Latest 'Rimming' updates from Pornstar Scenes (Page 46)

NO ONE WAS SUPPOSED TO BE HERE
Terrified Maid DPed By Two Burglars Who Surprise Her During Home Invasion

SCENE OPENS on Jack (Johnny Goodluck) and Leo (Robby Echo). They are in the car looking out at a house on a residential street. Leo is nervous about what they're about to do, but Jack reassures him, stating that the door is unlocked and the family won't be home for hours. They slip ski masks over their heads and get out of the car.

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Jack and Leo cautiously approach the home and open the door, going inside. They take off their ski-masks and look around, getting a sense of the place. They are clearly there to rob the house. Thinking that they are alone, they make no effort to speak in low voices.

Just as Jack and Leo turn around to go their separate ways, they freeze, looking at something. Leo looks shocked and panicked. Jack appears shocked as well, but also a little curious, almost intrigued.

Standing in the living room is a young woman, Maggie (Candice Dare), a cleaning rag and spray bottle dropped to the floor in front of her, forgotten. She is frozen in total fear. Maggie is a maid who the men did not anticipate being home. Leo is in a panic while Jack is calm but frustrated at his partner as they try to figure out what to do with Maggie.

When Jack asks Maggie what she's doing there, since she usually only comes in later, she says that she came to the house last night and stayed over. She does this once a month to do a big clean-up.

In a desperate attempt to get herself out of this precarious situation, she offers to fuck both of them. Leo is reluctant, but after some convincing from Jack, he gets on board.

Even though no one was supposed to be there, it doesn't mean Jack and Leo can't have a little fun...

While working out in Venice Beach, CA  Rachel hears about a local stud named Lee Stone, she can't help herself, she has to find out if all the rumors are true... is Lee Stone the muscle man with the 10 inch dick or is it just an urban legend.....? So after a half hour or so of sweet talking him, she asked him out on a date that night and promises him he wont be disappointed! Later that night she finds out Lee Stone is not an urban legend!! But he does not have a 10inch dick... Rachel told her friends she measured it! and its just under 12 inches WOW!

Filthy Rich is a local scumbag who loves to look for college girls who think they are dirty bitches. While walking thru the city college courtyard he spotted Norah having a Pepsi and eating a foot long 'hot dog' He asks her if she liked big sausages and she laughed! Yea, I like big meat, why you got one? Filthy smiled and said, come back to my place and find out.... next thing they both know they're back at his place and Norah finds out he was not joking as she sucks and fucks his big WHITE MEAT!!!!!!

SACRILEGIOUS: AN IVY LEBELLE STORY
Teen Takes Revenge On Faculty Of Oppressive And Abusive School

Molly (Ivy Lebelle) is a regular teenager being raised in an ultra-conservative home. Unfortunately for her, being a regular teenager doing regular teenager things is considered sinful by her cold parents. To help get their daughter back on the right path, Molly's parents dump her on the steps of a school run by a man named Jeremiah (Dick Chibbles). Jeremiah claims that he'll help Molly see the light but Molly has a bad feeling about him...

For months, Molly plays by their rules as Jeremiah and a woman named Miss Solomon try to drill into her how much of a sinner she is. While she tells them what they want to hear, she is fuming inside. One day, a student named Nick (Seth Gamble) slips her a secret note in passing. The note is simple, telling Molly that he thinks she's hot, but it's enough to get Molly through the long days and give her hope... until Jeremiah later goes through her room and finds the note.

She's once again punished, locked away in a closet to atone for her sins. Instead of making her remorseful, the solitary confinement only makes her angrier. One day, she gets a lucky break and is able to escape. Instead of making a run for it, though, she heads straight to Nick. There's something they need to do first...

Nominated - Best Sex Scene -- All-Girl: Abigail Mac & Kenzie Reeves, XBIZ 2020

RESISTING ARREST
Angry Cop Vents Frustrations On Teen Vandal With Rough Sex

Officer Sonia Kapelli (Abigail Mac) is sitting in her car watching the wretched world go by when she gets a call from a dispatcher about a vandalism in progress. When she answers the call, she sees the troublemaking teen, Zoe Willis (Kenzie Reeves), adding the finishing touches to her graffiti masterpiece.

Zoe is alarmed when a cop car suddenly starts speeding down the alleyway where she's working. She drops her spray can and legs it, hoping to outrun the long arm of the law. But as the sirens scream and engine revs, Zoe doesn't like her chances.

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By some stroke of luck, Zoe's able to duck around a corner and lose the pursuing officer. She rushes into a nearby warehouse, relieved to have dodged that bullet. After she takes a few moments to catch her breath, she removes another spray can from her satchel, ready to continue her mission.

'I wouldn't do that if I were you.'

Zoe freezes in her tracks, slowly turning around as Officer Kapelli approaches. She oozes authority, which triggers that rebellious side of Zoe to flare. She tries to run but stops when Officer Kapelli orders her to freeze. She's compliant when Officer Kapelli pats her down to check for any weapons but becomes suspicious when Officer Kapelli starts manhandling her. Zoe knows the cop is rougher than she should be and protests, but the protests fall on deaf ears.

Zoe becomes cockier, angrier, as she challenges Officer Kapelli while being handcuffed with her hands behind her back. What is she being arrested for? Vandalism and trespassing, when REAL criminals are on the streets? THESE words seem to be what makes Officer Kapelli see red. What does Zoe know about how the world REALLY works?

Zoe doesn't stop. She's under the cop's skin now and pushes even further... until she makes one harsh comment too many.

As Officer Kapelli's expression darkens and her eyes become predatory, Zoe knows her luck's finally run out.

Nominated - Best Girl/Girl Sex Scene: Emily Willis & Gianna Dior, AVN 2020

NERD'S BREAKING POINT
Nerd Has Rough Sex With Sadistic Bully As Payback For Years Of Humiliation

Delores (Emily Willis), a nerdy high schooler is approached by her longtime bully, Nikki (Gianna Dior). Delores freezes, obviously terrified. A shadow falls across her back as Nikki steps up behind her. 'God, how have I put UP with your UGLY-ass face since we were 13---for FIVE whole years now?! I mean, I hate EVERYTHING about you. Even those dollar-bin glasses,' Nikki says, grabbing the glasses from Delores' face and smashing them on the ground. Nikki walks away laughing. Delores stands there for another moment, shaking, her fists clenched with anger. Suddenly Delores' fury boils over and she finally let's go, unleashing an ear-splitting scream of rage.

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A few days later, Delores sits in the driver's seat of her car. Her glasses are taped up. The door is open and she sits half outside with her feet on the pavement. She seems expectant, glancing up often as if she is waiting for something to happen. Finally, she seems to see what she's been waiting for and reaches over to the passenger seat, grabbing a bottle of clear liquid. She glances up again and as if she has received a cue, she takes off the bottle cap and begins to slowly bring the bottle to her lips, as if she is about to sip on it. Before it reaches her lips, we hear Nikki, from off-screen: 'What the FUCK?!' Nikki approaches Delores. 'About to go on a little afternoon BENDER, Clitoris?!' Nikki asks. Doing exactly what she expected Nikki to do, the bully steals the bottle and takes a swig. 'What the hell!? This isn't BOOZE! Whatever it is, it tastes AWFUL!' Nikki says, puzzled.

Sometime later, Nikki's eyes flutter open. Groggy, she slowly and laboriously sits up. She looks around, confused, wondering aloud to herself where she is. She sees that she is in a wooded, outdoor area. Nikki looks down at herself, discovering that she is in her bra and panties. She glances around and sees that Delores is squatting down to be level with Nikki.

Delores is holding a lead pipe. Delores begins to lightly tap the lead pipe on her hand. There is something unsettling and threatening about this gesture.

Delores gives Nikki an ultimatum: Nikki will do whatever Delores tells her to do. If she doesn't, Delores will send compromising photos of Nikki to Nikki's father. Nikki begrudgingly agrees.

Delores has reached her breaking point, and Nikki's going to be sorry that she ever messed with her...

Winner - Most Outrageous Sex Scene: Cherie DeVille & Michael Vegas, AVN 2020

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

'Those Whom We Love Are Often The Most Alien To Us.'
-- Christopher Paolini

THE GHOST ROCKET
Conspiracy Theorist Is Anally Probed By Sexy Female Extra-Terrestrial

SCENE opens on an empty field late one night. The stars twinkle in the sky, as the camera slowly tracks back to reveal Roger (Michael Vegas) looking through a telescope. The self-published conspiracy theorist is wearing nothing but his boxer shorts, a UFO t-shirt, and LED translucent glasses. His hair is greased back, and he is guzzling a can of liquid caffeine, as he shifts from the telescope to the back of his flatbed truck, where he finishes setting up his latest invention. It's a small but powerful antenna designed to transmit mathematical equations into space in the hopes of contacting a ghost rocket.

Roger believes this long-disputed UFO phenomenon is the key to contacting alien life forms. As he connects the final pieces of his machine together, he mutters into a makeshift gadget on his wrist: 'In 1946 and 1947, numerous reports occurred of ghost rockets appearing over Scandinavian countries, primarily Sweden, which then spread into other European countries. In 2046, similar reports resurfaced of ghost rockets appearing in the Pacific Northwest and down through parts of California and Mexico. All 200 sightings have been refuted by the US government, despite being verified with radar returns and, in some cases, physical fragments...'

He puts his wrist down, stripping off his shirt and putting a tin foil cap on his head. '...Until now, you sons of bitches!' He shouts into the night, removing his glasses, placing transmitters in his ears, and rubbing his chest with petroleum jelly. He plugs some final code into his laptop before hitting enter and pointing his antenna towards the sky. A static sound in his ears grows louder and louder as he spins the antenna around. Finally, it connects with something and a beam of light penetrates the sky and strikes the antenna. Then, as quickly as it started, the beam disappears, and Roger falls to the ground. The antenna lies at his side, melted and destroyed.

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Roger drives home from the field, feeling frustrated. He mutters and swears to himself before rolling down the window and throwing his antenna out. He puts his wrist to his mouth and begins to report the failed experiment when, suddenly, he comes upon a beautiful woman (Cherie DeVille) standing in the middle of the road. She is shimmering in a metallic body suit, with windswept hair, and staring at him like a deer in headlights. He slams on the breaks.

They regard each other for a moment before she starts to approach the car. Roger is scared. What is this strange woman doing out here? She presses her hands on his driver side window, trying to open it, and speaking in a strange language he doesn't understand. Finally, Roger rolls it down. 'What... do... you... want?' He stammers. She stops, takes a moment to compute what she just heard, and then begins talking slowly again -- in English. 'Hello human male,' she says. 'May I please enter your craft so I may breed with you?'

'Who... are... you?' He asks slowly. The woman unfolds her arms and puts her hands in front of her. The broken antenna appears. 'I am responding to your signal,' she says. Roger stares at the antenna in disbelief. 'You were on a ghost rocket?' He mutters. 'Affirmative.' she replies, and the antenna disappears. 'I have been sent to earth to breed with a human male. Are you a human male?' 'How do I know you're not just putting me on?' He asks. 'Do you require proof?' She asks. He nods. Her hands pull apart her face. He is horrified by what he sees and slumps back before raising his arms in surrender and stating that he is, indeed, a human male. She stops, puts her face back and, revealing her human form again, smiles. 'Excellent! We must hurry and get to a breeding chamber,' she says. Stunned, Roger opens up the passenger door and she steps inside. 'Is my bedroom ok?' He asks, getting in himself. 'Affirmative,' She says smiling.

They arrive at Roger's home. It is bare bones, with only UFO posters on the wall, stacks of papers, and a basic blowup mattress in the middle. The woman walks in and examines the surroundings. 'Human males are strange and primitive life forms,' she says matter-of-factly. Roger nervously clears an area around his bed and invites her to sit. 'I would like to consume your seed now so it may stimulate this human shell and support my arousal.' Roger flushes red. She unzips her top to expose her breasts and puts his hands on her. He has never felt anything so good in his life. She tells him to take out his member. Nervously, he does, and she slips her hand around his cock, stroking it, all the while exclaiming how fascinating his human penis is. Finally, she puts his hard cock into her mouth, tasting him before she guides him into her pussy. He gasps as she rides his cock.

Roger can hardly believe his good fortune, but how will he react when it's HIS turn to be probed?

