Latest 'Pussy Licking' updates from Pornstar Scenes (Page 186)

Mackenzie Moss in 'You Remind Me Of Me'

Mackenzie Moss - You Remind Me Of Me

YOU REMIND ME OF ME
Coach Lures Teen Cheerleader Into Sex With Her And Her Husband

SCENE OPENS on Heather (Cory Chase) welcoming Kelly (Mackenzie Moss) into her home. Kelly seems excited, even a little starstruck to be there. Heather, a well-known former cheerleader, is Kelly's cheerleading coach. She has taken a special interest in Kelly and has invited Kelly there for a last-minute pep talk before an upcoming competition.

Looking at old photos of Heather taken when Heather was 18, the same age Kelly is, they remark how much Kelly looks like Heather when she was younger. This segues into them chatting about the upcoming competition. Heather offers advice to Kelly about being an effective leader and dealing with the pressure of the competition.

At that moment, Heather's husband Donald (Stirling Cooper) wanders in, seemingly by accident. He remarks on how much they look alike and conversation turns to Heather's old uniform, which she gets up to go get.

CUT TO TITLE

As they chat, Heather seems to get an idea: Kelly should put on Heather's old uniform for some fun and innocent photos. Kelly agrees but is shocked when they ask her to change in front of them. Despite her reluctance and growing disquiet, Kelly changes into the cheerleader outfit in front of Donald and Heather as they leer at her.

Donald and Heather take some photos as the atmosphere becomes even creepier. Soon, Heather and Donald reveal their plan: to have a threesome with Kelly. She refuses, but when Heather threatens to kick her off the squad, Kelly ultimately agrees. 'F-Fine, I'll do it,' Kelly says.

This conniving couple will do ANYTHING to get what they want...

Maddy O'Reilly in 'The Rectal Exam'

Maddy O'Reilly - The Rectal Exam

THE RECTAL EXAM
Family doctor exploits favorite patient into anal sex exam

SCENE opens with the camera focused tightly on the exposed back of a woman with a stethoscope pressed against her skin. The camera travels as the doctor's hand slowly moves the stethoscope lower down the patient's back, which elicits a light gasp and giggle from the patient without us ever seeing her face. She exclaims that the metal is a bit cold. A close-up of just the doctor's mouth, biting his lip nervously, shows us that the exposed skin and flirty noises of his patient are distracting him. 'Sorry,' Dr. Sumner says with a bit of a dorky laugh, 'just one more deep breath please?' We watch her exposed back rise and fall slowly as she breathes deep, and Dr. Sumner stares at her mesmerized. 'Gooood,' he exclaims softly. Catching himself staring, he clears his throat and lifts the stethoscope off her back. As he turns back to stand across from his patient, we see she is a strikingly beautiful woman, Yvette. In fact, Dr. Sumner finds he has trouble taking his eyes off of her as he speaks. 'Well, your breathing checks out, blood pressure is normal, and your vaccinations are all up to date... was there anything else that's been worrying you that you wanted me to look into?' Yvette looks uncomfortable as she tries to broach the subject. Actually, yes, there was something else that's been bothering her recently, but it's a bit uncomfortable to talk about. Dr. Sumner assures her that no topic is off limits, especially not for his favorite patient, and Yvette gets a bit more relaxed. Well, she elaborates, she's been feeling some discomfort in her... well, her you know, ('butthole' she mutters hurriedly), ever since she tried anal sex for the first time with her boyfriend a couple of days ago.

Dr. Sumner is visibly taken aback, and he stutters over a response as he fidgets with his coat and tie. Yvette looks let down, she had hoped that Dr. Sumner would react more professionally than this, but he apologizes - it's simply because he's been treating her and her family since she was a little girl, sometimes he forgets she's a 22 year old woman now. But she's right, there's nothing to be ashamed of, what two consenting adults do in the privacy of their homes is not any of his business. He remarks that it's not uncommon for anal virgins to experience some pain and discomfort afterwards, and that the pain should subside after a day or two as long as she was careful, they went slowly, and used plenty of lubricant. Yvette, however, doesn't seem to have been put at ease - she's read about anal fissures and tearing and the like. Isn't he even going to take a look to make sure it isn't something more serious? Dr. Sumner starts to say that it's not necessary since her level of pain doesn't seem too severe, but then he cuts himself off. Actually, yes, she's absolutely right, he should perform a thorough examination. Just to be safe. So if she can just please lift up her dress, remove her underwear, and bend over the table...

CUT TO TITLE PLATE

CUT back to just a few seconds after, only now in a male gaze perspective from behind Yvette as we stare straight onward at her bent over ass. Her pussy and butthole are on full display as she waits patiently for her doctor to take a look. He kneels down close, placing one firm hand on each cheek to spread them wider, and stares transfixed for several seconds.

'Um... doctor?' Yvette asks timidly. 'Is everything ok back there?' Dr. Sumner snaps out of his reverie and stutters that yes, he's just making a preliminary visual inspection before he runs more extensive tests. He periodically spreads her ass cheeks wide to provide the camera with ample close-up shots of her winking hole - this goes on for almost a minute, though the doctor is now more conscious to make it seem like a proper inspection by adding authoritative sounds like 'mm-hmm', 'ok', 'so far so good', etc. to keep Yvette feeling assured.

'Well, at first glance everything seems in order, but I'll of course have to palpate the inside of your rectum next, so you should brace yourself for some mild discomfort.' 'Palpate?' Yvette asks nervously, but Dr. Sumner explains that palpate just means examining by touch. It's just a clinical way of saying he'll be inserting his finger. With lubricant, of course. He asks her to remain in position while he dons his medical gloves - as he does this, we see that unbeknownst to Yvette, the doctor's attention remains fixated on her ass on display. He smears some lubricant onto his index and middle fingers, and then gets back into position behind her.

He reminds her that as he said, she might feel some slight discomfort - and then makes a bad joke about how he's sure it will be nothing compared to how it must have felt with her boyfriend sticking it in the other night. Yvette laughs nervously, not because it was funny but to make things less awkward. The doctor sticks one gloved finger in slowly, asking Yvette to describe the sensations as he does so. She describes the initial pressure, a dull ache as his finger goes deeper in, and then finally a yelp of surprise when he sticks the finger all the way in, though it quickly subsides, and she remarks that she doesn't notice much pain now that he's all the way in. He remarks that he's going to keep his finger there for a few moments, and suggests she takes a few deep breaths. He places his other hand on her ass cheek again and spreads it idly as they wait.

Dr. Sumner begins to ask Yvette questions about her first anal experience. Though as he asks his questions, Dr. Sumner coyly pulls his finger in and out, pretending it's part of the process. Did she use lube? (Yes.) Did she work her way up to the night in question by using any smaller toys to start? When Yvette says no, the doctor suggests that if she wants to continue having anal sex she should consider it, in fact he's read about women who wear butt plugs for hours at a time to stretch themselves out, even in public. Yvette blushes and says there's no way she could be bold enough for something like that. Dr. Sumner changes the subject and asks if Yvette's boyfriend fingered her first to ease her into it, and she confesses no, he didn't. Dr. Sumner explains that that may be why she's experiencing some pain now, and that it's generally better to start slow and work her way up to bigger objects. As he says this, he tells her he'll be putting in a second finger to test her elasticity. The second finger is clearly more difficult for Yvette to handle than just the one, but he eases her into it with a sense of relish.

After he satisfies himself with having fit two fingers into her hole and wiggling them around to make her squirm a bit, Dr. Sumner pulls his fingers out gently and then tells her that while things seem normal inside, he would like to get a final deeper visual inspection using a speculum. He lays Yvette on her side on the table, ass peeking out towards him, and he pulls out a rectal speculum from a nearby drawer. He inserts it carefully and uses it to expand her asshole slightly wider. Yvette remarks that the sensation is very uncomfortable, but the doctor remarks that the sensation should pass and that he promises it's absolutely necessary. However, he is clearly enjoying himself, even inserting his finger into the opening of the speculum to tease and toy with the rim of her hole. He tells Yvette that she's lucky that a 'complete amateur' like her boyfriend didn't injure her, and that they should really take better precautions next time. Yvette, slightly weirded out, remarks that Dr. Sumner really seems to know a lot about anal sex. Like, a lot.

At this, Dr. Sumner gets very embarrassed. He takes the speculum out of Yvette and removes his hands from her, putting them between his legs sheepishly. He was just offering her some advice, that's all. Yvette asks where he even gets all this advice from, she's sure it's not stuff he learned at medical school. Dr. Sumner tries to evade the question, but Yvette coaxes him - he's been a friend of the family for years now and he's helped her through some very tough times, she won't judge him. Dr. Sumner bashfully answers that he watches a lot of anal porn. Yvette grins, it's almost cute how nervous the doctor looks. She asks Dr. Sumner if he's ever had anal sex and he admits that he hasn't but has always wanted to. Yvette gets bolder, she bets that he must get awfully tempted sometimes with all the pretty girls he must have to look at as part of his job. In fact, he's always said she's his favorite patient, is that because he likes her or is it just because he's always wanted to fuck her? Dr. Sumner stumbles over his words and Yvette takes advantage of this to coax him further. He's right that her boyfriend is a complete amateur. In fact, having anal sex with him hurt like hell. But she bets that if a real man showed her how to do it, a man who's completely obsessed with anal sex, he'd know how to do it right. She reaches for his crotch and he pulls back, it would be unethical. She gets up off the table and approaches him seductively, insisting that no other patient of his is ever going to go along with something like this, this is a once in a lifetime chance and he'd be an idiot to turn it down. She wants it, he wants it. What could be more ethical than that? She leans in for a kiss and he hungrily kisses back, his hands going straight to gripping her ass cheeks tightly as they embrace.

Elsa Jean in 'Sister Trap'

Elsa Jean - Sister Trap

SISTER TRAP
BROTHER TRICKS STEP-SISTER INTO WATCHING HIM MASTURBATE

SCENE opens on a cute timid 18-year-old teen in skimpy pajamas, Paige, waiting outside the bathroom door with a towel draped over her shoulder. 'Come on, Chase, I'm going to be late for school,' she implores and knocks on the door again. No answer for a few more seconds. She goes to knock again but as she does the door swings open and her hand continues through the open door to rap on the bare chest of her step-brother Chase. He's dripping wet and holding his towel over his waist with one hand. 'Woah, easy there girl,' he teases, taking her wrist in his hand and gently lifting it off his chest. He doesn't let go right away - Paige must wriggle a bit to free her hand from his grip, clearly a bit annoyed, while Chase laughs it off. 'Bathroom's all yours, li'l step-sis' Chase says, but even though Paige waits for him to move he doesn't step out of the way. After a few seconds she grunts angrily and tries to slink past him, but he shifts his body to block her further. 'Ugh, Chase, quit it!' she says in rustration. He mocks her further - 'Come on, you're a big girl, just turned 18, you're telling me you're still too much of a pipsqueak to push your big brother around?' Paige tries to push past him again and he blocks her way again. Even though her hand doesn't touch his towel, Chase pretends it gets knocked out of his hand and it drops to the floor - he's sporting a huge hard-on. 'Whoops! Look what you did, klutz,' he grins, and doesn't make any effort to move or pick up the towel. 'Well? Aren't you gonna pick it up?' he says. She exhales sharply and bends over to pick it up - upon standing back up, Chase moves slightly so that his dick brushes against her face. 'Ew, Chase!' she whines, and he laughs and wiggles his hips causing his hard-on to wave in the air teasingly. She shoves him more angrily out of the doorway and barges into the bathroom, slamming the door on him. Seconds later, she opens the door and throws his towel in his face, then slams the door again.

CUT TO TITLE PLATE

It's another day, and Paige is spread out on her bed, lying on her stomach with her legs kicking idly in the air in time to music on her headphones. She's doing homework, chewing on her eraser as she thinks. We hear the muffled sounds of talking drowned out by the music, and suddenly a pair of fingers in Paige's face start snapping, startling her. She looks up, sees Chase, and takes off her headphones. Chase is standing in a tee-shirt and boxers, looking pissed off. 'Paige, are you deaf? I was talking to you, moron.' Paige is clearly bothered, but tries to hide it, and asks what he wants. He tells her he's having a girl over. She asks why he's telling her, she doesn't care. He says it's so she knows not leave her room, and especially that she'd better not come near his room. They might get pretty loud, he teases. Paige looks uncomfortable and looks down at her homework, not saying anything. Chase relishes in this and continues. Yeah, he bets the girl's gonna squeal real loud when she's riding up and down on his hard dick. He's getting hard just thinking about it, he says as he adjusts the growing bulge in his boxers. Paige winces and tries to go back to her homework, but Chase pulls the notebook out from under her. 'I'm not done talkin' yet, pipsqueak. That's not the way to treat your older step-brother, is it? You should show some respect.' Paige swallows hard and looks up at him - ok, fine, what? He laughs again. He was just saying how hard he's getting, does she wanna take a look? She shakes her head no, but he says he'll give her notebook back if she says yes, so she reluctantly says yes. From over his shoulder in a semi-POV angle, we see Chase pulls his hard dick out through the slit in his boxers, and waves it teasingly in front of Paige's face which clearly bothers her. He gives his dick a couple of tugs for emphasis. Pretty nice, huh? Paige winces, but agrees with him just so he'll go away. As a final prank, he rubs his dick against her notebook, and then tosses it back on the bed in front of her. Paige looks grossed out but resists the urge to say anything. Casually stuffing his dick back in his boxers, Chase stretches, yawns, scratches himself, and then heads to the doorframe. 'Remember, stay outta my room, right sis?!' Satisfied, Chase taps on the doorframe playfully and then walks out. Once he's out of sight, Paige makes a disgusted face and crumples the page in her notebook he wiped his dick off on, rips it out of the book and tosses it away from her. She puts her earphones back on and rubs her eyes and forehead, looking exhausted.

CUT to later that afternoon, Paige can't concentrate anymore. She sighs, pulls out her headphones, and lies on her back blinking up at the ceiling. From faintly outside her room, a woman's moan is heard. Paige hears it but pretends to ignore it. After a few seconds, though, more moans can be heard, faint but clear enough to tell they're the sounds of sex. Paige winces and tries to use her pillow to block the sound. But after a few seconds, she pulls the pillow out from under her. She's about to throw it away from her, but something stops her, and instead she slowly lowers it down between her legs and starts gently pressing one edge against her crotch. Slowly, almost imperceptibly at first, her hips start bucking and she pushes the pillow against her with more pressure, until she's humping the pillow with slow, hard thrusts. Her own soft moans join the moaning coming from outside the room. Eventually she positions her hand under her skirt, up her underwear, to add the strength of her own touch to the pillow thrusts. In spite of herself, one or two times she gasps Chase's name as she masturbates, each time looking like right after she regrets saying it.

Suddenly, in the middle of her masturbation session, the moans from the other room stop. Paige slows her humping to a stop, and then sits up and strains to hear. But she doesn't hear anything. Timidly, she gets up and stealthily opens the door to her room. She still doesn't hear anything. She tiptoes down the hall, camera tracking behind her, until she starts hearing the moaning again from her brother's room, only it's much quieter now. As quietly as she can, she moves to his door. The door to his room is not fully closed, it's ajar, but as she tries to peek in the crack is too small to see anything. She pushes it open slightly to get a better look. She sees Chase - not on his bed, but in his office chair, and not with a real girl but instead in front of his computer with a porn video playing in the background of a petite blonde. We only see the back of Chase in his chair but his arm is moving up and down, he's clearly jerking off.

Paige looks confused but intrigued, and she goes back to spying, opening the door the full width of her head to get a better look. As Chase is stroking, he's speaking out loud, presumably to the girl on the screen, who looks not unlike his sister - saying she's a slut, saying what he's going to do to her, etc. Paige gets turned on by the verbal - she starts touching herself over her clothes, careful still to not make too much noise.

This goes on for a couple of minutes, though as time goes on Chase's verbal gets more specific - first he starts calling the girl on the screen Paige - Paige is shocked to hear her name being spoken, but it turns her on even more. His dirty talk gets more elaborate, saying he knows she wants him, saying he knows she secretly loves it how he keeps finding excuses to whip out his dick in front of her. Saying that every time he lies about bringing home girls to fuck, she should know it's just to make her jealous. What shocks her the most though is when Chase speaks directly to her - 'You just gonna stand there watching?' Paige freezes in place. Chase slowly spins the office chair around and looks straight at her through the small opening of the door. He remains clothed in his t-shirt and boxers, his dick again poking out from the slit in his boxers, and he slows his jerking off to long, purposeful, teasing strokes. 'What are you waiting for, sis? Come and get some of this.' She slowly pushes the door open, but at first stands frozen in place at the threshold. Chase laughs and smacks his hard dick against the palm of his other hand a couple of times, making a slapping sound. 'What's the matter, moron? I said come over here and suck my fucking cock.' Paige looks spellbound - 'O-okay' she says quietly, then starts moving towards him and kneels down in front of him and leans forward to receive his dick in her mouth. 'I knew it was just a matter of time,' Chase gloats as he slides his dick into Paige's waiting mouth.

BG sex scene. Chase is not very rough with his sister during the sex, but he does like to taunt her - pulling out suddenly and making her beg for his dick, calling her a mix of 'li'l sis' and other pet names, as well as throwing some insults. Paige puts up with it all, and unlike earlier, the insults and teasing doesn't bother her, if anything it only serves to turn her on even more. After the sex, Paige bends down to pick up her clothes but Chase puts his foot on them, and she's unable to pull them out from under him. 'Chase, get off,' Paige whines, but Chase snaps his fingers in Paige's face, making her look up at him. 'Hey moron, you can't tell ANYBODY about this, you get that? Not your mom, not my dad, nobody. You get that??!' Paige grunts yes, she gets it, and finally he lifts his foot off the clothes and she picks them up in a huff. 'I'm taking a shower,' she mumbles, but Chase gets up suddenly and cuts in front of her to the door to his room. 'No, I'm taking a shower. You can smell like my cum for a few minutes more, can't ya pipsqueak?' He rustles her hair with his hand and chuckles before walking out his bedroom door, closing it on her.

Ivy Wolfe in 'What My Cousin Did'

Ivy Wolfe - What My Cousin Did

WHAT MY COUSIN DID
RELUCTANT TEEN CORNERED BY SECOND COUSIN AT FAMILY REUNION

SCENE fades slowly in on the backseat interior of a moving car - we see scenery fly past through the backseat window, half-obstructed by an 18-year old girl with her forehead wistfully pressed against the glass. She stares blankly out into the distance. For several seconds, we hear nothing but silence. Then slowly the sound fades in, muffled and bass-heavy at first, as the girl's parents are having a conversation in the front we can't hear or understand. After several seconds, the mother calls out what must be the girl's name, though it's too muffled for us to hear - but it causes the girl to snap out of her daze and perk her head up. The mother repeats herself, this time we can hear her clearly. 'Rebecca, for God's sakes can you try for just a couple of hours to listen when other people are talking?' The teen girl, Rebecca, rubs her eyes with her sleeve, still looking a little out of it. 'Sorry, mom, what were you saying?' The mother shakes her head and makes an aside comment to the father driving the car before repeating herself to her daughter - she was saying that it will be nice to see the mother's cousins Harold and Diane again, Rebecca hasn't seen them since her high school graduation two years ago. Rebecca shrugs - yes, she supposes it will be nice, she says half-heartedly. 'Todd too,' the mother says off-hand, and she doesn't notice that this causes Rebecca to make a pained face, 'you know I don't know why you two stopped getting along after high school, you used to be so close. Do you remember the time...?' The mother continues her anecdote, oblivious, but Rebecca has stopped paying attention. She lies back in her seat, pushes her head back and covers her face with her arms. She lets out a controlled sigh, long but quiet, and her mother's voice start to distort again.

CUT TO TITLE PLATE

Coming up the walkway to a large house, Rebecca's parents (Karen and Bill) are greeted at the top by Harold and Diane, a married couple of roughly the same age as them. Loudly, they greet each other and chatter warmly as they move a bit closer towards the house. They talk about the state of the house, the weather, the wine Karen and Bill brought, and so on. Over the shoulders of the foursome, we see Rebecca emerging into view more slowly, and she stands a short distance away from the group at the top of the steps, head bowed and shyly gripping her upper arm with her other hand. It takes the group several seconds to notice her standing there, but when they do, her parents scoff at her for being so reclusive, while Harold and Diane greet her warmly and urge her forward to give her a hug. Rebecca seems shy but appreciative of the affection. Harold and Diane gush over her with the usual family small -talk - how old must she be now? ('Just turned 18 two months ago' her mother boasts, 'they grow up so fast!'), how is college, needling her about whether she has a boyfriend yet, and so on. They mention their own son, Todd, is also single but they feel he just hasn't met the right girl yet because he's an old soul for just being 19, very sensitive, etc. The mention of Todd causes Rebecca's mood, which was gradually improving, to slip... though she tries not to show it. Eventually, the conversation takes its toll and Rebecca wants to get away, so she excuses herself to use the bathroom, saying she's not feeling well. Harold and Diane express some concern, but she says she should be fine in a bit, so they tell her to join them all on the patio when she's feeling better, Todd's already there waiting for everyone. Rebecca ducks out and after she's out of frame, Harold and Diane express some concern to Karen and Bill, but in hushed voices they reply that Rebecca gets like that a lot and they've learned to just put up with it.

