Latest 'Mature' updates from Pornstar Scenes (Page 115)

A blonde doc and her smooth coochie get excited by a patient so she loses her patience and gets naked. The lucky patient turns his exam into a fruitful fuckfest. His HMO still billed him though...

A stepmom and daughter are stuck in the clink for protesting. The two boring dialogue deliverers disrobe and lick each other clean as they don't want to risk being raped in the prison shower...

Winner - Most Outrageous Sex Scene: Cherie DeVille & Michael Vegas, AVN 2020

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

'Those Whom We Love Are Often The Most Alien To Us.'
-- Christopher Paolini

THE GHOST ROCKET
Conspiracy Theorist Is Anally Probed By Sexy Female Extra-Terrestrial

SCENE opens on an empty field late one night. The stars twinkle in the sky, as the camera slowly tracks back to reveal Roger (Michael Vegas) looking through a telescope. The self-published conspiracy theorist is wearing nothing but his boxer shorts, a UFO t-shirt, and LED translucent glasses. His hair is greased back, and he is guzzling a can of liquid caffeine, as he shifts from the telescope to the back of his flatbed truck, where he finishes setting up his latest invention. It's a small but powerful antenna designed to transmit mathematical equations into space in the hopes of contacting a ghost rocket.

Roger believes this long-disputed UFO phenomenon is the key to contacting alien life forms. As he connects the final pieces of his machine together, he mutters into a makeshift gadget on his wrist: 'In 1946 and 1947, numerous reports occurred of ghost rockets appearing over Scandinavian countries, primarily Sweden, which then spread into other European countries. In 2046, similar reports resurfaced of ghost rockets appearing in the Pacific Northwest and down through parts of California and Mexico. All 200 sightings have been refuted by the US government, despite being verified with radar returns and, in some cases, physical fragments...'

He puts his wrist down, stripping off his shirt and putting a tin foil cap on his head. '...Until now, you sons of bitches!' He shouts into the night, removing his glasses, placing transmitters in his ears, and rubbing his chest with petroleum jelly. He plugs some final code into his laptop before hitting enter and pointing his antenna towards the sky. A static sound in his ears grows louder and louder as he spins the antenna around. Finally, it connects with something and a beam of light penetrates the sky and strikes the antenna. Then, as quickly as it started, the beam disappears, and Roger falls to the ground. The antenna lies at his side, melted and destroyed.

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Roger drives home from the field, feeling frustrated. He mutters and swears to himself before rolling down the window and throwing his antenna out. He puts his wrist to his mouth and begins to report the failed experiment when, suddenly, he comes upon a beautiful woman (Cherie DeVille) standing in the middle of the road. She is shimmering in a metallic body suit, with windswept hair, and staring at him like a deer in headlights. He slams on the breaks.

They regard each other for a moment before she starts to approach the car. Roger is scared. What is this strange woman doing out here? She presses her hands on his driver side window, trying to open it, and speaking in a strange language he doesn't understand. Finally, Roger rolls it down. 'What... do... you... want?' He stammers. She stops, takes a moment to compute what she just heard, and then begins talking slowly again -- in English. 'Hello human male,' she says. 'May I please enter your craft so I may breed with you?'

'Who... are... you?' He asks slowly. The woman unfolds her arms and puts her hands in front of her. The broken antenna appears. 'I am responding to your signal,' she says. Roger stares at the antenna in disbelief. 'You were on a ghost rocket?' He mutters. 'Affirmative.' she replies, and the antenna disappears. 'I have been sent to earth to breed with a human male. Are you a human male?' 'How do I know you're not just putting me on?' He asks. 'Do you require proof?' She asks. He nods. Her hands pull apart her face. He is horrified by what he sees and slumps back before raising his arms in surrender and stating that he is, indeed, a human male. She stops, puts her face back and, revealing her human form again, smiles. 'Excellent! We must hurry and get to a breeding chamber,' she says. Stunned, Roger opens up the passenger door and she steps inside. 'Is my bedroom ok?' He asks, getting in himself. 'Affirmative,' She says smiling.

They arrive at Roger's home. It is bare bones, with only UFO posters on the wall, stacks of papers, and a basic blowup mattress in the middle. The woman walks in and examines the surroundings. 'Human males are strange and primitive life forms,' she says matter-of-factly. Roger nervously clears an area around his bed and invites her to sit. 'I would like to consume your seed now so it may stimulate this human shell and support my arousal.' Roger flushes red. She unzips her top to expose her breasts and puts his hands on her. He has never felt anything so good in his life. She tells him to take out his member. Nervously, he does, and she slips her hand around his cock, stroking it, all the while exclaiming how fascinating his human penis is. Finally, she puts his hard cock into her mouth, tasting him before she guides him into her pussy. He gasps as she rides his cock.

Roger can hardly believe his good fortune, but how will he react when it's HIS turn to be probed?

Texas Patti has an issue, her son is being bullied. He is being kicked off the team and she's going to fix this issue by getting bullied herself. By one big black cock! Can she handle it?

PARENT-TEACHER TRAP
Teacher Demands Sex From Student & Her Mother In Exchange For Not Expelling The Student

Miss Morgan (Kendra James), a high school history teacher, is at a desk correcting homework, scowling to herself as she makes notes in bright red pen. To the side of her desk, a bright red apple sits in full view, a small pocket knife next to it folded closed. Something catches her eye and she suspiciously flips back and forth between two different pieces of homework. She mutters to herself that this is unbelievable - the nerve of some students. She flips back to the cover page, sees the name on the paper, and narrows her eyes with a furious glare. Miss Morgan picks up the phone.

'Yes, is this Cheryl Best, Mandy's step-mother? This is Miss Morgan, Mandy's history teacher. ... I need to have a talk with you and your daughter. ... No, here at the school. ... The earliest you can make it. ... no, I'm afraid I INSIST. .... Good. We'll see each other shortly then. Goodbye,' Miss Morgan says curtly. She hangs up the phone and taps it sharply with her fingernails before moving her hand over towards the apple, however it stops short at the knife and she hovers over it. She picks it up and flicks it open with a flourish.

OPENING CREDITS

Cheryl (Alexis Fawx) and Mandy (Mackenzie Moss) arrive, and Miss Morgan tells them that she knows Mandy's been copying off of other students. M-Mandy! Is this true?? Cheryl asks. 'Y-yes, it's true... I'm so sorry! It's just that I'm 18 now and about to graduate! There's just SO MUCH PRESSURE to have high grades to get into the schools you and dad want me to...' Mandy stammers.

Miss Morgan reveals that this isn't the first time Mandy was caught copying work. Cheryl still hesitates to blame Mandy or put her foot down, so Miss Morgan threatens to expel Mandy. Both mother and daughter protest that she can't do that, it will ruin Mandy's chances at getting into a good college. Cheryl insists that Miss Morgan is being way too harsh! Miss Morgan says that clearly Mandy needs some tough love, and if Cheryl isn't the one to give it to her then she will. It's about time SOMEBODY slapped some sense into her.

Cheryl becomes desperate to avoid conflict, asking what else she could do to make this go away? A favor from one of her husband's many influential friends? A donation to the school maybe? As Cheryl lists these off, Miss Morgan gets more and more upset at Cheryl's attitude. Miss Morgan declares she wants Cheryl to spank Mandy. Mandy and Cheryl are shocked, with Cheryl insisting that she'd NEVER spank her step-daughter! Miss Morgan says it's because of parents being wusses these days that kids get away with everything. Spank Mandy and she'll consider not taking this to the principal or the school board like she SHOULD.

Cheryl seems taken aback but says that when she and Mandy get home they can of course discuss it as part of Mandy's punishment. Miss Morgan tells her she misunderstands - she wants Cheryl to spank Mandy right now, in front of her. How else can she be sure that Cheryl is going to be true to her word with all the dishonesty that comes out of that family of hers?

Mandy agrees to be spanked to get the punishment over with. Yet, as she's spanked, Miss Morgan becomes aroused and starts feeling herself up.

As Cheryl notices Miss Morgan touching herself, she abruptly stops spanking Mandy and hurriedly tells her it's time to go. Miss Morgan becomes angry at the interruption and tells them that they've only made things worse for themselves now. She demands sex from them. Mandy and Cheryl are outraged, and move to leave again.

'You can refuse, of course... but you'll be sealing your fate at this school. Maybe even the whole school board. Especially once I tell them all the SICK things you both tried to get me to do. Pulling down your own daughter's pants to expose her to me like this??' Miss Morgan says. Cheryl is disturbed but agrees with Mandy to have sex with Miss Morgan to keep everything quiet. Miss Morgan stares at Cheryl with a cold resolve, darkness tinting her eyes. 'Take off your shirt,' Miss Morgan tells Cheryl.

Cheryl and Mandy have walked right into Miss Morgan's twisted trap.

SHADOW OF A DOUBT
Paranoid Wife Thinks New Babysitter Wants To Steal Her Husband

SCENE OPENS to Kathy (Krissy Lynn) and her husband, David (Ryan Driller), anxiously awaiting the new teen babysitter, Lynn (Chloe Temple). Kathy, who is prone to paranoia, is especially finding it difficult mentally preparing for a new babysitter. Yet, David soothes her like usual, assuring her that everything will be fine. If she can't trust David, the father of her children and love of her life, who CAN she trust?

When Lynn arrives, she SEEMS sweet enough... Maybe it's Kathy's mind playing tricks on her, but Lynn seems particularly drawn to David. It doesn't help that Kathy is SURE Lynn said, 'It's going to be so fun becoming you...' Of course, Lynn claims she said, 'It's going to be fun getting to know you...'

When Kathy and David arrive home from work each day, Kathy's anxiety intensifies. Lynn is TOO perfect... She's even starting to copy Kathy's style?? She's wearing the same shirts, has the same hair... Something's not right here.

Kathy is sure that David's cheating on her and that she'll get the boot soon enough. Even the KIDS love Lynn! When she confronts David about it, he actually sticks up for Lynn, reminding Kathy that she's overthinking it and that she always sees the worst in people. Kathy is devastated -- why can't he see the truth like she can? What kind of spell has Lynn put on him?

When she next comes home, only to find that David's arrived before her and is now alone with Lynn, she finally exposes what her instinct's been telling her all along...

THE DADDY INTERVIEW
Kinky Mom & Daughter Interview Potential Daddy To Join Their Twisted Family

Roxy (Kenzie Taylor) is relaxing on the couch, lovingly cuddled up to her step-daughter, Chelsea (Carolina Sweets). As she glides her fingers affectionately through Chelsea's hair, she admits that it's time to start dating again. It's been awhile since she divorced Chelsea's dad... Roxy can only give Chelsea so much, needing a man to do the rest for her dear, sweet daughter... Chelsea needs a daddy.

Although Chelsea is worried at first, she soon eagerly helps Roxy set up an online date with a doctor named Marc (Tommy Gunn). If all goes well, their little family will be complete, and Chelsea will have the daddy she sorely craves...

When Marc arrives, he is entranced by Roxy, yet unnerved when she introduces him to Chelsea. While Marc thinks it's unusual to introduce Chelsea so soon, Roxy argues that getting formalities out of the way will just make things easier for them. They need a family man in their life, and he's a family man, right?

As they settle for dinner, Marc begins to suspect that something is amiss with the women. Roxy is exuding raw sexual energy in front of Chelsea and Chelsea herself doesn't look so innocent either. Things only get more unsettling as Roxy heavily comes onto him by groping him under the table.

Or at least he THINKS it's Roxy feeling him up until he sees that it's Chelsea! When Roxy coyly asks how he'd punish Chelsea if she were his own daughter, the date only becomes more twisted. Roxy declares that Chelsea needs a new daddy and they think Marc could be the one. Although Marc is hesitant, his resolve crumbles under the sultry gaze of the mother-daughter duo...

Story inspired by an original submission by Pure Taboo member, S P I N K I N G!

Ryan Keely hasn't had sex in a while and she's not really into dating apps. What she is into is her son's handsome friend's. Lucky for her, they are into her as well. Ryan takes a pounding from her son's friend all without her son finding out.

SEX ADDICTS ANONYMOUS
3 NYMPHOMANIACS CONFESS TO COMPULSIVE & DESTRUCTIVE SEXUAL HABITS IN SUPPORT GROUP

SCENE OPENS on Marlene (Reagan Foxx), Laura (Jaye Summers), and Bianca (Jane Wilde). They all hold coffee cups and look nervous and somewhat uncomfortable, fidgeting in their chairs. They sit in a circle. They eye each other warily before shifting their gaze to Robert (Seth Gamble), a charming, handsome and sympathetic-looking man. 'As you know, my name is Robert... and I'm an addict,' Robert says. But like all of them, it's not heroin or booze that's his addiction and affliction --he's a sex addict, he continues. He's been in recovery for 5 years now, and leading meetings like this for 3, Robert goes on. He's sure they've noticed that this is a much smaller group than they're all used to, Robert continues. 'I invited each of the three of you to come tonight because you've each stood out to me in the regular meetings due to the fact that each of your stories is particularly...troubling,' he adds, 'and felt you might benefit from some special attention.' Again, the three ladies eye each other curiously. So he'd like to thank them all for coming, he continues. As they work through their steps, they are offered the chance to tell their stories, he goes on. Of course, sharing is NOT obligatory, but it can be a very helpful tool in recovery, so he would like to now go around in a circle, he continues. 'Please introduce yourselves, and if you're comfortable...share,' he says.

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'And we can begin with you,' Robert says kindly, indicating Marlene. She hesitantly describes being tricked into fucking her boyfriend and her stepdaughter by the manipulative daughter. The event traumatized her, causing her to associate family with sex.

Robert looks at her kindly. Thanks for sharing Marlene, he says. That kind of experience can send you into behavior loops and patterns that you think you'll never break free from, he continues. 'But I promise you---and I'M living proof---I promise you that there IS an answer out there for you,' he says kindly. Marlene smiles thinly at him.

Next, Bianca shares her story of being blackmailed into cheating on her boyfriend when she was 19 while, unbeknownst to him, he listened on the phone. As he listens, a look of lust comes over Robert and he licks his lips subtly. The women don't notice.Since then, Bianca adds, she's lost her innocence and no longer believes in monogamy, feeding her addiction by fucking random men. Thanks for sharing, Robert says to Bianca. 'It's important to remember that your past doesn't define you, and your past ACTIONS don't define you. You can DECIDE to be something new every day,' Robert says. And THAT, is the way to move forward, he adds.

When it's time for Laura to speak, she shares her story of losing her virginity just after she turned 18. As she was fucking for the first time, a group of people watched and filmed everything, ultimately posting the video online. As Laura speaks, we focus in on Robert, who we see is subtly and, apparently unbeknownst to the women, fondling his crotch. He has seemingly been doing it for the entire time Laura has been speaking. Laura expresses that she's fearful because the events of that night have caused her to become a thrill-seeker and engage in increasingly risky sex acts. Thanks for sharing Laura, he smiles. 'And that's the first step, isn't it? Admitting that you can't control yourself, admitting that you're POWERLESS over your addiction,' Robert says.

Well, I'm here to give you a WAY to take back the power, to take CONTROL over that addiction, Robert says. And there's only one way to do that, he continues. By EMBRACING their urges, not RUNNING from them, he continues. He can HELP them become at peace with it, he says. He can help them see the freedom in surrendering themselves to it...TOGETHER, he adds, looking at them lustfully and licking his lips suggestively. It becomes clear what he means. W-what the fuck is wrong with you?, Bianca says incredulously, gathering her things and getting up to leave. Fucking sicko!, Laura says, shaking her head in disbelief. She too begins to gather her things and prepare to leave. Marlene is at a loss for words, her face a mask of shock as she wordlessly gets up to follow the other two women. 'I wouldn't do that if I were you,' he says evenly. They stop in their tracks. Why NOT?, demands Laura. 'Why should we listen to ANOTHER word that you have to say, you fucking pervert??' Bianca asks.

'People need to be so CAREFUL about what they say these days, given all the technology that we have at our fingertips. It's so...EASY to say something in the wrong place...at the wrong time. And it's even EASIER to make sure that the whole world finds out about it,' he says smarmily. Realization dawns on the women's faces as they look around, searching for something. 'And of course once something gets on the internet these days, it never really goes away, does it?' So, if they want to avoid that...he suggests that they reconsider leaving, Robert says.

'The world already KNOWS every inch of me. I don't have to listen to your pathetic threats,' Laura says, turning to go. 'No, you DON'T have to, but you WANT to,' Robert says to Laura. He has clearly struck a nerve. 'Don't you Laura?' he asks softly. 'You're always trying to satisfy that urge, aren't you? You ALL are. That's why you're HERE, isn't it?' Robert asks all three women. He is clearly getting to them, they are shaking their heads but it's very half-hearted and their body language suggests they're considering not leaving. 'You're ALL just looking for an excuse to give in. Well, I'm GIVING you that excuse,' Robert continues. 'This IS the answer waiting out there for you,' he continues, looking at Marlene. 'You can rid yourself of all this regret by just accepting that this is who you really are,' he continues. 'You have no IDEA who we really are,' Laura spits back at him. 'Of course I do, because I'm the SAME as you. The only difference is that I've accepted it. So...will you let me help YOU accept it?,' Robert asks. The women look at each other with uncertainty, biting their lips, their resolve clearly weakening. Finally, they relent, the three of them saying ok, yes, and alright, in hushed and defeated tones.

