Latest 'Hardcore' updates from Pornstar Scenes (Page 148)

BREAKING THE VOW
Serial Cheating Husband Lures Online Hookup Into Lewd Sex Acts

A beautiful, young woman, Vanessa (Keira Croft), is preparing for a date night. She's texting back and forth with a man named Tony (Steve Holmes), who she'll soon be meeting up with. She seems eager to please, changing her appearance based on what he's expressed that he likes. He likes the red lingerie she wore in a profile picture, so she changes from black to red... He normally prefers brunettes, so she dyes her hair from blonde to brown...

Then it's time for the date.

When Vanessa arrives, one of the first things she learns is that Tony is married. Although she's uncomfortable with the hookup now, Tony assures her that everything is fine and that there's nothing to worry about! Sure, his wife doesn't know about his cheating ways, but she doesn't need to! He gives her everything she needs, so he doesn't feel guilty getting what HE needs on the side as well. He needs to fuck -- and fuck a lot! He also craves variety, needing things to be kinkier than his sweet wife can handle.

Although Vanessa is still shy and uncertain, Tony eventually convinces her to go ahead with the fun they had planned. Yet, Tony has no idea that Vanessa is soon going to give him the surprise of his life...

WATCHING YOU
YOUNG WOMAN BECOMES PARANOID SHE'S BEING STALKED THROUGH HER COMPUTER

Jessie (Avi Love) is a young woman looking to rebuild her life after her boyfriend, Ashton (Mike Mancini) cheated on her. To start off on the right foot, she gets her laptop wiped so that she NEVER has to see anything reminding her of that asshole ever again. Yet, as soon as she returns home, her ex is waiting for her, confronting her in a heated argument. 'You'll regret this!' he threatens as she slams the door in his face. She may be rattled now, but she's sure there are brighter days ahead of her.

Although she's hoping for a fresh start, Jessie's past quickly comes back to haunt her. First, her friend informs her that someone's hacked her social media and posted a raunchy update, claiming that she's looking for guys to fuck. Then she receives an unsolicited dick pic from an unknown number. Finally, her laptop camera keeps turning on and off as if someone's watching her...

Terrified, she calls Ashton, begging him to leave her alone, although he insists that it's not him and that she's just crazy. Exhausted and confused, Jessie's almost at her breaking point. When she catches sight of a suspicious vehicle parked in front of her home, she just KNOWS that whoever is in that car is responsible for all of this.

As Jessie grabs a baseball bat, she storms into the street, ready to settle this once and for all. Little does she know, the worst is yet to come as she comes face-to-face with her stalker.

MIDDLE OF NOWHERE
FEMALE HITCHHIKER IS MADE TO PLEASURE BACKWOODS BROTHERS IN EXCHANGE FOR RIDE

A young woman, Tania (Zoey Monroe), is walking down a deserted road, looking worried and tired. Her phone isn't working and no one has driven by in what feels like forever. However, when gets scared away from the road by a coyote howl, she returns just in time to see the taillights of a car as it zooms past. She's sure that she's missed her chance at a timely rescue, though her prayers are answered when a second vehicle stops for her not long after.

When she approaches the car, the two men inside unsettle her. There's something about the way they look at her and talk to each other that creeps her out. Yet, she can't afford to turn down help, so she agrees to hitch a ride with them. Billy (Seth Gamble) and Willy (Jake Adams) are... odd... to say the least. Her nervousness intensifies when the brothers insist that they need to run an errand at their mother's house first, then they'll get Tania back on the road where she wants to be. Although Tania wants to protest, she doesn't have a choice. She's in the middle of nowhere and has to rely on the weird brothers to take care of her.

Once they arrive at the house, it becomes painfully obvious that they've brought her back to fuck her -- together. They'll take her to where she needs to go IF she lets them have a little fun with her. It's her choice, though... she can fuck them or she can start walking out there in the middle of the night. Who knows what's lurking in the dark?

Although Tania hesitates at first, she gives in, not wanting to take her chances out there. 'Fine, but you better make it quick,' she states as the brothers slowly grin.

CAREFUL WHAT YOU WISH FOR
OVERPROTECTIVE MOM CONVINCES DAUGHTER TO LOSE VIRGINITY TO STEPFATHER

Marie (Silvia Saige) and her husband Steve (Eric Masterson) sit on the bed in their daughter's room. Don't do this Marie...he's telling her, this can ONLY end badly, Steve says. Marie looks at him with a reassuring smile. This is the RIGHT decision, she KNOWS it is, Marie says, patting his leg. But it's a solution to something that's not EVEN a problem, he adds. YET, Marie clarifies. It's not a problem YET, she adds. 'You know how teenagers are. It's only a matter of time before she starts experimenting, and once she does...that'll be IT...we WON'T be able to protect her anymore,' Marie says. Doesn't he WANT to protect her?, Marie asks Steve. That's not fair, of COURSE he wants to protect her, and Marie knows that, but...but not like THIS, Steve says. She's his DAUGHTER for god's sake, he says. 'She's your STEP-daughter, and in this situation, that distinction makes ALL the difference,' Marie says. Steve scoffs, still unconvinced. 'Steve...do you trust me?' Marie asks him. Yes, he trusts her, Steve says quietly. So trust her on THIS, Marie says. He nods wordlessly. It's time, Marie says patiently. He sighs loudly. Jesus Christ, what the hell are they doing?, he wonders aloud quietly. 'Lindsay! Can you come into your room please?' Marie calls to another room.

After a moment, Lindsay (Jaye Summers) walks in. Marie smiles warmly, but Steve still looks serious. Lindsay can obviously tell that something's up. Um...what are they doing in her room? What's wrong?, she asks suspiciously. Marie clears her throat. They have to talk to her, Marie says. Okaaay, Lindsay says, still suspicious. Well, they...they wanted to talk to her about...some changes that are coming, Marie begins. The kinds of changes that they're talking about are...changes that SHE'LL be experiencing, Marie continues. Lindsay laughs. Oh god, are they about to give her THE TALK?!, Lindsay asks with dread. 'I'm 18. I know all about the birds and the bees, so let's just spare us all a whole lot of embarrassment,' Lindsay says good-naturedly.

Yes, they know that she's well aware of how things...work, Marie says. But...Lindsay is a beautiful young woman, and soon...soon--if not ALREADY--she'll have lots of boys chasing after her, Marie says. And these boys only have one thing on their mind, Marie continues. Woah, now they're REALLY freaking her out...what the hell is going on?, Lindsay asks, her alarm bells going off. Well, Lindsay's told her that she's still a virgin, Marie says. But the fact is that she's NOT going to stay a virgin for long, Marie continues. And these...these boys who want to...who want to TAKE that from her...they DON'T have her best interests in mind, Marie says. But as her parents...THEY do, Marie continues. But if Lindsay's going to lose her virginity, Marie wants it to be with someone Lindsay trusts, someone she...loves, Marie says. Marie adds that they just want to protect her, so...'Honey, we want you to lose your virginity...to your father,' Marie says delicately.

Lindsay is disgusted and wants nothing to do with their plan, but through finely crafted fear-mongering, Marie seems to be doing a good job of convincing Lindsay that this is the right thing. O-ok...she'll do it, Lindsay says finally.

CUT TO TITLE

A few minutes later, Steve and Lindsay sit on the bed together. After a few moments of nervous small talk, they lean in and kiss each other. Leading Lindsay through her first sexual experience, Steve eats Lindsay's pussy. As he goes down on her, the camera shifts to the doorway, where Marie can be seen watching the two hook up. She watches as a satisfied smile forms on her face before she moves away from the door.

Later that night, Marie tries to ask Steve how it went, but he is evasive and distracted, not wanting to touch her. Good night, he mumbles, turning out his bedside light. Good night, Marie says, a worried look crossing her face.

A few days later. Marie is passing by the doorway of Lindsay's bedroom with a laundry basket when she hears odd sounds coming from within. She carefully opens the door to the bedroom opening a crack, slowly and soundlessly. Her eyes widen with shock and she almost drops the laundry basket when she sees that Lindsay is sucking Steve's dick. They don't notice Marie watching. Marie looks hurt and shocked, but she can't seem to turn away.

Be careful what you wish for, Marie...

Story inspired by an original submission by Pure Taboo member, GTIlover!

UNFAITHFUL TO ME
CHEATING WIFE GETS CAUGHT FUCKING HUSBAND'S COWORKER

Max (Jason Moody) is down on his luck. The passion in his marriage is gone and he's not sure how to rekindle theflame... until he decides to have a little chat with a handsome coworker of his. Jett (Alex Legend) is a womanizerwho does very well for himself. If anyone knows how to spice things up with the missus, it's Jett.

Max asks for advice, revealing how hard it is to keep his wife happy. No matter what he does, she cheats on him!Jett is sympathetic to his plight, giving Max tips and tricks for pleasing his wife to hopefully keep her interested andloyal. Max soaks it all in and is convinced that Jett just saved his marriage. He's away for the weekend, but as soonas he gets back, he's going to surprise the wife. Maybe now, she'll stop cheating on him...

He excitedly thanks Jett for his help, then hurries away with an extra spring to his steps. Little does he know, assoon as his back is turned, Jett fixes his tie with a slow grin.

That weekend, Jett shows up at Max's house, where his beautiful wife, Rose (Christie Stevens), answers the door.She's immediately taken in by Jett's charms and it isn't long before they hungrily crash together. As they make theirway to the bedroom, they leave a trail of discarded clothes behind them. As soon as they tumble into bed together,they become completely consumed by lust.

Then Max's car pulls into the driveway. When he spots Jett's car in the driveway and clothes on the floor leading tothe bedroom, it's time to finally take matters into his own hands once and for all.

Story inspired by an original submission by Pure Taboo member, IggyEgo!

DADDY'S GOLDEN RULES
DISCIPLINARY DAD MAKES DAUGHTER WET HERSELF
A teen girl, Carrie (April Aniston) quietly sneaks into her house long after her curfew. She thinks she's in the clear until her step-father, Kirk (Mr. Pete) calls out to her from the living room.

Busted.

Carrie has to endure her step-father voicing his resentment about being a step-father. As he begins to tell her off, she starts to squirm, needing to use the bathroom. She's been out all night, after all. However, Kirk isn't about to let her go without her reciting his three golden rules. He does everything for her, so the very least she can do is respect his rules.

She recites the golden rules, desperate to get out of there. Respect her mother and step-father, never bring boys home, and... never be late. But Kirk isn't happy. She's broken two of the three rules, so she knows what that means -- she has to wet herself.

Carrie is shocked -- the LAST time they were in this situation and she wet herself, she thought it was an accident, but it's clear now that Kirk gets off on it!

She begins to storm away, but Kirk threatens to double or triple her chores to make sure she doesn't have any time for fun anymore. Maybe he can tell her mother how bad she's been, too. She wouldn't want to disappoint her mom, would she?

Although Carrie's grossed out, she decides to give into what he wants just to get it over with. Little does she know, this is just the beginning of what he has in store for her. Kirk plans to make sure his daughter NEVER disrespects his golden rules ever again.

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

THE BREEDING POD
MAN CREAMPIES HIS FEMALE CO-WORKER IN POST-APOCALYPTIC INSEMINATION UNIT

Maya Kendrick stirs, only to find herself naked and laying in a transparent pod with Derrick Pierce. Unfazed by her surroundings, she sits up and stretches, working the kinks out of her muscles. It's been awhile since she's last seen Derrick -- how's he been? After a cordial greeting, Derrick admits that he's a bit nervous since he's been having trouble meeting his quota of impregnating women. If he doesn't make his quota...

Maya casually tries to calm him since anxiety is definitely not going to help his performance. They can't afford to kick any man 65 and under out, anyway... or so the rumors say. Yet, Derrick doesn't have time to respond before their unique wristbands alert them that it's time to begin the process. Now there's only one thing on their minds as they crash passionately together.

They enthusiastically have sex until Derrick creampies Maya, filling her with his seed. Yet, much to their dismay, the sophisticated wristbands alert them that the round has been a bust -- Maya's not yet pregnant.

As they dive into a second round, Derrick becomes more anxious as scientists approach and observe them from outside the pod. They watch from behind masks while taking various notes. Derrick knows they're evaluating him, seeing if he's worth keeping in the project. If he ISN'T worth keeping around...

This fear spurs him to keep going, which is what they need right now. When he unloads deep within Maya's pussy a second time, tensions are mounting between them as it's once again a bust. While Maya's losing patience, Derrick has no choice but to keep going.

After the third creampie, they stare at their wristbands with bated breath. If it doesn't take THIS time, this could be the end...

THE STARLET: A CASEY CALVERT STORY
BRATTY HOLLYWOOD ACTRESS LOSES SEX BET WITH STUNTMAN

Emma (Casey Calvert) is a Hollywood starlet that cares only about herself. She further proves this by causing a movie producer grief by being late for training with a stuntman. When she finds out that the stuntman she'll be closely working with is none other than Michael (Derrick Pierce), her ex-boyfriend, her entitled attitude makes her even more difficult to work with.

When Michael arrives at Emma's house for stage combat training, he isn't thrilled to be around her. Not only are they exes, but Emma stole this acting gig from Michael's current girlfriend. Although he tries to be professional, Emma makes it hard for him, acting like a spoiled brat. He's so annoyed with her, especially after she nearly breaks his nose for a 'joke,' that he abandons the session.

Perhaps feeling a LITTLE guilty for what she's done, Emma shows him that she's been practicing when they next meet up for more practice. She's so confident in her abilities that her ego continues to inflate, especially when Michael makes the mistake of complimenting her. She starts rubbing her skills in, getting under Michael's skin as she taunts his own skills -- both professional AND personal.

Finally, Michael's had enough. If he's being made to work with HER, then he wants to make things interesting. He proposes a bet. If she beats him during a mock fight, he'll do whatever she wants. If HE wins, she'll do whatever HE wants.

Emma easily agrees since she's sure she's got this in the bag. But when she finds herself quickly overpowered and pinned beneath Michael's strong body, it's evident that she's lost. When he demands a hate-fuck as his prize, she HAS to honor her end of the deal...

KEEP YOUR FAMILY CLOSE
CHEATING HUSBAND IS CORNERED WHEN ONLINE MISTRESS SHOWS UP ON HIS DOORSTEP

A wife (Chanel Preston) makes her husband (Charles Dera), a nice dinner. She tries striking up a conversation with him but he's too distracted. Little does she know, it's because he's busy staring at a string of messages on his phone from an apparent mistress of his. Annoyed by her husband's lack of caring, her eyes linger on a birthday card from her sister. 'Family's important, isn't it?' she directs to her husband, who once again ignores her, showing that he takes his wife and family for granted.

Unfortunately for HIM, karma's out to get him.

The next day, the husband's world is turned upside down when a teen girl (Whitney Wright) shows up on his doorsteps. She's eerily calm while he is too shocked to do anything but stare at her. Before he can shoo her away, the wife catches sight of the teen and invites her in, thinking she's there selling cookies. The teen comments that there's a misunderstanding... she's not there to sell cookies, she's there to see her dad!

The husband is stuck between a rock and a hard place as the wife gets over her initial shock and invites the teen girl inside, giving her a place to stay now that they're family! While the wife is over the moon with happiness, the husband knows he's screwed as the teen casts him dark, sultry stares when the wife isn't looking.

There's more here than meets the eye, and the husband's troubles are just beginning.

CHARITY CASE
HOMELESS TEEN STALKS FAMILY MAN WHO SHOWED HER KINDNESS

Ben (Will Pounder), a family man, returns home from an outing. He parks in his dark garage and climbs out of his car, chatting with his wife on his phone. Unbeknownst to him, as he says 'I love you' and hangs up, someone is lurking in the shadows.

When he turns on the lights, he's startled to see Cassie (Lisey Sweet) there, dressed in a cap and baggy hoodie. Ben goes on the defensive, thinking that he's being mugged in his own home, but she insists that he knows her. She's Cassie, a homeless teen he's shared sandwiches with before! She was so used to seeing him around when she was on the streets that when he stopped showing up, she panicked. She just wanted to make sure he was okay!

Although Ben's freaked out at first, he assures her that he's perfectly fine. Seeing how shaken she is, he takes pity on Cassie and invites her inside to get washed up. Obviously, she can't stay with him, but he'll do what he can to help her.

Cassie is smitten with him. She's drawn to his kindness, wanting nothing but affection from him, but she doesn't know how to properly show it. She comes on too strong and weirds Ben out, causing him to deny her every advance. Confused and desperate for human contact, she begins undressing, trying to get him to look at her naked skin. Ben is again freaked out, which only confuses Cassie even more. Doesn't he WANT to have sex with her? Otherwise, why would he have been so kind to her?