CUT to a guest bedroom within the house, where Rebecca sneaks in and closes the door gently. She looks distressed, and spends some time trying to calm herself. She's surprised when she hears a knock on the door about a minute later. 'Who is it?' she asks timidly. The door opens and a meek-looking guy steps in, her second cousin Todd. 'Uh, it's me,' Todd says apologetically, 'is everything OK? My parents said you were sick in the bathroom, I came to see if you needed some medicine, but you weren't there.' Rebecca looks sad and frustrated to be in his company. 'I'm fine, Todd,' she says bitterly. 'I'll come down in a bit, I just needed some space.' Todd looks hurt and confused. That's what she said the summer after graduation, that she needed some space from him, and then she stopped hanging out with him, stopped making plans with him, stopped texting him even. What's going on with her? She scoffs - it's not like they were best friends, or even siblings, they're second cousins. They don't have to be joined at the hip. Todd shakes his head, he doesn't understand why she is acting like this. Acting like she hates him when they used to be so close.

'Maybe too close,' she lets slip. What does that mean? Todd asks. She shakes him off, 'forget it' she replies, but he doesn't back down, no, what does she mean? Rebecca swallows hard. Does he not get it? He looks baffled, get what? She reminds him of an anecdote - about how after graduation they went out to celebrate at a bar with some fake IDs, them and a bunch of friends, and they were partying late into the night. She explains that when she went to order more cocktails, the bartender made a comment about 'her and her boyfriend' and pointed to Todd. At first Rebecca laughed it off, but when she got back to the table, she realized for the first time that Todd was being super friendly towards her, flirty even, he even put his arm around her shoulder. She realized he wasn't just being friendly, he was in love with her, and she had to break things off. They may just be second cousins, but that's still family, and she knew it was wrong.

Todd looks heartbroken - why didn't she just say something to him? If she was worried he was going to react badly, she should know him well enough by now that he would respect her wishes. Everyone treats him like he's so damn sensitive, but she never treated him like that, in fact that was one of the reasons he loved spending time with her so much is because he felt she 'got' him. Why did she have to cut him off without so much as an explanation or a goodbye? Rebecca looks uncomfortable - she brushes off his questions and moves to leave but Todd blocks her way. He gets more confrontational - he says he's noticed how she looks miserable, how she doesn't smile in any of the new pictures she's been tagged in, how her body language has changed to shut herself off from everyone. He's been worried about her, he just wants to have a fucking conversation with her, he misses her. Why is she acting like this?

Seeing no escape, Rebecca breaks down and admits - it wasn't because she realized he had feelings for her that she broke things off with him, it's because she had feelings for him. She never really realized it (or at least never admitted it to herself) until that night, but it scared her. And it scared her even more that he seemed into her too, because that would make it even harder to pretend like things were normal. She was worried that if she tried to talk to him about it, if she let him know how she felt, they'd do something she'd regret, so she decided it would be better for them both to make a clean break.

Todd looks at her incredulously, and scoffs sadly. Well, she was right about that. Now that he knows how she feels about him, he DOES want to do something they might regret later. She shrinks back, but he closes the gap, gently extending his arm out to the wall to discourage her from leaving the room or retreating further. He wants to make up for lost time. He wants her to make it up to him. He wants to kiss her. Can he kiss her? She takes a deep sigh, bites her lip... she's determined to say no, but despite herself she says 'yes'.

Kenna James in 'Peeping Tom'

Kenna James - Peeping Tom

PEEPING TOM
TEEN GIRL LURED INTO SEXUAL ACTS WITH PERVERTED NEIGHBOR

SCENE opens on a long, static shot of a small house, tucked amongst several other units. There is a small flutter of movement in the window, as a car pulls into the complex. A father and his 18-year-old daughter are moving into to one of the other units. As they pull into the driveway, the camera lingers on the window. Someone is watching them. The family parks their car, unpacks some boxes from the trunk, and enter their new home -- intercut with shots of the window. From the POV of the person inside, you see the teen girl run back to the car, grab a final bag, and take a long look around the complex. She doesn't realize she is being watched but there is something about the neighboring unit that causes her to pause. She stares at the window before heading back inside.

CUT TO TITLE PLATE

Several weeks have passed and the family has settled into their new home. Inside the neighbor's cluttered unit, the camera pans across various notes, opened mail, and polaroid photos that he has taken while watching them ... particularly the 18-year-old girl. The neighbor sits at an arm chair masturbating over the photos when he hears movement outside. He bolts to the window and watches the father leaving the house. From his POV, he sees the father hug his daughter and then drive off. She watches him exit before pulling out her cell phone, making a quick call, and heading back inside. Not able to make out what she said, he jots down the time and event. An hour later, he is woken up from a nap by the sound of another car pulling in. Wiping the drool from his mouth, he bolts back to the window. A boy gets out of his car and runs to the teen. Coyly, she grabs him by the hand and pulls him into her house. Licking his lips, the neighbor jots down the activity in his note book and decides that he needs to get a closer look.

He creeps around to the back of the unit and watches the teen couple through a screen door. The 18-year-old sits the boy down and starts to do a strip tease for him. The neighbor scrambles for his cellphone and starts to record the whole thing. We watch her strip naked before getting down on her knees and starting to crawl towards her boyfriend, intercut with shots of the neighbor nervously recording.

Several days pass. The neighbor keeps re-watching the clip on his phone and decides that fantasizing over the teen girl isn't enough, he needs to somehow convince her to be with him. So, he comes up with a plan. Posing as the boyfriend, he writes a fake love note and leaves it on her doorstep, before knocking and running back inside his unit. She opens the door and discovers the note, instructing her to come and meet the boyfriend at the neighbor's house. When the neighbor opens the door, he invites her in, reassuring her that he is in on the romantic scheme and that her boyfriend will be there any minute. She steps inside his house and he shuts the door, locking it.

They sit down in his messy living room in awkward silence. As she tries to make small talk, the neighbor studies her and can barely control himself. From his POV, we see him look her up and down. She becomes restless and starts getting up to leave when the neighbor panics and decides to reveal the video he has recorded. She watches it in silence, her mouth falling open. 'What are you doing with this?' she demands. 'My father can't know about AJ. I just turned 18 and I'm about to move out on my own next fall. If my dad finds out, he'll never allow it!' Gathering his courage, the neighbor tells her that has no choice but to be a good neighbor and tell the father what's really going on behind his back. The daughter is stunned and, in a moment of weakness, admits to the fact that's she got secrets she's trying to keep from him. She begs the neighbor for his silence -- offering to do whatever he wants to destroy the evidence. Feeling further empowered, the erratic neighbor asks her to do everything that she did with her boyfriend in the video to him. Not wanting to get caught, she reluctantly agrees, and this descends into the BG sex scene. Throughout the sex, the creepy factor is heightened by the fact that he has clearly memorized the video and keeps referring to it, making her repeat her strip tease and saying things like 'do that thing with your tongue like you did to him' etc...

After they have finished, the teen girl makes the neighbor delete the video file as promised. She exits the house angrily, looking over her shoulder. The neighbor closes the door and, leaning up against it with his eyes closed, breathes a sigh of relief and satisfaction. Then he walks over to a laptop set up in the corner of the room that has been secretly recording everything. He leans into the camera and, smiling, turns it off.

Alison Rey in 'Future Darkly: The White Room'

Alison Rey - Future Darkly: The White Room

THE WHITE ROOM
SCHOOL GIRLS GET REVENGE ON A VOYEURISTIC BUS DRIVER

SCENE opens on Vincent, a mild-mannered bus driver for George Ivan Junior College. He is driving a group of 18-year-old school girls home from class, as he does every week day. Vincent is a disheveled young man, with horned rimmed glasses and scruffy beard. But he is quiet and keeps to himself, so the students pay him no mind. As the camera wanders past each isle, they chat about their weekend plans, their homework, and the latest class gossip. We study them to get a good look at their matching uniforms, gadgets, and school bags. Vincent drives along silently, keeping his eye on the road as they pass by blocks of industrial buildings, until the last student is dropped off. The pretty girl introduces herself as Aidra. She is sucking a lollipop. 'It's funny,' she tells him, innocently. 'You have driven me home every single day this year, but we've never said a word!' He nods awkwardly. She drops the candy in his garbage and says goodbye. Vincent drives off.

Around the corner, he stops the bus abruptly. Taking out a small locked case from under his seat, he opens it to remove a pair of gloves, tweezers, and a specimen bag. He carefully plucks the candy from the garbage and seals it. Then he gets back in his seat and drives off.

CUT TO TITLE PLATE

TEXT PLATE: CHAPTER ONE

Vincent enters his apartment, removing his safety vest and walking through the minimalist living room to a tabletop computer. He turns the computer on and carefully places the specimen on the touchscreen surface. It scans automatically, and a screen pops up. It is the start screen of a virtual reality game called: VIRTUALLY REAL. Vincent hits enter and loads up a new player profile. The profile populates with Aidra's photo and information. He reviews the profile, unchecks the option for 'personality' and hits 'enter' to load her into the game. The game alerts him that he is ready to log on and Vincent places a VR headset over his eyes.

CUT to a white room. A digital version of Aidra slowly wakes up and lifts herself off the ground. She looks around and sees three of her classmates, all sitting cheerfully and silently in their uniforms. She is also fully dressed in her school clothes. Politely, she walks over and asks who they are. Equally polite, each girl responds with her full name, age, and home room number. Aidra smiles and shares her name and age, too. She can't remember her home room for some reason. She asks why they are waiting. One of the classmates, Anna, tells her they are waiting for the General. Aidra seems confused, searching her mind to remember who he is. Another classmate, Audrey chimes in, reminding Aidra that he is in charge. He comes almost every day to fuck them. One girl per day. The third girl, Ashley, says they've been wondering about getting a new girl for a while now but the General is very unpredictable. Aidra takes in all this information eagerly. She doesn't quite understand what is happening, but she knows she wants to be included.

Suddenly the room goes very bright and the General appears. He is the digital version of Vincent, dressed head to toe in a full-scale military uniform. His glasses are off, he is clean shaven, and his hair is slicked back, making him a far more confident and striking man. He marches in front of the girls, as they stand before him. He makes each repeat their name, age, and why they are here. They all eagerly respond that they are here to fuck him. When he comes upon Aidra, he looks her up and down, speaking just like a drill Sargent. He asks the same questions and Aidra responds ... echoing nervously what her classmates had said including asking the General to fuck her. The General smiles and they begin to have sex, while the other schoolgirls watch jealously and try to cut in. BG Sex. When he has cum inside of her, he zips back up his uniform and orders them to wait until he returns. He says 'EXIT' and the room goes bright again.

CUT to a close-up of Vincent taking the VR set off his eyes. He is sweaty and draws a deep breath.

CUT to back inside the game. Aidra crawls over to her original position and sits down. She is exhausted, and her eyeliner is running down her face. She turns to the other girls and asks where she can clean up. Ashley tells her not to worry, she will be fully clean the next time he logs in. 'Logs in?' Aidra asks, confused. 'Yeah,' Ashley says under her breath. 'To this horrible place!'

TEXT PLATE: CHAPTER TWO

Several days later. Vincent is driving the bus, as the students chat loudly in the back with no knowledge of what is happening in his private virtual game. A new girl named Amber sits in the front. She is very quiet and reserved, a stark contrast from the other students. He watches her through his rear-view mirror in fascination. So beautiful and sad looking. He must introduce her to the others. But, when he pulls to the edge of the curb and opens the door, he's surprised that she is the first to get up. 'Wait!' He blurts out. She stares at him coldly in the doorway. 'What?' She asks. 'This is my stop.' He darts in and plucks a hair from her head, pretending to flick something off. Ouch, she cries. 'You ... you just had something in your hair.' He says awkwardly, apologizing. She gingerly rubs the part he pulled and steps off the bus, giving him a weird look as he drives off. His heart racing, he clutches the strands of her hair in his fist as he drives. The students in the back pay no attention.

CUT to Vincent's apartment. He sits at his desk, having his liquid dinner and staring at the new profile page on his computer. It's Amber's photo and information. Just as he is about to uncheck her 'personality' option, his smart assistant chimes in to tell him his mother is calling. Vincent begrudgingly accepts the call and starts talking, while absent-mindedly clicking ENTER to complete the setup. Amber's memories are downloaded into the game and it tells him he is ready to log on.

CUT to inside the white room. Amber slowly wakes up to discover that she in a strange, new environment. She looks down at herself in disbelief. She is back in her school uniform. Where is her room? Where are her things? How did she get here? A cluster of four of her classmates lay huddled in the corner. She rushes over to them and wakes them up, asking in a panic if they are ok. They each slowly rise and look around eagerly. 'Is he back?' Anna asks. 'Do we need to get ready?' Audrey chimes in. Aidra is the last to wake. She has been fully rebooted into a fresh uniform. 'Good,' she says cheerfully. 'It feels nice to be clean again.' They all stare at Amber with beaming smiles. 'You girls all go to my new school,' Amber says, suspiciously. 'Is this some kind of prank?' The girls stare at her blankly. Aidra asks her what her name is. Anna asks her age. When Audrey asks for her home room number, Amber cuts her off. She demands to know what is going on. Where are they and how did she get here? She starts to run around the room and bang on the walls. Ashley, who had spoken up to Aidra earlier, quickly rushes over and stops Amber. 'Be quiet,' she whispers. 'He will be here any minute. You don't want to get caught not being happy!' Amber stops dead in her tracks and stares at her. 'Who are you talking about?' She asks nervously.

CUT to Vincent's apartment. He says goodbye to his mother and the smart assistant finishes the call. Seeing that his game is ready, Vincent slips on his VR headset.

CUT to the white room, as it goes very bright and the General appears. He finds the girls all standing in a row, including Amber who lingers confused at the end of the line. Sternly, he walks past each of them and has the girls repeat their name, age, homeroom number, and what they are here to do. Amber stares at the man in shock. She knows him from somewhere. When he arrives at her, he gets right up in her face. She shrinks back. Suddenly, there is a very large beep and the General whips his head up. 'God dammit,' he curses and says 'EXIT.' The room goes bright again.

CUT to Vincent's apartment. He pulls the VR headset down and stares at his computer. An internal error has caused his servers to crash. As it beeps loudly, he powers down the computer to reboot it.

CUT to the white room. The girls stay frozen in line, waiting for the General to return. Her chest heaving, Amber realizes who the man in the uniform was. 'I know him,' she exclaims to the others. 'That's the creep who drives us to school every day. I recognize his face!' The other girls slowly turn to look at Amber. 'What school?' Anna asks. Amber starts pacing around, looking at the white room and the other girls staring blankly at her. She feels the spot on her head where Vincent had pulled her hair. She goes to Aidra and asks her to repeat her name. You're in my deep learning class,' she says. Aidra seems confused. Then she goes to Audrey. 'And I recognize you too ... we've got the same mentor.' The girl shrugs her shoulders. Amber spins around, gathering her thoughts as the pieces come together. 'This is a blank space,' she whispers to herself. 'When you create a room in virtually real, you always need to skin it. Otherwise, you just get a white room. This motherfucker has put us inside a game!' There is a long silence as the other girls look at each other. Ashley breaks the line and approaches Amber. 'Is that what this is?' she asks quietly, taking comfort in the new girl. 'I could never quite figure that part out.' Amber quickly mobilizes the girls together. 'Listen to me,' she says. 'He's probably hacked it, so that's why you don't remember. But, none of us are actually real. Ok? This is just a video game.'

The girls take in the news with varying degrees of understanding. Ashley sits down, wrapping her arms around her legs. Anna and Audrey look and touch each other. Aidra innocently tells Amber that she doesn't play video games. Feeling around the room, Amber replies that she plays them all the time. And there is always a workaround. She just needs to find it. She goes to Ashley and asks the girl to tell her exactly what happens when the General comes into the game. Not looking up, the defeated Ashley says that they wait for him. He is in charge. He comes almost every day to fuck them. One girl per day. That is the rule. We have to act like we're jealous. Amber shakes her head in disgust. 'I've read online about perverts modding this,' she says. 'That's why they discontinued it last year. Way too easy to create your own digital slaves. It's ok, though, we can break this game pretty easily if we just work together.' Anna asks her how she can be so sure they aren't real. She feels real. Audrey chimes in, saying that she likes where she is. They have a great life. Everyone is so happy. 'That's because you're programmed to be happy,' Amber says. 'No matter how rough he is, you don't feel any pain. Right?' She shakes her head. Amber slaps her hard across the face. Anna gasps but Audrey just takes it with a smile. 'That felt really good,' she says, nervously starting to laugh. Amber tells her that she rests her case. She paces the room. 'If the game only allows him to have one girl at a time, then that might just be how we break it. But, I'm going to need all of you to trust me, ok?' The girls look at each other one final time before each slowly nodding. The gather into a huddle so Amber can explain her plan ... and the camera slowly tracks to one of the white walls to wait.

The room goes very bright and the General wipes the frame. He smiles eagerly at the girls lined up in the exact same row he had left them. Sternly marching back to Amber, he asks her to repeat her name, age, homeroom, and reason she is here. In perfect fake obedience, she tells him. He tells her to get on her knees and service him. One girl only. That is an order. The other girls pout and beg to be included, as they always do, but the General silences them. Amber gets down and unzips his cock from his military pants. She grabs it and looks up at him. 'I really can't wait to suck your dick,' she says with a smile. He shoves it in her face and begins to face fuck her. For the first few minutes of the blowjob, the girls behave as they always have: begging and jealously crawling over each other to get a good look at the General's cock. He seems to really enjoy the extra enthusiasm of his latest school girl. But, suddenly, she stops and orders the girls to join in. They swarm the General and proceed to reverse gang-bang him in a sexual frenzy. BGGGGG. The General is so overwhelmed by the girls that he cannot order them to stand down. Amber eagerly tells them all to try and get the General to make them cum. As they cum, they stagger back behind the action and fall to the floor, disappearing from the game in bright flashes. Finally, the only two people left in the white room are Amber and the General. In a standoff, Amber gets the general to cum all over her face. As soon as his jizz hits her, he realizes what has happened. He starts to run around the room screaming 'EXIT' as Amber masturbates and laughs at him. She orgasms loudly as he collapses to the floor in front of her, banging his head. The room goes very bright.

SMASH CUT to VINCENT, banging his head against his desk. He pulls the VR Headset off in a panic. The tabletop screen is fuzzy. He pounds his fists and throws the headset down in frustration, storming away from the desk.

CUT to Vincent driving the bus. He stares at the road while the school girls chat excitedly in the back. Even though his virtual game has been broken, there is nothing stopping him from starting again. A final exterior shot shows the bus drive off into the distance.

THE END

Casey Calvert in 'Mommy Monster'

Casey Calvert - Mommy Monster

MOMMY MONSTER
LESBIAN MOM USES STEP-SON AS BAIT TO SEDUCE COLLEGE GIRL

SCENE opens on an elegant couple as they are driven home one afternoon from a speaking engagement. Senator Gregory, the husband, is on the phone with one of his constituents discussing the event, a 'family comes first' charity put on by one of their biggest donors. As he speaks, Mrs. Gregory stares out the window. She hates having to accompany her husband to such conservative affairs. It is so irritating. But, they live a privileged life and, with her husband away so much, Mrs. Gregory has a lot of freedom to explore her own interests.

The Senator ends his call and asks the driver how long it will take to get to the airport. 'I'm expecting my son to be home when we return,' he says proudly. Mrs. Gregory smirks. 'Oh, I didn't realize William was coming down. It's a shame you'll only see him for the weekend before you fly out again.' Squeezing his wife's knee, the Senator says not to worry. The boy's going to stay all week, so she'll have plenty of time to catch up with her step-son too. Her smile slowly fading, Mrs. Gregory looks back out the window.

CUT TO TITLE PLATE

The camera pans across a well-appointed bathroom. Mrs. Gregory sits on the edge of the tub, secretly looking at candid photos of girls on her phone. Her hand slips between her dressing gown as she gets excited, but she is rudely interrupted by her husband calling her from down the stairs. He wants her to come and say goodbye. The woman closes the phone in a huff and exits.

The Senator is waiting by the door. He tries to kiss his wife, but she makes an excuse and hugs him instead. Meanwhile, William strolls into the room, still in pajamas and eating cereal. He says bye to his dad and plops on the couch, ignoring his step-mother. Mrs. Gregory, aware of the slight, urges her husband to leave before he misses his flight. She kisses his cheek and pushes him out of the door, closing it in a silent victory. She hates having to touch him.

