Latest 'Pussy licking' updates from Pornstar Scenes (Page 132)

UNCLE HYDE
Sleazy Uncle Deceives Niece To Get Her Alone With Him For The Weekend

Brooklyn (Laney Grey) is excited to visit her aunt and uncle for the weekend. Her Uncle Neil (Stirling Cooper) greets her, though her Aunt Sadie is nowhere to be found. Unfortunately, Neil claims that Aunt Sadie's been called away for work at the last minute. Although Brooklyn's disappointed, she still looks forward to spending the weekend with her favorite uncle, at least!

Since Neil is her favorite uncle, she easily lets her guard down around him, revealing that the reason for the visit is because she's passing through to meet a guy she's been dating online. Her parents would so not approve of this at all, but she knows Neil is cool, so she trusts him with this info...

But as Brooklyn settles down, she starts to notice odd little things with her uncle. He seems to be more touchy-feely than usual and some of the things he says are a little worrying. Although she manages to shrug most of it off, when she catches Neil spying on her through a crack in the door, she's especially unnerved.

Then she gets a text from her aunt. She's shocked to learn that her aunt hadn't been called away for work -- Uncle Neil arranged for her to be gone for the weekend instead! Now Brooklyn is alarmed, confronting Neil to find out what he's up to. Unfortunately, he soon removes his mask, revealing that he's been secretly lusting after Brooklyn and wanted her all to himself. If she doesn't want her parents to find out about the boy she's visiting, she'll have to do whatever dear Uncle Neil says.

Heartbroken and afraid to face her parents' wrath, she gives in to satisfy this side of Uncle Neil that she hopes to never see again.

BEING NEIGHBORLY
Mother Helps Her Son Seduce Wealthy Widow For Mysterious Purpose

SCENE OPENS on Selina (Dava Foxx) and her son Ray (Rion King). They stand outside a residential front door, about to ring the doorbell. Before they do, they chat with each other and briefly allude to the mysterious purpose of their visit.

They ring the doorbell and are greeted by Bridget (Natasha Nice), a downcast young woman. It is revealed that Ray and Selina are her next-door neighbors. After some subtle manipulation from Selina, Bridget invites them in.

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The trio chats over tea and it is revealed that Bridget has been widowed recently after her husband died. Ray begins to get flirty with Bridget. Much to Bridget's surprise, Selina seems to be encouraging the flirtation. Eventually, Selina makes an excuse and leaves Ray and Bridget alone, taking her purse with her.

Alone now, there is increasing sexual tension between Ray and Bridget. Appealing to Bridget's need to feel something good in her time of mourning, Ray's seduction is successful. They collide in an intense kiss as Bridget straddles Ray, sliding down between his legs and slipping his cock into her mouth.

As she bounces her head on Ray's dick, we pull out to reveal Selina, watching from the doorway, unbeknownst to Bridget. Selina smiles, pleased with what she's seeing. Ray glances back at Selina, unbeknownst to Bridget.

'Perfect' Selina mouths to Ray approvingly with an 'ok' symbol of her hand. Ray winks at Selina, who then moves away from the doorway with purpose.

Everything seems to be going exactly as planned for Ray and Selina...but what's their endgame?

HONEYMOON
Reluctant Bride Hides Dark Secret About Her Sudden Marriage

SCENE OPENS on Carly (Karla Kush) standing in front of a full-length mirror. She is holding a wedding dress to her front as she stares at herself in the mirror. Instead of looking happy, she is sullen, haunted.

Carly's friend Emma (Liv Wild) knocks on the front door, then lets herself in. She calls out to Carly but Carly doesn't acknowledge her. Emma finds Carly in the living room and is relieved. Emma is concerned about Carly's sudden changes in behavior, confused about why Carly seems to be rushing into a marriage. Despite Emma's sincere concern, Carly insists nothing is wrong.

Frustrated that she isn't getting through to her friend, Emma leaves. Carly looks lost as she stares straight ahead at the mirror again while still holding the wedding dress. SOMETHING'S clearly wrong.

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It's Carly's wedding night, but she's far from happy. Her husband, Dean (Chad Alva), enters the room and seems to delight in her being miserable, especially when she confronts him.

As they argue, it becomes clear that Carly is with Dean because he was witness to a hit-and-run where Carly was the driver. He promised to keep her secret as long as she does anything and everything he says, including marrying him.

Realizing the full scope of what her life has become, Carly is inconsolable. Dean sidles closer to her on the bed. When he reaches out to touch her hair, she pulls away as Dean tells her that that's no way to behave as a blushing bride.

This is their honeymoon, so Carly better starts acting like it...

THE BUCKET LIST
Terminally Ill Man Intimidates Best Friend As Part Of Dark Bucket List

SCENE OPENS on a bathroom counter. We are looking at multiple pill bottles. We can hear a man coughing. A hand reaches out, grabbing one of the pill bottles.

We see the owner of the hand, Gary (Codey Steele). He looks sickly as he stares at himself in the mirror. He slams the pill bottle down on the counter before he chugs water directly from the tap. He takes a deep breath. His coughing ceases.

He leaves the bathroom.

Gary looks in a drawer which contains various sinister-looking items and mementos. He adds an item then writes on a mysterious piece of paper. At that moment, we hear the front door open. From the front door, we hear a female voice call 'Gary?'

Gary looks back at all the sinister items in the drawer. He takes a deep breath, sliding the drawer closed.

'I'm in here,' Gary calls.

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The visitor, Melissa (Vanna Bardot), Gary's best friend, has come to visit him. He has a terminal disease and doesn't have much time left. Gary then reveals the reason he called her over: he has a dark bucket list and fucking Melissa is one of the items on the list.

Melissa is horrified and tries to leave, but when Gary hints to her of the other, worse things he's already done on his list, she ultimately stays and agrees to do what he wants.

Nothing's going to stop Gary from crossing this off his bucket list...

DAUGHTER ON DISPLAY
Angry Mother Makes Her Troublesome Teen Daughter Serve Dinner Guests Naked

Joan (Reagan Foxx) is tired of how bratty her teen step-daughter, Harley (Gina Valentina) is. The girl is nothing but trouble and refuses to show Joan any respect. The way Harley always dresses so... inappropriately... especially gets under Joan's skin. The girl clearly doesn't have respect for herself either as she shows up at Joan's dinner party wearing a revealing dress.

Joan's had enough. It's bad enough that Harley is disrespectful around her, but now she plans to expose herself in front of Joan's friends?? But Harley's not willing to change, showing once again how little she thinks of Joan... Fueled by rage, Joan rips the dress right off Harley's body. If her daughter is going to expose herself in front of people, she may as well go all the way!

Harley is stunned as Joan lets her guests inside. Joan parades Harley around, making her serve her hungry guests... Meanwhile, Joan's friends enjoy every moment, taking advantage of Harley however they can. They get her to bend over to pick up dropped utensils, feed them treats, and even dab off their clothes when water is spilled... Finally, the guests demand the main course: watching Joan fuck Harley.

Although she's hesitant, Harley is outnumbered. If she wants to stay out of any REAL trouble, she'll have to do exactly as her step-mother says...

NO ONE WAS SUPPOSED TO BE HERE
Terrified Maid DPed By Two Burglars Who Surprise Her During Home Invasion

SCENE OPENS on Jack (Johnny Goodluck) and Leo (Robby Echo). They are in the car looking out at a house on a residential street. Leo is nervous about what they're about to do, but Jack reassures him, stating that the door is unlocked and the family won't be home for hours. They slip ski masks over their heads and get out of the car.

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Jack and Leo cautiously approach the home and open the door, going inside. They take off their ski-masks and look around, getting a sense of the place. They are clearly there to rob the house. Thinking that they are alone, they make no effort to speak in low voices.

Just as Jack and Leo turn around to go their separate ways, they freeze, looking at something. Leo looks shocked and panicked. Jack appears shocked as well, but also a little curious, almost intrigued.

Standing in the living room is a young woman, Maggie (Candice Dare), a cleaning rag and spray bottle dropped to the floor in front of her, forgotten. She is frozen in total fear. Maggie is a maid who the men did not anticipate being home. Leo is in a panic while Jack is calm but frustrated at his partner as they try to figure out what to do with Maggie.

When Jack asks Maggie what she's doing there, since she usually only comes in later, she says that she came to the house last night and stayed over. She does this once a month to do a big clean-up.

In a desperate attempt to get herself out of this precarious situation, she offers to fuck both of them. Leo is reluctant, but after some convincing from Jack, he gets on board.

Even though no one was supposed to be there, it doesn't mean Jack and Leo can't have a little fun...

'I cannot think of the deep sea without shuddering at the nameless things that may at this very moment be crawling and floundering on its slimy bed...'
-H.P. Lovecraft

THE THING IN THE LAKE
While Investigating Unknown Phenomenon At A Lake, Scientist Encounters Enigmatic Woman

SCENE OPENS ON Rita (Bree Daniels). A scientist, she is in the field collecting samples, looking for an explanation for a mysterious phenomenon that is making the vegetation around a lake decompose from within.

Determined to get to the bottom of the situation, Rita resolves to get some more samples from an area near the lake.

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As Rita investigates further, she notices a fungus she recognizes. But there's something odd about this particular specimen. She takes a sample, but as she is putting it away, she accidentally drops some of the sample on herself which causes an instantaneous effect on Rita. She sways on her feet.

