Latest 'Hardcore' updates from Pornstar Scenes (Page 228)

NOWHERE TO RUN
Teen's Car Breaks Down and She Accepts Help From A Suspicious Stranger

SCENE OPENS on Anita (Autumn Falls), a young woman. She's in her car and lightly hits the steering wheel. Why won't you just START?, she complains to herself. She exhales heavily, reaching for her cell phone. She tries to turn it on, but it's dead. She opens the glove compartment and roots around in it. After a moment, her head sags in disappointment. 'Aaaaaaaand you didn't bring your charger. GREAT job Anita,' she chastises herself. At that moment, there is a sudden knock at the window. She jumps with a slight yelp, completely startled. Standing at her window is Shane (Derrick Pierce), a somewhat rough looking man. He is unsmiling and motions for her to roll down the window. She regards him warily and hesitantly rolls down her window, but just a crack. Uh...yes?, she asks cautiously. Hey, he's sorry to scare her, but he was coming home and saw her car stall and quit on her, he begins, his tone even and non-threatening.

Oh uh, yeah, it...it won't start no matter what she does, she answers, a touch of wariness still in her voice. Ok, well if she wants, his house is right there, he says, pointing to his nearby house. And he can help her push the car into his garage and see if he can figure what's wrong with it himself, he offers. Oh that's ok, she says still acting a bit wary of the stranger but smiling politely, she wouldn't want to inconvenience him, she can just call the tow service. If she says so, he shrugs, but it'll probably take them hours to get here. And this isn't the best place for a girl like her to be waiting around. She debates for another moment, unsure of what to do. Then she looks down at her phone and remembers it's dead. '...I guess we could give it a shot,' she says hesitantly. He looks at her, shrugging noncommittally. 'Your call,' he says.

After pushing the car into his garage, they chat about what a bad neighborhood it is. Well, he'd better get started, he adds, moving towards the garage door, grabbing the top of it as he prepares to pull it down. Oh um...what is he doing?, Anita asks meekly. The light coming in from outside is shining in his eyes, gonna make it hard to look around and scout out what the problem is. He's just gonna close the door and hook a light to the hood so he can see what he's doing better, he says. That's cool...right?, he asks, a vaguely threatening undertone in his voice. She looks out of the garage toward the street, perhaps deciding whether or not she should just get out of there. Um...yeah, of course that's cool, Anita says, smiling nervously. He looks at her for a second, sizing her up. He pulls down the garage door. It loudly hits the floor, sealing them in.

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Shane hunches over the open hood of the car, tinkering around inside. What's she DOING in this neighborhood anyway?, he asks as he continues working on the car. She was just passing through actually, on her way back from touring a new school, she responds. High school?, he asks, looking over his shoulder at her with an eyebrow raised. No, no, she's 18, she's in college, she clarifies.

'Do me a favor. Pass me a screwdriver. From that toolbox over there,' he says, pointing to a toolbox on the floor. Sure, Anita says, turning around. She bends over, opening the toolbox and rooting around in it. As she searches, Shane is staring at her ass hungrily, licking his lips. Um, there's NO screwdriver in here, Anita says, puzzled. Ohhh, sorry, he FORGOT, the screwdriver is in THAT toolbox, he says with a crooked smile. She immediately goes to the other toolbox he indicated and withdraws the screwdriver, handing it to him quickly. Thanks, he says quietly, turning back to the car.

Ah dammit, he says aloud. What?, she asks, concerned. This cable's been worn away, he says. She narrows her eyes suspiciously, walking over to the hood. Don't worry, she doesn't need to come over here, he's got it, he says, trying to wave her off. No, she wants to see it, she responds firmly, peering under the hood. He is holding a wrench, watching her closely. Yeah, she sees it, but...it looks like it's been...she begins, her eyes resting on a pair of wire cutters that are lying adjacent to the car. Her eyes go wide with fear. ...it looks like it's been CUT, she says in horror, backing away from him cautiously. He has a hard look on his face and slowly leans towards her. Going somewhere?, he asks in a bored, teasing tone. 'Y-you...you DID that to the car. You CUT that cable! You did it on purpose. W-why would you DO something like that?? A-are you trying to...?' she asks, trailing off, unable to articulate what she's trying to say..

'I ain't tryin to do a GODDAMN thing other than fix your car. You can LEAVE anytime you want. Your car sure isn't going anywhere though,' he says, leaning in and sneering with a big wicked grin. That's fine, she says defiantly. She'll walk if she has to. He laughs. Through THIS neighborhood?? She could try. A tasty little morsel like her would attract a lot of unwanted attention. But on the other hand, if she wants him to finish the job so that she can be on her way safely, she could always do...a little something...for HIM, he says, a toothy grin on his face. He swings the wrench around, almost absent-mindedly. She looks upset at his suggestion. What's stopping her from running out into the street and just yelling for someone to call the cops?!, she asks. Nothing, he gloats and goads her, in fact go ahead and try it. People out here fuckin' HATE cops, he says. 'You go runnin' out of here shouting for the pigs to come save you, you think you're gonna get ANY sympathy?? Girlie, you wouldn't even make it two BLOCKS,' he says. Her shoulders sag with disappointed realization as she gulps, weighing her options. Her eyes dart to the garage door. She takes a deep breath. If... if he promises not to hurt her and fixes her car afterwards, then...FINE, she says finally, an edge of defiance and anger in her voice. He can do whatever disgusting thing he has in mind. Shane grins as he draws Anita to him, squeezing a handful of her massive tits.

Anita's got nowhere to run, and EVERYTHING to lose.

FAMILY BARBECUE
Seedy Uncle Lures Teen Niece Into Gangbang At Creepy Family Gathering

It's the Fourth of July and Penny (Whitney Wright) is ready to celebrate with her Uncle Jonas (Steve Holmes) and his family (Small Hands, Nathan Bronson, Jake Adams). Jonas has only recently married into Penny's family, so she's never met relatives from his side but is eager to do so. Although she's nervous, Jonas assures her that everyone's REALLY looking forward to meeting her, too, and that she should start mingling...

With his coaxing, Penny leaves her uncle's side to greet the other partygoers. As she mingles, oblivious to the hungry stares from the surrounding guests, she soon realizes that there are no other women at the party. Every time she asks about her absent family relatives, the men brush her off, making lame excuses.

It's only now that she is aware of how vulnerable she is amongst these strangers. Freaked out, she rushes to her Uncle Jonas' side for comfort, only to learn that there's a family tradition of all the men on his side sharing new female family members!

Although Penny's initially reluctant, her uncle seduces her by building up her confidence and curiosity. He especially preys on her insecurities as a virgin, which he knows is a weak spot for her. Eventually, Penny tentatively agrees that it WOULD be nice to get some... experience... as long as her family promises to take good care of her.

Pale Blair Underwood, a young, real-life mom, looks like the MILF next-door, but she wears a 'SLUT' choker and skimpy threads that accentuate her fleshy, white ass. Blair talks dirty as she fingers her asshole and masturbates with a massager; her verbal filth continues through the scene. She sucks Mark Wood's prick, eyes reddening, spit flowing. Blair spreads her legs for a rim job. Mark goes straight to anal, and Blair says she likes watching his cock go in and out of her rectum. He chokes her as he sodomizes her, and Blair blurts, 'Pound my asshole.' She takes a buttfuck ride, Mark spanking her meaty cheeks. Blair declares an ass-to-mouth blowjob 'yummy.' The stud buttfucks her in multiple positions, making her pink sphincter gape. Blair swallows semen and cleans his dick orally.

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

'Time is the longest distance between two places.'
â?? Tennessee Williams, The Glass Menagerie

ALL THE TIME IN THE WORLD
Desperate Man Uses Time-Freezing Tech To Have Sex With Crush

SCENE OPENS on Ted (Justin Hunt), who is in his room, preparing for a dinner party for his friend Gabi's birthday. There is the sound of a Newton's Cradle which we see clacking in the foreground on his desk. We can also hear the faint sounds of a cityscape through his bedroom window. Ted is nervous and adjusting his clothes. He is rehearsing in front of the mirror, trying to come up with a way to express his love for his best friend Gabi and to convince her to break up with her longtime boyfriend Drake.

He retrieves a pocket watch that he got for Gabi's birthday. He thinks it's broken and manhandles it, accidentally uncovering a secret compartment that emits a strange effect as it opens.

The distortion effect ripples out across the screen like a shockwave. Sound and movement slow to a stop for everyone but Ted. Ted is confused, looks around the room, sees that his clock is no longer moving. He remarks that it's weird the clock stopped. He feels something is amiss and sees that the Newton's Cradle has stopped in mid swing. He can't believe what he's seeing, and pulls back a bit in fear.

Ted leans in to peer and scrutinize the Newton's Cradle with shock and curiosity. Ted looks in wonder and cautiously reaches a hand out. He touches the Cradle. At his touch, the balls instantly start to swing again, the clacking sound whooshing back. Ted stares for a moment at the moving Cradle, then something catches his attention out the window. He goes to look out the window. 'What...the...hell? Everything's just...STOPPED. The birds...the people. Nothing's...MOVING. Th-that's IMPOSSIBLE. It's like time is just...FROZEN,' Ted says in stunned disbelief.

Ted looks down at his hand, only now noticing he still is idly holding the open watch in his hand. It starts to dawn on him that the watch did this. He looks out at the frozen city in awe, gazing back and forth between the city and the watch a few times. He seems to get an idea. As he stares out the window, he snaps the clock closed.

Instantaneously, the sounds of the cityscape whoosh back in and the clock hand begins moving again. Everything has become unfrozen. Ted stares, stunned into silence, for several seconds. 'Gabi...' he finally whispers.

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CUT TO another day. Gabi's birthday dinner party is in full swing. Gabi (Alina Lopez) sits beside Drake (Nathan Bronson) at the dinner table. Ted sits across from Gabi. Their mutual friends Pat and Leslie sit around them, and everybody but Ted are clearly enjoying themselves, engaged in light and lively conversation, laughing and joking. Ted seems withdrawn and distracted, spaced-out. He isn't talking to anyone, and instead keeps pulling the watch in and out of his pocket and looking at it under the table.

As the other guests are busy, Gabi notices Ted's distraction. She touches his hand and asks what's wrong. Ted snaps out of his distraction, seemingly reminded of his strong feelings for Gabi. Ted is about to profess his love for Gabi when he is interrupted by Drake getting on bended knee in front of Gabi. He proposes and Gabi says yes as Ted panics. Ted's panic boils over and he makes a snap decision, activating the watch to freeze time.

Sound and movement slow to a stop for everyone but Ted. Gabi's words cut off as she freezes, hand out.

Ted gets up slowly from his chair and paces the room, slowly walking and examining the guests. He seems bitter and disgusted at their happy expressions. He looks at Gabi first, then over to Drake with jealousy, then enters the kitchen briefly to circle Pat and Leslie making sure they're frozen - waving his hand in front of their faces and snapping his fingers in front of their eyes. Ted takes a deep breath, exhaling heavily as he calms down, glancing at the pocket watch and considering what to do.

Ted resumes his spot at the dining room table, sighing. He looks back at Gabi, Drake beside her, her hand held out to Ted showing off the ring. His expression turns possessive as he gazes at her. He readies himself and reaches out to touch her outstretched hand.

Gabi unfreezes and immediately panics when she discovers everyone else is frozen except her and Ted. She tries to wake Drake up but can't. Ted explains that the pocket watch can stop time. Ted finally professes his love for Gabi, thinking she will reciprocate, but she doesn't. He reveals that he stopped time so that they could be together forever.