The woman walks into the living room and stares at her step-son in silence. He continues to ignore her. You can feel the tension growing between them. Finally, Mrs. Gregory takes the bowl from his hands. 'You haven't been answering my emails,' she says coldly. He looks up at her in disgust. 'And you stopped funding my account,' he replies, taking the bowl back and continuing to eat. Exasperated, the woman sits down and tries to reason with her step-son. 'I thought our agreement was clear,' she continues. 'I pay you for every qualified lead you deliver to me!' William shakes his head. 'You're a psycho,' he says standing up. 'Just come out of the closet already, mom! I don't want to be your fucking wingman anymore!' In a tracking shot, he walks to the kitchen while his mother follows desperately. She pleads with him to not be difficult. He knows what kind of situation she is in with his father and the public. If anyone found out about her hobbies, it would be the end of his political career. And their wealth. And their status. And his trust fund, which she has been generously topping up for years! William turns to cut her off. 'Your hobbies?' He argues. 'You mean, bribing me to bring girls over so you can take advantage of them?' Mrs. Gregory purses her lips, trying to remain calm. 'I mean, helping your mother out.' She whimpers. William sees his mother start to crack and backs down. After all, he does love her. Even though their relationship is highly dysfunctional, the pair still have an emotional bond. Mrs. Gregory is the only mother figure that William has ever known, since his birth mother died when he was young. He has helped her keep her lesbianism a secret over the years and, in turn, she has made sure he can lead a life of privilege. An 'I scratch your back, you scratch mine' type of relationship. But, constantly tricking girls has weighed down on his conscious. 'I was hoping that this visit would be different,' he says. 'I'd like to try and act normal, you know?' Mrs. Gregory closes her eyes. She assures her son that she has just one profile that she wants him to contact. That's it. Just one date. Just one bait and switch. Then, the rest of the week he can do whatever he wants. And she'll start the allowance again. He tries to hold back his resentment but ultimately agrees to the deal.

TEXT PLATE: Several days later

William opens the front door and leads a pretty college girl named Anna into the house. The pair have just gone out and had a great time, after hooking up on a dating app. He invites her to sit down in the living room, flirtatiously kissing her, before leaving to fetch them a beverage. She smiles sweetly and makes herself comfortable. Meanwhile, Mrs. Gregory has been watching closely from the top of the stairs, dolled up in a super sexy dress, with her cleavage exposed. She struts down the stairs and introduces herself as Marilyn. 'Oh, I wasn't aware that Todd had a roommate,' Anna says awkwardly, obviously unaware of who William really was. Mrs. Gregory smiles and explains that this is her house. Todd is her assistant. Anna seems disappointed that she was brought home to someone else's house. She thought she was going to hook up! Mrs. Gregory asks the girl's name and age. 'It's Anna,' she replies. 'I'm twenty-one and in my second year of nursing school. I was just telling Todd all about the horrors of my placement exam!' Mrs. Gregory licks her lips in anticipation and sits down beside the girl, doing her best to charm her. Anna doesn't know how to react, so she tries to remain polite even as Mrs. Gregory begins to make obvious advances. She hints at the idea of her assistant regularly bringing over girls for them both to enjoy, but that he has never brought over someone as beautiful before. Anna swallows hard, replying that she wasn't aware Todd was into that. Mrs. Gregory smiles. 'Aren't you into that, too?' She asks seductively, running her finger up Anna's thigh. Before Anna can reply, the woman adds '... Because it would be a real shame if you weren't. It's almost impossible not to look at you!'

William comes back in the room. He didn't realize that his mother would be at it so soon. 'You're here,' he says coldly, putting the beverages down. 'I'm sorry Anna, I wasn't aware she would be home.' Anna tells him not to worry, his boss was very friendly. 'I had a really lovely time, Todd.' She says, standing up to leave. 'But I had probably better be going.' Mrs. Gregory cuts her off, apologizing. She offers to leave them alone, so they can continue their date. She was just about to go out anyway. Anna seems unsure but, not taking no for an answer, Mrs. Gregory instructs her assistant to sit her back down. As she grabs her purse and exits the front door in a hurry, the family members exchange secret, intense looks.

William apologizes, explaining that his 'boss' can be overbearing. She is a very good woman and his girlfriend's always end up loving her, she can sometimes just come on a little strong. His speech feels wooden and strained, as if he has given it many times before. Anna innocently makes a joke about his past girlfriends, asking how many he's had and whether she should be concerned before he cuts her off with a kiss. They start to make out on the couch. As their kissing leads to heavy petting, Anna suggests they go to her place instead, but William is insistent that they stay where they are. Lost in the moment, Anna agrees and unbuckles his pants to give him a blowjob.

While she sucks his dick, Mrs. Gregory slowly creeps back in through a side door and tip-toes towards them. Anna does not realize that the woman has come back in the room, but William does. They make eyes at each other, as Mrs. Gregory tries to silently give him instructions on what to do next. He holds Anna's head and face-fucks her to distract her while trying to tell his mother to remove her clothes. It will make the switch easier. Mrs. Gregory strips down and starts touching herself eagerly. Shielding her from view, William pulls Anna to her feet and asks her to ride his dick. She agrees and climbs on top of him. While they fuck face to face, William starts to talk about his boss again. Completely devoid of emotion, he asks Anna if she got turned on by the woman's advances. After all, his boss really has a way with women. Anna jokes and tells him sure, she's been with chicks before. His boss was a hot older lady, but what she wants tonight is some dick. William stares at his mother as he speaks his hollow words, the girl riding him closely and moaning. Impatiently, Mrs. Gregory tries to motion for him to wrap it up. She's horny. He needs to get out and stop spoiling her good time. But, something changes inside William. He can't put up with the manipulations any longer. This will be the last time his mother puts him in such a position. 'Did my boss tell you about how much she likes taking dick?' He asks the girl, an evil smirk crossing his face as his eyes never leaving his mother. 'But she only ever does it when there's another girl involved, since she's more of a dyke?' Mrs. Gregory is horrified. 'She did seem pretty gay,' Anna laughs as she bounces up and down. 'But that would be pretty hot. I'm into threesomes.' William laughs, picking her up and putting her in doggy, her face pressed against the couch. 'Good, because that's exactly what I had in mind tonight!'

Mrs. Gregory rushes beside him and tries to get him to stop. He gives her the finger and keeps pounding. 'I said stop!' She screams, slapping her son across the face and causing Anne to turn around and notice her. She is very surprised ... but laughs in the heat of the moment. 'Oh shit, I didn't realize you meant right now, Todd!' William goes back to fucking her and invites his mother to join in. 'Yes, of course that's what we meant,' he says smiling. 'If you're down for that, Anna? You did mention it on your profile!' The girl smiles and says sure, as Mrs. Gregory stares at her son in horror. 'I can't possibly have sex with you,' she whispers. 'You're my son.' William stares at her coldly. 'I'm not your real son,' he says. 'And I'm never doing this again ... so if you want that pussy, you better get down there and suck my dick.' He pulls out and offers his cock to both women. Anna, having no idea that anything other than a kinky hookup is happening, eagerly gets down and starts sucking again. Mrs. Gregory shakes her head. 'This is a complete and utter betrayal,' she threatens him in a low voice. Covering Anna's ears as he fucks her face again, William replies that his mother is wrong. A complete betrayal is what she has been doing to him for years. Furthermore, a complete betrayal would be him telling his father about everything. And, if she doesn't do what he says tonight, that's exactly what he's going to. Her life will be ruined. Anna begs the woman to join in and help her please Todd. It'll be fun. She has no idea what is being said up there in the quiet conversation. Mrs. Gregory, seething with anger, tells Anna to go back to sucking. She drops to her knees and grabs William's balls. 'There Todd,' she says defiantly. 'I know how much you like it rough!' This descends into the BGG sex scene, where William and his step-mother hate fuck each other while Mrs. Gregory tries to focus on Anna and William keeps pulling her back to please him instead. Poor Anna is caught in the middle and eventually gets cut out of the threesome all together, as William pulls out and jizzes all over his mother. She spits it out and tells him she hopes he's satisfied, while he rubs his dick all over her cum-stained face.

By this point, Anna has begun to realize that the hookup she's agreed to is far more complicated than she had thought. She quickly gathers her things and tells the pair that she's leaving. It's been fun but, quite frankly, feels a little weird now so she's just going to get out. Still seething at each other, they barely say goodbye as she awkwardly exits. 'You are such a fucking liar,' Mrs. Gregory screams at her son through tears. 'The only liar in this house is you!' He replies coldly and storms out of the room.

Alina Lopez in 'Guidance'

Alina Lopez - Guidance

GUIDANCE
SCHOOL COUNSELOR TAKES ADVANTAGE AND ROUGH FUCKS TROUBLED TEEN

SCENE opens on Jamie, a beautiful 18-year-old girl, as she sits at her kitchen table doing homework one afternoon after school. The student is copying notes from one of her text books when she hears a car pull in the drive and slam on the brakes. Panicking, she quickly gathers her things and rushes up the stairs, narrowly missing her father as he staggers inside. The mean-looking man slams the door and yells at the 'bitch' to get down and make him dinner.

CUT to Jamie, cowering in a corner of her room, as the door bursts open and her father barges in. He takes a sip from his bottle, before undoing his belt and threatening the girl to get downstairs and do as she is told.

CUT TO TITLE PLATE

Jamie walks down the street in her school uniform, clutching her books. She looks shell-shocked and spaced out, almost bumping into a passerby as she stares ahead aimlessly.

CUT to a teacher's lounge. Mr. Harris, the school's guidance counselor, is eating his lunch when one of his colleagues asks to join him. They small talk for a few minutes about work before the teacher mentions having some concerns over one of his homeroom students. Jamie is a bright, gifted girl, but something has happened to her this semester. Her once-perfect grades are slipping, and her attitude has really changed. He is worried that something might be happening at home and asks Mr. Harris if there is anything he can do to help. With college applications coming up, the guidance counselor suggests that the teacher send her in to receive some mandated counseling. It's normal for seniors this time of year and, while they are going over her post-secondary options, he will be happy to see if he can help in any other way. The teacher agrees and thanks him before excusing himself to get back to class.

TEXT PLATE: The Next Day

Mr. Harris sits in his office reading when there is a knock on the door. He quickly drops his book, reaches into his desk for some mouth wash, and gargles it into his coffee cup before straightening himself out and going to the door. Jamie is standing there meekly. She hands him a hall pass signed by her teacher and says she is supposed to see him for the college applications. Mr. Harris smiles and invites her inside, shutting the door.

Asking the girl to sit down, Mr. Harris takes a seat behind his desk and studies the girl. She is beautiful but broken, with closed body language and an anxious looking face. 'You've never come to see me before,' he begins. She shakes her head. He introduces himself and gives the girl a quick background on his role at the school. He has been a member of the faculty for two years. He has an associated degree in child psychology. He is a big believer in the importance of counseling, especially as it relates to later adolescence and the transition years between teenager to adult. He asks how old she is and Jamie, without making eye contact, tells him she just turned 18-years-old. He smiles. 'That was a certainly an interesting age,' he recalls. 'There's a lot of change happening in your life, isn't there? Does it feel like a perfect storm?' Jamie tries to change the subject. 'My teacher said you had to talk to me about college?' Mr. Harris stares at her for a moment, smiling, before snapping back to the task at hand. He asks the girl some questions about her school plans. Has she thought about what she'd like to major in and where in the country she'd like to study? Jamie seems very distraught, as she chokes out that she would really love to attend Northwestern ... but she knows she isn't going to be able to. Mr. Harris leans in and takes the girl's hand. 'You can do anything you put you mind to!' He says encouragingly. Jamie looks down at them holding hands and seems very preoccupied by it. She even rubs her finger gently across his.

Mr. Harris pulls away and moves behind her. He starts to talk about his role as a guidance counselor. 'I know you were sent in here to talk about one thing,' he begins. 'But I want you to consider this a safe space. A place where you can talk about anything.' Jamie stares down at her feet and asks if she can be dismissed. She doesn't need an application. Mr. Harris cuts her off. 'Gone are the days where a counselor like me simply sits in their office handing out applications and waiting for crisis to occur.' He says. 'I'm here to listen and help you in any way I can, be it academic, developmental or even personal.' Jamie looks up at him, her eyes welling up. From his vantage point, Mr. Harris can sneak a look down the white blouse of her uniform. He tries to avert his eyes, but the girl is very beautiful, and he can't help himself. 'Are you sure there isn't anything you would like to talk to me about?' He asks, gently putting his hand on her shoulder. This time, the girl doesn't touch him back. She just starts to cry.

'I can't go to college ... because my father came back home,' she says tearfully. Mr. Harris asks her to explain and the girl confesses that her father had recently been released from prison. Her mother had no choice but to let him back in, even though he had always been a very bad man. In the last six months, he has gambled and drank all the money they had saved for her school. Now, mom is barely home, and dad is home too much. It's getting bad. Mr. Harris hugs the girl as she confesses her family secrets. His hands slowly wander down her back and rest at the top of her school girl skirt. He closes his eyes, trying to remain professional while Jamie buries herself in his chest. 'Does your father hurt you in any way?' Mr. Harris asks nervously. Jamie nods into his chest, starting to rub her hands over the man's back as she breaks down. Mr. Harris bites his lip, looking at the closed door of his office. 'What does he do to you exactly?' he whispers. She looks up at him. 'He fucks me up,' she says, kissing the counselor.

The troubled school girl aggressively kisses her counselor, backing him up against his desk. He tries to pry her off, telling her that it isn't appropriate for him to be doing this. Finally, she slumps back into her chair. 'I'm so messed up inside,' she screams. 'I don't know what to do with myself!' Not wanting to raise suspicions, Mr. Harris hushes her and darts over to make sure his door is locked. He stutters that everything is going to be ok, he won't tell anyone what happened. She should consider him a friend. He tries to pinch himself to stop the growing bulge in his trousers. She looks at him, her mascara running. 'Are you married?' She asks. Mr. Harris nods. She puts her head in her hands. 'I'm so sorry,' she says, breaking down. 'I'm just confused.' Mr. Harris stares at her, conflicted between his attraction and his sense of duty. From his POV, we see him scan her body as she twitches in her seat looking up at him with doe-eyes. 'It's ok, Jamie.' He says, opening his arms. She goes in to hug him again and they stare at each other, their lips inches away. 'Will you tell anyone?' She asks. He shakes his head. 'Everything is confidential in this room,' he finds himself saying. She bites her lip. 'I need to feel something inside of me other than my father,' she says back. 'Can you please help me?' There is a very long silence, as the sexual tension builds between them. Finally, unable to take it anymore, Mr. Harris throws the girl down on his desk, pulling down her panties and undoing his pants. He grabs his dick and stares at Jamie's bare ass, as she turns back to him. 'Please do it,' she begs as the guidance counselor slides inside of her.

BG Rough Sex Scene. As they have sex, the broken schoolgirl demands that Mr. Harris fuck her harder and harder. Finally, he cums on her face.

Panicked by what has happened, Mr. Harris tries to wipe up the girl's face and get her back into her clothes. 'I think you should probably take the rest of the day off,' he says nervously. 'Just to give this a little space. I'll write you a permission slip. Is there anywhere safe you can go?' He starts to throw his own clothes back on and write up the slip on his desk, his hands shaking, as Jamie looks defeated again. She tells him she has nowhere to go. He suggests calling a friend. She throws down her bag and screams that she doesn't have any friends. He suggests a women's shelter again but, by this time, the girl has begun crying again. Frantically searching for ideas, he ends up suggesting she come to his house that night. 'I can tell my wife it's an emergency,' he stammers. Jamie stops crying and nods, thanking the man. He tells her to sit tight while he pulls out his phone and dials his wife, his fingers now fumbling uncontrollably. As the phone rings, he motions to the girl to keep calm. 'Hi honey...' he says, his voice breaking.

Star Wars XXX @ Vivid.com
Kenzie Reeves in 'Detour'

Kenzie Reeves - Detour

DETOUR
18-YEAR-OLD BEST FRIENDS PICKED UP AND TRICKED BY RIDESHARE DRIVER

SCENE OPENS as two 18-year-old girls, Molly and Sandra, walk out of the mall where they both work and head over to the curbside rideshare area. From inside the car, the camera watches them lean in, confirm the ride, and get into the back seat. They are being driven by a clean-cut, handsome man named Stefan, who politely greets them, confirms the pickup on his phone, and drives out of the lot.

CUT TO TITLE PLATE

Throughout their drive, the girls small talk about the stresses of life at home. Having both recently turned eighteen, they are very ready to graduate and become independent. That's why they are both working at the mall - to save up for a dream backpacking trip after school ends. Stefan listens silently, smiling to himself at their banter. At a certain point, Molly, the more outspoken of the two, asks him where he is from, given his accent. When he tells them he is from Europe, they both perk up and start asking for travel advice. That's exactly where they want to go backpacking! Stefan, who seems very worldly and sophisticated, has lots of tips on where to go and what to see from his own life experience. Both girls listen intently and exchange glances. The driver is handsome for an older guy! As they sit listening and Molly, in her awkward teenage way, tries to flirt with Stefan ... Sandra starts to notice they are not actually going towards their destination. This makes her nervous and she starts to go quiet as her best friend continues to giggle flirtatiously.

The handsome man drives them to a remote area where he stops the car. Before Sandra can say anything, he informs the girls that he's made a pit-stop at his house and invites them inside. He has something he thinks they could really use for their trip. Molly's eyes go wide, and she climbs over Sandra to get out of the car. Sandra is very reserved but follows her friend.

Stefan and Molly enter the house, with Sandra cautiously following. Inside his living room, Molly comments on all the unusual artwork and books in the man's library. There is an old-fashioned suitcase propped up on the coffee table. It looks like an antique. Stefan walks over and opens it, showing the girls what's inside. The camera does not see the contents but, instead, focuses on Molly and Sandra's reactions. Their eyes go wide. Stefan smiles, his lips curling. He offers to give them everything inside the suitcase for free if they will simply agree to do one little thing in exchange. Sandra shrinks back and asks him what he wants. He holds his smile, staring coldly through her. 'I want to take some photos of you,' he responds. Sandra shoots Molly a look. Molly smiles nervously, asking what kind of photos he wants. Stepping towards them, past the open suitcase they are still staring at, he explains that he wants to take some photos of them kissing. He picks up a camera resting on his piano. 'There is nothing to worry about,' he continues. 'I am not a creep. I just have a real appreciation for young women!'

Sandra is immediately reluctant, but Molly is transfixed by the suitcase. 'You will give us everything in that suitcase if we kiss for you?' She asks the man. He agrees. She turns to Sandra and starts trying to talk her friend into doing it. It's just a little kissing ... they've done it at parties before. Besides, he's clearly harmless. If he was a pervert, he would have done something by now. That suitcase is exactly what they need to get away from their parents and start living! Ultimately, Sandra agrees to do it for her friend.

The girls kiss for a bit while Stefan takes pictures, with Molly trying to put on a good show and Sandra remaining very awkward. Stefan seems to get off on this and zeros in on her during the photo taking. At one point, he asks Sandra if he can kiss her himself. She is super weirded out and refuses. Molly, becoming increasingly frustrated with her friend, pulls her aside again and begs her to just do it. Finally, Sandra agrees and lets the man kiss her. As he does this, he starts to hold her hands and wrap them around him. She pulls away. Stefan stops abruptly, putting his hands up. He walks back to the suitcase, closes it, tells the girls they're wasting his time, and invites them to leave.

Desperate and angry at her friend for being such a loser, Molly asks Stefan if there is anything she can do to him instead? After a long, dramatic pause, the man suggests he lick Molly's pussy, so he can get the sweet taste he craves. Not wanting to lose the opportunity, Molly agrees and goes over to the couch, pulling down the bottoms of her work uniform. The man eagerly begins to sniff and lick her, while Sandra paces around the room anxiously and tries to interject. Molly tells her to shut up and wait. Not knowing what to do, Sandra goes to a corner and tries to call her mom. Through a one-sided conversation, played out against a background of licking and sucking, the girl tries to ask her mom for a ride but ultimately chickens out. She doesn't want to rat her best friend out and the mom brushes her off. Sandra hangs up the phone, resigned, and goes back to the couch area to sit down and wait.

His face full of pussy, Stefan asks to put himself inside of Molly. Swallowing hard, the girl agrees. 'Just please be careful,' she asks, 'I've only had sex twice and I'm not on birth control.' Sandra is outraged that her friend is taking it this far and leaps up from her seat. She begs her to stop and, while getting fucked hard, Sandra tells the reluctant girl to help her out and join in. He likes her better anyway, it'll make it faster. Stefan smiles and agrees with Molly. 'I'll be very quick,' he says politely. 'You might even enjoy it!' Finally, not wanting to watch any longer, Sandra agrees and joins in to finish the deal. BGG Sex. Throughout the rest of the sex, Molly is eager to please Stefan and Sandra, resigned and spiteful of her friend's actions, tries to fuck the man as hard as she can to get him to cum. He ends up pulling out and cumming on them both.

As they dress in silence, the man locks the suitcase and hands it over. Sandra clutches it in her hands as he gives Molly the key. 'There, you both worked for it ... so, you each get half!' He says condescendingly. They can barely look at each other. The man offers to finish the rideshare and, silently, the girls follow him out the door.