Hours later, her eyes snap open. Groggy, she rises, realizing that she's naked. She notices that a man (Lucas Frost) is sunbathing by the lake. As she watches, he, thinking no one else is around, pulls out his cock and begins to masturbate.

Rita watches, entranced. Becoming aroused herself, she begins to rub her pussy.

Suddenly, from the brush by the lake, a mysterious woman (Bella Rolland) emerges, advancing towards the man. Getting a closer look at the woman, Rita's eyes widen. The woman has gills. Wordlessly the woman bends down between the man's legs and puts his cock into her mouth. He's shocked but doesn't resist.

The woman is wild, almost feral as she attacks his cock, climbing on top and riding him. Rita watches, fixated on this spectacle as she rubs her pussy.

The woman rides his cock, animalistic and primal. As the man cums, Rita cums too, convulsing and twitching. For a terrifying moment, the woman locks eyes with Rita, smiling malevolently.

Scared, Rita hurries back to her tent and falls into a fitful doze. But little does she know that the man has been reduced to a smoldering skeleton, stripped of all his skin by the strange woman.

Meanwhile, the water bubbles and boils and from the roiling froth, the thing in the lake emerges once more, her eyes alight with dark purpose, intent on one thing: finding Rita...

FIGHT OR FLIGHT
Frightened Woman Picked Up By Stranger Has To Make A Tough Choice

Kara (Kristen Scott) is so done with her piece of junk car. As she stands beside it on the side of a deserted road, she knows she's a long way from the next gas station. With a busted car engine, there's not much else she can do but start walking and hope for the best.

It seems her prayers are answered when another vehicle approaches, but the alarms go off in her head as she spots a man (Mike Mancini) in the driver's seat. Rocco is rough around the edges and gives her a bad feeling, but she has to rely on him for help. If she doesn't accept his ride, who knows when the next car will come by?

Rocco claims to be driving her into town but Kara's worried he's not going to keep his word. As time goes on, she fears that her life may be in danger as he makes some questionable remarks. Things only get worse when breaking news plays over the radio warning the general public about an escaped criminal that matches Rocco's description.

Kara knows she has to act fast if she wants to get out of the situation unharmed. She tells Rocco to pull over and once he does, she turns on the charm, seducing him. She just has to distract him long enough to make her next move... but what will it be?

'Grief has limits, whereas apprehension has none. For we grieve only for what we know has happened, but we fear all that possibly may happen.'
- Pliny The Elder

THE NIGHT THEY CAME FOR LACY
Last Survivor Of Car Crash Is Haunted By Vengeful Ghosts

SCENE OPENS ON Lacy Lennon as she rounds a corner and enters a cemetary. She looks utterly devastated. She visits some graves, her eyes filling up with tears as she passes the headstones of Joanna Angel, Katrina Jade, and Aaron Hands.

As she says a silent prayer, we flash back to one year earlier. Lacy drives her car while her boyfriend Aaron (Small Hands) sits in the passenger seat and Lacy's friends Joanna and Katrina are in the back.

They're on their way back from a night out. The girls want to hit another local nightspot, but Aaron, annoyed with the rowdy antics of Joanna and Katrina, insists that Lacy take him home. The girls argue back that Aaron has no sense of fun as Lacy tries to convince him to come out. With the music blaring and everyone talking at once, the atmosphere in the car quickly becomes chaotic. As Lacy takes her eyes off the road for a moment, the unthinkable happens.

The car is totaled, everyone but Lacy glassy eyed, the life drained from their bodies...

Back in the present day, Lacy is at home, wracked with grief and guilt. Suddenly, disembodied ghostly whispers begin to fill her home. A candle is mysteriously blown out. Lacy tries to doze, but is roused by a terrifying sound coming from under her bed. Scared, she investigates. To her terror, she finds Aaron's necklace.

Desperate for answers, Lacy goes to the cemetery. In frustration, she throws the necklace on the ground. Suddenly, a hand reaches out from the ground, from the depths, grasping the necklace. As Lacy shrieks in terror, two more hands shoot out of the dirt and a moment later, Aaron, Katrina, and Joanna emerge from their graves.

Her friends are back, but they are now something...else, and they've come for Lacy...

FROM AFAR: A WHITNEY WRIGHT STORY
Woman Confronts Her Stalker In Unexpected Way

Jamie (Whitney Wright) is an ordinary housewife living an ordinary life. But little does she know, someone other than her husband also thinks she's extraordinary...

An obsessive man named Barry (Michael Vegas) watches Jamie from afar, collecting keepsakes when she isn't looking. Whether it's a picture or a napkin with her lipstick, each item makes him feel closer to her. After each candid encounter, he returns home to add the keepsakes to his shrine. As he gazes at all the pictures of a smiling Jamie, while her acquaintances' faces are all scratched out, Barry's hunger for her only intensifies. He MUST have her. Only one thing stands in Barry's way: her husband. However, he's about to change that...

One day, as Barry is watching Jamie through a window, he reaches his snapping point as her husband prepares for a romantic night. BARRY is the one that's supposed to be romancing Jamie -- not THIS tool. Tonight's the night that he's going to make Jamie HIS... Fortunately, once he's inside the house, taking out the husband is pretty easy. Now NOTHING is standing in the way...

When Barry steps into the bedroom, Jamie is dressed in sexy lingerie with a sheer robe. He knows the lingerie is meant for her husband but he has fun imagining that she's wearing it for HIM alone. But when Jamie sees him standing in the doorway, she's not afraid of him... In fact, as she lets her sheer robe drop to the floor, she tells Barry that she's been waiting for this day to come...

'Whosoever is delighted in solitude is either a wild beast or a god'
-Francis Bacon

WITHIN
Women At Isolated Cabin Are Stalked By Mysterious Hermit

SCENE OPENS on a close-up of a leaf, crisp and perfect. We slowly pan up to reveal a slightly disheveled looking man (Michael Vegas), his back turned to us. He holds a rabbit, which he has clearly just caught. He looks around, scanning the area. The woods are utterly silent. As he looks around, a gust of wind moves the trees. Satisfied that his scan has yielded nothing, he walks away.

We follow him as he walks through the woods, finally arriving at a makeshift camp. Tarps are strung over poles in a haphazardly manner. An old fire lingers in front.

As he begins to prepare the rabbit, he is suddenly roused when he senses something. Following his senses, he walks back through the woods until he comes upon a nearby cabin.

Hidden in the brush, he watches as a car pulls up and two women get out, Luna (Emily Willis) and Gwen (Emma Hix). They are here for a weekend getaway that Luna booked. Gwen is nervous because she's not used to the isolation of the country.

As they are about to enter the house, Gwen seems to sense something. She turns around and looks back at the woods. The trees blow in the wind, but she sees nothing.

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A short time later, the girls are sunning themselves on the dock. They chat about their new friendship, discussing the fact that Gwen has recently gotten out of a relationship. Luna planned the weekend away as a destresser for Gwen.

The girls apply suntan lotion to each other, their hands rubbing their glistening bodies as the man watches, unbeknownst to them.

Later that night, the girls watch a movie as the man peers in from outside through a window. Soon, the weather turns stormy and the power goes out. As lightning periodically illuminates the darkened cabin, Luna reveals that she is sensing a subtle romantic vibe from Gwen. After some initial reluctance from Gwen, since she has never been with a woman before, they share a tender moment and kiss.

They have sex, with Luna patiently leading the shy and inexperienced Gwen through her first lesbian experience. As they fuck, lightning continues to flash.

Midway through the sex, the girls are lost in each other, both of their eyes closed. Lightning flashes. In that split second, we see that the man stands directly over them. The room is then plunged back into darkness.

The man has something special planned for the girls, but not everything is as it seems..

I DID IT FOR YOU
Brother Returns Home From Jail Changed After Taking The Fall For His Sister

As Eric (Chad White) steps out of a car, he marvels over the warmth of the sun on his face for what feels like the first time in forever. Everything about the day makes him feel so ALIVE as he stands before Tanya (Casey Calvert)'s house. He's impressed by her home and how well she's done for herself... because of HIS sacrifice.

Eric's over the moon when his step-sister greets him, although he doesn't seem to notice that she's not as excited as he is. As they catch up, it becomes more and more apparent that Tanya doesn't want him around, which crushes Eric. How could he get anything less than a hero's welcome home after everything he DID for her?? Tanya insists that he makes her uncomfortable... that jail CHANGED him.

Of COURSE it changed him, does she think being incarcerated is a walk in the park? But the more they argue, the more he feels Tanya slipping away from him. For so many years, all he thought about was returning home to Tanya... and enjoying the touch of the woman he loves most. Now THAT'S about to be taken away from him, too?

Afraid of losing Tanya, Eric starts guilting her for just ONE NIGHT with her. Surely after everything, that's the LEAST she can do? If HE hadn't stepped up, SHE'D have been the one in jail, not him. She OWES him that much, at least!

Although Tanya eyes him with contempt, it seems as though the guilt of letting an innocent man take the fall finally plays in Eric's favor. As she tentatively invites Eric to start undressing her, Eric is thrilled...

But will one night really be enough?

