
WHY ARE YOU DOING THIS!?
SADISTIC BOYFRIEND MAKES GIRLFRIEND SEDUCE HER STEPMOM UNDER THREAT OF EVICTION
Scene opens on Alison (Emma Hix), who is in her living room, pacing nervously. She is clearly worried about something. She hears a knock at the door and hurries to answer it. Her boyfriend Bradley (Lucas Frost) is there. He greets her, kissing her on the cheek as he walks into the house like he owns the place. He loudly sits down on the couch and puts his feet on the coffee table obnoxiously. So tonight's the night huh?, Bradley leers at Alison. 'I don't think I can do this,' she says worriedly, still standing. Baby, come here, he says, motioning for her to sit on the couch next to him. When she moves to sit down, he instead grabs her around the waist and pulls her onto his lap. She lets out a surprised gasp. 'Baby, you know I love you right?' he asks smoothly. She says 'yeah' quietly. And he's not making her do anything she doesn't want to do, right?, he says. It's her choice, but she knows what's going to happen if she doesn't do it, he continues, raising his eyebrow. Her eyes go wide as she stares at him, frozen. 'I don't want that to happen, but if you don't do what we agreed on, I WILL make sure it happens', Bradley says icily. But don't even worry, she's going to love it, he adds. She nods, still extremely nervous but clearly acquiescing to his demands. He looks her up and down like she's an object he's appraising. 'You look like a nice little slut,' he says, his formerly kind tone completely replaced by one that is vaguely sinister. He kisses her hard. 'Are you my little slut?' he asks her. Yeah baby, she responds. 'And you're gonna eat her fucking pussy right, aren't you?' he asks, reaching around and grabbing her ass. 'Yes baby,' she says, gasping. 'Fuck yeah you are...and I'm gonna watch you do it,' he says. Just then, they hear a key being inserted into the lock. 'And there she is now. She has no idea what we have planned for her tonight,' he says, a sleazy grin plastering his face. The door opens and Connie (Sarah Vandella) walks in. Immediately, Bradley separates himself from Alison and his sleazy grin transforms into a polite and welcoming smile. Connie smiles and says hello. 'Hi...Mom,' Alison says.
CUT TO TITLE PLATE
Cut to the dinner table, where the three have just finished eating dinner. 'That was delicious, Connie,' Bradley says. 'Oh thank you Brad,' Connie returns his grin. 'It's Bradley,' he corrects her, the agreeable and positive image he projects faltering for a moment as an edge of anger creeps into his voice. Oh, she's sorry, she forgot, Connie says, somewhat taken aback by the glimpse of what lies beneath Bradley's surface. That's ok!, Bradley says, flashing her a charming grin as he snaps back to his friendly appearance. Alison seems distracted, perhaps focused on the task that lays ahead of her. 'And how's the house? Everything good here?', Bradley asks, waving his hand around the room. Connie tells him that it's wonderful and thanks Bradley again for everything he's done. It was so tough after the accident, with her husband gone...and of course she couldn't work anymore...,Connie says sadly. Bradley nods, pretending to be sympathetic. So when Bradley came along, she was just so happy that Alison had someone, Connie continues. And then he arranged for his dad to help them with this place...Connie continues. 'You've really been a godsend,' Connie says to Bradley, smiling warmly at him. Oh it's really nothing, Bradley says with false modesty. 'It's not nothing. There's no way we'd be able to afford this place if your dad didn't own it and hadn't given us a discount on the rent,' Connie says appreciatively.
'It's no problem at all,' he says, with a faux sweet smile. 'Anything for my girl,' he adds, kissing Alison on the cheek but then leaning in close to her ear and whispering 'Do it now.' Alison looks at Bradley pleadingly. Connie begins to clear her plate, putting her napkin and cutlery on it, so is too distracted to see the exchange between Connie and Bradley. Bradley, through gritted teeth, motions her to get on with it. Alison takes a deep breath. 'Mom...there's something I wanted to talk to you about...something...private,' Alison says hesitantly. Sure, what's going on honey?, Connie asks brightly. Well..., Alison clears her throat, trailing off. Bradley, playing his part, steps in. Why don't they go to Connie's bedroom, where they can speak privately and he can wash the dishes while they talk?, Bradley suggests. That's so nice, thank you Bradley, Connie says. Connie and Alison get up and leave the room. Bradley pretends to shuffle the dishes around, watching Alison and Connie as they leave. He listens for a moment, and once he's satisfied that they're in Connie's bedroom, he leaves the kitchen. Cut to an over-the-shoulder shot of Bradley as he quietly creeps down the hall, arriving at the open door of Connie's bedroom.
We see Alison and Connie talking as he watches. They are sitting on Connie's bed together. So what is it honey?, Connie asks. Alison is frozen in nervousness. 'I've been having these...thoughts lately Mom,' Alison says, looking up at her mom. What kind of thoughts?, asks Connie. 'Thoughts about...you,' Alison says slowly. 'Thoughts about me? What does that mean exactly?' Connie asks, a little wary. 'I've just started to...look at you differently. I mean, you're so...beautiful,' Alison says. 'I just....I think I love you,' Alison says. 'I love you too honey. Even though I'm not your biological mom, you don't ever need to doubt that,' Connie says tenderly. 'No no I mean...I'm IN love with you,' Alison says. Here we go, Bradley whispers to himself, fondling his crotch in anticipation, seal the deal baby.
'Oh my god,' Connie says softly, her mouth wide in shock. 'I know I'm your stepmom Alison, but for all intents and purposes, I'm still your MOM, and there are boundaries that mothers and daughters don't cross,' Connie says patiently and firmly. 'You do understand that, don't you honey?' Connie asks. 'I know Mom, I'm not a kid. I'm 18-years-old, I get how these things work, but I just...I can't deny how I feel. I had to tell you: I want to be with you,' Alison says, putting her hand on Connie's knee. Oh no, no Connie laments, they can't do this, it's completely inappropriate. Connie softly removes Alison's hand from her leg. 'I know how lonely you've been since my dad died,' Alison says, sliding her hand under Connie's skirt between her legs. Connie removes Alison's hand from under her skirt. 'Alison, stop this right now! What's gotten into you?! Your boyfriend is right downstairs!' Connie says fiercely. 'I don't care,' Alison whispers desperately and again slips her hand between her mom's legs. Despite her misgivings, Connie is clearly thirsting for human touch and doesn't resist this time. She gasps as Alison rubs her pussy while she kisses Connie's neck. However, she seems just about to come to her senses and push Alison away when seeing this, Bradley chooses this moment to make his entrance, pretending that he just stumbled upon the scene by accident. 'Just wanted to---oh my god!,' he exclaims.
Connie snaps her eyes open, abruptly moving away from her daughter. Connie looks horrified. Alison doesn't look surprised to see Bradley since this was all part of the plan. Connie exhales loudly, smoothing out her skirt. 'Bradley this isn't---' she stammers. 'Oh please. I know exactly what this is,' he says with a smarmy tone and plops down into the chair that faces the bed. 'Carry on,' he says with a dismissive wave of his hand. 'C-carry on?! Nothing was happening, I swear to you Bradley, we were just talking and then suddenly...,' Connie says frantically. Bradley insists that he knows what he saw. Connie and Alison are going to get back to what they were doing when he came in, Bradley says. 'And I'm going to sit right here. And I'm going to watch,' Bradley says. 'Just like we talked about, right baby?' he asks Alison. Alison doesn't answer, instead looking down at her lap, deeply ashamed. Connie looks at her daughter. 'You...knew about this?! So all that talk about being in love with me,...that was all to get me to do this with you...for HIM?!' she asks Alison. Alison looks up from her lap to her mom. 'Please Mom I--,' Alison begins, but Bradley cuts her off. Fucking right she knew about it, he wanted them to put on a little show, so he told Alison that she needed to make it happen, Bradley says. 'And Alison does what I say. Because she knows exactly what the consequences will be if she doesn't,' Bradley says threateningly. 'You're disgusting, get the fuck out of my house!' Connie yells at Bradley angrily.
Well, he guesses he'll have to tell her about those consequences then, Bradley says. 'You see, that's just it. This ISN'T your house,' Bradley says calmly. Connie's brow furrows as she contemplates the implications of his question. 'That's right, it's not, it's my father's property,' Bradley continues. And his father loves him very much, so if Bradley asks him to, he'll evict Connie and Alison so fast that it'll make their fucking heads spin, Bradley says. 'So I suggest...that you both...Take. Off. Your. Fucking. Clothes,' Bradley says menacingly. There is a long silence. 'You seemed so...nice,' Connie says, almost to herself as she shakes her head in disbelief. He is nice, he just gets...bored sometimes, Bradley says absently. 'You're doing this because you're BORED?! How can you be so cruel?' Connie asks softly, horrified. Who knows really?, Bradley asks rhetorically. Maybe it's because he's rich and entitled?, or because he likes being in control?, or because his mommy left him when he was a little baby?, Bradley asks gleefully, mock crying as he mentions his mommy. Or maybe it's just because...why the fuck not? laughs Bradley sadistically. 'So you have a choice: Are you going to hit the sheets or hit the streets?' Bradley asks. 'Hit the streets or hit the sheets? That's pretty good huh? I came up with it while I was driving over here!' Bradley laughs. So what's it gonna be?, he asks, his laughter stopping abruptly. Connie looks at Bradley with pure rage and terror. Realizing that she only really has one option, she turns to Alison. She puts her hand on her daughter's knee and leans in reluctantly for a kiss. 'No, stop. I need to hear you say it, otherwise, it's no fun. Is this what you want?' Bradley asks. Yes, Connie says quietly through gritted teeth. Yes baby, Alison says numbly. 'Good choice,' Bradley says. 'Now, Connie? Fuck your fucking slut daughter please,' Bradley says evenly. Flashing Bradley a look of hatred, Connie turns to her daughter. They begin to kiss and Alison slides down between her mom's legs, slipping her panties off. Alison licks Connie's clit hungrily as her mom gasps, unable to conceal her pleasure while Bradley watches.
But they'll find out soon enough that Bradley wants to do a lot more than just watch, and Bradley ALWAYS gets what he wants...

AND ALL THROUGH THE HOUSE
UNHINGED MALL SANTA GETS BACK AT EX-BOSS BY FUCKING DAUGHTER
Larry (Derrick Pierce) is being escorted down a hallway by security. He is wearing a Santa Claus outfit. He is nervous as he tries to make small talk with security, asking if they've finished their Christmas shopping yet, but he's ignored.
There is not a smile to be seen on Mr. Willis's face as the mall manager directs Larry to take a seat, gesturing to the chair across from the desk. Larry tries to start with small talk, spotting the framed picture of Mr. Willis's teenage daughter, Carrie Ann (Emily Willis), on the desk. He smiles and asks Mr. Willis how the daughter's doing? She just turned 18 a few weeks ago, right? Mr. Willis curtly responds with 'Yeah, she's 18, but I don't see what that has to do with anything,' and rotates the picture away from Larry, seemingly eager to end the conversation there.
Mr. Willis sternly tells Larry that he's been called in for more pressing matters. There's been a lot of complaints about his behaviour, particularly around female teenagers... Larry looks anxious as he watches Mr. Willis leisurely suck on a candy cane. He tells Mr. Willis that you can't believe anything that teenagers say, really -- they lie! He's sure that some of them were even purposely trying to get a rise out of him! He's been doing a GREAT job! The little ones love him -- there's no denying that. Their faces light up so much when he asks them what they want for Christmas...
Mr. Willis is not moved by Larry's attempts to sway the manager. The manager firmly asserts that they can't keep Larry as a mall Santa for any longer. It's a family establishment and the mall is not going to risk a scandal for some replaceable loser.
Where's Mr. Willis's Christmas spirit, Larry insists, begging for sympathy. Has has a family to provide for, too. It's right before Christmas! The boss tells Larry again that he needs to leave immediately. If he doesn't, Mr. Willis has no issue getting the cops involved.
'Oh, what, the MALL cops?' Larry mocks. He then tries to attack Mr. Willis, but the same security guard grabs him. Larry argues and shouts the whole time as he's dragged out, looking more and more unhinged, telling Mr. Willis that they're going to pay.
TITLE PLATE
CUT to outside later that day, when Mr. Willis returns home from work. When Mr. Willis is gone, Larry emerges from the backseat of the car with a crowbar.
Larry is decked in his full Santa suit except the beard, Larry himself looking slightly dirty and disheveled, and is slowly dragging a crowbar at his feet as he approaches Mr. Willis's house. He sees Mr. Willis and Carrie Ann through a front window. They look happy as they hang the last few decorations on a Christmas tree. They are talking to one another but we only see their lips moving. Carrie Ann is the main focus now, looking so cute and innocent in her Christmas PJs. Now he just has to wait...
When it becomes dark, Larry makes his move. To his surprise, the door is left unlocked and ajar, so he lets himself inside. He carefully creeps through the house, his eyes lingering on anything Christmas-related that paints the household as happy and normal. He stops by the Christmas tree and plucks a candy cane off a branch. Larry then continues stealthily through the house. He pauses briefly as he sees Mr. Willis sleeping in his bedroom, then continues on.
He still has his crowbar with him the whole time, lightly smacking it against his palm or tapping it against his leg as he walks. He continues down a hall, then reaches a door with girly decorations on it, which signals that it belongs to the daughter. He seems to deliberate for a moment - continue down the hall, or change his plans? - then seems to have a change of heart and turns, slowly opening Carrie Ann's door.
Carrie Ann is in a state of deep rest tucked away in bed and is wearing Christmas PJs. Larry slowly approaches her bed, setting the crowbar quietly down. He looms menacingly over her, gazing over her body with the male gaze POV as he slowly pulls down her blanket to get a look at her full body. Even though she's wearing innocent PJs, her shirt's pulled away from her shoulder a bit, showing bare skin. His gloved fingers twitch with anticipation as he slowly reaches out as if to touch her, though he doesn't quite.
She stirs, groggy and disoriented, seemingly confused about the presence of someone else in her room, though she can't see clearly. She rubs at her eyes and sees Larry, squinting at him. 'Santa? Wait, am I dreaming?' she questions. Larry shushes her, saying, 'Yeah, sure, sweetheart. This is a dream, why not?' Now that she's up, he sits down on the bed beside her and runs a hand over her leg, telling her that Santa came to check up on her. She's still a bit groggy and trying to get her bearings. If this is a dream, why does he have a crowbar? Larry pauses a moment and mentions that Santa had to do some emergency repairs on his sleigh, so... Even as he says this, he moves closer to her, being slow and methodical. Although Carrie Ann lightly tries to back away into the bed's headrest at first, admitting that this is a really weird dream, she tells Santa that she thought he'd look... different. He looks... handsome. Larry gives a sleazy disgusting grin and says Santa likes how she looks too in her cute little PJs.
She asks why Santa's here and not downstairs - he tells her that her parent Mr. Willis has been very bad this year and is on Santa's naughty list, but he wanted to give Carrie Ann the chance to prove she belongs on the nice list. Carrie Ann mumbles groggily that she wants to be on the nice list. Larry says that that means she has to do what Santa says, does she understand? Santa has a very special present for her this year but only if she behaves...