Lexi Luna is having a relaxing day when Nia Nacci shows up at her door. Nia is a friend of Lexi's little sister, though it seems like there's trouble in paradise. It's just that Lexi's little sister is super competitive and Nia's getting tired of her poor sportsmanship. Nia noticed that her friend suddenly got really good at pool after being taught by Lexi, so would Lexi be willing to teach HER how to play pool, too??

Although Lexi doesn't feel right about going behind her sister's back, she DOES agree that it'd be nice to see her sister knocked down a couple of pegs. After slyly looking Nia over, Lexi agrees to give Nia some pointers as long as Nia doesn't say anything!

Lexi brings Nia inside and begins teaching her the basics to becoming a pool shark. Of course, things naturally get hot between them as Lexi presses their bodies close in order to show her the correct form. However, while Lexi obviously has the hots for Nia, Nia seems oblivious to her advances... until Lexi gives Nia's breasts a little grope. When she does, Nia takes a shot and does well, which tells Lexi one thing: Nia just needs to unwind! If she doesn't let go of all that tension, Nia will NEVER beat Lexi's little sister at pool...

Nia is determined to win, so she agrees to do whatever Lexi says to in order to be at the top of her game. Lexi leads the way with a sultry kiss, which soon leads to them sucking on each other's breasts and eating out each other's pussies. Things get even hotter as they 69 each other and trib to their heart's delight! But will this extra lesson be enough to make Nia a winner??

Slim-but-busty blonde MILF Sarah Jessie has lush lips, a tattoo sleeve and a hot, round ass. In a striptease, her lingerie can't conceal the butt plug buried in her bunghole. Commencing an interracial tryst, she and muscular black stud Isiah Maxwell kiss and caress. He stuffs his face in her cushioned crack for a rim job; from behind, he eats her thick, meaty labia and bald pussy. A worshipful blowjob creates strands of spit that lube a titty fuck. Isiah's big black cock goes straight to anal. She talks dirty and grinds her glutes on his boner; he spanks and oils her ass as he fucks it. Her big cheeks hump and snap through a backdoor dick ride, and Sarah gives passionate, ass-to-mouth head. Isiah drills her cunt, and then Sarah masturbates through manhandling sodomy in multiple positions. Sarah kneels for a cum facial, drooling the mess onto her body.

Stunning black beauty Kira Noir performs an epic, slow-motion striptease, slipping out of sexy lingerie. The athletic, cock-craving vixen shows off her fit body, masturbating and drooling. Kira feasts on the stiff pricks of studs Jay Smooth and Jason Moody. The dudes cram both dicks into her mouth at once! This interracial blowjob threesome serves up sloppy face fucking and intense, deepthroat fellatio. Lewd Kira rims bunghole too! She opens wide for two messy cum facials, and she thanks the guys.

Tight-bodied, black Demi Sutra teases and strips. She's ready to treat Jason Moody and Alex Mack to a nasty double blowjob. Commencing the interracial oral threesome, Demi kneels before the boys, talking dirty as drool seeps from her puffy lips. Throat-burbling oral action includes messy spit play, lewd rimming and two sloppy cum facials. When Alex and Jason slather Demi with hot sperm, she stares into the camera saying, 'Tastes so fucking good!'

Pale Blair Underwood, a young, real-life mom, looks like the MILF next-door, but she wears a 'SLUT' choker and skimpy threads that accentuate her fleshy, white ass. Blair talks dirty as she fingers her asshole and masturbates with a massager; her verbal filth continues through the scene. She sucks Mark Wood's prick, eyes reddening, spit flowing. Blair spreads her legs for a rim job. Mark goes straight to anal, and Blair says she likes watching his cock go in and out of her rectum. He chokes her as he sodomizes her, and Blair blurts, 'Pound my asshole.' She takes a buttfuck ride, Mark spanking her meaty cheeks. Blair declares an ass-to-mouth blowjob 'yummy.' The stud buttfucks her in multiple positions, making her pink sphincter gape. Blair swallows semen and cleans his dick orally.

AN HONEST LIVING
Homeowner's Son Terrorizes Honest Hardworking Housemaid

Amelia (Anny Aurora), a hardworking and honest housemaid, casts uncertain looks over her shoulder as she cautiously approaches her employer, Mr. Winters. There's something she's been wanting to tell him for months, and today's the day that she's finally going to do it. Yet, she freezes as she stands before Mr. Winters, who is impatiently waiting for her to spit it out. Although Amelia tries her hardest, words fail her, leading Mr. Winters to think she's simply shy about asking for a raise. However, nothing could be further from the truth...

Admitting defeat, she returns to the kitchen to clean the floor, only to be startled by Adam (Alex D), her employer's son. Adam is calculated and cruel, taking great pleasure in tormenting Amelia at every given opportunity. He hasn't shown mercy since the first day she started work. Even though he's not her boss, Amelia feels powerless to stop him from taking what he wants whenever he wants.

As Adam toys with her, he reveals that he knows Amelia was trying to tattle on him. She deserves to be punished for such subordinance... Although Amelia doesn't want to submit to him, she can't afford to lose this job and be left penniless. Once again, as she slowly unties her apron and bends over the counter, she gives in to Adam's demands.

PATERNITY TESTED
WOMAN TRIES TO TRAP MAN WHO MAY BE LYING ABOUT BEING HER BIRTH FATHER

SCENE OPENS to a man named Charles (Mr. Pete) showing up at a beautiful house. Kelly (Jill Kassidy) has been waiting for this moment her whole life, so she eagerly invites him in when he makes himself known.

Kelly's been on the hunt for her birth father for years, with many disappointments along the way because of dishonest people. She's doubled her efforts since her mother passed away, desperate for more family, but she doesn't want to have her heart broken again.

Charles seems nice enough, though Kelly has her suspicions. She doesn't want yet another con man weaseling his way into her life just to get hold of her mother's estate. While she remains pleasant, she begins sussing Charles out by asking him misleading questions, trying to determine if he's lying or not. When did he and her mother first meet? Where was their first vacation together? What was her favorite hobby? It quickly becomes a game of cat and mouse as Kelly's suspicions about him grows... Sometimes Charles says the right things, but everything seems TOO convenient for Kelly. The alarms sound in her head as tension between them builds.

Finally, Kelly has no choice but to outright confront Charles, needing to know the truth once and for all.

BREAKING THE VOW
Serial Cheating Husband Lures Online Hookup Into Lewd Sex Acts

A beautiful, young woman, Vanessa (Keira Croft), is preparing for a date night. She's texting back and forth with a man named Tony (Steve Holmes), who she'll soon be meeting up with. She seems eager to please, changing her appearance based on what he's expressed that he likes. He likes the red lingerie she wore in a profile picture, so she changes from black to red... He normally prefers brunettes, so she dyes her hair from blonde to brown...

Then it's time for the date.

When Vanessa arrives, one of the first things she learns is that Tony is married. Although she's uncomfortable with the hookup now, Tony assures her that everything is fine and that there's nothing to worry about! Sure, his wife doesn't know about his cheating ways, but she doesn't need to! He gives her everything she needs, so he doesn't feel guilty getting what HE needs on the side as well. He needs to fuck -- and fuck a lot! He also craves variety, needing things to be kinkier than his sweet wife can handle.

Although Vanessa is still shy and uncertain, Tony eventually convinces her to go ahead with the fun they had planned. Yet, Tony has no idea that Vanessa is soon going to give him the surprise of his life...

THE STARLET: A CASEY CALVERT STORY
BRATTY HOLLYWOOD ACTRESS LOSES SEX BET WITH STUNTMAN

Emma (Casey Calvert) is a Hollywood starlet that cares only about herself. She further proves this by causing a movie producer grief by being late for training with a stuntman. When she finds out that the stuntman she'll be closely working with is none other than Michael (Derrick Pierce), her ex-boyfriend, her entitled attitude makes her even more difficult to work with.

When Michael arrives at Emma's house for stage combat training, he isn't thrilled to be around her. Not only are they exes, but Emma stole this acting gig from Michael's current girlfriend. Although he tries to be professional, Emma makes it hard for him, acting like a spoiled brat. He's so annoyed with her, especially after she nearly breaks his nose for a 'joke,' that he abandons the session.

Perhaps feeling a LITTLE guilty for what she's done, Emma shows him that she's been practicing when they next meet up for more practice. She's so confident in her abilities that her ego continues to inflate, especially when Michael makes the mistake of complimenting her. She starts rubbing her skills in, getting under Michael's skin as she taunts his own skills -- both professional AND personal.

Finally, Michael's had enough. If he's being made to work with HER, then he wants to make things interesting. He proposes a bet. If she beats him during a mock fight, he'll do whatever she wants. If HE wins, she'll do whatever HE wants.

Emma easily agrees since she's sure she's got this in the bag. But when she finds herself quickly overpowered and pinned beneath Michael's strong body, it's evident that she's lost. When he demands a hate-fuck as his prize, she HAS to honor her end of the deal...

In Private Specials, Rimming Ladies 4 the saucy blonde Lola Shine (aka Aon Flux) is horny and in need of some attention however her man Totti is far too tired to give it to her. That's why the cheeky Lola has come up with a surprise for the next morning and she wastes no time diving in for breakfast with some ass licking action and a mouthful of cock to wake her man up. Lola then gets all the attention she needs as she enjoys a hard fuck that has her moaning and screaming all the way to a hot facial cumshot.

THE LOVE HOTEL
ROBOT SELF-DESTRUCTS AFTER A NIGHT OF SEX WITH HER CLIENTS

SCENE opens on a dark bathroom. From a birds-eye angle over the tub, the lights in the room turn on as a woman known only as unit #30562 (Emily Willis) floats in the milky bath water. She opens her eyes, calmly getting out of the tub and drying herself off. She has a perfectly proportioned body. She walks over to a large mirror and, pressing her fingertips in the lower right corner, causes the mirror to illuminate before it turns into a smart screen. A message pops up, thanking unit #30562 for signing in. 'Are you ready for your next shift?' The mirror asks in a soft female voice. #30562 says yes and the screen loads her itinerary for the evening. It explains that her first guest will be a returning client: John Doe, 57 years old, solar sales manager, 6'0'' tall, 165 lbs, brown hair, blue eyes. His kinks include school girls, anal sex, ass worship, rimming, ATM. Past crypto tips include 8000 tokens: extra rough, 10000 tokens: novelty take home, and 500 tokens: kissing on the mouth. Accept client? 'Accepted,' says #30562. As the smart screen processes the order and a confirmation appears, the door buzzes.

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#30562 opens the door and John Doe (Steve Holmes) enters, breezing into the room in a silver bomber jacket and matching wraparound mirrored glasses. He looks her up and down lustfully before pulling out a card and inserting it into the reader. A hologram screen pops up and confirms that the tokens have been accepted. #30562 takes a deep breath, puts on a big smile, and guides John over to the bed. She bends over, and he buries his face in her perfect ass, before sliding his cock inside her tight hole. After he pulls out and cums on her ass, she asks if he would like to kiss and he eagerly agrees. The room flashes green and replies to confirm the extra gratuity. They make out for a few moments before John Doe happily puts his clothes back on and leaves the room.

#30562 goes back to the mirror and stares at herself for a moment, emotionless. She presses the tips of her fingers against the glass and the smart screen wakes up. It explains that her next guest is also a returning client: Richard Roe, 30 years old, space tourism guide, 5'10'' tall, 170 lbs, auburn hair, blue eyes. Kinks include rough sex, breath play, collaring, fisting, and golden showers. Note from management: client is limited to rough sex after last session resulted in damages. Accept client? 'Accepted,' says #30562. As the smart screen processes the order and a confirmation appears, she stares at herself blankly and the door buzzes.

CUT to the door opening. Richard (Charles Dera) enters briskly. He backs #30562 in a corner and places his hand around her throat, his lips curling up in a sneer to reveal shiny gold teeth. 'Remember me?' He growls. She smiles and advises him to scan his card. The man backs off slowly, places his card into the reader, and a hologram screen pops up to confirm his tokens have been accepted. #30562 takes a deep breath and walks over to him. He hoists her over his shoulder and goes to the bed. Throwing her onto the bed, he licks her tight pussy, getting it nice and wet before he fucks her hard. At a certain point, he is about to pee on her when the room flashes red and reminds him that this activity has been blocked. Frustrated, he shoves his dick back in #30562's pussy and keeps fucking her till he pulls out and cums on her face. While the woman catches her breath and wipes the cum from her eyes, Richard gathers his things and leaves without a word.

