Latest 'Submission' updates from Pornstar Scenes (Page 116)

Every day is new beginning and today is the one the begins Kristen's first time on Device Bondage. She has proven herself on Hogtied in recent months, but this is a different dance that she has to do. The devices are rigid and unforgiving and the sense of total helplessness is immediate. She is standing with her body weaved into the first device that sticks her ass out and makes her arch her back. Even her pretty face is in bondage with a leather head harness gag. The Pope towers over his prey as the torment begins with a vicious flogging to her flesh. He has his way with her until she has earned her first orgasms. The second scene opens up with Kristen atop a wooden tale and restrained in a steel scavenger's daughter. Her neck, wrists, and ankles are all secured in cold steel keeping her in a fixed sitting position. A blindfold is applied to take away her sight so that the game can begin. The Pope quietly moves around the dungeon and shocks her with an electric zapper. Some fear play thrown in for good measure before he assaults her pussy with a vibe for more orgasms. We can't finish the day without seeing her perky ass, so she is bound in a doggy position. Her flesh is striped with a cane before she is stuffed with a large metal hook. She endures more orgasms against her will until he has had his fill of this little slut.

When Brunette beauty Whitney Wright is tied up and held for ransom Mr. Pete can't resist her sex appeal and the evening turns into an Anal Heist! Wearing a sexy robe and white high heels Whitney is bound in rope, gagged and doing everything she can to get Mr. Pete's attention. She is bored and wants to fuck! She tosses her hair in a flirtatious manner, reveals her small sexy tits and rubs her pussy until finally Mr. Pete gives in and decides to have his way and give her what she desperately wants - hardcore BDSM, flogging, fucking, sucking, slapping and domination. On all fours Whitney arches her back and wiggles her ass while Mr. Pete flogs her until her skin burns and turns red. After getting totally turned on from the corporal punishment Whitney asks Pete for that dick of his so she can suck it and boy oh boy can she suck cock. Deep throat, slurpy and wet she takes Mr. Pete to the edge with her skillful sucking but now it's time to fuck. Tied up on all fours in doggie Whitney gets the crop on her sensitive thighs and ass, then Pete slides his fat cock inside her wet pussy and takes her to pound town. He fucks her pussy real good and then slips a glass dildo into her asshole so both holes are filled up and happy. Then Pete fucks Whitney's ass and all is right with the world cuz she's screaming and loving it and begging to cum. Now tied up on her back with wrists tied to ankles, Mr. Pete holds Whitney's delicate neck, fucking her pussy and ass deep and hard filling her with pleasure until he blows his load all over her.

Tattoos, fishnets, jet black hair and a slutty mind. Jessie Lee is a hardcore whore with an appetite for men. Caged up only to be released for the one thing she craves most. Watch her handler use her in a way that pleasures them both. She sucks cock like it's the last time then takes a firm, deep thrusting in her tight, pink, whore hole. She loves being used like a slut and today she's a happy lady.

Locked up and completely submissive to her man Nathan Bronson is exactly what Sailor Luna was built for. Watch this busty slut dragged from her cage by her leash into a dark room where she will be used for her holes. Her busty breasts and thick thighs make her a woman built for a rough pounding. Shes hungry for cum and she will do whatever it takes to receive it. Watch this obedient little cum dumpster do as she's told and love every second of it.

Sluts belong in cages, and that is all there is to it. Kat Monroe is so out of control that Luna Star has to lock her up inside of a cage and not allow her out until she has been good. Only then, will she be allowed out, but she also has to listen to her master. In this case, she has to do as Luna says. When Luna tells Kat to eat her pussy, Kat must obey, or she will be punished. However, maybe it is punishment that Kat is forever searching for. We may never find out, but we sure do get a glorious preview.

Ana is one of the most beautiful women we have everseen, and she loves to be bound and tormented. Her body is tight and fit, herface is angelic, and her flesh pristine. What happens when you take theperfection that is Ana Foxxx, and add the sadistic mind of The Pope? You geta mind-blowing shoot that puts her body on display, as she is tormented andput through the paces. Ana begins in a standing position, but not just anystanding position. she is in a predicament that keeps her body stressedthroughout the entire scene. Her body is pulled in all directions which ispainful enough, but then The Pope enters and begins his manipulation ofher body and mind. She is flogged, then nipple clamps are added before she isallowed to have her first orgasm. More orgasms quickly follow and Ana's faceleaks with drool as she orgasms uncontrollably. In the next scene, we haveAna in a seated position with her legs spread, her hands pulled down, and herneck pulled up. A bowling ball is added to her neck to restrict breathingenough to make her control herself for the duration of the scene. A crop isused for precision to get all of the sensitive parts as she struggles to breathe.He is relentless with his punishment and her faces show signs of breaking asthe torment goes on. As this scene nears its end, her body has clothespinsadded and then flogged off. She is made to cum multiple times before thescene concludes as he reward. The final scene begins and Ana is face downand bent over with her ass in the air. Again, Ana is made to endure a brutalpunishment issued by The Pope. He eventually gives her a dildo to fuck herface with as he continues to torment her. Next the didldo is shoved into hertight pussy and she is fucked, vibrated, and finger fucked until she forgetsher own name.

When Carolina Sweets is a bad girl, she must be caged. Carolina does not want to listen to her owner, so he has no choice, but to lock her in his slut cage. If she is a good girl, she is allowed out for a little bit. Being a good girl involves a lot of different things. One of those things is sucking his cock. If she can suck his cock through the cage the way a good slut can do, then she is allowed out. She complies with that request, and then is let out. After being let out, he unleashes his wrath on her dripping wet pussy.

Dirty cop Tommy Pistol is in trouble again. He was able to escape but he left some incriminating evidence behind. Luckily for him he knows the Evidence Clerk Casey Calvert is a slut for cop cock. He finds Casey working in the basement on the weekend, no one else is around. He just needs the little bit of evidence for his freedom. Unfortunately it was just locked away. Casey must have the code and he is going to do whatever it takes to get it. Throwing her against the wall and handcuffing her, he tells her she is going to be in big trouble for withholding evidence. Tying her up in rope bondage and gagging her with a ballgag, he pulls her pants down and flogs her ass red. She screams she doesn't know the code. Well maybe this cock hungry whore just needs some good cock cop to start talking. Tommy rams his hard pistol down her deep wet pussy. Well the rumor in the precinct goes, this slut likes to suck cop cock. Stripped naked and tied up again in restrictive bondage, Casey's nipples are now clamped. She takes a hard deep throat cock sucking. She gags that she doesn't have the code. Liar. Flipping her over, Tommy knows where to start knocking. Casey gives up her tight asshole for Tommy's cock. He rams that hard thing deep and fast into her hole. Anal fucking gets her cumming hard. Tommy brings out the hitatchi for her pussy before he covers her holes in cum.

The day begins with Charlotte restrained in heavy, coldsteel chains, with her neck locked into place with a steel neck trap. The Popeenters with a fist full of nipple clamps and with one goal in mind, which is tomake Charlotte squeal. As he decorates her nipples with clamps, she wincesin agony as they squeeze her sensitive nipples. Next, he grabs a crop and withabsolute precision, he attacks her flesh to reign pure agony down on her.Charlotte is at the end of her rope, and just as she is ready to throw in thetowel, The Pope switches gears and begins to make her cum uncontrollably.Her knees are weak and she is about to give out when he finishes with herand leaves her alone awaiting the next device. The second scene begins withCharlotte in a sitting position with her legs spread and her arms pulled outwide. Leather belts hold our porcelain doll in place as he enters and begins torub her pussy. His massive hands caress her flesh, then squeeze it until shescreams, then hits her for maximum effectiveness. A heavy flogger comesout and her ass is beaten with it, then The Pope moves around to the front ofher and issues some breath control. Her front side is turned to a bright redwith his flogger, and just as we see her begin to break, he quickly clinches herthroat in his hand and our little slut smiles with pleasure. Multiple orgasmsfinish the scene and leave Charlotte one step closer to her final destruction.In the final scene, Charlotte is folded in half with her feet and ass on fulldisplay. The Pope makes sure to assault every inch of flesh that he can get to.Her feet suffer through a nasty bastinado, and her ass is caned, but the partthat almost breaks her is when he stretches her nipples as far as he canusing the cane. Alligator clips are applied to her pussy and then she is vibeduntil she can no longer take it.

PUNCHING BAG
Repressed Woman Dominates Male Escort Roleplaying As Her Coworker

Scene opens on Crystal (London River) welcoming Aiden (Logan Pierce) into her home. As they chat, we get the sense that he is a male escort.

Crystal leads Aiden into the bedroom where they begin to casually prepare for sex. It's clear BDSM will be involved, and Crystal admits that she's frustrated with a coworker named Derrick. Aiden assumes that Derrick is Crystal's office crush, saying 'Whatever poor Derrick's missing out on, I'm more than happy to let you do to me.'