Gabi is freaked out. Ted feels betrayed and hurt that she doesn't share his feelings. He threatens to smash the watch unless she fucks him. Gabi, full of resentment, agrees to have sex - 'You aren't the person I thought you were, Ted... I'll have sex with you, but I could NEVER love you after this.' Ted tells her that she'll see, she'll change her mind.

She tries to lead him to the bedroom. Ted says that he wants them to do it in front of Drake so he can prove to Gabi he's a better lover than Drake. Gabi is appalled but reluctantly agrees.

Ted's going to take his time with Gabi. They DO have all the time in the world, after all.

AN HONEST LIVING
Homeowner's Son Terrorizes Honest Hardworking Housemaid

Amelia (Anny Aurora), a hardworking and honest housemaid, casts uncertain looks over her shoulder as she cautiously approaches her employer, Mr. Winters. There's something she's been wanting to tell him for months, and today's the day that she's finally going to do it. Yet, she freezes as she stands before Mr. Winters, who is impatiently waiting for her to spit it out. Although Amelia tries her hardest, words fail her, leading Mr. Winters to think she's simply shy about asking for a raise. However, nothing could be further from the truth...

Admitting defeat, she returns to the kitchen to clean the floor, only to be startled by Adam (Alex D), her employer's son. Adam is calculated and cruel, taking great pleasure in tormenting Amelia at every given opportunity. He hasn't shown mercy since the first day she started work. Even though he's not her boss, Amelia feels powerless to stop him from taking what he wants whenever he wants.

As Adam toys with her, he reveals that he knows Amelia was trying to tattle on him. She deserves to be punished for such subordinance... Although Amelia doesn't want to submit to him, she can't afford to lose this job and be left penniless. Once again, as she slowly unties her apron and bends over the counter, she gives in to Adam's demands.

ALPHA MALE
Father And Son DP Son's Cheating Girlfriend

SCENE OPENS to Toby (Robby Echo) and his girlfriend, Crystal (Whitney Wright), arriving at his father's house to do some studying. They seem like a sweet couple, though Toby is on edge. Crystal hasn't met Toby's father, Hunter (Stirling Cooper), yet, and Toby was more than happy to keep it that way. To him, Hunter is abrasive and a complete pig. He doesn't know how to treat women right! Meanwhile, Crystal tries to calm her boyfriend down, insisting he's being too hard on his old man. She's sure Hunter's just fine!

But when Hunter struts into view moments later, she's suddenly hit with just HOW fine Hunter is... He's much bigger, stronger, and more confident than Toby. He's undeniably attractive, although Crystal tries to push it all out of her mind...

She keeps close to Toby to resist these unexpected urges, both of them soon parting to study elsewhere. Even so, she's distracted -- so much so that Toby has to point out that she accidentally left her books out in the living room. Crystal snaps back to attention and excuses herself to fetch the books.

Along the way, she comes across Hunter. Immediately, she's weak in the knees as he comes onto her, whispering promises of a wild night to remember. His hands are strong, his breath warm, and his voice a low rumble. He has charisma that she can't deny and a cock that soon makes her gasp with pleasure as she eagerly accepts it into her pussy.

But when Toby walks in on them, she's soon caught between the two men in a battle of dominance. Just who will come out on top?

PATERNITY TESTED
WOMAN TRIES TO TRAP MAN WHO MAY BE LYING ABOUT BEING HER BIRTH FATHER

SCENE OPENS to a man named Charles (Mr. Pete) showing up at a beautiful house. Kelly (Jill Kassidy) has been waiting for this moment her whole life, so she eagerly invites him in when he makes himself known.

Kelly's been on the hunt for her birth father for years, with many disappointments along the way because of dishonest people. She's doubled her efforts since her mother passed away, desperate for more family, but she doesn't want to have her heart broken again.

Charles seems nice enough, though Kelly has her suspicions. She doesn't want yet another con man weaseling his way into her life just to get hold of her mother's estate. While she remains pleasant, she begins sussing Charles out by asking him misleading questions, trying to determine if he's lying or not. When did he and her mother first meet? Where was their first vacation together? What was her favorite hobby? It quickly becomes a game of cat and mouse as Kelly's suspicions about him grows... Sometimes Charles says the right things, but everything seems TOO convenient for Kelly. The alarms sound in her head as tension between them builds.

Finally, Kelly has no choice but to outright confront Charles, needing to know the truth once and for all.

Nominated - Best Actress - Featurette: Alexis Fawx, AVN 2020

SEEN NOT HEARD: AN ALEXIS FAWX STORY
FEMALE PATIENT RELIVES PAST SEXUAL EXPERIENCES WITH HOSPITAL STAFF

SCENE OPENS on Anna (Alexis Fawx), a frazzled woman dressed in a patient gown, as she sits on the edge of her hospital bed with her eyes closed. Her body is tense but still, with her fists clenched. The room is dark and only her silhouette is really visible, set against the various shadows that move in the hallway on the other side of the curtain. Anna muses:

'Monsters are not only bred from darkness, monsters are also created. A monster by definition is an imaginary creature that is typically large, ugly and frightening. It's the unknown lingering under your bed making you wish your blankets had the power of invisibility. A monster comes in many shapes and forms; its main purpose to destroy. They are creatures of elaborate pain, a motherless, fatherless creature shadowed in robes, veiled in black taking shape of all the things we fear most.'

Suddenly we flashback to a different time, many years ago. We are looking at the face of 18-year-old Anna (Bobbi Dylan). She sits on the edge of her bed. An older man walks into frame with a paper bag in his hand. 'Hi sweetie, how was your day?' the man says as he blindfolds the young woman, intimately caressing the side of her face as he does so. His index finger grazes her mouth for a brief second and then he reaches over into a brown paper bag he has by his side. 'Are you going to be a good girl?' She nods and opens her mouth somewhat reluctantly. From the paper bag, the man takes a small container of chocolate pudding and dips his finger in it. He slides his finger into her mouth as she licks the pudding off. 'You know what happens if you get this wrong, don't you Anna?' He whispers. The girl looks up, despite being blindfolded, and nods as she chews. She hears the bedroom door slam.

Back in the present day, Anna is now having a panic attack, rocking back and forth. 'I guessed it right!' She half cries, half laughs as she continues to rock back and forth. A young male hospital orderly (Seth Gamble) walks into the room. Taking the woman by the shoulders, he guides her back into bed, tucking her in. 'Don't worry Anna, everything is going to be alright. The doctor will see you in the morning.' He smiles gently, as he caresses her face intimately and she closes her eyes.

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The next morning, Anna wakes up suddenly. Sitting in a corner of the room is the girl from her memory, her younger self, still dressed in her nightgown. 'It's about time you wake up sleepy head, the doctor is waiting for us!' The younger Anna says innocently.

At the same moment, the orderly walks in to the room. Both women look at him, but he only looks at the older version of Anna, 'The Doctor is ready for you,' he says. Anna gets up reluctantly, examining herself and the younger woman beside her. She is expecting the orderly to say something -- but he seems oblivious. Finally, the younger Anna takes her hand and pulls her forward, as they follow the orderly out of the room.

In the doctor's office, Anna sits in a chair in front of the doctor (Eric Masterson) as he reviews her chart. He asks how she is feeling, how her appetite has been, and whether she's still been having those dreams they talked about. As Anna struggles to answer, the younger version of her leans in and whispers 'Remember dear, you must be seen and not heard!' Anna closes her eyes to try and tune it all out.

We flashback to another memory of the younger Anna. She opens her eyes to stare at herself. She is sitting in front of a mirror, as her mother brushes her hair. We don't see the woman's face, but we hear her saying 'Remember dear, you must be seen, not heard!' Young Anna listens to this being repeated before she starts to say it to herself as well.

Back in the doctor's office, Anna opens her eyes in a panic. The Doctor tries to calm her down, as she starts shouting 'be seen, not heard' repeatedly. He yells for help and the orderly comes back in to take her away. The younger Anna watches them leave with a sly smile on her lips before turning around and winking at the Doctor, who has no idea she is there.

Later that night, the orderly comes in to Anna's room with a dinner tray. 'I'm not hungry!' Anna shouts, as she turns over in her bed to reveal the younger version of herself also lying there. 'You have to eat something,' the orderly tries to coax her. The younger Anna sits up, picking a piece of food from the tray. 'You should really be a good girl Anna, you know what happens when you misbehave!' She whispers, slipping her fingers into Anna's mouth and then licking them herself. She then stands up and walks over to the hospital orderly, before looking back and saying, 'I'm eighteen now ... so why don't I show you how a good girl should behave!' She pulls the orderly's pants down, gets on her knees and asks to give him a blow job. In a calm voice, he says 'sure Anna'. Young Anna slides the orderly's cock into her mouth. Older Anna watches from the bed, utterly confused. Her mind races. Is what she's seeing even REAL?

HOMEWRECKER
ANGRY EX GETS REVENGE BY HATE-FUCKING HIS EX'S NEW LESBIAN GIRLFRIEND

A young woman, Evie (Riley Reyes), is enjoying a peaceful day at home when there's a knock on the door. A cableman (Mr. Pete) politely greets her, but Evie is confused since she didn't call him to have anything fixed. The confusion is cleared up when they work out that Evie's girlfriend, Casey, is the one who put in the work order. Satisfied, Evie lets the man in to do his job.

However, things take an unsettling turn when Evie catches the cableman ogling a framed picture of her and her girlfriend. Although he brushes it off and plays innocent, Evie is further unnerved when she catches him wandering off through the apartment, NOT doing his job. She starts to suspect that something isn't right and is about to call her girlfriend in secret when the cableman suddenly reappears.

'Who ARE you?!' she demands, though isn't expecting what she gets in response. The man is none other than Mitchell, Casey's ex -- the same man Casey left to be with Evie. To say he's upset that his girlfriend left him for another girl is an understatement. Mitchell believes that Evie corrupted Casey, stealing her away from him. He wants Casey to know what it's like to have your heart shattered into a million pieces...

And he's going to make Evie, Casey's beloved, help him.

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

'... there are those who cause you to freeze inside... Those you should keep away from. They are not good for you, even though others might say that they are good people...'
-Bodil Bredsdorff

THE KINDNESS OF STRANGERS
Rich Philanthropist Takes In Homeless Teen Who Discovers His BDSM Sex Dungeon

SCENE OPENS to Billie (Avi Love) awkwardly standing in a luxurious mansion. She's a teen living on the streets, though she had the good fortune of being invited to a fundraiser hosted by a well-respected philanthropist, Tom Ridge (Derrick Pierce). She feels so out of place, especially once she catches the rich, handsome man's eye.

Tom is charming and sweet, which Billie is naturally drawn to, though she is still guarded. Yet, she doesn't know what to make of him when he offers for her to stay in this beautiful home with him! She's suspicious -- there HAS to be a catch! Tom assures her that there is no catch... Well, except that she'd have to rely completely on the kindness of strangers.

Although Billie is still uncertain, she can't turn down the once-in-a-lifetime offer.

The next morning, Billie is given free rein of the house as Tom attends to business elsewhere. However, the one thing Tom's made clear is that she ISN'T allowed to do is go into a private room across from her own. Although she's able to resist temptation for most of the day, the mysterious wooden door seems to be calling her name.

Finally, she can't resist as she sneaks inside the room, only to uncover a BDSM sex dungeon.