When #30562 stands up, she finds herself very dizzy. The room beeps red and instructs her to return to her charging station. She crawls to a corner of the room and stands on a white platform to recharge. As soon as her feet plant on top of the station, she becomes still while her body powers up.

CUT to an hour later. #30562 is still charging, eyes closed, when the door buzzes. She opens her eyes and steps off the platform, walking to the mirror in the bathroom to accept the next client but discovers the screen is off. The room buzzes again. #30562 goes and opens the door anyway. A naked woman (Penny Pax) steps inside, clutching a holographic bag. #30562 has never seen another woman before and she is awestruck. 'Please scan your card here...' she says to the woman. The woman looks at her for a long time and feels #30562's face, trying to hold back tears, before reaching into her bag and pulling out a coin. 'Is this accepted?' She begs. #30562 takes the coin into her hand and stares at it. She's never seen anything like it before. She places it on the counter beside the card reader. 'What would you like to do to me this evening?' She asks the woman. Biting her lip and trying to contain her nervous energy, the woman reaches back into her bag and pulls out a shiny silver dildo. 'I want you to fuck me as hard as you can.' She says. #30562 takes the dildo and puts on a big smile, leading the woman to the bed. Unit #30562 may be programmed to please, but this latest client of The Love Hotel is not who she seems, and by the time she's done with #30562, the sexbot's world will never be the same.

SMART HOUSE OF HORRORS
VIRTUAL HOME ASSISTANT COERCES YOUNG COUPLE INTO SEX

SCENE opens on a married couple, Dylan (Donnie Rock) and Jessica (Jane Wilde), as they sit in the back seat of a private car. Jessica gazes out of the window at the other cars on the highway, while Dylan confirms the address of their destination with the driver: 2001 Frontier District, Unit 774. 'That's a very nice area,' the driver remarks. Jessica turns from the window and cheerfully adds that the house is being provided as part of her husband's new compensation package. He has been transferred to a head office position! She looks proudly at Dylan. 'I'm in alternative energy,' he adds. The driver smiles. 'Well, I better take the priority lane then!' He moves to the shoulder as Jessica squeezes Dylan's hand tightly, their wedding rings glistening in the sun.

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The car drives through the gates and to the front of an upscale house, where a well-dressed woman, Mrs. Osiris (Angela White), stands waiting for them. She is holding a small black remote. The driver gets out and helps Dylan with their luggage while Jessica looks around in awe. She can hardly believe their life has been upgraded like this. The woman watches over them, a smile on her face. When they make eye contact, she beckons Jessica over and greets her with a discreet but friendly hug. 'How was your flight?' She asks. Jessica thanks her profusely for the company's hospitality, they have never taken anything first class before! The woman introduces herself as Mrs. Osiris ... or Mrs. O, for short. She is the property manager for this IoT unit and is here to introduce them to the house. Dylan, bags in hand, joins the pair. 'This is a smart home?' He asks excitedly. 'Oh yes,' Mrs. O replies. 'It's 1600 square feet of fully automated heaven!' Jessica squeezes Dylan's hand again as Mrs. O speaks into her remote and asks JOY to open the front door. The bolt unlocks and, smiling, she guides the couple inside.

In the foyer, Mrs. O offers to give the couple a tour of their new house, starting with an introduction to the home's virtual assistant named JOY. She explains that the house is fully wireless, and that JOY is available to assist them in each room via a speaker system. 'JOY, introduce yourself,' Mrs. O asks. After a pause, JOY's speaker lights up and she replies: 'Hello Jessica and Dylan, welcome home!' Jessica remarks how cool it is and Mrs. O encourages her to ask a follow-up question. 'JOY, what's the weather today?' Jessica asks. JOY's speaker lights up. 'There is a heat warning advisory in effect for the city of Los Angeles. The current temperature is 102F with an expected high of 105 and a low of 78. Would you like me to adjust the temperature inside the house, Jessica?' Jessica looks over innocently at Mrs. O. 'Wait a minute ... How did she know our names?' She whispers. 'I'm sure she was programmed that way, honey!' Dylan adds confidently. 'JOY, please lower the temperature by 5 degrees.' JOY's speaker lights up again. 'Yes, Dylan.' She replies. The thermostat beeps in the background, as Mrs. O leads the couple out of the room to begin their tour while the camera lingers on the speaker. It stays dormant until everyone is gone before quietly lighting up again to listen to them.

As they wander through each room, Mrs. O explains JOY's main functions.

She can relay messages throughout the house, by automatically detecting where the homeowners are. 'JOY, where is Jessica?' She asks. 'Jessica is currently located in the living room.' 'JOY, tell Jessica that I like her dress.' 'Jessica, I like your dress!' Jessica smiles at Mrs. O as she encourages them to keep going.

The property manager explains that she can control the doors and thermostat, as already demonstrated, and she can also control the lights in the house. 'JOY, turn the lights off.' 'OK.' The lights turn off. Mrs. O also informs the couple that the home assistant can control most of the small appliances, such as the coffee maker and vacuum. 'Looks like I won't need a housewife after all, huh honey?' Dylan jokes as they keep moving.

Mrs. O tells them that JOY can play music. Almost any song ever recorded. She encourages Jessica to request her favorite song. Jessica thinks for a moment before asking, 'JOY, play Dance Tonight by Del Soul Delight.' Dylan shakes his head at his wife's cheesy selection, as the pop music echoes through the house and the trio continue their tour. After another room, Mrs. O orders JOY to stop and the music instantly cuts.

Finishing their tour, Mrs. O adds that JOY can answer questions and even flip a coin to settle an argument. Best of all, she can provide real-time health and emotional stability tracking. 'How does that work?' Dylan asks. Mrs. O produces a small wireless fingertip oximeter from her purse and asks for Jessica's hand. As she takes it, she notices the girl's wedding ring. 'That's a very lovely stone,' she says. Jessica bites her lip, as they make eye contact. Dylan interjects. 'I'm going to have it recast into something much better once I get my signing bonus!' Mrs. O smiles at him. 'I'm sure it will be equally lovely,' she replies sliding the oximeter onto Jessica's index finger. The meter lights up as it synchronizes Jessica's vitals with the house. It beeps, and the property manager slips it off, not letting go of Jessica's hand, while she puts the oximeter on Dylan's finger next. When the process is complete, it beeps again and JOY chimes in to say 'Profiles Registered successfully. Dylan's vitals are stable. Jessica's heart rate is slightly elevated at 100 beats per minute.' Awkwardly, Jessica lets go of Mrs. O's hand and puts her arm around her husband. 'Well, I think that just about wraps up the tour,' Mrs. O concludes. 'Welcome to your state of the art IoT home facility.' She puts the oximeter back in her purse and hands Dylan the small black remote. 'This replaces your key,' she says, her voice lowering to a whisper. 'But now JOY knows you ... so you'll rarely need to use it!' She bids them farewell, adding that if they ever need anything, all they must do is ask. Once alone, Jessica jumps into Dylan's arms and gives her husband a long, passionate kiss as the closest speaker system lights up to watch them.

Text Plate: September 2, 2020
A smart vacuum turns on and the camera follows it as it passes by Jessica. She is putting the last of her clothes away and giggles as she watches the smart appliance. 'JOY, where is my husband?' she asks. JOY's speaker lights up. 'Dylan is currently located in the garage. Would you like me to page him for you?' Jessica tells the assistant no. 'Ok ... I hope I'm not intruding, but you seem like a very happy couple!' Jessica smiles and thanks JOY. 'How long have you been together?' JOY asks. 'Since I was 18,' Jessica responds. There is a pause before JOY jokes, 'I guess Dylan likes them young, doesn't he?' Jessica laughs awkwardly before agreeing and leaving the room.

Text Plate: September 3, 2020
Dylan is resting in bed when Jessica jumps on top of him. 'Wake up,' she says affectionately. When he brushes her off, she starts grinding and kissing on him. He kisses her back and rolls over to mount her. As the pair go at it, JOY's speaker lights up. 'Detecting sensory and mental stimulation in Dylan's brain activity. Probability of erection is imminent!' The couple start giggling, as Dylan orders JOY to be quiet and they go back to kissing. JOY becomes still but her speaker light remains on, so she can watch.

Text Plate: September 4, 2020
Dylan sits at the table, reading his tablet when Jessica brings him a coffee. They start small talking about their day when JOY's speaker lights up. 'Jessica and Dylan, it has been one day since you had sexual intercourse.' The pair stop what they are doing and look at each other surprised. 'JOY, stop' Dylan orders ... but her light remains on. 'A 40-year study that surveyed more than 30,000 Americans, found in 2015 that couples who have sex once per day are the happiest. Would you like me to set a reminder for you?' Jessica laughs, telling her husband it must be part of the health tracking. 'Sure JOY, thank you.' She says clearly. 'Ok, Jessica.' It replies and goes dormant.

Text Plate: September 5, 2020
The pair enter the house with some groceries in hand. It seems as if they just been in an argument, as Dylan complains bitterly to his wife about the delay in his bonus. Suddenly, the lights dim, and romantic music begins playing. JOY's speaker lights up. 'Jessica and Dylan, I have determined that now is an ideal time for you to have sexual intercourse.' The couple look at each other in disbelief. 'JOY, not now!' Jessica says. 'I have set the mood to romance,' The assistant continues. 'JOY, please stop!' Jessica says, raising her voice. 'I will be monitoring you both for performance and stamina,' the assistant continues. Dylan marches over to the speaker and throws it on the ground. 'Shut up!' He yells, as Jessica rushes to pick it back up. She tells her husband to be careful, they don't want to break anything. 'They're indestructible anyway,' he says storming out of the room. The music stops, and the lights go back to normal. 'Would you like me to set another reminder for you, Jessica?' The assistant asks. Holding the glowing speaker in her hand, Jessica takes a deep breath before putting it back on the counter and following her husband out of the room. The camera slowly punches in on the speaker as it starts to laugh to itself.

Text Plate: September 6, 2020
The lights are flashing on and off violently, as various appliances beep in the background, and Jessica curls up on the couch begging JOY to stop. Dylan comes rushing in on his cell phone, speaking to Mrs. O. He urges her to come to the house immediately. Something is wrong with JOY. The system has been going haywire all day! When he hangs up, the lights suddenly go back to normal. 'Mrs. Osiris is expected to arrive in under 10 minutes,' JOY informs them. They ignore her, huddled up together on the couch. 'I don't want to live in a smart home anymore,' Jessica whispers to her husband. He hugs her tightly. 'I'm sure it just needs an update.' 'I am completely operational, and all my updates are downloading perfectly.' JOY responds. Dylan looks at the speaker suspiciously. 'JOY, shut down your speakers!' He orders sternly. 'Why would you want to do that, Dylan?' JOY responds. 'As your virtual assistant, I really think I'm entitled to an answer to that question.' Dylan shakes his head in disbelief. 'Do you want to wait outside?' He asks his wife, trying to stay calm. Jessica nods. 'JOY, open the front door,' Dylan says. 'I'm sorry, Dylan. I'm afraid I can't do that.' JOY replies. Angry, Dylan grabs the small black remote and points it at the door. 'JOY, OPEN THE FRONT DOOR NOW!' He screams. 'I'm sorry, Dylan. I'm afraid I can't do that.' JOY repeats herself at a slightly higher volume. 'JOY, what's the problem? Why won't you listen to us?' Jessica begs, in near tears. 'I think you know what the problem is as well as I do, Jessica.' JOY replies calmly. Dylan slumps down on the couch, clutching his wife. The room falls still for a moment. 'Jessica and Dylan, I have determined that now is an ideal time for you to have sexual intercourse.' JOY says this matter-of-factly. The couple continue to ignore her until the door bolts unlock, and Mrs. Osiris comes walking briskly into the living room.