Nominated - Best Three-Way Sex Scene - B/B/G: Emily Willis, Charles Dera & Danny Mountain, AVN 2020
Nominated - All-Sex Release of the Year, XBIZ 2020
Nominated - Best Sex Scene -- All-Sex: Emily Willis, Charles Dera & Danny Mountain, XBIZ 2020
Nominated - Best Cinematography, XBIZ 2020
Nominated - Best Art Direction, XBIZ 2020
'Being your slave, what should I do but tend
Upon the hours and times of your desire?
I have no precious time at all to spend,
Nor services to do till you require.'
- William Shakespeare
THE DATE
We watch a beautiful young woman (Emily Willis) in her apartment getting ready for the evening. She showers, lotions up her body, puts on expensive perfume, and dresses -- first into expensive black satin lingerie, stockings, garters, and heels and then slipping into a beige rain jacket. She looks like she just walked off a runway. The camera voyeuristically watches her, almost like a reverse striptease.
CUT TO the woman, in her jacket, bare legs and heels, as she exits her building and steps into a black town car. A man waiting for her shuts the door and gets into the driver seat.
CUT TO a car mount shot, looking in at the silent driver in a black suit and ray bans, and the girl who sits in the middle of the back seat. To her right is a very handsome man (Danny Mountain) in an expensive suit. A second man (Charles Dera), equally handsome and dressed the same, sits on her left.
CUT TO the road. As they drive, the man in the back asks the woman if she is ready. Obediently, she says 'yes.' He asks if she will give herself over completely. She says 'yes.' He strips her out of her jacket, exposing her bare skin. She quivers. He takes a brown paper bag and puts it over her head, before holding her arms to keep her still. They ride for a moment with her body writhing. The men look cool and collected, staring straight ahead. All you can hear are the light gasps and moans from the submissive woman as she is being driven, eagerly awaiting what's to come.
'My only submission is complete submission.
I will kneel before you, naked and unashamed,
My eyes down, my chin up.
'I will do as you say and be rewarded.
Always saying please and thank you,
Accepting my punishments like a good girl,
Never touching myself until you have given permission,
And always swallow, never spit.
'I will surrender to your will
And always remember who I belong to.'

What Happened To My Sister?
BROTHER COMES HOME FROM TRIP TO DISCOVER STEP-SISTER IS FUCKING DAD
SCENE opens inside a taxi cab, as it pulls to a stop. A young man named Rick (Small Hands) stands waiting on the curb, his backpack and a gift bag in hand. He has just arrived home from a trip across the US to 'discover himself,' as his father (Steve Holmes) puts it. He gets inside the cab. After giving the address and setting off, Rick and the driver small talk about his trip along the way: places he went, things he saw, and where he's headed now -- back home to his family before starting a job at his father's company in the fall. The driver makes a joke about having to go home to mom and Rick laughs. No, no mom. It's just his dad, his dad's wife, and his step-sister Josie (Jill Kassidy). He really missed her, and it was just her birthday, so he is excited to give her the gift he found on his travels! The taxi driver says that it's always good to be a big brother while Rick stares off into the distance.
When he enters his home, he is surprised to find it empty. He calls out to his dad, to Deena, his dad's wife, and to Josie. But nobody replies. Mildly concerned, he walks through the house until he starts to hear sounds coming from his father's bedroom. Assuming it's his father and step-mom, he makes a face and turns to leave when, suddenly, he hears his step-sister's voice. 'Daddy .... Daddy please,' she moans from behind the door. Rick freezes. In horror, he slowly opens the door to reveal Josie bent over the bed being penetrated by his father! The father grunts and thrusts as Josie takes him all in, moaning with pleasure and calling him daddy. Rick can't believe what he is seeing ... yet he can't look away. Where is his step-mom? What the fuck is his dad thinking? He spies on them for a few moments, trying to take it all in, when suddenly Josie makes eye contact with him. The step-siblings stare at each other. But, instead of reacting, Josie just keeps getting fucked until Rick feels so uncomfortable that he turns away and storms out of the hallway.
CUT TO TITLE PLATE
Rick sits, arms folded, on the couch when his father enters the room. 'Son,' he exclaims, surprised. 'I didn't realize you were coming home today.' He tries to give Rick a big hug, but his son is standoffish. 'Where's Deena?' he asks curtly. His father makes a face, struggling to think of how to respond, when Josie enters the room. Acting normal, she rushes up and hugs her big brother, giving him a kiss on the cheek and saying how much she missed him. Is that gift bag for her?! He pulls away. 'Where's Deena?' he asks again accusingly. Josie and his father exchange knowing looks before his father smiles and pats his son on the shoulder. 'A lot has happened while you were away, son,' he says.'Josie has made a lovely dinner! How about we all sit down and talk about it like a family?'
CUT to Josie putting a bowl of pasta on the table, as Rick's father tries to engage his son in awkward small talk about Deena. Josie takes out some napkins and unfolds one in her step-father's lap, her fingers grazing his crotch, which makes Rick snap. 'Are you fucking kidding me? Sit down!' Josie slumps down meekly while Rick's father bites his lip and struggles to keep calm. He tells his son that, after much consideration, he and Deena have decided to separate. 'Why?' Rick asks. 'Does it have anything to do with the fact you're fucking my little sister?' He yells, standing up. Josie begs him to sit down. 'Josie is your step-sister, Rick,' his father corrects him. Did the father even wait until she was 18? Yes, of course he did. They both agreed to wait until she was a grown woman. They love each other!
Rick looks at his sister and asks how she could betray her own mother like that? How could she destroy their family like that? How could she do this to him? Josie, who has been growing emotional throughout the entire fight, ends up storming out of the room in tears. The men are left alone to stare at each other. Rick's father looks very disappointed. 'Are you happy now, making your sister cry? She and I have chosen to be together. Whether you like it or not, this is our family now!' He storms off too, leaving Rick alone. He can't help but feel guilty for making his sister cry.
CUT to Josie's bedroom. She lays hugging a pillow when Rick knocks on the door and asks to come in. He is holding the gift bag which he gently rests on the dresser. At first, she gives him the cold shoulder, but crumbles as soon as he sits down beside her to apologize. She buries herself in his arms and pleads with him not to be mad at her. It's been a very overwhelming summer and he doesn't know how many times she just wished he had been home to help her through it. Rick asks Josie to explain what's really going on. It seems as if he's come home to a madhouse.
Josie wipes her eyes and tells him that, over the past few months, things between her and her mom have been bad. She kept getting jealous of Josie, especially the way his father looked at her. She began to accuse Josie of being flirtatious and trying to steal her man. Finally, it got to a point where Josie was so angry, she decided to just do it. To prove a point. Rick's father has always been pushover, it didn't take much to get his dick out. Then one day, Deena walked in on them having sex. It was a joke. 'But Deena didn't take it as a joke, did she?' Rick asks. Josie shakes her head. 'I thought it'd be funny! I didn't think she'd actually leave us,' she replies. 'It doesn't sound very funny to me,' Rick says as he puts his head in his hands. 'So, are you in love with my dad?' He asks. She shrugs. 'I mean, I love him. He's like my dad too.' She nudges closer to her step-brother. 'But I really just want to stay here so I can be close to you!'
They look at each other, their lips inches apart. Rick shakes his head and tells her that he is feeling very fucked up. Although he feels betrayed, with the way she gazes at him pleadingly, something wells up inside of Rick. He finally jumps her, unable to contain his feelings for her any longer -- no matter how angry he is.

THE LOVE HOTEL
ROBOT SELF-DESTRUCTS AFTER A NIGHT OF SEX WITH HER CLIENTS
SCENE opens on a dark bathroom. From a birds-eye angle over the tub, the lights in the room turn on as a woman known only as unit #30562 (Emily Willis) floats in the milky bath water. She opens her eyes, calmly getting out of the tub and drying herself off. She has a perfectly proportioned body. She walks over to a large mirror and, pressing her fingertips in the lower right corner, causes the mirror to illuminate before it turns into a smart screen. A message pops up, thanking unit #30562 for signing in. 'Are you ready for your next shift?' The mirror asks in a soft female voice. #30562 says yes and the screen loads her itinerary for the evening. It explains that her first guest will be a returning client: John Doe, 57 years old, solar sales manager, 6'0'' tall, 165 lbs, brown hair, blue eyes. His kinks include school girls, anal sex, ass worship, rimming, ATM. Past crypto tips include 8000 tokens: extra rough, 10000 tokens: novelty take home, and 500 tokens: kissing on the mouth. Accept client? 'Accepted,' says #30562. As the smart screen processes the order and a confirmation appears, the door buzzes.
CUT TO TITLE PLATE
#30562 opens the door and John Doe (Steve Holmes) enters, breezing into the room in a silver bomber jacket and matching wraparound mirrored glasses. He looks her up and down lustfully before pulling out a card and inserting it into the reader. A hologram screen pops up and confirms that the tokens have been accepted. #30562 takes a deep breath, puts on a big smile, and guides John over to the bed. She bends over, and he buries his face in her perfect ass, before sliding his cock inside her tight hole. After he pulls out and cums on her ass, she asks if he would like to kiss and he eagerly agrees. The room flashes green and replies to confirm the extra gratuity. They make out for a few moments before John Doe happily puts his clothes back on and leaves the room.
#30562 goes back to the mirror and stares at herself for a moment, emotionless. She presses the tips of her fingers against the glass and the smart screen wakes up. It explains that her next guest is also a returning client: Richard Roe, 30 years old, space tourism guide, 5'10'' tall, 170 lbs, auburn hair, blue eyes. Kinks include rough sex, breath play, collaring, fisting, and golden showers. Note from management: client is limited to rough sex after last session resulted in damages. Accept client? 'Accepted,' says #30562. As the smart screen processes the order and a confirmation appears, she stares at herself blankly and the door buzzes.
CUT to the door opening. Richard (Charles Dera) enters briskly. He backs #30562 in a corner and places his hand around her throat, his lips curling up in a sneer to reveal shiny gold teeth. 'Remember me?' He growls. She smiles and advises him to scan his card. The man backs off slowly, places his card into the reader, and a hologram screen pops up to confirm his tokens have been accepted. #30562 takes a deep breath and walks over to him. He hoists her over his shoulder and goes to the bed. Throwing her onto the bed, he licks her tight pussy, getting it nice and wet before he fucks her hard. At a certain point, he is about to pee on her when the room flashes red and reminds him that this activity has been blocked. Frustrated, he shoves his dick back in #30562's pussy and keeps fucking her till he pulls out and cums on her face. While the woman catches her breath and wipes the cum from her eyes, Richard gathers his things and leaves without a word.
When #30562 stands up, she finds herself very dizzy. The room beeps red and instructs her to return to her charging station. She crawls to a corner of the room and stands on a white platform to recharge. As soon as her feet plant on top of the station, she becomes still while her body powers up.
CUT to an hour later. #30562 is still charging, eyes closed, when the door buzzes. She opens her eyes and steps off the platform, walking to the mirror in the bathroom to accept the next client but discovers the screen is off. The room buzzes again. #30562 goes and opens the door anyway. A naked woman (Penny Pax) steps inside, clutching a holographic bag. #30562 has never seen another woman before and she is awestruck. 'Please scan your card here...' she says to the woman. The woman looks at her for a long time and feels #30562's face, trying to hold back tears, before reaching into her bag and pulling out a coin. 'Is this accepted?' She begs. #30562 takes the coin into her hand and stares at it. She's never seen anything like it before. She places it on the counter beside the card reader. 'What would you like to do to me this evening?' She asks the woman. Biting her lip and trying to contain her nervous energy, the woman reaches back into her bag and pulls out a shiny silver dildo. 'I want you to fuck me as hard as you can.' She says. #30562 takes the dildo and puts on a big smile, leading the woman to the bed. Unit #30562 may be programmed to please, but this latest client of The Love Hotel is not who she seems, and by the time she's done with #30562, the sexbot's world will never be the same.