As she carefully explores the room, blown away by all that surrounds her, it's hard to envision the kind community man having any part in THIS. Yet, she's about to find out just how dark his desires are when he returns home and discovers she's broken his one rule...

BREAKING THE VOW
Serial Cheating Husband Lures Online Hookup Into Lewd Sex Acts

A beautiful, young woman, Vanessa (Keira Croft), is preparing for a date night. She's texting back and forth with a man named Tony (Steve Holmes), who she'll soon be meeting up with. She seems eager to please, changing her appearance based on what he's expressed that he likes. He likes the red lingerie she wore in a profile picture, so she changes from black to red... He normally prefers brunettes, so she dyes her hair from blonde to brown...

Then it's time for the date.

When Vanessa arrives, one of the first things she learns is that Tony is married. Although she's uncomfortable with the hookup now, Tony assures her that everything is fine and that there's nothing to worry about! Sure, his wife doesn't know about his cheating ways, but she doesn't need to! He gives her everything she needs, so he doesn't feel guilty getting what HE needs on the side as well. He needs to fuck -- and fuck a lot! He also craves variety, needing things to be kinkier than his sweet wife can handle.

Although Vanessa is still shy and uncertain, Tony eventually convinces her to go ahead with the fun they had planned. Yet, Tony has no idea that Vanessa is soon going to give him the surprise of his life...

WATCHING YOU
YOUNG WOMAN BECOMES PARANOID SHE'S BEING STALKED THROUGH HER COMPUTER

Jessie (Avi Love) is a young woman looking to rebuild her life after her boyfriend, Ashton (Mike Mancini) cheated on her. To start off on the right foot, she gets her laptop wiped so that she NEVER has to see anything reminding her of that asshole ever again. Yet, as soon as she returns home, her ex is waiting for her, confronting her in a heated argument. 'You'll regret this!' he threatens as she slams the door in his face. She may be rattled now, but she's sure there are brighter days ahead of her.

Although she's hoping for a fresh start, Jessie's past quickly comes back to haunt her. First, her friend informs her that someone's hacked her social media and posted a raunchy update, claiming that she's looking for guys to fuck. Then she receives an unsolicited dick pic from an unknown number. Finally, her laptop camera keeps turning on and off as if someone's watching her...

Terrified, she calls Ashton, begging him to leave her alone, although he insists that it's not him and that she's just crazy. Exhausted and confused, Jessie's almost at her breaking point. When she catches sight of a suspicious vehicle parked in front of her home, she just KNOWS that whoever is in that car is responsible for all of this.

As Jessie grabs a baseball bat, she storms into the street, ready to settle this once and for all. Little does she know, the worst is yet to come as she comes face-to-face with her stalker.

MIDDLE OF NOWHERE
FEMALE HITCHHIKER IS MADE TO PLEASURE BACKWOODS BROTHERS IN EXCHANGE FOR RIDE

A young woman, Tania (Zoey Monroe), is walking down a deserted road, looking worried and tired. Her phone isn't working and no one has driven by in what feels like forever. However, when gets scared away from the road by a coyote howl, she returns just in time to see the taillights of a car as it zooms past. She's sure that she's missed her chance at a timely rescue, though her prayers are answered when a second vehicle stops for her not long after.

When she approaches the car, the two men inside unsettle her. There's something about the way they look at her and talk to each other that creeps her out. Yet, she can't afford to turn down help, so she agrees to hitch a ride with them. Billy (Seth Gamble) and Willy (Jake Adams) are... odd... to say the least. Her nervousness intensifies when the brothers insist that they need to run an errand at their mother's house first, then they'll get Tania back on the road where she wants to be. Although Tania wants to protest, she doesn't have a choice. She's in the middle of nowhere and has to rely on the weird brothers to take care of her.

Once they arrive at the house, it becomes painfully obvious that they've brought her back to fuck her -- together. They'll take her to where she needs to go IF she lets them have a little fun with her. It's her choice, though... she can fuck them or she can start walking out there in the middle of the night. Who knows what's lurking in the dark?

Although Tania hesitates at first, she gives in, not wanting to take her chances out there. 'Fine, but you better make it quick,' she states as the brothers slowly grin.

CAREFUL WHAT YOU WISH FOR
OVERPROTECTIVE MOM CONVINCES DAUGHTER TO LOSE VIRGINITY TO STEPFATHER

Marie (Silvia Saige) and her husband Steve (Eric Masterson) sit on the bed in their daughter's room. Don't do this Marie...he's telling her, this can ONLY end badly, Steve says. Marie looks at him with a reassuring smile. This is the RIGHT decision, she KNOWS it is, Marie says, patting his leg. But it's a solution to something that's not EVEN a problem, he adds. YET, Marie clarifies. It's not a problem YET, she adds. 'You know how teenagers are. It's only a matter of time before she starts experimenting, and once she does...that'll be IT...we WON'T be able to protect her anymore,' Marie says. Doesn't he WANT to protect her?, Marie asks Steve. That's not fair, of COURSE he wants to protect her, and Marie knows that, but...but not like THIS, Steve says. She's his DAUGHTER for god's sake, he says. 'She's your STEP-daughter, and in this situation, that distinction makes ALL the difference,' Marie says. Steve scoffs, still unconvinced. 'Steve...do you trust me?' Marie asks him. Yes, he trusts her, Steve says quietly. So trust her on THIS, Marie says. He nods wordlessly. It's time, Marie says patiently. He sighs loudly. Jesus Christ, what the hell are they doing?, he wonders aloud quietly. 'Lindsay! Can you come into your room please?' Marie calls to another room.

After a moment, Lindsay (Jaye Summers) walks in. Marie smiles warmly, but Steve still looks serious. Lindsay can obviously tell that something's up. Um...what are they doing in her room? What's wrong?, she asks suspiciously. Marie clears her throat. They have to talk to her, Marie says. Okaaay, Lindsay says, still suspicious. Well, they...they wanted to talk to her about...some changes that are coming, Marie begins. The kinds of changes that they're talking about are...changes that SHE'LL be experiencing, Marie continues. Lindsay laughs. Oh god, are they about to give her THE TALK?!, Lindsay asks with dread. 'I'm 18. I know all about the birds and the bees, so let's just spare us all a whole lot of embarrassment,' Lindsay says good-naturedly.

Yes, they know that she's well aware of how things...work, Marie says. But...Lindsay is a beautiful young woman, and soon...soon--if not ALREADY--she'll have lots of boys chasing after her, Marie says. And these boys only have one thing on their mind, Marie continues. Woah, now they're REALLY freaking her out...what the hell is going on?, Lindsay asks, her alarm bells going off. Well, Lindsay's told her that she's still a virgin, Marie says. But the fact is that she's NOT going to stay a virgin for long, Marie continues. And these...these boys who want to...who want to TAKE that from her...they DON'T have her best interests in mind, Marie says. But as her parents...THEY do, Marie continues. But if Lindsay's going to lose her virginity, Marie wants it to be with someone Lindsay trusts, someone she...loves, Marie says. Marie adds that they just want to protect her, so...'Honey, we want you to lose your virginity...to your father,' Marie says delicately.

Lindsay is disgusted and wants nothing to do with their plan, but through finely crafted fear-mongering, Marie seems to be doing a good job of convincing Lindsay that this is the right thing. O-ok...she'll do it, Lindsay says finally.

CUT TO TITLE

A few minutes later, Steve and Lindsay sit on the bed together. After a few moments of nervous small talk, they lean in and kiss each other. Leading Lindsay through her first sexual experience, Steve eats Lindsay's pussy. As he goes down on her, the camera shifts to the doorway, where Marie can be seen watching the two hook up. She watches as a satisfied smile forms on her face before she moves away from the door.

Later that night, Marie tries to ask Steve how it went, but he is evasive and distracted, not wanting to touch her. Good night, he mumbles, turning out his bedside light. Good night, Marie says, a worried look crossing her face.

A few days later. Marie is passing by the doorway of Lindsay's bedroom with a laundry basket when she hears odd sounds coming from within. She carefully opens the door to the bedroom opening a crack, slowly and soundlessly. Her eyes widen with shock and she almost drops the laundry basket when she sees that Lindsay is sucking Steve's dick. They don't notice Marie watching. Marie looks hurt and shocked, but she can't seem to turn away.

Be careful what you wish for, Marie...

Story inspired by an original submission by Pure Taboo member, GTIlover!

UNFAITHFUL TO ME
CHEATING WIFE GETS CAUGHT FUCKING HUSBAND'S COWORKER

Max (Jason Moody) is down on his luck. The passion in his marriage is gone and he's not sure how to rekindle theflame... until he decides to have a little chat with a handsome coworker of his. Jett (Alex Legend) is a womanizerwho does very well for himself. If anyone knows how to spice things up with the missus, it's Jett.

Max asks for advice, revealing how hard it is to keep his wife happy. No matter what he does, she cheats on him!Jett is sympathetic to his plight, giving Max tips and tricks for pleasing his wife to hopefully keep her interested andloyal. Max soaks it all in and is convinced that Jett just saved his marriage. He's away for the weekend, but as soonas he gets back, he's going to surprise the wife. Maybe now, she'll stop cheating on him...

He excitedly thanks Jett for his help, then hurries away with an extra spring to his steps. Little does he know, assoon as his back is turned, Jett fixes his tie with a slow grin.

That weekend, Jett shows up at Max's house, where his beautiful wife, Rose (Christie Stevens), answers the door.She's immediately taken in by Jett's charms and it isn't long before they hungrily crash together. As they make theirway to the bedroom, they leave a trail of discarded clothes behind them. As soon as they tumble into bed together,they become completely consumed by lust.

Then Max's car pulls into the driveway. When he spots Jett's car in the driveway and clothes on the floor leading tothe bedroom, it's time to finally take matters into his own hands once and for all.

Story inspired by an original submission by Pure Taboo member, IggyEgo!

DADDY'S GOLDEN RULES
DISCIPLINARY DAD MAKES DAUGHTER WET HERSELF
A teen girl, Carrie (April Aniston) quietly sneaks into her house long after her curfew. She thinks she's in the clear until her step-father, Kirk (Mr. Pete) calls out to her from the living room.

Busted.

Carrie has to endure her step-father voicing his resentment about being a step-father. As he begins to tell her off, she starts to squirm, needing to use the bathroom. She's been out all night, after all. However, Kirk isn't about to let her go without her reciting his three golden rules. He does everything for her, so the very least she can do is respect his rules.

She recites the golden rules, desperate to get out of there. Respect her mother and step-father, never bring boys home, and... never be late. But Kirk isn't happy. She's broken two of the three rules, so she knows what that means -- she has to wet herself.

Carrie is shocked -- the LAST time they were in this situation and she wet herself, she thought it was an accident, but it's clear now that Kirk gets off on it!

She begins to storm away, but Kirk threatens to double or triple her chores to make sure she doesn't have any time for fun anymore. Maybe he can tell her mother how bad she's been, too. She wouldn't want to disappoint her mom, would she?

Although Carrie's grossed out, she decides to give into what he wants just to get it over with. Little does she know, this is just the beginning of what he has in store for her. Kirk plans to make sure his daughter NEVER disrespects his golden rules ever again.