Ben is appalled -- he's a family man who loves his wife very much! Not every guy wants to take advantage of her. But when Cassie refuses to leave and comes onto him stronger than before, Ben is conflicted. If he gives in this one time, maybe she'll get out of his life and never come back...

DADDY'S SPECIAL HUG
BITTER STEP-DAD CONDITIONS INNOCENT TEEN DAUGHTER TO BE HIS SEX TOY

A sweet teen girl, Katie (Lexi Lore), is sitting on the couch, gazing off and in her own little world. Meanwhile, her step-father, Michael (Derrick Pierce), is at the front door talking to a neighbor. It's Katie's 18th birthday today, so the neighbor brought over some cupcakes! Can he give them to her?

Michael tenses but plays it cool, telling the neighbor that she's not feeling so well today, so... The neighbor hands over the cupcakes and marvels over what a good step-father he is, but doesn't push the issue any further before taking his leave. Now when Michael returns to Katie, who obediently and sensually licks the icing he scooped off the cupcake from his finger, it seems like he's anything but a good step-father.

When they're alone in Katie's bedroom shortly after, Katie expresses that she wishes her mother was there to share the special day with. Michael tenses again, saying he wishes her mother was there, too. She was a wonderful woman and he misses her, but... now he has Katie, who has grown up to be a perfect, beautiful young woman... She's finally ready for his special hug.

Katie, too innocent and trusting of Michael, fails to catch onto the hungry, sexual energy directed towards her. She asks about the special hug and is told that it requires them to be naked, which she doesn't question since she'd been conditioned all her life for this moment. She's more curious than anything, especially once they undress and she sees Michael's cock for the first time.

It's all new to her, but Michael's praise and affection is everything to Katie, and she's willing to do whatever it takes to earn his love.

HOME ALONE
VOYEUR NEIGHBOR PREYS ON TEEN WHILE HER FAMILY'S AWAY

SCENE OPENS with a man, Mr. Rodgers (Mr. Pete), rushing to the front door of his neighbor's house. He has a toolbox in his hand and there's a sense of urgency as a teenage girl, Kat (Maya Kendrick), opens the door and hurries him inside. She was doing dishes in the dishwasher but something went wrong and now there's water everywhere!

Mr. Rodgers quickly gets to work and stops the flow by closing the valve under the sink, though the problem itself is still not entirely fixed. The hose is broken, but he's going to go to the hardware store, anyway, so he'll pick up a hose and replace it for her. He encourages Kat to stoop down and look under the sink with him so that she knows which valve to close in the future if a hose ever breaks again. As she enthusiastically joins him, though, his eyes linger on her tight ass when she's not looking.

Once they're done, Kat thanks him so much for rushing over to help. If he wasn't her next door neighbor, she doesn't know what she would've done, with her parents being out right now! Imagine if something like this happened while she was away at college? Mr. Pete comments that it'll be sad when she leaves... Kat giggles and reflects that she's 18 now -- she can't stay home forever!

As she walks him to the door to see him out, Mr. Rodgers pauses. While he's here, he may as well check the access panel to make sure that the hoses aren't eroding. Usually if one goes, another is right behind. Kat, thankful that he's so thoughtful, agrees and shows him further into the house.

As Mr. Rodgers moves from room to room to find the access panel, Kat starts to get a little suspicious, especially when he looks for it in her bedroom. While he's checking out the closet, she hurriedly tucks some of her personal belongings, including underwear, out of sight. Sure enough, the access panel is in her closet and the hoses do need to be replaced, but he's going to get right on that!

But instead of immediately leaving, Mr. Rodgers instead goes to her window, commenting on the million-dollar view she has. Hey, look, did Kat ever realize that she could see his bedroom window from hers? Kat is uneasy as she looks out the window and sees that, yeah, she can, which means that Mr. Rodgers could just as easily see into HER bedroom as well. She's so embarrassed, nervously asking if he's seen anything...

'I may have seen a thing or two,' he says in a darker tone, his helpful neighbor demeanor completely gone now. Like how Kat lets her boyfriend use the back door, so to speak.

Kat grows more defensive -- they're adults, they can do whatever they want now. Sure, Mr. Rodgers says, though he's known her father for 22 years and he's asked him to keep an eye on her, so that's what he's doing. She's shocked, asking if he's been spying on her. Mr. Rodgers smirks and says, 'Let's just say, I think you should invest in some blinds.'

Kat, barely able to look Mr. Rodgers in the eye, asks him to leave. Mr. Rodgers says he'll leave, of course, but her father will be SO displeased to find out what she and her boyfriend get up to. He even has the footage to prove it.

Kat is freaked out and angry that the neighbor she's known all her life is such a pervert. When he starts coming onto her, she realizes that she's cornered and lashes out at him. It's time to make a decision. If he's going to make her have sex with him in return for his silence, then she's going to do whatever she can to claw back control.

Nominated - Best Non-Sex Performance: Dick Chibbles, XBIZ 2020

MY DAUGHTER, THE WHORE
FATHER WHORES OUT HIS FIRSTBORN DAUGHTER TO PAY OFF HIS DEBTS

SCENE OPENS on a man sitting in a chair in his living room, casually reading a newspaper as the sounds of sex can be heard from an adjacent room. The man, Roger (Dick Chibbles), doesn't seem to pay any mind to the noises. Soon, there is a loud grunt from the man in the other room as he cums. A few moments later, a man exits the adjacent room, closing the door behind him. He zips up his fly as he exits the room.

Hearing him, Roger looks up from his newspaper with a wide grin. Everything was satisfactory?, he asks the other man. Oh yeah, as beautiful as always, but....the man hesitates, before continuing,...she did seem a bit...tired today, he finishes. Oh, she did?, Roger asks, subconsciously gripping the newspaper hard enough to crumple the paper. Yeah, the client replies, not as eager as usual.

Roger politely apologizes, he's so sorry about that, the client can expect a better time on his next visit, Roger says. 'I will PERSONALLY...make sure that this does not happen again,' Roger adds with a tone of menace. The man tells him he appreciates it, and Roger walks him out the door. He waves the man off with a smile and closes the door behind him. As soon as the man has gone, Roger turns around, his smile replaced with a look of fury.

He opens the door of the bedroom to reveal a naked girl, Lucy (Athena Rayne), who is on the bed hugging her knees. She looks exhausted and spent, staring off into space. When Roger comes in, she is startled out of her daze and looks at him. What the fuck Lucy?!, Roger asks angrily, standing over her on the bed. He said she seemed...TIRED?, he continues. That guy is one of their best clients, has really fallen in love with her, so they need to make sure to keep him happy no matter what, Roger continues with barely contained rage. 'I know, I just...I really AM so...SO tired...tired of all of this...he was the third guy today,' Lucy says wearily. 'I don't give a shit if you're tired! You know how serious our situation is,' Roger says. She knows, she just...she can't do this anymore, it needs to stop, Lucy says numbly.

Roger takes a deep breath to steady his anger, closes his eyes for a moment. He sits on the edge of the bed next to Lucy, adopting a more patient caring tone to try to reason with her. 'Lucy... you know what they'll do to me if we don't square things away, right? You don't want me to go away, right? Then it's up to you to fix this.'

Lucy nods along with him, resigned. 'Good, so clean your fucking self up, you look disgusting, and you've got another appointment arriving in a few minutes...and you can't greet a client looking like...this,' he says, gruffly, his tender demeanor instantly vanishing as he waves a hand disgustedly at her. 'I raised you better than that, didn't I?' he adds. Lucy looks up at him with tired eyes. 'Yes Daddy,' she says.

CUT TO TITLE

The doorbell rings and Roger goes to answer it. He smiles as he opens the door to greet his daughter's latest client, John (Tommy Pistol). The client says hello coldly, not smiling. Roger invites him in. So this is his first time here right? Roger asks amiably. Yes, the man says curtly. Ok, so he'll explain the ground rules, Roger says.

Cut to Lucy's room as Roger explains the ground rules, muffled behind the door. Lucy is almost done cleaning up. We watch as she finishes reapplying her makeup in a compact mirror and puts on some sexy lingerie. She looks good and well put-together, but her eyes betray an exhaustion that is soul-deep. She sits down on the edge of the bed and stares off into space.

Cut back to Roger and John. Roger has just finished explaining the ground rules. So does he understand?, Roger asks. The man pauses. Yes, everything's clear, he says quietly. 'Also, I should mention that there are some...activities...I'm interested in that may...not EXACTLY be what she's used to...' John says. 'I'm sure there's something that we can work out,' Roger responds.

Cut back to Lucy in her room, who is still staring blankly, lost in thought. There is a knock on the door, which startles her out of her reverie. She shakes her head, trying to pull herself together. Just one sec, she calls to the person who knocked on the door. Lucy looks in the mirror. She takes a deep breath, and with effort, her blank expression of exhaustion turns to a seductive, flirty expression, as her eyes brighten and she pouts her lips. Where she was weary and spent a few moments ago, she now appears younger, youthful and vibrant: Lucy's game-face is on. She lies down on her stomach on the bed, resting her head in her hands as she smiles up at the door. She kicks her legs absentmindedly behind her in an energetic, innocent way. She tells the visitors to come in.

Roger opens the door and invites John in, introducing him to Lucy. John says hello stiffly. 'You're just in time, I was starting to get lonely,' Lucy says flirtatiously. 'There's been a...change in plans Lucy,' Roger says, closing the door so that the three of them are in the room together. Lucy's eyes widen in horrified shock. 'What are you...?' she asks.

Well, John has asked him to stay...and watch, Roger says casually, without a hint of trepidation in his voice. 'Yes, I love an...audience, and there's really no better audience than a loving father watching his precious daughter get defiled in front of his very eyes,' John says.

Roger coughs to clear his throat, clearly a bit put off by the request but trying his best to keep it hidden. That's not a problem...IS IT, Lucy?, Roger asks in a vaguely threatening tone. Lucy hesitates for the briefest of moments before she buries her horror down deep.

No...of course not, she's up for whatever he wants.

Nominated - Best Actor - Featurette: Lucas Frost, AVN 2020

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

FATHER RECALL
MAN ENTERS INTO SADISTIC MIND TRADE WITH DAUGHTER'S BOYFRIEND

A young man (Lucas Frost) is in a jail cell, bound and disoriented. He has no idea how he got there or what's going to happen to him. All he knows is that it can't be good.

When he's hauled out of the cell, struggling to free himself from his captors, he comes face-to-face with an older man, Mr. Leblanc (Dick Chibbles), and a scientist (Chanel Preston). The young man's eyes widen as he recognizes the older man, although if he thinks Mr. Leblanc is there to help him, he's sorely mistaken. The young man is shown no mercy as he's rendered unconscious.

Mr. Leblanc despises the young man, who is his precious step-daughter's boyfriend, Bill, but instructs the scientist to keep him safe since his daughter would never forgive him otherwise. However, he needs Bill's body to fulfill one of his greatest and darkest desires, which requires trading his mind with Bill's using advanced technology.

Once the process is completed and he's in Bill's body, it's time to get to work...

He arrives back home and greets his beautiful and unsuspecting step-daughter, Lydia (Jaye Summers). She looks every bit like her mother, making Mr. Leblanc's grieving heart ache. He misses his late wife so much... Why does BILL get to know Lydia in those most intimate ways, when HE's the one who spent 18 years raising her on his own?

Lydia is thrilled to see her boyfriend, though that pleasure turns to uncertainty because of how... odd... he's acting. As they get frisky, Mr. Leblanc is unable to keep his story straight as he accidentally lets slip pet names and personal stories that only HE would know. Even despite her reservations, Lydia gives herself to him -- not knowing that she's doing it with her perverted step-father that has been lusting for her all her life.

After tonight, nothing will ever be the same for any of them.

GAPING TRAINING
SUGAR DADDY MAKES HIS TEEN GIRLFRIEND TRAIN FOR ANAL SEX

A teen, Tracy (Lola Fae), walks uncomfortably outdoors towards her sugar daddy boyfriend (Bill Bailey)'s house. Her movements are slow and careful, although once she arrives and is greeted by the older man, he's pleased to see that she's wearing the butt plug, just like he asked. He even removes it to get a good look at the little gape while Tracy squeaks and blushed. He knows it's uncomfortable, especially since it's Tracy's first time, but she wants Daddy's dick, right? Then she has to keep up with the training...

Back at home, while having dinner with her actual father, Tracy's father shows concern for how awkwardly she's holding herself. She tries to insist that there's nothing to worry about and encourages them to just have a nice meal.

That's when her sugar daddy sends a text, demanding to see her pussy. No, better yet, he wants her to send him pictures of her fingering herself under the table. Although she's nervous about being caught, there's a certain thrill there as well as she does what he asks, then sends the picture. Although her real dad almost catches her, she just barely escapes his notice.

Tracy, eager to please her boyfriend, continues to wear butt plugs in her everyday life, even in public. While she's at work as a waitress, she tries her best to concentrate, almost getting caught by a coworker for looking so uncomfortable. Fortunately, she's able to get away from the situation by pretending she has cramps. It's perfect timing since her daddy messages her, demanding to see how she's progressing. She excuses herself and rushes to the bathroom. Once she's there, she takes pictures of her gape and sends them to her daddy.

Finally, her sugar daddy declares that she's ready for the wicked evening he has in store for her.

SWAPPING DAUGHTERS: THE OTHER FAMILY
PARENTS SWAP DAUGHTERS TO USE NEW DAUGHTER FOR SEX

Scene opens on a young girl, Becky (Maya Kendrick), who sits in the back of a car. She looks excited and anxious to get out of the car. The car pulls up to a flawless suburban home with a perfectly manicured lawn. Outside, three people stand. These are the members of the Darling family: husband Doug (Mr. Pete), wife Doris (Dee Williams) and son Davey (Seth Gamble). Becky smiles when she sees them. The three stand in a perfectly straight line and have the same exaggeratingly welcoming smile on their faces. They wave in unison and are all dressed in similarly preppy fashion with matching colored clothing. As the car pulls into the driveway, Becky notices the odd way they're waving and her smile falters for a second as she regards them skeptically. But she seems to push her worries aside immediately and regains her smile. The car pulls to a stop. Becky thanks the driver and hops out excitedly. She must be Becky!, Doug says enthusiastically. Yes, Becky confirms. Doug introduces himself and presents his wife and son. Doug asks Davey to get Becky's bags from the car. Davey goes to get the bags.

Welcome to Canada, they are so happy to have her here!, Doris says brightly. Becky says that she's happy to be here for her cultural exchange, and it's not nearly as cold as her parents said it would be. Yes, people tend to exaggerate about the climate here, says Doug. 'We don't all live in igloos you know!' Doug adds with a laugh. Why doesn't he take Becky's bags upstairs and show her her new room?, Doug suggests to Davey. She arrived just in time for dinner, Doris says. Dinner is every night at six o'clock SHARP, Doug says firmly. 'And no matter what we are doing, we ALWAYS come home for family dinner at six. NO. EXCEPTIONS.' Doris says, with an oddly insistent edge. She'll see that there are many...family rules, but these rules just make them closer as a family, Doris says. 'Isn't that right sweetie?' she asks Davey. Yes Mother!, Davey answers energetically. Becky catches that and laughs nervously. Well, they'd better get Becky's bags upstairs, dinner will be on the table soon!, Doris says. They'll take care of paying for the cab while Davey takes care of Becky, Doug adds.

As Davey walks Becky up the driveway into the house, they chat. Um... is everything as...strict as they just made it sound?, she asks with a nervous chuckle. Yeah, Mom and Dad just like things done a certain...way, Davey says. She'll get used to it, he adds. He thought it was a little weird at first too, he says. He was 15 when his dad married Doris, but it's been four years now and he's totally used to all their little rules, he adds. 'And trust me, once you get used to them, you'll LOVE it here. I know I do,' he says with a chuckle, as his eyes look Becky's body up and down. Becky laughs nervously.

Cut to the dinner table, where the four sit with their meals in front of them. The three Darlings, virtually in unison, fold their napkins and place them onto their laps. Becky looks on, a quizzical expression on her face, but a moment later, follows along, placing her own napkin on her lap. So Davey showed her her new room?, Doug asks. Yes, it's great!, Becky says happily. Before they can continue their conversation, Doris lightly taps her glass with her fork, getting everyone's attention. It's time to say grace!, Doris announces with a smile. The three Darlings join hands, but Becky hesitates. Is there a problem dear?, Doris asks. Um, no, she just...isn't used to saying grace, Becky says, smiling awkwardly. Well, in this family, they give thanks before every meal, because in life, there is so MUCH to be thankful for, Doug says earnestly. And since Becky's a part of this family now, it's important that she takes part in this, Doug adds, again offering his hand for Becky to take.