A HOUSEWIFE SCORNED
Jilted Housewife Confronts Cheating Husband's Unsuspecting Mistress

SCENE OPENS on real estate agent Aubrey (Brandi Love) on the phone with her husband, Winston. She chats with him, mentioning that she just got done with her clients for the day. Property owners can be so exhausting, but she's looking forward to spending the evening with him.

Aubrey is disappointed and frustrated when her husband tells her that he'll be running late because of a meeting. She angrily hangs up.

A moment later, she receives a call from her real estate friend that she's seen Aubrey's husband with another woman. Shocked and shaken, Aubrey uses her laptop and finds her husband's mistress, Mia, who is a stay-at-home mommy blogger. Aubrey goes through a whirlwind of emotion as she learns the details of her husband's betrayal, finally deciding to go confront Mia.

Rage simmering in her eyes, Aubrey rushes out of the house.

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Some time later, Aubrey arrives at Mia's home. Approaching the house, Aubrey sees an open toolbox and grabs a wrench from it. At that moment, Mia (Valentina Nappi) opens the door. Mistaking Aubrey for the plumber that she called earlier, Mia invites Aubrey in.

Mia just made a huge mistake, because this housewife scorned will do whatever it takes to ruin her perfect little life...

THE REAL ME
Teen Meets Online Crush For First Time And He Isn't Who He Claimed To Be

SCENE OPENS on Kelly (Gia Derza). She is in her kitchen when she hears the 'ding' of a message being received on her laptop. She looks at the screen curiously. Someone named Brent, who found her through a dating site, has messaged her. Despite some initial skepticism, she feels an early, shared connection with him when he mentions that, just like her, he's 18 and his father died when he was young. She smiles to herself, excited about the new guy in her life.

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Over the next few weeks, Kelly and Brent bond. Soon, Kelly is falling hard for her online crush and Brent seemingly reciprocates her feelings.

A few days later, Kelly, nervously debates whether or not to take nude photos for Brent. Deciding that she trusts him, she takes the photos and sends them to him.

A week later, Kelly nervously gets ready to meet Brent for the first time. She chats with her friend Janice on the phone and talk turns to one of their teachers, a creepy man named Mr. Hughes who seems to have a weird attitude about sex.

Later that night, Kelly arrives at Brent's house to meet him. Kelly goes into the house tentatively. Brent? She calls softly. A male voice says 'Hi, Kelly.' Kelly turns toward the voice and her eyes widen in shock. Standing there is an older, meek-looking man (Dick Chibbles).

'Brent' is not who he seems, and when Kelly finds out what he has planned for her, she'll NEVER be the same...

POWER PLAY
Cutthroat Woman Outsmarts Co-Worker When He Confronts Her About Office Misdeeds

SCENE OPENS ON Madison (Eliza Ibarra). She is in her kitchen, making a smoothie. She pours fruit juice over the ice cubes in the blender. Her moves are very graceful and purposeful. She is about to turn the blender on when her doorbell rings. She looks as if she's not expecting anyone. She wipes her hands on a nearby hand-towel and leaves to go answer the door.

Madison answers the door and greets her colleague Jordan (Lucas Frost). She invites him in and leads him to the kitchen. As Madison makes her smoothie, Jordan reveals why he's come to see Madison, accusing her of engineering the departure of various co-workers through shady means to further her career. He asks her what she's willing to offer him in exchange for his silence.

Madison smiles thinly, not a hint of worry showing on her face. She turns on the blender. The ice is loudly crushed into oblivion.

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Madison implies that she has dirt on Jordan too. Jordan thinks she's bluffing, but Madison gives Jordan concrete examples of his various misdeeds. Jordan laughs humorlessly, shaking his head. He looks at Madison with something almost approaching admiration.

Madison feels that she has a kindred spirit in Jordan and suggests that they fuck. Jordan laughs in an effort to appear incredulous, but it's obvious that he's interested. 'Not a chance,'' he says.

'Oh please, you can't tell me our little 'confrontation' didn't feel more like foreplay than fighting? What exactly did you think I was gonna offer you for your silence? Money? Neither of us needs it. THIS is what you came here for,' she retorts.

'FINE, hope you can handle me,' Jordan says.

'Bring it on,' Madison responds, flashing a wicked grin.

Jordan may think he knows what's in store for him, but he has no idea what Madison is REALLY capable of...

SACRILEGIOUS: AN IVY LEBELLE STORY
Teen Takes Revenge On Faculty Of Oppressive And Abusive School

Molly (Ivy Lebelle) is a regular teenager being raised in an ultra-conservative home. Unfortunately for her, being a regular teenager doing regular teenager things is considered sinful by her cold parents. To help get their daughter back on the right path, Molly's parents dump her on the steps of a school run by a man named Jeremiah (Dick Chibbles). Jeremiah claims that he'll help Molly see the light but Molly has a bad feeling about him...

For months, Molly plays by their rules as Jeremiah and a woman named Miss Solomon try to drill into her how much of a sinner she is. While she tells them what they want to hear, she is fuming inside. One day, a student named Nick (Seth Gamble) slips her a secret note in passing. The note is simple, telling Molly that he thinks she's hot, but it's enough to get Molly through the long days and give her hope... until Jeremiah later goes through her room and finds the note.

She's once again punished, locked away in a closet to atone for her sins. Instead of making her remorseful, the solitary confinement only makes her angrier. One day, she gets a lucky break and is able to escape. Instead of making a run for it, though, she heads straight to Nick. There's something they need to do first...

MOTHER'S PRIZED MARE
Overbearing Mother Arranges For Stranger To Impregnate Her Daughter

SCENE OPENS to Mona (Christie Stevens) talking on the phone. She looks pleased with herself as she screens the man on the other end, asking questions for her breeding project. It seems like the man has exactly what she needs to impregnate her dear Millie, so she makes arrangements for them to meet that afternoon. It's all done in a formal manner as if it's the most normal thing in the world. As soon as Mona hangs up, she smiles and calls for her step-daughter, Millie (Natalie Knight).

Mona finds Millie in her bedroom and begins to prepare her for the meeting. Everything has to be perfect for this arrangement...Millie HAS to expand the family in a way that Mona herself can't. Although Millie is hesitant to fulfill her duty, Mona continues coaxing her, manipulating her. Millie MUST give her a child. Doesn't Millie want to honor her late father by passing on his genes?

When Rowan (Stirling Cooper) arrives at the house a short time later, Mona scrutinizes him in person. She'll only accept the best stud for her daughter, and, fortunately for them, he passes the initial test. However, when it comes time for the breeding to begin, Millie is too nervous. Thankfully for her, Mona is willing to do whatever it takes to make sure Millie takes a nice creampie...

NICE GIRLS FINISH LAST
Bully Corrupts Victim's Father Into Fucking Her & Bullying His Own Daughter

SCENE OPENS on Dave Wilkins (Charles Dera). He is washing dishes when his daughter Libby (Laney Grey) bursts through the front door, distraught and crying. She drops her knapsack and runs right to him, throwing herself into his arms. Almost on the verge of panic, Libby frantically tells Dave that a bully was terrorizing her at school today.

Dave is supportive and sympathetic and asks her if it's the same bully that's always on her case. Libby confirms it is, a girl named Katrina. Dave has one of his fists clenched in anger as he tells his daughter not to worry, he'll take care of it.

Later that day, Dave's front doorbell rings. He takes a deep, steadying breath before he opens the door. Standing there is Katrina (Jane Wilde), looking confident and mildly inconvenienced. They regard each other for a moment. Dave looks at her sternly. 'You must be Katrina,' he says. She looks at him another moment before her lips curl into a mean smile.

'I am... it's so nice to FINALLY meet you, Mr. Wilkins.'

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Dave warns Katrina to stop bullying Libby, but Katrina begins to manipulate Dave, drawing his attention to the fact that Lilly plays the victim and is constantly craving attention. Katrina's words seem to be getting to Dave, particularly when she brings up the fact that Lilly wants to dominate HIS attention.

Katrina then makes her move and tries to seduce Dave. He is reluctant, but when Katrina encourages him to do something for himself for once and not for Libby, Dave can resist no longer. He goes in for a hungry kiss. Katrina slides down to her knees and takes Dave's cock out of his pants, spitting on it as she takes it down her throat.

Libby's in for a RUDE awakening when she comes home...

Story inspired by an original submission by Pure Taboo member, foobarnick!

AUNT'S HOSPITALITY: A RILEY REYES STORY

Aunt Threatens To Kick Nephew Out Of House Unless He Fucks Her

SCENE OPENS on Rita (Riley Reyes), who is in her living room when her doorbell rings. She is puzzled, and says aloud to herself that she isn't expecting anyone. She answers the door. Standing there is a young man (Lucas Frost), looking forlorn and soaked with sweat, carrying a knapsack. Um...Aunt Rita? He asks tentatively. Oliver? Rita asks in disbelief. 'Is that really you?! I haven't seen you since your 14th birthday, and that was...at least 5 years ago,' Rita says. She invites him inside, mentioning how sweltering it is outside.

He sits down on the couch. He is very shy and cagey about why he's shown up. With some encouragement from Rita, he eventually admits that he moved to town on a whim with his girlfriend. But almost immediately after they moved, she cheated on him and kicked him out of her apartment. He doesn't have a job and doesn't know anyone here, except for Aunt Rita. He finishes embarrassed saying that he used all his savings for the move and doesn't even have any money. With nowhere else to go, Rita offers to let him stay with her. Oliver gets up to give her a grateful hug and accepts her offer with relief.