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

THE BREEDING POD
MAN CREAMPIES HIS FEMALE CO-WORKER IN POST-APOCALYPTIC INSEMINATION UNIT

Maya Kendrick stirs, only to find herself naked and laying in a transparent pod with Derrick Pierce. Unfazed by her surroundings, she sits up and stretches, working the kinks out of her muscles. It's been awhile since she's last seen Derrick -- how's he been? After a cordial greeting, Derrick admits that he's a bit nervous since he's been having trouble meeting his quota of impregnating women. If he doesn't make his quota...

Maya casually tries to calm him since anxiety is definitely not going to help his performance. They can't afford to kick any man 65 and under out, anyway... or so the rumors say. Yet, Derrick doesn't have time to respond before their unique wristbands alert them that it's time to begin the process. Now there's only one thing on their minds as they crash passionately together.

They enthusiastically have sex until Derrick creampies Maya, filling her with his seed. Yet, much to their dismay, the sophisticated wristbands alert them that the round has been a bust -- Maya's not yet pregnant.

As they dive into a second round, Derrick becomes more anxious as scientists approach and observe them from outside the pod. They watch from behind masks while taking various notes. Derrick knows they're evaluating him, seeing if he's worth keeping in the project. If he ISN'T worth keeping around...

This fear spurs him to keep going, which is what they need right now. When he unloads deep within Maya's pussy a second time, tensions are mounting between them as it's once again a bust. While Maya's losing patience, Derrick has no choice but to keep going.

After the third creampie, they stare at their wristbands with bated breath. If it doesn't take THIS time, this could be the end...

THE STARLET: A CASEY CALVERT STORY
BRATTY HOLLYWOOD ACTRESS LOSES SEX BET WITH STUNTMAN

Emma (Casey Calvert) is a Hollywood starlet that cares only about herself. She further proves this by causing a movie producer grief by being late for training with a stuntman. When she finds out that the stuntman she'll be closely working with is none other than Michael (Derrick Pierce), her ex-boyfriend, her entitled attitude makes her even more difficult to work with.

When Michael arrives at Emma's house for stage combat training, he isn't thrilled to be around her. Not only are they exes, but Emma stole this acting gig from Michael's current girlfriend. Although he tries to be professional, Emma makes it hard for him, acting like a spoiled brat. He's so annoyed with her, especially after she nearly breaks his nose for a 'joke,' that he abandons the session.

Perhaps feeling a LITTLE guilty for what she's done, Emma shows him that she's been practicing when they next meet up for more practice. She's so confident in her abilities that her ego continues to inflate, especially when Michael makes the mistake of complimenting her. She starts rubbing her skills in, getting under Michael's skin as she taunts his own skills -- both professional AND personal.

Finally, Michael's had enough. If he's being made to work with HER, then he wants to make things interesting. He proposes a bet. If she beats him during a mock fight, he'll do whatever she wants. If HE wins, she'll do whatever HE wants.

Emma easily agrees since she's sure she's got this in the bag. But when she finds herself quickly overpowered and pinned beneath Michael's strong body, it's evident that she's lost. When he demands a hate-fuck as his prize, she HAS to honor her end of the deal...

KEEP YOUR FAMILY CLOSE
CHEATING HUSBAND IS CORNERED WHEN ONLINE MISTRESS SHOWS UP ON HIS DOORSTEP

A wife (Chanel Preston) makes her husband (Charles Dera), a nice dinner. She tries striking up a conversation with him but he's too distracted. Little does she know, it's because he's busy staring at a string of messages on his phone from an apparent mistress of his. Annoyed by her husband's lack of caring, her eyes linger on a birthday card from her sister. 'Family's important, isn't it?' she directs to her husband, who once again ignores her, showing that he takes his wife and family for granted.

Unfortunately for HIM, karma's out to get him.

The next day, the husband's world is turned upside down when a teen girl (Whitney Wright) shows up on his doorsteps. She's eerily calm while he is too shocked to do anything but stare at her. Before he can shoo her away, the wife catches sight of the teen and invites her in, thinking she's there selling cookies. The teen comments that there's a misunderstanding... she's not there to sell cookies, she's there to see her dad!

The husband is stuck between a rock and a hard place as the wife gets over her initial shock and invites the teen girl inside, giving her a place to stay now that they're family! While the wife is over the moon with happiness, the husband knows he's screwed as the teen casts him dark, sultry stares when the wife isn't looking.

There's more here than meets the eye, and the husband's troubles are just beginning.

CHARITY CASE
HOMELESS TEEN STALKS FAMILY MAN WHO SHOWED HER KINDNESS

Ben (Will Pounder), a family man, returns home from an outing. He parks in his dark garage and climbs out of his car, chatting with his wife on his phone. Unbeknownst to him, as he says 'I love you' and hangs up, someone is lurking in the shadows.

When he turns on the lights, he's startled to see Cassie (Lisey Sweet) there, dressed in a cap and baggy hoodie. Ben goes on the defensive, thinking that he's being mugged in his own home, but she insists that he knows her. She's Cassie, a homeless teen he's shared sandwiches with before! She was so used to seeing him around when she was on the streets that when he stopped showing up, she panicked. She just wanted to make sure he was okay!

Although Ben's freaked out at first, he assures her that he's perfectly fine. Seeing how shaken she is, he takes pity on Cassie and invites her inside to get washed up. Obviously, she can't stay with him, but he'll do what he can to help her.

Cassie is smitten with him. She's drawn to his kindness, wanting nothing but affection from him, but she doesn't know how to properly show it. She comes on too strong and weirds Ben out, causing him to deny her every advance. Confused and desperate for human contact, she begins undressing, trying to get him to look at her naked skin. Ben is again freaked out, which only confuses Cassie even more. Doesn't he WANT to have sex with her? Otherwise, why would he have been so kind to her?

Ben is appalled -- he's a family man who loves his wife very much! Not every guy wants to take advantage of her. But when Cassie refuses to leave and comes onto him stronger than before, Ben is conflicted. If he gives in this one time, maybe she'll get out of his life and never come back...

DADDY'S SPECIAL HUG
BITTER STEP-DAD CONDITIONS INNOCENT TEEN DAUGHTER TO BE HIS SEX TOY

A sweet teen girl, Katie (Lexi Lore), is sitting on the couch, gazing off and in her own little world. Meanwhile, her step-father, Michael (Derrick Pierce), is at the front door talking to a neighbor. It's Katie's 18th birthday today, so the neighbor brought over some cupcakes! Can he give them to her?

Michael tenses but plays it cool, telling the neighbor that she's not feeling so well today, so... The neighbor hands over the cupcakes and marvels over what a good step-father he is, but doesn't push the issue any further before taking his leave. Now when Michael returns to Katie, who obediently and sensually licks the icing he scooped off the cupcake from his finger, it seems like he's anything but a good step-father.

When they're alone in Katie's bedroom shortly after, Katie expresses that she wishes her mother was there to share the special day with. Michael tenses again, saying he wishes her mother was there, too. She was a wonderful woman and he misses her, but... now he has Katie, who has grown up to be a perfect, beautiful young woman... She's finally ready for his special hug.

Katie, too innocent and trusting of Michael, fails to catch onto the hungry, sexual energy directed towards her. She asks about the special hug and is told that it requires them to be naked, which she doesn't question since she'd been conditioned all her life for this moment. She's more curious than anything, especially once they undress and she sees Michael's cock for the first time.

It's all new to her, but Michael's praise and affection is everything to Katie, and she's willing to do whatever it takes to earn his love.

HOME ALONE
VOYEUR NEIGHBOR PREYS ON TEEN WHILE HER FAMILY'S AWAY

SCENE OPENS with a man, Mr. Rodgers (Mr. Pete), rushing to the front door of his neighbor's house. He has a toolbox in his hand and there's a sense of urgency as a teenage girl, Kat (Maya Kendrick), opens the door and hurries him inside. She was doing dishes in the dishwasher but something went wrong and now there's water everywhere!

Mr. Rodgers quickly gets to work and stops the flow by closing the valve under the sink, though the problem itself is still not entirely fixed. The hose is broken, but he's going to go to the hardware store, anyway, so he'll pick up a hose and replace it for her. He encourages Kat to stoop down and look under the sink with him so that she knows which valve to close in the future if a hose ever breaks again. As she enthusiastically joins him, though, his eyes linger on her tight ass when she's not looking.

Once they're done, Kat thanks him so much for rushing over to help. If he wasn't her next door neighbor, she doesn't know what she would've done, with her parents being out right now! Imagine if something like this happened while she was away at college? Mr. Pete comments that it'll be sad when she leaves... Kat giggles and reflects that she's 18 now -- she can't stay home forever!

As she walks him to the door to see him out, Mr. Rodgers pauses. While he's here, he may as well check the access panel to make sure that the hoses aren't eroding. Usually if one goes, another is right behind. Kat, thankful that he's so thoughtful, agrees and shows him further into the house.

As Mr. Rodgers moves from room to room to find the access panel, Kat starts to get a little suspicious, especially when he looks for it in her bedroom. While he's checking out the closet, she hurriedly tucks some of her personal belongings, including underwear, out of sight. Sure enough, the access panel is in her closet and the hoses do need to be replaced, but he's going to get right on that!

But instead of immediately leaving, Mr. Rodgers instead goes to her window, commenting on the million-dollar view she has. Hey, look, did Kat ever realize that she could see his bedroom window from hers? Kat is uneasy as she looks out the window and sees that, yeah, she can, which means that Mr. Rodgers could just as easily see into HER bedroom as well. She's so embarrassed, nervously asking if he's seen anything...

'I may have seen a thing or two,' he says in a darker tone, his helpful neighbor demeanor completely gone now. Like how Kat lets her boyfriend use the back door, so to speak.

Kat grows more defensive -- they're adults, they can do whatever they want now. Sure, Mr. Rodgers says, though he's known her father for 22 years and he's asked him to keep an eye on her, so that's what he's doing. She's shocked, asking if he's been spying on her. Mr. Rodgers smirks and says, 'Let's just say, I think you should invest in some blinds.'

Kat, barely able to look Mr. Rodgers in the eye, asks him to leave. Mr. Rodgers says he'll leave, of course, but her father will be SO displeased to find out what she and her boyfriend get up to. He even has the footage to prove it.

Kat is freaked out and angry that the neighbor she's known all her life is such a pervert. When he starts coming onto her, she realizes that she's cornered and lashes out at him. It's time to make a decision. If he's going to make her have sex with him in return for his silence, then she's going to do whatever she can to claw back control.

Nominated - Best Non-Sex Performance: Dick Chibbles, XBIZ 2020

MY DAUGHTER, THE WHORE
FATHER WHORES OUT HIS FIRSTBORN DAUGHTER TO PAY OFF HIS DEBTS

SCENE OPENS on a man sitting in a chair in his living room, casually reading a newspaper as the sounds of sex can be heard from an adjacent room. The man, Roger (Dick Chibbles), doesn't seem to pay any mind to the noises. Soon, there is a loud grunt from the man in the other room as he cums. A few moments later, a man exits the adjacent room, closing the door behind him. He zips up his fly as he exits the room.

Hearing him, Roger looks up from his newspaper with a wide grin. Everything was satisfactory?, he asks the other man. Oh yeah, as beautiful as always, but....the man hesitates, before continuing,...she did seem a bit...tired today, he finishes. Oh, she did?, Roger asks, subconsciously gripping the newspaper hard enough to crumple the paper. Yeah, the client replies, not as eager as usual.

Roger politely apologizes, he's so sorry about that, the client can expect a better time on his next visit, Roger says. 'I will PERSONALLY...make sure that this does not happen again,' Roger adds with a tone of menace. The man tells him he appreciates it, and Roger walks him out the door. He waves the man off with a smile and closes the door behind him. As soon as the man has gone, Roger turns around, his smile replaced with a look of fury.