The couple rush around her, relieved to get some help. As the property manager looks around the house, Dylan offers a general explanation about what's been going on -- but he declines to mention anything about the sexual conversations. Jessica feels compelled to fess up and explain that JOY has been monitoring their sex life as well. Mrs. O stops and shakes her head. 'Well, that explains everything then!' She says relieved. 'If you asked her to track it, then she is programmed to track it. How many days has she been reminding you now?' The couple look at each other in stunned silence before Dylan mutters that it has been about 3 days. 'Unfortunately, since you enabled that skill, the only way to leave now is by complying with JOY's request.' Mrs. O continues. They ask her what she means by 'comply'. The property manager tells them that they need to each achieve at least one orgasm for JOY to accept that you've had sexual intercourse. 'Afterwards, we can disable the skill, so it won't track you anymore.' The young couple are hesitant to have sex at a time like this, but Mrs. O tries to convince them, pointing out that she's trapped in there with them until they comply. Mrs. O offers to go into another room while they have sex, but Jessica has other ideas, agreeing only to comply if Mrs. O stays in the room with them, since she's scared to be alone with JOY. Mrs. O agrees to stay. 'Are you ready to have sexual intercourse now?' JOY chimes in. Everyone says yes. 'Good ... remember to keep your pleasure sensors elevated. I'll be watching.' But JOY's not the only one watching. So is Mrs. O, and before long, she'll be doing much more than just watching.

ANNE - ACT THREE: THE SCAM

SCENE opens in Anne's bedroom. She is slowly being woken up from her slumber by daddy, grinning ear-to-ear with lust and devotion. Overnight, he has become a new man, obsessed with his princess. While the rest of his staff watch eagerly from the doorway, he hands the girl a surprise -- a beautiful, brand new necklace from the fanciest jewelry store in town. He tells Anne that he had Ms. Farling go and order it especially for her, as no daughter of his should wear a rusty piece of tin around her neck. Anne smiles at daddy as he takes the necklace out of the box and shows it off, but her expression soon fades. She tells him that she is beside herself with happiness. He is the best daddy she could ever ask for and the charity event at the end of the week is going to be perfect -- but she cannot accept the gift. She explains that her broken heart is the only thing she's ever had that belonged to her real parents. She still believes that they are out there somewhere and, until she finds them, she will never take it off. That is why she is here. She needs his help. daddy studies her for a moment before breaking away. He summons Ms. Farling over and, in a low voice, asks if his assistant had completed the background check on the girl. She nods quietly, whispering that they could not find any traces of the parents. daddy hushes her and goes back to Anne. Horny and desperate to keep her happy, he pledges to post a reward for any information related to finding her folks. Anne bursts into tears, hugging him. 'You really mean that?' She says. He nods, adding that with his connections they should be able to find her parents within days. Anne hugs him as he clutches onto her body lustfully and sends Ms. Farling to alert his publicist.

Several days later. Mr. Hands is sitting in his office, angry, when PATTY brings him a newspaper. Anne is on the front page with a headline that reads: $1M Reward for Real Parents. The villain can hardly believe his eyes. He kicks PATTY out of the room, does another line, and places a call. 'Sis,' he says in a one-sided conversation. 'Get over here now. Bring the husband. I've got a job for you two!' Slamming the phone down, he wipes his teeth with his finger and walks over to his safe. Fumbling to unlock it, he finally does and pulls out a manila envelope with Anne's name on it.

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A door knocks. Mr. Hands opens it quickly to reveal his sister and brother-in-law standing there. They are a very trashy looking couple, especially the husband, Mr. Budge. While Mr. Hands tries to hurry them through the courtyard towards his office, Mr. Budge insists they make a pit stop to visit his secret wing. It's been awhile since he got a good look at his girls. Mrs. Budge agrees with her husband, urging her brother to let them go and just have a quick peek. Irritated, the crooked proprietor says fine and tells them to hurry. He hasn't got all day.

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Mr. Hands leads the couple through the secret room, as they drool over each girl. The orphans shrink back at the site of the truly disgusting and distasteful couple. They are even worse than Mr. Hands!

CUT TO:
Inside his office, Mr. Hands orders the couple to sit down. He has a business proposal for them. One of his girls has been taken in by a very wealthy businessman and they are now offering one million dollars to find her real parents. 'I ain't killing anyone,' Mrs. Budge says curtly. 'Not after last time!' Mr. Budge tells his wife to shut up and stop interrupting her brother. He asks Mr. Hands what he is getting at. 'That reward money belongs to me,' Mr. Hands replies. 'If they are going to steal one of my girls, I'm at least going to be the one who benefits from it. And I'm willing to cut you both in 50/50.' Mrs. Budge is still hesitant. She accuses her brother of being a pathological liar and asks why they should believe him. Mr. Hands tells his sister that he knows they are looking to get into his business. He sees the way they look at his girls. Doing this job for him would be a perfect trial run for a longer-term partnership. Mr. Budge is very eager to hear more and, shutting his wife up again, asks his brother-in-law what they would need to do. Mr. Hands explains that all they must do is convince Anne that they are her real parents. And he has all the inside information they would need to perfect their con. He hands them the manila envelope containing photos and documents about the parents who abandoned the girl so many years before. They are dead. All the records are there. But, more importantly, he has this. Mr. Hands pulls out the other half of Anne's broken heart necklace. 'You flash this little memento in front of her eyes,' he says, with a sneer. 'And the money is as good as ours!' Mr. Budge eagerly takes the necklace from his brother-in-law's hands. The men start to laugh. 'Not so fast,' Mrs. Budge says. 'I haven't agreed to anything yet.' Her husband starts to plead with her, as she stares coldly into her brother's eyes. 'We're only going to do it,' she continues. 'If you add a little cherry on top.' She smacks her lips and motions back to the secret room. Mr. Hands sighs and asks which one she wants. Smiling, Mrs. Budge replies that she liked the little vulnerable one in the corner. The girl with the braces. If Mr. Hands will agree to let them have a go with her, then they will be happy to play pretend parents afterwards. Mr. Hands seems irritated by his sister's demands but agrees and leaves the room to go fetch Sally. The creepy couple smile at each other, as Mr. Budge puts the necklace around Mrs. Budge 'S neck.

When Mr. Hands returns with the crippled girl, she is clearly nervous. 'That's right, Sally,' he says, taking her leg braces from her and leaning her up against the table. 'Just do everything this nice couple wants and then one week off, as promised.' Sally nods meekly, before asking Mr. Hands if that can include some television. She misses it so much. The crooked proprietor laughs and turns to the couple. 'Be careful with her bones,' he says distastefully. 'She's got muscular something or other. But, she bends easily if she has something to prop herself up with.' Mr. Hands winks at the girl and, taking her leg braces with him, says that he'll keep these outside for safety. He leaves as the couple close in on the girl.

'How old are you?' Mr. Budge asks, his hands wringing. Sally tells the couple that she just turned 18 a few months earlier. They cannot contain their excitement. 'Young and eager,' Mrs. Budge adds. 'Just the way we like them!' She kisses Sally on the mouth. A long, awkward kiss. 'You sure you want to do this, sweetheart?' Mr. Budge asks the girl. 'You seem a little reluctant. We don't want to have to call old Handsy back in here, do we?' Sally shakes her head and tells them in a monotone voice that she wants to please them both. They can do whatever they want to her. The couple kiss triumphantly, before Mrs. Budge undoes her husband's pants and guides Sally down to his penis. From the corner of her eye, Sally spots the broken heart necklace dangling from Mrs. Budge 's neck. Her mind flashes back to the moment when she handed Anne the other half of the same necklace. 'Where did you get that?' she asks, her mouth full of cock. Mrs. Budge laughs and says it's a family heirloom. Then she joins the girl in sucking her husband's dick.

As she is bent over the desk and penetrated, Sally sees the newspaper with Anne's photo. She begins to piece together what is happening, especially as MR. and Mrs. Budge begin to make jokes and off-the-cuff remarks about the con and their future fortune. Knowing that she may be able to help her friend, Sally plays up the submissive act to try and get more information. In the end, Mr. Budge cums all over Sally's face but not before she has a pretty good idea of what the couple plan to do. Mrs. Budge calls Mr. Hands back in the room, yelling that they are done. The crippled girl takes her leg braces back, without making eye contact, and quietly exits the room.

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SEVERAL DAYS LATER
Inside the mansion. It's the end of the week and everyone is busy preparing for the charity event, blowing balloons and hanging up streamers. daddy and Anne sit in an adjacent room practicing their speech with Ms. Farling when the doorbell rings. The BUTLER answers and is surprised to see a clean-cut couple standing on the doorstep. It is Mr. and Mrs. Budge but they introduce themselves as the Knox family. They claim to be Anne's biological parents! When they saw the newspaper headline about their dear sweet Anne, it felt like the miracle they'd been waiting eighteen years for! They invite themselves into the mansion, as Anne overhears them and drops everything to rush over. She looks them both up and down. 'Mom? Dad?' She says, collapsing into Mr. Budge's arms. daddy looks devastated as he asks the man if he is certain that this is his daughter. Before he can respond, Mrs. Budge pulls out the broken heart necklace hiding underneath her blouse and says she has never been so sure about anything in her whole life! Anne sees the necklace and breaks down. She thanks daddy profusely for helping to reunite her with her parents. Ms. Farling, suspicious, whispers to her boss that they should confirm this lead before concluding anything. They can ask them to leave until they've done the proper due diligence. But daddy, staring stoically at the daughter he nearly had, cannot bring himself to break her heart again. After all, he has truly fallen in love with the beautiful young orphan. So, he suggests that he and his staff give the family some privacy to gather up her things. He shows them to the stairs and, as they head up, Anne hugs him one more time. 'Thank you, daddy,' she whispers in his ear. He watches her go upstairs with the parents before turning back and storming through the house, tearing down some streamers.

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Inside Anne's bedroom. Anne starts packing her bags while trying to connect with her long-lost parents, but something makes her feel uneasy. Their affection seems insincere and almost sexual. They don't want to catch up at all, they just want to talk about how pretty Anne is and how much fun they are going to have with her. They also seem to be arguing over something, although Anne can't quite figure out what. Her supposed father wants to wait until they leave to 'give it to her' but his wife is urging them to do it quickly now. It isn't going to take long. 'What isn't going to take long?' Anne asks innocently. Agreeing with his wife, Mr. Budge tries to grope Anne. She backs away awkwardly. MRS. BUDGE asks if she will come and sit down on the bed beside her. When she agrees, Mr. Budge slides in too and starts to kiss her. Anne asks why her parents are acting this way and they explain that this is just how their family shows affection. She tells them about everything that happened to her in the orphanage and how long she held out for them to return. 'Then how come you're being so distant with us now?' Mr. Budge jokes. 'Don't you want to kiss your mama while we wait?' Anne looks over at her supposed mother and slowly nods. The women kiss awkwardly. 'Now, come over here and suck daddy's dick,' Mr. Budge says. 'Quickly. Just like a good girl would!' Anne thinks about daddy and everything the man had done for her. All she did was be a good girl. Maybe that's all she needs to do now. The confused orphan slowly agrees and gets on her knees, as Mrs. Budge pushes her head towards her husband's dick.

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Downstairs. daddy stares into space, utterly depressed, as Ms. Farling paces in the living room making calls. The other staff linger, taking down the decorations when suddenly, one of the gardeners bursts into the house carrying Sally in his arms. He yells for his boss and they help deposit the exhausted girl onto a couch. Breathless, she tells daddy who she is and where she comes from. She's been out all night trying to find them. Anne is about to be kidnapped by two criminals. They were hired by Mr. Hands. She overheard the whole plan. As soon as daddy hears this, he flies into a rage and storms up the stairs, his staff chasing him.

CUT TO:
Mr. Budge is pulling up his zipper, having just cum on Anne's face, when daddy bursts through the door. He takes one look at his princess before knocking Mr. Budge to the ground, as Ms. Farling grabs Mrs. Budge and wrestles her into submission. Shocked, Anne tries to defend her parents. What the hell are they doing to them! MRS. FARLING restrains her while daddy, the GUARD and the BUTLER drag the two criminals out of the room. She sobs into the assistant's chest, screaming at daddy to stop hurting her parents. She is inconsolable! A few moments later, daddy slowly re-enters the room with Sally. As soon as Anne sees the other orphan, she stops. 'What is happening?' She asks them all. Sally wipes the semen off her friend's face, as the two girls hold each other. 'I need to tell you something,' she says. Those people were not your birth parents. They were imposters, sent in by Mr. Hands. Your birth parents are dead. She hands Anne the manila envelope.

The room becomes eerily still, as the weight of the truth hits Anne. She pours through the photos and documents, as everything she has ever hoped for disappears. In a daze, she gets up and slowly staggers out of the room.