Crystal's eyes darken.

'LET me?' she asks fiercely, suddenly cracking a riding crop.

CUT TO TITLE

Crystal and Aiden fuck, with Crystal ordering Aiden around. Things are still relatively tame, for now, and Crystal calls Aiden 'Derrick'. Aiden goes along with it, thinking it's basic roleplay.

Soon, the sex starts to become more intense and degrading. Crystal starts berating Aiden as though he's Derrick. Aiden still goes along with it but starts to get worried when she seems unwilling to stop the roleplay.

What has Aiden gotten himself into?!

YOU BOTH BELONG TO ME
Bigamist Is Furious When He Catches His Two Wives Cheating On Him With Each Other

Robert (Charles Dera) has not one but TWO beautiful wives, Alice (Alex Coal) and Julia (Karla Kush). Although life is perfect for him, since he has two wives tending to his every need, things are not so perfect for Alice and Julia. In fact, he's oblivious to the subtle, loving gazes that the women exchange when his back is turned...

One day, Alice and Julia meet up while Robert is away. Alice is nervous to be alone with Julia, especially since her love for Julia intensifies with each passing day. Even though THEY aren't married, Julia feels the same way and can't deny her feelings anymore... One thing leads to another and they soon find themselves passionately embraced, the existence of their husband all but forgotten in the heat of the moment. Clothes fall to the floor as they desperately caress each other's bodies with their hands and mouths, trying to express everything they've kept repressed for so long.

But their tender moment comes crashing down when Robert unexpectedly comes home, catching them in the act. He is going to make sure his wives never forget who they belong to ever again...

FROM AFAR: A WHITNEY WRIGHT STORY
Woman Confronts Her Stalker In Unexpected Way

Jamie (Whitney Wright) is an ordinary housewife living an ordinary life. But little does she know, someone other than her husband also thinks she's extraordinary...

An obsessive man named Barry (Michael Vegas) watches Jamie from afar, collecting keepsakes when she isn't looking. Whether it's a picture or a napkin with her lipstick, each item makes him feel closer to her. After each candid encounter, he returns home to add the keepsakes to his shrine. As he gazes at all the pictures of a smiling Jamie, while her acquaintances' faces are all scratched out, Barry's hunger for her only intensifies. He MUST have her. Only one thing stands in Barry's way: her husband. However, he's about to change that...

One day, as Barry is watching Jamie through a window, he reaches his snapping point as her husband prepares for a romantic night. BARRY is the one that's supposed to be romancing Jamie -- not THIS tool. Tonight's the night that he's going to make Jamie HIS... Fortunately, once he's inside the house, taking out the husband is pretty easy. Now NOTHING is standing in the way...

When Barry steps into the bedroom, Jamie is dressed in sexy lingerie with a sheer robe. He knows the lingerie is meant for her husband but he has fun imagining that she's wearing it for HIM alone. But when Jamie sees him standing in the doorway, she's not afraid of him... In fact, as she lets her sheer robe drop to the floor, she tells Barry that she's been waiting for this day to come...

AN HONEST LIVING
Homeowner's Son Terrorizes Honest Hardworking Housemaid

Amelia (Anny Aurora), a hardworking and honest housemaid, casts uncertain looks over her shoulder as she cautiously approaches her employer, Mr. Winters. There's something she's been wanting to tell him for months, and today's the day that she's finally going to do it. Yet, she freezes as she stands before Mr. Winters, who is impatiently waiting for her to spit it out. Although Amelia tries her hardest, words fail her, leading Mr. Winters to think she's simply shy about asking for a raise. However, nothing could be further from the truth...

Admitting defeat, she returns to the kitchen to clean the floor, only to be startled by Adam (Alex D), her employer's son. Adam is calculated and cruel, taking great pleasure in tormenting Amelia at every given opportunity. He hasn't shown mercy since the first day she started work. Even though he's not her boss, Amelia feels powerless to stop him from taking what he wants whenever he wants.

As Adam toys with her, he reveals that he knows Amelia was trying to tattle on him. She deserves to be punished for such subordinance... Although Amelia doesn't want to submit to him, she can't afford to lose this job and be left penniless. Once again, as she slowly unties her apron and bends over the counter, she gives in to Adam's demands.

HOMEWRECKER
ANGRY EX GETS REVENGE BY HATE-FUCKING HIS EX'S NEW LESBIAN GIRLFRIEND

A young woman, Evie (Riley Reyes), is enjoying a peaceful day at home when there's a knock on the door. A cableman (Mr. Pete) politely greets her, but Evie is confused since she didn't call him to have anything fixed. The confusion is cleared up when they work out that Evie's girlfriend, Casey, is the one who put in the work order. Satisfied, Evie lets the man in to do his job.

However, things take an unsettling turn when Evie catches the cableman ogling a framed picture of her and her girlfriend. Although he brushes it off and plays innocent, Evie is further unnerved when she catches him wandering off through the apartment, NOT doing his job. She starts to suspect that something isn't right and is about to call her girlfriend in secret when the cableman suddenly reappears.

'Who ARE you?!' she demands, though isn't expecting what she gets in response. The man is none other than Mitchell, Casey's ex -- the same man Casey left to be with Evie. To say he's upset that his girlfriend left him for another girl is an understatement. Mitchell believes that Evie corrupted Casey, stealing her away from him. He wants Casey to know what it's like to have your heart shattered into a million pieces...

And he's going to make Evie, Casey's beloved, help him.

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

'... there are those who cause you to freeze inside... Those you should keep away from. They are not good for you, even though others might say that they are good people...'
-Bodil Bredsdorff

THE KINDNESS OF STRANGERS
Rich Philanthropist Takes In Homeless Teen Who Discovers His BDSM Sex Dungeon

SCENE OPENS to Billie (Avi Love) awkwardly standing in a luxurious mansion. She's a teen living on the streets, though she had the good fortune of being invited to a fundraiser hosted by a well-respected philanthropist, Tom Ridge (Derrick Pierce). She feels so out of place, especially once she catches the rich, handsome man's eye.

Tom is charming and sweet, which Billie is naturally drawn to, though she is still guarded. Yet, she doesn't know what to make of him when he offers for her to stay in this beautiful home with him! She's suspicious -- there HAS to be a catch! Tom assures her that there is no catch... Well, except that she'd have to rely completely on the kindness of strangers.

Although Billie is still uncertain, she can't turn down the once-in-a-lifetime offer.

The next morning, Billie is given free rein of the house as Tom attends to business elsewhere. However, the one thing Tom's made clear is that she ISN'T allowed to do is go into a private room across from her own. Although she's able to resist temptation for most of the day, the mysterious wooden door seems to be calling her name.

Finally, she can't resist as she sneaks inside the room, only to uncover a BDSM sex dungeon.

As she carefully explores the room, blown away by all that surrounds her, it's hard to envision the kind community man having any part in THIS. Yet, she's about to find out just how dark his desires are when he returns home and discovers she's broken his one rule...

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

Dad's Paddle Collection
TEEN DAUGHTER UNCOVERS DAD'S REPRESSED DARK AND KINKY PAST

'He was now in that state of fire that she loved. She wanted to be burnt.' - Anaïs Nin

We open to Gracie (Marley Brinx), an innocent teen simply looking for her step-father's fishing gear so that she can spend a day out with friends. However, when she searches Tyler (Charles Dera)'s room, she finds a mysterious trunk that opens up a whole new world to her...

She's mystified as her eyes and fingers trail over the variety of paddles and riding crops delicately laid across a red velvet pillow. She picks up a paddle, feeling the solid weight of it in her hand as she carefully spins it around. She's drawn to it, like a moth to a flame... until she's suddenly snapped out of it by Tyler's stern voice behind her.

Instead of being afraid of Tyler, she sees a darker side to him that stirs a fire within she never knew existed. The way he describes his dark desires and past while lovingly handling his paddle collection has her hooked. This is a man who knows what he's doing and enjoys doing it, although he's denied himself such pleasure for so long. He vowed to put it all away to become a respected family man. He dedicated himself to his new wife and raising his step-daughter.

Yet, while Tyler tries his hardest to be a good father, Gracie soon tempts him to be anything but.

Nominated - Best Non-Sex Performance: Dick Chibbles, XBIZ 2020

MY DAUGHTER, THE WHORE
FATHER WHORES OUT HIS FIRSTBORN DAUGHTER TO PAY OFF HIS DEBTS

SCENE OPENS on a man sitting in a chair in his living room, casually reading a newspaper as the sounds of sex can be heard from an adjacent room. The man, Roger (Dick Chibbles), doesn't seem to pay any mind to the noises. Soon, there is a loud grunt from the man in the other room as he cums. A few moments later, a man exits the adjacent room, closing the door behind him. He zips up his fly as he exits the room.