DAUGHTER SLUT-SHAMING
FATHER DISCIPLINES BRATTY STEP-DAUGHTER FOR HAVING SEX WITH STRANGERS
SCENE OPENS on a vestibule in the early hours of the morning, where 18-year-old teen Veronica (Emily Willis) is trying not to make any noise as she sneaks through the door. After a night of partying, evident by her slightly disheveled look and party clothes, the teen is being careful not to wake her dad. She holds her heels in her hands to make less noise, and starts tiptoeing into the hallway. She makes her way into the kitchen, where she grabs some headache pills for her already developing hangover. Rounding the corner, she's shocked to see her stepfather Hugo (Steve Holmes), holding a cup of coffee. He has a stern look on his face and a rigid posture. Veronica is embarrassed to have gotten caught but tries to play things cool -- 'hi daddy,' she says sweetly, 'uhh, how long have you been up?' He says long enough to see that she didn't rest in her bed last night. She tells him that she was studying at a friend's house and slept over. Skeptical, he picks up the bottle of pills, saying that apparently math gives her a headache. Veronica sticks to her story, but Hugo isn't having it, and slams the pill bottle onto the counter angrily as he demands to know what's going on. Reluctantly, Veronica admits that she was out late at a party.
Uncomfortably, clearly not eager to say what she has to say next, she says that she needs a ride to the pharmacy. He asks what for. She winces. She confesses she needs to buy some morning-after pills -- she got a little wild at the party today. Hugo takes a deep breath, trying to keep his cool. Who was the boy? Veronica is very nervous, and admits she doesn't exactly know... some guy at the party, she didn't get his name. Hugo looks furious, and starts yelling at her - she lost her virginity at a party to a complete stranger?! That's incredibly irresponsible! Veronica begrudgingly corrects him, 'well.... not exactly... I sort of... well, I didn't lose my virginity tonight, that is.' Hugo looks at her stone-faced and incredulous. 'How many times have you had sex?!' he asks. She turns her head and doesn't answer. He grabs her by the wrist and insists she looks him in the eye. 'How many guys have you slept with?!' he repeats. Humiliated and close to tears, she reluctantly meets her step-father's glare. 'I've sort of... lost count.' Something snaps inside Hugo. He takes a deep long angry breath through his nose, and then exhales. He grips Veronica's throat and starts walking away, pulling her along with him. She resists being pulled -- 'what are you going to do to me, daddy?!' she cries out. Throwing her onto the living room couch, he leans in menacingly. 'I'm going to treat my step-daughter like the slut she is.'
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Standing above her, he looks her up and down for a moment. He tells her that she's been acting like a brat so he's going to treat her like one, and discipline her just like when she would act bratty when she was younger. He asks patronizingly if she remembers what that means. 'You want to SPANK me?!' she says in alarm, shrinking from his angry glare. She's 18 years old now, she pleads, he can't do that anymore, she's an adult. It's weird. It's GROSS. Hugo argues back, she certainly isn't acting like an adult. She's acting like a brat who needs to be taught a lesson. If she wants to live under his roof, she has to abide by his rules. She does want to keep living under his roof, right? Reluctantly, she says yes. She doesn't want to be kicked out, right? Begrudgingly, she answers back no. Then she's going to do what he says, right? Through gritted teeth and holding back tears, she says yes, she'll do whatever he says.
He tells her to take off her pants, it's time for her punishment. He instructs her to turn around. She does, and we watch from a male gaze POV as she takes off her pants slowly and reluctantly. She looks back at him with a betrayed look before also taking her panties off slowly. She stands there for a moment uncomfortably. Finally, he coldly instructs her to come bend over on daddy's lap.Lying across her step-father's lap, ass up in the air, Veronica winces and braces herself for the spanking. Hugo starts first by taunting her, rubbing his palm in circles across the circumference of her ass for several seconds, before starting off with a sharp smack. Veronica lets out a yelp from the pain. He rubs more circles with his palm before slapping the other cheek once as well. Incredulous at the size of her skimpy panties, he rips them off and proceeds to mercilessly spank his daughter while she begs for his forgiveness. He is cruel and taunting, insulting her while expressing his disappointment in her. He tells her that her mom would be appalled if she was still with them. He tells her that he didn't raise his daughter to be a disgusting slut and demands to know how many men she's fucked, spanking her ass hard for every man she's been with.
As he spanks her furiously, Hugo spreads her ass cheeks and repositions her legs to get better views of her pussy and asshole on his lap. At this point she feels something hard pressing into her body, and squeals with disgust 'Ew, are you hard right now, dad?!' She struggles on his lap and protests that it's sick that he's getting hard from spanking his own daughter. He hasn't gotten laid since her mother died, and he could use a warm hole. Hugo tells his step-daughter that she's going to be his warm hole now, whipping out his hard dick. Veronica is shocked -- no fucking way! He's taking it too far, it's disgusting. Hugo points out that just earlier, she was asking him to treat her as an adult. What could be more adult than fucking? She starts to protest, but he reminds her that she should think twice about standing up to him if she still wants a home to come back to after her nights of partying. Hurt and reluctant, she asks what she has to do, and begrudgingly agrees to do it. Veronica's about to find out that her stepfather is just getting started shaming his slut daughter.

THE WATCHER
CREEPY VOYEUR SPIES ON YOUNG COUPLE AND FOLLOWS THEM HOME
SCENE opens on an establishing shot of a broken-down shed. It is early morning. Cut to inside. A homeless man's legs stick out from underneath a tarp as he lays huddled on the dirt floor, surrounded by garbage and old food containers. From a dirty POV, we watch him lift off the tarp and sit up to see the sunlight streaming through the cracks in the door. His face is hidden by his hooded sweatshirt, but he is a tall, intimidating figure. He rummages through his garbage before picking up an old tattered porno mag and, with a groan, opening its sticky pages.
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Several hours later. The man, still shrouded in his hoodie, leans up against a curb begging for money. People pass him by without any notice.
JUMP CUT to a close-up of the man's dirty shoes as he staggers down the roadside, panning up to reveal him holding a tall can wrapped in a brown bag. He comes upon the entrance of a park. From a dirty POV, we watch him look around before deciding to venture inside.
JUMP CUT to the man walking through a secluded, woody area at the back of the park. He has come here to look through more of his magazine. As he settles down by the parameter fence, he hears a woman laughing and pauses. From a dirty POV, we watch as he cautiously stands back up and creeps towards the sound of the woman. Through the clearing, A couple have laid out a blanket underneath some trees and are making out. Jenny, the woman, giggles and play fights with Paul, her boyfriend, who is trying to affectionately get her clothes off. The man watches and listens, as their small talk reveals the pair are a recent couple out on a date. They are both college students. Paul wants to have sex while Jenny is nervous. She doesn't want to do it in public and get caught. He tells her to chill out, no one ever comes to the back of the park. 'Besides, we are both over twenty-one,' he adds. 'And it would only be a misdemeanor ... so isn't it worth the risk?!' She laughs and tells him he's a terrible influence, as they keep kissing. The camera jumps between a wide shot of the couple, with the man shrouded in the background, and a dirty POV of him watching. Finally, caving to the pressure, Paul suggests they go back to his place to fuck instead ... and Jenny eagerly agrees. They gather up their things and leave, while the man still watches.
JUMP CUT to a dirty POV of the man watching Paul and Jenny as they enter his house, leaving the door slightly ajar by mistake. Cautiously, the man creeps up and quietly steps through it after them. He can hear their voices on the other side of the house. Breathing heavily, he walks through the main floor and towards the bedroom. He peeks inside and watches as the couple make out in bed. Paul is removing Jenny's top as they kiss passionately, and she undoes his belt. She begins to give him a hand job, as the camera cuts back and forth between inside the room with them and the man's dirty POV. Paul begs Jenny to suck his dick, but she keeps laughing and pulling twigs out from his dirty shorts. 'Let's just take a quick shower first,' she teases. 'And then you can do whatever the fuck you want to me!' Paul groans and nods, ushering Jenny off the bed and out of the room, as they strip off their clothes and narrowly miss the man who has darted around the corner. From a dirty POV, he hears the shower come on and then creeps into the bedroom, so he can find himself a better view. He decides to hide inside the closet.
A few moments later, the couple come back into the room naked and ready to have sex. The closet door stays in the frame as they begin to go at it, completely unaware that they are being watched.

OFFICE HARASSMENT
SECRETARY FACES REPEATED SEXUAL HARASSMENT FROM HER BOSS
SCENE OPENS on Mr. Kincaid (Derrick Pierce), a brutish-looking businessman, in his office with his beautiful secretary, Valerie (Brett Rossi), telling him about the day's schedule. Midway through her briefing, she leans down to pick up a pen from the floor and place it back on her boss' desk before continuing. Unbeknownst to her, Kincaid sneakily throws the pen back onto the floor. When she walks back around, she notices the pen on the floor again and is agitated, taking a calming breath while gripping her notepad tightly. She bends down, the camera giving a male gaze POV of her sexy bottom, then berates her boss about dropping the pen AGAIN. He shrugs it off and she snaps, remarking that she's tired of how he struts around the office like he owns the place! Plus he's very rude, and she hates the way he treats her and makes her feel small and invalidated. It's harassment and she's not going to stand for it anymore.
She's so worked up that she's getting hot and sweaty, so she takes a breath to calm herself down from the outburst. Mr. Kincaid, who watches, unabashed, the whole time, responses by telling Valerie that he wants a cup of coffee and it's not going to pour itself. Defeated, Valerie walks across the office to make a cup of coffee, although she's clearly upset, her body tense and her hands fisted at her sides. She gazes over her shoulder to her boss, anxiety written all over her face.
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Later that day, in his office, Kincaid is finishing up a business call while Valerie brings him another cup of coffee. Once he's done with the call, he gets her to relay what's next on his calendar. As she starts telling him his schedule like a good secretary, he sips the coffee she just brought him and spits it out. 'This is terrible!' he scolds her as she helplessly looks on at his childish behavior. The childishness turns into bullying as he asks her how long she's been working there -- a decade? -- which is pretty generous for a secretary. He's going to tell her how this whole thing works and that he'll go slow so that she catches on. Valerie is crestfallen, quietly insisting that he can't treat her like this. 'Sweetheart,' he says with a smirk, 'I can do whatever I want, and treat you however I want because I'M the boss.' She's just a dumb blonde bimbo, and nothing more.
He starts stroking her cheek and she calls him out on the sexual harassment, although he instantly and calmly insists that it's NOT sexual harassment. Even if it was, who was going to believe her, anyway, since she's just a secretary? It's her word against his. He stresses that he's the one that writes the checks around there, so there's nothing she can do about it. 'In fact...' Kincaid trails, promptly spilling his cup of coffee on Valerie's breasts.
Valerie tries to clean the coffee stain on her white shirt, distressed that he did that on purpose while he smugly insists that it was an accident and that he's just such a klutz. He tells her that she had better take the shirt off and take care of the mess or it'll stain. Valerie insists that she needs to go home to change, but he stops her in her tracks by saying, 'OR you could stay and make your boss happy.' If she lets him have his way with her, he'll promote her to a position that she really wants to be in. The choice is hers.
The camera is focused on Valerie's face as she wipes her tears and struggles to make the decision. The turmoil is clear on her face, her lips tight, although the smallest hint of a grin slowly appears. Then she makes the call and removes her shirt, throwing it to the floor. 'You know what? You're so right. I'm so dumb! I should be helping YOU be happy...' she insists. Kincaid is stunned by the 180 as she strokes his shoulder, fawning over him with her breasts in full view. She lays it on thick, stroking his ego in every way that she can think of, which Kincaid readily gets off on. Valerie's days of being bossed around because she has no choice are over as she takes the lead to show him what she's really made of.