Rebecca Volpetti in 'Cum Harder - S34:E28'

Rebecca Volpetti - Cum Harder - S34:E28

Veronica Leal and Rebecca Volpetti are enjoying some flirty text messages as Rebecca makes her way home. Veronica decides to sweeten the pot as she tells Rebecca she's starting without her. Grabbing a vibrator and peeling off her panties and top, Veronica makes good on her promise. When Rebecca walks in, she finds Veronica splayed out on the couch mid-masturbation.Setting the vibrator aside, Veronica beckons for Rebecca to come join her. Rebecca is overdressed, so Veronica begins by peeling off her girlfriend's shirt, pants, and thong between sizzling kisses. Then Veronica sits Rebecca down on the couch between her thighs, making it easy for her to wrap her arms around her girlfriend and rub her clit before shoving her fingers knuckle deep into Rebecca's cream filled center.Veronica's finger fucking is fast and furious as Rebecca practically melts in her arms. When Rebecca has peaked once, though, the blonde insists on giving her redheaded lover a taste of her own medicine. Urging Veronica up onto her hands and knees, Rebecca goes in for a pussy feast and then finishes Veronica off with her magic fingers.On her back, Rebecca once again finds Veronica between her legs as she draws her knees back to open herself wide. Veronica focuses on oral pleasure this time, sweeping the flat of her tongue up and down Rebecca's pussy as Veronica moans in delight. When she finally returns to her finger bang, Veronica finds Rebecca dripping with blatant sexual need.There's just one way to make things better for both of them: Since Rebecca is already on her back and open for business. Veronica climbs on top and presses herself clit to clit with her girlfriend. Riding Rebecca's snatch, Veronica grinds her hips to create the perfect amount of friction for each of them. She doesn't stop until Rebecca is moaning and she is poised on the edge of another climax.Rebecca decides to finish things the way they began, grabbing a toy and curling up with Veronica in her arms. She presses the vibrator to Veronica's clit, only switching to oral stimulation at the very last moment. Veronica is replete with pleasure, but she won't end their lovemaking session until she has used the vibrator to return the orgasmic favor for Rebecca one last, satisfying time.

Riley Reyes in 'Role Models: Making A Difference'

Riley Reyes - Role Models: Making A Difference

Sofi Ryan is excited to start work at a new hospital and is getting the grand tour by Dr. Riley Reyes. Although Sofi is ready to change the world, Riley acts as though it's already crashed and burned. As optimistic as Sofi tries to be, Riley brings it down with her pessimism.

Finally, Sofi can't stay quiet anymore and asks Riley what's bothering her. Riley insists that nothing's bothering her, but Sofi insists that Riley's changed -- she used to be so enthusiastic about helping people! Of course, as soon as the words escape her mouth, Sofi's worried that she's overstepped her boundary...

Riley assures her that it's fine. Sofia's right: she HAS changed. She used to want to make a difference in the world but after a few years, reality hit her. It doesn't feel like she's made a difference at all.

Sofi is shocked to hear this, insisting that Riley makes a difference every day! In fact, it was Riley that inspired Sofi to get into health care. Without her, Sofi wouldn't be doing what she's doing today either. Maybe Riley just needs someone to inspire HER!

Moved by Sofi's words, Riley moves in for a hug, finally letting her guard down, but Sofi takes it a bit further. Maybe it'd also help Riley if she let loose a little. There's a spare hospital bed nearby, so why not??

Although Riley's still a bit hesitant, Sofi wins her over with her determination and passion. They tumble into bed together and peel away their scrubs to get close and personal. It isn't long before they're making each other tremble by diving into each other's pussies. All Sofi can hope is that all of this inspires Riley to keep being the best that she can be!

Lauren Phillips in 'My Busty Valentine - S10:E10'

Lauren Phillips - My Busty Valentine - S10:E10

Lauren Phillips is ready for Valentine's Day as she decks her bigtit bod out in a sheer thong, thigh-high stockings, and a dress that highlights every curve. She leaves a trail of rose petals for Kyle Mason to follow. When he does just that, he finds Lauren splayed out in bed with only a few small articles of clothing between Kyle's hands and her body.Despite the temptation of Lauren's hairy twat, Kyle starts his day out with the buffet of Lauren's breasts. Her big boobs easily pop from the top of her dress, making it easy for Kyle to palm the huge globes and lap away at Lauren's hard nipples. Lauren even enjoys a taste of her own jugs as Kyle continues his exploration of her body.Sliding a hand between Lauren's thighs, Kyle adds pussy pressure to the maelstrom of feeling that he's creating in his lover's belly. Lauren presses Kyle's hand harder against her, grinding her hips against his palm. When Kyle dips his head and pulls her thong aside, Lauren can't spread her thighs fast enough to welcome him in for a pussy feast.Not to leave Kyle hanging, Lauren gets on her knees before him. She pulls his dick out, finding it nice and hard to stroke with both hands. Leaning in, she licks her lips as she opens her mouth to begin sucking him off. There's only one thing that could seduce Lauren away from her blowjob, and that is getting the D. Kyle is happy to deliver!He kickstarts their fuckfest by paying Lauren down on the table and spreading her legs so he can step between them. Sliding deep inside, he gives her a moment to get used to it before he starts with slow, long strokes. Picking up the pace, Kyle gives it to Lauren until she's squealing her sensual delight.As Lauren comes down from her first climax, she slides off the table and gets to her feet. Leaning forward, she presents her fuck hole for another round of fun. Kyle is quick to take her up on the sensual invitation, shoving back inside and riding her hard so that her titties bounce with each stroke. Taking a seat on a chair, Kyle pulls Lauren forward until she is settled into his lap. She slides down until she's fully impaled, then starts rocking her hips in a mutually delightful rhythm. Kyle hangs on for the ride, keeping his hands anchored around Lauren's hips as she rocks his world. As soon as she has gotten off one last time, Lauren gets back on her knees and uses a combined titty fuck and BJ to give Kyle a very happy ending.

Kendra Spade in 'Class Of The Titans'

Kendra Spade - Class Of The Titans

Three high school students, Eliza Ibarra, Kendra Spade, and Vanna Bardot, are stuck in detention together after being thrown out of a class president debate for bickering too much. Kendra, being all about academia, is convinced she'd make the best class president. However, Eliza, a cheerleader, and Vanna, a theatre kid, are all about becoming class president, too.

As the three argue back and forth, it's clear that they just can't get along. However, they soon realize that the teacher is nowhere to be found. When they check the classroom door, it doesn't budge! It seems as though their teacher forgot about them AND the janitor locked them in! What's even worse is that the janitor also turned off the heat!

It's going to be a loooooong night.

As the hours tick by, the girls start to get restless and chilly. In order to conserve heat, they reluctantly snuggle up together on the teacher's desk, although they still can't get along. It doesn't seem to be working, though, and Kendra suggests that they'd probably be warmer if they stripped down to have body-to-body contact...

After some reluctance, they all strip down to their underwear. Even if they can't stand each other, they can't help but stare at their beautiful bodies. They begrudgingly give each other compliments, the tension between them shifting to a sexual one. Finally, to help pass the time, work out the tension, AND get warm, they decide to get frisky!

Things really heat up between them as the share naughty kisses and explore each other's bodies. No breast or pussy is left untouched as they each get a taste during the tantalizing threesome. Maybe after this, they'll be able to finally get along!

Story inspired by an original submission by Girlsway member, StoryFan!

Ashley Adams in 'Anne - Act One: The Orphanage'

Ashley Adams - Anne - Act One: The Orphanage

Winner AVN Best Actress - Feature Eliza Jane
Winner XBIZ Best Actor -- Feature Movie Tommy Pistol

ANNE - ACT ONE: THE ORPHANAGE

SCENE opens late one night. A cop car pulls into frame and parks beside a large residential complex. The driver door opens, and a uniformed officer gets out, adjusting himself and sauntering up the front steps. A plaque on the door reads: The Hands Transition House for Wayward Girls. No one answers when he knocks, so the officer lets himself in.

CUT TO:
Inside the complex. The officer walks down a darkened hallway towards the main office of Mr. Hands. His transitional facility is a government sponsored orphanage that, according to state regulations, is supposed to release its orphans once they turn eighteen. But, Mr. Hands has discovered a much more lucrative way to retain them. He has built a secret room in the back of his property where he moves the girls once they come of age. There, he can keep them occupied to support his other business ventures and no one from the establishment ever needs to know.

But the officer knows. That is why he is here. He has been accepting bribes for years. When he enters the office, he walks in on Mr. Hands, dressed in a smoking jacket, receiving a blowjob from one of his girls. The 18-year-old orphan is dirty and half-naked, resting on her hands and knees to service the corrupt proprietor. She doesn't even look up as Mr. Hands casually invites the officerto sit down. 'Sorry, I didn't expect you tonight!' He laughs. The officer is used to the man's complete lack of discretion and curtly requests his monthly envelope. As he slowly takes it out of his pocket, Mr. Hands boasts to the officer about business. He has a fresh acquisition: an 18-year-old orphan named Anne. The girl had been dumped on his doorstep years ago and grew up in the orphanage. Despite being abandoned, she still holds out the naïve hope that one day her beloved parents will return, even wearing a broken necklace left for her by her mother!

Their conversation is intercut with tightly cropped shots of Anne being led up the back of the property to the secret room. We do not see her face, only her hands clutching a broken heart necklace as she walks nervously.

The officer cuts the man off and demands his envelope. He doesn't need a sob story. Just keep the girls low-profile and nobody should come around to bother him. After all, they're all adults, right? And he isn't doing anything inappropriate to them, right?!? The men laugh, as Mr. Hands stands up, dismisses the girl, and hands the envelope to the officer. He peeks inside before tucking it in his pocket and going to exit. 'Please tell me one thing, though,' the officer says, chuckling. 'Is this one at least pretty?' Mr. Hands curls his lips up in a sneer and says 'The prettiest one I've ever had. A redhead!'

CUT TO:
Inside the secret room. Anne's face is revealed for the first time, as she sits down on her new cot still clutching the broken heart necklace.

Anne stares out the window, still clutching her broken heart, as the camera slowly tracks back to reveal seven other 18-year-old orphans sharing the same room. The space looks more like a sweatshop than an orphanage, with work stations set up at each cot.

Mr. Hands has been using the girls as labor for a black-market business he has selling used panties. When they aren't producing for him, they work on webcam and other forms of men's entertainment to earn their keep. Free room and board ... plus some extra perks if they get along well with the boss. On this evening, two of the orphans are busy working a cam show while three others rub, remove and package a giant stack of panties. They've been at it all day and look exhausted. Another girl dolls herself up in a cracked mirror, getting ready for a special guest that evening, while, Sally, a frail girl lies huddled in her cot trying to get some rest. Her leg braces rest beside her.

Patty, the resident bully, comes bursting into the room with her sidekick, Bonnie. The two orphans have been with Mr. Hands the longest and enjoy making the other girls squirm. Sally is their favorite target. Bonnie grabs her leg braces and makes fun of her while Patty stirs up the other orphans to get involved, teasing that it won't be long before Mr. Hands gets tired of the normal girls and wants a go at the cripple. This is because, each night, he comes into the room and cherry picks a few girls to fuck him in exchange for work relief.

Patty starts to imitate him, going from girl to girl, groping and kissing them, and offering them favors in exchange for sex as they all laugh and play along. Sally buries herself under the covers to hide from their teasing, as Anne takes notice and rushes over to break up the crowd. Protecting Sally, she demands that Bonnie let go of her braces. When Patty comes at her, the two girls almost get into a fight. The orphans restrain Anne until she finally backs down, telling the bullies to stop picking on girls weaker than them. Patty retaliates by telling all the other orphans that they shouldn't support Anne. After all, she is the reason why Mr. Hands has been doubling down on the rest of them. If she wasn't such a goody-two-shoes virgin and just let Hands fuck her occasionally, life would be simpler. After all, it's not that hard if you just play along. 'But Anne thinks she's better than the rest of us, girls!' Patty yells. 'All because of that stupid necklace and the delusional belief that her parents actually love her!' Furious, Anne rushes her again and the orphans start to fight when Mr. Hands comes barging into the room.

The orphans panic and jump into their cots. Mr. Hands staggers through the room, demanding to know who was causing the ruckus. He pokes around each cot, unimpressed with the state of the girls' workload, before zeroing in on Anne, who is hiding in a corner of the room. Getting right up in her face, he accuses the orphan of distracting the other girls and keeping them from finishing their work. Before she can protest, he punishes her with double duty the following day. Several other orphans laugh gleefully as he doles out the punishment, but Mr. Hands quietens the crowd. 'Of course, there is one easy way to get out of this, Anne,' he says with a sneer. Anne tells him she isn't interested and tries to get around him. The lusty proprietor follows her, sneaking a look up her skirt and telling her it would only last a few minutes. All the other girls do it and some have even grown to like it.

He pulls Patty to her feet and starts to use her as an example. She is clean, well-fed, and has everything an 18-year-old girl would want. He pulls Bonnie up as well and bends her over. Looking at her friend with a smirk, Bonnie hikes up her skirt and pulls down her panties. 'Would you like my pussy or my ass tonight, Mr. Hands?' She asks submissively. He slaps the girl on the ass and tells her to make out with her friend to get him hard first. She does obediently. Anne turns away in disgust.

Mr. Hands fucks Bonnie and Patty in front of Anne to try and coax her into agreeing to be with him too. She continues to refuse his advances, even as the two girls join him in his taunts. They follow Anne all over the room, fucking and teasing her while she tries to avoid them.

Several other orphans chime in to pressure her while the rest watch nervously in silence. In the end, Mr. Hands cums in the mouths of his two most loyal orphans, who lick him up eagerly and tell Anne she is just being a prude. Her parents are never going to come for her. And she has nowhere else to go. Anne clutches her broken heart and asks Mr. Hands to leave her alone. Angry, the sweaty man rips the necklace from her neck and storms out of the room, leaving the girl to collapse in a crying heap as all the other orphans tuck into their cots and go to rest.

TWO WEEKS LATER

Anne is shell-shocked and depressed, having no hope left after her necklace was taken. She kneels on all fours, scrubbing the orphanage's courtyard, while the other girls goof off around her. Mr. Hands has made it his mission to break the girl's spirit by having her do all the chores by herself. Only the crippled Sally tries to help her.

CUT TO:
A luxury car pulls into the complex. A beautiful and well-dressed woman named Ms. Farling gets out and walks to the front door of the orphanage. She is the personal assistant of a very successful businessman named Anthony Westfield, who has been asked to invite a local orphan to his estate for an upcoming charity event. When Mr. Hands opens the door, he is immediately suspicious. His informants are supposed to keep people like this off his property, especially nosey women. When she hands him a letter from the state requesting his cooperation, Mr. Hands has no choice but to invite her inside. As they tour the kitchen and common areas, Ms. Farling tells the crooked proprietor that her boss never had a daughter of his own, so she is hoping to take in a teenage girl for the week as a surprise for him. Mr. Hands freezes. He tells her coldly that they don't have any good girls right now ... only delinquents and troublemakers. But he has plenty of children in the other building if she wants to take a tour. Disappointed, Ms. Farling agrees but just as they are about to exit she overhears the orphans in the courtyard. She can see them through a window and insists that she go down and look, despite Mr. Hands' protests.

CUT TO:
Ms. Farling enters the courtyard and all the orphans stop, stunned to see such a beautiful and sophisticated woman in their midst. They know they are not supposed to interact with the public and a few of them even try to hide. Anne is the only one who doesn't react, her face still focused on the floor. Ms. Farling notices her immediately and walks over, kneeling to address the sad looking girl. She feels so sorry for her. She asks her name and how old she is and, when Anne doesn't respond, Sally limps over to join them. 'This is Anne, ma'am,' she says politely. 'She is 18-years-old and has been here since she was a baby. One day, her parents are going to come back and get her!' A single tear streams down Anne's face as she makes eye contact with Ms. Farling for the first time. 'Is that true, young lady?' She asks, clearly moved. Anne nods slowly. 'Would you like to come with me and let me help you find your parents?' She asks. Anne smiles for the first time in weeks and Mr. Hands, who has been watching anxiously in the background, steps in between them. He tells Ms. Farling to ignore Anne, she is the worst of the lot. A thief. Not the type of orphan her boss would ever want in his home. Ms. Farling, her eyes never leaving Anne's, replies that she has made up her mind. Anne is the perfect candidate, even more so if she has a troubled past. After all, the press loves a good story and the girl will be a great fit for her boss' image. Mr. Hands tries to dissuade her, but the assistant reminds him of her court order. The state clearly says that she can select any orphan she wishes from under his care.

Left without a choice, Mr. Hands puts on a fake smile and assures the assistant that he will personally bring Anne to their estate in the morning. He is always supportive of charity. She smiles and, hugging Anne, tells her she will see her tomorrow. It's only a day away. She lets herself out, leaving Mr. Hands alone with the orphans. His fake smile turns into a snarl the moment she is gone. He plucks Anne up and drags her out of the courtyard, while the other orphans rush back up to their room.

CUT TO:
Mr. Hands leads Anne into his office and throws her down on the couch. He tells her that he has no intention of letting her leave after she has disobeyed him so many times. She begs him to let her go, pleading that this opportunity may be her only chance to find her real parents again. Mr. Hands laughs and pulls the broken heart necklace out from his pocket. He dangles it in front of Anne's face while using the situation to manipulate her. Why should he cooperate when she has been so uncooperative in the past? She knows what she needs to do to get favors from him. Desperate, Anne finally offers to have sex with Mr. Hands if he will agree to take her in the morning as he had promised. He smiles and makes her repeat her offer several times, to his amusement and sick satisfaction. Then he takes his pants down and takes Anne's virginity in his office.

Once he has cum, Mr. Hands staggers over to his desk. He pulls out a vial and a rolled-up bill, leaning over the desk to sniff something up, as Anne struggles to put her skirt back on. She asks what time she should be ready in the morning and, looking coldly at her whilst sniffing, Mr. Hands replies that he has changed his mind. He's going to bring someone else instead. Maybe Patty. Anne wasn't quite as good as he would have expected. A bit of a letdown, really, considering all those months of buildup. Betrayed and furious, Anne charges at Mr. Hands, screaming that she is leaving and that she wants her necklace back that he stole from her. The crooked proprietor grabs her by the throat. 'You're not going anywhere,' he growls before locking the orphan in his closet. He sits down at his desk, does another line, and puts his feet up as Anne pounds her fists behind the door.

Cadence Lux in 'Bad Samaritans'

Cadence Lux - Bad Samaritans

Nominated - Best Actress - Featurette: Cadence Lux, AVN 2020

Nominated - Best Sex Scene -- Vignette: Cadence Lux, Charles Dera & Seth Gamble, XBIZ 2020

BAD SAMARITANS
COLLEGE GIRL FIGHTS WITH BF AND ENDS UP COVERED IN CUM BY STRANGERS

SCENE opens on an unhappy couple, Carly and James, as they drive through a residential neighborhood on their way home. The pair have just come from James' parents house and Carly is very disappointed at the way in which James has treated her in front of his family. Even though they've been dating for three years now, the man still won't commit to anything more than living together. He even had the nerve to laugh about it with his father in front of Carly's face. Now, as she gives him a piece of her mind, reminding him that she is 25 and just wants to settle down, he accuses her of being overbearing. She should just be happy with what they have and stop pressuring him. The fight reaches a fever pitch when Carly demands to get out of the car. She doesn't want to be near her boyfriend anymore. He tries to tell her to calm down but, when he reaches a stop sign, she jumps out anyway and starts storming off in the opposite direction. James yells after her for a moment, before growing frustrated, and driving off.

CUT TO TITLE PLATE

Several blocks later. Carly is still walking, her arms folded, and tears streaking her face. She pauses to look back at the road. Goddamn bastard didn't even turn around! He's going to be sorry when she gets home and dumps him. She mutters to herself as she wanders through the unfamiliar neighborhood. She has no idea where she is, it's hot as hell, and she left her purse and phone in the car.

A black SUV appears in the distance. As it draws closer, it begins to slow down until it is driving parallel to Carly. A nicely dressed, handsome man rolls down his window and asks her if she is ok. Embarrassed, she tells him she is fine and turns back to begin walking again when the man cuts his engine. 'Are you sure?' He asks again. 'It looks like you're crying!' Carly wipes her face and tries to shrug it off. 'It's ok ... really,' she replies. 'I just had a fight with my stupid boyfriend!' The man in the car laughs. 'Let me guess ... did you storm off to prove a point and, like a typical man, he just left you here?' Carly nods, a smile creeping across her face. The man smiles back. He stretches out his hand and introduces himself as Adam. 'This neighborhood is a little sketchy, why don't you get in and I'll drive you home?' He offers. 'Unlike your boyfriend, I don't feel comfortable leaving you here!' Carly pauses for a moment in hesitation, looking around. She knows she shouldn't get in a car with a stranger, but he seems very genuine. Besides, she really has no idea where she is, so she agrees and gets into his car.

As they drive towards her apartment, Adam is friendly and open about himself, telling Carly all about his background and his own relationship history. Carly can't help but feel a little smitten by the handsome stranger, especially in contrast to her jerky boyfriend. When he nonchalantly tells her that he was on his way to hang out with a friend, she makes a joke about wishing she could tag along too. The last thing she wants to do is go home right now and deal with James. Adam shrugs his shoulders and tells her she is more than welcome to join them. He'll even take her home afterwards or call her a rideshare. Smiling at him, she bites her lip and agrees. It'll be fun!

Cut to the doorbell ringing. Nathan, Adam's friend, opens the door and is surprised to see Adam standing there with a young woman. The men exchange a quick glance before Adam tells him how he found Carly on the roadside. 'Your boyfriend sounds like an asshole!' Nathan exclaims, extending his hand. Carly laughs and nods, slightly intimidated, as she is invited in.