Hearing him, Roger looks up from his newspaper with a wide grin. Everything was satisfactory?, he asks the other man. Oh yeah, as beautiful as always, but....the man hesitates, before continuing,...she did seem a bit...tired today, he finishes. Oh, she did?, Roger asks, subconsciously gripping the newspaper hard enough to crumple the paper. Yeah, the client replies, not as eager as usual.

Roger politely apologizes, he's so sorry about that, the client can expect a better time on his next visit, Roger says. 'I will PERSONALLY...make sure that this does not happen again,' Roger adds with a tone of menace. The man tells him he appreciates it, and Roger walks him out the door. He waves the man off with a smile and closes the door behind him. As soon as the man has gone, Roger turns around, his smile replaced with a look of fury.

He opens the door of the bedroom to reveal a naked girl, Lucy (Athena Rayne), who is on the bed hugging her knees. She looks exhausted and spent, staring off into space. When Roger comes in, she is startled out of her daze and looks at him. What the fuck Lucy?!, Roger asks angrily, standing over her on the bed. He said she seemed...TIRED?, he continues. That guy is one of their best clients, has really fallen in love with her, so they need to make sure to keep him happy no matter what, Roger continues with barely contained rage. 'I know, I just...I really AM so...SO tired...tired of all of this...he was the third guy today,' Lucy says wearily. 'I don't give a shit if you're tired! You know how serious our situation is,' Roger says. She knows, she just...she can't do this anymore, it needs to stop, Lucy says numbly.

Roger takes a deep breath to steady his anger, closes his eyes for a moment. He sits on the edge of the bed next to Lucy, adopting a more patient caring tone to try to reason with her. 'Lucy... you know what they'll do to me if we don't square things away, right? You don't want me to go away, right? Then it's up to you to fix this.'

Lucy nods along with him, resigned. 'Good, so clean your fucking self up, you look disgusting, and you've got another appointment arriving in a few minutes...and you can't greet a client looking like...this,' he says, gruffly, his tender demeanor instantly vanishing as he waves a hand disgustedly at her. 'I raised you better than that, didn't I?' he adds. Lucy looks up at him with tired eyes. 'Yes Daddy,' she says.

CUT TO TITLE

The doorbell rings and Roger goes to answer it. He smiles as he opens the door to greet his daughter's latest client, John (Tommy Pistol). The client says hello coldly, not smiling. Roger invites him in. So this is his first time here right? Roger asks amiably. Yes, the man says curtly. Ok, so he'll explain the ground rules, Roger says.

Cut to Lucy's room as Roger explains the ground rules, muffled behind the door. Lucy is almost done cleaning up. We watch as she finishes reapplying her makeup in a compact mirror and puts on some sexy lingerie. She looks good and well put-together, but her eyes betray an exhaustion that is soul-deep. She sits down on the edge of the bed and stares off into space.

Cut back to Roger and John. Roger has just finished explaining the ground rules. So does he understand?, Roger asks. The man pauses. Yes, everything's clear, he says quietly. 'Also, I should mention that there are some...activities...I'm interested in that may...not EXACTLY be what she's used to...' John says. 'I'm sure there's something that we can work out,' Roger responds.

Cut back to Lucy in her room, who is still staring blankly, lost in thought. There is a knock on the door, which startles her out of her reverie. She shakes her head, trying to pull herself together. Just one sec, she calls to the person who knocked on the door. Lucy looks in the mirror. She takes a deep breath, and with effort, her blank expression of exhaustion turns to a seductive, flirty expression, as her eyes brighten and she pouts her lips. Where she was weary and spent a few moments ago, she now appears younger, youthful and vibrant: Lucy's game-face is on. She lies down on her stomach on the bed, resting her head in her hands as she smiles up at the door. She kicks her legs absentmindedly behind her in an energetic, innocent way. She tells the visitors to come in.

Roger opens the door and invites John in, introducing him to Lucy. John says hello stiffly. 'You're just in time, I was starting to get lonely,' Lucy says flirtatiously. 'There's been a...change in plans Lucy,' Roger says, closing the door so that the three of them are in the room together. Lucy's eyes widen in horrified shock. 'What are you...?' she asks.

Well, John has asked him to stay...and watch, Roger says casually, without a hint of trepidation in his voice. 'Yes, I love an...audience, and there's really no better audience than a loving father watching his precious daughter get defiled in front of his very eyes,' John says.

Roger coughs to clear his throat, clearly a bit put off by the request but trying his best to keep it hidden. That's not a problem...IS IT, Lucy?, Roger asks in a vaguely threatening tone. Lucy hesitates for the briefest of moments before she buries her horror down deep.

No...of course not, she's up for whatever he wants.

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

'Anytime your boss tells you yes or no, you have to respect their decision.'
-Unknown

THE SECRETARY

We open with the secretary (Jill Kassidy) laying on the floor with her ass up, looking sexy in her white blouse, pencil skirt, and high heels. Her fingers glide along the keys of the typewriter as she types 'YES BOSS' over and over again. In the background, her boss (Derrick Pierce) watches from his desk, hungrily admiring the view.

Once the secretary is done, she brings her boss the sheet of paper, eager for his praise. The boss calmly uncaps his pen and corrects her work. He's dissatisfied, handing her back the paper and telling her, 'Again.'

The secretary grins to herself as she hurries off.

CUT TO the secretary returning with another sheet of paper, with the handwritten words 'PLEASE BOSS' scrawled across. When the phone rings, the boss orders her to answer it while laying across his desk. As she obediently does so, he corrects her work by holding the paper against her ass. After she hangs up, he gives her the corrected paper, ordering, 'Again.'

The secretary's almost giddy at his stern tone, biting her bottom lip as she clutches the paper close to her chest.

CUT TO the secretary knocking on the boss' door. Once she's allowed in, she folds the sheet of paper and holds it in her mouth while getting down on all fours. She slowly crawls to her boss' desk, acting submissive as he stands tall before her. When he takes the paper from her mouth, we see the words 'FUCK ME BOSS, PLEASE!!' written in large, desperate letters.

Finally satisfied with her work, the secretary's wildest fantasy is about to come true as her boss orders her to bend over his desk.

'Do I go out of my way to help others?
Am I sincere in what I say and do?
Have I a good memory for names and faces?
Can I put people at their ease?
Can I take care of all my boss' needs?
Then, one day, I will be a good secretary.'

STRIKES A CHORD
STRUGGLING MUSICIAN HAS THREESOME WITH DJ FOR PROMISE OF FAME

SCENE OPENS on Aidra Fox, walking down a busy city street. Holding a guitar case, she turns a corner and meets up with Lee, her manager. Aidra tells him that she made a lot today, handing him some bills. He can't believe what he's seeing. SIX dollars and some quarters is NOT a lot! She was out there for two hours!! Did she even play any of the good songs?? She played everything that he told her to play, but they weren't really paying that much on that corner. He picks up a slip of paper that she dropped on the ground. What is this? She tells him that it's a phone number that some girl dropped in her guitar case. He looks at the paper closely. Wait a minute---did the girl give Aidra DJ GAMBLE'S phone number??? He's the hottest DJ out right now! If this phone number is real...it's GOLD, Lee adds. They have to go call him RIGHT away.

CUT TO Cruella (Abigail Mac), DJ Gamble's associate. She walks through a beautiful house and opens the front door, greeting Aidra and Lee, the people that she spoke with on the phone. She invites them in, telling them that DJ Gamble is waiting. A mysterious glint in her eyes, she closes the door behind them.

CUT TO TITLE

Cruella leads them into a high-tech home studio, where DJ Gamble (Seth Gamble), headphones on his ears, sits in front of a computer screen. When Cruella tells him that they have guests, he takes his headphones off and turns to Lee and Aidra. Lee tries to shake his hand, but DJ Gamble doesn't acknowledge him, instead fixing his gaze on Aidra as he walks up to her wordlessly. He stares at her for a moment longer, as if he's appraising her, before he turns and sits back down again. Aidra narrows her eyes, puzzled, as DJ Gamble whispers something in Cruella's ear.

Cruella returns to Aidra, telling her that Mr. Gamble is VERY interested in talking more. But before they talk, Cruella wants to make sure that she's comfortable, so she helps Aidra off with her coat. Aidra smiles, taken by their attention and hospitality. But her smile turns to a gasp of shock a moment later when Cruella abruptly squeezes Aidra's ass, complimenting her on her figure. Aidra can't believe what just happened and excuses herself and Lee so that they can speak privately. In the other room, Aidra is freaked out, saying that these people are just trying to FUCK her! Lee convinces her to at least hear them out and they go back into the studio.

Caressing her arm sensually, Cruella tells Aidra that she and Gamble spoke and they are very interested in doing business together. Lee tells her that if she wants to talk business, she has to talk to him, so Cruella takes Lee to the other room. When they return a few moments later, they announce that they've reached an agreement.