He opens the door of the bedroom to reveal a naked girl, Lucy (Athena Rayne), who is on the bed hugging her knees. She looks exhausted and spent, staring off into space. When Roger comes in, she is startled out of her daze and looks at him. What the fuck Lucy?!, Roger asks angrily, standing over her on the bed. He said she seemed...TIRED?, he continues. That guy is one of their best clients, has really fallen in love with her, so they need to make sure to keep him happy no matter what, Roger continues with barely contained rage. 'I know, I just...I really AM so...SO tired...tired of all of this...he was the third guy today,' Lucy says wearily. 'I don't give a shit if you're tired! You know how serious our situation is,' Roger says. She knows, she just...she can't do this anymore, it needs to stop, Lucy says numbly.

Roger takes a deep breath to steady his anger, closes his eyes for a moment. He sits on the edge of the bed next to Lucy, adopting a more patient caring tone to try to reason with her. 'Lucy... you know what they'll do to me if we don't square things away, right? You don't want me to go away, right? Then it's up to you to fix this.'

Lucy nods along with him, resigned. 'Good, so clean your fucking self up, you look disgusting, and you've got another appointment arriving in a few minutes...and you can't greet a client looking like...this,' he says, gruffly, his tender demeanor instantly vanishing as he waves a hand disgustedly at her. 'I raised you better than that, didn't I?' he adds. Lucy looks up at him with tired eyes. 'Yes Daddy,' she says.

CUT TO TITLE

The doorbell rings and Roger goes to answer it. He smiles as he opens the door to greet his daughter's latest client, John (Tommy Pistol). The client says hello coldly, not smiling. Roger invites him in. So this is his first time here right? Roger asks amiably. Yes, the man says curtly. Ok, so he'll explain the ground rules, Roger says.

Cut to Lucy's room as Roger explains the ground rules, muffled behind the door. Lucy is almost done cleaning up. We watch as she finishes reapplying her makeup in a compact mirror and puts on some sexy lingerie. She looks good and well put-together, but her eyes betray an exhaustion that is soul-deep. She sits down on the edge of the bed and stares off into space.

Cut back to Roger and John. Roger has just finished explaining the ground rules. So does he understand?, Roger asks. The man pauses. Yes, everything's clear, he says quietly. 'Also, I should mention that there are some...activities...I'm interested in that may...not EXACTLY be what she's used to...' John says. 'I'm sure there's something that we can work out,' Roger responds.

Cut back to Lucy in her room, who is still staring blankly, lost in thought. There is a knock on the door, which startles her out of her reverie. She shakes her head, trying to pull herself together. Just one sec, she calls to the person who knocked on the door. Lucy looks in the mirror. She takes a deep breath, and with effort, her blank expression of exhaustion turns to a seductive, flirty expression, as her eyes brighten and she pouts her lips. Where she was weary and spent a few moments ago, she now appears younger, youthful and vibrant: Lucy's game-face is on. She lies down on her stomach on the bed, resting her head in her hands as she smiles up at the door. She kicks her legs absentmindedly behind her in an energetic, innocent way. She tells the visitors to come in.

Roger opens the door and invites John in, introducing him to Lucy. John says hello stiffly. 'You're just in time, I was starting to get lonely,' Lucy says flirtatiously. 'There's been a...change in plans Lucy,' Roger says, closing the door so that the three of them are in the room together. Lucy's eyes widen in horrified shock. 'What are you...?' she asks.

Well, John has asked him to stay...and watch, Roger says casually, without a hint of trepidation in his voice. 'Yes, I love an...audience, and there's really no better audience than a loving father watching his precious daughter get defiled in front of his very eyes,' John says.

Roger coughs to clear his throat, clearly a bit put off by the request but trying his best to keep it hidden. That's not a problem...IS IT, Lucy?, Roger asks in a vaguely threatening tone. Lucy hesitates for the briefest of moments before she buries her horror down deep.

No...of course not, she's up for whatever he wants.

Nominated - Best Actor - Featurette: Lucas Frost, AVN 2020

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

FATHER RECALL
MAN ENTERS INTO SADISTIC MIND TRADE WITH DAUGHTER'S BOYFRIEND

A young man (Lucas Frost) is in a jail cell, bound and disoriented. He has no idea how he got there or what's going to happen to him. All he knows is that it can't be good.

When he's hauled out of the cell, struggling to free himself from his captors, he comes face-to-face with an older man, Mr. Leblanc (Dick Chibbles), and a scientist (Chanel Preston). The young man's eyes widen as he recognizes the older man, although if he thinks Mr. Leblanc is there to help him, he's sorely mistaken. The young man is shown no mercy as he's rendered unconscious.

Mr. Leblanc despises the young man, who is his precious step-daughter's boyfriend, Bill, but instructs the scientist to keep him safe since his daughter would never forgive him otherwise. However, he needs Bill's body to fulfill one of his greatest and darkest desires, which requires trading his mind with Bill's using advanced technology.

Once the process is completed and he's in Bill's body, it's time to get to work...

He arrives back home and greets his beautiful and unsuspecting step-daughter, Lydia (Jaye Summers). She looks every bit like her mother, making Mr. Leblanc's grieving heart ache. He misses his late wife so much... Why does BILL get to know Lydia in those most intimate ways, when HE's the one who spent 18 years raising her on his own?

Lydia is thrilled to see her boyfriend, though that pleasure turns to uncertainty because of how... odd... he's acting. As they get frisky, Mr. Leblanc is unable to keep his story straight as he accidentally lets slip pet names and personal stories that only HE would know. Even despite her reservations, Lydia gives herself to him -- not knowing that she's doing it with her perverted step-father that has been lusting for her all her life.

After tonight, nothing will ever be the same for any of them.

GAPING TRAINING
SUGAR DADDY MAKES HIS TEEN GIRLFRIEND TRAIN FOR ANAL SEX

A teen, Tracy (Lola Fae), walks uncomfortably outdoors towards her sugar daddy boyfriend (Bill Bailey)'s house. Her movements are slow and careful, although once she arrives and is greeted by the older man, he's pleased to see that she's wearing the butt plug, just like he asked. He even removes it to get a good look at the little gape while Tracy squeaks and blushed. He knows it's uncomfortable, especially since it's Tracy's first time, but she wants Daddy's dick, right? Then she has to keep up with the training...

Back at home, while having dinner with her actual father, Tracy's father shows concern for how awkwardly she's holding herself. She tries to insist that there's nothing to worry about and encourages them to just have a nice meal.

That's when her sugar daddy sends a text, demanding to see her pussy. No, better yet, he wants her to send him pictures of her fingering herself under the table. Although she's nervous about being caught, there's a certain thrill there as well as she does what he asks, then sends the picture. Although her real dad almost catches her, she just barely escapes his notice.

Tracy, eager to please her boyfriend, continues to wear butt plugs in her everyday life, even in public. While she's at work as a waitress, she tries her best to concentrate, almost getting caught by a coworker for looking so uncomfortable. Fortunately, she's able to get away from the situation by pretending she has cramps. It's perfect timing since her daddy messages her, demanding to see how she's progressing. She excuses herself and rushes to the bathroom. Once she's there, she takes pictures of her gape and sends them to her daddy.

Finally, her sugar daddy declares that she's ready for the wicked evening he has in store for her.

SWAPPING DAUGHTERS: THE OTHER FAMILY
PARENTS SWAP DAUGHTERS TO USE NEW DAUGHTER FOR SEX

Scene opens on a young girl, Becky (Maya Kendrick), who sits in the back of a car. She looks excited and anxious to get out of the car. The car pulls up to a flawless suburban home with a perfectly manicured lawn. Outside, three people stand. These are the members of the Darling family: husband Doug (Mr. Pete), wife Doris (Dee Williams) and son Davey (Seth Gamble). Becky smiles when she sees them. The three stand in a perfectly straight line and have the same exaggeratingly welcoming smile on their faces. They wave in unison and are all dressed in similarly preppy fashion with matching colored clothing. As the car pulls into the driveway, Becky notices the odd way they're waving and her smile falters for a second as she regards them skeptically. But she seems to push her worries aside immediately and regains her smile. The car pulls to a stop. Becky thanks the driver and hops out excitedly. She must be Becky!, Doug says enthusiastically. Yes, Becky confirms. Doug introduces himself and presents his wife and son. Doug asks Davey to get Becky's bags from the car. Davey goes to get the bags.

Welcome to Canada, they are so happy to have her here!, Doris says brightly. Becky says that she's happy to be here for her cultural exchange, and it's not nearly as cold as her parents said it would be. Yes, people tend to exaggerate about the climate here, says Doug. 'We don't all live in igloos you know!' Doug adds with a laugh. Why doesn't he take Becky's bags upstairs and show her her new room?, Doug suggests to Davey. She arrived just in time for dinner, Doris says. Dinner is every night at six o'clock SHARP, Doug says firmly. 'And no matter what we are doing, we ALWAYS come home for family dinner at six. NO. EXCEPTIONS.' Doris says, with an oddly insistent edge. She'll see that there are many...family rules, but these rules just make them closer as a family, Doris says. 'Isn't that right sweetie?' she asks Davey. Yes Mother!, Davey answers energetically. Becky catches that and laughs nervously. Well, they'd better get Becky's bags upstairs, dinner will be on the table soon!, Doris says. They'll take care of paying for the cab while Davey takes care of Becky, Doug adds.

As Davey walks Becky up the driveway into the house, they chat. Um... is everything as...strict as they just made it sound?, she asks with a nervous chuckle. Yeah, Mom and Dad just like things done a certain...way, Davey says. She'll get used to it, he adds. He thought it was a little weird at first too, he says. He was 15 when his dad married Doris, but it's been four years now and he's totally used to all their little rules, he adds. 'And trust me, once you get used to them, you'll LOVE it here. I know I do,' he says with a chuckle, as his eyes look Becky's body up and down. Becky laughs nervously.

Cut to the dinner table, where the four sit with their meals in front of them. The three Darlings, virtually in unison, fold their napkins and place them onto their laps. Becky looks on, a quizzical expression on her face, but a moment later, follows along, placing her own napkin on her lap. So Davey showed her her new room?, Doug asks. Yes, it's great!, Becky says happily. Before they can continue their conversation, Doris lightly taps her glass with her fork, getting everyone's attention. It's time to say grace!, Doris announces with a smile. The three Darlings join hands, but Becky hesitates. Is there a problem dear?, Doris asks. Um, no, she just...isn't used to saying grace, Becky says, smiling awkwardly. Well, in this family, they give thanks before every meal, because in life, there is so MUCH to be thankful for, Doug says earnestly. And since Becky's a part of this family now, it's important that she takes part in this, Doug adds, again offering his hand for Becky to take.

Becky smiles nervously and takes Doug's hand and with her other, grasps Davey's outstretched hand. Doug begins by saying that they are thankful for the meal that they are about to receive, they are thankful for their health, and...they are very thankful for Becky, the newest member of their family. When he says 'newest member of their family', all three Darlings turn their heads to look at Becky with unblinking grins. Just as when he married Doris and she became Davey's mother, they have formed a new family, Doug continues. 'We are thankful to be blessed with this young woman, who will be taking part in all of our...family traditions,' Doug adds. As Doug is saying this, Davey's fingers begin to rub Becky's palm. Feeling this, her eyes open with mild surprise. She looks at Davey, who stares at her. He slowly licks his lips.

