to have sex with him.

Throughout the BG sex scene, she enjoys what's happening but is very worried and distracted about being too loud and arousing her dad's suspicions. John eagerly devours her, giving her a long rim job and having her deep throat his cock before sliding into her pussy and unloading on her ass. She feels the cum drip off her cheeks, just as she looks up and sees her disgusted father and his other friend staring down at them both. Game's over.

Chanel Preston and her step-daughter, Jade Baker, are eagerly waiting for Jaclyn Taylor and her step-daughter, Aidra Fox, to show up and help with some spring cleaning. When Jaclyn and Aidra arrive, Chanel is especially excited to greet Jaclyn, and it isn't long before the two step-mothers hurry off to clean out a closet.

Jade and Aidra have always been a bit suspicious of how... close... their moms are. They seem REALLY close, even for sisters! But the girls try to put that out of their mind as Jade shows them some boxes that need tidying.

The conspiracy surrounding their moms gets even more intriguing when they uncover a binder holding family tree papers while cleaning. Jade and Aidra are shocked when they learn that their mothers aren't really sisters at all! They're step-sisters! How could Chanel and Jaclyn keep a secret like that from them for so long??

Angry, they go to confront their step-mothers, but are stunned to catch them making out! Now that Jade and Aidra know the truth, suddenly their mothers being so close is hot. So hot that Jade and Aidra get caught up in the heat of the moment and lock lips as well. When their moms catch THEM in the act, the whole truth is finally revealed... and things heat up between the whole family!

It's a free-for-all as the mothers and daughters crawl all over each other, determined to ensure that no pussy or breast goes untouched. Jade and Aidra are certainly learning a lot about their family today -- and they couldn't be happier!

Story inspired by an original submission by Girlsway member, Lesbianlover!

Breathtaking teen Naomi Swann flaunts dirty blonde hair and brown eyes with dramatic makeup. Elegant lingerie and heels accentuate her lovely, natural body and creamy skin. Markus Dupree stuffs his face in her crack for a rim job and eats her shaved pussy. Aggressive fingering makes her ejaculate girl squirt! He feeds her the juice, later making her lap her liquid from the floor! Markus grips her by the hair for a face-fucking blowjob, and Naomi licks balls. Manhandling sex includes a standing, doggie-style pussy railing with ass spanking, and then sodomy in multiple positions. His foot clamps her head to the floor; he chokes her; he contorts her for a full-nelson buttfuck. Nasty anal reaming makes her bunghole gape, red intestinal innards showing. She tongues his bunghole, and anal fingering makes her girl juice shower her face! In a cum facial, sperm spackles her tongue, nostrils and forehead!

Longhaired bleach blonde Kenzie Reeves looks like a doll in high heels and pink net lingerie that shows her natural tits, shapely butt and snow-white skin. With a mischievous smile, she peels tape from her thick nipple hard-ons, and Kenzie spreads her meaty cunt and asshole. The teen sexpot plays with an older man -- Mick Blue eats her pussy, and Kenzie smacks her own face with his big boner. She gives a blowjob and sucks balls, slobber strands hanging from her face. Kenzie masturbates desperately as he nails her twat. He straddles her for a face fuck. When Mick pries his prick up her ass, Kenzie takes an anal ride. She practices her ass-to-mouth deepthroat skills, eyes straining. Kenzie digs her face into Mick's ass crack and tongues bunghole; a false eyelash comes unglued. Hard rectal reaming in multiple, manhandling positions makes her butthole gape and fart. Makeup trashed, she kneels for cum facial.

Aidra Fox is nervous about seeing her boss today. Dee Williams is an amazing, inspirational woman and Aidra loves working beneath her. All Aidra can hope is that being called in by Dee today is a GOOD thing.

When she meets up with Dee, Aidra is happy to learn that she's doing very well within the company! So well that Dee is considering having her manage a new location they're opening! But the only thing stopping Dee from promoting Aidra right then and there is Aidra's sense of style. See, even though Aidra dresses... COOL... it's not quite the look their clients respond well to.

Aidra's hopes and dreams are crushed as she admits that she's not sure what to do to change that. Fortunately, Dee is all too happy to share an extra outfit with her to help Aidra achieve the successful look the company wants for her -- what DEE wants for her. She WANTS Aidra to succeed and maybe even be HER boss one day!

After Aidra changes into the impressive suit and blouse, she's blown away by how confident she feels. As Dee fawns over her new look, the tension between them builds. They're both powerful woman who relish a good challenge and passionate partners...

One thing leads to another as admiration turns to infatuation. They are both swept up in the heat of the moment as they share a kiss that quickly turns into so much more. It's not long before they strip away each other's business suits to get a good taste of what's beneath. All throughout, Dee's mind is blown -- it seems Aidra definitely has what it takes to make it to the top!