Seemingly out-of-the-blue, Cruella looks Aidra in the eye and firmly tells her to take off her clothes. Aidra looks at Lee in disbelief. W-what is she talking about?? When Lee prompts her to do it, Aidra is furious. How could he DO this to her?? At that moment, DJ Gamble spins around in his chair, loudly clearing his throat and walking up to Aidra. Aidra looks on in shock as Lee excuses himself, leaving the trio alone. Just...take your clothes off, he says softly. That's NOT what she came here for, so Aidra announces that she's leaving. DJ Gamble stares at Aidra, telling her that she can leave, but if she does, they won't have a chance to make her into the star she was born to be. All she has to do is give them a little...something.

So...if she wants their help, she has to be a good girl and take off her top for them. Taking a deep breath, Aidra says yes and slowly takes her top off. DJ Gamble begins to rub Aidra's pussy over her pants as Cruella kisses her neck and squeezes her tits. They slip Aidra's bra off and Cruella sucks on her nipples, stripping her pants off and revealing her perfect pussy. When DJ Gamble and Cruella take their clothes off, Cruella directs Aidra to kneel in front of him and holds her hair as Aidra slides his hard dick into her mouth.

DJ Gamble and Cruella have promised to make her dreams come true, but Aidra's going to have to sell her soul for that taste of stardom...

BROTHER'S WRATH
ANGRY TWISTED BROTHER TREATS SISTER LIKE SEX DOLL

SCENE OPENS with a kind man, Mr. Adams, sitting at a coffee table while Mandy (Gia Derza) walks over to him with a cup of coffee. Mandy is smiling, though the smile is thin and doesn't reach her dull eyes. Her movements are slow, as though it takes a great amount of effort to do anything.

'Here's your coffee,' she says to her teacher. Mr. Adams thanks her as she slowly sits down opposite of him. It looks like she's in a daze, and Mr. Adams is visibly concerned about this. Once she's seated, he thanks her for letting him in. He doesn't visit his students in their homes like this very often -- in fact, this is the first time he's done it! -- but he just wanted to check up on Mandy.

'Oh, why, sir?' Mandy asks, her voice still faint and faraway. Mr. Adams clears his throat and says that she's been missing a lot of classes lately. He's concerned about her since he knows what it's like to lose someone, he's lost his mother, too. He just wants her to know there's help available whenever she needs it.

Mandy says she's fine, she has her step-brother, Ryan (Seth Gamble), looking after her now. At the mention of his name, Mr. Adams looks more concerned, saying he wants to talk to her about that. Is everything good between them?

The camera focuses on Mandy's face, her smile fake and eyes glazed over. 'Yeah, of course, everything's fine.'

TITLE PLATE

Mr. Adams doesn't look convinced and opens his mouth to speak, but his phone goes off in his pocket. He checks it, then hesitates as he says he has to go. He thanks her for the coffee and rises to his feet, as she mindlessly smiles after him. He tells her, in a careful way, to contact him if she needs ANYTHING... Mandy reiterates that she's fine but thanks him for his concern. Mr. Adams is still torn but finally takes his leave.

Once the door is closed, another man speaks up from behind Mandy. 'What's he doing here?' Ryan asks, his tone guarded.

She responds that he came by to check on her. Ryan's eyes darken as he approaches her. 'Oh, and what did you tell him?' he asks, his voice dangerous. 'I told him the truth, of course, that everything is alright and that he doesn't need to worry about me,' she responds. Ryan then smirks, patting her hair like someone would do to their pet. 'Good girl,' he praises in a mocking way. Mandy doesn't acknowledge the pats or the praise, still detached from most everything.

Ryan then continues on, saying doesn't Mandy want to know how his day is going? Mandy apologizes, although it's hollow, and asks how his day was.

Ryan gushes about his girlfriend, who he just got back from a date with. She's perfect in every way... She has big blue eyes, amazing breasts, and legs that go on for days... Mandy says that she's happy for him. It sounds like Betty is making him very happy. He gives her an odd look and laughs in a cruel way. 'Betty was two girlfriends ago. I'm dating Lucy now, you knew that, silly.'

Finally, he grins and wraps his arms tenderly yet possessively around Mandy. He murmurs into her ear that she doesn't seem very happy for him and how well things are going with him and his new girlfriend... He's worried about her, he says in an exaggerated tone to show that he really isn't. Maybe it's all those stressful thoughts about school, he says. Really, at this point, she should just think about quitting if it's too much for her. He then creepily tells her that that way he would have a lot more time to look after her, he's always going to be here to take care of her... She's hopeless without her big brother, after all.

'Yeah, I am,' Mandy says, almost mindlessly, though she lifts her hands to touch the arms wrapped around her, nudging her head back against him. 'Yeah, you need me,' Ryan reiterates as he presses their heads together, smelling her neck. He needs Mandy, too, of course... She's the only one he can turn to when he has that itch he can't scratch. Lucy, Betty, all of the other girls he's been with... they're too sensitive. He could never ask something like that of them. But not Mandy, she's a good girl that can take it.

Mandy echoes that, yes, she's a good girl that can take it...

Ryan creepily begins feeling Mandy up now. Although her eyes are still blank, she doesn't resist his touches. In fact, she subtly presses into them. It's all done automatically, as if she's been conditioned to do it through prior experiences, but it still signals that he can touch her.

Mandy allows him to kiss at her neck and grope her breasts through her shirt for a few moments. Her eyes seem less hazy for a moment as she carefully mentions that people are starting to get concerned about her being home all the time... like Mr. Adams...

Ryan's expression hardens briefly, though then subsides as he cups Mandy's cheek. He tells her not to trust Mr. Adams -- he seems like a bad influence. Mr. Adams doesn't have her best interests at heart -- HE does. Mr. Adams, and all those other people out there, just want to separate them because they don't understand the love they have for each other... Mandy loves him, doesn't she? Mandy utters that she does, pressing into his hand.

Ryan pulls Mandy close, running his hands hungrily over her body, and reminds her that he's the only one that knows what she needs -- what she REALLY needs. If anything, he's doing her a favor, he's just being a good big step-brother! It took some work to get to where they are now, but she's finally the way he wants her -- perfect.

Nominated - Best Three-Way Sex Scene - G/G/B: Casey Calvert, Whitney Wright & Seth Gamble, AVN 2020

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

'Submission is a choice, born of free will and made from a place of strength. It is a deep-seated need to serve the one who has earned your obedience through patience, respect and trust.'
-Unknown

We watch a beautiful, submissive housewife (Casey Calvert) getting ready for her husband (Seth Gamble) to get home from work. She is dressed in a retro floral dress and apron with white stockings that highlights her purity. The house is ultra-modern, which contrasts with the woman's pinup style and old-fashioned accessories, as if she was transplanted from the 1950s into the modern world.

When she's done vacuuming and dusting, the housewife fills a crystal bowl with milk and saunters to the bedroom with a doting smile. Her pet (Whitney Wright), a young woman dressed in tight leather with a crystal collar clasped around her neck, stirs on the bed. As the housewife sets the bowl on the floor and sits with her pet, the pet nuzzles in close before crawling off the bed to lap at the milk.

The housewife admires her darling, obedient pet before leaving the room, with the pet crawling on all fours after her. It's almost time for the husband to arrive, and they're both eager to greet him after his long day at work.

When the husband steps in through the door, wearing a handsome suit and fedora, he is greeted by his pretty housewife and pet. Once he makes himself comfortable on the sofa, he's in heaven as he strokes his pet's hair while his housewife makes sure he has everything he needs. Of course, there's just one more thing he needs to really take away the stress of the day... and both his housewife and pet are all too willing to deliver.

'My will is yours.
My mind is yours.
My body is yours.
My heart is yours.
My fears belong to you.
My desires belong to you.
My release belongs to you.
My surrender belongs to you.
I submit to you.
I am yours.
But know this...
You are also mine.'

YOU'RE SAFE NOW
TROUBLED VIRGIN EXPLOITED BY SOCIAL WORKER AFTER BEING RESCUED FROM CULT

SCENE opens and a fragile-looking girl (Whitney Wright) nervously shuffles along the walkway to the doorstep of a social worker's house. She is clearly not comfortable, looking a little paranoid as she glances around her as if checking that there's no one laying in wait around the next corner. She's easy to startle, flinching as a car drives by in the background. She lets out a shuddery breath to calm herself, then hugs herself, trying to provide the comfort she's been deprived of for so many days.

She steals a moment to brace herself on the steps, telling herself that she can do this. Just as she lifts a hand to knock on the door, the door opens, revealing a man (Derrick Pierce) with a warm smile. Lily jumps with surprise and he apologizes, saying that he saw her through the window. He seems approachable. He says that she must be Lily and invites her in after introducing himself as Aiden Taylor, her social worker. She seems to relax slightly -- only slightly -- with his warm greeting.

She steps inside the home, thanking him for seeing her, though hesitantly comments that she was surprised he asked her to come to his house, not his office. Aiden replies that he likes working from home since he finds that people who have trouble trusting others -- like many of his clients, perhaps even like her -- feel more at ease meeting in a comfortable, inviting setting than in a big cold corporate office. He's worked a lot of cases and the home environment seems to work best, especially for teens who are often otherwise distrustful of authority figures.