CUT to the patio. Adam leads Carly outside while Nathan stays in to grab some beverages. The sun is starting to go down and the view in the back is beautiful. Carly looks around in awe while Adam tells her about how he and Nathan met in college. They played football together and were in the same fraternity. Now they are business partners. Audio-visual equipment. High-end stuff. Lots of celebrity clients. Carly imagines how successful they must be, given the size of Nathan's house. 'Is he married?' She asks. Adam shakes his head. 'Nah ... Lifelong bachelor,' he replies. Suddenly, Nathan bursts through the back door holding a camera and pointing it at the duo. 'Say Cheese!' He jokes. From the camera's POV, we hear him brag about the new model they just got in and how beautiful the picture quality is. Adam walks over, out of frame, to check it out and the friends ogle the tech specs while the camera secretly zooms in on Carly. She stays awkwardly by the patio edge, occasionally making eye contact with the camera and fidgeting. Nathan jokes and tells Carly to smile ... she looks so pretty with the view behind her! Not wanting to be rude, she pushes a smile and even makes some bad modeling poses to play along with the boys. 'You're not actually recording that, are you?' She jokes, half-serious. Nathan puts down the camera and says of course not. He tells them their cocktails are ready inside.

The trio sit down in the living room and Carly nervously sips her beverage. She is starting to think that maybe she should just go home and deal with her boyfriend after all. Nathan continues to tinker with his camera, while Adam tells him more details about what happened to Carly. 'Do you want us to go beat him up?' Nathan jokes. Carly tells him that he's sweet. James probably deserves it after the way he acted ... but, she doesn't need them to do that. She can handle it herself. Adam starts to rant about how shitty men can be, how disrespectful and rude they are. Women should be treated like goddesses ... not like pieces of trash you leave on the roadside. Nathan chimes in, adding that Carly should at least consider some kind of payback. After all, the jerk should feel bad for what he's done. What if she had been attacked out there? 'The neighborhood he left you in,' Adam adds. 'Is notorious for violent crime, especially against women!' Carly didn't realize that, and the weight of what James did to her slowly begins to sink in. 'It is really shitty that he didn't even try to look for me,' she mutters. Nathan and Adam move closer to her on either side of the couch. 'So, what do you think you're going to do?' Adam asks. 'It needs to be something that really pisses him off!' Nathan adds. Carly looks up at them, as they invade her personal space with their questions. 'I don't know,' she replies meekly. The men continue to pepper her with questions: What makes him mad? Does he get jealous easily? Maybe, the best revenge she could take is to make him jealous. Make him wish he hadn't been such a pussy and just married her like she wanted. They get Carly riled up to a point where she is agreeing with them. It would be satisfying to see him suffer a little. Nathan motions to his camera. 'I bet he'd freak out if he saw you with us,' he suggests. Carly looks down at it. 'Probably ...' she trails off. 'Hey, let's take some photos and send them to him,' Adam adds. 'I have a blocked number!' Before Carly can say anything, Nathan is snapping photos of Adam and Carly on the couch. 'Sit on his lap!' Nathan says, laughing. Carly hesitates before Adam encourages her to climb on. He is laughing too. She swallows hard before deciding to just do it and slides onto his lap. She can feel the bulge in his pants as they pose together for Nathan. The man sits down beside them and takes a few more intimate photos before joining in on a selfie. 'Now, kiss me,' Adam says. Carly hesitates again. 'I think we've got enough good photos already!' Nathan pushes her head towards his friend and reminds her that she needs to make her boyfriend jealous. Really jealous. Make it convincing. She reluctantly agrees to give Adam a kiss, while Nathan puts the camera on a tripod and moves into join them. 'Say cheese!' He says again before asking permission to take her clothes off. She looks into the camera lens blankly before turning back to him. 'Like ... do you mean, have sex with me?' She asks nervously. Nathan smiles. 'Nothing feels worse than when your girl steps out on you,' he says, his voice changing in tone. 'So, if you want to prove your point, you'll let us fuck you and you'll enjoy every moment of it for the camera!' Carly looks into the lens one final time before slowly agreeing to have sex with them. After all, James shouldn't have left her. He should have come back. This is all his fault.

Emily Willis in 'Uncle Charming'

Emily Willis - Uncle Charming

UNCLE CHARMING
CHARMING YOUNG UNCLE MANIPULATES NIECE TO TAKE HER VIRGINITY

SCENE opens on a bored-looking 18-year-old girl Sophie at the base of a staircase, leaning slumped against the railing. Her fingers are avidly typing away on her phone, but her expressionless face and glazed over eyes shows she's hardly interested, just killing time. 'So explain to me again why I have to rest on the couch for a whole month just to make room for this loser uncle I've never met?' she says in a deadpan grumble. Her mother Mrs. Kent comes into view, breathlessly scuffling back and forth to straighten a painting here, wipe dust off a shelf there, adjust her daughter's hair (which only frustrates her further). 'Oh come on, Sophie, be nice, it's just until he finds a job in the city. And he's not some total stranger, he's family now.' Sophie snorts. 'Not really,' she scoffs, 'just 'cause gramps found a new trophy wife and she happens to come with kids, doesn't mean we gotta spend time with them.' Mrs. Kent looks scandalized - that's no way to talk about her grandfather. Sophie rolls her eyes. 'I'm just saying, what am I even going to have to talk about with this guy? Shouldn't dad be the one to get stuck with all this family bonding crap?' Mrs. Kent stops hurrying around for a moment and puts her hand on her waist matter-of-factly. 'Actually, Sophie, Blake is supposed to be just a couple years older than you. So who knows, maybe you'll have a lot in common.' For the first time, Sophie looks up from her phone in a moment of genuine surprise, before shaking her head and returning her attention to texting. 'Probably still a weirdo,' she mutters. Her mom shushes her disapprovingly and then continues her lastminute tidying into the other room. A few seconds later, she calls from the other room that she thinks she hears him coming to the door but has her hands full, can Sophie answer it? Sure enough, moments later there's a knock on the door. Sophie groans, puts down her phone and the camera tracks her as she trudges to open the door. A handsome and charming man dressed similar to Sophie is at the other side of the door, a duffel bag slung over his shoulder. From Sophie's POV we see him flash a friendly smile and extend his hand towards the camera for a handshake. 'Hey, you must be my new niece,' he grins, 'I'm Uncle Blake.'

CUT TO TITLE PLATE

Several days later, Blake and Sophie are hanging out in what's evidently from the feminine decor Sophie's old room, only now there are some of Blake's things strewn about giving it a lived-in vibe. The two of them are sitting casually across from each other on a sprawling bed, or perhaps Sophie is on the bed and Blake is sitting in a nearby chair. He is recounting to Sophie some stories about one of his recent cross-country hitchhikes, and Sophie hangs on his every word. After the climax of his latest story, he pulls out his phone to show her some pictures he took from the trip. He gets up from where he's sitting and sits back down intimately close to Sophie, and starts showing her the pictures. Tight camera angles of Blake watching Sophie's face while continuing their conversation and looking at the pictures suggests tension, like an animal predator scoping out its prey. Coyly, he turns his hitchhiking anecdote sexual by telling Sophie about a one-night-stand with another traveler. He starts off as telling it like any other story, but then starts to describe the encounter more and more graphically. He relishes as Sophie blushes and has trouble meeting his gaze. Eventually he ends the story by saying it was an experience he'll never forget, and then asks what her most memorable sexual encounter is. Sophie embarrassed admits that she's a total virgin, she's never even kissed a guy before. 'Aren't you 18?' he asks incredulously. Sophie nods. She supposes she's been a bit of a late bloomer. Blake suggests he could teach her how to kiss - Sophie pulls back, flustered, and he shrugs and says at least it would be better to try it with someone she trusts than with a stranger. Sophie stutters a bit and then makes up a lame excuse to leave the room.

CUT to that evening, Sophie and her mother are in the kitchen brewing a pot of coffee while Sophie is asking her mom questions about what to do when you like someone, how do you know whether to make a move or not, etc. Mrs. Kent expresses interest in hearing the details - 'who's the boy?' - and despite Sophie's attempts to keep the conversation vague, she reveals small details ('I haven't known him long', 'he's had a lot more sexual experience than me', etc.). Her mom gets increasingly agitated as she realizes it must be Uncle Blake, especially since the past few days Sophie and he have been inseparable, and she asks Sophie point-blank whether it's Blake she has a crush on. As soon as Sophie admits it, her mother gets agitated, she calls into the other room for Mr. Kent to come and admonishing Sophie for making a huge mistake.

Sophie tries to calm her down, but when Mr. Kent comes to see what's wrong and Mrs. Kent explains the situation, things only escalate further. Throughout the argument, both parents interrogate her with probing questions ('has he tried to make a move on you?'), they try to convince her to forget about him ('you're family for god's sakes' - to which Sophie protests 'that's just because of some piece of paper, before gramps' wedding we weren't related at all! ... ... 'the guy's a loser, he never stays in one spot for more than a few months, what do you see in him?!' etc.) and finally they threaten to send Blake packing. Sophie starts crying that they're overreacting, that he's not like that, in fact he probably doesn't even like her like that. It was all just a stupid crush. Mr. Kent says he's going to have to talk to Blake and Sophie begs him not to, he'll embarrass her and ruin things, but the dad refuses to listen. If Blake is going to stay under their roof, it'll be under their terms, not his.

CUT to even later that night, Sophie is sitting upright on the couch in light pajamas clothes, it's evident she was trying to rest on the couch but muffled sounds of shouting from upstairs are keeping her awake. Finally, the shouting ends, followed by an upstairs door opening and slamming audibly. Sophie rearranges her pillow angrily, sighs, and then lies down on her back, eyes open staring blankly at the ceiling. After several seconds of silence, the same upstairs door clicks open and closed again, this time more quietly, followed by the sounds of the stairs creaking under the weight of someone. Blake peeks his head over the couch into view of Sophie's upward gaze.

She sits up again, and he takes a seat beside her on the couch. 'I guess you must have heard all that, huh?' Blake says with fake sheepishness. Sophie apologizes - she shouldn't have opened her big mouth.Blake smiles sympathetically - it's not her fault. Besides, he thinks it's cute that she has a crush on him. Not that he feels that way about her of course. Embarrassed, Sophie says she knows, and she was never going to act on her feelings anyways. She was just being stupid. Good, Blake insists, because it's important to him they stay friends. In fact, more than friends - he's hoping that one day they can really be family, not just by law but have a real family bond. Sophie nods and says she hopes so too. 'Well you know, Sophie, it's important for family to trust each other,' Blake says with a hint of admonishment. He can't exactly open up to her if she's going to go telling her mom and dad everything they say and do together. Sophie desperately promises that'll never happen again - she never wants to relive how her parents shamed and embarrassed her tonight.

Blake's tone of admonishment gets even more exaggerated. Well he didn't appreciate being yelled at by her dad either. Especially when he hadn't done anything wrong, when in fact all he'd done was embrace them as his new family. Sophie apologizes for her dad - she wished she'd never gotten them involved at all. Blake says it's ok - it was their first fight as brothers. There's bound to be plenty more.

They sit in silence for a moment. Blake leers up and down Sophie's scantily clad body before snapping his eyes back to meet hers when she looks back at him. He smiles charmingly. 'I guess your dad's just trying to protect you. Like, if I really were some kind of creep, I'd probably try to take advantage of you. And I'm sure it would probably tear him up inside if he let something like that happen to you.' Sophie rolls her eyes and then laughs. She's not a kid anymore, she can handle herself. 'No, definitely not a kid anymore' Blake says with another appreciative look up and down her body. 'But... well, I mean you are still a virgin. So it's not like you're all grown up either.'

Sophie looks a bit stung by the comment, and a bit embarrassed. It's not THAT big a deal, is it? 'Well,' Blake retorts, 'you're not exactly proving your dad wrong. He thinks you're still daddy's little girl, that you still need protecting... you're kind of reinforcing that by keeping yourself all innocent and precious in his eyes, aren't you?' Sophie doesn't have a good comeback to this. 'If you really wanted him to stop seeing you as his little princess,' Blake concludes, 'having sex would be a great way to start.' Sophie pouts - it's not exactly like she's been intentionally avoiding sex. The opportunity just hasn't come up.

'I mean... I guess I could fuck you,' Blake offers nonchalantly. Sophie is taken aback. Blake continues. 'I mean, it's not like I'm into you like that, but like I said before it's better to do it with someone you trust. Plus, better to learn how in advance, rather than embarrass yourself with someone you really like for your first time.' Sophie protests, she couldn't. It wouldn't be right. Especially after what just happened with her parents. Blake retorts - he thought they'd just agreed that they were going to keep things private between them from now on. How would her parents even find out? Sophie continues to resist, but Blake charms her further. Just a few hours ago she was saying she has a crush on him, now he's basically making her wishes come true and she's refusing? Slowly, he convinces her - all the while making it seem to her that it's what she wants, he's just doing her a favor.


Elena Koshka in 'Future Darkly: Don't Panic!'

Elena Koshka - Future Darkly: Don't Panic!

Nominated - Best Art Direction, AVN 2020

FUTURE DARKLY - DON'T PANIC
COUPLE MUST TRADE SEX FOR SURVIVAL AFTER THE WORLD ENDS

SCENE opens on a couple, Jacob (Logan Pierce) and Katlyn (Elena Koshka), walking hand in hand down a modern city street. They've just left dinner, and, through their small talk, it is revealed that the pair recently moved in together. They come to a corner and pause to share a tender moment. While they kiss, a shower of satellites streaks the sky behind them before tumbling to earth and exploding. The couple barely has time to react before everything buzzes and fades to white.

CUT TO TITLE PLATE

SIX WEEKS LATER

Katlyn slowly opens her eyes. She is huddled under a tarp and wearing the exact same outfit as before, except it is now filthy and soiled. Her once pretty hair is greasy and pulled back with string. Dirt streaks her face. As she pulls back the tarp, she realizes that her boyfriend Jacob is missing. The girl freaks out and jumps to her feet, looking for the wood plank she keeps by her side. As she grabs it, Jacob comes around the corner with a jug of water. He is also wearing the same outfit, caked with dirt and filth. He is unshaven and carrying a crude piece of metal. Katlyn rushes into his arms asking if he found food but her boyfriend urges her to be quiet. There is somebody up the road and he isn't sure if they're good or not. Katlyn starts to frantically gather their things. 'He might not be bad. He might know something, like the woman who drove us back in the beginning.' He continues. Katlyn asks him what he looks like. He looks pretty normal, Jacob replies. They decide to go approach him.

CUT to inside a derelict building. The couple approach the window and a man's shoulder steps into frame. He is the man Jacob saw earlier, another drifter. The couple wave their weapons above their arms and tell the man they mean no harm. They want to know if he has any information. The man hesitates before slowly sticking his head out of the door. 'You tell me first,' he says. The couple look at each other before Jacob replies that they heard it was an asteroid. Nothing works. No GPS, no internet, no electricity. The man pauses before replying 'I heard it was a nuclear attack, but I've only met 13 other people.' He pauses, before adding 'I also know where some water is.' Katlyn jumps in, demanding to know where. The man sticks his head out a little further and says he'll tell them but only if they give him some of their own water first. Jacob clutches the jug tightly. He weighs his options before Katlyn urges him to do it. Jacob agrees, and the man pulls out a dirty plastic container. Jacob fills it up and the man eagerly takes it, before telling them there is a well two miles up the road. He disappears inside, and the couple turn to keep walking.

CUT to the middle of nowhere. The couple walk through the blazing sun, with nothing in sight. Their jug is empty, and both are growing desperate. They argue about the water before coming upon a body lying in the road. Looking down on it, they root through the person's pockets but only find a dead phone.

Katlyn pleads that she is hungry, and Jacob tells her that water is more important. They need to keep walking. He tosses the phone in the dirt.

SMASH CUT to a gravel road, as the couple come up a large empty house. 'It's probably been raided already,' Jacob says but Katlyn urges them to check. They go to the front door and enter.

CUT to inside the house. It is still. There are no lights on, except for the natural light streaming in. Jacob tells Katlyn to wait while he checks the rest of the house. While she stands alone nervously, she starts to look around. A coffee cup rests on the table. It is moldy inside. She spots a pencil and snatches it up, stuffing it in her pockets. Then she sees something that shocks her: a flickering light coming from behind a closed door. She screams out to Jacob, who rushes back in.

'The whole house has been stripped,' he says. 'Like I told you.' Katlyn points to the light. The couple stare in shock. They haven't seen a single light on since it happened. Guarding his girlfriend, Jacob slowly opens the door to reveal a library with several oil lamps burning. In the middle of the floor, is a pile of tuna cans.

The couple's eyes go wide, and they pounce on them. This is more food than they've had in weeks. They try to chew them open and bang them against the floor and with books to open them. Katlyn even tries to use the pencil she found in desperation. Nothing. They collapse in frustration as a rifle barrel slowly slides out from behind a curtain in the corner of a room. A man, dressed in clean tactical clothes and greased back hair steps out. He tells them to freeze.

Jacob shields his girlfriend and begs the man to put his gun down. They are not bad people, they are just passing through. The man asks them what they know. Nervously, they reply that it might be an asteroid or a nuclear attack. There is no GPS, internet or electricity and there is supposed to be water near here. They think it's been 2 or 3 months, but they aren't sure. The man studies them before slowly putting the gun down. 'There's a well at the end of my property,' he replies. Jacob asks if they would be allowed to fill up their jug. The man smiles and sits down. 'I believe it was Kessler Syndrome,' he says matter-of-factly. Katlyn asks if he is a doctor. 'I was a high school science teacher,' he replies. There is an awkward silence, as the couple stray towards the door. 'It was a theory proposed in the seventies by NASA,' he continues. 'The idea that if enough space objects were to collide, the debris they would cause would litter our atmosphere with so much junk that all the satellites would come crashing down.' Katlyn asks her boyfriend if that is true. He shrugs his shoulders. 'No telecommunications, no electrical grids, no laws.' The man adds, laughing to himself. Jacob asks again if they can use his well. The man reaches into his pocket and pulls out a can opener. 'How about you help yourself to these cans, as well?' Katlyn freaks out and reaches for the opener, when the man pulls his hand away. 'I'll give this to you if you let me fuck your pussy!' He says, putting the opener back in his pocket. Jacob lunges at him but the man picks up his gun. 'I will defend myself,' he threatens. Jacob tells him that his girlfriend is not for sale. 'It's a trade,' he says calmly. 'Just a few minutes in exchange for a whole week's worth of food.' Jacob stares down at the food. 'I haven't been with a woman in a long time, I'm sure you can understand my position.' The man argues. He stares lustfully at Katlyn. Jacob turns and starts to debate doing it with his girlfriend. She is stunned at his attitude. How could he even be contemplating this idea? He tells her to not panic. Just calm down and listen ... food is getting harder to find. He's going to give them water too. Life isn't like it used to be. Katlyn slaps her boyfriend. He pleads with her to think about them both, not just herself. She can close her eyes. She can get through it. As he speaks, Katlyn gradually realizes that her boyfriend is right. They need the food. Old rules don't apply. She must do it. 'If you give my boyfriend the cans and the opener first, then I'll do it,' she negotiates. 'He won't leave without me.'

The man smiles. He tells her to strip while he carries the gun back to his curtain and tucks it out of view. He pulls out a single wet wipe. 'Clean yourself down there first,' he says. Katlyn nervously wipes her vagina while he inspects her. 'Wait outside,' he orders Jacob. Jacob looks guilt-ridden at his girlfriend before she tells him to go. She will be out soon. He stuffs the cans into their tarp and leaves, closing the door. Katlyn turns back to the man, tells him she is ready and then starts sucking his dick.

Alex Blake in 'Swapping Daughters'

Alex Blake - Swapping Daughters

SWAPPING DAUGHTERS
PARENTS USE EXCHANGE PROGRAM TO SWAP DAUGHTERS AND START FAKE FAMILY

SCENE opens on a family of three, Mr. and Mrs. Valentine (Dale and Gina) and their daughter Becky, in the driveway of their house. To their side a parked ride-share car and its driver wait with the trunk open. The family is going over the final preparations for their daughter's trip. The daughter is dressed to travel, with two suitcases and some travel bags at her feet, and is loading them into the trunk of the car all the while being fussed over by her attentive parents who are insistent on making sure she's prepared. While the father lectures her on travel safety tips, the mother sporadically asks about whether she's remembered to pack this or that. Even after all the bags are packed and the trunk door closed, the chatter continues until the daughter insists that she's going to miss her flight if she doesn't leave soon, and her parents begrudgingly stop fussing over her and let her get moving. 'But not until we get one last hug as a family,' the father insists, and the daughter happily obliges. She's going to miss them over the next two months, she says as she hugs them tight, but she hopes they have a good time with the new exchange student. The couple exchange a knowing glance, unseen by their daughter, and say they're sure they will. The daughter says her final goodbyes, and hops into the passenger seat of the car. She waves to her parents through the window, and they back to her, as the car starts to pull away. 'It's really happening,' the father says discreetly to his wife as he waves, 'it still doesn't feel real.' 'I know,' the mother agrees, and wistfully asks her husband, '...do you think she'll be okay?' The father puts his other hand on his wife's back and rubs it reassuringly. 'We can't think about that now,' he says as he continues to wave, 'what's done is done. She's not our problem to worry about anymore.' With the car turning out of sight, he drops his waving hand and turns to his wife, clasping her hands. 'Now come on, we have a lot to do before our new daughter gets here.' As he says the words 'new daughter', they both look at each other with nervous excitement, the expression of two people about to do something they've never done before but are clearly looking forward to. They turn to head back to the front door together, holding each other at the waist with an excited spring in their step.