Becky smiles nervously and takes Doug's hand and with her other, grasps Davey's outstretched hand. Doug begins by saying that they are thankful for the meal that they are about to receive, they are thankful for their health, and...they are very thankful for Becky, the newest member of their family. When he says 'newest member of their family', all three Darlings turn their heads to look at Becky with unblinking grins. Just as when he married Doris and she became Davey's mother, they have formed a new family, Doug continues. 'We are thankful to be blessed with this young woman, who will be taking part in all of our...family traditions,' Doug adds. As Doug is saying this, Davey's fingers begin to rub Becky's palm. Feeling this, her eyes open with mild surprise. She looks at Davey, who stares at her. He slowly licks his lips.

She subtly tries to take her hand out from his but Davey grips her hand harder, preventing her from pulling away. Becky looks towards Doug, who stares back at her with a blank smile. To Becky's growing alarm, Doug licks his lips. Becky looks toward Doris, who is also staring at her and licking her lips hungrily. She looks around in disbelief at the three of them as they stare back at her.

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They begin to eat. Soon, there is a buzzing sound under the table, coming from where Becky is sitting. She takes her cell phone from her pocket, apologizing. 'Davey, didn't you tell Becky about our cell phone rule?' asks Doris, staring angrily at Davey. No Mother, he didn't, he says, hanging his head in shame. Doris turns to Becky, her fury replaced by a manufactured smile and an artificial sweetness. 'Dear, we don't allow cell phones or any other gadgets like that in this house. We don't even own a television or a computer actually. Those kinds of things are nothing but...distractions. And we don't want ANYTHING distracting us from each other, because family...comes first, isn't that right gang?' Doris says, smiling her sickly sweet grin. The Darlings all smile back at her and say that's right.

Oh um ok, well, she'll put her phone away then, Becky says. Oh no dear, she'll have to give her phone to Doug for safekeeping, Doris says with a smile. Becky hesitates. They really want her to give her phone to them?, she asks incredulously. Oh yes, Doris says with a smile. It's for the best, adds Davey with the same smile. But what about emergencies?, Becky asks softly, clearly becoming weirded out. 'Well, aren't you going to be spending all your time with us?' Doris asks. Yes, she sure is, and they'll make sure that NOTHING bad happens to her, Doug adds, putting out his hand for her phone. Becky hesitates for a moment longer and finally, slowly puts her phone into Doug's hand.

Cut to a few days later. The family is in the living room, enjoying a game of charades. The family plays a few rounds. When it is Becky's turn to act out, she acts out the phrase 'rowboat' successfully. The family congratulates her. Despite the weirdness of the first night's dinner, this wholesome family game seems to be helping Becky relax. Next, it is Davey's turn to act out the clue. He looks at the slip of paper and seeing what it is, smiles mischievously. He gets up in front of the couch, and the family watches him. He begins to squeeze imaginary breasts, staring at Becky as he does so. Becky shifts uncomfortably, looking away. Davey's parents don't see anything sexual about it at all and eventually, Doris guesses 'arthritis' enthusiastically, seemingly interpreting his squeezing motion as him stretching his arthritic hands. That turns out to be the correct answer and the Darlings cheer.

Can he PLEASE go again?, Davey asks with a smirk. That was too easy and he wants a real challenge with a harder clue, he adds. Well, they ARE just playing for fun and aren't even keeping score, so she doesn't see why not, Doris says. Super!, Davey says, choosing another slip of paper. He thinks for a second and begins to mime what can only be licking a pussy, flicking his tongue obscenely in the air as he spreads an imaginary pussy with two fingers of each hand. Again, he stares at Becky as he does it. She is getting increasingly uncomfortable and looks to Doug and Doris for assistance. But they are really into the game, still seemingly not noticing the sexual nature of Davey's actions, and don't even look at Becky. Oh wait, he knows this one, he does this ALL the time, Doug says before guessing 'licking an envelope.' The Darlings again celebrate the correct answer while Becky looks on, outwardly disturbed now. After a moment, Davey again pleads with his parents to let him go one more time. Doug is unsure, he tells Davey he should let other people have a turn, but Davey almost begs him and he finally relents. But this is the LAST time, Doug adds firmly. For sure Dad!, Davey says and grabs another slip of paper.

He grins and thinks for a moment. He begins to thrust his hips as if he's fucking. He then mimes a slap, as if he's slapping the ass of the person that he's fucking. Again, he stares at Becky, grinning a lustful grin. Becky looks again at Doug and Doris for help, but they don't pay attention to her. They are just happily guessing, playing the game. This is too much for Becky now. 'Um HELLO?!, don't you see what he's doing?!' she asks Doug and Doris incredulously. Davey stops his actions. What does she mean?, Doug asks Becky. 'He's...he's acting out...you know...sexual things...and...and staring at me,' Becky says. Dear, he's CLEARLY riding a horse, Doug says patiently. Isn't that right Davey?, Doug asks his son. That's EXACTLY right!, Davey says indignantly.

Oh come on, they can't SERIOUSLY believe that!?, Becky says to Doug and Doris. Well, if that IS what happened, it's certainly no cause for fighting, Doris says. 'He just got a little carried away is all, and you can hardly blame him. He's a competitive boy, that one!' Doris adds with a little laugh. Oh what does it matter anyway, Mom?!, Davey asks. She's going to find out soon enough what's REALLY going on,' Davey adds, a mean-spirited smile on his face. 'David Darling, don't you say ANOTHER WORD. Go to your room, young man,' Doug says instantly. Davey huffs off.

Becky is puzzled and feeling very uncomfortable. Um, what was Davey talking about when he said 'what's really going on'?, Becky asks cautiously. Oh nothing Becky, she knows how boys his age like to joke around, Doug plays it off. Is he sure about that?, it didn't really seem like a joke, Becky probes skeptically. Doug and Doris exchange a conspiratorial glance between them. Becky sees this glance. 'Please, just tell me, you're freaking me out,' she says. Well, they were going to wait until she was fully settled in to tell her, but now Davey's gone and spoiled that, so they may as well explain, Doris says. Is she sure Becky can handle it?, Doug asks Doris. 'Well, I guess we're just going to have to have a little faith in her', Doris says, running a hand through Becky's hair. Becky recoils slightly. This is starting to scare her, can they just tell her what's going on?!, Becky pleads.

Okay honey, she'll do her best to explain it, Doris begins. Well, her husband, like many men, like many...fathers, has certain...urges, certain...proclivities, Doris continues. And as part of dealing with these urges, Doris and Doug are members of an online group, a...support group of sorts, where other fathers with the same tastes can...help each other, Doris continues. What kind of...urges is she talking about?, Becky asks fearfully. Let's call them...appetites, Doug offers. His...appetites are---well, most people would frown upon these kinds of appetites, since they involve...his daughter, Doug continues.

Hearing this, Becky's eyes go wide. 'Your daughter...wh-what did you do to your daughter??, Becky asks fearfully. Oh don't worry, she's absolutely fine and completely safe, Doris explains soothingly. Becky, these urges that they're talking about are perfectly natural, Doris says, smiling sweetly. But Doug would NEVER act on these urges with their own daughter, Doris continues. 'Which is why we made an...arrangement with your parents,' Doug continues.

What the fuck is he talking about?, Becky asks with horror. They made an arrangement that when each of their daughters turned 18, they would...perform an exchange, so that each family could...satisfy their unique appetites, Doug says. 'S-stop, I don't want to hear any more of this! You guys are a bunch of sick fucks and I'm getting the hell out of here, I'm going home to my parents,' Becky says angrily. 'Give me my phone NOW!' she practically yells at them.

He's afraid that's not possible, Doug says. Her phone is in a safe place, but he can't give it to her, he adds. 'Those are the rules of the house, young lady, and as long as you're part of this family, you WILL obey those rules,' Doug says firmly. 'I'm NOT part of your fucking family, asshole!' Becky fires back. 'Becky, that's no way to talk to your father!' Doris scolds Becky. 'My FATHER?!' Becky asks in disbelief. 'You guys are NUTS, I am fucking LEAVING,' Becky adds, moving to exit the house.

Where does she plan on going at this time of night?, Doug asks. Where she goes is none of his business, she's going to call a cab and get out of here, Becky says indignantly. With what money?, asks Doug. What is THAT supposed to mean?!, Becky asks. 'Well, sweetheart, your bank accounts and credit cards have all been canceled, of course,' Doris says with sickening sweetness. What?, Becky asks with disbelief. 'Those people who you used to call your 'parents'? Well, they don't want you anymore sweetie. Don't you see?' Doris says. 'You're OUR daughter now,' Doug says, smiling. No!, Becky screams, running away in horror. We hear a door slam. Sounds like she went up to her room, Doug says to Doris. Yes, let's let her rest, it's been a tough night, Doris says. Yes it has, and they should get some shut-eye too.

Cut to later that night. From the hallway, we see Becky's bedroom door opening quietly. Becky pokes her head out, looking up and down the hall. It is dimly lit and quiet. Everyone seems to be in bed. She sneaks out of her room, careful not to make any noise. She creeps into the living room, constantly looking over her shoulder to see if anyone has heard her. She is very nervous. She begins to quietly look through the drawers of a cabinet that is in the living room. She doesn't find what she's looking for and seems to be getting increasingly frantic as she goes through drawer after drawer.

'Are you looking for this?' Doug suddenly says, making Becky jump in surprise. He emerges from the shadows of the hallway, holding Becky's cell phone in his hand. Becky's jaw drops and she says nothing. Take it, Doug says, offering the cell phone to her. She narrows her eyes suspiciously. 'No tricks, just take it and call your parents, then you can finally understand and maybe might calm down a little,' he says.

She thinks for a moment before approaching Doug, quickly snatching the phone from his hand. He sits on the couch patiently. She frantically dials a number. No answer. She dials it again and again, but still nothing.

'Do you understand now Becky?' Doug asks from the couch. She's stunned.

They didn't answer, did they?, Doris says, emerging from the hallway. Becky is startled by her sudden arrival. No, Doris knows they didn't, and that's because her old life is over, Doris continues, sitting next to her husband on the couch. 'Your new life is here Becky, and you need to accept that,' Doug says. Please, come and sit down, Doug says, patting the couch next to him.

Becky seems almost broken by her parents' rejection and sits down heavily without protest. As part of her new life as a family, as they've told her, there are certain rules, and one of those rules, is that they need to have...family time, Doris says as Doug begins to lightly play with Becky's hair. And family time means being together...as a family....in EVERY way, Doug says, laying his hand on Becky's lap.

At this, Becky snaps out of her daze. No, no, she won't be part of their disgusting games, she says, though she doesn't seem to muster up as much energy. She's going to leave, and call the police, she says, as she begins to dial on her phone. And what exactly is she going to tell them?, Doris says. No one has done ANYTHING wrong, Doris continues. And she's so far from home, with no money...and no home to go back to, Doug says.

At that moment, Davey walks in, rubbing his eyes groggily. What's going on?, he asks. Oh, they're sorry for the noise, they're just having a family...meeting, Doris says. Ooh, he LOVES 'family meetings', Davey smiles naughtily, shooting a glance at Becky as he pokes his tongue crudely in the corner of his cheek in a classic 'giving a blowjob' gesture.

His parents seem to ignore it and Becky looks away in disgust. 'We were just telling your new sister that she has nowhere to go, so she might as well start following the house rules,' Doug tells Davey. Dad's right, and believe him, the house rules aren't so bad at all, Davey says. 'When I became his mother, Davey had some...difficulties, but eventually he got into the swing of things, isn't that right sweetie?' Doris asks Davey. That's right, Davey grins, licking his lips as he looks at Doris. 'And when I finally had a taste of Mom's goodies, I couldn't BELIEVE what I had been missing,' Davey adds, leering now.

Becky looks appalled. 'You can act all doom and gloom if you'd like Becky, but I for one, think this is cause for celebration. After all, it's not every day that we get to welcome a new member into our family! And what better way to celebrate than with some quality family time together!' Doris says brightly. Ok?, Doris asks Becky pointedly. OK BECKY?, Doris asks, a hint of threat creeping into her voice. Okay, Becky says softly. 'That's wonderful! So why don't come over here and give your mother a kiss?' Doris asks Becky.

DUTY CALLS
TEEN CHEATS ON BOYFRIEND WITH HIS BROTHER WHILE LYING TO BOYFRIEND ON THE PHONE

A teen girl, Carmen (Ember Snow), is crying when Brett (Johnny Goodluck), her boyfriend's brother, returns home. Brett seems to take an interest in her, almost like a predator sniffing out prey, as he sees how vulnerable she looks. He learns that Carmen and his brother got into a huge fight about her jealousy and insecurity towards other girls, and he stormed out. She's been crying her eyes out the past few minutes until Brett got home.

Brett sees an opportunity to wreak some havoc and have a bit of fun. He starts acting sweet and consoles Carmen, sympathizing with her and telling her his brother is an asshole. He asks how old she is and when she tells him she's 18, he tells her that because of being older, he knows more about how these things work. He tells her she needs to move on, not just because she deserves better but also because he lies that it sounds pretty clear his brother broke up with her. This upsets Carmen even more.

Brett tries to convince Carmen to have sex to get back at her boyfriend. Carmen doesn't want to, she still thinks her boyfriend loves her, so Brett plays to her insecurities and asks how she's sure his brother HASN'T been sleeping around with other girls?

Brett sees Carmen is starting to doubt and puts on the pressure - wouldn't it really make his brother jealous if SHE had sex with another guy? Someone like... him? Carmen is still reluctant, but all of her doubts and anger and frustration fuel her decision and she finally leans towards Brett, kissing him intensely. He slowly moves his hand between her legs and rubs her pussy as she gasps.

Carmen thinks she's getting the ultimate payback, but what she's really doing is EXACTLY what Brett wants her to do.

SUBSTITUTE WIFE
MAN REQUESTS ESCORT TO ROLEPLAY COMATOSE WIFE AS SHE LIES NEARBY DURING SEX

SCENE OPENS on a close-up of unseen hands finishing putting a dress on a woman (Chanel Preston) on a bed, zipping it up and smoothing out the wrinkles. The hands clasp a bracelet to her wrist before applying lipstick tenderly to her lips. The woman never moves. We don't see her eyes.

We cut to a POV shot from the bed, looking up at the man (Tommy Pistol) who is preparing the woman. He has his arms crossed over his chest and looks down at her, appraising his work. He thinks for a moment. Deciding something, he exits offscreen for a beat. He returns with high heel shoes. We cut away to a close up of him slipping the shoes onto her feet and cut back to the POV shot from the bed. He reappraises his work after the update. He seems pleased and smiles.

'I hope you can hear me, honey.' the man says sweetly as he sits down on the bed next to her and takes her hand in his. After a beat of silence, he says 'No, I KNOW you can hear me. I just wanted to say...I realize that...that things haven't been...all that great between us ever since your...accident and I...I could tell you a THOUSAND times how sorry I am, but I know it wouldn't change what happened. All we can do is move...forward. And I want SO badly to do that. I'm committed to making this work, I'm committed to being...BETTER, committed to... getting us through this.' After another moment of silence, as he gazes at the woman in bed his eyes mist up with emotion. He reaches out and brushes her hair a bit back out of her face.

'I understand...that this...that this hasn't be an easy...TRANSITION for you and I..I WISH things could be different, but if this is the only way we can be together, to me it's better than nothing,' he continues. A moment of strained silence follows. 'But let's not focus on negativity, let's concentrate on tonight. I'm going to make this such a special night for you honey. You deserve it,' he says, smiling. 'I love you...so much,' he adds sincerely. The doorbell rings. He gets up to leave the room. 'That must be her,' he says with an expectant smile.

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He opens the front door to find Amanda (Gianna Dior) standing there, a tight dress clinging to her body as she twirls a small clutch on her fingers. Hi there, she says enticingly. Oh uh, hello, the man says nervously, smiling politely at his guest. Please...please, come in, he says, gesturing her inside. She walks in confidently and he closes the door behind her. 'You look very beautiful tonight. Thank you for...wearing the dress I requested,' he says. She does a little twirl. No problem, it's his night after all, plus...the dress is definitely her color anyway, she laughs. There is a moment of awkward silence.