She subtly tries to take her hand out from his but Davey grips her hand harder, preventing her from pulling away. Becky looks towards Doug, who stares back at her with a blank smile. To Becky's growing alarm, Doug licks his lips. Becky looks toward Doris, who is also staring at her and licking her lips hungrily. She looks around in disbelief at the three of them as they stare back at her.

CUT TO TITLE

They begin to eat. Soon, there is a buzzing sound under the table, coming from where Becky is sitting. She takes her cell phone from her pocket, apologizing. 'Davey, didn't you tell Becky about our cell phone rule?' asks Doris, staring angrily at Davey. No Mother, he didn't, he says, hanging his head in shame. Doris turns to Becky, her fury replaced by a manufactured smile and an artificial sweetness. 'Dear, we don't allow cell phones or any other gadgets like that in this house. We don't even own a television or a computer actually. Those kinds of things are nothing but...distractions. And we don't want ANYTHING distracting us from each other, because family...comes first, isn't that right gang?' Doris says, smiling her sickly sweet grin. The Darlings all smile back at her and say that's right.

Oh um ok, well, she'll put her phone away then, Becky says. Oh no dear, she'll have to give her phone to Doug for safekeeping, Doris says with a smile. Becky hesitates. They really want her to give her phone to them?, she asks incredulously. Oh yes, Doris says with a smile. It's for the best, adds Davey with the same smile. But what about emergencies?, Becky asks softly, clearly becoming weirded out. 'Well, aren't you going to be spending all your time with us?' Doris asks. Yes, she sure is, and they'll make sure that NOTHING bad happens to her, Doug adds, putting out his hand for her phone. Becky hesitates for a moment longer and finally, slowly puts her phone into Doug's hand.

Cut to a few days later. The family is in the living room, enjoying a game of charades. The family plays a few rounds. When it is Becky's turn to act out, she acts out the phrase 'rowboat' successfully. The family congratulates her. Despite the weirdness of the first night's dinner, this wholesome family game seems to be helping Becky relax. Next, it is Davey's turn to act out the clue. He looks at the slip of paper and seeing what it is, smiles mischievously. He gets up in front of the couch, and the family watches him. He begins to squeeze imaginary breasts, staring at Becky as he does so. Becky shifts uncomfortably, looking away. Davey's parents don't see anything sexual about it at all and eventually, Doris guesses 'arthritis' enthusiastically, seemingly interpreting his squeezing motion as him stretching his arthritic hands. That turns out to be the correct answer and the Darlings cheer.

Can he PLEASE go again?, Davey asks with a smirk. That was too easy and he wants a real challenge with a harder clue, he adds. Well, they ARE just playing for fun and aren't even keeping score, so she doesn't see why not, Doris says. Super!, Davey says, choosing another slip of paper. He thinks for a second and begins to mime what can only be licking a pussy, flicking his tongue obscenely in the air as he spreads an imaginary pussy with two fingers of each hand. Again, he stares at Becky as he does it. She is getting increasingly uncomfortable and looks to Doug and Doris for assistance. But they are really into the game, still seemingly not noticing the sexual nature of Davey's actions, and don't even look at Becky. Oh wait, he knows this one, he does this ALL the time, Doug says before guessing 'licking an envelope.' The Darlings again celebrate the correct answer while Becky looks on, outwardly disturbed now. After a moment, Davey again pleads with his parents to let him go one more time. Doug is unsure, he tells Davey he should let other people have a turn, but Davey almost begs him and he finally relents. But this is the LAST time, Doug adds firmly. For sure Dad!, Davey says and grabs another slip of paper.

He grins and thinks for a moment. He begins to thrust his hips as if he's fucking. He then mimes a slap, as if he's slapping the ass of the person that he's fucking. Again, he stares at Becky, grinning a lustful grin. Becky looks again at Doug and Doris for help, but they don't pay attention to her. They are just happily guessing, playing the game. This is too much for Becky now. 'Um HELLO?!, don't you see what he's doing?!' she asks Doug and Doris incredulously. Davey stops his actions. What does she mean?, Doug asks Becky. 'He's...he's acting out...you know...sexual things...and...and staring at me,' Becky says. Dear, he's CLEARLY riding a horse, Doug says patiently. Isn't that right Davey?, Doug asks his son. That's EXACTLY right!, Davey says indignantly.

Oh come on, they can't SERIOUSLY believe that!?, Becky says to Doug and Doris. Well, if that IS what happened, it's certainly no cause for fighting, Doris says. 'He just got a little carried away is all, and you can hardly blame him. He's a competitive boy, that one!' Doris adds with a little laugh. Oh what does it matter anyway, Mom?!, Davey asks. She's going to find out soon enough what's REALLY going on,' Davey adds, a mean-spirited smile on his face. 'David Darling, don't you say ANOTHER WORD. Go to your room, young man,' Doug says instantly. Davey huffs off.

Becky is puzzled and feeling very uncomfortable. Um, what was Davey talking about when he said 'what's really going on'?, Becky asks cautiously. Oh nothing Becky, she knows how boys his age like to joke around, Doug plays it off. Is he sure about that?, it didn't really seem like a joke, Becky probes skeptically. Doug and Doris exchange a conspiratorial glance between them. Becky sees this glance. 'Please, just tell me, you're freaking me out,' she says. Well, they were going to wait until she was fully settled in to tell her, but now Davey's gone and spoiled that, so they may as well explain, Doris says. Is she sure Becky can handle it?, Doug asks Doris. 'Well, I guess we're just going to have to have a little faith in her', Doris says, running a hand through Becky's hair. Becky recoils slightly. This is starting to scare her, can they just tell her what's going on?!, Becky pleads.

Okay honey, she'll do her best to explain it, Doris begins. Well, her husband, like many men, like many...fathers, has certain...urges, certain...proclivities, Doris continues. And as part of dealing with these urges, Doris and Doug are members of an online group, a...support group of sorts, where other fathers with the same tastes can...help each other, Doris continues. What kind of...urges is she talking about?, Becky asks fearfully. Let's call them...appetites, Doug offers. His...appetites are---well, most people would frown upon these kinds of appetites, since they involve...his daughter, Doug continues.

Hearing this, Becky's eyes go wide. 'Your daughter...wh-what did you do to your daughter??, Becky asks fearfully. Oh don't worry, she's absolutely fine and completely safe, Doris explains soothingly. Becky, these urges that they're talking about are perfectly natural, Doris says, smiling sweetly. But Doug would NEVER act on these urges with their own daughter, Doris continues. 'Which is why we made an...arrangement with your parents,' Doug continues.

What the fuck is he talking about?, Becky asks with horror. They made an arrangement that when each of their daughters turned 18, they would...perform an exchange, so that each family could...satisfy their unique appetites, Doug says. 'S-stop, I don't want to hear any more of this! You guys are a bunch of sick fucks and I'm getting the hell out of here, I'm going home to my parents,' Becky says angrily. 'Give me my phone NOW!' she practically yells at them.

He's afraid that's not possible, Doug says. Her phone is in a safe place, but he can't give it to her, he adds. 'Those are the rules of the house, young lady, and as long as you're part of this family, you WILL obey those rules,' Doug says firmly. 'I'm NOT part of your fucking family, asshole!' Becky fires back. 'Becky, that's no way to talk to your father!' Doris scolds Becky. 'My FATHER?!' Becky asks in disbelief. 'You guys are NUTS, I am fucking LEAVING,' Becky adds, moving to exit the house.

Where does she plan on going at this time of night?, Doug asks. Where she goes is none of his business, she's going to call a cab and get out of here, Becky says indignantly. With what money?, asks Doug. What is THAT supposed to mean?!, Becky asks. 'Well, sweetheart, your bank accounts and credit cards have all been canceled, of course,' Doris says with sickening sweetness. What?, Becky asks with disbelief. 'Those people who you used to call your 'parents'? Well, they don't want you anymore sweetie. Don't you see?' Doris says. 'You're OUR daughter now,' Doug says, smiling. No!, Becky screams, running away in horror. We hear a door slam. Sounds like she went up to her room, Doug says to Doris. Yes, let's let her rest, it's been a tough night, Doris says. Yes it has, and they should get some shut-eye too.

Cut to later that night. From the hallway, we see Becky's bedroom door opening quietly. Becky pokes her head out, looking up and down the hall. It is dimly lit and quiet. Everyone seems to be in bed. She sneaks out of her room, careful not to make any noise. She creeps into the living room, constantly looking over her shoulder to see if anyone has heard her. She is very nervous. She begins to quietly look through the drawers of a cabinet that is in the living room. She doesn't find what she's looking for and seems to be getting increasingly frantic as she goes through drawer after drawer.

'Are you looking for this?' Doug suddenly says, making Becky jump in surprise. He emerges from the shadows of the hallway, holding Becky's cell phone in his hand. Becky's jaw drops and she says nothing. Take it, Doug says, offering the cell phone to her. She narrows her eyes suspiciously. 'No tricks, just take it and call your parents, then you can finally understand and maybe might calm down a little,' he says.

She thinks for a moment before approaching Doug, quickly snatching the phone from his hand. He sits on the couch patiently. She frantically dials a number. No answer. She dials it again and again, but still nothing.

'Do you understand now Becky?' Doug asks from the couch. She's stunned.

They didn't answer, did they?, Doris says, emerging from the hallway. Becky is startled by her sudden arrival. No, Doris knows they didn't, and that's because her old life is over, Doris continues, sitting next to her husband on the couch. 'Your new life is here Becky, and you need to accept that,' Doug says. Please, come and sit down, Doug says, patting the couch next to him.

Becky seems almost broken by her parents' rejection and sits down heavily without protest. As part of her new life as a family, as they've told her, there are certain rules, and one of those rules, is that they need to have...family time, Doris says as Doug begins to lightly play with Becky's hair. And family time means being together...as a family....in EVERY way, Doug says, laying his hand on Becky's lap.

At this, Becky snaps out of her daze. No, no, she won't be part of their disgusting games, she says, though she doesn't seem to muster up as much energy. She's going to leave, and call the police, she says, as she begins to dial on her phone. And what exactly is she going to tell them?, Doris says. No one has done ANYTHING wrong, Doris continues. And she's so far from home, with no money...and no home to go back to, Doug says.

At that moment, Davey walks in, rubbing his eyes groggily. What's going on?, he asks. Oh, they're sorry for the noise, they're just having a family...meeting, Doris says. Ooh, he LOVES 'family meetings', Davey smiles naughtily, shooting a glance at Becky as he pokes his tongue crudely in the corner of his cheek in a classic 'giving a blowjob' gesture.

His parents seem to ignore it and Becky looks away in disgust. 'We were just telling your new sister that she has nowhere to go, so she might as well start following the house rules,' Doug tells Davey. Dad's right, and believe him, the house rules aren't so bad at all, Davey says. 'When I became his mother, Davey had some...difficulties, but eventually he got into the swing of things, isn't that right sweetie?' Doris asks Davey. That's right, Davey grins, licking his lips as he looks at Doris. 'And when I finally had a taste of Mom's goodies, I couldn't BELIEVE what I had been missing,' Davey adds, leering now.

Becky looks appalled. 'You can act all doom and gloom if you'd like Becky, but I for one, think this is cause for celebration. After all, it's not every day that we get to welcome a new member into our family! And what better way to celebrate than with some quality family time together!' Doris says brightly. Ok?, Doris asks Becky pointedly. OK BECKY?, Doris asks, a hint of threat creeping into her voice. Okay, Becky says softly. 'That's wonderful! So why don't come over here and give your mother a kiss?' Doris asks Becky.