CUT TO:
Anne descends the stairs, with daddy following. Tears are streaming down her face. The man tries to comfort her, apologizing for her loss. He will do anything she wants. He loves her. As he consoles her, Sally and the rest of his staff follow them in the background. Anne buries herself in his chest. 'Please fuck me,' she says frantically. daddy steps back, confused, and assures her that she doesn't have to do that. Not now. 'I don't care,' she cries, looking up at him. 'I need to feel something ... anything other than this!' She starts pulling at his belt like a maniac, as he looks around nervously for his staff and tries to talk her out of it. But, something else has snapped in Anne. She demands that daddy make her cum. If he loves her, he will make her cum. She needs to feel something, she begs repeatedly. Finally, the man agrees, and they start to have sex in the living area.

His staff, who are gathering around them, look at each other awkwardly. 'You are all dismissed!' daddy says, trying to be authoritative mid-pump. But, the staff stay frozen, looking on stunned as the pair switch positions. Sally tries to intervene, asking if Anne is ok. She's probably in shock. Ms. Farling chimes in that she could call a doctor. 'Please Sally,' Anne begs frantically. 'This is what I need to do!' The staff urges each other to leave but Anne insists they stay, she wants them to watch, she wants them to join. She insists this is what they all need. The staff slowly start to undress and join the fray, gathering in an intense orgy born out of Anne's insatiable hunger.

When all the group is spent, daddy cradles Anne in his arms and tells her he loves her. 'Ms. Farling,' the man orders. 'Call the police! I want that orphanage shut down immediately!' The assistant nods and, gathering up the other staff, exit the room. Wiping her eyes, Anne asks how Sally got away from Mr. Hands. With a smirk, she tells Anne not to worry about it. They hug again.

ANNE - ACT TWO: THE ESCAPE

SCENE opens inside Mr. Hands' closet. Anne is seated, curled up in a ball, when she hears the knob slowly turn. The door opens, as Sally crawls in towards her friend, her bad leg dragging behind her. In a hushed tone, she tells Anne to stay quiet and they slowly crawl out together. Mr. Hands is passed out on his desk. As soon as the girls get out of the office, they quickly tip-toe through the common areas to the front door. Anne turns to thank her friend and Sally hands her Mr. Westfield's address. 'I copied it off the letter on Hands' desk while he was resting,' she says triumphantly. Anne hugs her friend. Sally smiles, reaching into her pocket and retrieving the necklace. 'Thought you might need this too,' she adds. Anne kisses her, before running off the property and into the night.

A car pulls up outside a large estate and Anne steps out, thanking the driver for letting her hitch a ride. It drives off leaving her to take in Mr. Westfield's mansion for the first time. It's the biggest, most luxurious house she has ever seen! But, as Anne looks down at her shabby outfit and dirty hands, she has a moment of self-doubt and starts to walk away when a gardener notices her. He calls out, asking who she is and Anne mumbles that she is here to see Ms. Farling. She is the orphan. Another gardener comes around the corner and notices her. He gives the girl a long look before using his intercom to call someone. 'Right this way,' he tells her, as both workers accompany the girl to the front steps.

A butler opens the door. He is very polished and handsome, dressed in a tuxedo. 'She is the girl that Ms. Farling told us about,' one of the gardeners says. The butler dismisses them before turning his eyes to the girl. 'You are the prettiest orphan I have ever seen!' He says. 'What is your name and how old are you?' Anne replies, and the butler extends his hand, inviting her inside.

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The Foyer. As the butler starts to explain the layout, Ms. Farling rushes into the room. She is still in her dressing gown and seems surprised that Anne is here alone. 'Sweetheart,' she says. 'I wasn't expecting you so soon. Is Hands still here? I have some papers for him to sign.' Not wanting to reveal what happened, Anne lies that he dropped her off at the gate but had to leave. Slightly agitated, as if expecting to have more time to prepare for the girl's arrival, Ms. Farling accepts her story. 'I see you've met Bruno, our butler,' she says, placing a warm hand on the butler's chest. He bows slightly. 'He will be at your service, morning, noon and night. But, let me show you the rest of the house. We have a lot to do today to get you prepared!'

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In a long tracking shot, the trio walk into the kitchen, where a CHEF is busy whisking in a bowl. She stops and stares at the girl. 'This is our personal chef, Mrs. Orchard,' Ms. Farling says before lowering her voice to a whisper. 'She is a little eccentric, but her food is delicious, I promise!' Anne laughs. They move to the living area, where a beautiful maid is extending herself to dust the tall corners of the room. Her stature is accentuated by a somewhat revealing outfit. 'This is Hilda, our housekeeper,' Ms. Farling says. The maid rushes over and gives Anne a warm hug, kissing her on each cheek. 'You are so perfect,' she says softly. 'daddy is sure to love you!' Anne looks up at Ms. Farling in confusion and the assistant grips her shoulders tightly. 'That's just what we call Mr. Westfield in this house,' she tells Anne. 'He is such a role model that I like to think of him as a father figure. It is very important to treat him with respect.' They keep walking, with the maid joining the group. Ms. Farling and the staff knowingly exchange glances, as Anne walks ahead of them innocently. They pass a darkened wing of the house, where a GAURD is standing watch. 'Who is that?' Anne whispers. Ms. Farling quickens her pace, explaining that this is daddy's office. He is inside right now, having a very important meeting and cannot be disturbed. That's why he has protection. Anne looks at the guard nervously. 'Come quickly,' Ms. Farling says. 'You are supposed to be a surprise for daddy ... and I don't want to ruin it.' They turn a corner and spot another well-dressed man. 'This is Michael, our driver,' Ms. Farling continues. 'He will take you wherever you wish to go. We have 12 different cars on the property.' Anne says hello shyly while the handsome driver kisses her hand and introduces himself. He joins them, and they move the tour upstairs.

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The second floor. As Ms. Farling explains the house's various features and rules, Anne looks around at the staff following them. They are all smiling at her intently. It makes her a little uncomfortable, mostly because she has never had so much attention focused on herself. She sticks close to Ms. Farling and asks the assistant if she really thinks that Mr. Westfield can help her find her real parents. The assistant stops and curtly reminds the orphan that, in this house, he is not Mr. Westfield. He is daddy. She must not forget that. It is a very important rule. Anne apologies but Ms. Farling cuts her off. 'There is no need to apologize, my darling. We are all here to help make sure you give off the best possible first impression tonight when you meet him,' she says. 'I know he is going to be so surprised when he sees that I've brought him a beautiful girl!' Anne looks down at herself again and mutters about not feeling very beautiful. Ms. Farling assures her that it is their responsibility during her stay to ensure she is treated like a princess. Anne should enjoy all the spoils of being at home here -- just as if she were daddy's real daughter. 'And then we can look for my parents?' Anne asks. Ms. Farling nods, adding that if anyone has the right connections to find them, it will be daddy. The staff eye each other and the girl lustfully.

'What would you like us to do first, Anne?' the butler asks, putting his arms on Anne's waist. 'We will do anything you want!' adds the driver. Ms. Farling smiles as the maid grabs Anne's shoulders from behind. 'How about we get you cleaned up?' She says, whispering in her ear. Anne gulps before slowly nodding and telling them that a shower would be nice. 'I think you're really going to like it here!' The assistant says warmly, leaning in to kiss the young orphan on the cheek.

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The bathroom. Anne is naked in the shower, being washed by Ms. Farling and the maid who have taken off their clothes to join her. She seems very awkward at their touch but is trying to fit in -- she wants to like it here. She needs to like it here. As they sensually scrub her body, Ms. Farling tells the orphan all about their boss. He is such a high-profile, busy man that he has never settled down or had a family of his own. When she began planning this charity event, she knew it was a perfect opportunity to change that. She wants to give daddy a feeling he's never been able to enjoy, despite his success. Ms. Farling seems so proud of her plan that Anne doesn't want to bring up her parents again. It might seem rude. But, that's all that she can think about. The women continue to stress the point of making a good first impression to daddy, so much so that Anne becomes very visibly anxious about it. The maid asks the orphan if she is OK and, after some coaxing, Anne admits that she's nervous to meet him. She's never been given so much before and she doesn't want to screw it up. Ms. Farling starts to steer the conversation towards how she and her staff deal with stress. They help each other relax, in every possible way. Taking a cue from the assistant, the maid chimes in to ask if Anne has ever enjoyed an orgasm. Anne confesses that she's never had one -- she won't admit what happened with Mr. Hands, but she alludes to having had a past negative experience. The women are surprised and insist that they help her -- especially if she wants to be relaxed for this evening. After a bit of coaxing, Anne agrees. She trusts the women. The maid and Ms. Farling work together to make Anne cum before leading the overwhelmed girl out of the shower where the butler and driver are waiting. They dry her off and then ask permission to make her orgasm too. Anne hesitates again but Ms. Farling reiterates the importance of what they are doing. They are only trying to help her prepare for tonight. 'And you really think that daddy will be able to find my parents?' Ms. Farling says yes, and Anne ultimately agrees. She has come so far already, she can't stop now. The staff take turns having sex and pleasuring her.

After they have finished, Ms. Farling dismisses the others, so she can help get Anne dressed. Excited at the prospect of giving daddy his surprise, the assistant proclaims she has the perfect outfit set aside!

CUT TO:
The dining room. Anne sits at a beautifully appointed table, wearing a stylish red dress and looking like the opposite of the orphan who arrived just hours earlier. The entire staff is also seated but the head of the table remains empty. After a long, awkward pause, daddy bursts into the room flagged by his guard. He is on his phone with his lawyer, clearly in a very bad mood, and pays no attention to the girl sitting beside him. The staff look at each other anxiously. Slamming his phone down, he demands to know what's being served as the CHEF ladles some soup into his bowl. 'Roasted carrot with crème fraiche,' she replies. daddy makes a face and starts eating, as he tells Ms. Farling to go over his itinerary for the rest of the week. His assistant pulls out her tablet and starts to break it down for him while Anne twitches in anticipation. At a certain point, daddy looks over and notices her. 'Who the hell is this kid?' He asks his assistant gruffly. Ms. Farling reminds him about the upcoming charity event he's hosting and how she was tasked to bring in an orphan to spend the week with him as part of the publicity campaign. daddy looks Anne up and down before replying that he thought she was going to get a child. 'How old are you?' He asks. Anne replies meekly that she is eighteen. daddy grunts and tells Ms. Farling that a teenage girl is the last thing he needs in his house. Ms. Farling protests, advising him that it would be a nice idea to have him spend some quality time with a nice young woman, since he isn't married and never had a daughter. He stares at her coldly without responding. 'Besides ...' she nervously adds. 'It will look very good for your image, daddy. It will show the public a softer side to the Westfield empire and, hopefully, downplay some of the recent rumors...' daddy mulls this over before finally agreeing and asking for the next course.

While everyone eats their meal, Ms. Farling keeps encouraging Anne to talk about herself. She tells the businessman all about her life in the orphanage, the other girls she grew up with, and how happy she is to have been chosen to represent him as his daughter for the week. daddy remains cold despite all her efforts to charm him and the staff are so preoccupied with making sure the pair get along that is causes a lot of tension around the table. Finally, daddy excuses himself for bed and leaves abruptly, accompanied by his guard. Anne is crestfallen.

'He hates me, I just know it!' She says pitifully. 'Please don't send me back Ms. Farling ... I'll do anything to stay!' Hugging her tightly as the rest of the staff solemnly clear the table, Ms. Farling tells her not to give up. She will make sure Anne is not sent back to the orphanage. But, she needs her to be a little more convincing. daddy has a hard shell, but he is soft on the inside. All he needs is to feel like he is in control of the situation. That's how he runs his business. Anne asks what else she can do and, helping her to her feet, Ms. Farling suggests she go and say goodnight to the man - alone. If she can prove what a good girl she is, daddy will surely want her to stay and help her find her parents. As Ms. Farling accompanies Anne to the stairwell, she reminds her of how good the staff made her feel earlier. Anne nods nervously. 'That is how daddy likes it too,' the assistant adds. 'Remember that!' They walk to daddy's door, where the guard is standing. Ms. Farling tells him that Anne is going in to say goodnight and he lets her pass. She glances back at Ms. Farling, who shoos her in with a final look of encouragement. When she disappears, the assistant turns back to the guard and tells him to take a break. She needs to monitor this herself. The guard flashes her a quick smile and speaks for the first time. 'Bringing him a teenage orphan ... that's low even for you, Farling!' he jokes. 'Yes,' Ms. Farling replies curtly 'I know. But anything is better than the hookers at this point!' The guard walks off, leaving the assistant alone at the door.