She pauses a moment and responds that she guess she can see that, sure, warming up a little to his attempts at putting her at ease. He sees she is still a little skittish and smiles, reassuring her that she doesn't need to be afraid anymore as he puts a firm hand on her shoulder. Lily tenses and he immediately pulls back with an apologetic look, gesturing instead with that same hand for her to head towards the office. As he does, he promises that she's safe now, but as he closes the door, there's a glimpse of a smile turned sinister.

TITLE PLATE

Lily and Aiden step into the home office, which is warm and inviting. There are two armchairs in the office facing each other. A desk might be present, but Aiden opts instead not to sit behind it, taking instead one of the two chairs facing each other. Aiden gestures to and pats the other chair across from him, encouraging Aiden to sit, as he sits opposite of her. He keeps a comfortable and standard distance from her of about three feet to promote intimacy. She's nervous as he picks up a notepad and pen. Her posture is closed off, with her shoulders pulled in, her hands fisted tight against her lap.

Aiden and Lily begins discussing the case. To start with, he just needs some basic information to make sure everything gets processed correctly. He asks to check the spelling of her name and her birthdate. She gives her name and birthdate to him, and he asks if that means she's 19, which she confirms. He also asks about her family, which makes her shift uncomfortably. She gives the names of her parents, as well as her younger sister, Emily. He asks how old Emily is, seeming intrigued -- she's Lily's YOUNGER sister, right? Emily confirms yes, she just turned 18 this month. Only a few days before they ran away, in fact. Aiden seems pleased with this response.

Aiden then uses the tried-and-true method of small talk for easing her into the session. He talks about the weather, and she mentions that the weather was really nice for walking to his place. It felt like she was seeing everything for the first time. Aiden asks her how does she mean seeing everything for the first time? She shrugs, looking a bit sheepish as she admits that the sun is brighter, the wind warmer, the birds more cheerful... Emily was so excited when she saw a florist shop for the first time a couple days ago, Lily adds with a small but fond smile. The flowers were so colorful, like the ones just outside on Aiden's street. 'Father Warren used to say that boastful colors were the devil's palette, so we only had white flowers in our homes.'

Aiden then continues, probing more into the situation. He starts by asking how many days she's been in the city? She says it's only been a week? She remarks that it's hard to tell because so much has happened -- it feels like her head is still spinning. He asks her where she's staying, and she says that they're at a local shelter. He asks her how the conditions have been and she admits they aren't great, nothing like how things were at the compound.

Aiden assures her that it's normal for her to feel anxiety, but that she's doing fine. He then asks her to discuss the commune. She's still uncertain, looking around nervously while rubbing her arm or biting her bottom lip. Aiden assures her that everything they discuss is strictly between them. He's there to help her. She gazes at him for a few moments, choosing to trust him, then explains how her parents have both been part of the commune since before she was born, they were some of the first members to join. It was the only life she's ever known. She didn't think anything of it until a few months ago when she started hearing rumors. Aiden asks her what rumors she's heard. Lily is quicker to respond now, desperate to be heard as she leans forward in her chair, becoming more animated.

She says that she heard that their leader, Father Warren, was taking girls into the barn to... to DO things to them... 'What KIND of things?' Aiden asks, leaning in as if almost perversely wanting to learn more, his warm presence starting to shift to something unsettling. Since she's so desperate to get everything out into the open now, she doesn't catch onto Aiden's change of demeanor. She says she's heard that he takes them back there to have sex with them.

'And why did you feel uncomfortable about the rumors? ...Is it perhaps because you secretly wanted to be one of those girls?' Aiden asks, still in a professional tone, which seems creepier now because of the nature of the questioning and the way he seems even MORE focused on her. His eyes even flicker over her body briefly, which she catches.

She closes her body off again, gasping. 'No, of course not! Why would I want that?' she exclaims. Aiden slips back into a practiced smile as he leans back into the chair. He apologizes to her for making her uncomfortable, explaining that he's worked with many troubled teens that developed attraction towards the men that have been exploiting them. He invites her to continue speaking.

Lily is a little wary again now, but continues talking, unable to help herself. She NEEDS to be heard! She says that ever since she started hearing the rumors, it was like a fog has been lifted. She noticed other strange things, too, like how everyone seemed TOO happy, but any time she tried to talk to her parents about it, they denied everything. Finally, she decided that she NEEDED to get Emily to safety. She couldn't let Emily be the next one that Father Warren decided to be sinful with. They fled, having no belongings, no money, nowhere to stay... They got a ride to the city and have been staying at the women's shelter for now, but it's not enough. They can't stay there forever. When she asked the homeless shelter volunteers, they referred them to Aiden, so that's why she's there. They said a social worker might be able to help her and her sister get the care and resources she needs to ensure that she and Emily are truly SAFE. She's the big sister -- she HAS to take care of Emily. She can't risk them being sent back to that crazy place now.

Aiden says that he think he may be able to get them into a transitional home and goes to the computer to check. However, he's not really looking anything up at all as he instead watches Lily from afar. After a few moments, he approaches her and says that he can help them. But there's a lot of people ahead of them on the waiting lists...

Aiden then reveals that he is convinced that Lily and Emily were part of a sex cult. Lily is shocked, but especially when Aiden crouches close and suddenly looks a whole lot creepier. Aiden reflects out loud that if the commune was that strict about sex, Lily is probably still a virgin then... but, he asks, has she ever at least masturbated?

Lily is shocked by the change, recoiling away from him. She finally states that she's REALLY uncomfortable about all this and doesn't think he's the right fit for her needs. She makes for the door but Aiden speaks up again in a cold drawl. 'You COULD leave, if you want. I certainly won't stop you. Just know that I'm the ONLY one that can help you get what you need to start a new life. No one else will help you if I exaggerate a few things in my notes here...' Lily exclaims that he can't do that. He counters that he CAN and WILL.

She's horrified and torn. 'No, I HAVE to protect Emily... I have to get her AWAY from all this...' Aiden smiles darkly as he undoes his pants and removes his cock. 'If YOU cooperate, I can help make sure you BOTH get the new life you've dreamed of. You can be together and HAPPY for the rest of your lives...' he teases.

Lily tries not to stare at the cock, since it's her first time seeing one, shocked by everything that's happening. She backs up as he approaches until her back is against the nearest wall. 'What are you doing?? No, I-I can't do this...' she stammers. He asks if she's REALLY going to let her dear little sister down like that? He said he'd help her and he plans to keep his promise. Now she has a choice to make.

She finally reluctantly agrees to have sex with him if it means securing a better future. She nervously drops to her knees and parts her lips while looking up at him. He mockingly says that she's made the right choice and that her sister should be SO PROUD of her for being so brave...

Nominated - Best Three-Way Sex Scene - B/B/G: Emily Willis, Charles Dera & Danny Mountain, AVN 2020

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Sex Scene -- All-Sex: Emily Willis, Charles Dera & Danny Mountain, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

'Being your slave, what should I do but tend
Upon the hours and times of your desire?
I have no precious time at all to spend,
Nor services to do till you require.'
- William Shakespeare

THE DATE

We watch a beautiful young woman (Emily Willis) in her apartment getting ready for the evening. She showers, lotions up her body, puts on expensive perfume, and dresses -- first into expensive black satin lingerie, stockings, garters, and heels and then slipping into a beige rain jacket. She looks like she just walked off a runway. The camera voyeuristically watches her, almost like a reverse striptease.

CUT TO the woman, in her jacket, bare legs and heels, as she exits her building and steps into a black town car. A man waiting for her shuts the door and gets into the driver seat.

CUT TO a car mount shot, looking in at the silent driver in a black suit and ray bans, and the girl who sits in the middle of the back seat. To her right is a very handsome man (Danny Mountain) in an expensive suit. A second man (Charles Dera), equally handsome and dressed the same, sits on her left.

CUT TO the road. As they drive, the man in the back asks the woman if she is ready. Obediently, she says 'yes.' He asks if she will give herself over completely. She says 'yes.' He strips her out of her jacket, exposing her bare skin. She quivers. He takes a brown paper bag and puts it over her head, before holding her arms to keep her still. They ride for a moment with her body writhing. The men look cool and collected, staring straight ahead. All you can hear are the light gasps and moans from the submissive woman as she is being driven, eagerly awaiting what's to come.

'My only submission is complete submission.
I will kneel before you, naked and unashamed,
My eyes down, my chin up.

'I will do as you say and be rewarded.
Always saying please and thank you,
Accepting my punishments like a good girl,
Never touching myself until you have given permission,
And always swallow, never spit.

'I will surrender to your will
And always remember who I belong to.'