They sink to their knees in front of Robert, powerless over their dark desires.

Nominated - Best Actress - Featurette: Alexis Fawx, AVN 2020

SEEN NOT HEARD: AN ALEXIS FAWX STORY
FEMALE PATIENT RELIVES PAST SEXUAL EXPERIENCES WITH HOSPITAL STAFF

SCENE OPENS on Anna (Alexis Fawx), a frazzled woman dressed in a patient gown, as she sits on the edge of her hospital bed with her eyes closed. Her body is tense but still, with her fists clenched. The room is dark and only her silhouette is really visible, set against the various shadows that move in the hallway on the other side of the curtain. Anna muses:

'Monsters are not only bred from darkness, monsters are also created. A monster by definition is an imaginary creature that is typically large, ugly and frightening. It's the unknown lingering under your bed making you wish your blankets had the power of invisibility. A monster comes in many shapes and forms; its main purpose to destroy. They are creatures of elaborate pain, a motherless, fatherless creature shadowed in robes, veiled in black taking shape of all the things we fear most.'

Suddenly we flashback to a different time, many years ago. We are looking at the face of 18-year-old Anna (Bobbi Dylan). She sits on the edge of her bed. An older man walks into frame with a paper bag in his hand. 'Hi sweetie, how was your day?' the man says as he blindfolds the young woman, intimately caressing the side of her face as he does so. His index finger grazes her mouth for a brief second and then he reaches over into a brown paper bag he has by his side. 'Are you going to be a good girl?' She nods and opens her mouth somewhat reluctantly. From the paper bag, the man takes a small container of chocolate pudding and dips his finger in it. He slides his finger into her mouth as she licks the pudding off. 'You know what happens if you get this wrong, don't you Anna?' He whispers. The girl looks up, despite being blindfolded, and nods as she chews. She hears the bedroom door slam.

Back in the present day, Anna is now having a panic attack, rocking back and forth. 'I guessed it right!' She half cries, half laughs as she continues to rock back and forth. A young male hospital orderly (Seth Gamble) walks into the room. Taking the woman by the shoulders, he guides her back into bed, tucking her in. 'Don't worry Anna, everything is going to be alright. The doctor will see you in the morning.' He smiles gently, as he caresses her face intimately and she closes her eyes.

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The next morning, Anna wakes up suddenly. Sitting in a corner of the room is the girl from her memory, her younger self, still dressed in her nightgown. 'It's about time you wake up sleepy head, the doctor is waiting for us!' The younger Anna says innocently.

At the same moment, the orderly walks in to the room. Both women look at him, but he only looks at the older version of Anna, 'The Doctor is ready for you,' he says. Anna gets up reluctantly, examining herself and the younger woman beside her. She is expecting the orderly to say something -- but he seems oblivious. Finally, the younger Anna takes her hand and pulls her forward, as they follow the orderly out of the room.

In the doctor's office, Anna sits in a chair in front of the doctor (Eric Masterson) as he reviews her chart. He asks how she is feeling, how her appetite has been, and whether she's still been having those dreams they talked about. As Anna struggles to answer, the younger version of her leans in and whispers 'Remember dear, you must be seen and not heard!' Anna closes her eyes to try and tune it all out.

We flashback to another memory of the younger Anna. She opens her eyes to stare at herself. She is sitting in front of a mirror, as her mother brushes her hair. We don't see the woman's face, but we hear her saying 'Remember dear, you must be seen, not heard!' Young Anna listens to this being repeated before she starts to say it to herself as well.

Back in the doctor's office, Anna opens her eyes in a panic. The Doctor tries to calm her down, as she starts shouting 'be seen, not heard' repeatedly. He yells for help and the orderly comes back in to take her away. The younger Anna watches them leave with a sly smile on her lips before turning around and winking at the Doctor, who has no idea she is there.

Later that night, the orderly comes in to Anna's room with a dinner tray. 'I'm not hungry!' Anna shouts, as she turns over in her bed to reveal the younger version of herself also lying there. 'You have to eat something,' the orderly tries to coax her. The younger Anna sits up, picking a piece of food from the tray. 'You should really be a good girl Anna, you know what happens when you misbehave!' She whispers, slipping her fingers into Anna's mouth and then licking them herself. She then stands up and walks over to the hospital orderly, before looking back and saying, 'I'm eighteen now ... so why don't I show you how a good girl should behave!' She pulls the orderly's pants down, gets on her knees and asks to give him a blow job. In a calm voice, he says 'sure Anna'. Young Anna slides the orderly's cock into her mouth. Older Anna watches from the bed, utterly confused. Her mind races. Is what she's seeing even REAL?

CLOSE YOUR EYES
LONELY DAD GETS CATFISHED & BAITED INTO SEX WITH STEPDAUGHTER

SCENE opens on Tim (Dick Chibbles) and his stepdaughter Laura (Mackenzie Moss). They're sitting next to each other on the living room couch eating from bowls of cereal. Tim looks up from his paper, smiling warmly at Laura. So, what is she up to today?, Tim asks. Oh not much, she's probably going to go meet Sharon to see a movie later, but for now, she's just going to hang out in her room...read a little, Laura says pleasantly. Lazy Sunday, huh?, Tim smiles. Exactly, Laura responds. 'Well, you deserve a lazy day. You've been working so hard lately. You're only 18 and your work ethic is ALREADY better than mine ever was,' Tim says with a little laugh. Well, it takes a lot of work to get into a good college, Laura says modestly. He looks at her lovingly. Her mom would be SO proud of her, he says softly, an edge of sadness in his voice. Thanks, Tim, Laura says, her voice heavy with emotion. He told her that she could get used to starting to call him 'Dad' if she wants, Tim says gently. But no pressure, he adds reassuringly. Ok, Laura smiles. And what about him, what does he have planned for the day?, Laura asks. He's probably going to have a pretty lazy day too, Tim says. He has to catch up on some emails, but that's about all the firm plans he has for the day, Tim says. Emails, huh? Anything...important?, Laura asks. 'Um....well, we'll see,' Tim says, smiling hopefully. Ok, well, have a good day!, she says, getting up and kissing him on the cheek. He smiles at her as she takes her bowl of cereal and exits the room.

A short time later, Tim chats with a woman online, arranging for her to come over that evening so that they can meet for the first time. Tim goes to tell Laura about the date. He's nervous and excited. 'Don't worry, you'll be great. You're an...AMAZING guy and she's a lucky girl,' Laura says encouragingly. He smiles at her, brimming with love for his stepdaughter. Thanks, sweetie, he says kindly. They smile at each other for another moment before Tim says that he'll leave her to it, exiting the room as he closes the door softly behind him. We stay in the room with Laura, who smiles. As she looks down at her laptop, we see what is on her screen. Unbeknownst to Tim, she is the one who he has been chatting with online.

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Later that day, Tim's date Rachel (Christiana Cinn) arrives. He's nervous, but as they chat, it's evident that their online chemistry has extended to real life. As get to know each other, they begin to make out. When Rachel wants to take things beyond just kissing, Tim is hesitant. But she reassures him and they go to his bedroom.

In the bedroom, Rachel suggests that he put a blindfold on so that he can't see when they have sex. Tim's not too sure about it, but when Rachel explains that she finds it very erotic, he agrees and covers his eyes. She grins up flirtatiously at him as she begins to unbuckle his belt. Don't worry, she'll take GOOD care of him, Rachel says, but seems to say it a little louder than is necessary, turning her head toward the bedroom door as she speaks. It is clearly a signal to someone standing outside the door. At that moment, the bedroom door slowly and soundlessly opens and a pair of bare feet softly pad in, careful not to make any noise. As the unidentified visitor enters, they bend down to get on their knees next to Rachel and it is revealed that this visitor is...Laura! She smiles knowingly at Rachel, who nods coldly back at her. Wordlessly and gracefully, Rachel slides over and Laura takes her place in front of her stepfather. Laura slides Tim's pants and underwear off and looks at his cock, licking her lips expectantly, as if she has been waiting a long time for this moment. 'Are you ready to feel some soft, delicate hands wrapped around your BIG juicy cock?' Rachel asks seductively. Yes, Tim whispers. Laura bites her lip and begins to stroke his cock, slowly and tenderly. He gasps.

Tim's eyes may be closed, but when he opens them, he's in for a rude awakening.

UNFAITHFUL TO ME
CHEATING WIFE GETS CAUGHT FUCKING HUSBAND'S COWORKER

Max (Jason Moody) is down on his luck. The passion in his marriage is gone and he's not sure how to rekindle theflame... until he decides to have a little chat with a handsome coworker of his. Jett (Alex Legend) is a womanizerwho does very well for himself. If anyone knows how to spice things up with the missus, it's Jett.

Max asks for advice, revealing how hard it is to keep his wife happy. No matter what he does, she cheats on him!Jett is sympathetic to his plight, giving Max tips and tricks for pleasing his wife to hopefully keep her interested andloyal. Max soaks it all in and is convinced that Jett just saved his marriage. He's away for the weekend, but as soonas he gets back, he's going to surprise the wife. Maybe now, she'll stop cheating on him...

He excitedly thanks Jett for his help, then hurries away with an extra spring to his steps. Little does he know, assoon as his back is turned, Jett fixes his tie with a slow grin.

That weekend, Jett shows up at Max's house, where his beautiful wife, Rose (Christie Stevens), answers the door.She's immediately taken in by Jett's charms and it isn't long before they hungrily crash together. As they make theirway to the bedroom, they leave a trail of discarded clothes behind them. As soon as they tumble into bed together,they become completely consumed by lust.

Then Max's car pulls into the driveway. When he spots Jett's car in the driveway and clothes on the floor leading tothe bedroom, it's time to finally take matters into his own hands once and for all.

Story inspired by an original submission by Pure Taboo member, IggyEgo!

FAMILY VACATION
SEPARATED TEEN FOSTER SISTERS REUNITE UNDER BIZARRE CIRCUMSTANCES DURING FAMILY VACATION

Two teenage girls, Allie (Gia Paige) and Beth (Avi Love), are sharing a tearful goodbye. They'd been in the foster system together for years -- it's like they're sisters -- but now Beth is moving in with a different foster family. For the first time, they're going to be separated, and Allie is worried that Beth is going to forget all about her once she has a taste of her new life. Although Beth assures her that that's never going to happen, when they hug then part ways, Allie's sure she's never going to see her best friend ever again.

Her hopes are lifted when she receives a phone call from Beth weeks later, inviting her to visit her at the family's vacation home. Although Allie is hurt that Beth didn't contact her sooner, she jumps at the chance to see her again.

When she later arrives at Beth's new home, which is more luxurious than anything she's ever seen in her life, Allie feels out of place. She feels even MORE out of place once she reunites with Beth and meets her new foster parents, Maria (Silvia Saige) and Shane (Steve Holmes). Beth is... different... somehow, and Maria and Shane give off creepy vibes with how intimate they are with Beth.

It doesn't feel right. Concerned for Beth, Allie tries to privately ask her if she's safe. Allie's world comes crashing down when she learns that Beth has been having sex with Maria and Shane in exchange for stability! Although she's horrified at the thought, when the family offers the same deal to Allie, it's the hardest decision she'll ever have to make.

SWAPPING DAUGHTERS: THE OTHER FAMILY
PARENTS SWAP DAUGHTERS TO USE NEW DAUGHTER FOR SEX

Scene opens on a young girl, Becky (Maya Kendrick), who sits in the back of a car. She looks excited and anxious to get out of the car. The car pulls up to a flawless suburban home with a perfectly manicured lawn. Outside, three people stand. These are the members of the Darling family: husband Doug (Mr. Pete), wife Doris (Dee Williams) and son Davey (Seth Gamble). Becky smiles when she sees them. The three stand in a perfectly straight line and have the same exaggeratingly welcoming smile on their faces. They wave in unison and are all dressed in similarly preppy fashion with matching colored clothing. As the car pulls into the driveway, Becky notices the odd way they're waving and her smile falters for a second as she regards them skeptically. But she seems to push her worries aside immediately and regains her smile. The car pulls to a stop. Becky thanks the driver and hops out excitedly. She must be Becky!, Doug says enthusiastically. Yes, Becky confirms. Doug introduces himself and presents his wife and son. Doug asks Davey to get Becky's bags from the car. Davey goes to get the bags.

Welcome to Canada, they are so happy to have her here!, Doris says brightly. Becky says that she's happy to be here for her cultural exchange, and it's not nearly as cold as her parents said it would be. Yes, people tend to exaggerate about the climate here, says Doug. 'We don't all live in igloos you know!' Doug adds with a laugh. Why doesn't he take Becky's bags upstairs and show her her new room?, Doug suggests to Davey. She arrived just in time for dinner, Doris says. Dinner is every night at six o'clock SHARP, Doug says firmly. 'And no matter what we are doing, we ALWAYS come home for family dinner at six. NO. EXCEPTIONS.' Doris says, with an oddly insistent edge. She'll see that there are many...family rules, but these rules just make them closer as a family, Doris says. 'Isn't that right sweetie?' she asks Davey. Yes Mother!, Davey answers energetically. Becky catches that and laughs nervously. Well, they'd better get Becky's bags upstairs, dinner will be on the table soon!, Doris says. They'll take care of paying for the cab while Davey takes care of Becky, Doug adds.

As Davey walks Becky up the driveway into the house, they chat. Um... is everything as...strict as they just made it sound?, she asks with a nervous chuckle. Yeah, Mom and Dad just like things done a certain...way, Davey says. She'll get used to it, he adds. He thought it was a little weird at first too, he says. He was 15 when his dad married Doris, but it's been four years now and he's totally used to all their little rules, he adds. 'And trust me, once you get used to them, you'll LOVE it here. I know I do,' he says with a chuckle, as his eyes look Becky's body up and down. Becky laughs nervously.

Cut to the dinner table, where the four sit with their meals in front of them. The three Darlings, virtually in unison, fold their napkins and place them onto their laps. Becky looks on, a quizzical expression on her face, but a moment later, follows along, placing her own napkin on her lap. So Davey showed her her new room?, Doug asks. Yes, it's great!, Becky says happily. Before they can continue their conversation, Doris lightly taps her glass with her fork, getting everyone's attention. It's time to say grace!, Doris announces with a smile. The three Darlings join hands, but Becky hesitates. Is there a problem dear?, Doris asks. Um, no, she just...isn't used to saying grace, Becky says, smiling awkwardly. Well, in this family, they give thanks before every meal, because in life, there is so MUCH to be thankful for, Doug says earnestly. And since Becky's a part of this family now, it's important that she takes part in this, Doug adds, again offering his hand for Becky to take.

Becky smiles nervously and takes Doug's hand and with her other, grasps Davey's outstretched hand. Doug begins by saying that they are thankful for the meal that they are about to receive, they are thankful for their health, and...they are very thankful for Becky, the newest member of their family. When he says 'newest member of their family', all three Darlings turn their heads to look at Becky with unblinking grins. Just as when he married Doris and she became Davey's mother, they have formed a new family, Doug continues. 'We are thankful to be blessed with this young woman, who will be taking part in all of our...family traditions,' Doug adds. As Doug is saying this, Davey's fingers begin to rub Becky's palm. Feeling this, her eyes open with mild surprise. She looks at Davey, who stares at her. He slowly licks his lips.

She subtly tries to take her hand out from his but Davey grips her hand harder, preventing her from pulling away. Becky looks towards Doug, who stares back at her with a blank smile. To Becky's growing alarm, Doug licks his lips. Becky looks toward Doris, who is also staring at her and licking her lips hungrily. She looks around in disbelief at the three of them as they stare back at her.

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They begin to eat. Soon, there is a buzzing sound under the table, coming from where Becky is sitting. She takes her cell phone from her pocket, apologizing. 'Davey, didn't you tell Becky about our cell phone rule?' asks Doris, staring angrily at Davey. No Mother, he didn't, he says, hanging his head in shame. Doris turns to Becky, her fury replaced by a manufactured smile and an artificial sweetness. 'Dear, we don't allow cell phones or any other gadgets like that in this house. We don't even own a television or a computer actually. Those kinds of things are nothing but...distractions. And we don't want ANYTHING distracting us from each other, because family...comes first, isn't that right gang?' Doris says, smiling her sickly sweet grin. The Darlings all smile back at her and say that's right.

Oh um ok, well, she'll put her phone away then, Becky says. Oh no dear, she'll have to give her phone to Doug for safekeeping, Doris says with a smile. Becky hesitates. They really want her to give her phone to them?, she asks incredulously. Oh yes, Doris says with a smile. It's for the best, adds Davey with the same smile. But what about emergencies?, Becky asks softly, clearly becoming weirded out. 'Well, aren't you going to be spending all your time with us?' Doris asks. Yes, she sure is, and they'll make sure that NOTHING bad happens to her, Doug adds, putting out his hand for her phone. Becky hesitates for a moment longer and finally, slowly puts her phone into Doug's hand.