She glances around the house. Nice place, she says, trying to fill the silence. Oh thank you, he says nervously. Does he live in this big house ALL ALONE?, she asks playfully. Not...exactly, he responds, fidgeting anxiously. Amanda sees his obvious jitters. 'Oh baby, you don't need to be nervous, we're both consenting adults, relax! I'll take good care of you,' Amanda says soothingly, tracing her hand along his arm. He apologizes for being nervous, it's just been... a long time and he wants everything to be...perfect. She completely understands, Amanda says agreeably. He asks her if it's ok if he calls her Bonnie. He can call her whatever he wants, baby, Amanda says. 'And what's your name sweetie?' she asks him. Ron, he says shyly, clearing his throat. So...why don't they...go to the bedroom?, he asks. She thought he'd never ask, Amanda says flirtatiously. He leads her to the bedroom.

When they get to the bedroom door, he pauses. Now, before they go into the bedroom, he needs to prepare her, he says. His wife is...in there, he continues. Oh, baby, she didn't know it was going to be a threesome, Amanda says. 'No, no, she's not...exactly...it will...maybe it's easier if I just show you,' he says, opening the door slowly.

As the door creaks open, the form of an inert woman lying on the bed is revealed. It is the woman that the man was dressing earlier. Seeing this, Amanda becomes instantly wary. Um she's not sure exactly what's going on here...but she should probably go, Amanda says, moving away from the room. 'No no please...wait, it's not what you think. She's perfectly fine. Well, not fine exactly. She's...in a coma,' Ron says sadly. Oh, Amanda says softly. 'I'm...I'm sorry,' she says.

'I am too,' he says, looking in at his wife longingly. 'It's been a while since her...accident, but I'm still not used to...not REALLY having her around...to not having that...intimacy with her,' he continues. Amanda's worry has been replaced with pity for this lonely man and she looks at him sympathetically. 'I want SO BADLY to be close to her again. That's why I called you here tonight, so you could...HELP us be close again, so you could---just for tonight---BE my Bonnie,' he continues.

Amanda thinks for a moment. Oh sweetie, he could have just said that over the phone, he really freaked her out there for a second, yeah...OF COURSE she can do that for him, Amanda says kindly. He smiles with relief. Thank you, he says softly. 'That means so much to me...to...US', he says, gesturing towards Bonnie. Amanda smiles back at him.

So...why doesn't she come in?, he asks, waving her into the bedroom. His side of the bed is waiting for them..., he adds. This stops Amanda in her tracks. Her smile vanishes, her wariness returning. 'Wait, you want me to...right next to her...?' Amanda asks in disbelief. Yes, it will help him to feel closer to Bonnie by actually BEING close to her, he explains. Oh..um..wow, Amanda says quietly, shocked. She understands, but...her services don't usually include this sort of...thing, she tells Ron. Maybe it's best if he calls someone else, Amanda says delicately, again moving to leave.

He puts his hand lightly on her arm to try to stop her. 'PLEASE, please...don't go, I just...I miss her SO much. Will you please...will you...pretend to be...my wife?' he asks pleadingly. Amanda looks back at the man, glancing over his shoulder at his comatose wife. She is clearly weighing her options, considering his request. He looks at her expectantly. Finally, she takes a deep breath. Ok, she'll do it, Amanda says. Relief washes over the man again. Thank you, he says quietly. He moves towards the bed, smiles down at his wife and kisses her softly on the forehead. Amanda looks on uncomfortably. He crosses over to his empty side of the bed and sits down. Please, please, he says, motioning her to sit next to him. He smiles encouragingly.

Amanda, still a little uncomfortable, hesitates for a second, but her professionalism quickly takes over and she assumes her role, sitting next to Ron as Bonnie lies on her side behind them. Amanda shoots a quick, cautious glance over her shoulder at Bonnie before devoting her attention fully to the man, laying her hand on his leg and smiling seductively at him. He smiles back, brushing a hair from his face. 'You look so beautiful, honey. I've...I've missed you so much,' he says to Amanda. 'I missed you too, Ron,' Amanda says, moving in to kiss him. Their kiss quickly becomes passionate as she moves her hand towards his groin, caressing his package over his pants.

As he kisses her neck, Amanda can't help but glance over his shoulder at Bonnie. Bonnie still lies on her back looking straight up with her eyes closed, but it's as if Amanda can feel her watching her.

THE PRODIGAL DAUGHTER
IMPOSTER POSES AS COUPLE'S LONG-LOST DAUGHTER TO FULFILL TWISTED DESIRES

SCENE OPENS on Bryce (Derrick Pierce), Kim (Dee Williams), Darryl (Brock Slayden), and Rhonda (Venice Rose), all waiting anxiously in a living room. Bryce and Kim are excited and nervous. Kim says she can't believe this is happening after all this time! Bryce kisses his wife's forehead lovingly. He says that he can't believe it either -- their little girl is coming back to them! They have a second chance to be a family -- it's almost too good to be true.

'It IS too good to be true,' Bryce's brother, Darryl, speaks up. His expression is suspicious. His wife, Rhonda, is standing nearby and looking worried as well. 'SOMEONE has to be the voice of reason, so it may as well be your brother. Your little girl went missing 12 years ago. No one turned up ANYTHING! Not the cops, not the FBI -- NO ONE. And now Scarlett suddenly pops up out of nowhere?' Darryl states. At that moment, the doorbell rings, and Bryce and Kim answer it excitedly. A teen, Scarlett (Jane Wilde), waits on their doorstep with a police officer, announcing that she's the daughter they've been looking for.

As they greet each other, Scarlett avoids talking about her past, though her parents don't seem to find it suspicious. Darryl and Rhonda are even more suspicious of Scarlett, and she seems to recognize that they are a threat to her plan. Kim says that she'll show Scarlett to her room. 'That'd be great... Mom,' she says. Yet, as they head off, Scarlett gives one more cautious look back to Darryl and Rhonda.

When Kim and Scarlett leave the room, Bryce gets even angrier at Darryl when Darryl tries to warn him again. Exasperated that he's not getting through to his brother, Darryl and Rhonda leave the house.

A week later, Bryce returns home from work and overhears Scarlett having a suspicious conversation that signals she may not be who she seems. Scarlett hears him listening at her door, asking if there's anybody there? Bryce makes himself known by opening the door and acting like nothing is wrong. She lies and tells him that she was napping. Bryce knows that isn't the truth, so he looks a bit taken aback as he tries to recover. He says that she should wash up because when Mom gets home shortly, they're going to go out for dinner.

Scarlett starts to double-down on her deception, trying to resort to sexuality to find out what Bryce knows, but their confrontation is interrupted by Kim coming home. 'Ahh, that's your mother. I'll leave you to get ready for dinner,' he says as he leaves the bedroom. As he slips out, Scarlett's expression becomes worried and dark.

Downstairs, Bryce quietly talks to Kim, sharing that he's worried something is amiss with Scarlett. Kim looks more anxious now, asking if he thinks Darryl and Rhonda are right? 'Right about what?' Scarlett suddenly speaks up, appearing behind them. She's still trying to look innocent, but there's something more sinister about her now as she approaches them. 'You ARE our precious Scarlett, aren't you?' Kim asks, her voice trembling as she grips Bryce more tightly.

She hugs herself, putting on a show, and says that when she was six and on a playground, she was... taken away by a man and woman. They claimed they were friends of Bryce and Kim's, and that they were there to take her home. But... they never took her home. She'd repressed it for many years but then started to wonder when she was a teen where she came from. Then, just after she turned 18, she finally found a story in an old newspaper at the local library about a missing child. When she saw the picture, she knew it was HER. That's how she got Bryce and Kim's names, and, well, here she is, after all this time...

Bryce questions what Scarlett was wearing the day she went missing. Scarlett accurately describes the clothes that were mentioned in articles about the missing child. But Kim asks more specifically about a necklace, which Scarlett stumbles over. Faced with no other choice, Scarlett finally admits that she's not their real daughter. Kim chokes back a sob and Bryce shouts at Scarlett to get the fuck out of their house before they call the cops! Scarlett is unmoved and unafraid, saying that wasn't the past week the best week of their lives? 'That was when we thought you were our child! Our flesh and blood!' Kim cries.

Scarlett continues to manipulate them, trying to get them to accept them as their daughter to live out their fantasy of having a real family. She's more than happy to keep this up and build a life with them, although it'd be nice if there were some... extra perks... with the arrangement as well. As she says this, she traces a finger along Bryce's arm, looking at them with more seductive eyes. They're very beautiful people -- it's a shame she never got their genes. Bryce and Kim are horrified and reject Scarlett. She presses on, breaking them down by threatening to lie to the police and tell them that Bryce and Kim were the ones who kidnapped her and were keeping her locked in their basement for all these years.

Bryce and Kim seems to be breaking down now, at a loss for what to do. Scarlett takes this time to feel them up a little, though she works it into a hug, squeezing them close. 'So, what will it be?' Bryce and Kim look at each other, broken. Kim swallows hard and nods briefly. Scarlett looks pleased and says that they made the choice, so now it's time to seal the deal with a little something extra. A little fucking around in exchange for their family name to be carried on for generations to come? That's nothing, right?

It might feel wrong at first, but Mommy and Daddy will learn to like fucking their prodigal daughter soon enough!

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

'Anytime your boss tells you yes or no, you have to respect their decision.'
-Unknown

THE SECRETARY

We open with the secretary (Jill Kassidy) laying on the floor with her ass up, looking sexy in her white blouse, pencil skirt, and high heels. Her fingers glide along the keys of the typewriter as she types 'YES BOSS' over and over again. In the background, her boss (Derrick Pierce) watches from his desk, hungrily admiring the view.

Once the secretary is done, she brings her boss the sheet of paper, eager for his praise. The boss calmly uncaps his pen and corrects her work. He's dissatisfied, handing her back the paper and telling her, 'Again.'

The secretary grins to herself as she hurries off.

CUT TO the secretary returning with another sheet of paper, with the handwritten words 'PLEASE BOSS' scrawled across. When the phone rings, the boss orders her to answer it while laying across his desk. As she obediently does so, he corrects her work by holding the paper against her ass. After she hangs up, he gives her the corrected paper, ordering, 'Again.'

The secretary's almost giddy at his stern tone, biting her bottom lip as she clutches the paper close to her chest.

CUT TO the secretary knocking on the boss' door. Once she's allowed in, she folds the sheet of paper and holds it in her mouth while getting down on all fours. She slowly crawls to her boss' desk, acting submissive as he stands tall before her. When he takes the paper from her mouth, we see the words 'FUCK ME BOSS, PLEASE!!' written in large, desperate letters.

Finally satisfied with her work, the secretary's wildest fantasy is about to come true as her boss orders her to bend over his desk.

'Do I go out of my way to help others?
Am I sincere in what I say and do?
Have I a good memory for names and faces?
Can I put people at their ease?
Can I take care of all my boss' needs?
Then, one day, I will be a good secretary.'

BIOGRAPHY OF A VIRGIN
OBSESSED TEACHER DEVELOPS DARK FIXATION ON VIRGIN STUDENT

Mr. Davies (Michael Vegas) is burning the midnight oil as he grades papers in his home office. He's down to the last one for the night, thankfully, although once he starts reading it, time seems to slow down.

The essay is about a girl (Carolina Sweets) owning the fact that she's an 18-year old virgin. Betty's proud, recognizing that her virginity is a special gift -- she doesn't want to give it away to just anyone...

Mr. Davies fixates on the student, hearing her utter, 'I'm a virgin,' in his head over and over again, slowly driving him mad with lust. It's like she's calling to him to be that special someone to make her complete...

The next day, he invites Betty over to discuss the essay and how beautifully it was written. Betty is naive about everything, though is happy to be in the presence of a teacher she admires. Yet, when Mr. Davies starts paying her more compliments than she's used to, she grows suspicious of his true intentions.

Finally, Mr. Davies asks if she feels it, too? The connection between them? When he read her essay, it was as though it was specifically written for HIM -- as if she was asking HIM to have the honor of taking her virginity.

Betty is shocked, exclaiming that that's not what she was implying at all, but Mr. Davies has power over her. If she doesn't give herself to him, he might stop her from graduating school or getting accepted into good colleges. He could end all her dreams with just one report card...

To save face, she submits to Mr. Davies' twisted delusion, willing to give up her virginity in order to prevent him from taking EVERYTHING from her.

Winner - Best Actor - Featurette: Tommy Pistol, AVN 2020

Winner - Best Actor -- Taboo-Themed Release: Tommy Pistol, XBIZ 2020

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

Nominated - Best Sex Scene -- Taboo-Themed: Whitney Wright & Tommy Pistol, XBIZ 2020

THE AURA DOLL
WOMAN AGREES TO HAVE THREESOME SEX WITH MAN AND SILICONE LOVE DOLL

SCENE opens on the outdoor patio of a quiet café. Becca (Whitney Wright), a mild-mannered college student, sits quietly reading when her friend arrives with a pair of coffees. Putting her book aside, they hug and sit down to catch up, sipping their beverages and small talking about life and their plans for the next semester. Becca's phone suddenly buzzes. It's a notification from a dating site she's subscribed to, telling her she's got a new match. Becca looks embarrassed, but her friend encourages her to swipe and check out the man's profile. After all, she did say she wanted to get out more after her breakup, right? Becca nods. The man is handsome, older, and has messaged her, asking if she would be interested in a threesome with him and his girlfriend. The thought of this makes Becca blush but her friend encourages her to write back. 'That app is vetted, I use it all the time!' she says. 'What's the worst that's going to happen? You have a funny story to tell?' Becca bites her lip and asks for reassurance. Should she should really write him back? The friend nods. 'Totally,' she says, sipping her coffee as the camera pans down Becca's unsure face to the profile she is staring at.

CUT TO TITLE PLATE

Becca stands in the bathroom mirror, in her bra and panties. She is staring at herself, trying to psych herself up for her date when her phone buzzes again. The man she met on the app, Robert, has texted her directly. 'We can't wait to meet you tonight!' She bites her lip before turning back to stare at herself in the mirror. A slight smirk crosses her face. She's excited.

Cut to Robert's house. Becca knocks and nervously straightens herself out, when Robert (Tommy Pistol) opens the door. He is calm and inviting, exclaiming how breathtakingly beautiful she is and extending his hand to lead her inside. The living room has been set up with candles and wine, which he offers, and she accepts. They small talk for a few minutes, mostly about how nervous and excited they both are. It's their first time doing this. Becca is very charmed by the mild-mannered man and even allows herself to get closer to him, as they both start to gear up for their hookup together. But someone is missing. She casually asks Robert where his girlfriend is. 'Oh, she's just in the next room,' he says confidently. 'We were putting the finishing touches on dinner. Would you like to meet her?' Becca nods and they stand up to walk in the other room, where a full dinner has been laid out on a nicely decorated dining table.

A woman sits frozen at the end of the table, her back to Becca. Robert starts to rant about the lovely meal they have prepared and how excited his girlfriend, Harper, is about their night together while Becca stares at the woman's backside. A chill runs down her spine. Why isn't the woman moving? She slowly turns to look at the man whose hand is now grazing her back. 'Robert....?' She begins to say when, nervously, the man pulls Becca into the room fully to introduce Harper. A silicone love doll, dressed neatly in a party dress, has been propped up in a chair waiting for them. Becca's eyes go wide, and her mouth drops open in shock, as she backs away from the table and the man's grasp. 'What is wrong with you?' She gasps, grabbing her bag while he chases after her.

Robert pleads with her to stop, to listen to him, to listen to them. Yes, it is an unconventional relationship, but his love for Harper goes far beyond just a toy. Since his actual wife died years ago, she has been his only true source of comfort. The only woman who wouldn't reject him. It was her attention and affection that helped him gain the confidence to start dating again. To try the app. It was her loyalty that made him feel like a whole person again. Couldn't she please just try to be understanding? She seemed so open-minded while they were chatting. Harper isn't just a doll, she is a real woman, just one made of silicone. If she would only stay and try it, she might even enjoy the experience. As Robert rambles on, Becca backs up to the door, her mind racing. She is able to stammer 'No thank you. I'm not interested. Please don't contact me again!' before running off into the night.

That night, as Becca lies in bed, she dreams that Harper is lying beside her. In her dream, she begins to caress and kiss the silicone woman's body as the camera cuts back and forth between her fantasy and her tossing in her bed. Finally, she opens her eyes to find herself alone and breathing heavily.

The next day, Becca sits beside her bed, distracted. She keeps picking up the phone but there has been no contact from Robert. She stares at his profile longingly, wishing she could see Harper's face too.

Later that evening, Becca lays on her bed, looking at her laptop. She searches 'silicone woman' and pulls up a website called AuraDolls.com. Scrolling through it, she discovers the Harper model and stares at it. She can't help but be turned on by the thought of being with her. She knows what she needs to do. She closes the laptop and, grabbing her purse, leaves the apartment.