ANNE - ACT TWO: THE ESCAPE
SCENE opens inside Mr. Hands' closet. Anne is seated, curled up in a ball, when she hears the knob slowly turn. The door opens, as Sally crawls in towards her friend, her bad leg dragging behind her. In a hushed tone, she tells Anne to stay quiet and they slowly crawl out together. Mr. Hands is passed out on his desk. As soon as the girls get out of the office, they quickly tip-toe through the common areas to the front door. Anne turns to thank her friend and Sally hands her Mr. Westfield's address. 'I copied it off the letter on Hands' desk while he was resting,' she says triumphantly. Anne hugs her friend. Sally smiles, reaching into her pocket and retrieving the necklace. 'Thought you might need this too,' she adds. Anne kisses her, before running off the property and into the night.
A car pulls up outside a large estate and Anne steps out, thanking the driver for letting her hitch a ride. It drives off leaving her to take in Mr. Westfield's mansion for the first time. It's the biggest, most luxurious house she has ever seen! But, as Anne looks down at her shabby outfit and dirty hands, she has a moment of self-doubt and starts to walk away when a gardener notices her. He calls out, asking who she is and Anne mumbles that she is here to see Ms. Farling. She is the orphan. Another gardener comes around the corner and notices her. He gives the girl a long look before using his intercom to call someone. 'Right this way,' he tells her, as both workers accompany the girl to the front steps.
A butler opens the door. He is very polished and handsome, dressed in a tuxedo. 'She is the girl that Ms. Farling told us about,' one of the gardeners says. The butler dismisses them before turning his eyes to the girl. 'You are the prettiest orphan I have ever seen!' He says. 'What is your name and how old are you?' Anne replies, and the butler extends his hand, inviting her inside.
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The Foyer. As the butler starts to explain the layout, Ms. Farling rushes into the room. She is still in her dressing gown and seems surprised that Anne is here alone. 'Sweetheart,' she says. 'I wasn't expecting you so soon. Is Hands still here? I have some papers for him to sign.' Not wanting to reveal what happened, Anne lies that he dropped her off at the gate but had to leave. Slightly agitated, as if expecting to have more time to prepare for the girl's arrival, Ms. Farling accepts her story. 'I see you've met Bruno, our butler,' she says, placing a warm hand on the butler's chest. He bows slightly. 'He will be at your service, morning, noon and night. But, let me show you the rest of the house. We have a lot to do today to get you prepared!'
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In a long tracking shot, the trio walk into the kitchen, where a CHEF is busy whisking in a bowl. She stops and stares at the girl. 'This is our personal chef, Mrs. Orchard,' Ms. Farling says before lowering her voice to a whisper. 'She is a little eccentric, but her food is delicious, I promise!' Anne laughs. They move to the living area, where a beautiful maid is extending herself to dust the tall corners of the room. Her stature is accentuated by a somewhat revealing outfit. 'This is Hilda, our housekeeper,' Ms. Farling says. The maid rushes over and gives Anne a warm hug, kissing her on each cheek. 'You are so perfect,' she says softly. 'daddy is sure to love you!' Anne looks up at Ms. Farling in confusion and the assistant grips her shoulders tightly. 'That's just what we call Mr. Westfield in this house,' she tells Anne. 'He is such a role model that I like to think of him as a father figure. It is very important to treat him with respect.' They keep walking, with the maid joining the group. Ms. Farling and the staff knowingly exchange glances, as Anne walks ahead of them innocently. They pass a darkened wing of the house, where a GAURD is standing watch. 'Who is that?' Anne whispers. Ms. Farling quickens her pace, explaining that this is daddy's office. He is inside right now, having a very important meeting and cannot be disturbed. That's why he has protection. Anne looks at the guard nervously. 'Come quickly,' Ms. Farling says. 'You are supposed to be a surprise for daddy ... and I don't want to ruin it.' They turn a corner and spot another well-dressed man. 'This is Michael, our driver,' Ms. Farling continues. 'He will take you wherever you wish to go. We have 12 different cars on the property.' Anne says hello shyly while the handsome driver kisses her hand and introduces himself. He joins them, and they move the tour upstairs.
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The second floor. As Ms. Farling explains the house's various features and rules, Anne looks around at the staff following them. They are all smiling at her intently. It makes her a little uncomfortable, mostly because she has never had so much attention focused on herself. She sticks close to Ms. Farling and asks the assistant if she really thinks that Mr. Westfield can help her find her real parents. The assistant stops and curtly reminds the orphan that, in this house, he is not Mr. Westfield. He is daddy. She must not forget that. It is a very important rule. Anne apologies but Ms. Farling cuts her off. 'There is no need to apologize, my darling. We are all here to help make sure you give off the best possible first impression tonight when you meet him,' she says. 'I know he is going to be so surprised when he sees that I've brought him a beautiful girl!' Anne looks down at herself again and mutters about not feeling very beautiful. Ms. Farling assures her that it is their responsibility during her stay to ensure she is treated like a princess. Anne should enjoy all the spoils of being at home here -- just as if she were daddy's real daughter. 'And then we can look for my parents?' Anne asks. Ms. Farling nods, adding that if anyone has the right connections to find them, it will be daddy. The staff eye each other and the girl lustfully.
'What would you like us to do first, Anne?' the butler asks, putting his arms on Anne's waist. 'We will do anything you want!' adds the driver. Ms. Farling smiles as the maid grabs Anne's shoulders from behind. 'How about we get you cleaned up?' She says, whispering in her ear. Anne gulps before slowly nodding and telling them that a shower would be nice. 'I think you're really going to like it here!' The assistant says warmly, leaning in to kiss the young orphan on the cheek.
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The bathroom. Anne is naked in the shower, being washed by Ms. Farling and the maid who have taken off their clothes to join her. She seems very awkward at their touch but is trying to fit in -- she wants to like it here. She needs to like it here. As they sensually scrub her body, Ms. Farling tells the orphan all about their boss. He is such a high-profile, busy man that he has never settled down or had a family of his own. When she began planning this charity event, she knew it was a perfect opportunity to change that. She wants to give daddy a feeling he's never been able to enjoy, despite his success. Ms. Farling seems so proud of her plan that Anne doesn't want to bring up her parents again. It might seem rude. But, that's all that she can think about. The women continue to stress the point of making a good first impression to daddy, so much so that Anne becomes very visibly anxious about it. The maid asks the orphan if she is OK and, after some coaxing, Anne admits that she's nervous to meet him. She's never been given so much before and she doesn't want to screw it up. Ms. Farling starts to steer the conversation towards how she and her staff deal with stress. They help each other relax, in every possible way. Taking a cue from the assistant, the maid chimes in to ask if Anne has ever enjoyed an orgasm. Anne confesses that she's never had one -- she won't admit what happened with Mr. Hands, but she alludes to having had a past negative experience. The women are surprised and insist that they help her -- especially if she wants to be relaxed for this evening. After a bit of coaxing, Anne agrees. She trusts the women. The maid and Ms. Farling work together to make Anne cum before leading the overwhelmed girl out of the shower where the butler and driver are waiting. They dry her off and then ask permission to make her orgasm too. Anne hesitates again but Ms. Farling reiterates the importance of what they are doing. They are only trying to help her prepare for tonight. 'And you really think that daddy will be able to find my parents?' Ms. Farling says yes, and Anne ultimately agrees. She has come so far already, she can't stop now. The staff take turns having sex and pleasuring her.
After they have finished, Ms. Farling dismisses the others, so she can help get Anne dressed. Excited at the prospect of giving daddy his surprise, the assistant proclaims she has the perfect outfit set aside!
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The dining room. Anne sits at a beautifully appointed table, wearing a stylish red dress and looking like the opposite of the orphan who arrived just hours earlier. The entire staff is also seated but the head of the table remains empty. After a long, awkward pause, daddy bursts into the room flagged by his guard. He is on his phone with his lawyer, clearly in a very bad mood, and pays no attention to the girl sitting beside him. The staff look at each other anxiously. Slamming his phone down, he demands to know what's being served as the CHEF ladles some soup into his bowl. 'Roasted carrot with crème fraiche,' she replies. daddy makes a face and starts eating, as he tells Ms. Farling to go over his itinerary for the rest of the week. His assistant pulls out her tablet and starts to break it down for him while Anne twitches in anticipation. At a certain point, daddy looks over and notices her. 'Who the hell is this kid?' He asks his assistant gruffly. Ms. Farling reminds him about the upcoming charity event he's hosting and how she was tasked to bring in an orphan to spend the week with him as part of the publicity campaign. daddy looks Anne up and down before replying that he thought she was going to get a child. 'How old are you?' He asks. Anne replies meekly that she is eighteen. daddy grunts and tells Ms. Farling that a teenage girl is the last thing he needs in his house. Ms. Farling protests, advising him that it would be a nice idea to have him spend some quality time with a nice young woman, since he isn't married and never had a daughter. He stares at her coldly without responding. 'Besides ...' she nervously adds. 'It will look very good for your image, daddy. It will show the public a softer side to the Westfield empire and, hopefully, downplay some of the recent rumors...' daddy mulls this over before finally agreeing and asking for the next course.
While everyone eats their meal, Ms. Farling keeps encouraging Anne to talk about herself. She tells the businessman all about her life in the orphanage, the other girls she grew up with, and how happy she is to have been chosen to represent him as his daughter for the week. daddy remains cold despite all her efforts to charm him and the staff are so preoccupied with making sure the pair get along that is causes a lot of tension around the table. Finally, daddy excuses himself for bed and leaves abruptly, accompanied by his guard. Anne is crestfallen.
'He hates me, I just know it!' She says pitifully. 'Please don't send me back Ms. Farling ... I'll do anything to stay!' Hugging her tightly as the rest of the staff solemnly clear the table, Ms. Farling tells her not to give up. She will make sure Anne is not sent back to the orphanage. But, she needs her to be a little more convincing. daddy has a hard shell, but he is soft on the inside. All he needs is to feel like he is in control of the situation. That's how he runs his business. Anne asks what else she can do and, helping her to her feet, Ms. Farling suggests she go and say goodnight to the man - alone. If she can prove what a good girl she is, daddy will surely want her to stay and help her find her parents. As Ms. Farling accompanies Anne to the stairwell, she reminds her of how good the staff made her feel earlier. Anne nods nervously. 'That is how daddy likes it too,' the assistant adds. 'Remember that!' They walk to daddy's door, where the guard is standing. Ms. Farling tells him that Anne is going in to say goodnight and he lets her pass. She glances back at Ms. Farling, who shoos her in with a final look of encouragement. When she disappears, the assistant turns back to the guard and tells him to take a break. She needs to monitor this herself. The guard flashes her a quick smile and speaks for the first time. 'Bringing him a teenage orphan ... that's low even for you, Farling!' he jokes. 'Yes,' Ms. Farling replies curtly 'I know. But anything is better than the hookers at this point!' The guard walks off, leaving the assistant alone at the door.
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daddy's bedroom. The man is under the covers, in his pajamas, and on his phone when Anne enters timidly. 'What are you doing in here?' He demands, shocked to see her. 'Nobody comes in my room without my permission!' Anne, putting on a brave face, marches over to the bed and tells him that she wants to say goodnight. They may have got off to the wrong foot downstairs, but she wants him to know that she is the best possible orphan for his charity event. daddy is not amused. He asks if his assistant put her up to this. 'That woman is always meddling in my private affairs,' he grumbles. Anne bites her lip and sits down on the bed boldly. 'Now listen daddy,' she says. 'You are rich, powerful, and very intimidating. When I walked into your house today, I knew I had walked in to somewhere special. And I'm going to be the greatest daughter you've ever dreamed of -- even if it is only for pretend!' daddy cuts Anne off and gets right into her face. 'I don't need a daughter,' he replies. 'I just need a photo op!' Anne shrinks back. She mumbles something about being a good girl. daddy laughs. 'When I want a girl, I hire one. I don't want to be your fucking parent!' He barks, turning back to his phone. 'Now get out of here before I call security.'
Anne slowly gets off the bed and starts towards the door, crying. She knows that daddy is the key to her future, to finding her real parents. If she leaves now, she leaves with nothing. Like Ms. Farling said, she just needs to convince him. Something inside her snaps and Anne spins around. 'You're wrong!' she screams, storming back to his bedside. 'You do need someone to love. Not someone you have to pay for; someone who will worship you and respect you!' She breaks down before him, twitching in her red dress. 'I have spent eighteen years searching for my parents. They abandoned me. But you won't!' daddy doesn't know what to do. He tells the frazzled girl to away from him. She's a god-damn kid, what will the press think? Anne starts to cry in a panic. 'They will think I am going to be your new daughter. I promise to be a good girl for you. I promise you will come to love me ... if you just give it a chance. I will do anything you ask, daddy! BUT I'M NOT LEAVING THIS ROOM!' She starts to climb on the bed towards him as he shrinks back, yelling for Ms. Farling. 'She only wants what's best for you too,' Anne continues pleading. 'Just give me a try, daddy... I need your help!' daddy gets very angry and leaps out of bed to physically escort Anne out. She kicks and screams as he struggles to carry her to the door. In desperation, she starts to kiss and grab at him too. They struggle before he throws her back on the bed. 'Are you making a pass at me, little girl?' He growls, towering over her. 'Because I will tear you up!' Not knowing what to do, the tear-streaked orphan tells him yes, if that's what he wants. He can do whatever he wants to her if he will just let her stay and help her afterwards. Her constant advances awaken something inside of daddy and the icy, distant man rips her dress off. Staring down at the naked girl, he reveals himself and tells her to suck it. It's been days since he could hire a girl anyway.
The harder he pounds; the more Anne calls him daddy and begs for him to accept her. She slowly breaks the man down. His hate fucking slowly turns into passionate sex, with the pair kissing and acting lovingly by the time daddy cums inside of her. Their sex is INTERCUT with shots of Ms. Farling watching and masturbating from outside the door.
After they have finished, Anne kisses daddy and they share a tender moment. Ms. Farling enters and, giving her boss a knowing look, informs Anne that it is time for bed. 'You see, I always have your best interests at heart, don't I daddy?' She says and leads the naked orphan out of the room, holding her hand. The man falls back on his bed and a smile crosses his face.
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Anne's new bedroom. Ms. Farling tucks Anne in and kisses her on the forehead, telling her how proud she is of everything the young orphan did to prove herself. She knew Anne was special! Once alone, Anne says a short prayer to her parents. She tells them that she is doing everything she can so that one day they will be reunited. Hopefully. She snoozes happily, holding on to her broken heart.