Cut to a few days later. The family is in the living room, enjoying a game of charades. The family plays a few rounds. When it is Becky's turn to act out, she acts out the phrase 'rowboat' successfully. The family congratulates her. Despite the weirdness of the first night's dinner, this wholesome family game seems to be helping Becky relax. Next, it is Davey's turn to act out the clue. He looks at the slip of paper and seeing what it is, smiles mischievously. He gets up in front of the couch, and the family watches him. He begins to squeeze imaginary breasts, staring at Becky as he does so. Becky shifts uncomfortably, looking away. Davey's parents don't see anything sexual about it at all and eventually, Doris guesses 'arthritis' enthusiastically, seemingly interpreting his squeezing motion as him stretching his arthritic hands. That turns out to be the correct answer and the Darlings cheer.

Can he PLEASE go again?, Davey asks with a smirk. That was too easy and he wants a real challenge with a harder clue, he adds. Well, they ARE just playing for fun and aren't even keeping score, so she doesn't see why not, Doris says. Super!, Davey says, choosing another slip of paper. He thinks for a second and begins to mime what can only be licking a pussy, flicking his tongue obscenely in the air as he spreads an imaginary pussy with two fingers of each hand. Again, he stares at Becky as he does it. She is getting increasingly uncomfortable and looks to Doug and Doris for assistance. But they are really into the game, still seemingly not noticing the sexual nature of Davey's actions, and don't even look at Becky. Oh wait, he knows this one, he does this ALL the time, Doug says before guessing 'licking an envelope.' The Darlings again celebrate the correct answer while Becky looks on, outwardly disturbed now. After a moment, Davey again pleads with his parents to let him go one more time. Doug is unsure, he tells Davey he should let other people have a turn, but Davey almost begs him and he finally relents. But this is the LAST time, Doug adds firmly. For sure Dad!, Davey says and grabs another slip of paper.

He grins and thinks for a moment. He begins to thrust his hips as if he's fucking. He then mimes a slap, as if he's slapping the ass of the person that he's fucking. Again, he stares at Becky, grinning a lustful grin. Becky looks again at Doug and Doris for help, but they don't pay attention to her. They are just happily guessing, playing the game. This is too much for Becky now. 'Um HELLO?!, don't you see what he's doing?!' she asks Doug and Doris incredulously. Davey stops his actions. What does she mean?, Doug asks Becky. 'He's...he's acting out...you know...sexual things...and...and staring at me,' Becky says. Dear, he's CLEARLY riding a horse, Doug says patiently. Isn't that right Davey?, Doug asks his son. That's EXACTLY right!, Davey says indignantly.

Oh come on, they can't SERIOUSLY believe that!?, Becky says to Doug and Doris. Well, if that IS what happened, it's certainly no cause for fighting, Doris says. 'He just got a little carried away is all, and you can hardly blame him. He's a competitive boy, that one!' Doris adds with a little laugh. Oh what does it matter anyway, Mom?!, Davey asks. She's going to find out soon enough what's REALLY going on,' Davey adds, a mean-spirited smile on his face. 'David Darling, don't you say ANOTHER WORD. Go to your room, young man,' Doug says instantly. Davey huffs off.

Becky is puzzled and feeling very uncomfortable. Um, what was Davey talking about when he said 'what's really going on'?, Becky asks cautiously. Oh nothing Becky, she knows how boys his age like to joke around, Doug plays it off. Is he sure about that?, it didn't really seem like a joke, Becky probes skeptically. Doug and Doris exchange a conspiratorial glance between them. Becky sees this glance. 'Please, just tell me, you're freaking me out,' she says. Well, they were going to wait until she was fully settled in to tell her, but now Davey's gone and spoiled that, so they may as well explain, Doris says. Is she sure Becky can handle it?, Doug asks Doris. 'Well, I guess we're just going to have to have a little faith in her', Doris says, running a hand through Becky's hair. Becky recoils slightly. This is starting to scare her, can they just tell her what's going on?!, Becky pleads.

Okay honey, she'll do her best to explain it, Doris begins. Well, her husband, like many men, like many...fathers, has certain...urges, certain...proclivities, Doris continues. And as part of dealing with these urges, Doris and Doug are members of an online group, a...support group of sorts, where other fathers with the same tastes can...help each other, Doris continues. What kind of...urges is she talking about?, Becky asks fearfully. Let's call them...appetites, Doug offers. His...appetites are---well, most people would frown upon these kinds of appetites, since they involve...his daughter, Doug continues.

Hearing this, Becky's eyes go wide. 'Your daughter...wh-what did you do to your daughter??, Becky asks fearfully. Oh don't worry, she's absolutely fine and completely safe, Doris explains soothingly. Becky, these urges that they're talking about are perfectly natural, Doris says, smiling sweetly. But Doug would NEVER act on these urges with their own daughter, Doris continues. 'Which is why we made an...arrangement with your parents,' Doug continues.

What the fuck is he talking about?, Becky asks with horror. They made an arrangement that when each of their daughters turned 18, they would...perform an exchange, so that each family could...satisfy their unique appetites, Doug says. 'S-stop, I don't want to hear any more of this! You guys are a bunch of sick fucks and I'm getting the hell out of here, I'm going home to my parents,' Becky says angrily. 'Give me my phone NOW!' she practically yells at them.

He's afraid that's not possible, Doug says. Her phone is in a safe place, but he can't give it to her, he adds. 'Those are the rules of the house, young lady, and as long as you're part of this family, you WILL obey those rules,' Doug says firmly. 'I'm NOT part of your fucking family, asshole!' Becky fires back. 'Becky, that's no way to talk to your father!' Doris scolds Becky. 'My FATHER?!' Becky asks in disbelief. 'You guys are NUTS, I am fucking LEAVING,' Becky adds, moving to exit the house.

Where does she plan on going at this time of night?, Doug asks. Where she goes is none of his business, she's going to call a cab and get out of here, Becky says indignantly. With what money?, asks Doug. What is THAT supposed to mean?!, Becky asks. 'Well, sweetheart, your bank accounts and credit cards have all been canceled, of course,' Doris says with sickening sweetness. What?, Becky asks with disbelief. 'Those people who you used to call your 'parents'? Well, they don't want you anymore sweetie. Don't you see?' Doris says. 'You're OUR daughter now,' Doug says, smiling. No!, Becky screams, running away in horror. We hear a door slam. Sounds like she went up to her room, Doug says to Doris. Yes, let's let her rest, it's been a tough night, Doris says. Yes it has, and they should get some shut-eye too.

Cut to later that night. From the hallway, we see Becky's bedroom door opening quietly. Becky pokes her head out, looking up and down the hall. It is dimly lit and quiet. Everyone seems to be in bed. She sneaks out of her room, careful not to make any noise. She creeps into the living room, constantly looking over her shoulder to see if anyone has heard her. She is very nervous. She begins to quietly look through the drawers of a cabinet that is in the living room. She doesn't find what she's looking for and seems to be getting increasingly frantic as she goes through drawer after drawer.

'Are you looking for this?' Doug suddenly says, making Becky jump in surprise. He emerges from the shadows of the hallway, holding Becky's cell phone in his hand. Becky's jaw drops and she says nothing. Take it, Doug says, offering the cell phone to her. She narrows her eyes suspiciously. 'No tricks, just take it and call your parents, then you can finally understand and maybe might calm down a little,' he says.

She thinks for a moment before approaching Doug, quickly snatching the phone from his hand. He sits on the couch patiently. She frantically dials a number. No answer. She dials it again and again, but still nothing.

'Do you understand now Becky?' Doug asks from the couch. She's stunned.

They didn't answer, did they?, Doris says, emerging from the hallway. Becky is startled by her sudden arrival. No, Doris knows they didn't, and that's because her old life is over, Doris continues, sitting next to her husband on the couch. 'Your new life is here Becky, and you need to accept that,' Doug says. Please, come and sit down, Doug says, patting the couch next to him.

Becky seems almost broken by her parents' rejection and sits down heavily without protest. As part of her new life as a family, as they've told her, there are certain rules, and one of those rules, is that they need to have...family time, Doris says as Doug begins to lightly play with Becky's hair. And family time means being together...as a family....in EVERY way, Doug says, laying his hand on Becky's lap.

At this, Becky snaps out of her daze. No, no, she won't be part of their disgusting games, she says, though she doesn't seem to muster up as much energy. She's going to leave, and call the police, she says, as she begins to dial on her phone. And what exactly is she going to tell them?, Doris says. No one has done ANYTHING wrong, Doris continues. And she's so far from home, with no money...and no home to go back to, Doug says.

At that moment, Davey walks in, rubbing his eyes groggily. What's going on?, he asks. Oh, they're sorry for the noise, they're just having a family...meeting, Doris says. Ooh, he LOVES 'family meetings', Davey smiles naughtily, shooting a glance at Becky as he pokes his tongue crudely in the corner of his cheek in a classic 'giving a blowjob' gesture.

His parents seem to ignore it and Becky looks away in disgust. 'We were just telling your new sister that she has nowhere to go, so she might as well start following the house rules,' Doug tells Davey. Dad's right, and believe him, the house rules aren't so bad at all, Davey says. 'When I became his mother, Davey had some...difficulties, but eventually he got into the swing of things, isn't that right sweetie?' Doris asks Davey. That's right, Davey grins, licking his lips as he looks at Doris. 'And when I finally had a taste of Mom's goodies, I couldn't BELIEVE what I had been missing,' Davey adds, leering now.

Becky looks appalled. 'You can act all doom and gloom if you'd like Becky, but I for one, think this is cause for celebration. After all, it's not every day that we get to welcome a new member into our family! And what better way to celebrate than with some quality family time together!' Doris says brightly. Ok?, Doris asks Becky pointedly. OK BECKY?, Doris asks, a hint of threat creeping into her voice. Okay, Becky says softly. 'That's wonderful! So why don't come over here and give your mother a kiss?' Doris asks Becky.

THE PRODIGAL DAUGHTER
IMPOSTER POSES AS COUPLE'S LONG-LOST DAUGHTER TO FULFILL TWISTED DESIRES

SCENE OPENS on Bryce (Derrick Pierce), Kim (Dee Williams), Darryl (Brock Slayden), and Rhonda (Venice Rose), all waiting anxiously in a living room. Bryce and Kim are excited and nervous. Kim says she can't believe this is happening after all this time! Bryce kisses his wife's forehead lovingly. He says that he can't believe it either -- their little girl is coming back to them! They have a second chance to be a family -- it's almost too good to be true.

'It IS too good to be true,' Bryce's brother, Darryl, speaks up. His expression is suspicious. His wife, Rhonda, is standing nearby and looking worried as well. 'SOMEONE has to be the voice of reason, so it may as well be your brother. Your little girl went missing 12 years ago. No one turned up ANYTHING! Not the cops, not the FBI -- NO ONE. And now Scarlett suddenly pops up out of nowhere?' Darryl states. At that moment, the doorbell rings, and Bryce and Kim answer it excitedly. A teen, Scarlett (Jane Wilde), waits on their doorstep with a police officer, announcing that she's the daughter they've been looking for.

As they greet each other, Scarlett avoids talking about her past, though her parents don't seem to find it suspicious. Darryl and Rhonda are even more suspicious of Scarlett, and she seems to recognize that they are a threat to her plan. Kim says that she'll show Scarlett to her room. 'That'd be great... Mom,' she says. Yet, as they head off, Scarlett gives one more cautious look back to Darryl and Rhonda.

When Kim and Scarlett leave the room, Bryce gets even angrier at Darryl when Darryl tries to warn him again. Exasperated that he's not getting through to his brother, Darryl and Rhonda leave the house.

A week later, Bryce returns home from work and overhears Scarlett having a suspicious conversation that signals she may not be who she seems. Scarlett hears him listening at her door, asking if there's anybody there? Bryce makes himself known by opening the door and acting like nothing is wrong. She lies and tells him that she was napping. Bryce knows that isn't the truth, so he looks a bit taken aback as he tries to recover. He says that she should wash up because when Mom gets home shortly, they're going to go out for dinner.

Scarlett starts to double-down on her deception, trying to resort to sexuality to find out what Bryce knows, but their confrontation is interrupted by Kim coming home. 'Ahh, that's your mother. I'll leave you to get ready for dinner,' he says as he leaves the bedroom. As he slips out, Scarlett's expression becomes worried and dark.

Downstairs, Bryce quietly talks to Kim, sharing that he's worried something is amiss with Scarlett. Kim looks more anxious now, asking if he thinks Darryl and Rhonda are right? 'Right about what?' Scarlett suddenly speaks up, appearing behind them. She's still trying to look innocent, but there's something more sinister about her now as she approaches them. 'You ARE our precious Scarlett, aren't you?' Kim asks, her voice trembling as she grips Bryce more tightly.

She hugs herself, putting on a show, and says that when she was six and on a playground, she was... taken away by a man and woman. They claimed they were friends of Bryce and Kim's, and that they were there to take her home. But... they never took her home. She'd repressed it for many years but then started to wonder when she was a teen where she came from. Then, just after she turned 18, she finally found a story in an old newspaper at the local library about a missing child. When she saw the picture, she knew it was HER. That's how she got Bryce and Kim's names, and, well, here she is, after all this time...

Bryce questions what Scarlett was wearing the day she went missing. Scarlett accurately describes the clothes that were mentioned in articles about the missing child. But Kim asks more specifically about a necklace, which Scarlett stumbles over. Faced with no other choice, Scarlett finally admits that she's not their real daughter. Kim chokes back a sob and Bryce shouts at Scarlett to get the fuck out of their house before they call the cops! Scarlett is unmoved and unafraid, saying that wasn't the past week the best week of their lives? 'That was when we thought you were our child! Our flesh and blood!' Kim cries.

Scarlett continues to manipulate them, trying to get them to accept them as their daughter to live out their fantasy of having a real family. She's more than happy to keep this up and build a life with them, although it'd be nice if there were some... extra perks... with the arrangement as well. As she says this, she traces a finger along Bryce's arm, looking at them with more seductive eyes. They're very beautiful people -- it's a shame she never got their genes. Bryce and Kim are horrified and reject Scarlett. She presses on, breaking them down by threatening to lie to the police and tell them that Bryce and Kim were the ones who kidnapped her and were keeping her locked in their basement for all these years.

Bryce and Kim seems to be breaking down now, at a loss for what to do. Scarlett takes this time to feel them up a little, though she works it into a hug, squeezing them close. 'So, what will it be?' Bryce and Kim look at each other, broken. Kim swallows hard and nods briefly. Scarlett looks pleased and says that they made the choice, so now it's time to seal the deal with a little something extra. A little fucking around in exchange for their family name to be carried on for generations to come? That's nothing, right?

It might feel wrong at first, but Mommy and Daddy will learn to like fucking their prodigal daughter soon enough!

WHY ARE YOU DOING THIS!?
SADISTIC BOYFRIEND MAKES GIRLFRIEND SEDUCE HER STEPMOM UNDER THREAT OF EVICTION

Scene opens on Alison (Emma Hix), who is in her living room, pacing nervously. She is clearly worried about something. She hears a knock at the door and hurries to answer it. Her boyfriend Bradley (Lucas Frost) is there. He greets her, kissing her on the cheek as he walks into the house like he owns the place. He loudly sits down on the couch and puts his feet on the coffee table obnoxiously. So tonight's the night huh?, Bradley leers at Alison. 'I don't think I can do this,' she says worriedly, still standing. Baby, come here, he says, motioning for her to sit on the couch next to him. When she moves to sit down, he instead grabs her around the waist and pulls her onto his lap. She lets out a surprised gasp. 'Baby, you know I love you right?' he asks smoothly. She says 'yeah' quietly. And he's not making her do anything she doesn't want to do, right?, he says. It's her choice, but she knows what's going to happen if she doesn't do it, he continues, raising his eyebrow. Her eyes go wide as she stares at him, frozen. 'I don't want that to happen, but if you don't do what we agreed on, I WILL make sure it happens', Bradley says icily. But don't even worry, she's going to love it, he adds. She nods, still extremely nervous but clearly acquiescing to his demands. He looks her up and down like she's an object he's appraising. 'You look like a nice little slut,' he says, his formerly kind tone completely replaced by one that is vaguely sinister. He kisses her hard. 'Are you my little slut?' he asks her. Yeah baby, she responds. 'And you're gonna eat her fucking pussy right, aren't you?' he asks, reaching around and grabbing her ass. 'Yes baby,' she says, gasping. 'Fuck yeah you are...and I'm gonna watch you do it,' he says. Just then, they hear a key being inserted into the lock. 'And there she is now. She has no idea what we have planned for her tonight,' he says, a sleazy grin plastering his face. The door opens and Connie (Sarah Vandella) walks in. Immediately, Bradley separates himself from Alison and his sleazy grin transforms into a polite and welcoming smile. Connie smiles and says hello. 'Hi...Mom,' Alison says.

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Cut to the dinner table, where the three have just finished eating dinner. 'That was delicious, Connie,' Bradley says. 'Oh thank you Brad,' Connie returns his grin. 'It's Bradley,' he corrects her, the agreeable and positive image he projects faltering for a moment as an edge of anger creeps into his voice. Oh, she's sorry, she forgot, Connie says, somewhat taken aback by the glimpse of what lies beneath Bradley's surface. That's ok!, Bradley says, flashing her a charming grin as he snaps back to his friendly appearance. Alison seems distracted, perhaps focused on the task that lays ahead of her. 'And how's the house? Everything good here?', Bradley asks, waving his hand around the room. Connie tells him that it's wonderful and thanks Bradley again for everything he's done. It was so tough after the accident, with her husband gone...and of course she couldn't work anymore...,Connie says sadly. Bradley nods, pretending to be sympathetic. So when Bradley came along, she was just so happy that Alison had someone, Connie continues. And then he arranged for his dad to help them with this place...Connie continues. 'You've really been a godsend,' Connie says to Bradley, smiling warmly at him. Oh it's really nothing, Bradley says with false modesty. 'It's not nothing. There's no way we'd be able to afford this place if your dad didn't own it and hadn't given us a discount on the rent,' Connie says appreciatively.