Robert sits in his bedroom, quietly reading beside Harper, when he hears someone slam the front door and run up his stairs. Nervously, he gets out of bed to confront them when Becca appears in his bedroom doorway. She is frazzled and full of adrenaline. 'Becca! How did you get in here?' He asks, confused. She walks up and kisses him boldly on the mouth. 'I let myself in, I hope you don't mind.' She whispers. It's the first time a real woman has kissed him in years and Robert melts at her touch. She looks at the doll sitting in the bed. 'I want to try it,' she whispers in his ear. Robert starts to tear up, as he looks at the two women in his bedroom. He takes Becca's hand and pulls back the cover to his bed to invite her in.

Tentatively, Becca begins to caress Harper's face, asking Robert if she can kiss Harper. Robert hops onto the bed and puts his arm around Harper, telling Becca that she's very affectionate. Becca climbs up onto the bed and moves towards Harper. She confesses to Robert that she's very nervous, but he reassures her, telling her that there's nothing to be nervous about. Becca can treat her like a real person. Becca delicately kisses Harper's soft lips before turning her attention to Robert and kissing him. Soon the two pull away from each other and slowly peel the negligee off of Harper's chest. Robert leads Becca in caressing Harper's full breasts as Becca gasps. Robert takes off Becca's shirt as she lays down next to Harper. Slipping off the rest of Becca's clothes, Robert trails kisses down her thighs, lightly tonguing her clit before spreading Harper's legs and licking her pussy. Alternating between Harper and Becca, Robert eats both of them out hungrily.

Becca may have been hesitant at first, but now that she's gotten to know Harper, can she ever live without the Aura Doll again?

CUM INSIDE
TEEN'S CREAMPIE HOOKUP AD DRAWS UNWANTED ATTENTION FROM INTRUDER

SCENE OPENS on a teen, Meg (Gianna Dior), in her bra and panties on her bed. She is sensually humping a pillow between her legs, moaning as she thrusts into it. She's holding her phone in her other hand, and every time she gets a message she slows her humping to look at the phone and type a response. 'Yes, I AM all alone right now, my parents won't be back for hours...' she says out loud with a smile as she types and then sends the message. She goes back to playing with herself.

A few moments later, her phone sounds again. 'Yes, I AM over 18 - eggplant emoji,' she says, dictating her text all the way down to the emoji she adds for effect. She goes back to pleasuring herself. Seconds pass, and her phone sounds a third time. 'Oooh, I can't wait for you to cum inside me,' she says as she types. She sends the text, and then types up another message. 'My address is...'. She hits send. Almost instantly, she gets a single one-line reply, which we see displayed on the phone. 'see you soon.' it reads.

With a smile, Meg puts down the phone and gets back to pleasuring herself with the pillow. Her ass is mesmerizing in her skimpy underwear as she bucks her hips back and forth. She licks a finger of her now free hand. She slips the finger through the waistband of her underwear and starts fingering her pussy, pressing in deeper as she backs into it after each thrust forward into the pillow. She enjoys this rhythm for about a half-minute, before pausing to pull a dildo and lube out of her nightstand drawer. She lowers her underwear and lubes up the dildo with gentle strokes of her hand over the plastic. Eagerly, she sticks it in her pussy, easing it deeper into herself with soft moans. She begins fucking herself with the dildo and fingering herself on the bed for several minutes.

Her phone sounds again, and Meg wonders aloud to herself as she picks up her phone whether he got lost. She looks at her messages and remarks that it's a message from another guy. She reads it silently to herself and bites her lip and grins. 'I'm busy for a little while... but how about in an hour?' she says as she types. She types with one hand, and we see her other hand playing idly with her lubed up pussy as she waits for a response. 'Sure, I can host. I'll text you the address...' She types rapidly into her phone and hits send. She starts to type another message - 'I can't wait for you to...' At the moment where she would say the words 'cum inside', we cut to the title plate of the same name.

TITLE PLATE

CUT TO another day, Meg is wearing some casual clothing and milling about her bedroom. She is dancing energetically as she tidies up her room. Her booty shakes enticingly as she moves. We watch from a male gaze POV for a good half-minute. Then, suddenly, we cut to a different POV, a voyeuristic one watching her dancing from outside her window which is ajar. We cut back to the interior of her room, then back again to the voyeur's perspective.

Meg finishes cleaning and then decides to unwind with a bath. We watch her undress from the interior male gaze POV, though we see the tail end of her undressing and her leaving the room from the voyeur POV. After a few seconds of staring into the empty room, the voyeur POV seems to get up and walk forward.

CUT TO inside the washroom, where Meg is naked and is turning on the water for the bathtub. She checks the temperature of the water with her hand, then makes an impatient face. She waits for a few moments awkwardly. Suddenly she hears a faint creaking sound from the other room. She cranes her neck to listen, then asks if anyone is there. She peeks around the bathroom door and sees a strange man (Seth Gamble) looking back at her.

The intruder is standing calmly, hands in the pockets of his ratty jacket, his hood up over his head. He looks tough and intimidating. Meg's heart is racing and her breath is shallow and panicked, clearly frightened by the stranger standing just to the side of the doorway out of the bathroom.

She asks him what he's doing, how did he get in here? The stranger replies 'You left your door open,' in an eerily calm soft voice. His calmness just makes Meg even more nervous, and she shrinks back a bit. Why is he here? 'I got your invite,' the intruder answers. Meg looks him up and down, still frightened but also confused. She didn't send him any invites. The intruder tells her softly that she should be more careful with giving out her address so freely online. The internet can be such a scary place.

Meg tries to muster up the courage to seem less afraid than she really is. 'I'm not really in the mood for sex right now,' she says, trying to reason with him. 'That's too bad,' he replies sounding disappointed, 'I am.' Meg gulps and tries to ignore his reply. She tries to lie, and suggests that maybe he could give her his contact information and they could hook up another time. The intruder pouts and says why not do it now? He's here, she's naked, now seems like as good a time as any.

Meg insists a bit more strongly that now is NOT a good time. 'Oh... ok...' the intruder says disappointed but doesn't press the issue further. Meg waits expecting him to say something, move, leave, but he just stands there. Her voice wavers as she asks why he won't leave. 'YOU can leave,' he says almost as an invitation, 'the door's right there.'

She stands still in place, terrified. Almost tauntingly, he follows up by asking her what she's waiting for. She starts to walk towards the door, slow and hesitant, and gets a couple of steps forward until he makes a quick gesture causing her to flinch backwards - nothing violent, just something to spook her. He laughs almost playfully, he was just teasing her. She really can just walk right past him if she wants to leave. What is she afraid of? But instead of walking forward again, Meg shrinks back further into a corner.

The intruder remarks that it seems like she doesn't want to leave, it seems like she wants to stay. 'Please,' Meg begs, but is too scared to get more words out besides incoherent mumbling. The intruder takes a step forward into the room, and asks please what? Please fuck her? That's all he's been asking to do all along. Meg shakes her head but can't manage to choke out any other words. The intruder says he'll leave if he can fuck her. That's what she wants, right? Meg clutches at the towel barely covering her body and nods yes, still not able to form any words. The intruder asks that she meant she wants him to fuck her, right? Because it almost seemed like she nodded because she wanted him to leave. But the invite said she wanted to get fucked.

Meg puts her hands over her face in desperation, then after a moment of reflection she gives in. Yes, she says defeatedly, she'll let him fuck her if he promises to leave after. As he starts unzipping his pants, the intruder says matter-of-factly that of course he'd leave after, this isn't his house.

NYMPHOMANIA: AN EMILY WILLIS STORY
PSYCH PATIENT HAS SEX WITH DOCTORS AFTER GETTING CAUGHT MASTURBATING

SCENE OPENS on Katherine (Emily Willis), a 19-year-old patient, as she is dragged through the halls of the hospital she lives in by a male orderly (Chad White). She is kicking, biting, and screaming in a long straight jacket that envelopes most of her petite frame. Her fuzzy blue socks slip on the floor as she struggles, begging the man to take her back to her room. She promises not to do it again! But the man silently pulls her through a set of double doors and into an empty white room where the chief psychiatrist (Michael Vegas) is quietly waiting for her. The orderly slams her down in a chair in front of him and goes to wait by the doors.

'Katherine,' the psychiatrist begins calmly. 'How many times do we need to go over this? It's a strict rule in this facility that you cannot have sexual intercourse with the other patients!' He leans closely into Katherine's face and stares her down, as she turns her head. 'I'm sorry, doctor,' she whispers. 'I couldn't help myself ... I can't control it.'

The doctor steps back and pulls up a chair to face her. 'Katherine, I fear that your disorder is going to continue to put you in harm's way,' he continues. 'Do you forget what happened a few months ago with the patient in zone B?' Katherine shakes her head and squeezes her eyes shut. Her mind flashes back to the image of a terrifying man behind bars, coaxing her to come inside with him. 'Do you remember the beating? The way he tore you up?' the psychiatrist continues. 'How he nearly took everything away from you? Almost took your life away from you?'

Katherine opens her eyes as tears well up. 'Please don't talk about it,' she begs. 'I can't think about it anymore!' The psychiatrist continues to berate her, suggesting that her nymphomania provoked it, that she is to blame for all her transgressions, that she won't stop no matter how rough it gets, and that one day it'll mean the end of her if she doesn't stick to her treatments like a good girl.

Finally, Katherine screams at the doctor to stop. Covering her ears and crying, she begs to be taken back to her room. The psychiatrist smiles. 'This is your final warning, Katherine,' he says, becoming calm again. 'You will complete your abstinence program, which means no sex, no masturbating, no touching yourself of any kind.' As he makes his final warning, the orderly steps back in and calmly picks Katherine up and carries the nervous woman out of the room.

CUT TO TITLE PLATE

Several days later. The orderly is doing his rounds, when he peers in on Katherine's room. She is on the floor by her bed, naked except for her white cotton panties. Her legs are spread wide and the patient is choking herself with one hand while using the other to finger her wet pussy. Authoritatively, the orderly opens the door and storms into the room, chasing the scrambling girl back to her bed. In a panic, she pleads with him not to say anything. She doesn't want to be restrained again. The orderly laughs in her face. 'Well, you should have done what you were told then!' he sneers. 'Now, I'm going to do what I've been told ... and take you back to the doctor. Your actions have consequences, Katherine!' He slams her down on the bed and begins to put her in her jacket, as she begs and pleads for mercy.

CUT TO the white room. The double doors bust open and the restrained girl is tossed on the floor at the feet of her psychiatrist. She cowers beneath him, as the orderly tells him that he caught her masturbating and trying to auto-asphyxiate herself. The psychiatrist shakes his head as she cries out, 'Please, doctor. Please! I am so sorry, I won't do it again. I promise! Please don't send me down to B. Please have mercy!'

He leans in close again, grabbing her chin in his hand. 'I guess this is just who you are, isn't it?' he says condescendingly. 'You'd rather have sex and suffer the consequences than just control yourself?' She shakes anxiously.

Dropping her back to the ground, the psychiatrist begins to slut shame her as he circles the restrained girl. He tells her that she is the one to blame. She keeps provoking her partners. She keeps putting herself in these situations for a reason. It's the violence she craves. The roughness. The patient in B was just a warm up for what she really wants. Men that will hurt her and punish her for the slut that she is. She probably deserves it all.

As he rants, Katherine begins to cry. She is traumatized by her own thoughts and actions and begs her doctor to stop being so cruel. She looks back at the orderly and notices him rubbing himself over his scrubs. He smiles at her. Looking back at the psychiatrist, she reiterates that she can't help it. She can't control herself. 'Are you ready to go back to B? Because we won't protect you this time!' the psychiatrist coos. Katherine pleads for forgiveness. 'Please, please don't make me go back there!' she cries. 'I'll stop, I promise. I won't be able to take it again, doctor. Please I'll do anything you want!'

The psychiatrist and the orderly look at each other and smirk. 'You're such a selfish little nympho,' he says, taking off his jacket. 'You only care about pleasing yourself. What about your partners? Are they pleased when they're through with you and your holes?' Katherine asks what he is talking about. 'You love sex more than anything, don't you? You'd do it with practically anybody, wouldn't you?' he continues, slipping off his shoes.

She looks around confused. 'I have a condition,' she says slowly. 'And what about how we feel?' he asks. 'We have to tolerate your bullshit and disobedience every day ... without any kind of relief. Don't you think you should be a little more grateful to us?' As the psychiatrist says this, both men pull their cocks out of their pants. At first Katherine looks away in shock and closes her eyes. The men move their cocks closer to her face. She bites her lip. She can feel them near and it drives her insane. She starts to writhe in her straight jacket. 'That isn't professional,' she mumbles, her eyes still closed.

The psychiatrist asks if she wants them to remove her straight jacket. She nods nervously. The psychiatrist asks if she wants to be taken back to her room. She nods again, opening her eyes to stare at the cocks surrounding her. She is almost salivating. 'Then you need to be a good girl and let us have a piece of you too ... just like everybody else,' the psychiatrist orders. The orderly chimes in. 'Are you going to agree with your doctor?' he asks. She stares at him, holding his cock, before turning back to the psychiatrist. 'Yes ... sir,' she says slowly, biting her lip and squeezing her legs together on the floor.

EYE FOR AN EYE
PETTY TEEN SEDUCES FRIEND'S BOYFRIEND AS REVENGE FOR MINOR SLIGHT

Alexis (Kristen Scott) and Cori (Vanna Bardot), two friends, walk out of school, waiting for Cori's dad to arrive to pick her up. They make a bit of smalltalk as Alexis casually asks Cori how things are going with Jason, her boyfriend? Cori is a bit religious and proper, so tries to avoid talking directly about anything sexual with her and Jason, though Alexis playfully eggs her on -- come on, they're best friends, they can tell each other anything! Cori gives in and says that Jason tried to get a blowjob from her once, but he should know better -- they agreed to wait until marriage! Sure, she's 18 and he's still got a couple years left of college, so marriage isn't going to be happening any time soon, but before then he always seemed very understanding and willing to wait... Since then, though, he's been a bit standoffish. What if she drives him away by not doing things with him?

'I mean, I personally don't think you should make a great guy like him wait so long. You should be making sure to lock a good thing like that down. A lot of girls would be happy to have him...' Alexis insists. Cori gasps and playfully shoves Alexis, telling her that those girls will have to get through her first! Alexis then smiles and shrugs, saying that if it's meant to be, it'll be. If he's 'the one' for Cori, then he'll wait...

Cori then curiously asks Alexis what it was like when she lost HER virginity? Alexis says it was nothing great... Cori hums and says it was that nerd from their physics class, right? Freckles, or whatever his name was. 'Yeah, but you KNOW that's a sore spot for me. I could've done so much better than FRECKLES! It was my 18th birthday and I wanted to do something wild and he was literally the first guy I saw, so... As far as everyone knows, I got my cherry popped, or whatever, by that sexy quarterback, Taggart, behind the bleachers like the proud slut that I am,' Alexis insists.

Cori then pauses, looking guilty. 'Oh...' Alexis slows and raises her brow. 'Oh...? Cori, what did you do!?' Cori admits that she was talking to some girls in their biology class who were making fun of Freckles, saying that he was never gonna get laid... And she may have stood up for him saying that he DID get laid... by Alexis.

Alexis is devastated, unable to believe that Cori betrayed her. 'Cori, how could you! That was supposed to be between US!' she exclaims. 'I didn't MEAN to! They were just being so mean to him. I felt BAD!' Cori insists. 'Oh, my god, they're all going to think I'm SUCH a loser now!' Alexis moans.

Cori continues talking, trying to win Alexis back over. Alexis is her best friend -- she'd never mean to intentionally hurt her! She's sorry and wants to make it up to her. What about dinner tonight? Her treat! Alexis shrugs off the offer bitterly saying she has plans tonight. 'Is there anything I can do to make you forgive me?' Cori asks. Alexis takes a deep breath and then puts on a small smile. It's fine, Cori, she says, she was overreacting. Cori is relieved to see her that friend isn't mad at her anymore. Cori's dad has arrived, and she heads down to his car, waving to Alexis and apologizing again. Have fun with those plans tonight, Cori says joyfully. Oh, she will, Alexis says. She'll tell Cori all about it tomorrow.

As Cori walks away, Alexis' expression darkens and over seconds turns into full-on disturbed rage - she is quietly seething and hyperventilating as she pulls at her hair, looking like she's about to scream in anger any moment.

TITLE PLATE

CUT TO Jason (Nathan Bronson) sitting in his house, working on some schoolwork. There's a knock on the door and when he answers it, Alexis is standing there. He's confused to see her and asks what she's doing there? Is Cori with her? Is Cori OK?? Alexis tells him to relax and says she just happened to be in the neighborhood and wanted to say hi. It seems like he's so busy these days! Jason apologizes, saying that he's been so swamped with his projects. College is way more demanding than high school! He wasn't expecting it. Now it feels like high school was a breeze... He's a little jealous of Cori and Alexis, to be honest!