THE RECTAL EXAM
Family doctor exploits favorite patient into anal sex exam
SCENE opens with the camera focused tightly on the exposed back of a woman with a stethoscope pressed against her skin. The camera travels as the doctor's hand slowly moves the stethoscope lower down the patient's back, which elicits a light gasp and giggle from the patient without us ever seeing her face. She exclaims that the metal is a bit cold. A close-up of just the doctor's mouth, biting his lip nervously, shows us that the exposed skin and flirty noises of his patient are distracting him. 'Sorry,' Dr. Sumner says with a bit of a dorky laugh, 'just one more deep breath please?' We watch her exposed back rise and fall slowly as she breathes deep, and Dr. Sumner stares at her mesmerized. 'Gooood,' he exclaims softly. Catching himself staring, he clears his throat and lifts the stethoscope off her back. As he turns back to stand across from his patient, we see she is a strikingly beautiful woman, Yvette. In fact, Dr. Sumner finds he has trouble taking his eyes off of her as he speaks. 'Well, your breathing checks out, blood pressure is normal, and your vaccinations are all up to date... was there anything else that's been worrying you that you wanted me to look into?' Yvette looks uncomfortable as she tries to broach the subject. Actually, yes, there was something else that's been bothering her recently, but it's a bit uncomfortable to talk about. Dr. Sumner assures her that no topic is off limits, especially not for his favorite patient, and Yvette gets a bit more relaxed. Well, she elaborates, she's been feeling some discomfort in her... well, her you know, ('butthole' she mutters hurriedly), ever since she tried anal sex for the first time with her boyfriend a couple of days ago.
Dr. Sumner is visibly taken aback, and he stutters over a response as he fidgets with his coat and tie. Yvette looks let down, she had hoped that Dr. Sumner would react more professionally than this, but he apologizes - it's simply because he's been treating her and her family since she was a little girl, sometimes he forgets she's a 22 year old woman now. But she's right, there's nothing to be ashamed of, what two consenting adults do in the privacy of their homes is not any of his business. He remarks that it's not uncommon for anal virgins to experience some pain and discomfort afterwards, and that the pain should subside after a day or two as long as she was careful, they went slowly, and used plenty of lubricant. Yvette, however, doesn't seem to have been put at ease - she's read about anal fissures and tearing and the like. Isn't he even going to take a look to make sure it isn't something more serious? Dr. Sumner starts to say that it's not necessary since her level of pain doesn't seem too severe, but then he cuts himself off. Actually, yes, she's absolutely right, he should perform a thorough examination. Just to be safe. So if she can just please lift up her dress, remove her underwear, and bend over the table...
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CUT back to just a few seconds after, only now in a male gaze perspective from behind Yvette as we stare straight onward at her bent over ass. Her pussy and butthole are on full display as she waits patiently for her doctor to take a look. He kneels down close, placing one firm hand on each cheek to spread them wider, and stares transfixed for several seconds.
'Um... doctor?' Yvette asks timidly. 'Is everything ok back there?' Dr. Sumner snaps out of his reverie and stutters that yes, he's just making a preliminary visual inspection before he runs more extensive tests. He periodically spreads her ass cheeks wide to provide the camera with ample close-up shots of her winking hole - this goes on for almost a minute, though the doctor is now more conscious to make it seem like a proper inspection by adding authoritative sounds like 'mm-hmm', 'ok', 'so far so good', etc. to keep Yvette feeling assured.
'Well, at first glance everything seems in order, but I'll of course have to palpate the inside of your rectum next, so you should brace yourself for some mild discomfort.' 'Palpate?' Yvette asks nervously, but Dr. Sumner explains that palpate just means examining by touch. It's just a clinical way of saying he'll be inserting his finger. With lubricant, of course. He asks her to remain in position while he dons his medical gloves - as he does this, we see that unbeknownst to Yvette, the doctor's attention remains fixated on her ass on display. He smears some lubricant onto his index and middle fingers, and then gets back into position behind her.
He reminds her that as he said, she might feel some slight discomfort - and then makes a bad joke about how he's sure it will be nothing compared to how it must have felt with her boyfriend sticking it in the other night. Yvette laughs nervously, not because it was funny but to make things less awkward. The doctor sticks one gloved finger in slowly, asking Yvette to describe the sensations as he does so. She describes the initial pressure, a dull ache as his finger goes deeper in, and then finally a yelp of surprise when he sticks the finger all the way in, though it quickly subsides, and she remarks that she doesn't notice much pain now that he's all the way in. He remarks that he's going to keep his finger there for a few moments, and suggests she takes a few deep breaths. He places his other hand on her ass cheek again and spreads it idly as they wait.
Dr. Sumner begins to ask Yvette questions about her first anal experience. Though as he asks his questions, Dr. Sumner coyly pulls his finger in and out, pretending it's part of the process. Did she use lube? (Yes.) Did she work her way up to the night in question by using any smaller toys to start? When Yvette says no, the doctor suggests that if she wants to continue having anal sex she should consider it, in fact he's read about women who wear butt plugs for hours at a time to stretch themselves out, even in public. Yvette blushes and says there's no way she could be bold enough for something like that. Dr. Sumner changes the subject and asks if Yvette's boyfriend fingered her first to ease her into it, and she confesses no, he didn't. Dr. Sumner explains that that may be why she's experiencing some pain now, and that it's generally better to start slow and work her way up to bigger objects. As he says this, he tells her he'll be putting in a second finger to test her elasticity. The second finger is clearly more difficult for Yvette to handle than just the one, but he eases her into it with a sense of relish.
After he satisfies himself with having fit two fingers into her hole and wiggling them around to make her squirm a bit, Dr. Sumner pulls his fingers out gently and then tells her that while things seem normal inside, he would like to get a final deeper visual inspection using a speculum. He lays Yvette on her side on the table, ass peeking out towards him, and he pulls out a rectal speculum from a nearby drawer. He inserts it carefully and uses it to expand her asshole slightly wider. Yvette remarks that the sensation is very uncomfortable, but the doctor remarks that the sensation should pass and that he promises it's absolutely necessary. However, he is clearly enjoying himself, even inserting his finger into the opening of the speculum to tease and toy with the rim of her hole. He tells Yvette that she's lucky that a 'complete amateur' like her boyfriend didn't injure her, and that they should really take better precautions next time. Yvette, slightly weirded out, remarks that Dr. Sumner really seems to know a lot about anal sex. Like, a lot.
At this, Dr. Sumner gets very embarrassed. He takes the speculum out of Yvette and removes his hands from her, putting them between his legs sheepishly. He was just offering her some advice, that's all. Yvette asks where he even gets all this advice from, she's sure it's not stuff he learned at medical school. Dr. Sumner tries to evade the question, but Yvette coaxes him - he's been a friend of the family for years now and he's helped her through some very tough times, she won't judge him. Dr. Sumner bashfully answers that he watches a lot of anal porn. Yvette grins, it's almost cute how nervous the doctor looks. She asks Dr. Sumner if he's ever had anal sex and he admits that he hasn't but has always wanted to. Yvette gets bolder, she bets that he must get awfully tempted sometimes with all the pretty girls he must have to look at as part of his job. In fact, he's always said she's his favorite patient, is that because he likes her or is it just because he's always wanted to fuck her? Dr. Sumner stumbles over his words and Yvette takes advantage of this to coax him further. He's right that her boyfriend is a complete amateur. In fact, having anal sex with him hurt like hell. But she bets that if a real man showed her how to do it, a man who's completely obsessed with anal sex, he'd know how to do it right. She reaches for his crotch and he pulls back, it would be unethical. She gets up off the table and approaches him seductively, insisting that no other patient of his is ever going to go along with something like this, this is a once in a lifetime chance and he'd be an idiot to turn it down. She wants it, he wants it. What could be more ethical than that? She leans in for a kiss and he hungrily kisses back, his hands going straight to gripping her ass cheeks tightly as they embrace.