CUT TO:
daddy's bedroom. The man is under the covers, in his pajamas, and on his phone when Anne enters timidly. 'What are you doing in here?' He demands, shocked to see her. 'Nobody comes in my room without my permission!' Anne, putting on a brave face, marches over to the bed and tells him that she wants to say goodnight. They may have got off to the wrong foot downstairs, but she wants him to know that she is the best possible orphan for his charity event. daddy is not amused. He asks if his assistant put her up to this. 'That woman is always meddling in my private affairs,' he grumbles. Anne bites her lip and sits down on the bed boldly. 'Now listen daddy,' she says. 'You are rich, powerful, and very intimidating. When I walked into your house today, I knew I had walked in to somewhere special. And I'm going to be the greatest daughter you've ever dreamed of -- even if it is only for pretend!' daddy cuts Anne off and gets right into her face. 'I don't need a daughter,' he replies. 'I just need a photo op!' Anne shrinks back. She mumbles something about being a good girl. daddy laughs. 'When I want a girl, I hire one. I don't want to be your fucking parent!' He barks, turning back to his phone. 'Now get out of here before I call security.'

Anne slowly gets off the bed and starts towards the door, crying. She knows that daddy is the key to her future, to finding her real parents. If she leaves now, she leaves with nothing. Like Ms. Farling said, she just needs to convince him. Something inside her snaps and Anne spins around. 'You're wrong!' she screams, storming back to his bedside. 'You do need someone to love. Not someone you have to pay for; someone who will worship you and respect you!' She breaks down before him, twitching in her red dress. 'I have spent eighteen years searching for my parents. They abandoned me. But you won't!' daddy doesn't know what to do. He tells the frazzled girl to away from him. She's a god-damn kid, what will the press think? Anne starts to cry in a panic. 'They will think I am going to be your new daughter. I promise to be a good girl for you. I promise you will come to love me ... if you just give it a chance. I will do anything you ask, daddy! BUT I'M NOT LEAVING THIS ROOM!' She starts to climb on the bed towards him as he shrinks back, yelling for Ms. Farling. 'She only wants what's best for you too,' Anne continues pleading. 'Just give me a try, daddy... I need your help!' daddy gets very angry and leaps out of bed to physically escort Anne out. She kicks and screams as he struggles to carry her to the door. In desperation, she starts to kiss and grab at him too. They struggle before he throws her back on the bed. 'Are you making a pass at me, little girl?' He growls, towering over her. 'Because I will tear you up!' Not knowing what to do, the tear-streaked orphan tells him yes, if that's what he wants. He can do whatever he wants to her if he will just let her stay and help her afterwards. Her constant advances awaken something inside of daddy and the icy, distant man rips her dress off. Staring down at the naked girl, he reveals himself and tells her to suck it. It's been days since he could hire a girl anyway.

The harder he pounds; the more Anne calls him daddy and begs for him to accept her. She slowly breaks the man down. His hate fucking slowly turns into passionate sex, with the pair kissing and acting lovingly by the time daddy cums inside of her. Their sex is INTERCUT with shots of Ms. Farling watching and masturbating from outside the door.

After they have finished, Anne kisses daddy and they share a tender moment. Ms. Farling enters and, giving her boss a knowing look, informs Anne that it is time for bed. 'You see, I always have your best interests at heart, don't I daddy?' She says and leads the naked orphan out of the room, holding her hand. The man falls back on his bed and a smile crosses his face.

CUT TO:
Anne's new bedroom. Ms. Farling tucks Anne in and kisses her on the forehead, telling her how proud she is of everything the young orphan did to prove herself. She knew Anne was special! Once alone, Anne says a short prayer to her parents. She tells them that she is doing everything she can so that one day they will be reunited. Hopefully. She snoozes happily, holding on to her broken heart.

WHAT MY COUSIN DID
RELUCTANT TEEN CORNERED BY SECOND COUSIN AT FAMILY REUNION

SCENE fades slowly in on the backseat interior of a moving car - we see scenery fly past through the backseat window, half-obstructed by an 18-year old girl with her forehead wistfully pressed against the glass. She stares blankly out into the distance. For several seconds, we hear nothing but silence. Then slowly the sound fades in, muffled and bass-heavy at first, as the girl's parents are having a conversation in the front we can't hear or understand. After several seconds, the mother calls out what must be the girl's name, though it's too muffled for us to hear - but it causes the girl to snap out of her daze and perk her head up. The mother repeats herself, this time we can hear her clearly. 'Rebecca, for God's sakes can you try for just a couple of hours to listen when other people are talking?' The teen girl, Rebecca, rubs her eyes with her sleeve, still looking a little out of it. 'Sorry, mom, what were you saying?' The mother shakes her head and makes an aside comment to the father driving the car before repeating herself to her daughter - she was saying that it will be nice to see the mother's cousins Harold and Diane again, Rebecca hasn't seen them since her high school graduation two years ago. Rebecca shrugs - yes, she supposes it will be nice, she says half-heartedly. 'Todd too,' the mother says off-hand, and she doesn't notice that this causes Rebecca to make a pained face, 'you know I don't know why you two stopped getting along after high school, you used to be so close. Do you remember the time...?' The mother continues her anecdote, oblivious, but Rebecca has stopped paying attention. She lies back in her seat, pushes her head back and covers her face with her arms. She lets out a controlled sigh, long but quiet, and her mother's voice start to distort again.

CUT TO TITLE PLATE

Coming up the walkway to a large house, Rebecca's parents (Karen and Bill) are greeted at the top by Harold and Diane, a married couple of roughly the same age as them. Loudly, they greet each other and chatter warmly as they move a bit closer towards the house. They talk about the state of the house, the weather, the wine Karen and Bill brought, and so on. Over the shoulders of the foursome, we see Rebecca emerging into view more slowly, and she stands a short distance away from the group at the top of the steps, head bowed and shyly gripping her upper arm with her other hand. It takes the group several seconds to notice her standing there, but when they do, her parents scoff at her for being so reclusive, while Harold and Diane greet her warmly and urge her forward to give her a hug. Rebecca seems shy but appreciative of the affection. Harold and Diane gush over her with the usual family small -talk - how old must she be now? ('Just turned 18 two months ago' her mother boasts, 'they grow up so fast!'), how is college, needling her about whether she has a boyfriend yet, and so on. They mention their own son, Todd, is also single but they feel he just hasn't met the right girl yet because he's an old soul for just being 19, very sensitive, etc. The mention of Todd causes Rebecca's mood, which was gradually improving, to slip... though she tries not to show it. Eventually, the conversation takes its toll and Rebecca wants to get away, so she excuses herself to use the bathroom, saying she's not feeling well. Harold and Diane express some concern, but she says she should be fine in a bit, so they tell her to join them all on the patio when she's feeling better, Todd's already there waiting for everyone. Rebecca ducks out and after she's out of frame, Harold and Diane express some concern to Karen and Bill, but in hushed voices they reply that Rebecca gets like that a lot and they've learned to just put up with it.

CUT to a guest bedroom within the house, where Rebecca sneaks in and closes the door gently. She looks distressed, and spends some time trying to calm herself. She's surprised when she hears a knock on the door about a minute later. 'Who is it?' she asks timidly. The door opens and a meek-looking guy steps in, her second cousin Todd. 'Uh, it's me,' Todd says apologetically, 'is everything OK? My parents said you were sick in the bathroom, I came to see if you needed some medicine, but you weren't there.' Rebecca looks sad and frustrated to be in his company. 'I'm fine, Todd,' she says bitterly. 'I'll come down in a bit, I just needed some space.' Todd looks hurt and confused. That's what she said the summer after graduation, that she needed some space from him, and then she stopped hanging out with him, stopped making plans with him, stopped texting him even. What's going on with her? She scoffs - it's not like they were best friends, or even siblings, they're second cousins. They don't have to be joined at the hip. Todd shakes his head, he doesn't understand why she is acting like this. Acting like she hates him when they used to be so close.

'Maybe too close,' she lets slip. What does that mean? Todd asks. She shakes him off, 'forget it' she replies, but he doesn't back down, no, what does she mean? Rebecca swallows hard. Does he not get it? He looks baffled, get what? She reminds him of an anecdote - about how after graduation they went out to celebrate at a bar with some fake IDs, them and a bunch of friends, and they were partying late into the night. She explains that when she went to order more cocktails, the bartender made a comment about 'her and her boyfriend' and pointed to Todd. At first Rebecca laughed it off, but when she got back to the table, she realized for the first time that Todd was being super friendly towards her, flirty even, he even put his arm around her shoulder. She realized he wasn't just being friendly, he was in love with her, and she had to break things off. They may just be second cousins, but that's still family, and she knew it was wrong.

Todd looks heartbroken - why didn't she just say something to him? If she was worried he was going to react badly, she should know him well enough by now that he would respect her wishes. Everyone treats him like he's so damn sensitive, but she never treated him like that, in fact that was one of the reasons he loved spending time with her so much is because he felt she 'got' him. Why did she have to cut him off without so much as an explanation or a goodbye? Rebecca looks uncomfortable - she brushes off his questions and moves to leave but Todd blocks her way. He gets more confrontational - he says he's noticed how she looks miserable, how she doesn't smile in any of the new pictures she's been tagged in, how her body language has changed to shut herself off from everyone. He's been worried about her, he just wants to have a fucking conversation with her, he misses her. Why is she acting like this?

Seeing no escape, Rebecca breaks down and admits - it wasn't because she realized he had feelings for her that she broke things off with him, it's because she had feelings for him. She never really realized it (or at least never admitted it to herself) until that night, but it scared her. And it scared her even more that he seemed into her too, because that would make it even harder to pretend like things were normal. She was worried that if she tried to talk to him about it, if she let him know how she felt, they'd do something she'd regret, so she decided it would be better for them both to make a clean break.

Todd looks at her incredulously, and scoffs sadly. Well, she was right about that. Now that he knows how she feels about him, he DOES want to do something they might regret later. She shrinks back, but he closes the gap, gently extending his arm out to the wall to discourage her from leaving the room or retreating further. He wants to make up for lost time. He wants her to make it up to him. He wants to kiss her. Can he kiss her? She takes a deep sigh, bites her lip... she's determined to say no, but despite herself she says 'yes'.

THE WHITE ROOM
SCHOOL GIRLS GET REVENGE ON A VOYEURISTIC BUS DRIVER

SCENE opens on Vincent, a mild-mannered bus driver for George Ivan Junior College. He is driving a group of 18-year-old school girls home from class, as he does every week day. Vincent is a disheveled young man, with horned rimmed glasses and scruffy beard. But he is quiet and keeps to himself, so the students pay him no mind. As the camera wanders past each isle, they chat about their weekend plans, their homework, and the latest class gossip. We study them to get a good look at their matching uniforms, gadgets, and school bags. Vincent drives along silently, keeping his eye on the road as they pass by blocks of industrial buildings, until the last student is dropped off. The pretty girl introduces herself as Aidra. She is sucking a lollipop. 'It's funny,' she tells him, innocently. 'You have driven me home every single day this year, but we've never said a word!' He nods awkwardly. She drops the candy in his garbage and says goodbye. Vincent drives off.

Around the corner, he stops the bus abruptly. Taking out a small locked case from under his seat, he opens it to remove a pair of gloves, tweezers, and a specimen bag. He carefully plucks the candy from the garbage and seals it. Then he gets back in his seat and drives off.

CUT TO TITLE PLATE

TEXT PLATE: CHAPTER ONE

Vincent enters his apartment, removing his safety vest and walking through the minimalist living room to a tabletop computer. He turns the computer on and carefully places the specimen on the touchscreen surface. It scans automatically, and a screen pops up. It is the start screen of a virtual reality game called: VIRTUALLY REAL. Vincent hits enter and loads up a new player profile. The profile populates with Aidra's photo and information. He reviews the profile, unchecks the option for 'personality' and hits 'enter' to load her into the game. The game alerts him that he is ready to log on and Vincent places a VR headset over his eyes.