Rita pulls away from the hug and with fake concern remarks that he's soaked with sweat, poor thing! She insists on putting his clothes in the dryer. As he takes off his shirt, he thanks her again for letting him stay there, adding that she should let him know what he can do to pay her back. He'll do anything. Aunt Rita looks at his shirtless body. She licks her lips as a predatory look comes over her. 'I'm sure I'll think of something,' she says with a wicked smile.

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Later that day, Aunt Rita purposefully barges in on him as he gets out of the shower, flaunting her naked body for him.

A few days later, Oliver and Rita are playing cards. They're laughing and joking together as they play crazy 8s. They make small talk and eventually Rita says that she's getting a little bored with the game they're playing. Maybe they should play something a little more...adult. After Oliver warily asks her what she means, she suggests with a mischievous wink that she's talking about strip poker. He can't tell if she's joking, saying with a nervous laugh that that probably isn't the kind of game and a guy and his aunt should play, even if she's only his aunt by technicality.

Hmm, ok, Rita smiles. How about this then---they'll each draw a card and whoever draws the high card gets to ask the other a question and they HAVE to answer with the truth? Rita suggests. Oliver is a little hesitant, but perhaps in his eagerness to play something other than strip poker, agrees. They draw cards. Rita gets the higher card. 'Do you want to fuck me, Oliver?' Rita asks. Oliver is shocked. What?! N-NO, of course not! He stammers. Rita moves her hand to Oliver's leg but he swats it back He pulls away and springs up, stuttering an excuse that he's really tired and needs to get some rest, hastily leaving the room.

The next day, Rita approaches Oliver, who sits on the couch. She says hello, sitting down next to him. She is nonchalant, and he acts polite, but he is clearly uncomfortable around her now and subtly moves away from her on the couch. Rita moves closer to him on the couch, delicately saying that she's sorry if things got a little weird last night. She didn't mean to come on so strong...they can just take things slow, she says suggestively, laying a hand on his leg. He pulls away from her again, insisting that they're not going to take things ANYWHERE.

She was afraid of this, Rita says with fake sadness. Well, if they can't...get along, unfortunately he can't stay there anymore, Rita says. W-what?? He has nowhere else to go! Rita says that she understands, and that he CAN stay, but he'll have to give her what she wants. Oliver is shocked at what she's suggesting. 'Just be a good boy and give Auntie Rita what she wants, and you can stay here as long as you need,' Rita says. 'Ok...OK, fine...I'll...I'll stay,' Oliver says. She grins, unbuckling his pants and slipping her hand around his already-hard cock.

Oliver's learning that there's always a price to be paid for his Aunt Rita's hospitality.

An original story from Pure Taboo's own model, Riley Reyes!

Nominated - Best Sex Scene -- All-Girl: Abigail Mac & Kenzie Reeves, XBIZ 2020

RESISTING ARREST
Angry Cop Vents Frustrations On Teen Vandal With Rough Sex

Officer Sonia Kapelli (Abigail Mac) is sitting in her car watching the wretched world go by when she gets a call from a dispatcher about a vandalism in progress. When she answers the call, she sees the troublemaking teen, Zoe Willis (Kenzie Reeves), adding the finishing touches to her graffiti masterpiece.

Zoe is alarmed when a cop car suddenly starts speeding down the alleyway where she's working. She drops her spray can and legs it, hoping to outrun the long arm of the law. But as the sirens scream and engine revs, Zoe doesn't like her chances.

OPENING CREDITS

By some stroke of luck, Zoe's able to duck around a corner and lose the pursuing officer. She rushes into a nearby warehouse, relieved to have dodged that bullet. After she takes a few moments to catch her breath, she removes another spray can from her satchel, ready to continue her mission.

'I wouldn't do that if I were you.'

Zoe freezes in her tracks, slowly turning around as Officer Kapelli approaches. She oozes authority, which triggers that rebellious side of Zoe to flare. She tries to run but stops when Officer Kapelli orders her to freeze. She's compliant when Officer Kapelli pats her down to check for any weapons but becomes suspicious when Officer Kapelli starts manhandling her. Zoe knows the cop is rougher than she should be and protests, but the protests fall on deaf ears.

Zoe becomes cockier, angrier, as she challenges Officer Kapelli while being handcuffed with her hands behind her back. What is she being arrested for? Vandalism and trespassing, when REAL criminals are on the streets? THESE words seem to be what makes Officer Kapelli see red. What does Zoe know about how the world REALLY works?

Zoe doesn't stop. She's under the cop's skin now and pushes even further... until she makes one harsh comment too many.

As Officer Kapelli's expression darkens and her eyes become predatory, Zoe knows her luck's finally run out.

DAUGHTER CAUGHT STRIPPING
Father Slut-Shames Daughter After Catching Her Stripping

SCENE OPENS on Belle (Athena Faris) a young woman in an oversized men's coat, who storms into her house angrily. Joseph (Derrick Pierce) stalks just as angrily in after her. 'I CAN'T believe you fucking DID that to me, Dad!' she exclaims as she turns on him, beside herself with anger. 'What is your PROBLEM? What were YOU even doing there, huh?! Now I DEFINITELY lost my job after this, I can't go back after you HUMILIATED me in there! I NEEDED that job, Dad! I'm 21 now -- you had NO RIGHT to treat me like that! You ruined my LIFE! Why--' Joseph breaks his silence as he turns to her and explodes with rage. 'No DAUGHTER OF MINE is going to be a FUCKING STRIPPER!'

TITLE PLATE

'You're such a fucking hypocrite! YOU went there to jerk off to girls your DAUGHTER'S age, and somehow I'M the one who's in trouble?!' Belle exclaims. 'Watch your mouth, I'm your step-father, so why don't you show me some damn respect!' Joseph booms. 'Oh, like you're showing ME respect right now?!' Belle challenges.

'What did I tell you about talking back?' Joseph barks, ignoring her words. 'And just what am I supposed to tell your mother, hm?' Belle retaliates by threatening to tell her mom about Joseph being at the club, though that would be admitting that she's a stripper. No, he gloats, she's not going to say anything, and he doesn't have to either. 'So, what do you say? Tit for tat?' he adds, his eyes falling towards her chest. 'Fine, whatever, I won't say anything... I-I'm going to bed now,' Belle says, anxious as she turns to hurry away. Yet, as she does, Joseph grabs her arm -- not in an overly aggressive way, but enough to stop her.

'I want my coat back,' he states. Belle eyes him, but hurries to take the coat off after pushing his hand away. 'No, SLOWER...' he interjects, looking hungry. 'Oh, my god... What the actual fuck?' Belle gasps as it dawns on her that Joseph wants her to strip for him. 'You don't think I'm going to let you off THAT easy, do you, Belle? Since you're so eager to lay it all out at the club, you may as well do it here... or do you only show your TRUE colors when there's a tip in it for you?'

No way, Belle exclaims. Joseph decides to play up another angle now, saying that she mustn't make much as a stripper. She defensively says that she does well enough. 'Well enough to live out there on your own instead of leeching off me? Because, like you said, you're 21... I don't HAVE to be your guardian anymore.'

Belle looks more anxious now. She still eyes him with contempt, then reluctantly takes a sexy stance and slowly removes the thick jacket. 'Okay, I'll do it, but you're still a fucking piece of trash.' She reveals her sexy stripper outfit beneath, which leaves little to the imagination. As she casts aside the coat, Joseph is hooked, hungrily gazing over her tight body. He moves to the couch and sits down.

Belle is disgusted with herself, then closes her eyes to take a steadying breath. 'Just think of him as any other customer,' she says quietly to herself, then opens her eyes. She begins to dance. When she steps in closer and Joseph reaches up to touch her, she smacks his hand away before he makes contact. 'That's taking it too far,' she protests. He says that he'll just have to break Mom's heart when she gets home from work, then.

Something seems to dawn on Belle at that moment. 'You're not going to let this go unless I fuck you, are you?' she snaps. He pushes aside her hair and kisses the back of her neck with a twisted smile, saying, 'Exactly.' She shudders, reluctantly but clearly saying, okay, she'll do it. 'Just think of him as any other customer...' she quietly reminds herself again before rising off his lap to go down on his cock.

Joseph has only just begun to slut-shame his stripper daughter...

Story inspired by an original submission by Pure Taboo member, NightOwl61a!

QUID PRO QUO
Teacher Entices Lesbian Student Into Seducing His Daughter While He Watches

SCENE OPENS on Mr. Jennings (Steve Holmes), who answers his door. Michelle (Naomi Swann) stands there. She looks nervous and reluctant. Ah, Michelle! Mr. Jennings says with a pleasant smile. Come in, please, he says. Michelle enters the house wordlessly. 'SO glad you're here. I can't TELL you how much I appreciate you coming!' Mr. Jennings says brightly. 'Well... it's not like you gave me much of a choice,' Michelle says, an edge of contempt in her voice. 'Oh come on now Michelle, I'm only your TEACHER. I can't control what you do! You're 18, you make your OWN decisions,' Mr. Jennings says. 'Although a decision that you made...a BAD one, I might add, is really what brought you here today.' Mr. Jennings says. 'WELL! In any case, it is lucky for you, then, that we've figured out a way for you to make up for that bad decision,' he continues, in a very stern-teacher way. 'So! What do you say we get my beautiful daughter down here? I just can't WAIT for you to meet her!' Mr. Jennings says. Holly! Mr. Jennings calls.