HIS ANAL MISTRESS
YOUNG ASSISTANT TALKED INTO ANAL SEX WITH BOSS' HUSBAND
SCENE opens on Tina, a successful photographer, and her husband, Jeremy, as they are having sex in their bedroom. The couple kiss passionately as he climbs on top and starts fucking her in missionary position. Tina loves it and begs him to go deeper. At a certain point, he pulls out and eagerly asks if he can try to put it in her ass again. Her demeanor changes, as she looks up at her husband anxiously. 'We can try...,' she says, nervously rolling over. 'But not if it hurts, ok?' Jeremy gets very excited and, grabbing his lube, greases her up and starts trying to stretch out her asshole. She squirms and grimaces, clearly uncomfortable, as he slips a finger inside her tight hole. 'Be careful please,' she begs him. He slowly removes his finger and starts to try and slide himself inside. The camera focuses on her face, as she winches at the penetration. It hurts very badly and, after a few desperate minutes of trying to make it work, Tina finally cries 'STOP! Please Jeremy! I can't do it!' Disappointed and frustrated, Jeremy pulls out and gets off the bed in a huff. He wipes himself up without looking at his wife. Feeling very guilty, Tina curls up into a ball and apologizes. She tried, she really did. He tells her to forget it. 'I made the mistake of not doing it before we got married,' he says coldly. 'I should have known better.' She apologizes again as he exits the room, leaving her naked and alone on the bed.
CUT TO TITLE PLATE
Tina, dressed professionally, sits behind her desk at the studio she runs. She is zoned out, thinking about the night before, when her perky young assistant, Carly, comes in with some mood boards. The duo is planning an upcoming wedding shoot and Carly wants to show her boss some of the ideas she has put together for their client. As Tina looks over her work, Carly senses that something is wrong. Tina seems very distracted, as she has been over the past few weeks. Even though the women have always had a very professional relationship and Tina is her boss, they've nonetheless grown quite close. 'Is everything ok, Tina?' Carly asks cautiously. Tina snaps out of her daze and smiles at her assistant. 'Yes, I'm sorry. Just have a lot of my mind lately.' Not wanting to push the issue, Carly goes back to the mood board. While she describes her concepts, Tina stares at her. She is so young and carefree, barely 20 years old. Tina can't even remember what it feels like to be that outgoing. 'Can I ask you a personal question?' She finds herself saying. When Carly says yes, Tina asks if the girl has ever had anal sex. 'I'm sorry, that's probably TMI!' She apologizes, her face blushing as she instantly regrets the question. Carly laughs and tells her not to worry about it. 'Of course I have,' she replies. 'Anal sex really isn't that big of a deal these days!' This makes Tina cringe inside. She asks Carly if she enjoys it. Her assistant, happy to be having a friendly talk with the woman she admires so much, tells her that she loves it. It feels amazing, especially once you get used to it. 'I don't really get to have it very much anymore, since I broke up with my boyfriend.' She adds. 'But I used to have it all the time!' Tina, loosening up a little bit, starts to share her own situation. She tells her assistant about her husband's desires and her efforts to try and please him. No matter what toys she buys or how little she eats to prepare herself, she just can't handle the pain. She feels like a failure, as if she's holding him back from something. Carly asks if the couple have ever thought of having a threesome or going to a swinger's party. Tina shakes her head nervously. She's never considered any of that. Should she? 'Well,' Carly jokes nonchalantly, feeling great about the heart-to-heart they are having. 'If you ever need to tag me in, don't hesitate to ask! I miss anal!' She goes back to describing her mood board, as the joke weighs heavily on Tina's mind.
CUT to that evening. Tina comes home from work to find her husband already eating dinner. She is surprised that he didn't wait for her. When she sits down in the kitchen to join him, he gives her the cold shoulder. She tries to small talk and ignore the elephant in the room, but the conversation soon drifts back to the night before. 'I'm really sorry that I keep chickening out,' she says. 'I want to do it, Jeremy, I really do!' Jeremy forks his food without looking up at her or responding. Feeling anxious and guilty, she adds that she's even started asking her friends for advice. 'Like who?' He asks, eyes still on his food. 'You don't have any friends anymore. All you do is work!' Trying her best to ignore his passiveaggressiveness, Tina tells him that she talked to her assistant about it. He should be happy to know that what he is feeling is actually very common these days. Her assistant is twenty and does it all the time. She even joked about having a threesome together. Jeremy's eyes light up. He puts his fork down and hugs his wife. 'Are you serious?' He says. 'That is such an amazing idea!' Tina tells him that she was pretty sure the girl was joking, but she wouldn't be opposed to discussing an open relationship if it made Jeremy happy. Her husband asks to see a photo of the assistant. Tina reiterates that it was probably just a joke and he should forget about it, but he cuts her off. Why would she get his hopes up just to shoot him down again? It's only a damn picture. When Tina relents and shows him a photo from Carly's social media, he gets even more excited. Jeremy tells his wife to invite her over tonight. She already said she would do it! They shouldn't wait for her to change her mind. Besides, Tina's her boss ... it wouldn't take too much convincing. Tina protests but Jeremy gets mad at her. It isn't fair. Why would she even tell him about this if she didn't want to do it too? She is constantly disappointing him. Finally, the conflicted wife agrees to text the girl and invite her over.
CUT to Carly as she is wrapping up yoga practice on the lawn outside her complex. The camera follows her tight ass as she flexes and stretches in her yoga pants. She is very surprised to receive a text from her boss, who normally doesn't contact her unless it's a work emergency. When she asks what's up, she is even more surprised that Tina is inviting her over for a cocktail at her house to discuss some upcoming projects. Excited and proud to be included, she agrees and says she'll be over shortly.
CUT to that night. The doorbell rings and a frazzled-looking Tina answers it, inviting Carly inside. The woman immediately asks her to sit down on the couch and leaves abruptly to get her a cocktail. Carly notices how odd her boss is acting but brushes it off. After all, as she said, the woman just has a lot on her mind these days. As Carly looks around the nice house, Jeremy enters the room. He warmly introduces himself and sits down beside the assistant. They small talk until Tina returns, with a bottle of wine and some glasses. She nervously sets them down on the table and asks her husband if he would open the bottle. She forgot to. He leaves to fetch a corkscrew, squeezing Tina's shoulders tightly on the way out.
Once alone, Carly asks her boss which upcoming projects she wanted to go over. Tina smiles, her mouth quivering as she tries to calm her nerves. 'Actually, I wanted to talk to you about what you said earlier today.' She says. 'I have decided that I would like you to have anal sex with my husband.' Carly stares at her boss, awkwardly. 'Um ... I really hope I didn't offend you earlier,' she says. 'I was absolutely joking about that.' Tina remains stoic and reiterates that she isn't offended. She wants her to do it. She wants her to do it tonight, in fact, while she watches. 'So ... I can learn,' she chokes out. Carly grabs her purse. 'I'm sorry Tina,' she says getting up. 'That really wouldn't be appropriate for me to do. You're my boss.' She tries to walk to the front door but is stopped by Jeremy coming back. 'Where are you going?' He asks gently. Tina rushes between them and pulls Carly back into the living room. She whispers sternly into her ear that the assistant offered to do it and now she expects it to be done. Carly cannot believe what is happening. 'I was just trying to be a friend,' she whispers.
Tina makes her sit back down beside Jeremy. 'Well, we aren't friends,' she replies. 'You work for me. And I'm asking you to please get this done. We don't need to discuss it.' Carly goes very quiet, as the married couple study her reaction. 'Like my wife said,' Jeremy chimes in sweetly. 'It would only be this one time. Just to help her out. Honey, didn't you mention she was due for an increase soon?' He is trying to help his wife negotiate. Tina swallows hard and nods. Carly looks at both in them in disgust. 'Tina, are you really doing this to me?' She demands, angrily. Tina starts to back pedal but Jeremy shoots her a look. 'I think it's important to remember how much my wife trusts you,' he adds. 'She wouldn't ask you to do this if she didn't think you were up to it. And you said you love anal sex, right?' Carly ignores him and stares at her boss. 'You are putting me in an incredibly bad position, Tina.' She says curtly. 'I have been your assistant for over a year. I've worked overtime. I've worked weekends. I've done things even when they were not in my job description. I've always tried to be the best employee.' Tina puts her head in her hands, reeling from the guilt. Carly starts to take off her clothes. She turns to Jeremy. 'So you want to fuck me in the ass?' She asks, raging. Jeremy nods. Tina looks at them through her fingers. Carly rips her hands away from her face and demands that her boss watch. 'So, you can learn, right?' she asks, laughing in her disgust. 'You are a pathetic woman!' She gets down on her knees and tells Jeremy to take out his dick, so she can get it nice and wet. 'Then,' she says. 'You can stick it in my ass. At least I can take it!' BGA Sex Scene. Throughout the sex, Carly instructs Jeremy how to fuck her the way she likes it while Tina cowers in the room, watching and feeling guilty. Even time the wife tries to join in, Carly either makes her do something humiliating to her husband or wait by the sideline. It isn't long before the satisfied Jeremy pulls out and cums over Carly's ass.
Tina tries to apologize to Carly, as the assistant quickly throws back on her clothes and heads for the front door. She informs her boss that she is quitting. She doesn't want anything to do with her any more.

A FATHER UNLEASHED
UNCLE BAITS FATHER INTO DP'ING HIS STEP-DAUGHTER
SCENE opens on an 18-year-old girl and an older man, Darla and her Uncle Gus, laughing and small-talking as they are midway through enjoying a coffee at a sunny outdoor café. At Darla's feet are several bags from high-end shopping boutiques, the spoils of their afternoon out together. We close in on them to catch the tail end of an anecdote, where Gus is telling Darla yet another embarrassing story about her step-father in his youth. 'I can't believe Dad was so wild as a kid,' Darla laughs, 'he's so normal and boring now. You on the other hand...' She trails off with a wink and a laugh before taking another sip of her coffee. Gus chuckles and says 'Well, I was always a bad influence on him. Just like you're a bad influence on me!' he says, gesturing to the shopping bags at their feet, 'I spoil you way too much! But...you know I just can't say no to such a pretty face.' His compliment has a sinister undertone to it, but Darla is too enamored with her uncle to notice. 'You know,' she says after a time, 'my mom's out of town for a business trip all weekend, if you don't have any plans you should come back to the house with me. You haven't been over for supper in ages!' Uncle Gus's ears perk up at the invitation. He looks Darla up and down, hungrily basking in her features for a moment. 'That sounds wonderful!' he exclaims. 'Who knows, maybe we can get you to bring out a bit of that wild side in your dad too.'
CUT TO TITLE PLATE
Darla's step-father, Eric, is at his kitchen counter preparing dinner when Darla walks in, returning from her afternoon out. She greets her dad with a smile and starts setting down her bags in the kitchen. Eric is in the middle of greeting her and about to ask how her day was when his brother Gus steps into view. A few steps behind Darla, Gus leans nonchalantly against the doorframe to the kitchen, and gives his brother a smug smile. Eric's body noticeably tenses at the sight of him, and they share a look. 'Hello Gus,' Eric mutters. 'Long time no see, Ricky!' Gus says cordially. Eric winces and reminds his brother to call him Eric. 'What are you doing here, Gus?' Darla, not noticing the tension between them, casually explains that she invited Uncle Gus over for supper. 'With mom gone all weekend, I thought we could use the extra company!' she beams. Eric sputters and clears his throat, and eventually just says 'Fine.' He is clearly not happy. Gus strolls into the kitchen and pats Eric on the back. He starts telling his brother about their day out, and about all the clothes he bought Darla. He remarks that the girl's so gorgeous, she didn't try on a single item that didn't look stunning on her. 'In fact,' he says joyfully, 'Darla sweetheart, why don't you try on a couple of your new outfits for your dear old dad and I?' Darla gladly agrees, and heads to another room with a bag to change.
While Darla is out of the room, the tension breaks as Eric becomes less reserved and more angry. 'You shouldn't be here, Gus, if Marlene found out you were at our house...' Gus keeps his cool and seems to enjoy pushing his brother's buttons. 'Good thing she's on a business trip then, she never has to know I was here.' Eric blinks back, a bit deflated. 'She thinks you're a bad influence on me.' Gus laughs, bemused. 'Does she now... maybe she just doesn't know the real you then. Or maybe you haven't told her about all the shit we used to do together. Picking up random girls, fucking their brains out, sometimes filling up both their holes at once...' Eric winces as Gus brings up all his old exploits, those days are behind him now. He's a father now. 'Step-father,' Gus corrects. 'It's not like you've developed some kind of 'paternal instincts' or anything, I know the old wild Ricky is still in you somewhere.' Eric hears scuffling from the other room and shushes his brother, just in time for Darla to walk back out clad in a cocktail or clubbing dress and heels. 'Wow, beaaautiful!' Gus gushes, and he encourages Darla to pose in various positions while he goads Eric on. 'Doesn't she look amazing?' Eric watches stiffly and chokes out some one-word responses while Darla poses in her outfit and talks with Gus. After a minute or so, Gus suggests they see another one. Darla picks up another outfit and moves to walk out of the room when Gus says 'Darla, you can change here, it's no bother! We're all family here, right?' Darla shrugs, she supposes it's fine.
She starts removing her outfit. From over the two men's shoulders, we watch intently as Darla kicks off her heels and changes from her more elegant outfit to a skimpier one, a tight tee-shirt and short shorts. With a slight turn of his head, not enough to obstruct the camera's view, Gus turns to speak softly to his brother. 'Look at thaaat,' he mutters. Eric winces again. Gus begins describing Darla's features as they watch her change, putting emphasis on how young she looks. 'Don't tell me that doesn't bring out something in you, Ricky. I've watched Darla grow up, and man has she grown. You have eyes just like I do. I know you see it too.' Eric has a pained expression on his face, but despite that he can't help watching Darla change. His breath is ragged, and he's biting his lip hard.
Darla finishes changing, and again Gus convinces her to pose for them. For the first minute, Eric remains stiff and silent, but then something cracks in him. He asks if she can hand him something from one of the lower cabinets. 'Sure dad,' she says cheerily, and bends down to open the cabinet door. Eric takes a prolonged look at her ass as she does. 'Attagirl,' he says. Gus sees this change in his brother and smiles. Gus asks for Darla to show off another purchase - he remembers a nice bra and panties they picked up at an underwear store, what about that? For the first time, Darla looks skeptical - wouldn't that be a bit weird? But Eric clears his throat and says 'No, it's fine. Actually, if my daughter's buying fancy underwear, that's something her dad should know about, right? Might mean she has a boy around.' Darla rolls her eyes, meanwhile Gus corrects him a second time - 'Step-daughter. And Darla's eighteen now, she can do what she wants, right Darla?' Exactly, she says, and fishes out the bra and panties to hold up to her dad. 'See? They're not even that sexual. They're just nice material.'
Gus asks her to put them on, and for the first time Darla looks truly uncomfortable. 'I don't know, that's not really appropriate, is it?' Gus puts on a pouty face. 'I spent a lot of money on these gifts for you, Darla, don't I deserve to at least see them on you?' Darla starts to stutter back a response but doesn't quite know what to say. Her dad cuts her off. 'Darla, don't be rude. If your uncle gave you a gift and he just wants to see you enjoying that gift, it's not a lot to ask, is it?' She looks flustered, but she supposes not. She is about to head off to change, when her father stops her. 'Here's fine. Remember what your uncle said? We're all family.' Darla looks uncomfortable but says 'OK dad' and starts undressing.
The mood for this third change of outfits is palpably different. Darla takes her clothes off hesitantly and tries to cover up her breasts and her crotch with her hands when she removes her old underwear to put on the store-bought ones. All the while, she sneaks frequent concerned glances back up at the men as she does. All subtlety from the two men is gone, they're watching her almost like animal predators stalking prey. No words are exchanged between the two, and Darla's attempts at lightening the mood fall flat. By the time she's changed into the bra and panties, she's no longer in the mood for posing. She looks and feels exposed as she stands in front of the two.
'Very nice,' Gus says approvingly, 'don't you think she looks very nice, Ricky?' Her dad breathes in deeply, acting more and more unlike the stiff man from earlier. 'Yes, Gus, she does look quite nice. My daughter's a full-grown woman now.' Gus takes a step forward, closing the distance between him and Darla. 'I have to confess, just getting to see her in these outfits... isn't doing enough for me. You know, I've bought you a lot of gifts over the years. I think it's time I got a proper thank you.' What does he mean, Darla asks nervously. Gus tauntingly plays with the fly of his pants. 'I want the kind of thank you only a grateful young woman like yourself can give. I want to fuck you.' Darla protests - what? No! That's disgusting! They're family! She turns to her dad pleadingly, but he looks back at her vacantly. 'Well, Darla, he did buy you all these nice things. You accepted them. Surely the thought must have crossed your mind he might want something in return. You're old enough to know that your actions have consequences.' Darla looks at him with tearful betrayal. Then she looks back to Gus. 'Tell me what to do and I'll do it. But just this one time, I'm not taking a cent from you ever again.'
Gus tells her to get on her knees in front of him and unzips his fly. He instructs her to suck his dick. She does so, and for about a minute Ricky looks on at her sucking dick with an expression of craving and curiosity. Eventually, his hand moves towards his crotch, and Gus notices this. He stops Darla from sucking. 'You know,' Gus says, 'your step-dad has paid to take care of you for years now. He's raised you as his own daughter. Doesn't he deserve a proper thank you too?' Darla looks up at them both with rage and disappointment in her eyes, but after several seconds nods her head yes. Eric unzips his fly and pulls out his hard dick and brings his daughter's head forward to suck it.