'YOU'RE jealous of US? If anything, I'M jealous of HER,' Alexis wistfully says as she follows Jason inside to the table, giving him a flirty look. She takes a seat across from him. 'What, why?' Jason asks, shifting a little uncomfortably under the look. 'Well, LOOK at you -- you're so smart, hardworking, polite, ...attractive... you're such a good guy, a guy who deserves to be rewarded in life so much more than he is...' she says. Jason is taken aback, hesitantly asking her what she means. Alexis laughs. 'Oh, come on, I'm Cori's best friend, I know all about the situation between you two... her saving herself for marriage, and everything,' she says in a kind but almost patronizing way. 'It's so sweet of you to do that for her. But that must be so HARD for you... What was it like when she blew you off when you wanted your dick sucked?'

Jason is flustered, saying that he really doesn't want to be discussing his sex life with her. 'Or lack of,' Alexis retorts. Alexis apologizes and corrects herself, saying that what she meant was that Jason is sacrificing so much for Cori to make her happy. What is she sacrificing for him in return? Jason stutters, flustered, that's not how relationships work... she doesn't have to... Alexis continues digging at his insecurities though, saying that the blowjob he suggested could have been a perfect compromise, still saving Cori's virginity but giving him some needed attention too. And what did Cori do when he asked her? She turned him down. SELFISH, that's what it is, Alexis says. It's bad enough she's denied him the basic pleasures of a relationship, but now she's even made him feel bad for wishing for more. With Cori. Or with other girls. Jason shouldn't ever feel bad for those urges, he's supposed to be in his sexual prime and instead he's like a beaten dog on a leash.

Alexis slowly rises out of her chair and saunters around the table and stands behind him. She puts her arms over his shoulders and glides her hands along his firm chest. 'Oh, come on, Jason... I know you want me... I see those looks you give me when you think no one's watching... To be honest, I've been wanting you ever since I first met you...' Alexis says. But obviously, she's a good friend so she kept her hands to herself... until now...

Jason asks what changed? Alexis half-lies and says that she just can't sit idly by anymore while Cori ignores HIS needs. Jason's been so patient with her, but shouldn't she be thinking about HIM, too? Does he even WANT to wait until marriage? Why SHOULD he, when there's so many other women out there that would LOVE to have his cock in their mouths. Jason tells Alexis that it's time for her to leave; he can't let this go ANY further-- he loves Cori. He turns away from her.

When he turns back to Alexis, he sees that instead of leaving, she's slipped off her clothes and stands there naked. Slowly she walks over to him as Jason stares at her tight body. 'Please, Jason,' she says seductively, showing off her naked body to him in full display. 'Haven't you waited enough? Haven't we both??' Those words, plus the sight of a pussy just waiting for him to dive in, finally win him over. Yeah, he says softly and Alexis slides her hands down to the front of his pants, pulling his dick out. She sucks on his balls before sliding her mouth over his shaft.

Alexis is going to give Jason exactly what he's been missing, and in the process, make Cori regret ever betraying her...

BROTHER'S WRATH
ANGRY TWISTED BROTHER TREATS SISTER LIKE SEX DOLL

SCENE OPENS with a kind man, Mr. Adams, sitting at a coffee table while Mandy (Gia Derza) walks over to him with a cup of coffee. Mandy is smiling, though the smile is thin and doesn't reach her dull eyes. Her movements are slow, as though it takes a great amount of effort to do anything.

'Here's your coffee,' she says to her teacher. Mr. Adams thanks her as she slowly sits down opposite of him. It looks like she's in a daze, and Mr. Adams is visibly concerned about this. Once she's seated, he thanks her for letting him in. He doesn't visit his students in their homes like this very often -- in fact, this is the first time he's done it! -- but he just wanted to check up on Mandy.

'Oh, why, sir?' Mandy asks, her voice still faint and faraway. Mr. Adams clears his throat and says that she's been missing a lot of classes lately. He's concerned about her since he knows what it's like to lose someone, he's lost his mother, too. He just wants her to know there's help available whenever she needs it.

Mandy says she's fine, she has her step-brother, Ryan (Seth Gamble), looking after her now. At the mention of his name, Mr. Adams looks more concerned, saying he wants to talk to her about that. Is everything good between them?

The camera focuses on Mandy's face, her smile fake and eyes glazed over. 'Yeah, of course, everything's fine.'

TITLE PLATE

Mr. Adams doesn't look convinced and opens his mouth to speak, but his phone goes off in his pocket. He checks it, then hesitates as he says he has to go. He thanks her for the coffee and rises to his feet, as she mindlessly smiles after him. He tells her, in a careful way, to contact him if she needs ANYTHING... Mandy reiterates that she's fine but thanks him for his concern. Mr. Adams is still torn but finally takes his leave.

Once the door is closed, another man speaks up from behind Mandy. 'What's he doing here?' Ryan asks, his tone guarded.

She responds that he came by to check on her. Ryan's eyes darken as he approaches her. 'Oh, and what did you tell him?' he asks, his voice dangerous. 'I told him the truth, of course, that everything is alright and that he doesn't need to worry about me,' she responds. Ryan then smirks, patting her hair like someone would do to their pet. 'Good girl,' he praises in a mocking way. Mandy doesn't acknowledge the pats or the praise, still detached from most everything.

Ryan then continues on, saying doesn't Mandy want to know how his day is going? Mandy apologizes, although it's hollow, and asks how his day was.

Ryan gushes about his girlfriend, who he just got back from a date with. She's perfect in every way... She has big blue eyes, amazing breasts, and legs that go on for days... Mandy says that she's happy for him. It sounds like Betty is making him very happy. He gives her an odd look and laughs in a cruel way. 'Betty was two girlfriends ago. I'm dating Lucy now, you knew that, silly.'

Finally, he grins and wraps his arms tenderly yet possessively around Mandy. He murmurs into her ear that she doesn't seem very happy for him and how well things are going with him and his new girlfriend... He's worried about her, he says in an exaggerated tone to show that he really isn't. Maybe it's all those stressful thoughts about school, he says. Really, at this point, she should just think about quitting if it's too much for her. He then creepily tells her that that way he would have a lot more time to look after her, he's always going to be here to take care of her... She's hopeless without her big brother, after all.

'Yeah, I am,' Mandy says, almost mindlessly, though she lifts her hands to touch the arms wrapped around her, nudging her head back against him. 'Yeah, you need me,' Ryan reiterates as he presses their heads together, smelling her neck. He needs Mandy, too, of course... She's the only one he can turn to when he has that itch he can't scratch. Lucy, Betty, all of the other girls he's been with... they're too sensitive. He could never ask something like that of them. But not Mandy, she's a good girl that can take it.

Mandy echoes that, yes, she's a good girl that can take it...

Ryan creepily begins feeling Mandy up now. Although her eyes are still blank, she doesn't resist his touches. In fact, she subtly presses into them. It's all done automatically, as if she's been conditioned to do it through prior experiences, but it still signals that he can touch her.

Mandy allows him to kiss at her neck and grope her breasts through her shirt for a few moments. Her eyes seem less hazy for a moment as she carefully mentions that people are starting to get concerned about her being home all the time... like Mr. Adams...

Ryan's expression hardens briefly, though then subsides as he cups Mandy's cheek. He tells her not to trust Mr. Adams -- he seems like a bad influence. Mr. Adams doesn't have her best interests at heart -- HE does. Mr. Adams, and all those other people out there, just want to separate them because they don't understand the love they have for each other... Mandy loves him, doesn't she? Mandy utters that she does, pressing into his hand.

Ryan pulls Mandy close, running his hands hungrily over her body, and reminds her that he's the only one that knows what she needs -- what she REALLY needs. If anything, he's doing her a favor, he's just being a good big step-brother! It took some work to get to where they are now, but she's finally the way he wants her -- perfect.

Nominated - Best Three-Way Sex Scene - G/G/B: Casey Calvert, Whitney Wright & Seth Gamble, AVN 2020

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

'Submission is a choice, born of free will and made from a place of strength. It is a deep-seated need to serve the one who has earned your obedience through patience, respect and trust.'
-Unknown

We watch a beautiful, submissive housewife (Casey Calvert) getting ready for her husband (Seth Gamble) to get home from work. She is dressed in a retro floral dress and apron with white stockings that highlights her purity. The house is ultra-modern, which contrasts with the woman's pinup style and old-fashioned accessories, as if she was transplanted from the 1950s into the modern world.

When she's done vacuuming and dusting, the housewife fills a crystal bowl with milk and saunters to the bedroom with a doting smile. Her pet (Whitney Wright), a young woman dressed in tight leather with a crystal collar clasped around her neck, stirs on the bed. As the housewife sets the bowl on the floor and sits with her pet, the pet nuzzles in close before crawling off the bed to lap at the milk.

The housewife admires her darling, obedient pet before leaving the room, with the pet crawling on all fours after her. It's almost time for the husband to arrive, and they're both eager to greet him after his long day at work.

When the husband steps in through the door, wearing a handsome suit and fedora, he is greeted by his pretty housewife and pet. Once he makes himself comfortable on the sofa, he's in heaven as he strokes his pet's hair while his housewife makes sure he has everything he needs. Of course, there's just one more thing he needs to really take away the stress of the day... and both his housewife and pet are all too willing to deliver.

'My will is yours.
My mind is yours.
My body is yours.
My heart is yours.
My fears belong to you.
My desires belong to you.
My release belongs to you.
My surrender belongs to you.
I submit to you.
I am yours.
But know this...
You are also mine.'

YOU'RE SAFE NOW
TROUBLED VIRGIN EXPLOITED BY SOCIAL WORKER AFTER BEING RESCUED FROM CULT

SCENE opens and a fragile-looking girl (Whitney Wright) nervously shuffles along the walkway to the doorstep of a social worker's house. She is clearly not comfortable, looking a little paranoid as she glances around her as if checking that there's no one laying in wait around the next corner. She's easy to startle, flinching as a car drives by in the background. She lets out a shuddery breath to calm herself, then hugs herself, trying to provide the comfort she's been deprived of for so many days.

She steals a moment to brace herself on the steps, telling herself that she can do this. Just as she lifts a hand to knock on the door, the door opens, revealing a man (Derrick Pierce) with a warm smile. Lily jumps with surprise and he apologizes, saying that he saw her through the window. He seems approachable. He says that she must be Lily and invites her in after introducing himself as Aiden Taylor, her social worker. She seems to relax slightly -- only slightly -- with his warm greeting.

She steps inside the home, thanking him for seeing her, though hesitantly comments that she was surprised he asked her to come to his house, not his office. Aiden replies that he likes working from home since he finds that people who have trouble trusting others -- like many of his clients, perhaps even like her -- feel more at ease meeting in a comfortable, inviting setting than in a big cold corporate office. He's worked a lot of cases and the home environment seems to work best, especially for teens who are often otherwise distrustful of authority figures.

She pauses a moment and responds that she guess she can see that, sure, warming up a little to his attempts at putting her at ease. He sees she is still a little skittish and smiles, reassuring her that she doesn't need to be afraid anymore as he puts a firm hand on her shoulder. Lily tenses and he immediately pulls back with an apologetic look, gesturing instead with that same hand for her to head towards the office. As he does, he promises that she's safe now, but as he closes the door, there's a glimpse of a smile turned sinister.

TITLE PLATE

Lily and Aiden step into the home office, which is warm and inviting. There are two armchairs in the office facing each other. A desk might be present, but Aiden opts instead not to sit behind it, taking instead one of the two chairs facing each other. Aiden gestures to and pats the other chair across from him, encouraging Aiden to sit, as he sits opposite of her. He keeps a comfortable and standard distance from her of about three feet to promote intimacy. She's nervous as he picks up a notepad and pen. Her posture is closed off, with her shoulders pulled in, her hands fisted tight against her lap.

Aiden and Lily begins discussing the case. To start with, he just needs some basic information to make sure everything gets processed correctly. He asks to check the spelling of her name and her birthdate. She gives her name and birthdate to him, and he asks if that means she's 19, which she confirms. He also asks about her family, which makes her shift uncomfortably. She gives the names of her parents, as well as her younger sister, Emily. He asks how old Emily is, seeming intrigued -- she's Lily's YOUNGER sister, right? Emily confirms yes, she just turned 18 this month. Only a few days before they ran away, in fact. Aiden seems pleased with this response.

Aiden then uses the tried-and-true method of small talk for easing her into the session. He talks about the weather, and she mentions that the weather was really nice for walking to his place. It felt like she was seeing everything for the first time. Aiden asks her how does she mean seeing everything for the first time? She shrugs, looking a bit sheepish as she admits that the sun is brighter, the wind warmer, the birds more cheerful... Emily was so excited when she saw a florist shop for the first time a couple days ago, Lily adds with a small but fond smile. The flowers were so colorful, like the ones just outside on Aiden's street. 'Father Warren used to say that boastful colors were the devil's palette, so we only had white flowers in our homes.'

Aiden then continues, probing more into the situation. He starts by asking how many days she's been in the city? She says it's only been a week? She remarks that it's hard to tell because so much has happened -- it feels like her head is still spinning. He asks her where she's staying, and she says that they're at a local shelter. He asks her how the conditions have been and she admits they aren't great, nothing like how things were at the compound.

Aiden assures her that it's normal for her to feel anxiety, but that she's doing fine. He then asks her to discuss the commune. She's still uncertain, looking around nervously while rubbing her arm or biting her bottom lip. Aiden assures her that everything they discuss is strictly between them. He's there to help her. She gazes at him for a few moments, choosing to trust him, then explains how her parents have both been part of the commune since before she was born, they were some of the first members to join. It was the only life she's ever known. She didn't think anything of it until a few months ago when she started hearing rumors. Aiden asks her what rumors she's heard. Lily is quicker to respond now, desperate to be heard as she leans forward in her chair, becoming more animated.

She says that she heard that their leader, Father Warren, was taking girls into the barn to... to DO things to them... 'What KIND of things?' Aiden asks, leaning in as if almost perversely wanting to learn more, his warm presence starting to shift to something unsettling. Since she's so desperate to get everything out into the open now, she doesn't catch onto Aiden's change of demeanor. She says she's heard that he takes them back there to have sex with them.

'And why did you feel uncomfortable about the rumors? ...Is it perhaps because you secretly wanted to be one of those girls?' Aiden asks, still in a professional tone, which seems creepier now because of the nature of the questioning and the way he seems even MORE focused on her. His eyes even flicker over her body briefly, which she catches.

She closes her body off again, gasping. 'No, of course not! Why would I want that?' she exclaims. Aiden slips back into a practiced smile as he leans back into the chair. He apologizes to her for making her uncomfortable, explaining that he's worked with many troubled teens that developed attraction towards the men that have been exploiting them. He invites her to continue speaking.

Lily is a little wary again now, but continues talking, unable to help herself. She NEEDS to be heard! She says that ever since she started hearing the rumors, it was like a fog has been lifted. She noticed other strange things, too, like how everyone seemed TOO happy, but any time she tried to talk to her parents about it, they denied everything. Finally, she decided that she NEEDED to get Emily to safety. She couldn't let Emily be the next one that Father Warren decided to be sinful with. They fled, having no belongings, no money, nowhere to stay... They got a ride to the city and have been staying at the women's shelter for now, but it's not enough. They can't stay there forever. When she asked the homeless shelter volunteers, they referred them to Aiden, so that's why she's there. They said a social worker might be able to help her and her sister get the care and resources she needs to ensure that she and Emily are truly SAFE. She's the big sister -- she HAS to take care of Emily. She can't risk them being sent back to that crazy place now.

Aiden says that he think he may be able to get them into a transitional home and goes to the computer to check. However, he's not really looking anything up at all as he instead watches Lily from afar. After a few moments, he approaches her and says that he can help them. But there's a lot of people ahead of them on the waiting lists...

Aiden then reveals that he is convinced that Lily and Emily were part of a sex cult. Lily is shocked, but especially when Aiden crouches close and suddenly looks a whole lot creepier. Aiden reflects out loud that if the commune was that strict about sex, Lily is probably still a virgin then... but, he asks, has she ever at least masturbated?

Lily is shocked by the change, recoiling away from him. She finally states that she's REALLY uncomfortable about all this and doesn't think he's the right fit for her needs. She makes for the door but Aiden speaks up again in a cold drawl. 'You COULD leave, if you want. I certainly won't stop you. Just know that I'm the ONLY one that can help you get what you need to start a new life. No one else will help you if I exaggerate a few things in my notes here...' Lily exclaims that he can't do that. He counters that he CAN and WILL.