After a moment, Holly (Emily Willis) comes into the living room. Hi! She must be Michelle? Holly says enthusiastically. Yeah...hi, Michelle says, smiling. Ready to get started? Holly asks. Um, yeah, sure, and...and thanks again for doing this, Michelle says. 'Yeah of course! Dad's never asked me to tutor one of his students before, so I hope I do ok!' Holly says with a little chuckle, taking a seat next to Michelle at the table. 'Oh, I'm sure you'll do GREAT honey,' Mr. Jennings says in a sickly-sweet tone. Thanks, Dad, Holly says happily. Mr. Jennings is about to walk out of the room but turns back. 'And be good, you two!' he says seemingly jokingly. 'Don't worry about us, Dad,' Holly laughs. 'Oh I'm not worried. In fact, I think the two of you are going to get along...JUST FINE,' he says with a smile, but a hint of something darker, something...unknown lurks under his grin.

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As Holly shows Michelle something on a shared paper, circling something with a pen, she pauses and looks up at Michelle. So...what's it like having him as a teacher? Holly asks, sincerely curious. 'Your dad? Well, he's um, he's...' Michelle says, seemingly unsure of how to answer as she glances at the room's entranceway. We don't see what she's looking at. Actually he's her STEP-dad, Holly clarifies. Oh...she didn't know that, Michelle says. Yeah, he married her mom a few years back, Holly responds. 'I'm 18 now, so I guess it was about...3 years ago?' Holly muses aloud. Oh ok, that's cool, Michelle says noncommittally. But, her mom died last year, so...now it's just the two of them, Holly says, a hint of sadness in her voice. Oh, she's...she's so sorry, Michelle says sincerely. That's ok, Holly says, snapping back to her bubbly self. So? What IS he like as a teacher? Holly presses. Um...Michelle says, fidgeting nervously. She glances again at the room's entranceway warily, but Holly doesn't seem to notice the look. We now see what Michelle is looking at: Mr. Jennings, who is spying into the room, unbeknownst to his daughter. When Michelle glances at him, they lock eyes and he gives her a glare through gritted teeth. He's...he's really nice, Michelle says finally. Holly laughs. 'Don't worry, you can say it,' Holly says. S-say what? Michelle asks cautiously. That he's a goof, Holly laughs. With all his corny sayings and cheesy jokes, Holly says. Oh...yeah, Michelle says, giving a phony laugh and glancing again at the living room entranceway. Aware that Mr. Jennings is watching, Michelle becomes slightly flirty with Holly. Mr. Jennings watches impatiently.

Michelle begins to seduce Holly as Mr. Jennings watches with increasing pleasure. The seduction is successful and Michelle leans in to kiss Holly. Holly returns her kiss tentatively, but as she gets swept up and lost in the moment, Holly kisses Michelle back with increasing passion. From the room's entranceway, we see Mr. Jennings. His eyes are lit up as he watches, licking his lips.

Swept up in the moment, the girls makeout increases in intensity as Mr. Jennings watches, fondling himself over his pants. Realizing she got carried away, Holly stops the makeout and rushes out of the room in embarrassment, running into her father. Holly realizes that he saw the whole thing. To her shock, Mr. Jennings reveals that he caught Michelle dealing on school property and she agreed to seduce Holly in exchange for his silence.

Holly is disgusted, but not wanting Michelle's life to be ruined, agrees to continue. Holly and Michelle begin to kiss again, tentatively and nervously. No...he's seen THIS already, let's move this along, Mr. Jennings says impatiently. 'Take off her clothes...and do it SLOWLY,' Mr. Jennings says to Michelle. Angry and disgusted, Michelle starts to take off Holly's clothes. Holly continues to be nervous, but Michelle tries to calm her down, leading her through the humiliating experience. Michelle begins to eat Holly's pussy. Holly seems ashamed that her dad is watching, but can't help but enjoy it. After a while, Mr. Jennings says 'now it's YOUR turn, sweetie,' and directs Holly to eat Michelle's pussy.

Mr. Jennings wanted to watch, but soon enough, WATCHING'S not going to be enough.

SINS OF THE FATHER
Virgin Teen Discovers Terrifying Secret In Family Attic

SCENE OPENS on a closed door in a hallway. A moment later, Jillian (Lexi Lore) opens the door and turns off the bathroom light as she comes into the hallway. The house is completely quiet as she softly walks down the hallway back to her room. Suddenly, from somewhere off-screen we hear a soft tapping. TAP. TAP. Jillian stops, looking behind her towards the source of the noise. The tapping continues, getting increasingly louder. Suddenly the tapping turns into a loud THUMP. Jillian jumps. Fear crosses her face, but she has now discerned where the noise is coming from: the attic. She moves toward the attic. Suddenly the house is oppressively silent. The quiet seems to squeeze the air out of her as she approaches the attic door.

As Jillian's hand reaches up to grasp the cord that hangs from the attic door, she seems to be holding her breath. But suddenly, a dark figure standing in the hall startles her. She yelps in terror, moving away from the figure. But then...her shoulders sag with relief when she sees who it is: her father, Stan.

When she theorizes that the attic is haunted by the ghosts of her father's first wife and unborn child, who both died in childbirth, Stan dismisses her concerns harshly. 'I mean, GHOSTS?! Jesus Christ, you're 18 YEARS OLD! GROW UP, for god's sake! I'm your GODDAMN father, so why don't you start LISTENING to me and LEAVE IT ALONE,' he continues, shaking his head in apparent disappointment. She recoils in the face of his outburst, looking shocked and puzzled, as if his words have made her look at something in a new light. O-ok dad, Jillian stammers, thoroughly rattled. She turns to go back to her bedroom. 'And Jillian? DON'T tell your mother about this. I don't want you putting any of these ridiculous ideas in her head. You KNOW how confused she gets,' Stan adds. Jillian silently nods. She reaches her bedroom door, opening it. Before she goes back in, she looks back into the hall, her gaze fixed on the attic door.

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The next day, Jillian's curiosity gets the better of her and she goes up into the attic. She looks around the room, her eyes wide with surprise and fear. The attic is cluttered and spooky, but out in the most open area she sees a sort of nest of old ratty sheets, next to a rusty old bucket. Her dread mounting, she looks around. Suddenly, as her eyes sweep over the surroundings, she squints. What IS that? She peers closer. Her eyes widen and she reels backward, terrified. She puts her hand over her mouth, her eyes filling up with horrified tears. In the corner, crouched like a rat, is a filthy, disheveled looking young man (Michael Vegas). He wears a pair of underwear only and gazes back at her, at first with a mixture of fear and confusion.

'A-are you---who are---?' she stammers, at a loss. The boy's eyes betray almost no understanding. How long has he---?, she asks, trailing off as she glances again at the mattress and bucket. He looks back at her in fear and her eyes soften with sympathy. 'Who...who did this to you?' she asks him slowly, as if speaking to a child. Something changes in his eyes. 'NOT MY SON! NOT MY SON!' the boy growls, repeating something that has been said to him in the past. Confused, she tries to probe for information. 'Not WHOSE son?! What are you trying to tell me?! Did someone SAY that to you??' she asks him gently. 'SON OF A CHEATING WHORE!' the boy says frantically. Someone was a cheater?? Who is he TALKING about??, Jillian asks. 'NOT my blood! NOT MY BLOOD!' the boy growls again. Realization slowly dawns on Jillian's face.

This beast-like man is about to unleash all of his primal sexual energy on Jillian, but not before she uncovers the terrifying truth about him...and the truth of the sin that her father is so desperate to hide.

Winner - Best Actress -- Taboo-Themed Release: Alina Lopez, XBIZ 2020

Nominated - Best Actor - Featurette: Dick Chibbles, AVN 2020

Nominated - Best Actress - Featurette: Alina Lopez, AVN 2020

Nominated - Best Featurette, AVN 2020

Nominated - Taboo-Themed Release of the Year, XBIZ 2020

Nominated - Best Actor -- Taboo-Themed Release: Dick Chibbles, XBIZ 2020

Nominated - Best Sex Scene -- Taboo-Themed: Alina Lopez & Dick Chibbles, XBIZ 2020

BISHOP'S INTERVIEW: AN ALINA LOPEZ STORY
Corrupt Bishop Manipulates 18 Year Old Girl Into Sex

Alicia (Alina Lopez) is nervously fidgeting, sitting in a pew with the congregation. A sacrament tray is passed towards her, which is the source of her stress right now. She takes the tray, and hesitates, looking down at it. She knows she SHOULD take a sacrament but she can't. Not after she...

Alicia bites her lip then passes the tray onward, hoping that no one's seen that she rejected the sacrament. However, when she looks up to where Bishop Bond (Dick Chibbles) sits, their eyes meet. Alicia's stomach churns as the Bishop smiles.

When the service ends, Alicia is eager to get out of there but is stopped by the Bishop. Her anxiety spikes when he tells her he wants to see her, although she breathes a sigh of relief when he adds that he wants to discuss her recommendation letter to BYU. She shakily agrees to the meeting and soon finds herself in the Bishop's office.