Maddy is a dirty slut, and she loves getting tied up and tormented, but we haven't had her on the pages of Kink.com for many years. That changes today when she submits to The Pope. How could anyone say no to that? We now present to you Maddy O'Reilly, bound and beaten and made to cum. Maddy begins her journey on her knees like every good whore should, in inescapable bondage. The Pope enters and we get right into the good stuff. After some flogging and cropping, we find out how playful Maddy can be. She clearly loves this more than any of us may have thought, so The Pope cranks up the intensity with some brutal bastinado. She is rewarded with multiple orgasms before moving on to the next scene, where we have Maddy face down and ass up to showcase her luscious ass. The only proper thing to do in this scenario is a double flogging scene to ensure maximum suffering. Her ass and back are berated with non-stop flogging until her flesh glows a bright red. That is followed with some heavy-handed spanking, then she is fucked and made to orgasms repeatedly. The final scene begins with Maddy spread eagle on the floor. She is as helpless as she can possibly be, and The Pope takes full advantage of the situation. Her beautiful suffering is heightened with a cat o nine tails as it whips her flesh. She squeals as he hits all of her sensitive spots. The cane stripes her body, then The Pope moves on to the brutal torment of her feet with a knitting needle. The orgasms are plentiful as the scene wraps up. It's been a while since we've seen Maddy, but we are confident in saying it's totally been worth the wait.

Nominated - Best Art Direction, AVN 2020

FUTURE DARKLY - DON'T PANIC
COUPLE MUST TRADE SEX FOR SURVIVAL AFTER THE WORLD ENDS

SCENE opens on a couple, Jacob (Logan Pierce) and Katlyn (Elena Koshka), walking hand in hand down a modern city street. They've just left dinner, and, through their small talk, it is revealed that the pair recently moved in together. They come to a corner and pause to share a tender moment. While they kiss, a shower of satellites streaks the sky behind them before tumbling to earth and exploding. The couple barely has time to react before everything buzzes and fades to white.

CUT TO TITLE PLATE

SIX WEEKS LATER

Katlyn slowly opens her eyes. She is huddled under a tarp and wearing the exact same outfit as before, except it is now filthy and soiled. Her once pretty hair is greasy and pulled back with string. Dirt streaks her face. As she pulls back the tarp, she realizes that her boyfriend Jacob is missing. The girl freaks out and jumps to her feet, looking for the wood plank she keeps by her side. As she grabs it, Jacob comes around the corner with a jug of water. He is also wearing the same outfit, caked with dirt and filth. He is unshaven and carrying a crude piece of metal. Katlyn rushes into his arms asking if he found food but her boyfriend urges her to be quiet. There is somebody up the road and he isn't sure if they're good or not. Katlyn starts to frantically gather their things. 'He might not be bad. He might know something, like the woman who drove us back in the beginning.' He continues. Katlyn asks him what he looks like. He looks pretty normal, Jacob replies. They decide to go approach him.

CUT to inside a derelict building. The couple approach the window and a man's shoulder steps into frame. He is the man Jacob saw earlier, another drifter. The couple wave their weapons above their arms and tell the man they mean no harm. They want to know if he has any information. The man hesitates before slowly sticking his head out of the door. 'You tell me first,' he says. The couple look at each other before Jacob replies that they heard it was an asteroid. Nothing works. No GPS, no internet, no electricity. The man pauses before replying 'I heard it was a nuclear attack, but I've only met 13 other people.' He pauses, before adding 'I also know where some water is.' Katlyn jumps in, demanding to know where. The man sticks his head out a little further and says he'll tell them but only if they give him some of their own water first. Jacob clutches the jug tightly. He weighs his options before Katlyn urges him to do it. Jacob agrees, and the man pulls out a dirty plastic container. Jacob fills it up and the man eagerly takes it, before telling them there is a well two miles up the road. He disappears inside, and the couple turn to keep walking.

CUT to the middle of nowhere. The couple walk through the blazing sun, with nothing in sight. Their jug is empty, and both are growing desperate. They argue about the water before coming upon a body lying in the road. Looking down on it, they root through the person's pockets but only find a dead phone.

Katlyn pleads that she is hungry, and Jacob tells her that water is more important. They need to keep walking. He tosses the phone in the dirt.

SMASH CUT to a gravel road, as the couple come up a large empty house. 'It's probably been raided already,' Jacob says but Katlyn urges them to check. They go to the front door and enter.

CUT to inside the house. It is still. There are no lights on, except for the natural light streaming in. Jacob tells Katlyn to wait while he checks the rest of the house. While she stands alone nervously, she starts to look around. A coffee cup rests on the table. It is moldy inside. She spots a pencil and snatches it up, stuffing it in her pockets. Then she sees something that shocks her: a flickering light coming from behind a closed door. She screams out to Jacob, who rushes back in.

'The whole house has been stripped,' he says. 'Like I told you.' Katlyn points to the light. The couple stare in shock. They haven't seen a single light on since it happened. Guarding his girlfriend, Jacob slowly opens the door to reveal a library with several oil lamps burning. In the middle of the floor, is a pile of tuna cans.

The couple's eyes go wide, and they pounce on them. This is more food than they've had in weeks. They try to chew them open and bang them against the floor and with books to open them. Katlyn even tries to use the pencil she found in desperation. Nothing. They collapse in frustration as a rifle barrel slowly slides out from behind a curtain in the corner of a room. A man, dressed in clean tactical clothes and greased back hair steps out. He tells them to freeze.

Jacob shields his girlfriend and begs the man to put his gun down. They are not bad people, they are just passing through. The man asks them what they know. Nervously, they reply that it might be an asteroid or a nuclear attack. There is no GPS, internet or electricity and there is supposed to be water near here. They think it's been 2 or 3 months, but they aren't sure. The man studies them before slowly putting the gun down. 'There's a well at the end of my property,' he replies. Jacob asks if they would be allowed to fill up their jug. The man smiles and sits down. 'I believe it was Kessler Syndrome,' he says matter-of-factly. Katlyn asks if he is a doctor. 'I was a high school science teacher,' he replies. There is an awkward silence, as the couple stray towards the door. 'It was a theory proposed in the seventies by NASA,' he continues. 'The idea that if enough space objects were to collide, the debris they would cause would litter our atmosphere with so much junk that all the satellites would come crashing down.' Katlyn asks her boyfriend if that is true. He shrugs his shoulders. 'No telecommunications, no electrical grids, no laws.' The man adds, laughing to himself. Jacob asks again if they can use his well. The man reaches into his pocket and pulls out a can opener. 'How about you help yourself to these cans, as well?' Katlyn freaks out and reaches for the opener, when the man pulls his hand away. 'I'll give this to you if you let me fuck your pussy!' He says, putting the opener back in his pocket. Jacob lunges at him but the man picks up his gun. 'I will defend myself,' he threatens. Jacob tells him that his girlfriend is not for sale. 'It's a trade,' he says calmly. 'Just a few minutes in exchange for a whole week's worth of food.' Jacob stares down at the food. 'I haven't been with a woman in a long time, I'm sure you can understand my position.' The man argues. He stares lustfully at Katlyn. Jacob turns and starts to debate doing it with his girlfriend. She is stunned at his attitude. How could he even be contemplating this idea? He tells her to not panic. Just calm down and listen ... food is getting harder to find. He's going to give them water too. Life isn't like it used to be. Katlyn slaps her boyfriend. He pleads with her to think about them both, not just herself. She can close her eyes. She can get through it. As he speaks, Katlyn gradually realizes that her boyfriend is right. They need the food. Old rules don't apply. She must do it. 'If you give my boyfriend the cans and the opener first, then I'll do it,' she negotiates. 'He won't leave without me.'

The man smiles. He tells her to strip while he carries the gun back to his curtain and tucks it out of view. He pulls out a single wet wipe. 'Clean yourself down there first,' he says. Katlyn nervously wipes her vagina while he inspects her. 'Wait outside,' he orders Jacob. Jacob looks guilt-ridden at his girlfriend before she tells him to go. She will be out soon. He stuffs the cans into their tarp and leaves, closing the door. Katlyn turns back to the man, tells him she is ready and then starts sucking his dick.

Demi Sutra has built her company from the ground up. Her only mistake is trusting her long time business partner Seth Gamble. Seth is sick of listening to Demi and decides it's time to take charge. He kidnaps her, strips her to her bra and panties, and has her tied and gagged. Now Demi has no other choice but to sign the contract Seth has drawn up which gives her shares of the company to him. Demi thinks after she signs Seth will let her go, but Seth has other plans. He knows he has to show Demi who is in charge and make Demi respect him. He slaps her across the face and makes her acknowledge that he's her boss now. He tells Demi he's willing to let her have a job with the company if Demi obeys his every order, starting with sucking his cock. Demi begrudgingly opens her mouth and blows her new boss. Seth groans as her lips close around his cock. This moment is better than he could've imagined. Demi is humiliated as Seth fucks her face and makes her call him boss. Even more embarrassing is as much as she doesn't want this, her pussy is dripping wet. Next, Demi is tied on her knees and flogged. Demi's feet kick out as she struggles in bondage. She cries out as Seth sinks his rock hard cock into her warm wet cunt. He fucks her hard and fast. Each thrust stretches open her tight pussy. Then he makes her ride him. Demi bounces up and down on her new boss' cock before Seth ties her down on her back with her legs spread. Demi moans as Seth fucks her cunt and punches her ass. She begs to cum and cums hard on her boss' cock. Finally, Seth blows his load all over Demi and makes her admit once more that he is the boss.