'It's no problem at all,' he says, with a faux sweet smile. 'Anything for my girl,' he adds, kissing Alison on the cheek but then leaning in close to her ear and whispering 'Do it now.' Alison looks at Bradley pleadingly. Connie begins to clear her plate, putting her napkin and cutlery on it, so is too distracted to see the exchange between Connie and Bradley. Bradley, through gritted teeth, motions her to get on with it. Alison takes a deep breath. 'Mom...there's something I wanted to talk to you about...something...private,' Alison says hesitantly. Sure, what's going on honey?, Connie asks brightly. Well..., Alison clears her throat, trailing off. Bradley, playing his part, steps in. Why don't they go to Connie's bedroom, where they can speak privately and he can wash the dishes while they talk?, Bradley suggests. That's so nice, thank you Bradley, Connie says. Connie and Alison get up and leave the room. Bradley pretends to shuffle the dishes around, watching Alison and Connie as they leave. He listens for a moment, and once he's satisfied that they're in Connie's bedroom, he leaves the kitchen. Cut to an over-the-shoulder shot of Bradley as he quietly creeps down the hall, arriving at the open door of Connie's bedroom.

We see Alison and Connie talking as he watches. They are sitting on Connie's bed together. So what is it honey?, Connie asks. Alison is frozen in nervousness. 'I've been having these...thoughts lately Mom,' Alison says, looking up at her mom. What kind of thoughts?, asks Connie. 'Thoughts about...you,' Alison says slowly. 'Thoughts about me? What does that mean exactly?' Connie asks, a little wary. 'I've just started to...look at you differently. I mean, you're so...beautiful,' Alison says. 'I just....I think I love you,' Alison says. 'I love you too honey. Even though I'm not your biological mom, you don't ever need to doubt that,' Connie says tenderly. 'No no I mean...I'm IN love with you,' Alison says. Here we go, Bradley whispers to himself, fondling his crotch in anticipation, seal the deal baby.

'Oh my god,' Connie says softly, her mouth wide in shock. 'I know I'm your stepmom Alison, but for all intents and purposes, I'm still your MOM, and there are boundaries that mothers and daughters don't cross,' Connie says patiently and firmly. 'You do understand that, don't you honey?' Connie asks. 'I know Mom, I'm not a kid. I'm 18-years-old, I get how these things work, but I just...I can't deny how I feel. I had to tell you: I want to be with you,' Alison says, putting her hand on Connie's knee. Oh no, no Connie laments, they can't do this, it's completely inappropriate. Connie softly removes Alison's hand from her leg. 'I know how lonely you've been since my dad died,' Alison says, sliding her hand under Connie's skirt between her legs. Connie removes Alison's hand from under her skirt. 'Alison, stop this right now! What's gotten into you?! Your boyfriend is right downstairs!' Connie says fiercely. 'I don't care,' Alison whispers desperately and again slips her hand between her mom's legs. Despite her misgivings, Connie is clearly thirsting for human touch and doesn't resist this time. She gasps as Alison rubs her pussy while she kisses Connie's neck. However, she seems just about to come to her senses and push Alison away when seeing this, Bradley chooses this moment to make his entrance, pretending that he just stumbled upon the scene by accident. 'Just wanted to---oh my god!,' he exclaims.

Connie snaps her eyes open, abruptly moving away from her daughter. Connie looks horrified. Alison doesn't look surprised to see Bradley since this was all part of the plan. Connie exhales loudly, smoothing out her skirt. 'Bradley this isn't---' she stammers. 'Oh please. I know exactly what this is,' he says with a smarmy tone and plops down into the chair that faces the bed. 'Carry on,' he says with a dismissive wave of his hand. 'C-carry on?! Nothing was happening, I swear to you Bradley, we were just talking and then suddenly...,' Connie says frantically. Bradley insists that he knows what he saw. Connie and Alison are going to get back to what they were doing when he came in, Bradley says. 'And I'm going to sit right here. And I'm going to watch,' Bradley says. 'Just like we talked about, right baby?' he asks Alison. Alison doesn't answer, instead looking down at her lap, deeply ashamed. Connie looks at her daughter. 'You...knew about this?! So all that talk about being in love with me,...that was all to get me to do this with you...for HIM?!' she asks Alison. Alison looks up from her lap to her mom. 'Please Mom I--,' Alison begins, but Bradley cuts her off. Fucking right she knew about it, he wanted them to put on a little show, so he told Alison that she needed to make it happen, Bradley says. 'And Alison does what I say. Because she knows exactly what the consequences will be if she doesn't,' Bradley says threateningly. 'You're disgusting, get the fuck out of my house!' Connie yells at Bradley angrily.

Well, he guesses he'll have to tell her about those consequences then, Bradley says. 'You see, that's just it. This ISN'T your house,' Bradley says calmly. Connie's brow furrows as she contemplates the implications of his question. 'That's right, it's not, it's my father's property,' Bradley continues. And his father loves him very much, so if Bradley asks him to, he'll evict Connie and Alison so fast that it'll make their fucking heads spin, Bradley says. 'So I suggest...that you both...Take. Off. Your. Fucking. Clothes,' Bradley says menacingly. There is a long silence. 'You seemed so...nice,' Connie says, almost to herself as she shakes her head in disbelief. He is nice, he just gets...bored sometimes, Bradley says absently. 'You're doing this because you're BORED?! How can you be so cruel?' Connie asks softly, horrified. Who knows really?, Bradley asks rhetorically. Maybe it's because he's rich and entitled?, or because he likes being in control?, or because his mommy left him when he was a little baby?, Bradley asks gleefully, mock crying as he mentions his mommy. Or maybe it's just because...why the fuck not? laughs Bradley sadistically. 'So you have a choice: Are you going to hit the sheets or hit the streets?' Bradley asks. 'Hit the streets or hit the sheets? That's pretty good huh? I came up with it while I was driving over here!' Bradley laughs. So what's it gonna be?, he asks, his laughter stopping abruptly. Connie looks at Bradley with pure rage and terror. Realizing that she only really has one option, she turns to Alison. She puts her hand on her daughter's knee and leans in reluctantly for a kiss. 'No, stop. I need to hear you say it, otherwise, it's no fun. Is this what you want?' Bradley asks. Yes, Connie says quietly through gritted teeth. Yes baby, Alison says numbly. 'Good choice,' Bradley says. 'Now, Connie? Fuck your fucking slut daughter please,' Bradley says evenly. Flashing Bradley a look of hatred, Connie turns to her daughter. They begin to kiss and Alison slides down between her mom's legs, slipping her panties off. Alison licks Connie's clit hungrily as her mom gasps, unable to conceal her pleasure while Bradley watches.

But they'll find out soon enough that Bradley wants to do a lot more than just watch, and Bradley ALWAYS gets what he wants...

Nominated - Best Sex Scene -- Taboo-Themed: Alina Lopez, Reagan Foxx & Brad Newman, XBIZ 2020

LIKE MOTHER, LIKE DAUGHTER
VINDICTIVE TEEN REVENGE FUCKS STEP-MOM'S NEW BOYFRIEND

A woman, Marlene (Reagan Foxx), is fussing about the living room nervously, straightening the couch cushions, re-facing the decorations on the fireplace mantle and the coffee table, etc. when her boyfriend, Tom (Brad Newman), comes up behind her and puts his hands comfortingly on her shoulders. Just relax, he tells her, come on, sit down, she just needs to breathe and not stress out so much. He leads her to the bay window and sits down, taking her hands in his and gently pulling her down to sit too. She tells him she can't help but be worried - this is her one chance to reconnect with Alyssa (Alina Lopez), and she doesn't want to screw it up. Tom tells her not to worry, he's sure her step-daughter is ready to make amends. Why else would she have accepted Marlene's invitation after all this time, if she still held a grudge? Marlene supposes that Tom's right, and puts her hand on his cheek. Either way, she's glad he was willing to stick by her side this whole weekend, otherwise she'd be an emotional wreck. He didn't have to do that. Tom kisses her hands and tells her of course, he'll always support her no matter what. She knows that.

Their tender moment is interrupted by a car pulling into view in the driveway just outside the bay window. That must be her, Marlene says a bit scared. Tom puts his hand again on her shoulder and gives it a quick rub. She can do this, he reassures her. She nods and looks back out the window where a young woman has stepped out of the back of the car, a travel bag in tow. She lifts her sunglasses and takes a sweeping look around the large mansion-like house with a cold, inscrutable look on her face, before putting her glasses back on her face and closing the car door behind her. The car pulls off as Marlene straightens up and moves out of the living room towards the door to greet the girl, wringing her hands nervously as she walks. Tom follows.

'Alyssa, dear,' Marlene says solemnly as she opens the door and holds out her arms to welcome the teen. 'I'm so grateful you finally decided to come, it's been so long. TOO long.' She continues to hold her arms out but it's clear Alyssa has no intention of reciprocating the gesture, she stops short several inches from Marlene's reach. 'Hello, mother,' she says coldly, not betraying any signs of emotion behind her sunglasses. She turns her head to Tom who is standing a couple of paces back from Marlene, looking a bit awkward and trying not to intrude. 'You must be the boyfriend,' she says to him. He smiles and introduces himself, holding out his hand to shake hers. Bemused, she gives the smallest of smiles as she hands off her bag into her mother's hands without even looking at her, and then takes off her sunglasses. She shakes his hand, and he tells her Marlene has told him so much about her, he's been really looking forward to meeting her.

Pulling back his hand after a firm shake, Tom looks a bit surprised now that her sunglasses are off. Wow, he remarks, the two of them really do look so much alike - if Marlene hadn't told him, he would have sworn that they were real, flesh-and-blood mother and daughter. Alyssa says that that's the ONLY thing the two of them have in common. Tom says come now, he's sure that's not true, he bets that Alyssa is a perfectly wonderful and charming young woman. 'Exactly,' Alyssa says pointedly as she walks forward past Marlene to Tom, taking the sunglasses still in her hand and slipping them into his shirt's breast pocket. She walks past him into the house. 'Coming, mother?' Alyssa calls back from inside the house. Marlene looks over worriedly at Tom, and he tries to reassure her again while rubbing his palm across her back, although he's not quite as brimming with confidence as he was earlier. She's just 18, Tom reminds her, all teenagers are moody and sarcastic. She still came, didn't she? Marlene supposes he's right, and Tom winks saying he knows he is. He heads into the house. Marlene lets in and out a long sigh to calm herself, and then heads inside.

TITLE PLATE

An hour or so later that day, Marlene brings some freshly baked cookies to the table where Alyssa is on her laptop. As Marlene nears, she tells Alyssa that she's baked her favorite. Alyssa looks down at the tray with disdain and disinterest and then back to Marlene. Cushy place she's got here, Alyssa says gesturing at the big house. Guess her decision to cut and run on the family after Alyssa's dad died paid off.

'Alyssa,' Marlene sits down gently and begins to pour her heart out - she must understand, she never meant to hurt Alyssa or her siblings. Her husband had just passed away, she was grieving, in shock. She didn't know how to cope. She figured the family would go stay with their real mother - his ex-wife - and her new husband... so Marlene didn't feel like she was abandoning them. If anything, she thought they would be better off. She was never planning on leaving them forever, she just needed some time to heal. But that's not an excuse. She realizes now that that was the wrong thing to do, that it must have doubled the sense of loss the family had felt. She's truly sorry, and she's been trying to make amends ever since. All of Alyssa's other siblings have since forgiven her, why can't she?

Alyssa sits up slowly, and for a moment she looks sincere with a sympathetic expression on her face. She starts to slowly reach out across the table to Marlene, and seeing this, Marlene starts to reach out too to meet her in the middle. But at the last second, Alyssa fakes her out, and picks up a cookie from the table between them. She picks it up and bites into it. 'Thanks for the snack, mom,' she says snidely as she gets up and walks away from Marlene, who sits there looking devastated.

Later that day, Tom goes to check on Marlene who has retreated to the kitchen and is desperately trying to distract herself with chores. He starts to tell her that Alyssa FINALLY decided what she wanted to order for take-out, but then stops when he sees that his girlfriend looks sad and distant. Tom comes up to her and asks if everything's alright, and Marlene turns to him and lets him wrap her into a supportive hug. Things don't seem to be going well at all, Marlene confesses as she pulls out from the hug, she's been trying all day to connect with Alyssa but she just keeps ignoring her, or worse. No matter how much Tom has pointed out that Alyssa still agreed to come, she still seems to be holding a grudge. She doesn't know what else to do anymore. Tom tries to reassure Marlene that maybe it's not her fault, maybe it was just too soon. Alyssa's still a teenager, after all, whereas her siblings are now in their twenties. Maybe it'll just take some time. But he insists that Marlene at least is trying, and maybe Alyssa will remember that someday and come around. Marlene gushes and remarks that Tom always seems to know just the right thing to say. Then this gives her an idea - maybe HE can talk to Alyssa. Tom confesses he doesn't know if that's such a good idea. But Marlene points out that Alyssa at least seems to be engaging with Tom, she's been following him around all day and the two of them seem to have a good rapport, she clearly likes him better than Marlene at any rate. Could it hurt for him to try to talk to her? Tom is about to say he is not sure about this, but he sees how desperate Marlene is for this to work out, so he hesitantly says he'll at least give it a try.

Tom arrives at Alyssa's open door, where Alyssa is lying on her bed listening to music through headphones while browsing on her cell phone. He sits on the edge of the bed and nudges her foot to get her attention. She removes the ear buds and looks up at him expectantly, and Tom says he wants to talk to her. Alyssa has a knowing look on her face, and she gets up to kneel on her bed, her bent legs spread wide open towards Tom. 'Fire away,' she says suggestively.

Tom clears his throat uncomfortably. Look, he starts, clearly she has no interest in accepting her mom's apologies, and if he had known that she would behave like this then he never would have reached out to her to encourage her to come. But now that she IS here, can't she at least be...? Alyssa puts a finger up Tom's lips and shushes him. She says she never came here for her mom's sake in the first place, she came here for Tom's. Tom is confused - for his sake? Alyssa starts leaning towards him even further, holding herself up on the bed on her fours like a cat on the prowl. She says that she's seen the pictures of him and her mom, and he seems like a nice guy. A big, STRONG, nice guy she says as she spiders her fingers up his biceps, making him flinch. And she likes making nice guys happy, she concludes. In fact, she's very GOOD at making guys happy.

Tom swats her hand away - what the hell is she doing? Alyssa pouts and says she just wanted to make him happy - that's why she came, after all. Wasn't that why he reached out to her, why he BEGGED her to come? Tom insists that she knows that's not why. Alyssa says yeah, sure, he wanted them to resolve their differences so Marlene could be happy and blah blah blah. But at the end of the day, that's not what he reaaally wants, she teases him, he just wants what any guy wants. She unbuttons the top buttons of her blouse and lowers it down past her shoulders. Tom orders her to stop and put her shirt back on. Alyssa tells him she doesn't want to stop, she's having fun, and points at his crotch saying it looks like he's having fun too, a LOT of fun from the looks of it. No wonder her mom likes him.

He leaps off the bed. This was a huge mistake, he says, and moves to leave. Go ahead, leave, Alyssa taunts him. She'll just keep acting worse and worse all weekend until Marlene is so miserable she's finally had enough and kicks her out, and then Tom can pick up the pieces. But if Tom wants her to behave, she says in a flirty tone as she moves her hand towards her crotch, he's going to have to MAKE her behave. She starts rubbing her hands on her body over her clothing, and lets out a fake moan. Stop it! Tom hisses at her quietly, her mom's going to hear her. In response, she just moans louder. Shut up! Tom hisses and moves to cover her mouth with his hands. Alyssa pulls away and giggles sadistically. Make me, she says. She starts moaning again, even louder, and Tom looks back in fear to the hall outside. Distracted, desperate, panicked and (although he hates to admit it) a little turned on, Tom turns back to Alyssa and says he'll make her, alright. He then does the only thing he can think of to get her to stop, he kisses her fiercely, grabbing her head with both hands. Alyssa encourages him, urging him onward.

Tom hate-fucks Alyssa, though Alyssa enjoying making him squirm. At times Tom panics about Alyssa getting too loud and tries to get her to be quiet. Eventually Tom gets so into it he stops paying attention to how loud they're being...

The door slams open and a gasp is heard behind them. Tom looks over in horror as Marlene stands in the doorway in shock. 'Tom?!' she says horrified, 'How COULD you...?!'

From under Tom, Alyssa pokes out and gloats that it seems like Tom's chosen her daughter over her. Tom tells her to shut up, and tries to plead with Marlene that it's not like that, but Alyssa keeps goading them, saying that it was probably a huge turn-on to find out there was a hotter, younger version of his girlfriend. No, Tom insists, he loves Marlene! Alyssa tells Marlene, who's still speechless, that Tom in fact was the one who contacted her and convinced her to come this weekend. Marlene looks in shock over to Tom - is this true? Tom is flustered and tries to explain, yes, it's true, but it's not how it sounds...