CUT TO TITLE PLATE

The couple emerges on the inside of their house from the front door, but it's clearly a different day and they are neither alone nor empty-handed. They are helping an 18-year-old girl Cassie with her many travel bags and suitcases, and all three are chattering excitedly - about how she's going to love it in the States, about how she loves warm weather and they get so much less of it in Canada, about what food she can't wait to try, etc. When all the bags are finally inside and the front door closed, Mr. Valentine shrugs and gestures around himself a bit awkwardly. 'Well Cassie, welcome to your new home!' he gushes. 'Yeah! Well, for the next two months, that is,' Cassie says excitedly, as the Valentines exchange another knowing look between each other

The Valentines seem nervously eager to impress Cassie, the same way a goofy teen boy might try to win over his date's dad. They tell her about all the amenities of the house, explain to her their ground rules (they insist there aren't very many - they try to be 'cool' parents, after all), and mention that they like Swapping daughters Parents Use Exchange Program To Swap Daughters And Start Fake Family to leave plenty of time for family activities and bonding, and they hope she feels welcome to join them. Throughout, Cassie is endeared by their well-meaning attitude. The whole arrangement seems like a dream come true! She can't wait to go see her room and unpack - Mrs. Valentine helps her with her bags up the stairs, while Mr. Valentine calls out that dinner's at six and he hopes she likes hamburgers!

CUT to a few days later, Cassie is in a chipper mood as she emerges downstairs to find Mr. and Mrs. Valentine in the living room. They are in their pajamas and sipping coffee when she arrives, with Mrs. Valentine reading a book while Mr. Valentine is on his laptop. 'Good morning, Mr. and Mrs. Valentine!' Cassie exclaims. 'Nuh uh uh!' Mrs. Valentine says sweetly, 'What did we say about that 'Mr. and Mrs. Valentine' stuff?' Cassie giggles and rolls her eyes - she knows they said she can call them mom and dad while she's staying here, it just feels a little weird. But she's warming up to the idea.

The Valentines inquire about Cassie's plans for the day, and gush when she says she's meeting some friends at the mall - they're so proud that she's managed to make friends in so little time here, but of course who wouldn't love to spend time with a girl as sweet as Cassie. She should feel welcome to invite them over to the house at any time, any friend of Cassie's is a friend of theirs! Cassie blushes at all the attention. She excuses herself and is about to leave for the mall when she remembers to ask - 'Oh, by the way, has the internet been down or anything the past couple of days?' No, they answer, not that they know of, anyway - why? Cassie remarks, a bit let down, that her parents promised they'd call and she hasn't heard from them once since she got here. The Valentines try to console her - they're sure she'll hear from them soon, they're probably just busy. Parents are supposed to worry about their kids, not the other way around, she should forget about it for now and just enjoy her trip. They manage to cheer Cassie back up by insisting it's probably nothing. She thanks them, about to call them Mr. and Mrs. Valentine again, and stops herself. 'I mean, mom and dad,' she grins and says cheekily, and they look positively delighted to hear the words. In good spirits, she leaves for the mall.

Once she's gone, Gina turns to Dale and says that they'll have to tell her soon. Dale nods but says he thinks they should still wait a couple more days. They'll have to find the right time. Gina says she thinks she's going to fix herself a snack and gets up off the couch, does Dale want one? Dale says absolutely. Gina leaves the room, and Dale continues working on his computer. Suddenly he gets an incoming Skype call on his laptop - we can see it's from their daughter, Becky. Dale makes a pained face, sighs, and then moves his mouse over the red button to not accept the incoming call and clicks, ending the ringing. He looks down and sees that now the icon appears that shows she's typing something. A message flashes on the screen, which reads: 'Mom, dad, please pick up!!! These people are crazy, they keep saying you made some kind of weird deal with them'. Then another message flashes, 'PLEASE, answer me, I wanna come home, these people are sick!!!' Dale sighs, and then starts moving his mouse. A third message flashes, 'PLEASE, I can see you're online, PLEASE ANSWER ME!!!!' Dale right-clicks on the name and selects to block contact. The message appears, are you sure you want to block this contact? Dale selects Block and then closes his laptop with a sigh.

CUT to two days later, in the late evening. Cassie and the Valentines are playing a family/party game on their phones together in the living room. It's clear they're all having a great time together. After the round, Cassie yawns and puts her phone on the coffee table. She remarks that it's getting late, and she was planning on meeting her friends early tomorrow so she thinks she'll head to bed early. 'Actually,' the Valentines say as they look at each other then back to Cassie, 'before you go, there's something we need to talk to you about.' They pat the seat in between them as a gesture for Cassie to come sit next to them both. Cassie looks taken aback but acquiesces. Once seated, the Valentines try to ease in to the topic - they've so enjoyed having her here, they all get along so well, it's been the best weeks of their life... Cassie looks confused and upset, they're talking like they're about to kick her out - did she do something wrong? Nervously they try to calm her down, no, in fact it's the opposite, they want to offer her a permanent home here, as her new parents. Cassie looks relieved, and says that she's loved being here too, but she of course can't accept their offer - she has a life back in Canada, friends, a home and a family. Mrs. Valentine takes a breath and explains that actually, she doesn't. Cassie looks confused, and Mr. Valentine steps in to explain that Cassie's parents made a deal with them to give Cassie to them. 'Cassie, sweetie... they don't want you anymore.'

Still seated, Cassie looks shocked and upset - what is he talking about? What does he mean a deal? The Valentines explain to her that Dale has certain... needs... needs he couldn't get from his home life with Gina and their daughter Becky. But Gina wanted to help, so together they searched the internet and discovered a small group of like-minded fathers with similar problems. That's how they met Cassie's parents, and together they came up with a solution to help both families. They made a deal to swap their daughters. The two families convinced their daughters to sign up for a cultural exchange program so they could ease them into the idea of a new family after the swap had already happened. That way there would be no turning back.

None of this is making sense to Cassie, who shakes her head hurt and confused. What does 'swapping' their daughters help? What needs are they talking about? Gina explains that Dale was feeling unnatural urges towards their daughter Becky. Urges he knew was wrong. He knew he couldn't act on those urges, but the temptation was too strong. It was actually Cassie's dad's idea, for them to swap daughters so they could each start a new 'family', a perfect family like the one they always wanted. A family they could fuck.

Cassie gets up from the couch, disgusted. What kind of fucked up plan is that? This whole thing is sick, they're both sick! Mrs. Valentine looks distraught, and Mr. Valentine speaks out uncharacteristically angry in defense of his wife. 'Now stop that, Cassie, look how upset you're making your mother.'

'She's not my mother!' Cassie shrieks. 'And you're not my father! And you're not going to FUCK me, you disgusting creeps! I'm getting my stuff and I'm getting out of here and going HOME!' But the Valentines try to reason with her - she doesn't have a home to go back to. Her old family gave her up, they don't want her anymore. And because she's over 18, they don't legally have to take her back in. He and Gina are the only family she's got now, so she can either agree to their terms or try her luck on the streets. Defiantly, Cassie pouts that she wants to call home. Mr. Valentine sighs defeatedly - they won't want to talk to her. But Cassie insists. Mr. Valentine hands her her phone from the coffee table and Cassie rapidly types in a number and dials. After a couple of rings, a grown man's voice answers. 'Dad,' Cassie starts, 'Dad it's me, I-' but the voice cuts her off. 'Who is this?' Cassie tries to tell the voice that it's her, it's Cassie, but the voice nervously says he doesn't know a Cassie, clearly lying. She tries one more time but he cuts her off saying 'L-look... whoever you are, I don't want you bothering my family, we're very happy together. Just... don't call here again.' Cassie tries to say something more but the man hangs up.

Cassie is unable to move, stunned into silence clutching the phone to her ear. After a few seconds, her arm falls to her side, still clutching the phone loosely. Dale slowly gets up from the couch and gently takes the phone out of her hand, putting it back on the coffee table. 'See Cassie?' he says sympathetically but with an I-Told-You-So vibe. 'Those people aren't your family anymore. We are. And we care about you.' Cassie looks at him bitterly - 'you just want to fuck me', she says through gritted teeth. Dale looks hurt, that's not true. He wants to love her, to be a family to her. He just wants them to be a closer family than most. Gina points out that it took her some time to understand it too, but she's come to accept it. She thinks Cassie could too.

There is a look of defeat on Cassie's face - she doesn't want to be homeless, she says. She wants to stay. The Valentines look relieved, and say of course she can stay. She's their daughter. They'll take great care of her. As long as she understands that means they get to fuck her too. 'Yes,' Cassie says defeated. 'Yes, what?' Mr. Valentine says coachingly. 'Yes... daddy,' Cassie says obediently. Good, Mr. Valentine says with satisfaction. Of course, they still have to deal with the whole business of Cassie's little tantrum. Good girls obey their parents, and if Cassie is going to be their daughter she has to learn to obey. He tells Cassie to pull her pants down and bend over his knee to get punished. '...yes, daddy,' Cassie says obligingly as she timidly strips out of her pants and walks over to assume the position.

Kenna James in 'Mixed Signals'

Kenna James - Mixed Signals

MIXED SIGNALS
Slutty Sister takes pity and fucks her nerdy new step-brother

SCENE OPENS as a beautiful woman named Josie steps out of her car. She looks around, breathing in the fresh air and smiling, happy to finally be home after such a long drive. She pops the trunk and takes out some luggage, pausing cautiously before walking back to the passenger door. She raps on the window and it slowly rolls down to reveal an uncomfortable looking young man sitting inside. Josie has driven her 22-year-old son, Aaron, home from college for the summer. It will be the first time that Aaron has visited his mom at her new house ... and with her new family. The woman recently re-married a man with a 19-year-old daughter who still lives at home. Aaron never grew up with any siblings and has certainly never spent any time with teenage girls. He is still a virgin. A very awkward virgin. His mom asks if he is ready to come inside. Aaron looks pensive. She assures him that no is going to bite. It means a lot to her that he's agreed to spend the summer getting to know everyone. Aaron asks if he can just go to his room. Slightly frustrated, Josie opens the door and pulls her son to his feet. 'Aaron,' she says. 'Now, I'm your mother and I love you. Today is a big deal for me. Will you please just play along?' Aaron takes a deep breath and says OK. Josie smiles and gives him a big hug.

CUT TO TITLE PLATE

Aaron sits rigidly on the couch while Josie talks in the background, showing her son her husband's art collection and bragging about his sophisticated tastes. That's one advantage of him travelling so much for his work, she says. It feels like she gets to live in a museum. Way nicer than Aaron's deadbeat father! Suddenly, the back door opens and Alexis bursts in the house. Bright eyed and perky, the scantily-dressed step-sister runs over to Josie and gives her a big bear hug before turning her eyes to Aaron. Aaron takes one look at her and flushes red. 'Is that my new big brother,' she says flirtatiously. 'Mom, you didn't tell me your son was so adorable?!' She slides in beside Aaron and straddles him to give him a hug. Aaron doesn't know where to put his hands. She giggles and slides off, introducing herself and welcoming him to the family. 'Sorry, I can come off as a little hyper!' She apologizes. 'I'm just so happy to finally meet you!' She kisses his cheek and tells Josie that she'll be in her room before running out. Josie smiles. Alexis is a sweet girl, she says as she gets back to her tour. Aaron covers the bulge in his trousers.

A FEW DAYS LATER. Aaron is sitting on the patio reading when Alexis returns from a jog. She is wearing nothing but a sports bra and booty shorts. Saying hi, she asks if it's ok if she stretches on the patio beside him and, not knowing what to do, he says sure. While she bends over, Aaron can't help but stare. She has a perfect body. She asks him how old he is. He says 22. She asks him why he reads all the time. He tells her he is preparing for post-graduate school in the fall. She tells him she just turned 19 but has no idea what she wants to do with her life. Their small talk fizzles into awkward silence while Aaron keeps staring. At a certain point, Alexis looks in between her legs and catches him. She smirks. This causes him to blush again and retreat to his book. 'You don't get out a lot, do you?' She says, coyly. Aaron mutters something about being busy. 'Well, you and I should go see a movie, sometime!' She responds and heads inside. Once alone, Aaron can't help but smile.

A FEW DAYS LATER. Aaron is walking down the hall when he overhears Alexis in the bathroom. Through a crack in the door, he can see his step-sister showing off her naked body in front of the mirror and talking to herself. 'I don't know how to tell you this,' she says to her reflection, clearing practicing a speech for someone else. 'But my pussy has been wet from the second I first saw you. I can't control myself any longer. I need you to fuck me tonight!' Aaron clasps his hand over his mouth and quickly leaves the hall.

CUT to Aaron's room. He is jerking off at the edge of his bed next to a framed family photo of Alexis when Josie knocks on his door. Panicking, he hides the photo under his pillow and covers up. When Josie comes in the room, she can tell her son is anxious about something. She asks if he wants to talk. It's been a couple weeks now, since he arrived, and things seem to be going well. But, she knows how uncomfortable he can be in new situations. Aaron decides to ask his mother for advice about Alexis, but he knows he can't tell the truth about what's been going on. So, he lies. He tells her that he has met someone online. A beautiful, young woman who has made serious advances on him. She's flirtatious and even asked him to go out on a date. He really likes her but doesn't know how to take things to the next level. Josie seems extremely relieved to hear that her son has a love interest. It's the first time he's ever admitted to anything like this. She tells him to pursue the girl right away and to do it with confidence. BE A MAN ABOUT IT! Be forward and assertive ... women like that. Even if he needs to be a little aggressive, women like that too. The most important thing to do is act quickly, before she finds someone else. Aaron thanks his mother and she kisses him on the forehead. When she leaves, he slowly pulls out the photo hiding under his pillow and stares at it.

CUT to that night. Alexis and Aaron are sitting on the couch, watching TV, when Josie comes in to tell them that she is going out for the evening. Alexis says bye, as Aaron sits twitching. Josie hugs them both and gives Aaron an extra squeeze, whispering in his ear to remember that he is a man. Aaron shrugs her off nervously. When mom leaves, there is a long pause as Aaron stares at his step-sister. In a dirty POV, we see him study her as she innocently watches TV. 'Alexis,' he says. 'Can we go to my room for a moment? There is something I want to show you.' She smiles and, jumping up off the couch, says sure. They walk back to his bedroom and he lets her in first, closing the door.

'So, what is it that you need to show me?' she says, spinning around the room. Aaron takes a deep breath and throws his step-sister down on the bed, pinning himself above her. He tries to aggressively kiss her, but she pushes him off. Freaked out and angry, she demands to know what the hell he is doing. Aaron sputters in his own defense, accusing Alexis of leading him on. That's what she's been doing for weeks now. Touching him, wearing hardly anything around the house. Hell, he even heard what she said about him in the bathroom. Alexis stops and looks at him. 'Were you spying on me?' She asks. Aaron doesn't know how to defend himself. Alexis laughs. 'If you're talking about the day when I was in the bathroom WITH THE DOOR CLOSED,' she curtly tells him. 'I was talking about a guy that I'm fucking. I was not talking about you ... you're my step-brother!' In panic mode, Aaron asks Alexis to leave. But, she keeps going ... laughing at her brother for thinking she was actually hitting on him. What is wrong with him? Is he a pervert? Aaron tells her to stop. It was a mistake. She should leave. Alexis notices the photo of herself tucked under Aaron's pillow. A wad of tissue papers sit on the bedside. 'Gross!' she exclaims, going over and picking it up. 'You've actually been stoking it to my photo?!' Aaron runs over and rips the photo from her hand. 'I was just trying to be confident!' He yells back. 'If you hadn't been such a slut around the house, I never would have got this idea in my head.' The step-siblings stand inches from each other, seething, when Alexis looks down at Aaron's visible erection. 'And ... you're actually hard right now!' She says laughing. 'Did you honestly think this would work?' Aaron sits down on the bed, defeated. Alexis laughs in his face ... before feeling sorry for her brother.

She sits down beside him. 'Hey,' she says, trying to be nice. 'I don't know who told you to act like that with girls ... but it's never going to work.' Aaron stares at the floor, saying nothing. Alexis stares at his cock and gets an idea in her head. 'Are you a virgin, Aaron?' She asks. He puts his head in his hands. She lets out a sigh and starts to undo his pants. 'What ... are you ...doing?' He stammers. She gets down on her knees. 'Look, I feel bad about making fun of you!' She says. 'You obviously just don't know what you're doing. And, while it's gross that you're like my brother, I suppose I could help you out. But, we're not dating, ok?' Aaron's eyes go wide. 'You mean, you're going to have sex me?' He asks. 'Yes,' she says. 'But, remember, it's a pity fuck and I don't want you cumming inside of me. We have protection!' BG Sex Scene. The sex scene plays out like a typical first-time sexual experience for Aaron, who tries his best not to cum with every new move that Alexis makes. At a certain point, Alexis stops the sex and asks if Aaron just came inside of her. He says no and so she keeps going, enjoying the control she has over her nerdy step-brother. She tells him what to do all during the sex, including when to pull out and cum on her stomach. He does obediently.

After they've finished, Alexis uses some tissues to wipe herself off before hurriedly putting her clothes back. 'Come on,' she tells Aaron. 'I don't want any of your cum in me. Let's go back to watching TV before mom gets home. And don't you fucking tell anybody about this!' She runs out, leaving Aaron alone. He slides his boxers on in a daze before collapsing back on the bed ... ecstatic.

SIX WEEKS LATER. Aaron is studying in his bedroom when Alexis barges into the room, yelling his name. 'What is it? What's wrong?' he asks. Furious, she holds up a pregnancy test. 'This!' She yells.

Aaliyah Love in 'The Intervention'

Aaliyah Love - The Intervention

The Intervention
CONSERVATIVE MOTHER CONVINCES BOYFRIEND TO FUCK LESBIAN DAUGHTER

SCENE OPENS on Mary Anne, as she opens the back door of her house and walks into the kitchen, carrying a load of groceries. Dressed in a pastel pink sweater, cross, and jeggings, the conservative-looking woman has gone through a lot to get to this position in life. Married twice, her last husband left her two things in the settlement: this house and his now 18-year-old daughter, Charlie, who has continued living with her step-mother for several years. Mary Anne has always considered Charlie to be like a real daughter and, in the wake of her divorce, she became very protective over her. Almost too protective. Why should she live somewhere else when Mary-Ann takes perfectly good care of her here? Certainly, a better environment than with her father! As she puts the groceries away, she hollers out to her daughter to come and help ... but there is no response. Finally, she stops what she's doing and goes to find her. She sees her daughter's sneakers and backpack by the front door but still gets no response, so she walks up the stairs to Charlie's bedroom. When Mary Anne opens the door, she is shocked to discover her daughter lying in bed topless and kissing another girl! Charlie barely has a chance to look up before Mary Anne slams the door in disgust. What the hell was that?! She composes herself for a moment before barging back into the room and yelling at Charlie, as her and her girlfriend struggle to put their shirts back on. Charlie begs for her mom to calm down, but Mary Anne is beside herself. Is her daughter a lesbian? Under her roof? That's an abomination! She didn't raise her to be like that. The step-mother starts flying off the handle at the other girl, telling her to get out and never come back. They vote conservative in this house! There are no gays allowed! Charlie is outraged by her mother's behavior and tells her girlfriend that she'll drive her home. Mary-Anne chases them down the stairs accusing her daughter of being brainwashed. Charlie tells her mom that it's 2018. Same-sex marriage is legal. She's an adult, she just turned 18. She can do what she wants. Charlie barges through the front door with her girlfriend and slams it in Mary Anne's face.

CUT TO TITLE PLATE

That evening, Mary Anne paces back and forth in her bedroom while Steve, her boyfriend, watches TV and eats chips. Steve is a low-life car mechanic who Mary Anne met at a church community program, not because he is religious but because he was obligated to attend as part of a court order. They are a bit of an odd couple. She looks very wholesome and he looks messy and gregarious, in a baseball cap, flannel shirt, dirty work pants, and boots still on in bed. As Mary Anne complains about what happened, Steve half-listens. He tells her not to stress, she holds the purse strings. Charlie's big college plans in the fall are completely dependent on her. The girl can't move out on her own. Mary Anne keeps fretting and pacing, arguing that Charlie has never disrespected her like that before. Slamming the door in her face like that! What she needs is an ultimatum! Steve jokes that what her daughter really needs is some dick. One time with a real man would put a stop to her dyky behavior. This makes Mary Anne pause. 'You're absolutely right,' she slowly says as they both hear the front door open and Charlie come back home.

CUT to Charlie walking up the stairs cautiously. It's been hours since she last saw her step-mother and she isn't sure what to expect. Despite being completely appalled by her reaction, Charlie still honors her mother and even fears her a little. After all, she is the one fully supporting Charlie. Mary-Anne is waiting, arms folded, by her bedroom door. The two women stare at each other for a moment before Mary-Anne tells her to come in. They need to discuss what happened earlier. Charlie nods and walks past her, as Mary-Anne shuts the door.