DUTY CALLS
TEEN CHEATS ON BOYFRIEND WITH HIS BROTHER WHILE LYING TO BOYFRIEND ON THE PHONE

A teen girl, Carmen (Ember Snow), is crying when Brett (Johnny Goodluck), her boyfriend's brother, returns home. Brett seems to take an interest in her, almost like a predator sniffing out prey, as he sees how vulnerable she looks. He learns that Carmen and his brother got into a huge fight about her jealousy and insecurity towards other girls, and he stormed out. She's been crying her eyes out the past few minutes until Brett got home.

Brett sees an opportunity to wreak some havoc and have a bit of fun. He starts acting sweet and consoles Carmen, sympathizing with her and telling her his brother is an asshole. He asks how old she is and when she tells him she's 18, he tells her that because of being older, he knows more about how these things work. He tells her she needs to move on, not just because she deserves better but also because he lies that it sounds pretty clear his brother broke up with her. This upsets Carmen even more.

Brett tries to convince Carmen to have sex to get back at her boyfriend. Carmen doesn't want to, she still thinks her boyfriend loves her, so Brett plays to her insecurities and asks how she's sure his brother HASN'T been sleeping around with other girls?

Brett sees Carmen is starting to doubt and puts on the pressure - wouldn't it really make his brother jealous if SHE had sex with another guy? Someone like... him? Carmen is still reluctant, but all of her doubts and anger and frustration fuel her decision and she finally leans towards Brett, kissing him intensely. He slowly moves his hand between her legs and rubs her pussy as she gasps.

Carmen thinks she's getting the ultimate payback, but what she's really doing is EXACTLY what Brett wants her to do.

SUBSTITUTE WIFE
MAN REQUESTS ESCORT TO ROLEPLAY COMATOSE WIFE AS SHE LIES NEARBY DURING SEX

SCENE OPENS on a close-up of unseen hands finishing putting a dress on a woman (Chanel Preston) on a bed, zipping it up and smoothing out the wrinkles. The hands clasp a bracelet to her wrist before applying lipstick tenderly to her lips. The woman never moves. We don't see her eyes.

We cut to a POV shot from the bed, looking up at the man (Tommy Pistol) who is preparing the woman. He has his arms crossed over his chest and looks down at her, appraising his work. He thinks for a moment. Deciding something, he exits offscreen for a beat. He returns with high heel shoes. We cut away to a close up of him slipping the shoes onto her feet and cut back to the POV shot from the bed. He reappraises his work after the update. He seems pleased and smiles.

'I hope you can hear me, honey.' the man says sweetly as he sits down on the bed next to her and takes her hand in his. After a beat of silence, he says 'No, I KNOW you can hear me. I just wanted to say...I realize that...that things haven't been...all that great between us ever since your...accident and I...I could tell you a THOUSAND times how sorry I am, but I know it wouldn't change what happened. All we can do is move...forward. And I want SO badly to do that. I'm committed to making this work, I'm committed to being...BETTER, committed to... getting us through this.' After another moment of silence, as he gazes at the woman in bed his eyes mist up with emotion. He reaches out and brushes her hair a bit back out of her face.

'I understand...that this...that this hasn't be an easy...TRANSITION for you and I..I WISH things could be different, but if this is the only way we can be together, to me it's better than nothing,' he continues. A moment of strained silence follows. 'But let's not focus on negativity, let's concentrate on tonight. I'm going to make this such a special night for you honey. You deserve it,' he says, smiling. 'I love you...so much,' he adds sincerely. The doorbell rings. He gets up to leave the room. 'That must be her,' he says with an expectant smile.

CUT TO TITLE

He opens the front door to find Amanda (Gianna Dior) standing there, a tight dress clinging to her body as she twirls a small clutch on her fingers. Hi there, she says enticingly. Oh uh, hello, the man says nervously, smiling politely at his guest. Please...please, come in, he says, gesturing her inside. She walks in confidently and he closes the door behind her. 'You look very beautiful tonight. Thank you for...wearing the dress I requested,' he says. She does a little twirl. No problem, it's his night after all, plus...the dress is definitely her color anyway, she laughs. There is a moment of awkward silence.

She glances around the house. Nice place, she says, trying to fill the silence. Oh thank you, he says nervously. Does he live in this big house ALL ALONE?, she asks playfully. Not...exactly, he responds, fidgeting anxiously. Amanda sees his obvious jitters. 'Oh baby, you don't need to be nervous, we're both consenting adults, relax! I'll take good care of you,' Amanda says soothingly, tracing her hand along his arm. He apologizes for being nervous, it's just been... a long time and he wants everything to be...perfect. She completely understands, Amanda says agreeably. He asks her if it's ok if he calls her Bonnie. He can call her whatever he wants, baby, Amanda says. 'And what's your name sweetie?' she asks him. Ron, he says shyly, clearing his throat. So...why don't they...go to the bedroom?, he asks. She thought he'd never ask, Amanda says flirtatiously. He leads her to the bedroom.

When they get to the bedroom door, he pauses. Now, before they go into the bedroom, he needs to prepare her, he says. His wife is...in there, he continues. Oh, baby, she didn't know it was going to be a threesome, Amanda says. 'No, no, she's not...exactly...it will...maybe it's easier if I just show you,' he says, opening the door slowly.

As the door creaks open, the form of an inert woman lying on the bed is revealed. It is the woman that the man was dressing earlier. Seeing this, Amanda becomes instantly wary. Um she's not sure exactly what's going on here...but she should probably go, Amanda says, moving away from the room. 'No no please...wait, it's not what you think. She's perfectly fine. Well, not fine exactly. She's...in a coma,' Ron says sadly. Oh, Amanda says softly. 'I'm...I'm sorry,' she says.

'I am too,' he says, looking in at his wife longingly. 'It's been a while since her...accident, but I'm still not used to...not REALLY having her around...to not having that...intimacy with her,' he continues. Amanda's worry has been replaced with pity for this lonely man and she looks at him sympathetically. 'I want SO BADLY to be close to her again. That's why I called you here tonight, so you could...HELP us be close again, so you could---just for tonight---BE my Bonnie,' he continues.

Amanda thinks for a moment. Oh sweetie, he could have just said that over the phone, he really freaked her out there for a second, yeah...OF COURSE she can do that for him, Amanda says kindly. He smiles with relief. Thank you, he says softly. 'That means so much to me...to...US', he says, gesturing towards Bonnie. Amanda smiles back at him.

So...why doesn't she come in?, he asks, waving her into the bedroom. His side of the bed is waiting for them..., he adds. This stops Amanda in her tracks. Her smile vanishes, her wariness returning. 'Wait, you want me to...right next to her...?' Amanda asks in disbelief. Yes, it will help him to feel closer to Bonnie by actually BEING close to her, he explains. Oh..um..wow, Amanda says quietly, shocked. She understands, but...her services don't usually include this sort of...thing, she tells Ron. Maybe it's best if he calls someone else, Amanda says delicately, again moving to leave.

He puts his hand lightly on her arm to try to stop her. 'PLEASE, please...don't go, I just...I miss her SO much. Will you please...will you...pretend to be...my wife?' he asks pleadingly. Amanda looks back at the man, glancing over his shoulder at his comatose wife. She is clearly weighing her options, considering his request. He looks at her expectantly. Finally, she takes a deep breath. Ok, she'll do it, Amanda says. Relief washes over the man again. Thank you, he says quietly. He moves towards the bed, smiles down at his wife and kisses her softly on the forehead. Amanda looks on uncomfortably. He crosses over to his empty side of the bed and sits down. Please, please, he says, motioning her to sit next to him. He smiles encouragingly.

Amanda, still a little uncomfortable, hesitates for a second, but her professionalism quickly takes over and she assumes her role, sitting next to Ron as Bonnie lies on her side behind them. Amanda shoots a quick, cautious glance over her shoulder at Bonnie before devoting her attention fully to the man, laying her hand on his leg and smiling seductively at him. He smiles back, brushing a hair from his face. 'You look so beautiful, honey. I've...I've missed you so much,' he says to Amanda. 'I missed you too, Ron,' Amanda says, moving in to kiss him. Their kiss quickly becomes passionate as she moves her hand towards his groin, caressing his package over his pants.

As he kisses her neck, Amanda can't help but glance over his shoulder at Bonnie. Bonnie still lies on her back looking straight up with her eyes closed, but it's as if Amanda can feel her watching her.

THE PRODIGAL DAUGHTER
IMPOSTER POSES AS COUPLE'S LONG-LOST DAUGHTER TO FULFILL TWISTED DESIRES

SCENE OPENS on Bryce (Derrick Pierce), Kim (Dee Williams), Darryl (Brock Slayden), and Rhonda (Venice Rose), all waiting anxiously in a living room. Bryce and Kim are excited and nervous. Kim says she can't believe this is happening after all this time! Bryce kisses his wife's forehead lovingly. He says that he can't believe it either -- their little girl is coming back to them! They have a second chance to be a family -- it's almost too good to be true.

'It IS too good to be true,' Bryce's brother, Darryl, speaks up. His expression is suspicious. His wife, Rhonda, is standing nearby and looking worried as well. 'SOMEONE has to be the voice of reason, so it may as well be your brother. Your little girl went missing 12 years ago. No one turned up ANYTHING! Not the cops, not the FBI -- NO ONE. And now Scarlett suddenly pops up out of nowhere?' Darryl states. At that moment, the doorbell rings, and Bryce and Kim answer it excitedly. A teen, Scarlett (Jane Wilde), waits on their doorstep with a police officer, announcing that she's the daughter they've been looking for.

As they greet each other, Scarlett avoids talking about her past, though her parents don't seem to find it suspicious. Darryl and Rhonda are even more suspicious of Scarlett, and she seems to recognize that they are a threat to her plan. Kim says that she'll show Scarlett to her room. 'That'd be great... Mom,' she says. Yet, as they head off, Scarlett gives one more cautious look back to Darryl and Rhonda.

When Kim and Scarlett leave the room, Bryce gets even angrier at Darryl when Darryl tries to warn him again. Exasperated that he's not getting through to his brother, Darryl and Rhonda leave the house.

A week later, Bryce returns home from work and overhears Scarlett having a suspicious conversation that signals she may not be who she seems. Scarlett hears him listening at her door, asking if there's anybody there? Bryce makes himself known by opening the door and acting like nothing is wrong. She lies and tells him that she was napping. Bryce knows that isn't the truth, so he looks a bit taken aback as he tries to recover. He says that she should wash up because when Mom gets home shortly, they're going to go out for dinner.

Scarlett starts to double-down on her deception, trying to resort to sexuality to find out what Bryce knows, but their confrontation is interrupted by Kim coming home. 'Ahh, that's your mother. I'll leave you to get ready for dinner,' he says as he leaves the bedroom. As he slips out, Scarlett's expression becomes worried and dark.

Downstairs, Bryce quietly talks to Kim, sharing that he's worried something is amiss with Scarlett. Kim looks more anxious now, asking if he thinks Darryl and Rhonda are right? 'Right about what?' Scarlett suddenly speaks up, appearing behind them. She's still trying to look innocent, but there's something more sinister about her now as she approaches them. 'You ARE our precious Scarlett, aren't you?' Kim asks, her voice trembling as she grips Bryce more tightly.