Tom is stumbling over his words and Alyssa cuts back in. Now her mom knows what it feels like to be betrayed and abandoned, hm? But this weekend is all about making amends, and Alyssa would be willing to share if Marlene is desperate enough for love to get fucked by somebody who just cheated on her with her own daughter. Better than ending up alone, isn't it?

Tom begs for the chance to explain but Marlene just sits on the bed in shock. Keep fucking her, she tells Tom in a resigned voice. Tom looks at her perplexed and whispers 'What?!' and Marlene looks at him with sad eyes. Just keep fucking her, she says, he clearly wants to. He tries to protest but Alyssa takes the lead and starts grinding against his dick again, causing him to moan uncontrollably. Didn't you hear her? Alyssa says to Tom, Marlene wants them to keep going!

THE DAUGHTER DISASTER
STEP-FATHER MADE TO CHOOSE BETWEEN WIFE & PREGNANT DAUGHTER

SCENE OPENS on a teen, Nancy (Elena Koshka), taking a home pregnancy test. She's impatiently holding the stick in her hand. She taps her fingers against it with nervous anticipation as she mutters to it to come on and work faster. Her breathing is quick, panicked and shallow, and she even starts hyperventilating for several seconds and has to calm herself down by taking deep, controlled breaths. Once she's calmed herself down, she looks back down at the stick and sees two lines appear on the small display.

Pregnant.

Suddenly she's interrupted by a knock on the door, and the voice of her step-father, Frank (Steve Holmes). He asks if anyone's in there. Nancy's eyes widen and she quickly tries to hide the evidence of the test as she says that yes, she's in here -- she grabs the stick and the small cardboard box it came in and hides them behind her back, and flushes the toilet. It's just in the nick of time, as Frank tells her that he's late for an interview and he hopes she's done in there because he's coming in.

The door opens, and Nancy tries to act like everything's normal. She and Frank awkwardly brush past each other, his hands accidentally grazing against her body, as he moves towards the sink and she moves to get out of the bathroom without him seeing the test in her hands. He fidgets with his hair in front of the mirror and asks Nancy how he looks. Nancy looks away from him, the question clearly bothering her, and she mutters 'You look fine.' He tells her he has a good feeling about today, this is his first 2nd interview for a company. This could be the end of their troubles. Nancy sneaks a look at the pregnancy test in her hand. 'Yeah, Frank,' she says flatly, 'sure it could...' Frank gives his step-daughter a quick kiss, then exits the bathroom -- he's off to get this job.

Once he's gone, she has flashbacks to when she had sex with both her step-father and her step-father's ex-boss. She clutches the pregnancy box test in her hand so hard it starts to crumple in her hand as she sinks down along the wall and starts crying.

TITLE PLATE

CUT TO a little later that day, Nancy is curled up on the couch with her laptop. She's looking up articles on what to do when you find out you're pregnant through a search engine. Her mother, Kate (Sarah Vandella), walks into the living room and Nancy quickly closes the laptop.

Kate says bitterly that she just heard from Frank, he's on his way back already, there won't be any second interview after all. When he arrived at the office he learned that they'd gotten him mixed up with another applicant, he was never among their top choices. It's embarrassing, she says, he's not even memorable enough to leave a bad impression, he's just completely forgettable. No wonder he was fired from his last job. Over twenty years he was there, and never even got a title change. Why he didn't beg to keep that old job when he had the chance, she'll never know.

'Mom...' Nancy tries to interrupt but Kate continues. That job was way better to him than he deserved, Kate says, he should have been willing to do anything to not let that job slip through his fingers. 'MOM,' Nancy cuts her off, and tells Kate there's something she needs to know about the day he got fired. Kate looks alarmed -- what does she mean?

Nancy tells her all about what happened that day -- how Frank bargained for his job back by whoring out Nancy to his boss, how he got fired, anyways, and then how he hate-fucked Nancy afterwards...

Kate is livid, though isn't on her daughter's side. Ever since she turned eighteen Nancy's been acting like a complete slut, and it's just been getting worse. She bets it wasn't even Frank's idea to do it, it was probably Nancy's idea, she's seen how Nancy dresses, how Nancy behaves around men. It was probably her fault that Frank was fired, and her fault that Frank was willing to fuck his own step-daughter! The two start screaming and arguing, both feeling betrayed, sad, and angry.

CUT TO an unspecified amount of time later, Frank walks through the door and hears the sounds of shouting coming from the other room. Worriedly, he kicks off his shoes and drops his keys and briefcase and hurries to the living room where Nancy and Kate are still fighting. He asks them what's going on, and Kate instantly turns on him, telling him that Nancy told her about what they did the day he got fired and she can't believe he lied to her and didn't tell her about it. He stutters to say something, but Nancy cuts in, asking how Kate could possibly blame her for what he did when he lied to her about it, too. Kate tells Nancy to stay out of this, calls her a whore, and turns back to Frank asking how he could do all that to her. With her own daughter!

Frank struggles to say something as both crying angry women stare him down, and Kate gives up remarking that Frank doesn't even have anything to say for himself, he can't even say he's sorry. Frank says of course he's sorry, but it's too late and Kate has already stormed off to the master bedroom leaving Frank alone with Nancy. In tears, Nancy complains to Frank that he didn't even stick up for her, he tried to whore his own step-daughter out to his boss and he doesn't even have the guts to admit it to his wife. Frank tries to calm her down, promising he'll talk to Kate, and tries to put his hands comfortingly on Nancy's shoulders but she pushes him away. She storms off to her room as Frank calls out to her that he promises he'll make things right.

Frank enters the master bedroom, where Kate is sobbing on the bed. Frank comes up to try to comfort her with his apologies, but she pushes him away saying he's ruined their lives. Much like when trying to negotiate with his boss, Frank's weak and cowardly tendencies start to flare up instinctively. He begs Kate to forgive him, and starts completely lying to her. He tells her that things that day just escalated. With the way that Nancy dresses, it wasn't surprising that his boss wanted to fuck her. Frank also tried to resist her, but he couldn't! He loves Kate and is faithful to only her, and wants to make it right again.

Kate asks if all that is really true. She wants to believe him but he really hurt her. If he does again, she's going to leave him. Frank swears it is, he would never want to do anything to hurt Kate. Afterwards he was scared and humiliated to tell anyone, and above all he didn't want to break up Kate's family. They embrace each other, and then Frank kisses Kate passionately saying again how sorry he is. Kate says how is she supposed to forgive him, she just wants to forget the whole thing ever happened. She kisses him again, and their passionate kissing slowly devolves into tender and erotic make-up sex.

Frank brings Kate to orgasm, but is unable to cum himself. He catches his breath and puts his hands to his forehead in exhaustion. Kate asks him what's wrong and he explains that he has too much stress on his mind to cum, all the unfinished business with Nancy is preoccupying him. Kate is sympathetic, and says maybe he just needs a few minutes, but Frank says he should go speak to Nancy and try to resolve things between them. Kate agrees that's a good idea, and says she'll give them both some space to work things out together. Frank puts on a plain t-shirt and boxers and leaves the room.

CUT TO Frank entering Nancy's bedroom. Nancy is curled up on the bed, and bitterly asks what Frank wants. Frank tells her he made up with Kate, and has come to do the same with her. Nancy looks up, and asks how he was able to get Kate to forgive her. Frank looks away for a second and finds himself lying again instinctively, saying that he told Kate the truth, that it was his idea to offer a deal to his boss to fuck his teen step-daughter in exchange for keeping his job. It took a lot of begging and apologizing but Kate finally decided to forgive him. He says that he also told Kate that Nancy didn't try to seduce him at all, it was his idea in a moment of weakness. Nancy is surprised, he really said that? Frank continues to lie and says yes, he just wants she and her mother to get along so he told her it was all him. How could Kate forgive him for what he did? She really forgave him? Frank keeps saying yes, she did, and the important thing now is that they forget about it and move on.

Nancy says she can't just forget about it. He says that he didn't treat her right before, but he wants to now. He says to her that there was another reason he didn't mind taking the blame for having sex with her, and it was because there was some truth to it, there's a part of him that secretly wanted her all along. That still wants her. She must have felt it, too, surely? She hesitantly says that she has, a little bit. Frank moves in to kiss her and she lets him have his way with her, slowly spreading her legs and inviting the hand on her lap to move towards her pussy. He asks her what she was going to say and she says just that she wants him right here, right now.

To Catch A Cheater
Cheating Wife Is Catfished & Exploited Into Sex By Her Husband's Son

SCENE OPENS on the interior of a car, where loving husband Joe in the driver's seat has just pulled to a stop and put on his blinkers. He leans his arm casually against the window-frame, his wedding ring noticeable on his propped-up hand, and he turns to look lovingly at his wife in the passenger's seat. Vanessa (India Summer) has pulled down the passenger's visor and is applying a retouch of her make-up using the visor mirror, but shoots a glance and a smile at her husband as he turns to look at her. Joe asks if she's sure she doesn't want him to drive her the rest of the way, he really doesn't mind. Vanessa says 'Oh, no, honey! That's so sweet, but you have a lot of work to get done. I'll be OK, it's just a few more blocks to walk from here.'  Vanessa finishes applying her makeup but is still fixated on the mirror, flouncing her hair to look just right. In any case, she says, she doesn't know how long this meeting is going to last so he probably shouldn't wait up for her. He should go out for a bit, have some fun with the boys. Joe is disappointed, saying that his son, Danny, is coming for dinner that night. Vanessa gasps, saying that she can't believe she's going to miss Danny again! Joe sighs and says it's okay and that she'll just have to meet him next time.

Joe leans over for a kiss after wishing her good luck for the day, but she steps out of the car without acknowledging him. From a wide flat perspective outside the passenger's side of the car, we see Vanessa step out of the car and close the door. Elegant and purposeful, she slowly walks towards the camera. As the car pulls away, Vanessa looks back for a moment, then forward again, looking straight towards (or past) the camera. With a subtle smile, she continues walking, and as she gets closer we clearly see her hold her hand out in front of her and remove her wedding ring from her finger.

CUT TO TITLE PLATE

Vanessa arrives at a house entranceway and rings the bell. A young male teenager (Dustin Daring) answers the door. She looks him up and down, and says 'You must be Danny,' before nonchalantly walking past him into the house. He closes the door behind him, then takes a picture with her since his friends would never believe he's getting with such a hot piece. She asks if he's 18, and he says yes - he points back out of the room and says he can show her his license if she doesn't believe him. She says no, it's fine, she believes him. She stands in the hallway but with a nosey curiosity starts looking around through the open areas of the house. She says it's a pretty nice place, and asks if it's his parents' house. The teen says no, he doesn't live with his parents, he's renting it with some roommates. They're not home right now.

'So what do I call you?' Danny asks. She tells him he doesn't need to call her anything, they're just here to have some fun and then she'll never see him again. They go into his bedroom and she pushes him to the bed. She begins taking off her heels and he asks if it's the first time she ever used the dating site. He says that it is for him, though his buddy uses the website and ended up with a married woman! She's not married, is she? Vanessa says that it's complicated. Danny is worried about what her husband will think. She says he doesn't know about it, it's better for a marriage to have a couple of secrets. The teen corrects her, better for her, she means.

She rolls her eyes, what does he care? He's the one fucking a married woman, so he can cool it with the ethics lesson. Is he going to fuck her or not? 'Oh, I'm going to fuck you, Vanessa,' Danny says while taking off his shirt. Vanessa is shocked as she sees a family picture of Danny and Joe on the shelf, putting two and two together. She tells Danny that this isn't what it seems and that he can't possibly understand! Danny tells her that he's going to send the picture of them to his dad so that he can see how big of a whore she is, going around to young strange men's houses discreetly behind his back.

Vanessa tries to bargain with and seduce him, telling Danny that she sees what this is -- he just wants to fuck his step-mother. He tells her that she's pathetic, but that she'd better get down on her knees and suck his dick. Vanessa, never wanting that picture to see the light of day, slowly sinks down to her knees as the cougar becomes prey to the catfish.

BIRTHDAY SURPRISE
DEVASTATED BIRTHDAY GIRL LEARNS FROM FAMILY THEY'RE NOT HER BIRTH PARENTS

SCENE OPENS on Penelope (River Fox) brushing her hair and staring off while overhearing her parents, Debra (Sarah Vandella) and Frank (Tommy Gunn), arguing in the kitchen. Debra and Frank are in a heated argument. 'What did you THINK was going to happen? That she was going to get on her knees and suck your dick right there in front of the birthday cake?' Debra exclaims to Frank, who looks abashed. What was going to happen to their plans of raising and preparing Penelope so that they could turn her into a sex slave when she was 18? When was it going to be THEIR time to have some fun?

There's a flashback to a tracking shot from over the shoulders of Debra and Frank as they carry a birthday cake with numbered candles from the kitchen into the living room where Penelope is sitting in the center of couch with her hands on her lap and a cute, innocent smile on her face. Debra and Frank sing Happy Birthday as they carry the cake forward. They ceremoniously place the cake down on the coffee table in front of Penelope just as they reach the last notes of the song.

There's another flashback to the present day where Debra's telling Penelope that they've been trying to have a baby for YEARS and had four miscarriages. Adoption WAS an option but with Frank's record and their poor finances, it wasn't feasible. The hospital was so big and they were sure no one would miss Penelope... They just wanted a baby of their own so badly...

Penelope stops brushing her hair and grins slightly to herself as her parents' words echo in her head.

TITLE PLATE

Penelope moves to the kitchen, asking if she's interrupting anything. Debra insists that there was just something on Frank's shirt. Penelope tells them that she overheard everything and now knows what they've been planning to do to her this whole time -- they just wanted to use her for sex!

Instead of being disgusted, Penelope saunters forward and rubs the front of Frank's pants while addressing Debra, 'You've been taking THIS the whole time, Mommy?' gesturing to his big dick. Penelope then moves to Debra and rubs her breasts, saying, 'You've been sucking on THESE the whole time, Daddy?' Penelope looks seductively between them, then insists that they BOTH show her how it's done...

OFFICE HARASSMENT
SECRETARY FACES REPEATED SEXUAL HARASSMENT FROM HER BOSS

SCENE OPENS on Mr. Kincaid (Derrick Pierce), a brutish-looking businessman, in his office with his beautiful secretary, Valerie (Brett Rossi), telling him about the day's schedule. Midway through her briefing, she leans down to pick up a pen from the floor and place it back on her boss' desk before continuing. Unbeknownst to her, Kincaid sneakily throws the pen back onto the floor. When she walks back around, she notices the pen on the floor again and is agitated, taking a calming breath while gripping her notepad tightly. She bends down, the camera giving a male gaze POV of her sexy bottom, then berates her boss about dropping the pen AGAIN. He shrugs it off and she snaps, remarking that she's tired of how he struts around the office like he owns the place! Plus he's very rude, and she hates the way he treats her and makes her feel small and invalidated. It's harassment and she's not going to stand for it anymore.

She's so worked up that she's getting hot and sweaty, so she takes a breath to calm herself down from the outburst. Mr. Kincaid, who watches, unabashed, the whole time, responses by telling Valerie that he wants a cup of coffee and it's not going to pour itself. Defeated, Valerie walks across the office to make a cup of coffee, although she's clearly upset, her body tense and her hands fisted at her sides. She gazes over her shoulder to her boss, anxiety written all over her face.

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Later that day, in his office, Kincaid is finishing up a business call while Valerie brings him another cup of coffee. Once he's done with the call, he gets her to relay what's next on his calendar. As she starts telling him his schedule like a good secretary, he sips the coffee she just brought him and spits it out. 'This is terrible!' he scolds her as she helplessly looks on at his childish behavior. The childishness turns into bullying as he asks her how long she's been working there -- a decade? -- which is pretty generous for a secretary. He's going to tell her how this whole thing works and that he'll go slow so that she catches on. Valerie is crestfallen, quietly insisting that he can't treat her like this. 'Sweetheart,' he says with a smirk, 'I can do whatever I want, and treat you however I want because I'M the boss.' She's just a dumb blonde bimbo, and nothing more.

He starts stroking her cheek and she calls him out on the sexual harassment, although he instantly and calmly insists that it's NOT sexual harassment. Even if it was, who was going to believe her, anyway, since she's just a secretary? It's her word against his. He stresses that he's the one that writes the checks around there, so there's nothing she can do about it. 'In fact...' Kincaid trails, promptly spilling his cup of coffee on Valerie's breasts.

Valerie tries to clean the coffee stain on her white shirt, distressed that he did that on purpose while he smugly insists that it was an accident and that he's just such a klutz. He tells her that she had better take the shirt off and take care of the mess or it'll stain. Valerie insists that she needs to go home to change, but he stops her in her tracks by saying, 'OR you could stay and make your boss happy.' If she lets him have his way with her, he'll promote her to a position that she really wants to be in. The choice is hers.