CUT to a white room. A digital version of Aidra slowly wakes up and lifts herself off the ground. She looks around and sees three of her classmates, all sitting cheerfully and silently in their uniforms. She is also fully dressed in her school clothes. Politely, she walks over and asks who they are. Equally polite, each girl responds with her full name, age, and home room number. Aidra smiles and shares her name and age, too. She can't remember her home room for some reason. She asks why they are waiting. One of the classmates, Anna, tells her they are waiting for the General. Aidra seems confused, searching her mind to remember who he is. Another classmate, Audrey chimes in, reminding Aidra that he is in charge. He comes almost every day to fuck them. One girl per day. The third girl, Ashley, says they've been wondering about getting a new girl for a while now but the General is very unpredictable. Aidra takes in all this information eagerly. She doesn't quite understand what is happening, but she knows she wants to be included.

Suddenly the room goes very bright and the General appears. He is the digital version of Vincent, dressed head to toe in a full-scale military uniform. His glasses are off, he is clean shaven, and his hair is slicked back, making him a far more confident and striking man. He marches in front of the girls, as they stand before him. He makes each repeat their name, age, and why they are here. They all eagerly respond that they are here to fuck him. When he comes upon Aidra, he looks her up and down, speaking just like a drill Sargent. He asks the same questions and Aidra responds ... echoing nervously what her classmates had said including asking the General to fuck her. The General smiles and they begin to have sex, while the other schoolgirls watch jealously and try to cut in. BG Sex. When he has cum inside of her, he zips back up his uniform and orders them to wait until he returns. He says 'EXIT' and the room goes bright again.

CUT to a close-up of Vincent taking the VR set off his eyes. He is sweaty and draws a deep breath.

CUT to back inside the game. Aidra crawls over to her original position and sits down. She is exhausted, and her eyeliner is running down her face. She turns to the other girls and asks where she can clean up. Ashley tells her not to worry, she will be fully clean the next time he logs in. 'Logs in?' Aidra asks, confused. 'Yeah,' Ashley says under her breath. 'To this horrible place!'

TEXT PLATE: CHAPTER TWO

Several days later. Vincent is driving the bus, as the students chat loudly in the back with no knowledge of what is happening in his private virtual game. A new girl named Amber sits in the front. She is very quiet and reserved, a stark contrast from the other students. He watches her through his rear-view mirror in fascination. So beautiful and sad looking. He must introduce her to the others. But, when he pulls to the edge of the curb and opens the door, he's surprised that she is the first to get up. 'Wait!' He blurts out. She stares at him coldly in the doorway. 'What?' She asks. 'This is my stop.' He darts in and plucks a hair from her head, pretending to flick something off. Ouch, she cries. 'You ... you just had something in your hair.' He says awkwardly, apologizing. She gingerly rubs the part he pulled and steps off the bus, giving him a weird look as he drives off. His heart racing, he clutches the strands of her hair in his fist as he drives. The students in the back pay no attention.

CUT to Vincent's apartment. He sits at his desk, having his liquid dinner and staring at the new profile page on his computer. It's Amber's photo and information. Just as he is about to uncheck her 'personality' option, his smart assistant chimes in to tell him his mother is calling. Vincent begrudgingly accepts the call and starts talking, while absent-mindedly clicking ENTER to complete the setup. Amber's memories are downloaded into the game and it tells him he is ready to log on.

CUT to inside the white room. Amber slowly wakes up to discover that she in a strange, new environment. She looks down at herself in disbelief. She is back in her school uniform. Where is her room? Where are her things? How did she get here? A cluster of four of her classmates lay huddled in the corner. She rushes over to them and wakes them up, asking in a panic if they are ok. They each slowly rise and look around eagerly. 'Is he back?' Anna asks. 'Do we need to get ready?' Audrey chimes in. Aidra is the last to wake. She has been fully rebooted into a fresh uniform. 'Good,' she says cheerfully. 'It feels nice to be clean again.' They all stare at Amber with beaming smiles. 'You girls all go to my new school,' Amber says, suspiciously. 'Is this some kind of prank?' The girls stare at her blankly. Aidra asks her what her name is. Anna asks her age. When Audrey asks for her home room number, Amber cuts her off. She demands to know what is going on. Where are they and how did she get here? She starts to run around the room and bang on the walls. Ashley, who had spoken up to Aidra earlier, quickly rushes over and stops Amber. 'Be quiet,' she whispers. 'He will be here any minute. You don't want to get caught not being happy!' Amber stops dead in her tracks and stares at her. 'Who are you talking about?' She asks nervously.

CUT to Vincent's apartment. He says goodbye to his mother and the smart assistant finishes the call. Seeing that his game is ready, Vincent slips on his VR headset.

CUT to the white room, as it goes very bright and the General appears. He finds the girls all standing in a row, including Amber who lingers confused at the end of the line. Sternly, he walks past each of them and has the girls repeat their name, age, homeroom number, and what they are here to do. Amber stares at the man in shock. She knows him from somewhere. When he arrives at her, he gets right up in her face. She shrinks back. Suddenly, there is a very large beep and the General whips his head up. 'God dammit,' he curses and says 'EXIT.' The room goes bright again.

CUT to Vincent's apartment. He pulls the VR headset down and stares at his computer. An internal error has caused his servers to crash. As it beeps loudly, he powers down the computer to reboot it.

CUT to the white room. The girls stay frozen in line, waiting for the General to return. Her chest heaving, Amber realizes who the man in the uniform was. 'I know him,' she exclaims to the others. 'That's the creep who drives us to school every day. I recognize his face!' The other girls slowly turn to look at Amber. 'What school?' Anna asks. Amber starts pacing around, looking at the white room and the other girls staring blankly at her. She feels the spot on her head where Vincent had pulled her hair. She goes to Aidra and asks her to repeat her name. You're in my deep learning class,' she says. Aidra seems confused. Then she goes to Audrey. 'And I recognize you too ... we've got the same mentor.' The girl shrugs her shoulders. Amber spins around, gathering her thoughts as the pieces come together. 'This is a blank space,' she whispers to herself. 'When you create a room in virtually real, you always need to skin it. Otherwise, you just get a white room. This motherfucker has put us inside a game!' There is a long silence as the other girls look at each other. Ashley breaks the line and approaches Amber. 'Is that what this is?' she asks quietly, taking comfort in the new girl. 'I could never quite figure that part out.' Amber quickly mobilizes the girls together. 'Listen to me,' she says. 'He's probably hacked it, so that's why you don't remember. But, none of us are actually real. Ok? This is just a video game.'

The girls take in the news with varying degrees of understanding. Ashley sits down, wrapping her arms around her legs. Anna and Audrey look and touch each other. Aidra innocently tells Amber that she doesn't play video games. Feeling around the room, Amber replies that she plays them all the time. And there is always a workaround. She just needs to find it. She goes to Ashley and asks the girl to tell her exactly what happens when the General comes into the game. Not looking up, the defeated Ashley says that they wait for him. He is in charge. He comes almost every day to fuck them. One girl per day. That is the rule. We have to act like we're jealous. Amber shakes her head in disgust. 'I've read online about perverts modding this,' she says. 'That's why they discontinued it last year. Way too easy to create your own digital slaves. It's ok, though, we can break this game pretty easily if we just work together.' Anna asks her how she can be so sure they aren't real. She feels real. Audrey chimes in, saying that she likes where she is. They have a great life. Everyone is so happy. 'That's because you're programmed to be happy,' Amber says. 'No matter how rough he is, you don't feel any pain. Right?' She shakes her head. Amber slaps her hard across the face. Anna gasps but Audrey just takes it with a smile. 'That felt really good,' she says, nervously starting to laugh. Amber tells her that she rests her case. She paces the room. 'If the game only allows him to have one girl at a time, then that might just be how we break it. But, I'm going to need all of you to trust me, ok?' The girls look at each other one final time before each slowly nodding. The gather into a huddle so Amber can explain her plan ... and the camera slowly tracks to one of the white walls to wait.

The room goes very bright and the General wipes the frame. He smiles eagerly at the girls lined up in the exact same row he had left them. Sternly marching back to Amber, he asks her to repeat her name, age, homeroom, and reason she is here. In perfect fake obedience, she tells him. He tells her to get on her knees and service him. One girl only. That is an order. The other girls pout and beg to be included, as they always do, but the General silences them. Amber gets down and unzips his cock from his military pants. She grabs it and looks up at him. 'I really can't wait to suck your dick,' she says with a smile. He shoves it in her face and begins to face fuck her. For the first few minutes of the blowjob, the girls behave as they always have: begging and jealously crawling over each other to get a good look at the General's cock. He seems to really enjoy the extra enthusiasm of his latest school girl. But, suddenly, she stops and orders the girls to join in. They swarm the General and proceed to reverse gang-bang him in a sexual frenzy. BGGGGG. The General is so overwhelmed by the girls that he cannot order them to stand down. Amber eagerly tells them all to try and get the General to make them cum. As they cum, they stagger back behind the action and fall to the floor, disappearing from the game in bright flashes. Finally, the only two people left in the white room are Amber and the General. In a standoff, Amber gets the general to cum all over her face. As soon as his jizz hits her, he realizes what has happened. He starts to run around the room screaming 'EXIT' as Amber masturbates and laughs at him. She orgasms loudly as he collapses to the floor in front of her, banging his head. The room goes very bright.

SMASH CUT to VINCENT, banging his head against his desk. He pulls the VR Headset off in a panic. The tabletop screen is fuzzy. He pounds his fists and throws the headset down in frustration, storming away from the desk.

CUT to Vincent driving the bus. He stares at the road while the school girls chat excitedly in the back. Even though his virtual game has been broken, there is nothing stopping him from starting again. A final exterior shot shows the bus drive off into the distance.

THE END

GUIDANCE
SCHOOL COUNSELOR TAKES ADVANTAGE AND ROUGH FUCKS TROUBLED TEEN

SCENE opens on Jamie, a beautiful 18-year-old girl, as she sits at her kitchen table doing homework one afternoon after school. The student is copying notes from one of her text books when she hears a car pull in the drive and slam on the brakes. Panicking, she quickly gathers her things and rushes up the stairs, narrowly missing her father as he staggers inside. The mean-looking man slams the door and yells at the 'bitch' to get down and make him dinner.

CUT to Jamie, cowering in a corner of her room, as the door bursts open and her father barges in. He takes a sip from his bottle, before undoing his belt and threatening the girl to get downstairs and do as she is told.

CUT TO TITLE PLATE

Jamie walks down the street in her school uniform, clutching her books. She looks shell-shocked and spaced out, almost bumping into a passerby as she stares ahead aimlessly.

CUT to a teacher's lounge. Mr. Harris, the school's guidance counselor, is eating his lunch when one of his colleagues asks to join him. They small talk for a few minutes about work before the teacher mentions having some concerns over one of his homeroom students. Jamie is a bright, gifted girl, but something has happened to her this semester. Her once-perfect grades are slipping, and her attitude has really changed. He is worried that something might be happening at home and asks Mr. Harris if there is anything he can do to help. With college applications coming up, the guidance counselor suggests that the teacher send her in to receive some mandated counseling. It's normal for seniors this time of year and, while they are going over her post-secondary options, he will be happy to see if he can help in any other way. The teacher agrees and thanks him before excusing himself to get back to class.

TEXT PLATE: The Next Day

Mr. Harris sits in his office reading when there is a knock on the door. He quickly drops his book, reaches into his desk for some mouth wash, and gargles it into his coffee cup before straightening himself out and going to the door. Jamie is standing there meekly. She hands him a hall pass signed by her teacher and says she is supposed to see him for the college applications. Mr. Harris smiles and invites her inside, shutting the door.

Asking the girl to sit down, Mr. Harris takes a seat behind his desk and studies the girl. She is beautiful but broken, with closed body language and an anxious looking face. 'You've never come to see me before,' he begins. She shakes her head. He introduces himself and gives the girl a quick background on his role at the school. He has been a member of the faculty for two years. He has an associated degree in child psychology. He is a big believer in the importance of counseling, especially as it relates to later adolescence and the transition years between teenager to adult. He asks how old she is and Jamie, without making eye contact, tells him she just turned 18-years-old. He smiles. 'That was a certainly an interesting age,' he recalls. 'There's a lot of change happening in your life, isn't there? Does it feel like a perfect storm?' Jamie tries to change the subject. 'My teacher said you had to talk to me about college?' Mr. Harris stares at her for a moment, smiling, before snapping back to the task at hand. He asks the girl some questions about her school plans. Has she thought about what she'd like to major in and where in the country she'd like to study? Jamie seems very distraught, as she chokes out that she would really love to attend Northwestern ... but she knows she isn't going to be able to. Mr. Harris leans in and takes the girl's hand. 'You can do anything you put you mind to!' He says encouragingly. Jamie looks down at them holding hands and seems very preoccupied by it. She even rubs her finger gently across his.