She hugs herself, putting on a show, and says that when she was six and on a playground, she was... taken away by a man and woman. They claimed they were friends of Bryce and Kim's, and that they were there to take her home. But... they never took her home. She'd repressed it for many years but then started to wonder when she was a teen where she came from. Then, just after she turned 18, she finally found a story in an old newspaper at the local library about a missing child. When she saw the picture, she knew it was HER. That's how she got Bryce and Kim's names, and, well, here she is, after all this time...

Bryce questions what Scarlett was wearing the day she went missing. Scarlett accurately describes the clothes that were mentioned in articles about the missing child. But Kim asks more specifically about a necklace, which Scarlett stumbles over. Faced with no other choice, Scarlett finally admits that she's not their real daughter. Kim chokes back a sob and Bryce shouts at Scarlett to get the fuck out of their house before they call the cops! Scarlett is unmoved and unafraid, saying that wasn't the past week the best week of their lives? 'That was when we thought you were our child! Our flesh and blood!' Kim cries.

Scarlett continues to manipulate them, trying to get them to accept them as their daughter to live out their fantasy of having a real family. She's more than happy to keep this up and build a life with them, although it'd be nice if there were some... extra perks... with the arrangement as well. As she says this, she traces a finger along Bryce's arm, looking at them with more seductive eyes. They're very beautiful people -- it's a shame she never got their genes. Bryce and Kim are horrified and reject Scarlett. She presses on, breaking them down by threatening to lie to the police and tell them that Bryce and Kim were the ones who kidnapped her and were keeping her locked in their basement for all these years.

Bryce and Kim seems to be breaking down now, at a loss for what to do. Scarlett takes this time to feel them up a little, though she works it into a hug, squeezing them close. 'So, what will it be?' Bryce and Kim look at each other, broken. Kim swallows hard and nods briefly. Scarlett looks pleased and says that they made the choice, so now it's time to seal the deal with a little something extra. A little fucking around in exchange for their family name to be carried on for generations to come? That's nothing, right?

It might feel wrong at first, but Mommy and Daddy will learn to like fucking their prodigal daughter soon enough!

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

'Anytime your boss tells you yes or no, you have to respect their decision.'
-Unknown

THE SECRETARY

We open with the secretary (Jill Kassidy) laying on the floor with her ass up, looking sexy in her white blouse, pencil skirt, and high heels. Her fingers glide along the keys of the typewriter as she types 'YES BOSS' over and over again. In the background, her boss (Derrick Pierce) watches from his desk, hungrily admiring the view.

Once the secretary is done, she brings her boss the sheet of paper, eager for his praise. The boss calmly uncaps his pen and corrects her work. He's dissatisfied, handing her back the paper and telling her, 'Again.'

The secretary grins to herself as she hurries off.

CUT TO the secretary returning with another sheet of paper, with the handwritten words 'PLEASE BOSS' scrawled across. When the phone rings, the boss orders her to answer it while laying across his desk. As she obediently does so, he corrects her work by holding the paper against her ass. After she hangs up, he gives her the corrected paper, ordering, 'Again.'

The secretary's almost giddy at his stern tone, biting her bottom lip as she clutches the paper close to her chest.

CUT TO the secretary knocking on the boss' door. Once she's allowed in, she folds the sheet of paper and holds it in her mouth while getting down on all fours. She slowly crawls to her boss' desk, acting submissive as he stands tall before her. When he takes the paper from her mouth, we see the words 'FUCK ME BOSS, PLEASE!!' written in large, desperate letters.

Finally satisfied with her work, the secretary's wildest fantasy is about to come true as her boss orders her to bend over his desk.

'Do I go out of my way to help others?
Am I sincere in what I say and do?
Have I a good memory for names and faces?
Can I put people at their ease?
Can I take care of all my boss' needs?
Then, one day, I will be a good secretary.'

BIOGRAPHY OF A VIRGIN
OBSESSED TEACHER DEVELOPS DARK FIXATION ON VIRGIN STUDENT

Mr. Davies (Michael Vegas) is burning the midnight oil as he grades papers in his home office. He's down to the last one for the night, thankfully, although once he starts reading it, time seems to slow down.

The essay is about a girl (Carolina Sweets) owning the fact that she's an 18-year old virgin. Betty's proud, recognizing that her virginity is a special gift -- she doesn't want to give it away to just anyone...

Mr. Davies fixates on the student, hearing her utter, 'I'm a virgin,' in his head over and over again, slowly driving him mad with lust. It's like she's calling to him to be that special someone to make her complete...

The next day, he invites Betty over to discuss the essay and how beautifully it was written. Betty is naive about everything, though is happy to be in the presence of a teacher she admires. Yet, when Mr. Davies starts paying her more compliments than she's used to, she grows suspicious of his true intentions.

Finally, Mr. Davies asks if she feels it, too? The connection between them? When he read her essay, it was as though it was specifically written for HIM -- as if she was asking HIM to have the honor of taking her virginity.

Betty is shocked, exclaiming that that's not what she was implying at all, but Mr. Davies has power over her. If she doesn't give herself to him, he might stop her from graduating school or getting accepted into good colleges. He could end all her dreams with just one report card...

To save face, she submits to Mr. Davies' twisted delusion, willing to give up her virginity in order to prevent him from taking EVERYTHING from her.

Winner - Best Actor - Featurette: Tommy Pistol, AVN 2020

Winner - Best Actor -- Taboo-Themed Release: Tommy Pistol, XBIZ 2020

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

Nominated - Best Sex Scene -- Taboo-Themed: Whitney Wright & Tommy Pistol, XBIZ 2020

THE AURA DOLL
WOMAN AGREES TO HAVE THREESOME SEX WITH MAN AND SILICONE LOVE DOLL

SCENE opens on the outdoor patio of a quiet café. Becca (Whitney Wright), a mild-mannered college student, sits quietly reading when her friend arrives with a pair of coffees. Putting her book aside, they hug and sit down to catch up, sipping their beverages and small talking about life and their plans for the next semester. Becca's phone suddenly buzzes. It's a notification from a dating site she's subscribed to, telling her she's got a new match. Becca looks embarrassed, but her friend encourages her to swipe and check out the man's profile. After all, she did say she wanted to get out more after her breakup, right? Becca nods. The man is handsome, older, and has messaged her, asking if she would be interested in a threesome with him and his girlfriend. The thought of this makes Becca blush but her friend encourages her to write back. 'That app is vetted, I use it all the time!' she says. 'What's the worst that's going to happen? You have a funny story to tell?' Becca bites her lip and asks for reassurance. Should she should really write him back? The friend nods. 'Totally,' she says, sipping her coffee as the camera pans down Becca's unsure face to the profile she is staring at.

CUT TO TITLE PLATE

Becca stands in the bathroom mirror, in her bra and panties. She is staring at herself, trying to psych herself up for her date when her phone buzzes again. The man she met on the app, Robert, has texted her directly. 'We can't wait to meet you tonight!' She bites her lip before turning back to stare at herself in the mirror. A slight smirk crosses her face. She's excited.

Cut to Robert's house. Becca knocks and nervously straightens herself out, when Robert (Tommy Pistol) opens the door. He is calm and inviting, exclaiming how breathtakingly beautiful she is and extending his hand to lead her inside. The living room has been set up with candles and wine, which he offers, and she accepts. They small talk for a few minutes, mostly about how nervous and excited they both are. It's their first time doing this. Becca is very charmed by the mild-mannered man and even allows herself to get closer to him, as they both start to gear up for their hookup together. But someone is missing. She casually asks Robert where his girlfriend is. 'Oh, she's just in the next room,' he says confidently. 'We were putting the finishing touches on dinner. Would you like to meet her?' Becca nods and they stand up to walk in the other room, where a full dinner has been laid out on a nicely decorated dining table.

A woman sits frozen at the end of the table, her back to Becca. Robert starts to rant about the lovely meal they have prepared and how excited his girlfriend, Harper, is about their night together while Becca stares at the woman's backside. A chill runs down her spine. Why isn't the woman moving? She slowly turns to look at the man whose hand is now grazing her back. 'Robert....?' She begins to say when, nervously, the man pulls Becca into the room fully to introduce Harper. A silicone love doll, dressed neatly in a party dress, has been propped up in a chair waiting for them. Becca's eyes go wide, and her mouth drops open in shock, as she backs away from the table and the man's grasp. 'What is wrong with you?' She gasps, grabbing her bag while he chases after her.

Robert pleads with her to stop, to listen to him, to listen to them. Yes, it is an unconventional relationship, but his love for Harper goes far beyond just a toy. Since his actual wife died years ago, she has been his only true source of comfort. The only woman who wouldn't reject him. It was her attention and affection that helped him gain the confidence to start dating again. To try the app. It was her loyalty that made him feel like a whole person again. Couldn't she please just try to be understanding? She seemed so open-minded while they were chatting. Harper isn't just a doll, she is a real woman, just one made of silicone. If she would only stay and try it, she might even enjoy the experience. As Robert rambles on, Becca backs up to the door, her mind racing. She is able to stammer 'No thank you. I'm not interested. Please don't contact me again!' before running off into the night.

That night, as Becca lies in bed, she dreams that Harper is lying beside her. In her dream, she begins to caress and kiss the silicone woman's body as the camera cuts back and forth between her fantasy and her tossing in her bed. Finally, she opens her eyes to find herself alone and breathing heavily.

The next day, Becca sits beside her bed, distracted. She keeps picking up the phone but there has been no contact from Robert. She stares at his profile longingly, wishing she could see Harper's face too.

Later that evening, Becca lays on her bed, looking at her laptop. She searches 'silicone woman' and pulls up a website called AuraDolls.com. Scrolling through it, she discovers the Harper model and stares at it. She can't help but be turned on by the thought of being with her. She knows what she needs to do. She closes the laptop and, grabbing her purse, leaves the apartment.

Robert sits in his bedroom, quietly reading beside Harper, when he hears someone slam the front door and run up his stairs. Nervously, he gets out of bed to confront them when Becca appears in his bedroom doorway. She is frazzled and full of adrenaline. 'Becca! How did you get in here?' He asks, confused. She walks up and kisses him boldly on the mouth. 'I let myself in, I hope you don't mind.' She whispers. It's the first time a real woman has kissed him in years and Robert melts at her touch. She looks at the doll sitting in the bed. 'I want to try it,' she whispers in his ear. Robert starts to tear up, as he looks at the two women in his bedroom. He takes Becca's hand and pulls back the cover to his bed to invite her in.

Tentatively, Becca begins to caress Harper's face, asking Robert if she can kiss Harper. Robert hops onto the bed and puts his arm around Harper, telling Becca that she's very affectionate. Becca climbs up onto the bed and moves towards Harper. She confesses to Robert that she's very nervous, but he reassures her, telling her that there's nothing to be nervous about. Becca can treat her like a real person. Becca delicately kisses Harper's soft lips before turning her attention to Robert and kissing him. Soon the two pull away from each other and slowly peel the negligee off of Harper's chest. Robert leads Becca in caressing Harper's full breasts as Becca gasps. Robert takes off Becca's shirt as she lays down next to Harper. Slipping off the rest of Becca's clothes, Robert trails kisses down her thighs, lightly tonguing her clit before spreading Harper's legs and licking her pussy. Alternating between Harper and Becca, Robert eats both of them out hungrily.

Becca may have been hesitant at first, but now that she's gotten to know Harper, can she ever live without the Aura Doll again?