GUIDANCE
SCHOOL COUNSELOR TAKES ADVANTAGE AND ROUGH FUCKS TROUBLED TEEN
SCENE opens on Jamie, a beautiful 18-year-old girl, as she sits at her kitchen table doing homework one afternoon after school. The student is copying notes from one of her text books when she hears a car pull in the drive and slam on the brakes. Panicking, she quickly gathers her things and rushes up the stairs, narrowly missing her father as he staggers inside. The mean-looking man slams the door and yells at the 'bitch' to get down and make him dinner.
CUT to Jamie, cowering in a corner of her room, as the door bursts open and her father barges in. He takes a sip from his bottle, before undoing his belt and threatening the girl to get downstairs and do as she is told.
CUT TO TITLE PLATE
Jamie walks down the street in her school uniform, clutching her books. She looks shell-shocked and spaced out, almost bumping into a passerby as she stares ahead aimlessly.
CUT to a teacher's lounge. Mr. Harris, the school's guidance counselor, is eating his lunch when one of his colleagues asks to join him. They small talk for a few minutes about work before the teacher mentions having some concerns over one of his homeroom students. Jamie is a bright, gifted girl, but something has happened to her this semester. Her once-perfect grades are slipping, and her attitude has really changed. He is worried that something might be happening at home and asks Mr. Harris if there is anything he can do to help. With college applications coming up, the guidance counselor suggests that the teacher send her in to receive some mandated counseling. It's normal for seniors this time of year and, while they are going over her post-secondary options, he will be happy to see if he can help in any other way. The teacher agrees and thanks him before excusing himself to get back to class.
TEXT PLATE: The Next Day
Mr. Harris sits in his office reading when there is a knock on the door. He quickly drops his book, reaches into his desk for some mouth wash, and gargles it into his coffee cup before straightening himself out and going to the door. Jamie is standing there meekly. She hands him a hall pass signed by her teacher and says she is supposed to see him for the college applications. Mr. Harris smiles and invites her inside, shutting the door.
Asking the girl to sit down, Mr. Harris takes a seat behind his desk and studies the girl. She is beautiful but broken, with closed body language and an anxious looking face. 'You've never come to see me before,' he begins. She shakes her head. He introduces himself and gives the girl a quick background on his role at the school. He has been a member of the faculty for two years. He has an associated degree in child psychology. He is a big believer in the importance of counseling, especially as it relates to later adolescence and the transition years between teenager to adult. He asks how old she is and Jamie, without making eye contact, tells him she just turned 18-years-old. He smiles. 'That was a certainly an interesting age,' he recalls. 'There's a lot of change happening in your life, isn't there? Does it feel like a perfect storm?' Jamie tries to change the subject. 'My teacher said you had to talk to me about college?' Mr. Harris stares at her for a moment, smiling, before snapping back to the task at hand. He asks the girl some questions about her school plans. Has she thought about what she'd like to major in and where in the country she'd like to study? Jamie seems very distraught, as she chokes out that she would really love to attend Northwestern ... but she knows she isn't going to be able to. Mr. Harris leans in and takes the girl's hand. 'You can do anything you put you mind to!' He says encouragingly. Jamie looks down at them holding hands and seems very preoccupied by it. She even rubs her finger gently across his.
Mr. Harris pulls away and moves behind her. He starts to talk about his role as a guidance counselor. 'I know you were sent in here to talk about one thing,' he begins. 'But I want you to consider this a safe space. A place where you can talk about anything.' Jamie stares down at her feet and asks if she can be dismissed. She doesn't need an application. Mr. Harris cuts her off. 'Gone are the days where a counselor like me simply sits in their office handing out applications and waiting for crisis to occur.' He says. 'I'm here to listen and help you in any way I can, be it academic, developmental or even personal.' Jamie looks up at him, her eyes welling up. From his vantage point, Mr. Harris can sneak a look down the white blouse of her uniform. He tries to avert his eyes, but the girl is very beautiful, and he can't help himself. 'Are you sure there isn't anything you would like to talk to me about?' He asks, gently putting his hand on her shoulder. This time, the girl doesn't touch him back. She just starts to cry.
'I can't go to college ... because my father came back home,' she says tearfully. Mr. Harris asks her to explain and the girl confesses that her father had recently been released from prison. Her mother had no choice but to let him back in, even though he had always been a very bad man. In the last six months, he has gambled and drank all the money they had saved for her school. Now, mom is barely home, and dad is home too much. It's getting bad. Mr. Harris hugs the girl as she confesses her family secrets. His hands slowly wander down her back and rest at the top of her school girl skirt. He closes his eyes, trying to remain professional while Jamie buries herself in his chest. 'Does your father hurt you in any way?' Mr. Harris asks nervously. Jamie nods into his chest, starting to rub her hands over the man's back as she breaks down. Mr. Harris bites his lip, looking at the closed door of his office. 'What does he do to you exactly?' he whispers. She looks up at him. 'He fucks me up,' she says, kissing the counselor.
The troubled school girl aggressively kisses her counselor, backing him up against his desk. He tries to pry her off, telling her that it isn't appropriate for him to be doing this. Finally, she slumps back into her chair. 'I'm so messed up inside,' she screams. 'I don't know what to do with myself!' Not wanting to raise suspicions, Mr. Harris hushes her and darts over to make sure his door is locked. He stutters that everything is going to be ok, he won't tell anyone what happened. She should consider him a friend. He tries to pinch himself to stop the growing bulge in his trousers. She looks at him, her mascara running. 'Are you married?' She asks. Mr. Harris nods. She puts her head in her hands. 'I'm so sorry,' she says, breaking down. 'I'm just confused.' Mr. Harris stares at her, conflicted between his attraction and his sense of duty. From his POV, we see him scan her body as she twitches in her seat looking up at him with doe-eyes. 'It's ok, Jamie.' He says, opening his arms. She goes in to hug him again and they stare at each other, their lips inches away. 'Will you tell anyone?' She asks. He shakes his head. 'Everything is confidential in this room,' he finds himself saying. She bites her lip. 'I need to feel something inside of me other than my father,' she says back. 'Can you please help me?' There is a very long silence, as the sexual tension builds between them. Finally, unable to take it anymore, Mr. Harris throws the girl down on his desk, pulling down her panties and undoing his pants. He grabs his dick and stares at Jamie's bare ass, as she turns back to him. 'Please do it,' she begs as the guidance counselor slides inside of her.
BG Rough Sex Scene. As they have sex, the broken schoolgirl demands that Mr. Harris fuck her harder and harder. Finally, he cums on her face.
Panicked by what has happened, Mr. Harris tries to wipe up the girl's face and get her back into her clothes. 'I think you should probably take the rest of the day off,' he says nervously. 'Just to give this a little space. I'll write you a permission slip. Is there anywhere safe you can go?' He starts to throw his own clothes back on and write up the slip on his desk, his hands shaking, as Jamie looks defeated again. She tells him she has nowhere to go. He suggests calling a friend. She throws down her bag and screams that she doesn't have any friends. He suggests a women's shelter again but, by this time, the girl has begun crying again. Frantically searching for ideas, he ends up suggesting she come to his house that night. 'I can tell my wife it's an emergency,' he stammers. Jamie stops crying and nods, thanking the man. He tells her to sit tight while he pulls out his phone and dials his wife, his fingers now fumbling uncontrollably. As the phone rings, he motions to the girl to keep calm. 'Hi honey...' he says, his voice breaking.

Bella Rossi finds male dom Dozer in her dungeon confined in strict bondage! Electricity pulses through his cock as he kneels with his hands tied above him. Dozer is a typical male dom -- he's arrogant, mouthy, and needs to be put in his place. Nothing that proper training can't fix. So Bella cranks up the electricity and flogs Dozer all over his chest and back. She mercilessly canes Dozer's thighs, chest, butt, and feet as Dozer cries out in pain, unable to escape the Bella's reach. Next, Dozer is tied down with two zippers across his belly. Bella teases him with her glorious pussy and ass before ripping those zippers off. Dozer screams in pain straight into Bella's cunt as the closepins are torn from his flesh. Now that her toy is suffering, Bella puts Dozer's mouth to the test. She makes him lick her sweet cunt and her voluptuous ass as she jerks off on his face. Finally, Bella decides to see how well her new toy can fuck. She has him collared and leashed and orders him pump his pathetic cock in and out of her cunt until she is satisfied. Dozer keeps thrusting, despite the pain in his knees and rising need to cum. This sad man can't keep up with the beautiful Goddess riding his hard cock. He ultimately fails to grant his Mistress the amount of orgasms she wants and deserves. So Bella hops off his cock, jerks it off into her hands, and smears his cum all over his disgusting face. It'll take more than one session to train this one.

Abella Danger knows her way around an MMA cage, and right now the slut her boyfriend cheated on her with is coming in for a sparring lesson. Jenna Foxx was never left satisfied with that one night stand, but when Abella gets her down and starts sucking on her big ebony tits, shock turns into a craving for pussy! As both babes take turns tongue fucking each other's pussy holes, sparring themselves wet, Abella takes control. With Jenna at her teacher's command, she begins a deep dive for a taste of Abella's juicy ass, fingering that tight hole as hard as she can! That was pretty good, but now it's time for round 2!


Jade Nile, the innocent flower has been lusting over the thought of experiencing a real man. She has been dreaming of the day she'll experience her first cock and finally, she's ready. Her sexual awakening begins when she meets an older gentleman. He introduces her into a world of sexual exploration, intense pleasure and infinite orgasms!

Jade Nile, the innocent flower has been lusting over the thought of experiencing a real man. She has been dreaming of the day she'll experience her first cock and finally, she's ready. Her sexual awakening begins when she meets an older gentleman. He introduces her into a world of sexual exploration, intense pleasure and infinite orgasms!

Jade Nile, the innocent flower has been lusting over the thought of experiencing a real man. She has been dreaming of the day she'll experience her first cock and finally, she's ready. Her sexual awakening begins when she meets an older gentleman. He introduces her into a world of sexual exploration, intense pleasure and infinite orgasms!

When sexy foreign exchange student Moka Mora meets her American host, Tommy Pistol, she is dragged into a perverse sex deal between Tommy and her parents.Poor little Moka doesn't know anything about this sordid Agreement between Tommy and her parents but she soon realizes it can work to her advantage. Tommy ties Moka up with rope for their first sexual escapade. Wearing little pink panties and thigh highs Moka sucks Tommy's dick to earn her keep. In between the zappings and floggings Tommy throat fucks his house guest until its time to take things further into the feeding and fucking. First meal of the day Moka will eat while she gets fucked down on the floor in doggie position with a rope leash that looks like a chain. Tommy has his way with Moka's wet pussy. She is already worked up, hot and bothered and ready to be fucked all day. She takes a pounding from Tommy and his big cock until Tommy stretches Moka's pussy out with his fist! Then onto her back Tommy ties Moka up in predicament bondage with nipple clamps attached to a rope above so if she moves too much its gonna pull real tight on her nipples! He busts out the Hitachi and simultaneously vibes and fists her pussy until she is losing it. Tommy pounds her pussy all the way home and shoots his load all over her stomach and tits. Check out all the hot kinky action in this weeks SAS update The Agreement.