Although she thinks she's there to get the letter of recommendation from the Bishop, it quickly becomes apparent that he knows that Alicia's recently sinned. He confronts her about her purity, uncovering that Alicia lost her virginity to her boyfriend. Unfortunately for Alicia, the Bishop won't be able to write that letter of recommendation after all. However, if Alicia agrees to have sex with HIM, he can cleanse her of her sins...

NEEDING DADDY'S SEED
Daughter Begs Step-Father For Creampie To Get Her Pregnant

SCENE OPENS to Peter (John Strong) masturbating to daddy/daughter porn on his laptop. He's quite into it, entranced by the nature of the relationship and sensual acts on the screen, though he's interrupted by his own step-daughter, Mary (Kenna James), knocking at the door. He quickly closes the laptop and hides the tissues, then allows her into the room, where it's revealed she has something important to tell him.

Peter is attentive as she thanks him for being a wonderful step-father. Although he's done his best to give her a happy life, she still feels like something is missing. It still doesn't feel like they're a REAL family...

Although Peter is at a bit of a loss, he tells her that he'd be happy to adopt her to make everything more real. But she insists that that's not what she needs... No, she wants to start a real family with Peter... She wants him to get her pregnant!

Peter is stunned, insisting that he absolutely can't get her pregnant! She's his daughter! Yet, Mary is quick to remind him that she's his step-daughter... She further hacks away at his resolve by stating that she knows he lusts for her. She knows he watches videos of family roleplay. Here's the chance to live out the fantasy! Even if she doesn't get pregnant, they can have fun trying!

Unable to deny his desires any further, Peter gives in. As he watches his daughter eagerly go down on him, he knows there's no turning back...

Nominated - Best Actress - Featurette: Joanna Angel, AVN 2020

MAID OF HONOR
Bride's Vindictive Sister Sabotages Her Wedding

SCENE OPENS on Jane Wilde. She's talking on the phone to her step-sister Joanna Angel. Jane's very grateful and appreciative that Joanna's letting her move in with her - she's tried being independent by moving out with her boyfriend after she turned 18 but things with her boyfriend are a bit rocky right now and she doesn't want to be around him. And since Jane is Joanna's maid of honor for Joanna's upcoming wedding, Jane will be able to help out with the wedding in any way she can. Jane ends the call, telling Joanna that she'll see her soon.

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Jane arrives at Joanna's house, hugging her sister happily as she puts down her bags. Jane reminds Joanna that she's here to help with the wedding too. Jane even suggests that Joanna gives her her phone so that Joanna can just completely relax and Jane will take care of everything. Joanna mentions that she downloaded a wedding planning app. Joanna's hesitant to hand-off the planning of her big day, but Jane eventually convinces her and she gives Jane her phone, telling her that the planning is up to her now. Relieved that she can finally relax, Joanna tells Jane that she and her fiancee are going to go on one last date as boyfriend and girlfriend.

As Joanna enjoys her date with her fiancee Aaron (Small Hands), Jane uses Joanna's phone, giggling maliciously as she pretends to be Joanna, canceling the wedding cake. When Joanna and Aaron return from the date, Jane greets Aaron, telling him how excited she is that she's planning the wedding. Aaron is far from excited though, and is suspicious of Jane's real motives. Joanna tries to convince Aaron that he's worrying for nothing. After all, what's the worst that could happen?

The next morning, Aaron is sipping on a cup of coffee in the kitchen when Jane approaches him, hopping up onto the counter next to him. She flirts with him shamelessly. Aaron tries to get her to stop, but Jane keeps going, telling Aaron that when he's kissing his new bride, he'll be thinking about fucking HER. Aaron retorts that he and Jane were only together for ONE night, and it was a huge mistake...something that will NEVER happen again. Joanna walks in, interrupting them and mentions that she needs to go pick up her wedding dress, but Jane volunteers to do it for her.

But unbeknownst to Joanna, Jane doesn't just pick up the dress, but rips it to shreds, laughing maniacally as she does it.

Later, Aaron drives Jane and Joanna to the wedding venue. When Joanna dozes off in the backseat, Jane flirts with Aaron again, flashing him her perky titties as he drives. She tries to convince Aaron to fuck her one last time before he's a married man. As they pull up to the venue, Aaron's resistance finally crumbles and he kisses Jane intensely. Hurrying inside to get at each other, they leave Joanna dozing in the car.

It isn't long before Joanna's eyes flutter open. Groggy, she finds herself alone in the car and grabs her phone from the front seat. As she scrolls through it, she's shocked and anguished by what she sees. The cake...canceled. Dozens of missed calls. The wedding...ruined. Joanna screams with rage.

Joanna stalks angrily toward the reception hall, where Jane is sucking Aaron's dick hungrily. Unbeknownst to them both, Joanna sees them through a window. Rather than confront them, in her shock and despair she leaves the room in a hurry and rushes outside into the wedding reception area, where decorations and tables and chairs are all set up to celebrate her impending marriage which has just gone up in flames.

The sight of the reception fills her with a dark rage, and she begins screaming and tossing the tables and chairs, and destroying decorations.

Finally, the reception area is trashed but Joanna is still seething and panting. She looks back towards the door and seems to have a thought. With a scary determination, she pushes open the door and heads back inside.

Joanna confronts them both - Aaron tries to apologize but Jane tells him to save his breath, he chose her over Joanna and Joanna is just going to have to deal with it. Vanity and rivalry consume the two sisters and they almost start to ignore Aaron as they start to cat-fight for his affections and for superiority of who's the 'better sister'. Aaron seems somewhat helpless as they fight over his dick.

They're BOTH going to fuck him, and by the time it's over, he's going to have to choose who he REALLY wants to be with--his heartbroken bride-to-be...or her wicked maid of honor.

Nominated - Best Girl/Girl Sex Scene: Emily Willis & Gianna Dior, AVN 2020

NERD'S BREAKING POINT
Nerd Has Rough Sex With Sadistic Bully As Payback For Years Of Humiliation

Delores (Emily Willis), a nerdy high schooler is approached by her longtime bully, Nikki (Gianna Dior). Delores freezes, obviously terrified. A shadow falls across her back as Nikki steps up behind her. 'God, how have I put UP with your UGLY-ass face since we were 13---for FIVE whole years now?! I mean, I hate EVERYTHING about you. Even those dollar-bin glasses,' Nikki says, grabbing the glasses from Delores' face and smashing them on the ground. Nikki walks away laughing. Delores stands there for another moment, shaking, her fists clenched with anger. Suddenly Delores' fury boils over and she finally let's go, unleashing an ear-splitting scream of rage.

OPENING CREDITS

A few days later, Delores sits in the driver's seat of her car. Her glasses are taped up. The door is open and she sits half outside with her feet on the pavement. She seems expectant, glancing up often as if she is waiting for something to happen. Finally, she seems to see what she's been waiting for and reaches over to the passenger seat, grabbing a bottle of clear liquid. She glances up again and as if she has received a cue, she takes off the bottle cap and begins to slowly bring the bottle to her lips, as if she is about to sip on it. Before it reaches her lips, we hear Nikki, from off-screen: 'What the FUCK?!' Nikki approaches Delores. 'About to go on a little afternoon BENDER, Clitoris?!' Nikki asks. Doing exactly what she expected Nikki to do, the bully steals the bottle and takes a swig. 'What the hell!? This isn't BOOZE! Whatever it is, it tastes AWFUL!' Nikki says, puzzled.

Sometime later, Nikki's eyes flutter open. Groggy, she slowly and laboriously sits up. She looks around, confused, wondering aloud to herself where she is. She sees that she is in a wooded, outdoor area. Nikki looks down at herself, discovering that she is in her bra and panties. She glances around and sees that Delores is squatting down to be level with Nikki.

Delores is holding a lead pipe. Delores begins to lightly tap the lead pipe on her hand. There is something unsettling and threatening about this gesture.

Delores gives Nikki an ultimatum: Nikki will do whatever Delores tells her to do. If she doesn't, Delores will send compromising photos of Nikki to Nikki's father. Nikki begrudgingly agrees.

Delores has reached her breaking point, and Nikki's going to be sorry that she ever messed with her...

Nominated - Best Three-Way Sex Scene -- B/B/G: Abigail Mac, Seth Gamble & Jake Adams, AVN 2020

THE CASTING
Struggling Actress Coerced Into Sex Audition By Creepy Director

Scene opens on Amy (Abigail Mac), a young waitress, as she waits by a bus stop at the end of a long shift. Still dressed in her work uniform, she rifles through her purse to find some change for the bus when her phone rings. It's her agent on the other end of the line, calling to inform the struggling actress that she received an invitation to audition for a new mainstream project -- a lead role in a pilot. Amy is ecstatic and surprised. It's the first audition she's ever had... The agent tells her that he received the invitation from the director himself, eager to meet Amy after seeing her demo reel. Eager to accept, she tells the agent to set up a time and she'll be there. 'Do you think you could make it to Los Verdes by 5pm?' The agent asks. Amy looks down at herself. 'As long as they don't mind my work uniform,' she jokes. The agent tells her he'll set it up and send the address. Amy puts the phone back in her purse and sits quietly for a moment, before jumping up and down in excitement at the bus stop.