The camera is focused on Valerie's face as she wipes her tears and struggles to make the decision. The turmoil is clear on her face, her lips tight, although the smallest hint of a grin slowly appears. Then she makes the call and removes her shirt, throwing it to the floor. 'You know what? You're so right. I'm so dumb! I should be helping YOU be happy...' she insists. Kincaid is stunned by the 180 as she strokes his shoulder, fawning over him with her breasts in full view. She lays it on thick, stroking his ego in every way that she can think of, which Kincaid readily gets off on. Valerie's days of being bossed around because she has no choice are over as she takes the lead to show him what she's really made of.

Syren De Mer had a very long day and all she needs is a massage. Her regular girl is not available so they send Ricky over in her place. Once he arrives, Syren De Mer knows she wants this young man's cock to fill her wet MILF pussy.

YOU REMIND ME OF ME
Coach Lures Teen Cheerleader Into Sex With Her And Her Husband

SCENE OPENS on Heather (Cory Chase) welcoming Kelly (Mackenzie Moss) into her home. Kelly seems excited, even a little starstruck to be there. Heather, a well-known former cheerleader, is Kelly's cheerleading coach. She has taken a special interest in Kelly and has invited Kelly there for a last-minute pep talk before an upcoming competition.

Looking at old photos of Heather taken when Heather was 18, the same age Kelly is, they remark how much Kelly looks like Heather when she was younger. This segues into them chatting about the upcoming competition. Heather offers advice to Kelly about being an effective leader and dealing with the pressure of the competition.

At that moment, Heather's husband Donald (Stirling Cooper) wanders in, seemingly by accident. He remarks on how much they look alike and conversation turns to Heather's old uniform, which she gets up to go get.

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As they chat, Heather seems to get an idea: Kelly should put on Heather's old uniform for some fun and innocent photos. Kelly agrees but is shocked when they ask her to change in front of them. Despite her reluctance and growing disquiet, Kelly changes into the cheerleader outfit in front of Donald and Heather as they leer at her.

Donald and Heather take some photos as the atmosphere becomes even creepier. Soon, Heather and Donald reveal their plan: to have a threesome with Kelly. She refuses, but when Heather threatens to kick her off the squad, Kelly ultimately agrees. 'F-Fine, I'll do it,' Kelly says.

This conniving couple will do ANYTHING to get what they want...

MOMMY MONSTER
LESBIAN MOM USES STEP-SON AS BAIT TO SEDUCE COLLEGE GIRL

SCENE opens on an elegant couple as they are driven home one afternoon from a speaking engagement. Senator Gregory, the husband, is on the phone with one of his constituents discussing the event, a 'family comes first' charity put on by one of their biggest donors. As he speaks, Mrs. Gregory stares out the window. She hates having to accompany her husband to such conservative affairs. It is so irritating. But, they live a privileged life and, with her husband away so much, Mrs. Gregory has a lot of freedom to explore her own interests.

The Senator ends his call and asks the driver how long it will take to get to the airport. 'I'm expecting my son to be home when we return,' he says proudly. Mrs. Gregory smirks. 'Oh, I didn't realize William was coming down. It's a shame you'll only see him for the weekend before you fly out again.' Squeezing his wife's knee, the Senator says not to worry. The boy's going to stay all week, so she'll have plenty of time to catch up with her step-son too. Her smile slowly fading, Mrs. Gregory looks back out the window.

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The camera pans across a well-appointed bathroom. Mrs. Gregory sits on the edge of the tub, secretly looking at candid photos of girls on her phone. Her hand slips between her dressing gown as she gets excited, but she is rudely interrupted by her husband calling her from down the stairs. He wants her to come and say goodbye. The woman closes the phone in a huff and exits.

The Senator is waiting by the door. He tries to kiss his wife, but she makes an excuse and hugs him instead. Meanwhile, William strolls into the room, still in pajamas and eating cereal. He says bye to his dad and plops on the couch, ignoring his step-mother. Mrs. Gregory, aware of the slight, urges her husband to leave before he misses his flight. She kisses his cheek and pushes him out of the door, closing it in a silent victory. She hates having to touch him.

The woman walks into the living room and stares at her step-son in silence. He continues to ignore her. You can feel the tension growing between them. Finally, Mrs. Gregory takes the bowl from his hands. 'You haven't been answering my emails,' she says coldly. He looks up at her in disgust. 'And you stopped funding my account,' he replies, taking the bowl back and continuing to eat. Exasperated, the woman sits down and tries to reason with her step-son. 'I thought our agreement was clear,' she continues. 'I pay you for every qualified lead you deliver to me!' William shakes his head. 'You're a psycho,' he says standing up. 'Just come out of the closet already, mom! I don't want to be your fucking wingman anymore!' In a tracking shot, he walks to the kitchen while his mother follows desperately. She pleads with him to not be difficult. He knows what kind of situation she is in with his father and the public. If anyone found out about her hobbies, it would be the end of his political career. And their wealth. And their status. And his trust fund, which she has been generously topping up for years! William turns to cut her off. 'Your hobbies?' He argues. 'You mean, bribing me to bring girls over so you can take advantage of them?' Mrs. Gregory purses her lips, trying to remain calm. 'I mean, helping your mother out.' She whimpers. William sees his mother start to crack and backs down. After all, he does love her. Even though their relationship is highly dysfunctional, the pair still have an emotional bond. Mrs. Gregory is the only mother figure that William has ever known, since his birth mother died when he was young. He has helped her keep her lesbianism a secret over the years and, in turn, she has made sure he can lead a life of privilege. An 'I scratch your back, you scratch mine' type of relationship. But, constantly tricking girls has weighed down on his conscious. 'I was hoping that this visit would be different,' he says. 'I'd like to try and act normal, you know?' Mrs. Gregory closes her eyes. She assures her son that she has just one profile that she wants him to contact. That's it. Just one date. Just one bait and switch. Then, the rest of the week he can do whatever he wants. And she'll start the allowance again. He tries to hold back his resentment but ultimately agrees to the deal.

TEXT PLATE: Several days later

William opens the front door and leads a pretty college girl named Anna into the house. The pair have just gone out and had a great time, after hooking up on a dating app. He invites her to sit down in the living room, flirtatiously kissing her, before leaving to fetch them a beverage. She smiles sweetly and makes herself comfortable. Meanwhile, Mrs. Gregory has been watching closely from the top of the stairs, dolled up in a super sexy dress, with her cleavage exposed. She struts down the stairs and introduces herself as Marilyn. 'Oh, I wasn't aware that Todd had a roommate,' Anna says awkwardly, obviously unaware of who William really was. Mrs. Gregory smiles and explains that this is her house. Todd is her assistant. Anna seems disappointed that she was brought home to someone else's house. She thought she was going to hook up! Mrs. Gregory asks the girl's name and age. 'It's Anna,' she replies. 'I'm twenty-one and in my second year of nursing school. I was just telling Todd all about the horrors of my placement exam!' Mrs. Gregory licks her lips in anticipation and sits down beside the girl, doing her best to charm her. Anna doesn't know how to react, so she tries to remain polite even as Mrs. Gregory begins to make obvious advances. She hints at the idea of her assistant regularly bringing over girls for them both to enjoy, but that he has never brought over someone as beautiful before. Anna swallows hard, replying that she wasn't aware Todd was into that. Mrs. Gregory smiles. 'Aren't you into that, too?' She asks seductively, running her finger up Anna's thigh. Before Anna can reply, the woman adds '... Because it would be a real shame if you weren't. It's almost impossible not to look at you!'

William comes back in the room. He didn't realize that his mother would be at it so soon. 'You're here,' he says coldly, putting the beverages down. 'I'm sorry Anna, I wasn't aware she would be home.' Anna tells him not to worry, his boss was very friendly. 'I had a really lovely time, Todd.' She says, standing up to leave. 'But I had probably better be going.' Mrs. Gregory cuts her off, apologizing. She offers to leave them alone, so they can continue their date. She was just about to go out anyway. Anna seems unsure but, not taking no for an answer, Mrs. Gregory instructs her assistant to sit her back down. As she grabs her purse and exits the front door in a hurry, the family members exchange secret, intense looks.

William apologizes, explaining that his 'boss' can be overbearing. She is a very good woman and his girlfriend's always end up loving her, she can sometimes just come on a little strong. His speech feels wooden and strained, as if he has given it many times before. Anna innocently makes a joke about his past girlfriends, asking how many he's had and whether she should be concerned before he cuts her off with a kiss. They start to make out on the couch. As their kissing leads to heavy petting, Anna suggests they go to her place instead, but William is insistent that they stay where they are. Lost in the moment, Anna agrees and unbuckles his pants to give him a blowjob.

While she sucks his dick, Mrs. Gregory slowly creeps back in through a side door and tip-toes towards them. Anna does not realize that the woman has come back in the room, but William does. They make eyes at each other, as Mrs. Gregory tries to silently give him instructions on what to do next. He holds Anna's head and face-fucks her to distract her while trying to tell his mother to remove her clothes. It will make the switch easier. Mrs. Gregory strips down and starts touching herself eagerly. Shielding her from view, William pulls Anna to her feet and asks her to ride his dick. She agrees and climbs on top of him. While they fuck face to face, William starts to talk about his boss again. Completely devoid of emotion, he asks Anna if she got turned on by the woman's advances. After all, his boss really has a way with women. Anna jokes and tells him sure, she's been with chicks before. His boss was a hot older lady, but what she wants tonight is some dick. William stares at his mother as he speaks his hollow words, the girl riding him closely and moaning. Impatiently, Mrs. Gregory tries to motion for him to wrap it up. She's horny. He needs to get out and stop spoiling her good time. But, something changes inside William. He can't put up with the manipulations any longer. This will be the last time his mother puts him in such a position. 'Did my boss tell you about how much she likes taking dick?' He asks the girl, an evil smirk crossing his face as his eyes never leaving his mother. 'But she only ever does it when there's another girl involved, since she's more of a dyke?' Mrs. Gregory is horrified. 'She did seem pretty gay,' Anna laughs as she bounces up and down. 'But that would be pretty hot. I'm into threesomes.' William laughs, picking her up and putting her in doggy, her face pressed against the couch. 'Good, because that's exactly what I had in mind tonight!'

Mrs. Gregory rushes beside him and tries to get him to stop. He gives her the finger and keeps pounding. 'I said stop!' She screams, slapping her son across the face and causing Anne to turn around and notice her. She is very surprised ... but laughs in the heat of the moment. 'Oh shit, I didn't realize you meant right now, Todd!' William goes back to fucking her and invites his mother to join in. 'Yes, of course that's what we meant,' he says smiling. 'If you're down for that, Anna? You did mention it on your profile!' The girl smiles and says sure, as Mrs. Gregory stares at her son in horror. 'I can't possibly have sex with you,' she whispers. 'You're my son.' William stares at her coldly. 'I'm not your real son,' he says. 'And I'm never doing this again ... so if you want that pussy, you better get down there and suck my dick.' He pulls out and offers his cock to both women. Anna, having no idea that anything other than a kinky hookup is happening, eagerly gets down and starts sucking again. Mrs. Gregory shakes her head. 'This is a complete and utter betrayal,' she threatens him in a low voice. Covering Anna's ears as he fucks her face again, William replies that his mother is wrong. A complete betrayal is what she has been doing to him for years. Furthermore, a complete betrayal would be him telling his father about everything. And, if she doesn't do what he says tonight, that's exactly what he's going to. Her life will be ruined. Anna begs the woman to join in and help her please Todd. It'll be fun. She has no idea what is being said up there in the quiet conversation. Mrs. Gregory, seething with anger, tells Anna to go back to sucking. She drops to her knees and grabs William's balls. 'There Todd,' she says defiantly. 'I know how much you like it rough!' This descends into the BGG sex scene, where William and his step-mother hate fuck each other while Mrs. Gregory tries to focus on Anna and William keeps pulling her back to please him instead. Poor Anna is caught in the middle and eventually gets cut out of the threesome all together, as William pulls out and jizzes all over his mother. She spits it out and tells him she hopes he's satisfied, while he rubs his dick all over her cum-stained face.

By this point, Anna has begun to realize that the hookup she's agreed to is far more complicated than she had thought. She quickly gathers her things and tells the pair that she's leaving. It's been fun but, quite frankly, feels a little weird now so she's just going to get out. Still seething at each other, they barely say goodbye as she awkwardly exits. 'You are such a fucking liar,' Mrs. Gregory screams at her son through tears. 'The only liar in this house is you!' He replies coldly and storms out of the room.

SWAPPED AT BIRTH
Parents Reveal To Teen That She Was Traded At Birth So They Can Fuck Their Daughter

SCENE OPENS just as Alice (Jane Wilde) takes the last bite of a piece of cake and polishes off her fork. Her parents Fred (Eric Masterson) and Barbara (Brandi Love) sit next to her, looking on lovingly. Around the table there are also the scraps of gift bags and wrapping paper suggesting a small birthday celebration between the family. Barbara comments that she can't believe Alice is 18 ALREADY. Where does the time go?

As Barbara tidies up the dishes by taking them to the other room, Fred adds that as Alice gets older, she just gets more and more beautiful.

Fred and Barbara give each other a curious look as Barbara re-emerges from the other room. Together, Fred and Barbara drop a bombshell on Alice: she is NOT actually their daughter.

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Fred and Barbara reveal that as part of an arrangement with another couple down the block, the Greens, Alice and the Greens' daughter were swapped at birth, so that each couple could indulge their fantasy and fuck their 'daughter' when she came of age.

Alice threatens to call the police, but when Fred and Barbara point out that her life will be turned upside down as a result, she backs down and agrees to the threesome.

Alice's life will NEVER be the same again...

Casca Akashova is used to Valentine Day's like this, husband at work, probably fucking the secretary, but sends flowers and champaigne. She's over it and wants the delivery man to give her a proper Valentine Day fuck.

SWAPPING DAUGHTERS
PARENTS USE EXCHANGE PROGRAM TO SWAP DAUGHTERS AND START FAKE FAMILY

SCENE opens on a family of three, Mr. and Mrs. Valentine (Dale and Gina) and their daughter Becky, in the driveway of their house. To their side a parked ride-share car and its driver wait with the trunk open. The family is going over the final preparations for their daughter's trip. The daughter is dressed to travel, with two suitcases and some travel bags at her feet, and is loading them into the trunk of the car all the while being fussed over by her attentive parents who are insistent on making sure she's prepared. While the father lectures her on travel safety tips, the mother sporadically asks about whether she's remembered to pack this or that. Even after all the bags are packed and the trunk door closed, the chatter continues until the daughter insists that she's going to miss her flight if she doesn't leave soon, and her parents begrudgingly stop fussing over her and let her get moving. 'But not until we get one last hug as a family,' the father insists, and the daughter happily obliges. She's going to miss them over the next two months, she says as she hugs them tight, but she hopes they have a good time with the new exchange student. The couple exchange a knowing glance, unseen by their daughter, and say they're sure they will. The daughter says her final goodbyes, and hops into the passenger seat of the car. She waves to her parents through the window, and they back to her, as the car starts to pull away. 'It's really happening,' the father says discreetly to his wife as he waves, 'it still doesn't feel real.' 'I know,' the mother agrees, and wistfully asks her husband, '...do you think she'll be okay?' The father puts his other hand on his wife's back and rubs it reassuringly. 'We can't think about that now,' he says as he continues to wave, 'what's done is done. She's not our problem to worry about anymore.' With the car turning out of sight, he drops his waving hand and turns to his wife, clasping her hands. 'Now come on, we have a lot to do before our new daughter gets here.' As he says the words 'new daughter', they both look at each other with nervous excitement, the expression of two people about to do something they've never done before but are clearly looking forward to. They turn to head back to the front door together, holding each other at the waist with an excited spring in their step.

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The couple emerges on the inside of their house from the front door, but it's clearly a different day and they are neither alone nor empty-handed. They are helping an 18-year-old girl Cassie with her many travel bags and suitcases, and all three are chattering excitedly - about how she's going to love it in the States, about how she loves warm weather and they get so much less of it in Canada, about what food she can't wait to try, etc. When all the bags are finally inside and the front door closed, Mr. Valentine shrugs and gestures around himself a bit awkwardly. 'Well Cassie, welcome to your new home!' he gushes. 'Yeah! Well, for the next two months, that is,' Cassie says excitedly, as the Valentines exchange another knowing look between each other

The Valentines seem nervously eager to impress Cassie, the same way a goofy teen boy might try to win over his date's dad. They tell her about all the amenities of the house, explain to her their ground rules (they insist there aren't very many - they try to be 'cool' parents, after all), and mention that they like Swapping daughters Parents Use Exchange Program To Swap Daughters And Start Fake Family to leave plenty of time for family activities and bonding, and they hope she feels welcome to join them. Throughout, Cassie is endeared by their well-meaning attitude. The whole arrangement seems like a dream come true! She can't wait to go see her room and unpack - Mrs. Valentine helps her with her bags up the stairs, while Mr. Valentine calls out that dinner's at six and he hopes she likes hamburgers!

CUT to a few days later, Cassie is in a chipper mood as she emerges downstairs to find Mr. and Mrs. Valentine in the living room. They are in their pajamas and sipping coffee when she arrives, with Mrs. Valentine reading a book while Mr. Valentine is on his laptop. 'Good morning, Mr. and Mrs. Valentine!' Cassie exclaims. 'Nuh uh uh!' Mrs. Valentine says sweetly, 'What did we say about that 'Mr. and Mrs. Valentine' stuff?' Cassie giggles and rolls her eyes - she knows they said she can call them mom and dad while she's staying here, it just feels a little weird. But she's warming up to the idea.