Mr. Harris pulls away and moves behind her. He starts to talk about his role as a guidance counselor. 'I know you were sent in here to talk about one thing,' he begins. 'But I want you to consider this a safe space. A place where you can talk about anything.' Jamie stares down at her feet and asks if she can be dismissed. She doesn't need an application. Mr. Harris cuts her off. 'Gone are the days where a counselor like me simply sits in their office handing out applications and waiting for crisis to occur.' He says. 'I'm here to listen and help you in any way I can, be it academic, developmental or even personal.' Jamie looks up at him, her eyes welling up. From his vantage point, Mr. Harris can sneak a look down the white blouse of her uniform. He tries to avert his eyes, but the girl is very beautiful, and he can't help himself. 'Are you sure there isn't anything you would like to talk to me about?' He asks, gently putting his hand on her shoulder. This time, the girl doesn't touch him back. She just starts to cry.

'I can't go to college ... because my father came back home,' she says tearfully. Mr. Harris asks her to explain and the girl confesses that her father had recently been released from prison. Her mother had no choice but to let him back in, even though he had always been a very bad man. In the last six months, he has gambled and drank all the money they had saved for her school. Now, mom is barely home, and dad is home too much. It's getting bad. Mr. Harris hugs the girl as she confesses her family secrets. His hands slowly wander down her back and rest at the top of her school girl skirt. He closes his eyes, trying to remain professional while Jamie buries herself in his chest. 'Does your father hurt you in any way?' Mr. Harris asks nervously. Jamie nods into his chest, starting to rub her hands over the man's back as she breaks down. Mr. Harris bites his lip, looking at the closed door of his office. 'What does he do to you exactly?' he whispers. She looks up at him. 'He fucks me up,' she says, kissing the counselor.

The troubled school girl aggressively kisses her counselor, backing him up against his desk. He tries to pry her off, telling her that it isn't appropriate for him to be doing this. Finally, she slumps back into her chair. 'I'm so messed up inside,' she screams. 'I don't know what to do with myself!' Not wanting to raise suspicions, Mr. Harris hushes her and darts over to make sure his door is locked. He stutters that everything is going to be ok, he won't tell anyone what happened. She should consider him a friend. He tries to pinch himself to stop the growing bulge in his trousers. She looks at him, her mascara running. 'Are you married?' She asks. Mr. Harris nods. She puts her head in her hands. 'I'm so sorry,' she says, breaking down. 'I'm just confused.' Mr. Harris stares at her, conflicted between his attraction and his sense of duty. From his POV, we see him scan her body as she twitches in her seat looking up at him with doe-eyes. 'It's ok, Jamie.' He says, opening his arms. She goes in to hug him again and they stare at each other, their lips inches away. 'Will you tell anyone?' She asks. He shakes his head. 'Everything is confidential in this room,' he finds himself saying. She bites her lip. 'I need to feel something inside of me other than my father,' she says back. 'Can you please help me?' There is a very long silence, as the sexual tension builds between them. Finally, unable to take it anymore, Mr. Harris throws the girl down on his desk, pulling down her panties and undoing his pants. He grabs his dick and stares at Jamie's bare ass, as she turns back to him. 'Please do it,' she begs as the guidance counselor slides inside of her.

BG Rough Sex Scene. As they have sex, the broken schoolgirl demands that Mr. Harris fuck her harder and harder. Finally, he cums on her face.

Panicked by what has happened, Mr. Harris tries to wipe up the girl's face and get her back into her clothes. 'I think you should probably take the rest of the day off,' he says nervously. 'Just to give this a little space. I'll write you a permission slip. Is there anywhere safe you can go?' He starts to throw his own clothes back on and write up the slip on his desk, his hands shaking, as Jamie looks defeated again. She tells him she has nowhere to go. He suggests calling a friend. She throws down her bag and screams that she doesn't have any friends. He suggests a women's shelter again but, by this time, the girl has begun crying again. Frantically searching for ideas, he ends up suggesting she come to his house that night. 'I can tell my wife it's an emergency,' he stammers. Jamie stops crying and nods, thanking the man. He tells her to sit tight while he pulls out his phone and dials his wife, his fingers now fumbling uncontrollably. As the phone rings, he motions to the girl to keep calm. 'Hi honey...' he says, his voice breaking.

DETOUR
18-YEAR-OLD BEST FRIENDS PICKED UP AND TRICKED BY RIDESHARE DRIVER

SCENE OPENS as two 18-year-old girls, Molly and Sandra, walk out of the mall where they both work and head over to the curbside rideshare area. From inside the car, the camera watches them lean in, confirm the ride, and get into the back seat. They are being driven by a clean-cut, handsome man named Stefan, who politely greets them, confirms the pickup on his phone, and drives out of the lot.

CUT TO TITLE PLATE

Throughout their drive, the girls small talk about the stresses of life at home. Having both recently turned eighteen, they are very ready to graduate and become independent. That's why they are both working at the mall - to save up for a dream backpacking trip after school ends. Stefan listens silently, smiling to himself at their banter. At a certain point, Molly, the more outspoken of the two, asks him where he is from, given his accent. When he tells them he is from Europe, they both perk up and start asking for travel advice. That's exactly where they want to go backpacking! Stefan, who seems very worldly and sophisticated, has lots of tips on where to go and what to see from his own life experience. Both girls listen intently and exchange glances. The driver is handsome for an older guy! As they sit listening and Molly, in her awkward teenage way, tries to flirt with Stefan ... Sandra starts to notice they are not actually going towards their destination. This makes her nervous and she starts to go quiet as her best friend continues to giggle flirtatiously.

The handsome man drives them to a remote area where he stops the car. Before Sandra can say anything, he informs the girls that he's made a pit-stop at his house and invites them inside. He has something he thinks they could really use for their trip. Molly's eyes go wide, and she climbs over Sandra to get out of the car. Sandra is very reserved but follows her friend.

Stefan and Molly enter the house, with Sandra cautiously following. Inside his living room, Molly comments on all the unusual artwork and books in the man's library. There is an old-fashioned suitcase propped up on the coffee table. It looks like an antique. Stefan walks over and opens it, showing the girls what's inside. The camera does not see the contents but, instead, focuses on Molly and Sandra's reactions. Their eyes go wide. Stefan smiles, his lips curling. He offers to give them everything inside the suitcase for free if they will simply agree to do one little thing in exchange. Sandra shrinks back and asks him what he wants. He holds his smile, staring coldly through her. 'I want to take some photos of you,' he responds. Sandra shoots Molly a look. Molly smiles nervously, asking what kind of photos he wants. Stepping towards them, past the open suitcase they are still staring at, he explains that he wants to take some photos of them kissing. He picks up a camera resting on his piano. 'There is nothing to worry about,' he continues. 'I am not a creep. I just have a real appreciation for young women!'

Sandra is immediately reluctant, but Molly is transfixed by the suitcase. 'You will give us everything in that suitcase if we kiss for you?' She asks the man. He agrees. She turns to Sandra and starts trying to talk her friend into doing it. It's just a little kissing ... they've done it at parties before. Besides, he's clearly harmless. If he was a pervert, he would have done something by now. That suitcase is exactly what they need to get away from their parents and start living! Ultimately, Sandra agrees to do it for her friend.

The girls kiss for a bit while Stefan takes pictures, with Molly trying to put on a good show and Sandra remaining very awkward. Stefan seems to get off on this and zeros in on her during the photo taking. At one point, he asks Sandra if he can kiss her himself. She is super weirded out and refuses. Molly, becoming increasingly frustrated with her friend, pulls her aside again and begs her to just do it. Finally, Sandra agrees and lets the man kiss her. As he does this, he starts to hold her hands and wrap them around him. She pulls away. Stefan stops abruptly, putting his hands up. He walks back to the suitcase, closes it, tells the girls they're wasting his time, and invites them to leave.

Desperate and angry at her friend for being such a loser, Molly asks Stefan if there is anything she can do to him instead? After a long, dramatic pause, the man suggests he lick Molly's pussy, so he can get the sweet taste he craves. Not wanting to lose the opportunity, Molly agrees and goes over to the couch, pulling down the bottoms of her work uniform. The man eagerly begins to sniff and lick her, while Sandra paces around the room anxiously and tries to interject. Molly tells her to shut up and wait. Not knowing what to do, Sandra goes to a corner and tries to call her mom. Through a one-sided conversation, played out against a background of licking and sucking, the girl tries to ask her mom for a ride but ultimately chickens out. She doesn't want to rat her best friend out and the mom brushes her off. Sandra hangs up the phone, resigned, and goes back to the couch area to sit down and wait.

His face full of pussy, Stefan asks to put himself inside of Molly. Swallowing hard, the girl agrees. 'Just please be careful,' she asks, 'I've only had sex twice and I'm not on birth control.' Sandra is outraged that her friend is taking it this far and leaps up from her seat. She begs her to stop and, while getting fucked hard, Sandra tells the reluctant girl to help her out and join in. He likes her better anyway, it'll make it faster. Stefan smiles and agrees with Molly. 'I'll be very quick,' he says politely. 'You might even enjoy it!' Finally, not wanting to watch any longer, Sandra agrees and joins in to finish the deal. BGG Sex. Throughout the rest of the sex, Molly is eager to please Stefan and Sandra, resigned and spiteful of her friend's actions, tries to fuck the man as hard as she can to get him to cum. He ends up pulling out and cumming on them both.

As they dress in silence, the man locks the suitcase and hands it over. Sandra clutches it in her hands as he gives Molly the key. 'There, you both worked for it ... so, you each get half!' He says condescendingly. They can barely look at each other. The man offers to finish the rideshare and, silently, the girls follow him out the door.

Buzzed beauty Riley Nixon discovers her lover Ivy Jones doesn't want to leave town with her in search of a better life, but is there a way Riley can change her mind? Ivy is a petite teen who loves Riley but is that enough to leave everything? Riley uses sexual persuasion to win over Ivy...kissing her slowly until horniness overwhelms them as they strip each other down, already wet and ready. Riley goes first, diving between Ivy's thighs, licking and sucking Ivy's pulsing clit. She devours Ivy's box until Ivy has no choice but to cum. Ivy returns the favor with skill and ease knowing what drives her lover wild. Riley cums as her pussy throbs. They orgasm is a relief, but both girls still needs more, eating each other out and fingering each other until Ivy can do nothing but agree to spend her days in Riley's arm where ever they travel.

Beautiful, busty MILF Sofia Star wears a tight skirt with black heels. Monstrously hung Nacho Vidal welcomes her with a nasty rim job, making her whimper. Sofia's wet slit creams as Nacho fucks her from behind, and the brunette babe kisses him passionately as he hammers her cunt. Nacho's thick prick slowly penetrates her tight asshole, expanding her sphincter. Sofia sucks cock ass-to-mouth through an intimate anal pounding; she finally jerks Nacho off to an intense, cum-spurting climax.

Dana DeArmond is a fierce boss bitch and she runs a strict anal modeling agency. Dressed in a tight black dress and high heels, she demands loyalty and respect from her obedient employees. Her ASSistant, the curvy natural beauty Maddy O'Reilly know exactly how to serve her boss. She will do anything to kiss Dana's perfect ass. The new girl, petite anal newbie Vienna Black, is looking to work in the industry and needs to land this job. Her showing up late to the interview gets Dana worked up and ready to deliver a brutal punishment to her new intern. Starting with rimming, Vienna is made to use her long tongue to fuck Dana's asshole wet. Maddy then brings out the metal dildo to pop Dana's asshole right gaping open. Eager to please, Maddy is next inline for the metal dildo to show Vienna how it's done. Maddy cums hard right away from the anal fucking and it's now time for Vienna to get to work. Stuffed with a butt plug, Vienna's face is bound with a strap on dildo to fuck her new boss. Vienna has a front row view of her bosses perfect gaping asshole as she is made to fuck Dana deep. Maddy is again eager to show off and cum for her boss and she takes the first fist before both girls are stacked ass to ass ready for the bosses huge strap on cock. Both the girls get their asses rammed which causes Maddy to scream with body shaking orgasms. Looks like Dana found the perfect assistant for Maddy.