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Inside a staged living room, several crew members finish setting up lights and preparing their cameras. A small bespectacled man, the director (Jake Adams), comes on to the set and barks orders at several of them. Despite his slight stature, he commands a presence and the crew work obediently under him. He walks over to a separate area, where a makeup artist is finishing up with the male lead (Seth Gamble)'s hair. 'Tony Romeo,' the director says, clasping the man's hand. 'Do I have a fun audition for you today!' The actor flashes a toothy grin. 'Like last time?' he asks. The director smirks at him, adjusting his glasses, before telling the makeup artist to wrap it up. The actress will be here any moment. And he wants a closed set.

Outside the building, Amy paces by the door. It is already after 5pm and she doesn't want to make a bad impression. A PA lets her in, paging the director on his walkie-talkie. Amy steps inside to view the set. It looks so professional ... like a real living room! She nervously sits down on the couch when the director storms in. With a strong handshake, he introduces himself. 'I'm Steven Rothschild, welcome to my set!' Amy recognizes the name instantly. Rothschild is one of cable's most successful showrunners. 'You're the guy behind Red, White, and Bad!' she exclaims. 'That's one of the best shows on television right now!'

Tony struts into the room. 'OR ever!' he says, jokingly sliding into their conversation. Amy looks doubly starstruck. Tony Romeo is the hottest young actor in Hollywood right now. 'Oh my god, Tony Romeo. Are you in this?' He smiles, looking at the director. 'Are you kidding? Stevie wrote this for me!' He clasps his director friend on the back before sitting down on the couch. The director puts his arm around Amy and tells her that Tony is going to be helping read lines for her audition today. Is she ready to get started? Amy nods, then asks if he got her portfolio the agent sent over. Steven looks her up and down. 'Don't worry, I've seen everything I need to see about you already,' he says with a smile before turning to tell the crew to leave the room. This is a closed audition.

The director sits down beside Tony and asks Amy to stand before them. He asks her age, height, weight and then to spin around for him. Amy looks a little confused. 'Do we have a script?' she asks. The director smiles and repeats his request, with Tony chiming in. 'Stevie likes to freestyle his auditions,' he adds. 'Starting off with how you look!' Amy slowly turns around, trying to keep her composure. She feels awkward. The director likes what he sees and pays several compliments to Amy's physique. 'You look like you take very good care of yourself,' he says, jotting down a note. 'Have you done a lot of physical roles in the past?' Amy feels even more awkward. 'Um ... I work out,' she replies.

The two men look at each other and nod, before Tony gets up and walks over beside her. The director compliments how good they look together. 'Now, that's an attractive cast!' he remarks. Tony comes in close to Amy and puts his arm around her. He smells great and is very handsome. Amy blushes at the thought of him touching her. 'Thanks,' she squeaks. 'Now, are you sure you don't want me to read anything in specific?'

The director stands up and walks over to them, scoping them out. 'Are you comfortable with romantic roles?' he asks Amy. Amy nods. 'Good,' the director continues. 'Because this new project is a love story and it's going to feature several very intimate scenes.' The camera lingers on Amy's face, as she tries to remain confident and professional despite her unease. Tony playfully teases her by saying not to worry, he brushed his teeth. 'I'm sure that won't be a problem,' she replies quietly.

The director goes on to explain that there is one pivotal scene in the project that involves nudity. It is very important that she feels comfortable with being nude on camera. Amy's smile wavers. 'Um ... ok, I guess,' she replies. The director's tone changes sharply. 'Well, are you ok with being nude on camera or not?' he barks. Tony releases his grip and looks at her. Feeling cornered, Amy nods nervously. 'Yes, of course. I'm an actress,' she says. The director relaxes. 'Great,' he says, clasping his hands together. 'So, let's see you out of these clothes then. I want to make sure you don't have any tattoos or blemishes that would take away from the innocence of your character.'

Amy stares at the men in shock, before slowly looking across the room. It is empty. The crew have left. She is completely alone. 'I don't have any tattoos,' she whispers. The director crosses his arms and motions again for her to undress. 'He just wants to make sure,' Tony adds reassuringly. There is a long pause before Amy slowly begins to remove her work uniform. She strips down to her bra and panties. 'See, no tattoos,' she says, eager to redress. The director stops her. 'Let me take a good look,' he says scanning her body. 'Please remove your undergarments.' Amy wraps her arms around her chest. 'I don't think that's necessary, do you?' she asks. Tony chimes in again, joking that she might have something hidden under there. They just need to take a quick look. It's not a big deal. 'You are an actress, right?' he says, his joking attitude turning serious. Feeling intimidated, Amy nods and slowly slips off the rest of her clothing.

She stands before the two men fully nude and vulnerable. They exchange knowing looks before the director compliments her body again, saying how lovely she looks and what great shape she is in. She is a natural born star. Amy fakes a smile. 'Thank you,' she says. 'Shall I get dressed now?' The director says sure and goes back to sit on the couch when Tony interjects. 'Wait, wait, wait!' he says enthusiastically. 'Stevie, I have a great idea! Since we are all here and there is such a good vibe going on, why don't we just rehearse that scene you told us about to see what the chemistry is like? You can work out the angles you'd like for when we actually film it!' The director smiles. 'That is a FANTASTIC idea!' he replies as Amy covers herself up and the director leaves the room to grab his camera.

Tony starts to remove his clothing, staring intently at the nervous woman. 'You should really relax,' he says coldly. 'Stevie hates difficult women!' He pulls down his pants to reveal his semi-erect cock, as she turns away embarrassed. The director returns with his camera and begins to guide them into position. 'I imagine that this scene starts with a long, intimate kiss,' he says. 'Standing just about where you are now. When you're ready, please begin.' He kneels to get a nice low angle look at Amy as Tony closes in on her. 'Are you ready, beautiful?' he says, inches from her lips. Looking down at his cock on her thigh, she closes her eyes and says 'ok.'

The director yells action and Tony kisses her. She nervously kisses him back, not sure what to do with her hands, but the leading man grabs them and wraps them around his muscular frame. 'Closer,' the director whispers eagerly. 'More passionate!' Throughout the awkward make out session, the director moves around the couple to view his various angles. When he is not satisfied with something, he sharply asks Amy to bend and contort herself. The requests become increasingly exploitative and she tries to protest but both men remind her that this is an audition and she shouldn't break character. 'If you do what the director asks, you will get the part,' Tony whispers aggressively in her ear. 'So, don't be a diva about it!' She feels horribly conflicted but doesn't want to lose the role of a lifetime so, mustering up her courage, she tries her best to do everything the director says, no matter how invasive. She ends up spread eagle on the couch for both men to see, as the director sticks his lens right up to to her pussy and breathes heavily. 'This will make a perfect transition,' he mutters to himself as he hands his camera to Tony.

'Tony, I want your character to begin the sex scene with oral first, followed by penetration,' he says, matter-of-factly as he undoes his zipper. 'But, it needs to feel authentic, so let me show you how I'd like you to do it first.' Tony nods, pointing the camera. Amy looks at the director. 'I'm sorry ... What?!' she stammers. Looking at her coldly, the director arches an eyebrow. 'You don't have any issue with me showing him, right? I like to get into the minds of my characters through roleplay. It's just my style.' She closes her legs and starts to get up. 'I don't think I feel comfortable with that, I'm sorry.' She rushes over to her clothes and starts to gather them on the ground when she hears the men laughing behind her. Angry, she stands up and turns around. 'What is so funny?' She asks, her anger welling up alongside her anxiety. The men stop snickering and face her. 'You chicks are all the same,' Tony says. 'You take an opportunity and you ruin it with your attitude! Nobody wants to work with a bitch like that.'

Amy tries to defend herself. She doesn't have an issue with nudity or even a sex scene, she just wished she'd be informed. 'I thoroughly explained this all to your agent,' the director adds. 'He assured me that you were professional and experienced.' Amy walks back over to them, pleading. 'I am,' she says, exasperated. 'And I want this role, I really do! I just wasn't expecting this much pressure!'

Tony puts his arm around her and slowly pushes her back down on the couch. 'Look, I'm sorry if I offended you, I just hate it when actors aren't respectful on set. It's my biggest pet peeve ... right, Stevie?' The director nods, pulling his dick out. 'Nobody is here to pressure you sweetheart,' he says. 'We just want to make sure we create the most authentic scene possible!' She stares at the penis in his hands, her lips quivering. 'So, are you willing to continue?' he says. 'Because I've got girls lined up if you don't think you're strong enough for this role!' Amy closes her eyes. This isn't what she expected. But, if she doesn't do it, she won't get the role. Slowly, she spreads her legs wide again and stares at him. 'Yes,' she says quietly.

COCK-SLUT CONDITIONING
Manipulative Boyfriend Conditions Teen To Fuck Him In Front Of Her Parents

A young teen, Kaylee (Carolina Sweets), is getting ready to go out. Her parents, Leo (Derrick Pierce) and Diana (Chanel Preston), seem wary and uncomfortable as Kaylee excitedly announces that she's going out with Chad. It's their three-month anniversary and she thinks he has something special planned. Leo seems to be at a breaking point as he shakes his head. 'No, I'm not going to sit idly by anymore while our baby girl dates that piece of shit! Kaylee, what the HELL are you doing?'