SWAPPING DAUGHTERS
PARENTS USE EXCHANGE PROGRAM TO SWAP DAUGHTERS AND START FAKE FAMILY

SCENE opens on a family of three, Mr. and Mrs. Valentine (Dale and Gina) and their daughter Becky, in the driveway of their house. To their side a parked ride-share car and its driver wait with the trunk open. The family is going over the final preparations for their daughter's trip. The daughter is dressed to travel, with two suitcases and some travel bags at her feet, and is loading them into the trunk of the car all the while being fussed over by her attentive parents who are insistent on making sure she's prepared. While the father lectures her on travel safety tips, the mother sporadically asks about whether she's remembered to pack this or that. Even after all the bags are packed and the trunk door closed, the chatter continues until the daughter insists that she's going to miss her flight if she doesn't leave soon, and her parents begrudgingly stop fussing over her and let her get moving. 'But not until we get one last hug as a family,' the father insists, and the daughter happily obliges. She's going to miss them over the next two months, she says as she hugs them tight, but she hopes they have a good time with the new exchange student. The couple exchange a knowing glance, unseen by their daughter, and say they're sure they will. The daughter says her final goodbyes, and hops into the passenger seat of the car. She waves to her parents through the window, and they back to her, as the car starts to pull away. 'It's really happening,' the father says discreetly to his wife as he waves, 'it still doesn't feel real.' 'I know,' the mother agrees, and wistfully asks her husband, '...do you think she'll be okay?' The father puts his other hand on his wife's back and rubs it reassuringly. 'We can't think about that now,' he says as he continues to wave, 'what's done is done. She's not our problem to worry about anymore.' With the car turning out of sight, he drops his waving hand and turns to his wife, clasping her hands. 'Now come on, we have a lot to do before our new daughter gets here.' As he says the words 'new daughter', they both look at each other with nervous excitement, the expression of two people about to do something they've never done before but are clearly looking forward to. They turn to head back to the front door together, holding each other at the waist with an excited spring in their step.

CUT TO TITLE PLATE

The couple emerges on the inside of their house from the front door, but it's clearly a different day and they are neither alone nor empty-handed. They are helping an 18-year-old girl Cassie with her many travel bags and suitcases, and all three are chattering excitedly - about how she's going to love it in the States, about how she loves warm weather and they get so much less of it in Canada, about what food she can't wait to try, etc. When all the bags are finally inside and the front door closed, Mr. Valentine shrugs and gestures around himself a bit awkwardly. 'Well Cassie, welcome to your new home!' he gushes. 'Yeah! Well, for the next two months, that is,' Cassie says excitedly, as the Valentines exchange another knowing look between each other

The Valentines seem nervously eager to impress Cassie, the same way a goofy teen boy might try to win over his date's dad. They tell her about all the amenities of the house, explain to her their ground rules (they insist there aren't very many - they try to be 'cool' parents, after all), and mention that they like Swapping daughters Parents Use Exchange Program To Swap Daughters And Start Fake Family to leave plenty of time for family activities and bonding, and they hope she feels welcome to join them. Throughout, Cassie is endeared by their well-meaning attitude. The whole arrangement seems like a dream come true! She can't wait to go see her room and unpack - Mrs. Valentine helps her with her bags up the stairs, while Mr. Valentine calls out that dinner's at six and he hopes she likes hamburgers!

CUT to a few days later, Cassie is in a chipper mood as she emerges downstairs to find Mr. and Mrs. Valentine in the living room. They are in their pajamas and sipping coffee when she arrives, with Mrs. Valentine reading a book while Mr. Valentine is on his laptop. 'Good morning, Mr. and Mrs. Valentine!' Cassie exclaims. 'Nuh uh uh!' Mrs. Valentine says sweetly, 'What did we say about that 'Mr. and Mrs. Valentine' stuff?' Cassie giggles and rolls her eyes - she knows they said she can call them mom and dad while she's staying here, it just feels a little weird. But she's warming up to the idea.

The Valentines inquire about Cassie's plans for the day, and gush when she says she's meeting some friends at the mall - they're so proud that she's managed to make friends in so little time here, but of course who wouldn't love to spend time with a girl as sweet as Cassie. She should feel welcome to invite them over to the house at any time, any friend of Cassie's is a friend of theirs! Cassie blushes at all the attention. She excuses herself and is about to leave for the mall when she remembers to ask - 'Oh, by the way, has the internet been down or anything the past couple of days?' No, they answer, not that they know of, anyway - why? Cassie remarks, a bit let down, that her parents promised they'd call and she hasn't heard from them once since she got here. The Valentines try to console her - they're sure she'll hear from them soon, they're probably just busy. Parents are supposed to worry about their kids, not the other way around, she should forget about it for now and just enjoy her trip. They manage to cheer Cassie back up by insisting it's probably nothing. She thanks them, about to call them Mr. and Mrs. Valentine again, and stops herself. 'I mean, mom and dad,' she grins and says cheekily, and they look positively delighted to hear the words. In good spirits, she leaves for the mall.

Once she's gone, Gina turns to Dale and says that they'll have to tell her soon. Dale nods but says he thinks they should still wait a couple more days. They'll have to find the right time. Gina says she thinks she's going to fix herself a snack and gets up off the couch, does Dale want one? Dale says absolutely. Gina leaves the room, and Dale continues working on his computer. Suddenly he gets an incoming Skype call on his laptop - we can see it's from their daughter, Becky. Dale makes a pained face, sighs, and then moves his mouse over the red button to not accept the incoming call and clicks, ending the ringing. He looks down and sees that now the icon appears that shows she's typing something. A message flashes on the screen, which reads: 'Mom, dad, please pick up!!! These people are crazy, they keep saying you made some kind of weird deal with them'. Then another message flashes, 'PLEASE, answer me, I wanna come home, these people are sick!!!' Dale sighs, and then starts moving his mouse. A third message flashes, 'PLEASE, I can see you're online, PLEASE ANSWER ME!!!!' Dale right-clicks on the name and selects to block contact. The message appears, are you sure you want to block this contact? Dale selects Block and then closes his laptop with a sigh.

CUT to two days later, in the late evening. Cassie and the Valentines are playing a family/party game on their phones together in the living room. It's clear they're all having a great time together. After the round, Cassie yawns and puts her phone on the coffee table. She remarks that it's getting late, and she was planning on meeting her friends early tomorrow so she thinks she'll head to bed early. 'Actually,' the Valentines say as they look at each other then back to Cassie, 'before you go, there's something we need to talk to you about.' They pat the seat in between them as a gesture for Cassie to come sit next to them both. Cassie looks taken aback but acquiesces. Once seated, the Valentines try to ease in to the topic - they've so enjoyed having her here, they all get along so well, it's been the best weeks of their life... Cassie looks confused and upset, they're talking like they're about to kick her out - did she do something wrong? Nervously they try to calm her down, no, in fact it's the opposite, they want to offer her a permanent home here, as her new parents. Cassie looks relieved, and says that she's loved being here too, but she of course can't accept their offer - she has a life back in Canada, friends, a home and a family. Mrs. Valentine takes a breath and explains that actually, she doesn't. Cassie looks confused, and Mr. Valentine steps in to explain that Cassie's parents made a deal with them to give Cassie to them. 'Cassie, sweetie... they don't want you anymore.'

Still seated, Cassie looks shocked and upset - what is he talking about? What does he mean a deal? The Valentines explain to her that Dale has certain... needs... needs he couldn't get from his home life with Gina and their daughter Becky. But Gina wanted to help, so together they searched the internet and discovered a small group of like-minded fathers with similar problems. That's how they met Cassie's parents, and together they came up with a solution to help both families. They made a deal to swap their daughters. The two families convinced their daughters to sign up for a cultural exchange program so they could ease them into the idea of a new family after the swap had already happened. That way there would be no turning back.

None of this is making sense to Cassie, who shakes her head hurt and confused. What does 'swapping' their daughters help? What needs are they talking about? Gina explains that Dale was feeling unnatural urges towards their daughter Becky. Urges he knew was wrong. He knew he couldn't act on those urges, but the temptation was too strong. It was actually Cassie's dad's idea, for them to swap daughters so they could each start a new 'family', a perfect family like the one they always wanted. A family they could fuck.

Cassie gets up from the couch, disgusted. What kind of fucked up plan is that? This whole thing is sick, they're both sick! Mrs. Valentine looks distraught, and Mr. Valentine speaks out uncharacteristically angry in defense of his wife. 'Now stop that, Cassie, look how upset you're making your mother.'