The Valentines inquire about Cassie's plans for the day, and gush when she says she's meeting some friends at the mall - they're so proud that she's managed to make friends in so little time here, but of course who wouldn't love to spend time with a girl as sweet as Cassie. She should feel welcome to invite them over to the house at any time, any friend of Cassie's is a friend of theirs! Cassie blushes at all the attention. She excuses herself and is about to leave for the mall when she remembers to ask - 'Oh, by the way, has the internet been down or anything the past couple of days?' No, they answer, not that they know of, anyway - why? Cassie remarks, a bit let down, that her parents promised they'd call and she hasn't heard from them once since she got here. The Valentines try to console her - they're sure she'll hear from them soon, they're probably just busy. Parents are supposed to worry about their kids, not the other way around, she should forget about it for now and just enjoy her trip. They manage to cheer Cassie back up by insisting it's probably nothing. She thanks them, about to call them Mr. and Mrs. Valentine again, and stops herself. 'I mean, mom and dad,' she grins and says cheekily, and they look positively delighted to hear the words. In good spirits, she leaves for the mall.

Once she's gone, Gina turns to Dale and says that they'll have to tell her soon. Dale nods but says he thinks they should still wait a couple more days. They'll have to find the right time. Gina says she thinks she's going to fix herself a snack and gets up off the couch, does Dale want one? Dale says absolutely. Gina leaves the room, and Dale continues working on his computer. Suddenly he gets an incoming Skype call on his laptop - we can see it's from their daughter, Becky. Dale makes a pained face, sighs, and then moves his mouse over the red button to not accept the incoming call and clicks, ending the ringing. He looks down and sees that now the icon appears that shows she's typing something. A message flashes on the screen, which reads: 'Mom, dad, please pick up!!! These people are crazy, they keep saying you made some kind of weird deal with them'. Then another message flashes, 'PLEASE, answer me, I wanna come home, these people are sick!!!' Dale sighs, and then starts moving his mouse. A third message flashes, 'PLEASE, I can see you're online, PLEASE ANSWER ME!!!!' Dale right-clicks on the name and selects to block contact. The message appears, are you sure you want to block this contact? Dale selects Block and then closes his laptop with a sigh.

CUT to two days later, in the late evening. Cassie and the Valentines are playing a family/party game on their phones together in the living room. It's clear they're all having a great time together. After the round, Cassie yawns and puts her phone on the coffee table. She remarks that it's getting late, and she was planning on meeting her friends early tomorrow so she thinks she'll head to bed early. 'Actually,' the Valentines say as they look at each other then back to Cassie, 'before you go, there's something we need to talk to you about.' They pat the seat in between them as a gesture for Cassie to come sit next to them both. Cassie looks taken aback but acquiesces. Once seated, the Valentines try to ease in to the topic - they've so enjoyed having her here, they all get along so well, it's been the best weeks of their life... Cassie looks confused and upset, they're talking like they're about to kick her out - did she do something wrong? Nervously they try to calm her down, no, in fact it's the opposite, they want to offer her a permanent home here, as her new parents. Cassie looks relieved, and says that she's loved being here too, but she of course can't accept their offer - she has a life back in Canada, friends, a home and a family. Mrs. Valentine takes a breath and explains that actually, she doesn't. Cassie looks confused, and Mr. Valentine steps in to explain that Cassie's parents made a deal with them to give Cassie to them. 'Cassie, sweetie... they don't want you anymore.'

Still seated, Cassie looks shocked and upset - what is he talking about? What does he mean a deal? The Valentines explain to her that Dale has certain... needs... needs he couldn't get from his home life with Gina and their daughter Becky. But Gina wanted to help, so together they searched the internet and discovered a small group of like-minded fathers with similar problems. That's how they met Cassie's parents, and together they came up with a solution to help both families. They made a deal to swap their daughters. The two families convinced their daughters to sign up for a cultural exchange program so they could ease them into the idea of a new family after the swap had already happened. That way there would be no turning back.

None of this is making sense to Cassie, who shakes her head hurt and confused. What does 'swapping' their daughters help? What needs are they talking about? Gina explains that Dale was feeling unnatural urges towards their daughter Becky. Urges he knew was wrong. He knew he couldn't act on those urges, but the temptation was too strong. It was actually Cassie's dad's idea, for them to swap daughters so they could each start a new 'family', a perfect family like the one they always wanted. A family they could fuck.

Cassie gets up from the couch, disgusted. What kind of fucked up plan is that? This whole thing is sick, they're both sick! Mrs. Valentine looks distraught, and Mr. Valentine speaks out uncharacteristically angry in defense of his wife. 'Now stop that, Cassie, look how upset you're making your mother.'

'She's not my mother!' Cassie shrieks. 'And you're not my father! And you're not going to FUCK me, you disgusting creeps! I'm getting my stuff and I'm getting out of here and going HOME!' But the Valentines try to reason with her - she doesn't have a home to go back to. Her old family gave her up, they don't want her anymore. And because she's over 18, they don't legally have to take her back in. He and Gina are the only family she's got now, so she can either agree to their terms or try her luck on the streets. Defiantly, Cassie pouts that she wants to call home. Mr. Valentine sighs defeatedly - they won't want to talk to her. But Cassie insists. Mr. Valentine hands her her phone from the coffee table and Cassie rapidly types in a number and dials. After a couple of rings, a grown man's voice answers. 'Dad,' Cassie starts, 'Dad it's me, I-' but the voice cuts her off. 'Who is this?' Cassie tries to tell the voice that it's her, it's Cassie, but the voice nervously says he doesn't know a Cassie, clearly lying. She tries one more time but he cuts her off saying 'L-look... whoever you are, I don't want you bothering my family, we're very happy together. Just... don't call here again.' Cassie tries to say something more but the man hangs up.

Cassie is unable to move, stunned into silence clutching the phone to her ear. After a few seconds, her arm falls to her side, still clutching the phone loosely. Dale slowly gets up from the couch and gently takes the phone out of her hand, putting it back on the coffee table. 'See Cassie?' he says sympathetically but with an I-Told-You-So vibe. 'Those people aren't your family anymore. We are. And we care about you.' Cassie looks at him bitterly - 'you just want to fuck me', she says through gritted teeth. Dale looks hurt, that's not true. He wants to love her, to be a family to her. He just wants them to be a closer family than most. Gina points out that it took her some time to understand it too, but she's come to accept it. She thinks Cassie could too.

There is a look of defeat on Cassie's face - she doesn't want to be homeless, she says. She wants to stay. The Valentines look relieved, and say of course she can stay. She's their daughter. They'll take great care of her. As long as she understands that means they get to fuck her too. 'Yes,' Cassie says defeated. 'Yes, what?' Mr. Valentine says coachingly. 'Yes... daddy,' Cassie says obediently. Good, Mr. Valentine says with satisfaction. Of course, they still have to deal with the whole business of Cassie's little tantrum. Good girls obey their parents, and if Cassie is going to be their daughter she has to learn to obey. He tells Cassie to pull her pants down and bend over his knee to get punished. '...yes, daddy,' Cassie says obligingly as she timidly strips out of her pants and walks over to assume the position.

The Intervention
CONSERVATIVE MOTHER CONVINCES BOYFRIEND TO FUCK LESBIAN DAUGHTER

SCENE OPENS on Mary Anne, as she opens the back door of her house and walks into the kitchen, carrying a load of groceries. Dressed in a pastel pink sweater, cross, and jeggings, the conservative-looking woman has gone through a lot to get to this position in life. Married twice, her last husband left her two things in the settlement: this house and his now 18-year-old daughter, Charlie, who has continued living with her step-mother for several years. Mary Anne has always considered Charlie to be like a real daughter and, in the wake of her divorce, she became very protective over her. Almost too protective. Why should she live somewhere else when Mary-Ann takes perfectly good care of her here? Certainly, a better environment than with her father! As she puts the groceries away, she hollers out to her daughter to come and help ... but there is no response. Finally, she stops what she's doing and goes to find her. She sees her daughter's sneakers and backpack by the front door but still gets no response, so she walks up the stairs to Charlie's bedroom. When Mary Anne opens the door, she is shocked to discover her daughter lying in bed topless and kissing another girl! Charlie barely has a chance to look up before Mary Anne slams the door in disgust. What the hell was that?! She composes herself for a moment before barging back into the room and yelling at Charlie, as her and her girlfriend struggle to put their shirts back on. Charlie begs for her mom to calm down, but Mary Anne is beside herself. Is her daughter a lesbian? Under her roof? That's an abomination! She didn't raise her to be like that. The step-mother starts flying off the handle at the other girl, telling her to get out and never come back. They vote conservative in this house! There are no gays allowed! Charlie is outraged by her mother's behavior and tells her girlfriend that she'll drive her home. Mary-Anne chases them down the stairs accusing her daughter of being brainwashed. Charlie tells her mom that it's 2018. Same-sex marriage is legal. She's an adult, she just turned 18. She can do what she wants. Charlie barges through the front door with her girlfriend and slams it in Mary Anne's face.

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That evening, Mary Anne paces back and forth in her bedroom while Steve, her boyfriend, watches TV and eats chips. Steve is a low-life car mechanic who Mary Anne met at a church community program, not because he is religious but because he was obligated to attend as part of a court order. They are a bit of an odd couple. She looks very wholesome and he looks messy and gregarious, in a baseball cap, flannel shirt, dirty work pants, and boots still on in bed. As Mary Anne complains about what happened, Steve half-listens. He tells her not to stress, she holds the purse strings. Charlie's big college plans in the fall are completely dependent on her. The girl can't move out on her own. Mary Anne keeps fretting and pacing, arguing that Charlie has never disrespected her like that before. Slamming the door in her face like that! What she needs is an ultimatum! Steve jokes that what her daughter really needs is some dick. One time with a real man would put a stop to her dyky behavior. This makes Mary Anne pause. 'You're absolutely right,' she slowly says as they both hear the front door open and Charlie come back home.

CUT to Charlie walking up the stairs cautiously. It's been hours since she last saw her step-mother and she isn't sure what to expect. Despite being completely appalled by her reaction, Charlie still honors her mother and even fears her a little. After all, she is the one fully supporting Charlie. Mary-Anne is waiting, arms folded, by her bedroom door. The two women stare at each other for a moment before Mary-Anne tells her to come in. They need to discuss what happened earlier. Charlie nods and walks past her, as Mary-Anne shuts the door.

Charlie is somewhat surprised to see Steve there but, considering the boyfriend practically lives at their house now, she does what she normally does: ignores him. This is supposed to be between her and her mother. She takes a deep breath and starts to explain that the girl Mary-Ann caught her with is her girlfriend. They are in love and she has been trying to figure out how to tell her mom about it for months, but she was too afraid of her reaction. Mary-Anne cuts her off coldly and tells her to sit down. This is an intervention.

Summing up all her authority, Mary-Anne forbids her daughter from seeing her girlfriend anymore. She does not accept homosexuality, certainly not within her family. No daughter of hers, even a step-daughter, will ever be allowed to behave this way. Charlie starts to break down and, through angry tears, tell her mother that this is how she was born. This is who she is. She can't stop it. Fighting back tears herself, Mary-Anne continues by telling her daughter that if she does not respect her decision, that she will be obliged to kick her out of the house and take away the college funds she had set aside for her. Charlie freaks out, begging her mother to reconsider. She worked so hard to get into that school. She can't possibly cover the tuition and dorm rent on her own. What does she need to do to prove that being gay is just who she is? Steve, who has been watching TV the whole time in the background, nonchalantly pipes up and asks 'But ... how do you know that you're really gay?'

Charlie stops and turns to glare at him. 'I'm sorry,' she says angrily. 'I didn't realize anyone was talking to you, Steve!' Steve turns off the TV and edges to the end of the bed. 'But, seriously,' he continues. 'How do you know you're not just confused?' Mary-Anne chimes in to support her boyfriend, asking Charlie directly if she has ever even been with a man before. Charlie says no. Mary-Anne then challenges how she can know for sure if she's a lesbian if she's never tried to be straight. Charlie is shocked by this line of questioning. She argues with her mother that she doesn't need to do that to know. Well,' Mary-Anne demands. 'Until you have proven to me that you aren't straight, I can no longer support you, Charlie. Maybe if you tried to have normal sex with a man and you still didn't like it, I might change my mind. But, until then, I won't tolerate this unnatural behavior!' Charlie is seething in anger. She points a finger at Steve, who is awkwardly chuckling to himself behind them. 'And I suppose this is your idea of a man, mom?' she yells. 'Someone like Steve?!'

Mary-Anne stares at her boyfriend as an idea crosses her mind. 'Yes,' she says, turning back to her daughter. 'Exactly like Steve. In fact, why don't we just settle this debate tonight? Steve, take off your clothes!' Steve puts down the bowl of chips and asks what she's doing. 'You heard me,' she says, through her rage. 'You are going to fuck my daughter. Right now. Put your dick in her mouth and let's see how gay she really is.' Charlie tells her step-mom that she's insane. Mary-Anne continues, ordering her boyfriend to drop his pants. 'All it's going to take is 10 minutes to prove to me that you aren't straight, Charlie. So, come on, what are you afraid of?' Charlie stares dumbfounded at her mother. 'Or ... what?' she demands. Mary-Anne stands her ground and crosses her arms. 'Or, you leave tonight and don't even think about me covering your tuition!' She yells.

There is an eerie silence in the room, as the weight of Mary-Anne's threats hang over everyone. Steve looks like a deer in headlights, his pants around his ankles. Mary-Anne stands quivering with rage, trying to hold her position. Charlie breathes hard, her eyes not leaving her mother's. This is the ultimate betrayal. She starts to undo her shirt and throws it in a corner. She pulls off her sports bra and whips it in her mother's direction. Finally, as she pulls down her pants and her panties, she coldly turns to Steve and tells him to pull out his dick. He asks if she's she sure. She says yes. If this is what her mother needs as proof, then fine. She can have it. She can have all the fucked-up proof she needs. Charlie drops to her knees, tells her mother that she hates her, and starts to suck Steve's dick. BGG Sex Scene. Throughout the first part of the sex, Charlie hates fucks Steve and talks down to her mother. Mary-Anne watches but, when she becomes dissatisfied by what she considers to be Charlie's lackluster effort, she joins in to show her how it's done. Steve, overwhelmed by the two women battling beneath him, ends up fucking them both and popping on their faces.

After they have finished, another awkward silence fills the room. Steve, grabbing his clothing, tells the women that he is going to leave now. They should probably sort themselves out. He exits, and the two naked, cum-drenched family members look at each other. 'Are you satisfied?' Charlie asks coldly. Mary-Anne sputters that she hopes her daughter learned a valuable lesson in all this. She is normal, after all. 'Yes,' Charlie says, grabbing her stuff. 'I'm a lesbian!' and she storms out of the room, slamming the door.

Nominated - Best Sex Scene -- Taboo-Themed: Khloe Kapri, Ryan Keely, XBIZ 2020

SECOND PARENTS
TEEN FUCKED BY BEST FRIEND'S PARENTS AT FAMILY HOLIDAY

SCENE OPENS as Sarah, a typical teenage girl, drives through a suburban neighborhood. She's on her way to pick up Karen, her best friend, to celebrate the July 4th weekend at her parents' house. She pulls up to the curb and finds Karen waiting at the end of her driveway. Tote bag in hand, she hops in the front seat and the pair drive off. The two 18-year-old girls have been close since they were kids and, now that they have both recently graduated from high school, this will be the last holiday they spend together before college. It has been a longstanding tradition that Karen spends the weekend with Sarah's family, since they always plan better Independence Day activities than her own. Sarah's father is particularly over-the-top about holidays ... making sure his family has lots of fun things to do. It's part of the reason Karen has always looked up to Sarah. Her life seems so perfect. As the two girls small talk, they drive back to Sarah's house and pull into the driveway. Sarah's father is waiting for them on the landing, sporting a cheesy BBQ apron and waving. 'Oh god, how embarrassing,' Sarah laughs. Karen laughs too, noting that at least it isn't as bad as the one he wore last year. They get out of the car and run up the stairs, each hugging Sarah's father, before heading inside.

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That afternoon, the family spends time together in the backyard. Sarah's father is tending to the grill while his wife relaxes with the two girls. They chat about their college plans and Sarah's mother teasingly asks Karen if she has a boyfriend yet. Karen responds that she doesn't ... but Sarah's mother doesn't let it go. While this conversation is happening, Sarah's father grills in the background. The camera frequently cuts to his point of view, as we see him zero in on Karen and watch her intently, scanning up and down her body. The mom keeps asking questions and it gets to the point where Karen begins to feel a little uncomfortable. She is much more reserved than her best friend, especially when it comes to boys, so she isn't used to divulging intimate information. Sarah catches wind of this and quickly changes the subject, as the parents smile at each other.