Charlie is somewhat surprised to see Steve there but, considering the boyfriend practically lives at their house now, she does what she normally does: ignores him. This is supposed to be between her and her mother. She takes a deep breath and starts to explain that the girl Mary-Ann caught her with is her girlfriend. They are in love and she has been trying to figure out how to tell her mom about it for months, but she was too afraid of her reaction. Mary-Anne cuts her off coldly and tells her to sit down. This is an intervention.

Summing up all her authority, Mary-Anne forbids her daughter from seeing her girlfriend anymore. She does not accept homosexuality, certainly not within her family. No daughter of hers, even a step-daughter, will ever be allowed to behave this way. Charlie starts to break down and, through angry tears, tell her mother that this is how she was born. This is who she is. She can't stop it. Fighting back tears herself, Mary-Anne continues by telling her daughter that if she does not respect her decision, that she will be obliged to kick her out of the house and take away the college funds she had set aside for her. Charlie freaks out, begging her mother to reconsider. She worked so hard to get into that school. She can't possibly cover the tuition and dorm rent on her own. What does she need to do to prove that being gay is just who she is? Steve, who has been watching TV the whole time in the background, nonchalantly pipes up and asks 'But ... how do you know that you're really gay?'

Charlie stops and turns to glare at him. 'I'm sorry,' she says angrily. 'I didn't realize anyone was talking to you, Steve!' Steve turns off the TV and edges to the end of the bed. 'But, seriously,' he continues. 'How do you know you're not just confused?' Mary-Anne chimes in to support her boyfriend, asking Charlie directly if she has ever even been with a man before. Charlie says no. Mary-Anne then challenges how she can know for sure if she's a lesbian if she's never tried to be straight. Charlie is shocked by this line of questioning. She argues with her mother that she doesn't need to do that to know. Well,' Mary-Anne demands. 'Until you have proven to me that you aren't straight, I can no longer support you, Charlie. Maybe if you tried to have normal sex with a man and you still didn't like it, I might change my mind. But, until then, I won't tolerate this unnatural behavior!' Charlie is seething in anger. She points a finger at Steve, who is awkwardly chuckling to himself behind them. 'And I suppose this is your idea of a man, mom?' she yells. 'Someone like Steve?!'

Mary-Anne stares at her boyfriend as an idea crosses her mind. 'Yes,' she says, turning back to her daughter. 'Exactly like Steve. In fact, why don't we just settle this debate tonight? Steve, take off your clothes!' Steve puts down the bowl of chips and asks what she's doing. 'You heard me,' she says, through her rage. 'You are going to fuck my daughter. Right now. Put your dick in her mouth and let's see how gay she really is.' Charlie tells her step-mom that she's insane. Mary-Anne continues, ordering her boyfriend to drop his pants. 'All it's going to take is 10 minutes to prove to me that you aren't straight, Charlie. So, come on, what are you afraid of?' Charlie stares dumbfounded at her mother. 'Or ... what?' she demands. Mary-Anne stands her ground and crosses her arms. 'Or, you leave tonight and don't even think about me covering your tuition!' She yells.

There is an eerie silence in the room, as the weight of Mary-Anne's threats hang over everyone. Steve looks like a deer in headlights, his pants around his ankles. Mary-Anne stands quivering with rage, trying to hold her position. Charlie breathes hard, her eyes not leaving her mother's. This is the ultimate betrayal. She starts to undo her shirt and throws it in a corner. She pulls off her sports bra and whips it in her mother's direction. Finally, as she pulls down her pants and her panties, she coldly turns to Steve and tells him to pull out his dick. He asks if she's she sure. She says yes. If this is what her mother needs as proof, then fine. She can have it. She can have all the fucked-up proof she needs. Charlie drops to her knees, tells her mother that she hates her, and starts to suck Steve's dick. BGG Sex Scene. Throughout the first part of the sex, Charlie hates fucks Steve and talks down to her mother. Mary-Anne watches but, when she becomes dissatisfied by what she considers to be Charlie's lackluster effort, she joins in to show her how it's done. Steve, overwhelmed by the two women battling beneath him, ends up fucking them both and popping on their faces.

After they have finished, another awkward silence fills the room. Steve, grabbing his clothing, tells the women that he is going to leave now. They should probably sort themselves out. He exits, and the two naked, cum-drenched family members look at each other. 'Are you satisfied?' Charlie asks coldly. Mary-Anne sputters that she hopes her daughter learned a valuable lesson in all this. She is normal, after all. 'Yes,' Charlie says, grabbing her stuff. 'I'm a lesbian!' and she storms out of the room, slamming the door.

Abella Danger in 'Trailer Park Taboo - Part 3: Hell is Other People'

Abella Danger - Trailer Park Taboo - Part 3: Hell is Other People

Winner XBIZ Best Sex Scene -- Feature Movie
Winner AVN Best Supporting Actress Joanna Angel

Scene opens on Joanna Angel on her bed studying hard for physics. She invites her friend, Abella Danger, over to help her. When Abella asks her how her relationship with Jack is going, Joanna confesses that she's really into him but that there's a slight problem; she feels like she doesn't know him at all. She has an idea and if Abella is willing to help her, she might actually be able to pull it off. Since most guys are into threesomes perhaps Abella could help her seduce him and maybe get him to open up in the process? When they solidify their plan to blindfold him, the girls are just in time as the doorbells rings. Jack walks in and introduces himself. Joanna tells him she's got a surprise for him and pulls him to the bed. When Abella starts kissing him, he gets the message fairly quickly. She takes off her top and blindfolds him. While Abella sucks his dick, she takes his wallet out of his pant pocket and takes a picture of his driver's license. Now that she has his address, she can check out where he lives and see what he's hiding from her. When they finish off, the girls leave the room temporarily. Jack spots Abella's purse on the floor, he hesitates for a moment but decides to finally open it. When he sees her wallet, he grabs it and quickly puts it in his pocket. He shakes his head in regret and leaves Joanna's place as he closes the door behind him.

Scene opens to Jack walking into his place. Kenzie is on the couch and is so happy he's back. When he tells her he's finally got hold of some cash to afford the abortion, she breaks down and starts sobbing. She exclaims that she wants this baby, that God wants this for them but Jack doesn't want to hear another word from her. He leans an inch away from her face and yells at her saying that he's her fucking stepbrother and not her boyfriend or husband. He doesn't want to raise a kid with her and stay in this godforsaken trailer park. He grabs her face, looks at into the depths of her lost little soul and tells her he doesn't love her. He throws her back on the couch as she recoils. He then adds that they're gonna to go to the clinic tomorrow and get rid of this fucking baby that she wasn't even supposed to be able to have in the first place. Much to his surprise, she agrees. But Kenzie has one condition; he has to fuck her one last time, it's not like she can get pregnant anyway. He shakes his head but shouldn't be surprised, she grabs his cock telling him that he can shake his head all she wants but she knows there's a part of him that wants her. He yells at her telling her this is going to be the last fucking time.

Scene cuts to Joanna driving on a highway looking preoccupied. Meanwhile back at the trailer, Jack is taking all his anger and frustration on his stepsister. Pounding her, he chocks her every time she speaks. He doesn't want to hear another word coming out of her lying mouth. Joanna is now at the door, looking in watching Jack fuck his sister. When Jack cums all over Kenzie's face he does this to spite her. Joanna walks in with a look of disgust and when Jack tries to explain himself, she tells him he's a wretched liar and storms out of the room. Kenzie's is on the bed smiling. She finally has her brother back where he belongs. She knows he's not gonna amount to anything and he knows this as well. He sees it written all over Kenzie's face. As he starts to punch her, she screams for more, echoing his agony and shame. He storms out of her house leaving Kenzie bruised and wanting more while she sits up on the bed smiling victoriously.

India Summer in 'Trailer Park Taboo - Part 2: We are our Choices'

India Summer - Trailer Park Taboo - Part 2: We are our Choices

Winner XBIZ Best Sex Scene -- Feature Movie

Scene opens to Tommy Pistol relieving himself and zipping up. When he turns around, he asks India Summer where the car is. He needs to go buy some cigarettes. Kenzie Reeves enters the scene and greets the two as she sits down. When India reminds him that Jack (Small Hands) took the car to school, Tommy starts getting angry. He says that Tommy needs to stop wasting his time in school and get a job. When India retorts that his daughter's not working either, he reminds her that she's a tight little hottie who can sell her ass if need be.

Jack comes back from school and greets everyone. Tommy tells him that he better have filled the gas tank or he's gonna be sorry. Jack gives him a dirty look and kisses his mother on the check. Kenzie is ecstatic that her stepbrother is back as she grills him with questions. When he replies that she knew he was at school, she tells him she spotted a moving truck in the neighborhood and stole some brand new pillows from the back just for him. He shakes his head in disbelief and starts yelling at her that he didn't want her doing that. When he walks away from her in disgust, Kenzie realizes that she needs to regain control. She's losing him. She tells the family to gather around as she has some big news to share. When her parents ask her what it could possibly, Jack just looks on wondering what plan she's hatched now. Much to Jack's horror, she tells her family that she's pregnant. When her parents ask her who the father is, she looks at Jack and adds that it's someone special. Jack interrupts them asking Kenzie if he could talk to her inside adding that he would like to see those pillows she stole for them. With Jack and Kenzie gone, Tommy tells India that they should celebrate. He pulls her close and kisses her face. She asks him what he has in mind; he pulls her shirt up and starts sucking on her tits. When he pulls her pants down, he sticks his tongue right in her ass as she demands he shove it in deeper.

Back inside the house, Jack is furious with Kenzie. He can't believe she would pull a stunt like that. He thought her getting pregnant was impossible; she was on the pill for fuck's sake! Kenzie tells him it's a miracle and now they can finally be a family. He yells, asking if she realizes that she's clearly lost her fucking mind. They are on the brink of poverty and the last thing they need is another mouth to feed. When she tells him she's keeping the baby, he gets so angry that he slaps her in the face. When she screams for him to do it again, he storms out of the house and slams the door behind him. Kenzie is left on the bed all alone collecting her tears.

Jack gets into the car and turns on the ignition but it won't start. He slams the steering wheel and screams. When he gets out of the car, the punches the hood in frustration. He has no idea how he's going to get out of this. Trying to collect his thoughts, he paces back and forth. He sits back down in the car and pulls the seat back so he can lie down. He stares out into a starless sky and tries to find a way out of this nightmare.

Scene opens to early morning sunshine as Jack waits pensively. When he sees Joanna walking towards him, his face lights up for the first time in awhile. He kisses and thanks her for meeting him so early as she hands him a coffee. Back home, Kenzie walks out the trailer and closes the door behind her. As she gets on her bike, it's clear that she's on her way to look for Jack. She bikes through her neighborhood, looking around to see if she can spot her stepbrother. As Jack and Joanna chat on the park bench, Kenzie spots them from a distance and starts crying. She can't believe her brother would do this to her. She doesn't care who this bimbo is, no one is going to destroy the special relationship she has with Jack. When she goes to confront them, she tells Jack that he needs to come back home and give mom her car keys. Jack knows what kind of game Kenzie is playing but has to play it cool. He's very aware that she could ruin everything if she decides to tell Joanna about their relationship. When Kenzie invites Joanna over to the house, she's hoping that when she sees that Jack is white trash, she can count on her leaving their lives forever - and Kenzie can have her brother all to herself.

Scene opens with Kenzie back home going through her makeup bag again. She pulls out her pregnancy kit and prays to God that she's pregnant. She knows that once Jack sees their child he'll get rid of the bimbo and be Kenzie's forever. All she has to do now is test positive and have his baby. She sits down and waits for the results as she prays for a miracle. When the time elapses, it seems that God didn't answer her prayers because it's still negative. She smashes the kit on the floor and storms out of the house. When she finds her mother outside, she takes a cigarette out of her pack and lights it. Her mother tells her that she shouldn't be smoking, it's bad for the baby. Kenzie confesses that the kit indicated that she wasn't pregnant. She begs her mother to keep this a secret from Jack and her dad. India flat out asks her if she's just trying to get pregnant to keep a man; she explains that that didn't work with Jack's father, and it ain't gonna work here. The trick is to look and stay pretty. When Kenzie confesses that she hasn't felt pretty in a long time, India kisses her stepdaughter on the mouth, promising she'll make it all better.

Lina Luxa in 'For Your Pleasure - S34:E29'

Lina Luxa - For Your Pleasure - S34:E29

Lina Luxa and Raul Costa have returned home from a hot date, and just in time because they can't keep their lips or hands off of each other! Lifting her miniskirt, Lina shows Raul that she's not wearing any panties as he presses her against the wall. He takes advantage, palming that tight pussy until Lina drags him to bed and tells him to wait a minute while she slips into something more comfortable.Reappearing in a sheer robe and matching thong, Lina proves that she's the girl of Raul's dreams. She joins him on the bed and peels him out of his pants, springing his erection free for her enjoyment. Leaning in, Lina opens her mouth to take in the tip and then some. Sucking and licking, Lina gives Raul a lusty blowjob.Shedding her robe to reveal her stunning body, Lina climbs on top of Raul. She slides her thong to the side, opening herself up for the penetration they both crave. Moments later, with Raul's guidance, she has slid down on his stiffie until she is fully impaled. Rocking her hips, she kicks off a rhythm that leaves both of them panting for more.Lina gradually leans forward as she rides Raul's hardon until they are pressed chest to chest together. Wrapping his arms around his love, Raul lifts Lina off his cock and settles her on her side so that they're spooning together. That gives him the opportunity to reenter her wet warmth, eliciting cries of pure bliss from Lina.With another kiss, Lina gets to her hands and knees as she uses the headboard for support. Raul is quick to take her up on her unspoken invitation to come back inside as he delivers a firm pussy pounding. Cupping Lina's breasts in his hands, he draws her back until he can pepper her neck and cheeks with kisses as he continues to fuck her until she's moaning her climax.Flipping Lina onto her back, Raul feasts on the sweet cream dripping from her pussy. As Lina comes down from her first orgasm, Raul slides himself back home. This time their coupling is more sensual as they enjoy their last fling of the evening. As Lina reaches her peak one last time, Raul can't wait another moment. He pulls out, hanging on just long enough for Lina to stroke his cock a few last times and aim his cum shot onto her belly.

Angela White in 'The Weight of Infidelity'

Angela White - The Weight of Infidelity

Winner AVN Best Featurette
Winner AVN Best Actor - Featurette Tommy Pistol
Winner XBIZ Best Actor -- Couples-Themed Release Tommy Pistol

THE WEIGHT OF infidelity
Wife and Mistress Get Revenge on Manipulative HUSBAND

SCENE opens one morning as a married couple, John and Angie, have sex in their kitchen. Naked and sweaty, we watch them fuck feverishly for a few minutes against the cabinets until John cums deep inside his Angie's mouth. She swallows his load before springing up and wrapping her arms around her husband. They seem so happy. As they wind down, Angie struts over to the freezer and grabs a pint of ice cream. This causes John to stop. He asks what she is doing and, nonchalantly, she tells him that she wants something sweet. After all, she just burnt a ton of calories! John's expression falls, and he reminds her how much work she's put in over the past few months. She shouldn't slip up now. Angie laughs, protesting that it's just a little bit of ice cream but John grabs the pint and puts it back in the freezer, shutting the door. 'I'm serious,' he says. 'You don't want to gain weight. You still have so much to lose!' Angie takes the spoon out of her mouth, her demeanor changing. 'It's ok baby,' she whispers. 'I have a body pump class during my lunch break and I'll go to the gym after work.' John takes the spoon from her hand and puts it in the dishwasher. 'I don't know how many times we have to go over this,' he says curtly. 'This is not a joke. It's for your own good!' Angie shrinks back, covering herself. Submissively, she apologizes, saying she didn't think it would be a big deal. She's already lost so much; does she really have that much more to lose? John stares at her in silence until Angie begins to look visibly upset. 'You know I'm only saying this to protect you,' he says, moving in closer to embrace her. 'I'll always love you no matter what. You have so much potential to be beautiful. But, you're lucky I can look past the physical.' Defeated and vulnerable, Angie thanks her husband for being so patient and understanding. He kisses her on the forehead and tells her to go get ready for work.

CUT TO TITLE PLATE

Angie is working away at her desk with the remnants of a very healthy, light lunch beside her. She is having difficulty concentrating and keeps looking down at her desk drawer. Finally, she pulls it out to reveal a stash of candy and snack bars.

Cut to a public washroom. Angie is kneeling inside a closed stall, throwing up. She flushes and exits awkwardly as a co-worker enters, in gym clothes, and asks if she is ready to head to body pump. She smiles and says yes, reverting to her usual cheerful disposition, and they exit.

Cut to the couple's home. John is pacing anxiously, checking himself in the mirror and looking out the front window. Unbeknownst to Angie, he has left his workplace early to meet up with Karen, a woman he's been having an affair with. Karen has no idea that John is married. He receives a text message from her saying she's two minutes away. John texts back asking if she bought the cupcakes. She says yes. He tells her the door is open. He waits by the door, loosening his tie, as she walks in. Karen is a beautiful, voluptuous woman with far greater curves than Angie ... quite the opposite of everything that John has pressuring Angie to become. The lustful man grabs his mistress and they make out up the stairs to the master bedroom.

Cut to several hours later. Angie comes home through the front door, still sweaty and in workout clothes. As soon as she puts down her gym bag, she begins to hear noises coming from the upstairs bedroom. She slowly creeps up the stairs, her expression falling as she realizes what she is hearing.

Inside the master bedroom, John is having sex with Karen on the couple's bed (BG Sequence 2). He is worshiping Karen's curvy body, feeding her the cupcakes, and clearly taking great pleasure in having sex with a plus size woman. Angie watches from the doorway, devastated. She looks down at her soaked gym clothes in disgust and confusion. How could this be happening?! On the one hand, she is heart broken over John's infidelity but also unable to understand why he spent so much energy convincing her to lose weight when he was clearly attracted to women much curvier than her. Shots of them fucking are intercut with Angie as she watches. John pulls out and cums all over Karen's stomach as Angie finally breaks down and runs out of the house.

As she runs frantically, the sun setting behind her, flashbacks of what she just saw flood her mind. John and Karen fucking. John worshiping Karen's curves. John feeding Karen. Her flashbacks are intercut with memories of how John had treated her in the past. Taking her plate away at meals. Making her weigh herself every morning. Always judging her physical appearance. Angie's face turns from devastation to anger. Her flashbacks start to shift to fantasy, as she imagines herself talking John's place, fucking and worshiping Karen with the same devotion as her cheating husband. The two women make out, their hands all over each other. Angie slides down Karen's body and she begins to eat her pussy. (GG Sex Sequence #3.) As the sex progresses, Angie begins nibbling and biting Karen's thighs and stomach. The camera drifts slowly up to Karen's face, as she moans in pleasure. Her moans, however, start to change into looks of anguish as we hear the off-camera sounds of chewing and ripping begin to take over. Karen screams as she looks up into the POV of Angie.

SMASHCUT to Angie, her face red and dripping, as she stares down at a plate of ribs. It's been several days since Angie caught her husband in the act. Rather than confronting him, she has scanned his email to find Karen's contact info. Now, the women have agreed to meet in public to discuss the situation. She wipes her face, stone cold, as the meek Karen enters the restaurant and approaches her. She asks Angie if she is John's wife and Angie nods, motioning her to sit down. In near tears, Karen profusely apologizes and tells Angie she had no idea John was married. They had met on an adult community site six months ago and he seemed like a great guy: A self-described feeder looking for a partner. She thought it would be fun to try. But, as the months went on, he became more and more fixated on her size, pressuring her to gain as much as possible. In fact, he promised to only let her move in with him if she hit a certain target weight. Karen seems devastated and betrayed as she makes her confession. Angie shakes her head in disbelief. John's demands have nothing to do with their appearance, she tells Karen, comforting her. His manipulations are all about control, trying to break them down for his own sick sexual gratification. She was blind to it for years, feeling as though nobody else would ever love her based on her appearance. But, she's not going to take it anymore. Karen asks if Angie has confronted John. Angie says no, but she knows how she wants to do it. And she needs Karen's help.

That night, John comes home from work. He calls out to his wife as he enters the foyer. There is no response. Confused, he turns just as someone strikes him.

John wakes up. He is naked and has been tied to a chair in the master bedroom. The room around him is covered in plastic. He looks up in shock to see his wife and mistress standing naked in front him with knives. In a final POV shot, we see the two women approach him and kneel below the frame. John begins to scream as the frame cuts to black over the sound of the women eating.