'She's not my mother!' Cassie shrieks. 'And you're not my father! And you're not going to FUCK me, you disgusting creeps! I'm getting my stuff and I'm getting out of here and going HOME!' But the Valentines try to reason with her - she doesn't have a home to go back to. Her old family gave her up, they don't want her anymore. And because she's over 18, they don't legally have to take her back in. He and Gina are the only family she's got now, so she can either agree to their terms or try her luck on the streets. Defiantly, Cassie pouts that she wants to call home. Mr. Valentine sighs defeatedly - they won't want to talk to her. But Cassie insists. Mr. Valentine hands her her phone from the coffee table and Cassie rapidly types in a number and dials. After a couple of rings, a grown man's voice answers. 'Dad,' Cassie starts, 'Dad it's me, I-' but the voice cuts her off. 'Who is this?' Cassie tries to tell the voice that it's her, it's Cassie, but the voice nervously says he doesn't know a Cassie, clearly lying. She tries one more time but he cuts her off saying 'L-look... whoever you are, I don't want you bothering my family, we're very happy together. Just... don't call here again.' Cassie tries to say something more but the man hangs up.

Cassie is unable to move, stunned into silence clutching the phone to her ear. After a few seconds, her arm falls to her side, still clutching the phone loosely. Dale slowly gets up from the couch and gently takes the phone out of her hand, putting it back on the coffee table. 'See Cassie?' he says sympathetically but with an I-Told-You-So vibe. 'Those people aren't your family anymore. We are. And we care about you.' Cassie looks at him bitterly - 'you just want to fuck me', she says through gritted teeth. Dale looks hurt, that's not true. He wants to love her, to be a family to her. He just wants them to be a closer family than most. Gina points out that it took her some time to understand it too, but she's come to accept it. She thinks Cassie could too.

There is a look of defeat on Cassie's face - she doesn't want to be homeless, she says. She wants to stay. The Valentines look relieved, and say of course she can stay. She's their daughter. They'll take great care of her. As long as she understands that means they get to fuck her too. 'Yes,' Cassie says defeated. 'Yes, what?' Mr. Valentine says coachingly. 'Yes... daddy,' Cassie says obediently. Good, Mr. Valentine says with satisfaction. Of course, they still have to deal with the whole business of Cassie's little tantrum. Good girls obey their parents, and if Cassie is going to be their daughter she has to learn to obey. He tells Cassie to pull her pants down and bend over his knee to get punished. '...yes, daddy,' Cassie says obligingly as she timidly strips out of her pants and walks over to assume the position.

Lacy Lennon is a sexy, sensual redhead who gives everything she's got, on every shoot. Today is no different, except The Pope has higher expectations of her than last time. Lacy starts the day seated on a large wooden throne with her hands pulled out and restrained with steel traps. Her ankles are held in place with steel shackles, and her head is locked in a deprivation box. The box has a two way mirror that allows us to see inside, but she cannot see out. The box makes her stare at herself while she is suffering, which is a mind-fuck all its own. The torment starts and Lacey closes her eyes and looks deep into herself for the strength to tolerate the pain. The Pope will not allow that, and makes her open her eyes, so she is fully present during the suffering. After some impact play, he applies mouse traps to her pussy and then tapes them to her leg to spread her nice and wide. A vibe is brought in to press against her stretched out pussy for her to cum. Scene two begins and Lacy is bent over in a doggy position with her hands pulled far out in front of her. The Pope adds a spike pad to the bottom of each of her feet. He then begins to explore her body, and decides to spend some quality time fucking her tight whore cunt. The orgasms begin, and it isn't long before her pussy is gushing with squirting orgasms. He puts down the dildo and starts to milk her pussy for more orgasms and she soaks the entire table with her juices. In the final scene we have Lacy on her side with one leg pulled up high, exposing her pussy to whatever The Pope's sadistic mind can drum up. Nipple clamps are applied to her sensitive tits, and then she is throat fucked before he moves to her pussy again. He launches a full-out assault on her fucked cunt with the plan to drain her of all of her juices. She shows us a prime example of imposed orgasms when she has to just lay there and take it until he decides to stop.

Katie Kush is a sweet and innocent looking slut who's just bratty enough to motivate The Pope to do every last nasty thing to her. It's not a secret that he loves brats, but we're not sure if Katie is ready for the repercussions of behaving that way with him. We begin the day with Katie in a full split suspension, just to show her what happens when brats need to be put in their place. This doesn't curb her brattiness, but rather inspires her to taunt him even more. The positive thing to remember is that she is willing to endure whatever he throws at her when she pushes his buttons, so this is going to be an interesting shoot no matter what. The next position is also a suspension, but this one is very asymmetrical and it pulls this slut in every direction. Orgasm after orgasm is ripped from her slutty pussy, and she begins to show signs of submission as the pain is ramped up. After two brutal suspensions, you would think that she would be a little less bratty, but this is not the case. She continues to antagonize him to see how sadistic he canreally be, and soon finds out how fucking twisted this man is. Katie is now folded in half, and her arms are tied in a way that they are what holds her in place for the next dose of torment. Now the pain comes faster and harder, and suddenly Katie realizes that her mouth may have gotten her in more trouble than her body was capable of handling. The torment is brutal and she begins to wonder if she is going to make it to the end. Her throat and pussy are fucked mercilessly until she can no longer take the stimulation. In the final scene, Katie is atop a wooden box with her limbs pulled up and away from her body leaving her completely helpless. Foot torment, breath control, and imposed orgasms close out the day as we see Katie finally submit to The Pope.

Levi owns a swanky house that he rents out for sex parties. One morning, while cleaning up after a wild night, he listens to his voicemails, one of which is from Skylar Snow. She says that she got his number from his friend Donny. Donny told her about how Levi wants a kinky live-in "House Girl", and that he's accepting applications. Skylar is more than interested at the opportunity and wants to schedule a meeting, which she does and meets Levi later at his house. She hands her checklist to Levi and he goes over it. He asks if she's ready and nervously she says yes. He slowly comes up from behind her and rips her dress off. He spreads her legs, rubs her pussy, and spits in her mouth. Skylar gets bent over a chair. Levi pulls her panties aside, spanks her and spreads her ass. After her pussy and ass get probed by his gloved fingers, Levi grabs a leather flogger and hits Skylar's ass hard and true. Skylar shows her gratitude by saying,"Thank you sir" after every hit. Levi turns her around to face him and spreads her legs. He hands her an Hitachi vibrator, places a rocks glass by her pussy and tells her to pour him a drink. Skylar works herself up to orgasm and squirts into his glass and they both drink it. In the next scene, Levi has tied Skylar up with rope on her side, with her hands behind her back, and one leg up, in a full suspension. Skylar's mouth, perfectly placed at dick-level, Levi takes advantage and uses it to pleasure his cock. Covered in Skylar's spit, Levi shoves his cock in her pussy and fucks it deep and hard. After that predicament, Levi takes her down and has her get on her hands and knees on top of his black leather couch. She begs for him to fuck her ass and he obliges. While fucking her ass, his friend Donny Sins shows up as a surprise for Skylar. Donny whips out his huge cock and Skylar gets to sucking it while she gets fucked in her ass. They double penetrate her holes, Donny covers her eyes in cum, and Levi creampies her pussy.

Cam Damage is new to us at Kink, but bondage and torment are right up her alley. She's a hardcore bottom that loves to be helpless in extreme bondage, so putting her on Device Bondage makes perfect sense. The devices are designed to ensure her ultimate suffering, and The Pope adds his own sadistic play to push her over the edge. Cam begins in a bridge position with her pussy pushed up and vulnerable. Her bush is the first target, and he plucks her pubes like flowers in the spring. Her flesh is warmed up with a flogger, and then the crop is used to bring out the red in all of her tattoos. The Pope then plays the game of crop or vibe, and not allowing her to orgasm until her pussy is so sensitive that she can no longer help herself. Her tits are covered with clothes pins and then they are slapped off to increase her pain level. The second scene begins and Cam is in a doggy position with her arms pulled out to her side. The Pope comes in and rips at her flesh to get her ready for the torment that is coming. Nipple clamps are added and then weights are added to them, so that the intensity is increased even more. Her ass is target of the next assault, because Cam is one tough bitch, and The Pope takes full advantage of that fact. After properlyabusing this slut, he shoves a huge dildo down her throat and then deep inside of her pussy. The orgasms flow quickly! Next Cam is in a seated position with her arms pulled into a mild strappado. She is more exposed than ever, and The Pope takes full advantage of this. Her flesh is showing signs of wear from all of the torment, but she is still a very willing participant in this sadistic dance. The pain only gets more intense from this point. The Pope doesn't get to play at this level often, so when given the opportunity with someone as tough as Cam Damage, he enjoys every second of her suffering.