She's horrified and torn. 'No, I HAVE to protect Emily... I have to get her AWAY from all this...' Aiden smiles darkly as he undoes his pants and removes his cock. 'If YOU cooperate, I can help make sure you BOTH get the new life you've dreamed of. You can be together and HAPPY for the rest of your lives...' he teases.

Lily tries not to stare at the cock, since it's her first time seeing one, shocked by everything that's happening. She backs up as he approaches until her back is against the nearest wall. 'What are you doing?? No, I-I can't do this...' she stammers. He asks if she's REALLY going to let her dear little sister down like that? He said he'd help her and he plans to keep his promise. Now she has a choice to make.

She finally reluctantly agrees to have sex with him if it means securing a better future. She nervously drops to her knees and parts her lips while looking up at him. He mockingly says that she's made the right choice and that her sister should be SO PROUD of her for being so brave...

IMPREGNATING THE SITTER
GRIEVING HUSBAND IMPREGNATES TEEN TO FULFILL LATE WIFE'S LAST WISH

April (Alina Lopez), a teen babysitter, climbs the front steps of a residential home. For her, this is just another day. Another job and a few more dollars in her pocket, which she really needs. However, it looks like the man living in this home is well off because the place is HUGE!

She knocks on the door and a pleasant man (Dick Chibbles) greets her. 'Mr. Perry?' April greets with a smile. 'Yes, that's me. You must be April, welcome!' Trent says. April beams, saying that she's pleased to meet him and that she can't wait to meet the boys.

April moves into the living room with Trent, making some small talk where it's revealed that she's raising her younger brother. Her parents passed away, so it's all on her now. Trent is sympathetic, though he moves onto asking her questions that seem a little beyond small talk. What nationality is she, is she a gymnast, how's school going?

April politely answers all the questions the best she can, even if she's uncomfortable. When it comes to school, she admits that she wants to go into fashion, though money's a bit tight since she didn't get a scholarship. Trent seems intrigued and says, well, there's no shame in working for it!

April then asks where the kids are and he says they're in the playroom. He's just going to be gone for a few hours, so hopefully she won't have issues with them. When April asks when the wife will be home, though, Trent gets a bit dodgy. He simply says that she won't be coming home. She's at work and has a deadline, so... Anyway, is April ready to meet the kids? April smiles and says that she is and heads off down the hall where she's directed.

As she does, Trent walks behind her with a longing gaze. 'One hell of a mother...' he says under his breath.

TITLE PLATE

CUT TO hours later, and April is tidying up the living room after having put the kids to bed. She picks up a few toys then moves to a table where there are crayons and a drawing. She sets the toys aside and smiles to herself. 'Aw, I wonder what they drew...?' she says to herself as she picks up the drawing. As soon as she gazes at it, her brows furrow with confusion.

It's a picture with stick figures, very much a child's drawing. There's a man labeled 'Dad' and a woman next to him labeled 'Claire.' They are surrounded by three kids, the boys. They all look happy. There's another woman off to the far side labeled 'Mom.' She is smiling too but a dark crayon has scribbled her out. The picture has a disturbing vibe.

'What does this mean?' April murmurs to herself as she tries to make sense of the picture. She's a little unnerved, putting the paper back down on the table.

Curious, she takes out her phone and does some research. She pulls up a search engine and searches Trent Perry's name. She quickly finds an obituary for his wife.

She hears movement behind her and whirls around. Trent is looming in the doorway, looking menacing. April's startled, demanding to know what the hell is going on in this house? She points to the page on her phone with his wife's obituary -- why is he lying?! Trent looks devastated as grief washes over him, though he shakes it off. 'Listen, I can explain...' he starts, begging for her to just hear him out.

April hurries to get out of there, but before she's out the door, Trent blurts, 'Have you ever had someone just DIE on you?'

April pauses, painfully remembering her parents' deaths, and remains, letting him have a chance to explain himself. He begins to tell her a sad story about how he and his wife had been trying to have a baby for YEARS. Then one day, they finally got lucky, though the doctor told her not to take the baby to term. She did, anyway, but died during childbirth, giving Trent their firstborn son. Even though he loves his son, he wished he'd been given a daughter because that's what they've always wanted.

April is wary, but moved by his plight, and says she's sorry for his loss. She was so confused by the picture... But who's Claire? Trent explains that Claire, the sweet young woman in that drawing, was a wet nurse for his son in that first year, someone he came to know very well in those dark days, and like April, she was someone with great maternal instincts. Desperate to rebuild his family, they made an arrangement in hopes of Claire giving him a daughter, but he got two other sons instead.

And now? Claire is gone...

When April asks where Claire is now, Trent dismisses the question. Instead, he says that he hopes that April can be the one to give him a daughter.

April is freaked out, flat-out refusing him, though Trent quickly assures her that she doesn't need to be in LOVE with him! He's just asking her to be the vessel for his daughter. Listen, April needs to pay for college, right? He can take care of that for her! Her younger brother? Trent can make sure he gets into the best private school. Money isn't an issue for him, he just needs a womb. It's just 9 months of April's life. Plus, she'd be fulfilling his wife's last wish...

April needs a few moments to think it over, conflicted. This is a lot to ask of someone, but she needs the money. She has to provide for her brother and she has big dreams for herself as well. Finally, she asks how much Trent can offer her, signaling that she's open to the deal.

Trent is relieved as he approaches April and takes her by the arm, their eyes meeting. Without saying a word, although there is a mutual understanding, he slowly leads her upstairs.

INDECENT EXPOSURE
PSYCHIATRIST MANIPULATES GIRL AFRAID OF SEX INTO SLEEPING WITH HIM

Jane (Ella Knox) waits in the reception area of Dr. Bishop's home office. She is very nervous and agitated. The door to Dr. Bishop's office slowly creaks open. Dr. Bishop (Alex Jones) emerges from the office, telling her to please come in. The camera follows her as she enters the office. Dr. Bishop closes the door and motions for her to sit down in a separate area of the office away from his desk where there are two chairs across from each other, mentioning she should get as comfortable as she likes. She sits in a chair that faces away from his desk. Dr. Bishop formally introduces himself. Jane nods but otherwise doesn't respond. 'I understand that you have been referred to me by Dr. Hill?' The girl nods shyly, yes, she utters. He continues, saying that as he understands it, Dr. Hill is retiring. That kind of change can be very disruptive to a patient's therapy, but he is here to make sure that the transition is smooth, Dr. Bishop continues, walking around behind the chair that she sits in. What brought her to therapy?, he asks. Jane looks a bit thrown off - doesn't he have her file?, she asks. Yes, but he wants to hear it in her own words, he says. Jane takes a deep breath. 'Well, Dr. Hill says I have a fear of...intimacy,' she says slowly. She's having trouble articulating her real issue to a stranger. 'I'm afraid of...sex,' Jane finally admits. 'Can you help me?,' Jane asks softly, hopeful. 'I assure you, this is exactly my area of expertise, and I will do EVERYTHING in my power to help you,' he says.

'Let's talk specifically about your phobia. Fear of sex. Do you have a guess as to how this started?' Jane fidgets and says 'no' evasively. 'And HAVE you had sex before? Or has your fear always stopped you before?' Dr. Bishop asks. Jane looks increasingly uncomfortable. Yes, she has, she says quietly, looking down at her lap. 'Can you tell me how old you were when you lost your virginity?' he asks. She guesses it must have been about...4 years ago? She's 22 now, so it was when she was 18, Jane answers. 'Describe it to me,' Dr. Bishop says after a moment, unzipping his fly again. Losing her virginity?! Does he really want her to describe it to him?, Jane asks incredulously. Yes, he says matter-of-factly, since she has a crippling fear of sex, they need to isolate the root cause of it, he says evenly, as unbeknownst to her, he unzips his fly and takes his dick out. He slowly inches it towards her face, but Jane is too in her own head to turn around and notice anything. 'And take your time, dear,' he finishes, 'we're in no hurry,'. Um...ok, Jane says reluctantly.

'My parents were out of town and my brother was having a party, and it...happened that night,' Jane says. Continue, Dr. Bishop says. 'Well, the party was really fun, and I went to my room for a minute to touch up my make-up and...someone came in...it was this guy I knew. We had both had had a few....well let's just say we both had had a few, and I guess that gave him the courage to tell me that he had a crush on me, and before I knew it, things were out of control and I was...naked with him, and...it happened,' Jane says, exhaling loudly as she bites her nails. Please, be specific, Dr. Bishop prompts, pacing slowly behind her as he holds his cock and lightly waves it close to her, coming extremely close to her head, but not touching it. He tells her that to help, she can perform a relaxation exercise as she recounts the story. He tells her to lay her head on the back of the chair and close her eyes, and to focus on nothing but her words as she speaks. Jane does as she's told. Dr. Bishop lays his hand on her shoulder, offering her words of support as he continues to stroke his hard dick with his other hand. After a moment, Jane speaks. 'We started kissing, and he...took off my shirt, and then...I just did it cause I felt like...I had to,' Jane says, her voice quivering with emotion. Abruptly he pulls his cock away and efficiently puts his dick back into his pants, zipping up as he says 'That can be enough for now, Jane. Please open your eyes.'

Jane opens her eyes and turns in her chair to look at him. He leans on the edge of his desk, smiling kindly. 'Take a deep breath, I know that was hard, but you're safe,' Dr. Bishop says. Jane exhales loudly, trying to steady herself after reliving the memory. The doctor remarks this was clearly an incredibly painful and traumatic experience, and in admitting what occurred that night, she has already made significant progress, he says. He is more convinced than ever that that night is the source of her phobia and he now feels comfortable recommending an appropriate course of treatment, Dr. Bishop says. 'Are you familiar with 'Exposure Therapy'?', he asks.

CUT TO TITLE PLATE

Jane shakes her head. No, she doesn't know what that is. He will explain, he says. 'Exposure therapy is the practice of exposing someone to what they fear the most, demystifying the fear and thus removing it. You have been afraid of sex ever since that experience, so what exposure therapy means for you is that you need to have sex once more, to face that fear, and to overcome it. I believe that this is the only suitable course of action for you,' Dr. Bishop says smoothly. Jane's eyes go wide and her lip begins to tremble. No, no, no, she can't do that, she WON'T do that, she can't just will herself to have sex with some guy!, Jane stammers frantically, clearly terrified at the very thought of it. 'Oh please do not misunderstand me, I'm not suggesting that you engage in some sordid 'one-night-stand'. Exposure therapy must be administered very carefully and under the supervision of a professional, thus I am recommending that I be the one to...administer your therapy,' Dr. Bishop says confidently and matter-of-factly. Jane's jaw drops. 'You want ME to...with YOU?! Are you crazy?? No way,' Jane exclaims.

Dr. Bishop moves towards her. He smiles down coldly. 'I do not take this lightly and only recommend this because I truly believe that this is the correct treatment, but let me be very clear: if you do not want to do this, which is, of course, your right...' at this Dr. Bishop lays a hand firmly on her shoulder. She flinches a bit, but his grip is tight. He continues speaking. 'I'd only see one possible future for you: you would walk out of this office and resolve that you will fix your problem on your own. And maybe you will have some progress at first, but you will eventually revert back to all your old fears, all your old phobias, and you will live the rest of your life terrified. You will not be able to maintain relationships or experience any sort of closeness and ultimately any true pleasure. Before you even realize it, your life will be over. You will die alone, with no one by your side. And that future, for you or for any of my patients? That is MY greatest fear,' Dr. Bishop says. Jane looks confused, wrestling with what he has just told her. 'You can't know that this is what's going to happen!' Jane says, almost pleads. He has been a psychiatrist for almost 15 years and his experience tells him that this is exactly what will happen, he says patiently. 'Don't you want to be happy?' he asks. Jane still seems uncertain but looks up at him with a hopefulness, as if to say: please, please help me. 'Ok, if you promise that it will help me,' she says softly and reluctantly.

Dr. Bishop asks Jane to stand up and face him. Mentioning that any sexual encounter begins with the participants getting naked, he tells her to remove her clothes. Nervously she strips down, exposing her huge tits. Dr. Bishop tells her to lie down on his desk. She hesitantly complies and he spreads her legs, getting his first look at her tight pussy. He lowers his face to it, burying his tongue in her juicy mound. Jane is still uncertain, but can't deny how good his tongue feels on her clit and moans loudly. As she gets more and more into it, Dr. Bishop eats her pussy hungrily. Soon, it's time for the next phase of her treatment, and Dr. Bishop has Jane get on her knees as he frees his cock from his pants.

But Jane's therapy is just beginning, and before her fear of sex is cured, Dr. Bishop is going to expose her to things that she never even DREAMED of...

Nominated - Best Actor - Featurette: Michael Vegas, AVN 2020

FACE TO FACE
WOMAN USES JOB AS REPORTER TO GET CLOSE TO AN ACCUSED PSYCHOPATH

Scene opens on the interior of a car. A young woman, Lois Brown (Whitney Wright), is the sole occupant and driver, and we watch over her shoulder as she pulls up to a house. She stops the car and turns it off. The camera pans down to see that her hands are shaking. She takes a deep breath, steadies herself. 'You can do this,' she says to herself and gets out of the car. She walks up the driveway to the door of the house and hesitates another moment before ringing the doorbell. After a second, the door opens and a man, James Stinson (Michael Vegas), stands there. He looks at her, appraising her in an almost predatory way. 'You must be Lois?' he asks with a tone of wary caution. Yes, and he must be Mr. Stinson, Lois says with a polite and professional smile. Oh, she can call him James, he says. A bit young for a reporter, no? She flashes him a polite, detached smile and says maybe, she's 22 but people always say she has an old soul. He nods and then realizes he's still blocking the doorway - But where are his manners? Please, come in, he says, waving her in. She follows him into the house, a modest, clean and well-kept abode.

So where does she want to do this?, he asks, a hint of discomfort creeping into his voice. Wherever he feels comfortable, she says politely but not warmly... how about the living room?, she suggests. He agrees and they sit down in the living room. He takes a seat and she sits in a chair across from him with a table between them. She takes out her cell phone and opens up a voice recording app. Does he mind if she records this?, Lois asks. No, please do, he doesn't want to be misquoted, he's had enough of that - he chuckles, not because it was funny but to fill the awkward silence following his comment. Great, she says after a pause, pressing the record button on the app and places the phone on the table between them. 'So let's start with the obvious: why now? Why grant your first face-to-face interview to a small college newspaper after all this time not speaking to the press?' Lois asks. He considers the question. Well, it's simple: in all this time, she's not the first reporter to call him on the anniversary of the crime, but she IS the first reporter to call him and tell him that she believes he's not guilty, and offer to tell his side of the story, he says. But he WAS acquitted of the crime he was accused of, so what guilt is he referring to?, Lois probes. As she knows, the case was all over the news, day and night, and even though he was found not guilty, most people believe that he is guilty and the verdict was wrong, James says. Guilty until proven innocent in the public eye, he says bitterly. And he's never been able to shake that stigma, people just don't look at him in the same way since then, he adds resentfully. It's a lonely existence. 'Maybe we can try to dispel some of that stigma once the public hears your side of the story. So I ask you, on the record: Are you guilty?' Lois asks. He smiles sadly back at her. 'Am I guilty?' he asks her. He takes a deep sigh. There is a tense moment of silence. Once again, something dark and predatory flashes across his face. 'Yes...I am,' he says, his smile gone.

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Resuming the interview, Lois looks stunned at James's admission. 'I am guilty...guilty of being in the wrong place at the wrong time,' James clarifies. He happened to be at the club that night, and he happened to be the last person seen with... James says, trailing off, blanking at the victim's name. 'Darlene Davis,' Lois says, enunciating the name carefully. Yes that's right, it was a long time ago...and he has tried to put the whole episode behind him, being at the club that night, being at the wrong place at the wrong time...that ruined his life, James says. So how does he explain Darlene's DNA on his shirt?, Lois probes, adding that the police claim that this happened during the crime. The same way he explained it to the police, with the truth: she had a nosebleed when she was dancing with him, James says. But the press got a hold of that and used that to assume his guilt, he continues. What they didn't bother to report was that she was a known substance user prone to nosebleeds, he says.