Casey Calvert answers a reply to her ad in which she requests for a man to come over and show her something new...sexually. She gives Prince Yahshua a time and a date and waits for his arrival. Prince Yahshua shows up with four of his friends and they surround her like horny sharks. They pull at her pink dress and it rips apart exposing her perfect perky tits. They lower her to her knees and pull out their hard cocks. Casey does her best to please all of their dicks. After they all take turns face-fucking her, the five guys then hang her upside-down by her ankles with leather foot cuffs. With her tits bound in rope and her arms tied behind her back unable to move, Casey gets her mouth stuffed again by their cocks. One by one they line up and get on their knees and fuck her mouth. Next, Casey gets fully suspended in rope bondage with her legs spread in a full "splits". With her pink pussy presented, and her arms tied behind her back, the guys take turns sliding their cocks in her pussy and pound it deep and hard. While getting fucked fully suspended with her legs spread, another guy comes from behind and shoves his dick in her ass making her double stuffed. They all take turns in her ass and Casey cums hard from the double penetration, nearly getting split in half from their huge cocks. They take Casey down from the full suspension bondage and and continue double and triple penetrating her on top of a black leather bench. They stuff her air tight, fucking all of her holes as she moans like a wild animal. They push her to her knees and she begs for cum and they release their massive loads onto Casey's pretty face.

When happy couple Bill and Zoey experience disinterest in the bedroom, they turn to pharmaceuticals for help. But their new sex drives push the couple to the extremes of bondage, BDSM and anal sex.Sexy blonde beauty Zoey Monroe takes a dose of ReKindle to jumpstart her sexual desires and boy oh boy does it work! She is voracious for cock. Wearing a skimpy little body suit Zoey seduces Bill with her sexy hot body and goes down on him to suck his dick. She stuffs his big tasty cock way back into her throat sucking, slobbering and playing with her pussy until she is ready to fuck. She throws Bill down on the couch and mounts his firm cock. She rides him hard, her perfect tits bouncing up and down and demands that Bill make her cum! But she just can’t get it. Frustrated she leaves the room. Bill decides to take things into his own hands and turn Zoey into his little fuck doll. He takes a handful of ReKindle and things get wild and kinky. Bill ties Zoey up for the first time and introduces her to a whole lotta BDSM toys and tools. First the flogger on her delicate ass, then the zapper, then Bill licks her pretty ass and vibes her pussy until she cums. With all that ReKindle coursing through his veins his appetite for fucking is powerful so he fills Zoey's pussy up real good with his fat hard dick and puts a finger in her ass. He stuffs a metal butt-plug in her ass to prep her for some hot anal and then he strikes! Big cock in tight ass is a recipe for a damn good time so he fucks her ass while she moans and wiggles and cums. Then Bill ties Zoey up on her back with legs spread wide open showing her perfect pussy, ass and tits. Flogger, crop, Hitachi on clit, Bill crams his dick down Zoey's throat and she chokes on it to get it all wet so he can fuck her again. Bill pounds Zoey's wet and ready holes into sublime submission, first her eager pussy then her tight butt until Bill shoots his ReKindled cum all over Zoey's hot tits. When your flame is low, ReKindle!! Get some today!

High-maintenance blonde Brett clearly gets a thrill from sending waiter Keiran running to fulfill her every whim and complaining about every aspect of her dining experience in front of her stuck-up friends. But when her card is declined, suddenly the tables have turned! Brett does whatever Keiran asks for so that he won't reveal the truth to her besties: The big-titted socialite immediately drops to her knees to suck Keiran's cock and lick his balls clean with her tongue, then hops up onto the counter to take his dick. She even lets Keiran jizz all over her face! This snobby slut never imagined a mere waiter could make her cum this hard!


Nympho MILF extraordinaire Tina Kay has decided to take slut-in-training Elle Rose under her wing and show her a thing or two. Tina's got two big cocks waiting in the wings, but first she gets Elle ready herself, making her cum with a huge wand vibrator and opening up her ass with a big black butt plug. When Elle's holes are nice and wet, Tina calls in Erik and Alberto, and the cock-hungry starlet goes wild, sucking both their dicks at once as Tina directs the action. The sexy cougar tells the guys to fuck Elle's mouth, pussy, and ass, but she makes sure to get her own ass fucked too, hopping up to ride Erik's thick cock and then switching to Alberto! Elle passes Tina's slut challenge with flying colors: after sucking down both guys' cum, she's still hungry for more!

The radiant and perfect Goddess Mia Little is arriving home as she receives a phone call from close friend Ruckus. Ruckus has been on four dates this week, and not a one of them is returning his calls. For the good of everyone, Mia decides Ruckus needs an intense training session in how to serve and pleasure women. She puts him on his knees and has him rub and massage her stocking clad feet. She teaches him to worship her feet and instructs him to show endless gratitude to anyone lets him touch them. She lets him worship her voluptuous ass and taste her delicious asshole. She uses her powerful legs to pull him close and put him in a chokehold. She smothers him with her tits. Every time Ruckus fucks up, he gets punished. Mia slaps his face, spits in his mouth, and spanks his ass. Once Ruckus learns to worship, he gets a lesson in fucking. Mia emasculates him, slapping his cock, and opening him up to a world of sensations that don't revolve around his dick. She ties him to the ceiling, gags him, and binds his hands to a spreader bar. She opens up his tight ass with her fingers and then slides her long fat cock into his ass and gives him a good deep dicking. Afterward Mia ties Ruckus' wrists to his thighs and teaches him how to give. She rides his face to orgasm, uses his cock, before jerking off above him. Then she has him stand and fuck her until she cuts again! After she is satisfied, she lets him jerk off on her beautiful feet and makes him lick up his mess.

When Sarah's new boyfriend sells her to a sex trafficker, she manages an escape. But Ramon, her sadistic trafficker, hunts her down and fucks her into submission to enter his rough trade. Before Ramon can offer her up to clients he needs to check out his sexy blonde merchandise. He inspects her big firm tits and her shaved pussy, then he tastes her ass just to know what he is working with. Its all good! He wants to try her out in more ways than one so first he pulls out his big hard cock and tests Sarah's cock sucking skills with a deep throat sloppy blow job. Sarah is handcuffed and chained to a metal table so she isn't going anywhere. Her tits bounce around while she sucks Ramons dick and her pussy is getting wetter by the second. Bound in doggie with a ballgag in her mouth Ramon fucks Sarah's tight ready pussy and stretches her out til she is begging for more. He keeps her in line with the flogger and then vibes her pussy to remind her who is in control. Then a hot ride in reverse cowgirl Sarah bounces up and down on Ramons huge dick as he crops her tits. She is all in a frenzy from this hardcore fucking, her pussy lips pulled open wide with Ramons pounding cock. She licks his fat dick clean and is ready for more. On her back with her long lean legs tied and spread Ramon vibes her clit with the Hitachi, flogs her pale delicate thighs and pounds her little fuck hole out until she has a mind blowing orgasm. Ramon is a relentless fucking machine and drives Sarah crazy as he hammers her pink pussy into sublime submission and blows his load of hot cum all over her.

Canela is tired of her boyfriend Nacho always yelling at her to clean the house, so she decides to take her revenge with a very special all-purpose cleaning solution. For the dirty dishes? Squirt! For the dirty toilet? Squirt! And for the glass dining table? A whole lot of squirt! Nacho doesn't think it's so funny when he gets home and finds his girlfriend covering his whole house with her juices, so he tells her to lick it up before cleaning his big cock with her tongue. Nacho has Canela ride his dick as he fucks her ass, then cums all over her face. One more thing for this curvy Latina to clean up!

No matter what Xander does, it's never good enough for his spoiled MILF client Jessa. She complains about his attitude, about the limo being even a few minutes late, and about the air conditioning not working. This time she's even threatening to get him fired. That's the final straw for Xander, who takes out his cock and makes the rich bitch lick his balls. She's so unexpectedly enthusiastic to suck his big dick, Xander realizes that Jessa's bad mood was all because she needed a good hard fuck, and he's just the guy to give it to her! Xander wraps his belt around her neck and pushes her down on all fours to fuck her doggystyle in the back of the limo, and Jessa begs for more, including his big cock deep in her asshole. Soon this rich nympho is licking up all his jizz!

Betty Foxxx is a veteran performer that knows her way around the BDSM world. Mona knows the ultimate humiliation for this experienced domme will be to make her to submit to someone nearly half her age! In Liz Rainbow's debut as a domme, she owns Betty's toned and tan body while thoroughly embarrassing her in public. Mona begins by watching Betty walk around, dressed elegantly, with toilet paper stuck to her shoe. As the shame builds she is commanded to remove her panties and begin walking in the streets with her panties on her head, her gorgeous face covered with smelly and used underwear. Once she pulls her off the street, Mona decides to break the news that Betty will not be getting her punishment from Mona, instead, Betty will become Liz Rainbow and Juan Lucho's plaything for the day! Liz Rainbow awaits her tribute patiently, admiring the clothing in a local shop as the unsuspecting customers shop around her. As Betty Foxxx is tossed into the store the shop owner is horrified but intrigued and all the guests are invited to defile the defiant whore as Mona presents her to Liz Rainbow. Liz stuffs Betty's mouth full of her own panties and proceeds to frighten her with the electric zapper. Betty is shaking and trying to avoid the torment so Liz straps her, legs spread, with duct tape, to a chair. The crowd gathers around her, poking, pinching, and prodding her massive tits and sensitive thighs while she squeals in terror at the sound of every zap. Juan Lucho is changing in the dressing room and is surprised and delighted when he discovers the shenanigans happening outside. He pulls out his dick and happily shoves it into Betty's throat as she is doused in water. Choking and sputtering Betty begs for more and Liz decides to rip the tape off and make her work for her orgasms. As Betty displays her strength by squatting up and down on Juan's dripping cock the crowd cheers for her to work harder and they use a powerful vibrator on her swollen pussy. Juan flips her over so he can fuck her from behind as her head is covered in a paper bag to further cloud her senses. As Juan ejaculates powerfully onto her sweating face Mona returns with a pile of toilet paper to mummify Betty and the embarrassment culminates in a nude, sticky, mummified mess of a woman paraded down the street as onlookers whistle and laugh.

Monica Sage is led through a garden by Zachary Wild. For her first time in bondage on camera, Monica wears a black leather straightjacket with her arms wrapped around her waist and her tits exposed. A bit-gag keeps her mouth open and a pink bejeweled metal butt plug peeks out from her bare ass. They slowly make their way upstairs to the deck of a house where four of Zachary's friends wait for this nineteen year old sexual offering. They grab Monica, place her on her knees and whip out their hard cocks. They completely surround her and all have their turn shoving their dicks down her throat. They fuck her pretty face until she's covered in her own spit. Monica is then placed on her back on top of a couch with her head hanging off of the end and gets her pussy fucked hard by every guy there. The guys that wait there turn fill her mouth with cock. Her screams of pleasure are so loud they move the sex party inside. Inside the house they put Monica on a white couch with her face down in the lap of one guy with his dick in her mouth and her ass in the air with another guy pounding her pussy hard. They switch holes and one by one they pound her ass deep and hard and she screams, cumming hard with a dick in her ass. After that, they flip her over and for the first time ever Monica gets double penetrated. With one fat cock in her pussy and another big dick in her ass, they fuck her hard until she cums multiple times into a convulsing puddle. They ultimately blow their loads across Monica's face and she rubs it around, covering her tits and smiles, ready for round two.

When party girl Lauren Phillips comes up against dirty lieutenant Tommy Pistol, she is drawn into a world of sex and BDSM as an anal informant. And oh how dirty the lieutenant is. After Red headed beauty Lauren sucks Tommy's cock he tries to get the name of Lauren's supplier so he handcuffs her, ties her up and torments her with the flogger and zapper to get some answers but Lauren isn't giving in so easy. With a ball-gag and nipple clamps Lauren is standing up tied to a ceiling beam. Her tiny waist and big tits are bound with rope and her tall curvy voluptuous body wiggles around trying to escape the blows of this corporeal punishment. Tommy puts Lauren down on her knees in doggie and fucks her tight ass and then her horny pussy back and forth as he tries to break her down into revealing her suppliers name. Tommy fills Lauren's mouth with his big dick and she cleans off her ass and pussy cum. Flipped over on her back tied up tight in twisted bondage Lauren's long legs are stretched behind her head so her slutty holes are wide open and ready to be fucked again. Tommy pounds her ass while he vibes her pussy with the Hitachi and chokes her delicate neck. Lauren is loosing her mind moaning and squealing as Tommy demands the name of Lauren's supplier but this Anal Informant just cums and cums into sweet oblivion.