CUT to the dining room table. The family has just finished dinner: hamburgers from the grill. They are sharing memories about all the 4th of July celebrations they've had together over the years, and Sarah's father raises his glass to make a toast. He thanks his beautiful wife and daughter for blessing him every day with their love. And he thanks the girl he considers to be just like another daughter, Karen, for being such a good friend and influence for Sarah. He gushes about how much she's grown over the years and how she has become such a gorgeous young woman. The camera frequently cuts to the father's point of view, as he studies Karen's chest breathing heavily as she grows more awkward. 'If only I were 18 and single again,' he says jokingly. 'You would have to watch out!' The parents laugh ... as Karen grips her napkin underneath the table. Something seems strange. Sarah hurriedly changes the subject again and, noting the time, asks her father to let them go get ready for the fireworks.

CUT to outside at dusk. From the father's point of view, he studies the girls as they dance around with sparklers. Flashes of light hit their faces, as they react to the sound of fireworks and try to draw hearts in the air with their sparklers. After a few minutes of observing them, playing close attention to their supple teenage bodies as they play, Sarah's mom walks up into the frame and whispers to her husband that it's time to get the girls ready for bed. Their sparklers have gone out. Sarah begs to stay up a bit longer, but her father insists they turn in for an early night. He has a long weekend planned. She looks a bit frustrated but agrees.

CUT to Sarah's bed. She is already under the covers on her side, looking at her phone, when Karen exits the bathroom and crawls in beside her. She starts to talk about social media gossip when Sarah abruptly puts her phone away. 'I'm tired,' she says curtly. 'Let's just go to bed.' Karen seems a bit put off by her coldness. 'Everything ok?' She asks. Sarah says yes and turns her back on her friend. Karen lies there in silence for a moment. She doesn't understand what's going on. 'Are you sure there isn't something up between you and your parents?' She asks cautiously. 'Things seem a bit tense this weekend.' Sarah laughs sarcastically to herself and mutters something about her parents liking Karen more than her anyway, so why is she so concerned. Karen tries to protest but Sarah tells her to forget about it and go to bed. Begrudgingly, Karen turns off the light and closes her eyes.

CUT to the middle of the night. Karen's eyes pop open because the light has been turned back on in the room. Sarah still lies passed out on her side of the bed, back turned. As Karen slowly sits up, she realizes that she is being straddled by Sarah's mom, who somehow crawled into the bed behind her. Shocked, she asks what's going on. Sarah's mom hushes her and says that she was having a bad dream. As she says this, Sarah's father tip-toes into the room with a glass of water. He is wearing only boxer shorts and Karen is taken aback by how fit her best friend's father is. She can clearly see his penis underneath his boxers and it makes her very nervous. Nonchalantly, he hands her the glass of water and comforts her, echoing his wife when he says that Karen's tossing and turning woke them both up. They wanted to make sure she was ok. As they both pet and coddle her, she anxiously looks over at her friend. 'Is there something wrong with Sarah?' She whispers. They shake their head and tell Karen that she is just a sound snoozer. She shouldn't worry about her. She should just concentrate on herself and feeling better. Sarah's mom kisses her forehead and holds her tightly while her father takes the glass back and starts kneading her shoulders. He tells her she is very tense, she must have been very anxious. Is she stressed? Not knowing what to do, Karen shakes her head. Sarah's mom asks if they are helping her to relax. Karen nods and thanks them, looking over at Sarah again. Why isn't she waking up?

'We've always considered you to be an extended member of our family,' Sarah's mom says, looking her husband dead in the eye. 'We worry about you just as if you were our own.' Sarah's father agrees, adding how much they've come to love her over all these years and how sad they are that she is going to be moving away in the fall. Shell-shocked, Karen tries to appease them by saying how welcome she's always felt and how sad she is to be leaving as well. They're like her second parents. 'We want to make sure you leave with only the best memories,' Sarah's mom continues, wrapping her arms tightly around Karen. 'And, now that you are 18,' her father adds, 'we want to show you just how much we care about you ... before you go!' Sarah's mom smiles at her husband and they lean in to kiss each other, directly over top of Karen. Karen swallows hard, her eyes darting between them and her best friend. She sees Sarah's mom pull her father's cock out from his shorts and start to stroke it. Her eyes go wide. Sensing her reaction, Sarah's mom tells her that it's ok to look, she doesn't mind. She knows how handsome Sarah's father is and she is aware of how close Karen has grown with him, especially since she came of age. Karen tries to awkwardly protest but Sarah's father chimes in. 'What?!' he asks, jokingly. 'You don't like me anymore?!' Karen doesn't know how to react. She tells him she really likes him. She likes all of them. 'Good,' Sarah's mother says, slowly sitting back and pulling Karen onto her back. 'So why don't you just relax then, and we can all have a little fun together. Would that be alright with you?' Karen gulps, looks over at her friend one more time, before slowly saying YES. Sarah's father pulls down his boxer shorts and kneels to start removing Karen's pajamas. Sarah's mother holds her gently in place and pets her head, asking her if she's ever been intimate with a grown man before. Karen stammers that she's a virgin and, smiling at each other, the mom warmly tells promises that this will be special. Her special little secret with her second parents. Karen says 'ok' slowly, as she gulps again and looks down to see Sarah's father start to lick her pussy. BG SEX. As Sarah's father has first-time sex with the awkward yet eager to please Karen, Sarah's mother participates passively by holding the girl in various positions and encouraging her and her husband's love making. Throughout the sex, the camera regularly shows Sarah's father's point of view, as he looks down on his daughter's best friend and his wife. In the end, he cums on Karen's face while his wife looks up at him proudly.

When it is over, the stunned Karen doesn't know what to do. She wipes the cum off her face as the sweaty parents quickly tuck her in to bed, climbing on either side of her. As Sarah's mom turns out the light, she tells Karen that they'll all share the bed together tonight to make sure she doesn't have any more bad dreams. Karen asks again about Sarah and her father reminds her that she is just a sound snoozer and will wake up happily with them in the morning. She'll understand. They often share a bed all together when she gets scared. As they drift off, the camera slowly moves over to reveal Sarah's face for the first time. She has been lying, completely awake the whole ordeal, tears pouring down her face. She knew what her corrupt parents had planned for this holiday weekend and she led her best friend straight to them.

THE FOSTERS
18 Year Old Shy Girl is Fostered and Fucked by Overbearing Parents

SCENE OPENS on Jamie, an 18-year-old girl with a troubled past. Abandoned by a drug addicted mother when she was very young, the teenager has spent most of her life bouncing between orphanages, juvenile detention centers, and the street. She is very introverted and socially challenged, barely able to look someone in the eye when she speaks.

Out of concern, her social worker has reached out to a church program that helps integrate high risk young women into adulthood. Seated on the couch beside two parental volunteers, 'Daddy' Ron and 'Mama' Mary Foster, the social worker explains Jamie's case while they study the shy girl with great compassion. She stares at her feet awkwardly, not knowing how to react with a real family. The Fosters reassure her that they will look after her just like real parents, even joking how much they live up to their family's last name.

When the social worker seems satisfied and says goodbye, Jamie looks up for the first time, silently longing for her not to leave. Daddy Ron escorts the social worker out and Mary leans in to put her arm around Jamie. 'It'll be just fine, sweetheart!' She coos. Jamie slowly nods and pushes a smile. Daddy Ron comes back into the room and sits down, tapping his knee. 'Now you be a good girl,' he says. 'And come sit on my lap!' Jamie slowly turns her head and looks at him in surprise.

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The next day. Jamie sits at the kitchen table, peeling potatoes, while Mama Mary cooks behind her. The woman is lecturing her about the family and their history with foster daughters. Life is easy going but, also, strict. There are chores to do, appointments to keep, and a firm commitment to their faith. Church four times a week, twice on Sundays, and daily bible readings. Jamie nods absently, as she struggles with the potatoes. Daddy Ron comes home from work and greets his wife with a big kiss. As they embrace, Jamie catches the man pinching his wife's behind and she blushes red. She isn't used to such intimacy. Mama tells him that dinner will be ready shortly and Daddy Ron excuses himself to freshen up. They will do their bible study after dinner.

CUT to the living room, in front of a roaring fireplace. Mama Mary is listening, eyes closed and swaying, while Daddy Ron reads a passage from the Bible. Jamie is sitting on his lap again, looking terribly awkward.

Colossians 3:20 And whatsoever ye do in word or deed, do all in the name of the Lord Jesus, giving thanks to God and the Father by him. Wives, submit yourselves unto your own husbands, as it is fit in the Lord. Husbands, love your wives, and be not bitter against them. Children, obey your parents in all things: for this is well pleasing unto the Lord. Fathers, provoke not your children to anger, lest they be discouraged. Servants, obey in all things your masters according to the flesh; not with eyeservice, as menpleasers; but in singleness of heart, fearing God.

Daddy Ron finishes and asks his foster daughter what she thought the moral of the passage was. Jamie doesn't say anything. Mama instructs her to be respectful and respond. Jamie looks up at Daddy Ron and mumbles something about needing to obey your parents. Mama kisses her on the forehead proudly while Daddy smiles on. 'Time for bed,' he says to his family.

CUT to the middle of the night. The camera opens on an ECU of Jamie's face as she slowly wakes up. She lays on a small mattress at the foot of her foster parents' bed. As her eyes flutter open, the camera leans out to reveal Daddy Ron and Mama Mary fucking on all fours on the bed above her. They don't realize she is awake and she overhears them dirty talking about her. She lays, eyes peeled and nervous, as they fuck inches from her for a few intense minutes before she closes her eyes again to try and drift off.

CUT to several hours later. Jamie is screaming as Mama wakes her up. Startled and sweaty, the girl looks up to see the foster mother very concerned. 'You were having a nightmare, sweetheart!' She says, clutching her tightly. Jamie can't remember if what she saw a few hours earlier was just a dream. 'I'm scared ... can I stay with you?' she asks. Mama suggests she share the bed with her new parents. When she pulls back the covers to tuck Jamie in, Mama exposes Daddy Ron. He is lying on his back naked, with a half-erect penis, staring calmly at Jamie. She averts her eyes nervously and lays down close to Mama. There is a long silence.

'Do you want to know what I do when I'm scared?' Mama says quietly. Jamie shakes her head no. 'I cuddle up to Daddy Ron ... like this!' She puts her arms around both Jamie and Ron and pulls them all together to create a family sandwich. Jamie can feel Ron's penis brush up against her leg and it makes her feel very funny. She takes a deep breath to calm her nerves. 'Daddy is big, isn't he?' Mama continues, smiling. 'You should touch it and see how big it can get!' Jamie doesn't know what to do. She is incredibly nervous but also strangely turned on. She has never been so close to anyone before and looks deep into her foster mother's eyes before slowly nodding. She reaches her hand down and wraps it around Ron's shaft. Mamma kisses her forehead and looks over at Daddy Ron, smiling, before putting her own hand down and wrapping it over Jamie's. Together, the women slowly jerk him off. Jamie's breath quickens as she gets excited, wedged between the couple. Sensing her new daughter's quiet enthusiasm, Mama then instructs them both to perform fellatio on him. After all, the Fosters believe in traditional family values where the man of the house deserves to be taken care of. BGG sex scene. Throughout the sex, Jamie is shell-shocked but consents to everything her foster mother asks her to do, wanting to please the overbearing parental volunteers and not being able to explain her own sexual curiosities. Daddy Ron ultimately cums on her stomach, as Mama sucks it up and spits it back into Jamie's mouth like a baby bird.

After they have finished, the parents put Jamie in between them. They say a prayer and turn off the light. As they drift off, Jamie stares up at the ceiling ... her eyes peeled. The shy, introverted girl has begun a new life.

Winner XBIZ Best Sex Scene -- Feature Movie

Scene opens to Tommy Pistol relieving himself and zipping up. When he turns around, he asks India Summer where the car is. He needs to go buy some cigarettes. Kenzie Reeves enters the scene and greets the two as she sits down. When India reminds him that Jack (Small Hands) took the car to school, Tommy starts getting angry. He says that Tommy needs to stop wasting his time in school and get a job. When India retorts that his daughter's not working either, he reminds her that she's a tight little hottie who can sell her ass if need be.

Jack comes back from school and greets everyone. Tommy tells him that he better have filled the gas tank or he's gonna be sorry. Jack gives him a dirty look and kisses his mother on the check. Kenzie is ecstatic that her stepbrother is back as she grills him with questions. When he replies that she knew he was at school, she tells him she spotted a moving truck in the neighborhood and stole some brand new pillows from the back just for him. He shakes his head in disbelief and starts yelling at her that he didn't want her doing that. When he walks away from her in disgust, Kenzie realizes that she needs to regain control. She's losing him. She tells the family to gather around as she has some big news to share. When her parents ask her what it could possibly, Jack just looks on wondering what plan she's hatched now. Much to Jack's horror, she tells her family that she's pregnant. When her parents ask her who the father is, she looks at Jack and adds that it's someone special. Jack interrupts them asking Kenzie if he could talk to her inside adding that he would like to see those pillows she stole for them. With Jack and Kenzie gone, Tommy tells India that they should celebrate. He pulls her close and kisses her face. She asks him what he has in mind; he pulls her shirt up and starts sucking on her tits. When he pulls her pants down, he sticks his tongue right in her ass as she demands he shove it in deeper.

Back inside the house, Jack is furious with Kenzie. He can't believe she would pull a stunt like that. He thought her getting pregnant was impossible; she was on the pill for fuck's sake! Kenzie tells him it's a miracle and now they can finally be a family. He yells, asking if she realizes that she's clearly lost her fucking mind. They are on the brink of poverty and the last thing they need is another mouth to feed. When she tells him she's keeping the baby, he gets so angry that he slaps her in the face. When she screams for him to do it again, he storms out of the house and slams the door behind him. Kenzie is left on the bed all alone collecting her tears.

Jack gets into the car and turns on the ignition but it won't start. He slams the steering wheel and screams. When he gets out of the car, the punches the hood in frustration. He has no idea how he's going to get out of this. Trying to collect his thoughts, he paces back and forth. He sits back down in the car and pulls the seat back so he can lie down. He stares out into a starless sky and tries to find a way out of this nightmare.

Scene opens to early morning sunshine as Jack waits pensively. When he sees Joanna walking towards him, his face lights up for the first time in awhile. He kisses and thanks her for meeting him so early as she hands him a coffee. Back home, Kenzie walks out the trailer and closes the door behind her. As she gets on her bike, it's clear that she's on her way to look for Jack. She bikes through her neighborhood, looking around to see if she can spot her stepbrother. As Jack and Joanna chat on the park bench, Kenzie spots them from a distance and starts crying. She can't believe her brother would do this to her. She doesn't care who this bimbo is, no one is going to destroy the special relationship she has with Jack. When she goes to confront them, she tells Jack that he needs to come back home and give mom her car keys. Jack knows what kind of game Kenzie is playing but has to play it cool. He's very aware that she could ruin everything if she decides to tell Joanna about their relationship. When Kenzie invites Joanna over to the house, she's hoping that when she sees that Jack is white trash, she can count on her leaving their lives forever - and Kenzie can have her brother all to herself.

Scene opens with Kenzie back home going through her makeup bag again. She pulls out her pregnancy kit and prays to God that she's pregnant. She knows that once Jack sees their child he'll get rid of the bimbo and be Kenzie's forever. All she has to do now is test positive and have his baby. She sits down and waits for the results as she prays for a miracle. When the time elapses, it seems that God didn't answer her prayers because it's still negative. She smashes the kit on the floor and storms out of the house. When she finds her mother outside, she takes a cigarette out of her pack and lights it. Her mother tells her that she shouldn't be smoking, it's bad for the baby. Kenzie confesses that the kit indicated that she wasn't pregnant. She begs her mother to keep this a secret from Jack and her dad. India flat out asks her if she's just trying to get pregnant to keep a man; she explains that that didn't work with Jack's father, and it ain't gonna work here. The trick is to look and stay pretty. When Kenzie confesses that she hasn't felt pretty in a long time, India kisses her stepdaughter on the mouth, promising she'll make it all better.

MOM'S HELPING HAND
Mom Offers To Help Injured Teen Son Pleasure Himself

SCENE OPENS on 20-year-old Aaron (Codey Steele). He is in bed and opens his eyes after a night of slumber. Both of his arms are in slings and his head is wrapped in a bandage. He tries to reach for a nearby remote but he winces in pain and sighs angrily, looking sad and frustrated.

He looks down at his lap and says 'nnnnh... not again... fuck...'

We see his legs fumble uncomfortably under his sheets as he squirms around a bit - his face looks like he's trying hard to concentrate. We get the sense he may be trying to masturbate but he has to be careful moving his upper body. He tries to move his hands lower but it's clear he can't reach.

In the midst of these attempts, his step-mom Ruth (Kit Mercer) arrives at the door and is about to pop in to say good morning. She notices what he's doing and watches for a moment in shock and a bit of sadness. He doesn't notice that she's there.Finally, Aaron gives up with a desperate cry of frustration. Ruth looks on, a sympathetic expression forming on her face.

When Ruth comes into the room, Aaron snaps at her angrily. He apologizes, explaining that the accident and the injuries have taken their toll on him. Knowing that his anger really comes from his sexual frustration, Ruth offers to give Aaron some sexual release. After some initial reluctance, he agrees.

Aaron lays back, taking a deep breath as Ruth slips her hand under the covers and begins to stroke his cock.

Ruth only wants to give Aaron some relief, but Mom's helping hand is going to have consequences that neither one of them could ever have anticipated...