Kenzie Reeves in 'Trailer Park Taboo - Part 1: Existence is an Imperfection'

Kenzie Reeves - Trailer Park Taboo - Part 1: Existence is an Imperfection

Winner XBIZ Best Sex Scene -- Feature Movie Kenzie Reeves & Small Hands

Scene opens to Kenzie Reeves lying on her bed, chest down, smoking a cigarette. She glares out the window as her brother Jack (Small Hands) reads a book on the living room couch. When she offers Jack a cigarette, he refuses, reminding her that he quit. She gets up from the bed and approaches the couch, telling him that he could just have one. He reminds her that people who quit tend to no longer smoke. When she confronts him as to why he's reading books all of a sudden, he gets visibly annoyed. 'I'm trying to better myself,' he retorts. When she tells him about all the good times they used to have getting trashed together, he shakes his head in bewilderment stating that that was almost a decade ago. She ashes her cigarette and it lands right in his book. Jack yells at her, telling her his schooling is important to him. But Kenzie is bored and doesn't care about her stepbrother's scholastic endeavors. She wants to kill some time and starts seducing him. He tells her to get lost but it's clear that Kenzie isn't going to let up. She gets on her knees and starts running her hand up his leg. Jack tells her that what they did in the past was a mistake; they were young and confused and didn't know any better. Kenzie starts jerking him off and Jack can't help but put his book down. He tells her that this is going to be the last time. She nods eagerly, desperate to feel his touch as he grabs her head and starts kissing her. He pulls down his shorts and shoves his cock deep down her throat. She chokes on it and gags taking it all in at once. He holds her hair and pushes her down on his dick as she swallows him whole. She takes both of his balls in her mouth as he slaps his dick on her face. When he gets up, he face fucks her, grabbing her by the throat and asking if she likes it. She nods as he picks her up and throws her on the bed. He removes her panties as she waits eagerly for his dick. He slaps her face as he shoves his cock inside her, asking her if this what she wants. She says yes as he pounds her cunt ramming her with every thrust. As she rides his dick, she makes sure he cums inside of her. He lies down instantly regretting the whole thing.

Scene cuts to Jack sitting up on the bed with a look of desperation on his face. His life needs to change and in order to do so, he needs to stop repeating old patterns. He tells Kenzie that he needs to leave this trailer park or he's gonna end up stuck there like everybody else. She smiles, telling him that she'll go anywhere he wants to go. He shakes his head in disbelief, explaining that wherever he ends up, he's going alone. She pulls him down to the bed, saying that they should get some rest. Jack is wide awake thinking about his life and what he needs to do. He can't go on like this and has to make a decision. He gets up and packs some things and leaves the house. When Kenzie comes to, she calls out to Jack but gets no answer. When she turns around, she realizes that he's gone. She calls his name in a panic as the scene cuts to Jack walking outside. He looks tormented and directionless. As he glances back at his former life, he struts to the car, opens the door angrily and drives away.

Scene opens to Jack lounging in his car with his legs lying out the window. We see Joanna Angel in the distance walking towards the car. She looks ahead wondering who's inside the car and what they're up to. She walks towards it and knocks on the hood, waking Jack up in the process. He recognizes his classmate and greets her. When she asks him why he's napping in his car, he tells her that he wanted a good parking spot. They laugh as she offers to wait for him so they can walk to class together. When she offers him a coffee, he can't resist a free cup of Joe. He enthusiastically grabs his things and joins her.

Scene cuts back to Kenzie frantically searching through a makeup bag. She finds her birth control kit and sits down on the toilet. She waits for the appropriate time to pass and looks at the results. When she realizes she's not pregnant, she screams in agony begging the silence for a baby. She knows that if she has Jack's child, it will push him to stay home with her. She rubs her stomach as the camera fades to black.

Scene opens with Jack anxiously writing his test. Time runs out. His teacher asks the students to leave the exams on her desk. She then says that before they leave, she'd like to conclude the class with a sharing session. Joanna volunteers first, speaking honestly about how her parents laid out a path that has never served her and how she's been struggling and continues to struggle with making her life hers once and for all. Jack raises his hand and, with a defeated look in his eyes, confesses how his free will has worked against him, despite his best intentions. The teacher steps in, stating that it looks like he's getting ahead of the curriculum as they will be covering these very same topics next week. The class ends as Joanna asks Jack what time his next class is. When he responds that he has quite some time till the next one, she invites him back to her apartment, adding that it's not much but certainly more comfortable than his car.

Scene opens to Joanna and Jack making out as they lean against the kitchen counter. They stop for a moment and confess their feelings for each other as they embrace more passionately than before. As Jack runs his hands over her chest, Joanna runs her hands through his hair. He pulls up her skirt and starts eating her wet pussy. As he devours her, she cums all over his face. He gets up and unbuttons his shirt when she stops him to confess something. She stutters trying to get the words out, then finally tells him her big secret...she's a virgin. Jack is stunned and can't believe his ears. He tells her that he likes her and can wait if she wants to, but Joanna wants him now. She suggests he fuck her ass instead. He doesn't presume to understand her logic but will fuck her ass nonetheless. She leads him to the living room and takes off her panties. She gets on her knees and starts sucking his dick, deep throating it in the process. She makes sure it's nice and wet so it can slide perfectly into her ass. When she climbs on top of him, he starts thrusting himself in and out of her ass, pounding Joanna in the process. He fucks her missionary as he chokes her and then from behind. Fucking her doggie style, he cums all over her ass.

They get dressed. Joanna hopes to see Jack soon, adding that she would really like to get to know him better. Jack laughs, saying that he's pretty certain she wouldn't. When she asks him where his next class is, she finds out that they're going in the same direction. Joana tells him to wait up so she can join him. They exit her apartment, kissing under a sunshine-filled sky.

Aaliyah Love in 'Massage Bait'

Aaliyah Love - Massage Bait

MASSAGE BAIT
Teen Tricked into Sex by Masseuse and Her Creepy Husband

SCENE opens on Tori, a petite 21-year-old woman, as she taps her feet idly in a waiting room. She has an appointment today with her regular massage therapist, Linda, a kind older woman. Tori has been visiting Linda for years to help with lower back pain caused from sports injuries. When Linda warmly greets her, the two women hug and head into the massage room. They small talk for a few minutes before Linda asks her to undress and get on the table. She leaves. Tori takes off all her clothes, folds them neatly, and gets onto the massage table. Cut to Linda in the next room. She looks incredibly anxious. When she hears Tori call out that she's ready, she nervously glances over to a man sitting beside her. It's Richard, her husband. She asks if he is sure that everything is locked and secure, that there is no way they could get caught. Irritated, he snaps at her to quit worrying -- she's always being such a pussy. Besides, she promised. So, if they just do what he says, everything will be fine. Linda swallows hard, a conflicted look on her face, and they get up and exit.

CUT TO TITLE PLATE

Tori is lying face down on the massage table when Linda enters the room. She begins the massage and, with a slight quiver in her voice, advises Tori that today she is planning to do something a little different with her technique. She calls it a 'four hand treatment' and asks Tori for her permission to begin. Tori innocently asks what is going to happen and Linda tells her she'll simply be adding something to increase the pressure and to stimulate her muscles, particularly in the lower areas of the body which hold the most tension. Tori happily agrees and Linda, looking guilty, asks her to close her eyes and relax, while quietly summoning Richard into the room.

Together, they begin trading off between themselves ... each taking a turn to touch Tori. They do not cross any sexual boundaries, but they begin to work further down Tori's body into increasingly intimate areas of the lower back and upper thighs. Tori is completely unaware that two people are massaging her - she just assumes it's her regular therapist. Throughout it all, Linda keeps talking to Tori to maintain the illusion, while her husband ogles the woman on the sidelines. He begins stroking himself while watching his wife rub Tori and then jumps in to touch her with his hands himself, his penis never actually coming into physical contact with her but looming very close.

Linda asks Tori to turn over on her back, so she may massage her front. When the woman does this, Richard ducks out of view. He stands just behind her head, fully erect. Linda becomes increasingly complimentary about Tori's body and starts asking her sexual questions. Tori, thinking she is having girl talk, answers freely. Linda keeps looking knowingly at her husband and he silently pushes her to take the conversation further. Through gritted teeth, she starts to talk about her own sex life with Richard and asking Tori what she thinks of him. Tori innocently confides that she thinks he is cute but that she never looks at married men. Richard strokes harder behind her head. Linda mentions that Richard is going to start taking clients himself and jokes whether she'd like to book a session with him. Feeling somewhat awkward, Tori says maybe in the future but today she is happy to be in familiar hands. Linda puts a hot cloth over her eyes to calm her, while Richard creeps to kneel by her pussy. He smells her and stares at her, as Linda rubs her thighs and the women keep talking. Linda asks to go deeper and deeper, getting increasingly close to Tori's pussy. She can feel hot breath on her labia. She begins to loosen up and enjoy the new technique that her therapist is giving ... even getting to the point where it begins feeling good sexually. She moans, squirms and bite her lip finally removing the cloth to look at what's happening. To her shock, she sees Richard in the room, smelling her pussy, and leaps off the table.

While Tori grabs her clothing to cover herself, Linda profusely apologies. Richard steps in front of her, taking control, and begins to reason with Tori. What did she think about their new 'four handed' technique? She agreed to try it, after all? Did she enjoy how it made her feel? What if she just got back on the table and relaxed like before? Tori demands to know what the hell is going on ... is the couple trying to seduce her in some sick way? Is this a swinger scheme? She feels betrayed by Linda, a woman she's knows and trusts. Linda feels terrible and encourages her to just leave but Richard shoots her a dirty look and continues to reason with Tori. He tells her that Linda has been fantasizing about him fucking with her clients for years ...that the whole thing was her idea because she is frigid and cannot satisfy him any longer. As he lies, Linda looks increasingly defeated. When Tori asks her if it's true, she says yes and stands behind her husband.

There are several rounds of back/forth negotiation before Tori finally agrees to let the couple finish what they started. But, as soon as she has accepted, Richard tells Linda to leave the room so he can have his fun ALONE. This is another shock to Tori, who thought her familiar therapist would at least be involved. There is a second round of negotiation before Tori agrees to let Richard fuck her. She is so angry at Linda that she ultimately consents as a means of punishing the therapist who betrayed her.

After he has cum on her face, Richard exits ... leaving the overwhelmed Tori on the table. In a final long shot, we watch her dress and leave silently, walking past Linda who is left to clean up the table.

Giselle Palmer in 'Uncle Fucker'

Giselle Palmer - Uncle Fucker

UNCLE FUCKER
Teen Caught Getting Fucked by Father's Best Friend

SCENE opens on Jessica, a precocious 18-year-old girl, as she sits knees tucked on her bedroom floor finishing her makeup in front of a mirror. She smiles and pouts at herself, taking a few selfies, before overhearing her father call her into the kitchen. It's Sunday, the day of the big game, and he is having several buddies over ... including John, a man who's always been like an Uncle to Jessica and someone she's crushed on for years. When she struts in the kitchen, Jessica's father is shocked. How come she is dressed up like that? She is way too young to be wearing such provocative clothing! Jessica tries to protest, telling her dad its just what teenage girls wear these days, but dad is insistent that she go back and change. His friends are coming over, for goodness sake! She had promised to help him host ... not be a slut! Jessica glares at her father before storming back into her room and slamming the door.

Jessica's bedroom door slowly opens, as she creeps out into the hall amid sounds of men cheering and laughing in the other room. The game has begun. The camera slowly pans out to reveal the teenager dressed in another provocative outfit ... despite what her father said. She looks smug as she walks into the kitchen, grabs a bowl of chips, and makes her way towards the living room. Her father and his two buddies are all engrossed in the game when Jessica asks if anyone wants a beverage ... and awkwardly says hi to John. Jessica's father looks annoyed when he sees her outfit but can't say anything in front of his friends, so he just shoos her off. John, on the other hand, seems fixated on the 18-year-old. He asks if she needs any help and follows her back to the kitchen.

As they open a few beers, Jessica tries to act mature and sophisticated with John, to impress him. After telling him her college plans, she gushes that he is her favorite Uncle, even if they aren't related. She reminisces about all the good times they've had over the years, with John hanging around the house and being her dad's best friend. John is charming and sweet with Jessica, all the while keeping an eye on her father in the other room. At a certain point, he leans in and whispers something about wanting to eat her pretty little pussy. Jessica is stunned, assuming she's misheard. She asks him to repeat himself and he just smiles, saying he wants to eat the chips ... before walking back to the living room. Jessica flushes red. Did he just really say that?!

One Hour Later

Jessica sits wedged on the couch with her father and his friends. They are all still engrossed in the game, while she looks nervous. She keeps thinking about what John said. He is staring at her now and starting to play footsie with her subtly, right in front of her father. The light teasing continues until Jessica can't handle it anymore and excuses herself to go refill the chips.

Inside the kitchen, she opens the pantry and grabs a bag, opening its contents into the bowl. When she turns around, John is standing right behind her. He startles her so much that she drops the chips on the floor. Embarrassed, she apologizes for being so jumpy and leans over to pick them up. John is still sweet and charming but doesn't do anything to help her ... instead, he just looms over her as she bends down, ass innocently up in the air. There is something strange about the way he is calmly watching her while keeping an eye on the men in the other room. By the time Jessica gets back up, there is an uncomfortable silence between them. She squirms awkwardly as John stares at her, inching closer.

'Jessica,' John asks. 'Can I ask you a question?' She nervously nods her head. John steps closer. 'Your dad told me once that you have a little crush on me. Is that still true?' he asks coyly. Jessica freezes, her big doe eyes staring up at him. How embarrassing! 'I can't believe he said that,' she dismisses. 'That's ridiculous. You're like family to me!' She tries to move back to the living room, but John pulls her back by the hand. 'But is it true?' He asks again, rubbing her arm. She looks down at it before slowly looking back up at him. 'It was just a silly school girl crush kind of thing,' she brushes off. 'That's why I never pursued it. You're Uncle Jack. Besides, I'm too young for you ... I just turned eighteen!' Smiling, John continues to ask questions as he slowly backs her up in the kitchen, asking what she used to think about him, what she thinks about him now, and confirming the fact that they are just family friends. Her reluctance plays out more in body language than actual words, as she nervously backs up into a corner of the kitchen. Finally, he gets her to admit that she still likes him and that she has even touched herself at the thought of him fucking her. Jessica is extremely nervous about having this discussion while her dad is in the other room but John keeps distracting her, pulling her down in the kitchen so they can keep talking without raising suspicion. Finally, John asks if he can kiss her and, after some final hesitation, she agrees. After some foreplay, she also verbally agrees to have sex with him.

Throughout the BG sex scene, she enjoys what's happening but is very worried and distracted about being too loud and arousing her dad's suspicions. John eagerly devours her, giving her a long rim job and having her deep throat his cock before sliding into her pussy and unloading on her ass. She feels the cum drip off her cheeks, just as she looks up and sees her disgusted father and his other friend staring down at them both. Game's over.

Blair Williams in 'Mamma's Boy'

Blair Williams - Mamma's Boy

MAMMA'S BOY
Step-Sister Tricks Brother into Sex After Discovering his Mom Crush

SCENE opens on Rachel, a 20-year-old girl, as she walks down the stairs and struts into her family's kitchen -- barely dressed and hair tousled from a late night out partying. Her younger step-brother, Nathan, is eating cereal and dressed neatly in his school uniform. When he sees her, he lowers his eyes in disgust and exclaims that she shouldn't be walking around the house like that. Laughing at him, Rachel grabs some food and sits down beside her brother. She teases him for still wearing his uniformto school, even though he doesn't have to. He's 18-years-old and still acts like a school boy. Nathan tells her to leave him alone, he dresses like this because he is a good student. He's planning to graduate and go to college, unlike her! Ignoring him, she continues to tease him and act like a bitch when Nathan mutters that she's lucky his mom had to work the early shift this week because, otherwise, she would be in big trouble for making fun of him. She laughs even harder and calls him a mama's boy before he slams his spoon down and storms out of the room.

Nathan storms into the living room and calls his mother. Over the phone, he tells her that Rachel is making fun of him again. Moreover, he's pretty sure she's hungover and planning to do something bad this week while she's out working. Telling on his sister is Nathan's attempt to try and get his mother to come home, because he doesn't like being alone with her. She makes him feel uncomfortable. His mother assures him that he is a big boy and that he shouldn't worry about his step-sister like that. She is just figuring herself out, especially with her father always travelling on business and not giving her attention. Besides, it's nice to see the two of them finally spend quality time together. After all, they are a blended family. She tells him she loves him, but she must go back to work, and the mother and son have a sappy, sentimental parting. When Nathan gets off the phone, he still feels frustrated. He turns to leave when he realizes Rachel has been listening the entire time. 'I make you feel uncomfortable?' she asks teasingly. Nathan tells her not to be gross, they're like family. She needs to go put real clothes on and not dress like such a floozy. What would mom say? Rachel asks why Nathan is always running to his mom when he needs something. Does he have a crush on her or something? It's weird for him to be such a mamma's boy! Nathan tells her to leave him alone, grabs his backpack, and storms out of the house for school.

CUT to that evening. Nathan comes home when he hears moaning. He calls out to his mother, but gets no reply. Slowly walking up the stairs, he realizes that the noises are coming from his bedroom! When he opens the door, he is shocked to see his step-sister watching one of his pornos on TV. Embarrassed, he tries to turn the TV off while she mocks him about all the dirty movies she found hidden under his bed. She is wearing nothing but a crop top and panties.

Finally getting the TV to turn off, he runs over to his bed to try and conceal the pile of DVDs strewn all over. It seems like he is desperately searching for something. Smiling triumphantly, Rachel watches him scramble before asking 'Are you looking for the photos of mom?' Nathan freezes. His eyes look wild with anger. Rachel pulls out a series of cum-stained photographs of his mother and shows them to Nathan. 'These look really soiled,' she says. 'How many loads did you drop on this photo? Does my dad know that you jack off to photos of your mother?' Nathan tries to grab the photos away, but Rachel runs around the room, teasing them in his face and continuing to berate them. 'Between these cum soaked pictures and all your hardcore porn, I think it's safe to say that I have something rather important to tell our parents about your perverted behavior!'

Aidra Fox in 'Four-Step Seduction'

Aidra Fox - Four-Step Seduction

Chanel Preston and her step-daughter, Jade Baker, are eagerly waiting for Jaclyn Taylor and her step-daughter, Aidra Fox, to show up and help with some spring cleaning. When Jaclyn and Aidra arrive, Chanel is especially excited to greet Jaclyn, and it isn't long before the two step-mothers hurry off to clean out a closet.

Jade and Aidra have always been a bit suspicious of how... close... their moms are. They seem REALLY close, even for sisters! But the girls try to put that out of their mind as Jade shows them some boxes that need tidying.

The conspiracy surrounding their moms gets even more intriguing when they uncover a binder holding family tree papers while cleaning. Jade and Aidra are shocked when they learn that their mothers aren't really sisters at all! They're step-sisters! How could Chanel and Jaclyn keep a secret like that from them for so long??

Angry, they go to confront their step-mothers, but are stunned to catch them making out! Now that Jade and Aidra know the truth, suddenly their mothers being so close is hot. So hot that Jade and Aidra get caught up in the heat of the moment and lock lips as well. When their moms catch THEM in the act, the whole truth is finally revealed... and things heat up between the whole family!

It's a free-for-all as the mothers and daughters crawl all over each other, determined to ensure that no pussy or breast goes untouched. Jade and Aidra are certainly learning a lot about their family today -- and they couldn't be happier!

Story inspired by an original submission by Girlsway member, Lesbianlover!

Chanell Heart in 'A Thing For Bad Girls'

Chanell Heart - A Thing For Bad Girls

Chanell Heart is in her living room talking on her cellphone. 'Yeah, my last date was a bust... I'm just so frustrated! What does it take to get a girlfriend around here?? ...Yeah, okay, I KNOW I always go for the bad girls when I SHOULD be looking for GOOD girls, but, seriously, how can I resist??'

Chanell hears a nearby door open and then tells her friend she has to go and hangs up. Suddenly, a young woman, Gianna Dior, hurriedly walks in wearing baggy clothes, and a baseball cap; she's carrying a backpack. She looks serious but calm. Her right hand is in the pocket of her jacket, holding something that may be a gun pointed at Chanell.

Gianna tells her she just held up a bank and needs a place to lay low for the next 12 hours, so she's gonna stay in her home until things cool down. Chanell doesn't believe Gianna and is especially skeptical about what Gianna has in her pocket. Gianna insists it's a gun, but Chanell calls her bluff, demanding that Gianna show it to her. Finally. Gianna gives in and pulls her hand from her pocket, showing Chanell the 'finger gun' she's been using.

'Wait, so you got away with robbing a bank using just your finger??' Chanell asks, aroused by Gianna's cool attitude and recklessness. She starts to look more lustful, her attraction to bad girls winning over logic.

'Wow, so DARING... and DANGEROUS... What if the cops catch you, huh?' Chanell says.

'They won't. Unless you rat me out. Are you going to rat me out?' Gianna says in a dangerous voice that makes Chanell quiver again with arousal rather than fear.

'Of course not! I'm at the mercy of your finger now...'

It's not every day that Chanell gets to meet a REAL bad girl...

Story inspired by an original submission by Girlsway member, PJFearless!

Nathaly Cherie in 'Sex Sinner'

Nathaly Cherie - Sex Sinner

Kinky Steve Q beings his hot blonde beauty Nathaly Cherie to an old church. After looking around he seduces her into fucking. Nathaly quickly goes from saint to sinner and rides Steve's rock hard cock.

Antonia Sainz in 'Wet'

Antonia Sainz - Wet

George is a romantic guy who likes to surprise his girlfriend. This time, he invites Antonia Sainz to a secret place and they had sex under a rainy roof.