'You've been on my case about Chad ever since we got together! Why can't you be happy for us??' Kaylee demands of both of them. Diana tells Kaylee that they're just worried about her. Chad is older after all, and they're worried he's been a bad influence on her. 'We're in LOVE, why can't you see that? He's THE ONE!' Kaylee responds.

'You're only 18, there's no way he's 'the one' for you!' Leo says angrily. 'Daddy, I'm not your baby girl anymore. You gotta let me go,' Kaylee sneers. Both Leo and Diana are stunned, though they don't get a chance to respond before there's a knock on the door.

Diana and Leo watch as Kaylee bounces to the door and opens it, revealing Chad (Dean Van Damme). 'Hey, cutie!' Chad greets, as he grabs and hauls her in for a smooch, which is filthy and shameless. Kaylee melts into the kiss, not ashamed of acting this way in front of her parents. Leo confronts Chad, stepping forward with anger. 'It's bad enough you're dating my daughter, but to behave like this under our roof...!'

'Daddy! Leave him alone,' Kaylee speaks up. Leo barks that a guy like Chad only has one thing on his mind...

Chad retaliates and insults Leo, which results in a physical altercation between them. Kaylee, blinded by her infatuation, takes Chad's side. Chad grins and puts an arm around Kaylee as he opens the door, telling her to come with him. Leo and Diana call for her to come back but their words fall on deaf ears. Kaylee heads out the door. 'I'm gonna make you both so sorry you did that, just you wait... ' Chad says smugly as he grins sinisterly and ducks out the door, leaving Leo and Diana stunned.

TITLE PLATE

Three weeks have passed since Kaylee's left home. Leo and Diana are looking at updates on Kaylee's social media when they hear the front door open. They rush to the door and discover Kaylee, distraught. She tearfully admits that they were right to be suspicious of Chad all along.

'Did he hurt you?? Did he keep you there against your will?' Leo demands. 'No! No, of course not dad, no, it's not like there was anything stopping me, but it took me so long to work up the courage... But tonight, he went to play a gig at some dive bar, so I... left. I just... opened that door and didn't look back, and... here I am. God, it's all a blur,' Kaylee says. Leo is furious and wants to get the police involved, but Kaylee convinces him not to.

Later that evening, the family tries to relax and recover. There is a knock on the door. Everyone is instantly tense. Finally, we hear Chad on the other side, saying, 'Kaylee? It's me, come on, I just want to talk!' Leo aggressively confronts Chad at the front door, though Chad insists that he's just there to talk to her. Leo doesn't want to let him in, but does so when Kaylee convinces him to.

Chad moves inside to the living room, claiming that he was worried about Kaylee and just wanted to see WHY she'd run off. 'You KNOW why!' Kaylee exclaims. 'You're not who I thought you were! You- you-' she starts, but is too ashamed to continue on in the presence of her parents.

'Chad, look what you DID to her!' Diana utters as she tries to comfort Kaylee.

Now Chad's expression gets darker as he grins. 'Did to her? Hah. I turned her into a nice little cock slut, that's what I did to her,' he announces, much to the horror of everyone there.

'Is this some kind of sick GAME to you?' Kaylee tearfully gasps.

'Oh, sweet Kaylee, so naive. You were always so eager to please, so it really wasn't hard to condition you.'

'Condition me? What are you talking about?!' Kaylee asks, confused and disgusted.

'You don't remember?' Chad teases. 'Well of course you don't, I conditioned you not to.'

'Kaylee, what the hell is he saying?' Leo asks her. 'I don't know, Dad!! I don't know what he's talking about!?'

'You're upsetting her, just leave us alone!' Diana frets. Chad ignores her and continues. 'Sweet Kaylee... I have you wrapped around my little finger -- or my big cock, rather. Even though you hate me now, I can have you over here on your knees in a heartbeat. All you need is the trigger.'

'You're DELUSIONAL! You didn't-... I never-' Kaylee protests almost in tears. 'Delusional? See for yourself!' Chad says with a smirk as he whips out his cock.

As Leo and Diana look on horrified, Kaylee becomes inexplicably hungry for sex. As if a switch has been flipped, she shamelessly sucks Chad's cock in front of her parents. 'I'm his good little cock-slut,' Kaylee says happily, not hesitating to take his cock and lick it, lavishing it with attention.

Her parents are disgusted and confused, yelling some more, but when they try to grab her shoulder to drag her away from Chad, Kaylee shrugs them off and hungrily goes back to giving Chad head.

Chad brags about how easy Kaylee was to condition for sex. He encourages her parents to stay and watch them have sex to humilate everyone there. At a complete loss but also wanting to be there for their daughter, they very reluctantly sit nearby.

Leo hugs Diana close, putting her head to his shoulder, their faces grimacing in agony as they watch their sweet daughter become the greedy little cock-slut that Chad conditioned her to be...

While Jane Wilde is sleeping in the nude, Kyle Mason sets up a Valentine's Day surprise for her. When the rose petals, a nice card, and a box of chocolates are all in place, it's time to wake Jane up. Kyle does just that by sitting on the bed and stroking lightly down Jane's back. She turns over onto her belly, inviting him to climb on top of her and give her a deep kiss before he distracts her with his surprise.Jane is all smiles after seeing the effort Kyle has made to be romantic. She becomes even more sensual, purring like a kitten as Kyle turns her over and gives her the second half of her Valentine's treat. Taking his time, Kyle worships every inch of Jane's body from her breasts to her already-dripping twat. Dipping his head low, he begins licking at Jane's clit until his girlfriend throws her head back in sensual delight.Taking Jane's raised legs as an invitation, Kyle leans back from his oral explorations and gets to his knees. Using one hand, he guides his hardon into her sweet heat. Jane's moan of contentment is the first of many as Kyle begins moving his hips in a rhythm as old as time. Slipping her hand low, Jane caresses her own clit to work her pleasure to the breaking point for her first climax of the morning.As Jane's pussy pulses, she rolls onto her belly so that Kyle can change up the angle of penetration. Shoving himself back inside, Kyle keeps the good times rolling for Jane, whose eyes roll back in her head at the pure bliss of his penetration. Grabbing both of Jane's hands and bringing them back to anchor her as he fucks, Kyle leaves her trembling with the force of another orgasm.Now it's Jane's turn to take the lead, and she does so by pushing Kyle onto the bed so that she can climb on top of his fuck stick and start going for a stiffie ride. She starts out a little bit tentative, but soon enough Jane is rocking her hips like an expert as her hands slip back to hold her ass cheeks apart. Arching her back and throwing her head backwards, Jane lets herself come undone in a final, fully satisfying finish.Since Kyle has done so much for her, Jane can only do whatever it takes to return the favor. She climbs off his erection and then crawls back towards him until she can use her hands and mouth to keep Kyle's pleasure train going. Stroking and sucking, she brings him to the moment of his final pop, which hits her in the face to cover her in her in boyfriend's love.

CAN'T SAY NO
Woman Cheats With Ex While On The Phone With Current Boyfriend

SCENE OPENS with Mandy (Casey Calvert) on her way to her ex's house. She's in her car and on the phone with her current boyfriend, Todd, who isn't too keen on her going to her ex's just to get an old sweater. He knows the history and chemistry they have, and is afraid that the ex might tempt Casey...

Casey tries to assure Todd that everything is going to be fine! He trusts her, right? He can even call her in 20 minutes to give her an easy out. Todd promises that he will. If she doesn't pick up, he will charge over there to rescue her. Casey thanks him for his concern, then hangs up to focus on the task at hand...

When she arrives, her ex, Luke (Donny Sins), answers the door. He's as handsome as ever and her attraction to him makes itself instantly known. Although she loves Todd, Luke has raw, sexual appeal that's impossible to ignore. She tries to remind herself that she's just there for her sweater, but even Luke sees through her pathetic attempts.

They both know she's there to fuck. For everything that they got wrong in their relationship, the one thing they got right was that they knew how to fuck.

Casey's unable to resist Luke as he lays on the charm. As she loses herself in a whirlwind of passion, her phone rings...

WRONG WAY: A LOLA FAE STORY
Escort Finds Comfort From Her Tragic Past In The Arms Of A Smitten Client

SCENE OPENS to Annie (Lola Fae) at a bar when a young man, Bradley (Seth Gamble) approaches her. Her eyes light up at the sight of him since Bradley is a sweet guy that she enjoys spending time with. He seems to be really smitten with her, wanting to spoil her rotten and take care of her...

But right now, he can't keep his hands off her, so they steal away to the bathroom to have some fun.

After their romp, she goes with Bradley, even though she knows she probably shouldn't. Once they arrive at his motel room, Bradley is contented to coddle her, especially once she starts to look distracted. When he asks her about it, she hesitates before regaling him with a story of how much of a nightmare her family is. Her father and step-brothers are just so cruel... It's because of them that she does whatever she has to to make ends meet.

Bradley can't stand to hear the horrors Annie's been through. If she'll let him, he'll take care of her forever. Hell, if she wants, he'll go and take care of her family, too, if she catches his drift...

Annie lights up at the promise of safety and security, though insists that Bradley keep her family out of this. No, why don't they run away together instead? Get away from all this? For Bradley, such a thing is a dream come true, and they seal the deal by passionately coming together once again.

Yet, is everything really as it seems?