'When they came to interview you because they saw you on the club's security footage, you consented to them searching your home, where they discovered the shirt with DNA evidence, which then led to your arrest and trial. If the DNA on the shirt was from an innocent nosebleed as you claim, why didn't you just tell the police about it instead of hiding the shirt for them to find, and for that matter, why did you consent to the search in the first place if you had evidence hidden away that would incriminate you?' Lois asks. Well, because he didn't feel that he had anything to hide, James says smoothly, for example why would he even think that shirt was evidence to a crime at the time unless he was the one who committed it? When he left the woman, she was still alive. But, she continues, if he had nothing to hide, why did he initially lie to the police about where he was after the club that night?, Lois asks skeptically. He didn't have an alibi that night, he just came home alone, and he's seen enough movies to know that it's really easy for cops to pin something on someone who can't account for their whereabouts, so he told them he went to get a burger instead, James says. Stupid mistake, he says regretfully. A stupid mistake that he's replayed over and over in his mind every day since then, he adds. But he can see why that story sounds a little thin right?, Lois asks. Especially since the route he claims to have taken home from the club that night is the least direct way to get home and HAPPENS to be one that doesn't have traffic cams in that area of town, she adds. He looks at her silently. Can she turn off the recording for a moment please?, he asks softly. Oh um, yes, sure, Lois stutters, caught off guard. She turns it off. Lois...he thought that this interview was going to give him the opportunity to shed some light on his innocence, so why does this feel like the same old assumption of guilt that he's used to?, he asks, leaning close to her, resting his elbows on his knees in a vaguely threatening way. 'Because if this is just about pushing my guilt, if you're hiding something from me...we're going to have...a problem,' James says, that same carnivorous look crossing his features again. Lois shifts in her chair nervously. No...it's not about that at all, even though she believes in his innocence, she still has to do her job and ask all the tough questions, she says anxiously. There is a tense moment while he considers her answer. Ok..let's keep going then, he says finally. Lois exhales sharply and resumes recording.

So getting back to the night of the crime: to help clear up any misconceptions, why doesn't he recount that night for her?, Lois suggests gently. Well, he was in the mood to go out, but all of his friends were busy, so he decided to go to the club alone and that's where he met Darlene; they danced for a little while, and then he went home, alone, James says quickly. There's really not much more to explain other than that, he adds. And what was Darlene like?, asks Lois, He doesn't really remember, he only danced with her for a short time and didn't really get to know her, he answers. So he didn't get a sense of her AT ALL?, a sense of what...Darlene was like?, Lois asks. Was she kind, did she seem happy? Why the great interest in Darlene?, James asks, his brow furrowed in suspicion. Just trying to get a sense of the victim is all, Lois says quickly. Hmmm, well he can't really help her there because like he said, he didn't get to know her, James says. But she did have a reputation around the neighborhood, she was known as kind of...he doesn't want to be rude here but...kind of a whore who would do ANYTHING for a fix, he says offhandedly. Upon hearing this, Lois looks a little rattled. At the time, some people were even saying that she...got what she deserved, James says softly. Lois looks a little sick when she hears his last answer and abruptly excuses herself, saying that she has to use the bathroom.

In the bathroom, she splashes water on her face and pats it down with a towel, regaining her composure. Keep it together, almost there, just this one last thing to do, she says to herself, breathing heavily. She takes another moment to steady herself, draws in a deep breath and exits the bathroom. Back in the living room, she goes to sit beside James on the couch. She apologizes for rushing out like that, adding that it must have been something she ate. He tells her not to worry about it. She smiles. What she would like to do now is shift gears and get...inside his head a bit, she says. Is that why she came to sit next to him, because things are about to get...personal?, he asks, with a slightly nervous edge as he looks away from her. Would that be ok?, she asks. He's not sure if getting personal is...a good idea, he says, looking back at her as a sinister expression invades his features for a moment. It passes quickly. Lois clears her throat. She's sure that this is best for the interview, so...is it ok if she continues?, she asks patiently. He nods. Ok, so when he was accused of this horrible crime, how did that make him feel?, she asks. Well...he felt...scared...angry...alone, James says slowly. She can relate, her mother passed away when she was a little girl and she can remember the intense feelings of isolation, like she was the only one in the world who felt these things, Lois says sympathetically. He is surprised to see her turn off the recording. And there were other feelings, other, more...disturbing thoughts that she had that made her feel even more alone, she continues. It was like a...darkness growing inside of her, and it scared her, but she didn't want to run away from it, she wanted to run towards it, she continues. She looks at James in the eyes. 'I think you know exactly what kind of...darkness I'm talking about,' Lois continues softly. 'You share that same darkness inside of you, don't you James?,' she asks. And he acted on that darkness, Lois says. James finally catches on. Does she think that he IS guilty?!, he asks looking betrayed. He thought---James starts, but Lois cuts him off. She doesn't THINK anything: she has ABSOLUTELY no doubt in her mind that he is guilty of this crime, Lois says.

What the fuck--he knew this had to be bullshit, she's just like all the other reporters, James says, getting up from the couch in frustration. That's just it, she's NOT like all the other reporters, Lois says... in a sense, she became a reporter just to get to this moment. To speak with him. Sure, she lied to him about believing that he didn't commit the crime, but she knew that was the only way he'd agree to meet her, and she NEEDED to meet him face to face, she feels that there is a connection, a...bond between them, Lois continues. He didn't- he begins. She waves him off. There's no need to put on any masks anymore, he can be his true self around her. She's here because she wants him to tell her---no, SHOW her, everything about that night, Lois continues breathlessly. She seems to be getting turned on as she speaks, but she exhales sharply as she finishes her last sentence, betraying a nervousness underneath her bluster of passion. This nervousness passes almost immediately, and James is too distracted to notice the subtle inconsistencies in Lois's demeanor. What kind of a sick fucking fantasy is this?! James asks incredulously. It's no fantasy, it's what she came here to share with him, Lois says. No, he can't do that, James says, shaking his head. Please!, Lois says fiercely, grabbing at his shirt. She needs to know!, Lois says feverishly, practically banging on his chest. He pulls her hands away from him. Stop this!, he says, resisting. 'SHOW. ME.' she enunciates firmly, bringing her face inches away from his. He can't resist anymore. 'Is this what you want?! Is THIS WHAT YOU WANT?!' James yells, ripping her blouse open roughly, the buttons hitting the floor. 'Yes, oh god yes,' gasps Lois.

As he tears her clothes off and buries his face hungrily in Lois' pink pussy, Stinson unleashes his inner-maniac. Will Lois get more than she bargained for? Maybe...but what James doesn't know is that Lois has a secret of her own...

PEER PRESSURE
INNOCENT VIRGIN SCHOOLGIRL DOUBLE-TEAMED BY TWISTED STEP-SIBLINGS

Lisa (Vienna Black), a sweet and innocent schoolgirl, arrives at Stephan (Justin Hunt)'s house, trying to calm her nerves as she holds her backpack close. As she approaches the front door, there is a gardener nearby that offers to open the door for her. 'Let me get that for you, miss,' he says. Before he opens the door, though, he nervously looks between the door and her, then leans in and asks if she REALLY wants to be in there with THEM. Lisa is worried and asks what's wrong with them, but before the gardener can answer, the door is opened from the other side. Stephan, a young man wearing a smile, greets Lisa, saying there she is! He thought he heard voices. Come on in!

When Lisa turns away, Stephan catches the gardener's eyes and makes a lewd sexual gesture, indicating their intentions for innocent Lisa. The gardener can do nothing more but look guiltily away as Stephan closes the door behind them.

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Lisa compliments Stephan on the beautiful house as he leads her into a dining room to study, soon joined by his step-sister, Nikki (Casey Calvert). Stephan shrugs and says that the house is modest, which is obviously an understatement. Nikki ribs her brother and says that nothing involving either of them could ever be described as 'modest.' Stephan smirks, then thanks Lisa for coming over to help them study for the upcoming exam. He especially needs a little pick-me-up with his grades and Lisa's just so smart! She has to be the smartest one in any of their classes.

Lisa's flustered by the compliments, obviously having a crush on Stephan, saying that the 'bad boys' seem to always need a little bit of extra help. (It's clear by the way she says 'bad boys' that she likes bad boys, and Stephan catches onto this with a sly grin.) She continues on to say that she's always been a nerd, so... Stephan says that she's a very pretty nerd. A woman with brains AND looks is a treat. Although Lisa's flustered, she makes a bit of a face at the word 'treat' since it sounds weird to her, maybe even a bit creepy. Even Nikki picks up on this and laughs, saying that it sounds like her dear brother Stephan just wants to 'eat her up.' Maybe he DOES, Stephan retorts, then winks at Lisa and as a joke, growls hungrily. Lisa is shy and not used to this kind of attention, although she seems to like it.

Stephan asks if Lisa minds agreeing to help them study. Lisa looks a bit flustered -- oh, Nikki will be studying with them too? Stephan bares his teeth into a grin and says he and his sister are inseparable, he wouldn't want her to flunk the test while he's acing it! He hoped she could study with them, and asks if that would be a problem? Lisa tries to play it cool and says, no, of course not. Everyone at school knows how close they are, so how could she say no? Nikki gasps and turns to Stephan. 'Do you hear that, brother? We're practically famous!' she laughs sarcastically. Then Stephan gestures to the dining room table and suggests that they get started. Lisa is still a little disappointed by Nikki being there, clearly having hoped for some alone time with Stephan, but tries not to show it too much.

Lisa is about to sit by Stephan when Nikki promptly takes the seat, smiling sweetly at her. A little taken aback, Lisa moves around the table and sits across from them. She takes her laptop out of her bag and asks what they'd like to study first. Stephan says he'd like to study biology first since that's his favorite subject... He especially loves learning about a woman's anatomy... Who doesn't love a bit of... exploration? As Stephan says this with a grin, Lisa feels a foot running slowly up her leg.

She stares at Stephan, obviously thinking that it's him playing footsies, but it's actually Nikki. Lisa fidgets both because of the move seeming quite bold to her, and also because of her arousal. She can't help but to like the preppy bad boy vibe Stephan gives off.

Nikki smirks, though Lisa doesn't even notice her, anyway, since her attention is on Stephan. Lisa glances briefly to Nikki, nervous about what she thinks Stephan is doing to her, but Nikki just grins. 'Is something wrong?' Nikki teases. Lisa swallows and shakes her head while blushing, saying that nothing is wrong and that, sure, they can start with biology -- she can pull up her notes from the semester. Nikki stops playing footsies and scoffs, saying that they're all 18 now -- they can learn about the female anatomy in more fun ways than by reading about it. Lisa nervously laughs and insists that sticking with the notes is best if they want to do well on the exam.

As they begin studying, Lisa talks about the female body, specifically the reproductive system. She starts listing off the parts that make up the system: the labia majora, labia minora, Bartholin's glands, uterus, ovaries, fallopian tubes, clitorus, vagina...

Nikki scoffs, saying this is so lame since this is all stuff they should already know. Hey, does Lisa know that the hymen can be broken in ways other than sex, like sports or horseback riding? It's not the reliable test of a woman's virginity that it used to be. She wonders out loud if Lisa's hymen broke yet, and if so, whether it was from riding horses or riding something ELSE.

Lisa is uncomfortable, ignoring the question and saying that she doesn't think hymens are going to be on the exam, so... Stephan makes studying even harder by asking Lisa about 'erogenous zones', playing a bit dumb. What are they? How do they work? Sure, he knows what to do with a wet pussy, but what else can he do to make a woman scream?

Lisa's even more embarrassed. 'Um, I d-don't think that's on the required materials for the exam...' Stephan leans in a little closer, still playing dumb, although his closer proximity seems a bit more menacing. 'Well, don't you know? You're supposed to be so smart, and all,' he teases with an edge to his voice. Lisa's even more uncomfortable, squirming in her seat, her eyes still on Stephan but she feels desperate to prove herself. 'Well, I READ that the most accepted ones are the ears, lips, neck, breasts, bum, inner thighs, and... vagina,' Lisa explains, stumbling again a little over the last word. 'But there are some other ones, too, like the feet or even armpits...'

Stephan laughs, looking a bit disgusted at the mention of armpits, saying no thanks! Nikki snorts, saying that if he wants to please a woman, he has to be willing to go all the way -- armpits included! Stephan remarks that he KNOWS how to please a woman. You just gotta fingerbang her ass a bit while you're eating her out. He even mimes this by poking one finger back and forth in the air while doing the classic vulgar cunnilignus gesture with his other hand. 'Just like ringing a doorbell!' he laughs. 'Ooh, you're SUCH a romantic! Not gonna lie, though -- it sounds pretty hot, right, Lisa?' Nikki teases with a twisted grin. Lisa is shocked and a bit grossed out now, not only because of the graphic nature of the sex described but also how comfortable the siblings are around each other.

Lisa doesn't answer Nikki and instead laughs nervously as she tries to get them back on track, redirecting their attention back to the books. Once or twice, she looks towards the entranceway, as if debating whether she should leave or not, but ultimately decides to stay. Nikki then makes a comment about the laptop. It's an older model, isn't it? Lisa is relieved for the distraction but embarrassed still, mentioning that, yeah, it's secondhand since her parents spent everything on the tuition this semester. She was lucky to get into such a prestigious school! Nikki and Stephan says that they're so proud of her for getting into the school, it really shows that ANYONE can make it in life if they work hard... this is said in an obviously condescending way, which makes Lisa her momentary confidence.

Nikki excuses herself to go to the bathroom and Lisa takes this chance to pull her chair closer to Stephan. They begin studying again, with Lisa making sure only to talk about less sexy parts about the female anatomy. Like, how exciting is the menstruation cycle? He butters her up a little, marveling over how she makes even periods sexy, which is really saying something! Although he's heard that some guys are really into fucking women on their periods... As he talks, he moves his arm down and out of sight.

While Lisa is distracted, Nikki sneaks back and slips under the table without Lisa noticing. She carefully crawls close to Lisa, then starts running a hand up along Lisa's leg, up her knee and slowly towards her inner thigh. Lisa makes a short sound of surprise as she stares at Stephan, who is intensely focused on her and smiling. He's still leaning forward toward her with his arm out of sight to add to the illusion that it could be him feeling Lisa up, even if it's not. The routine is so smooth, as if Stephan and Nikki has pulled this stunt before.

Lisa still thinks it's him feeling her up and is flustered. She continues reading, though her voice catches as the hand starts moving towards her pussy. Lisa shifts and bites her lip to stifle a moan, then whispers, 'Keep doing it...' to Stephan. Stephan gives a fake-confused look and says, 'Keep doing what?' When Nikki palms her pussy, Lisa moves her hand under the table and over Nikki's, rolling her hips into the touch. 'You're touching me...' she breathes, though Stephan still plays it innocent and says that he isn't? He's just scratching his leg... Lisa's eyes widen as she pushes her chair back and stares under the table, seeing Nikki there. 'Whoops! I thought I was touching Stephan,' Nikki blatantly lies while both she and Stephan laugh. It's a creepier, mocking laugh, though.

Nikki crawls out from under the table and sits in the chair again as both she and Stephan crowd Lisa, who is hugging herself nervously. 'What's going on?' Lisa demands. 'We're just having a bit of fun, aren't we, Stephan? You HAVE to be a virgin, though, aren't you, Lisa? And not just because you have a tight little twat down there -- you couldn't even tell a girl's hand from a guy's! I mean, I know Stephan has some pretty girly hands, but...' Nikki says. 'Hey! I do not! YOU seem to like them.' Stephan states as the two banter over Lisa's head. Nikki scoffs and says, 'Yeah, because I like girls' hands better! You can fit more of their fingers in at once!'

Lisa is really confused and uncomfortable as she starts to rise to gather her laptop, saying that she has to go. Both Stephan and Nikki touch her shoulders and coax her back down to the seat. 'So soon? We just barely finished the chapter,' Stephan says with an unsettling smile. 'I thought we had a special moment going on here? I see the way you stare at me at school... Like you want me to fuck you right then and there against the lockers....' Nikki rolls her eyes, saying, oh, you wish! You like to think you're such a player when all you prey on are the frail, helpless types. Where's the challenge in that? Anyone can do that! Stephan should be looking for a REAL woman -- like her!

'Oh, dear sister, you know you're more than enough woman for me,' Stephan says in a seductive tone. The two start to close the gap between each other while leaning over and in front of Lisa, clearly moving closer and about to kiss heavily -- though they don't quite touch yet.

Lisa is shocked as she bursts between them. 'Wait, aren't you two brother and sister??' Stephan and Nikki shake their head. 'We're step-brother and step-sister. REAL fucked up, right?? But hey... how can I NOT fuck a gorgeous woman like her?' Stephan insists as he leans in and starts necking Nikki, even biting at her, which Nikki enjoys. Nikki giggles and flirtily tells him to stop while clearly fishing for more compliments. She says that not a day goes by that she isn't glad that her mother married his father, which brought THEM together.

'I REALLY should be going,' Lisa says as she clutches her laptop. 'You're free to go...' Nikki says sweetly. 'Of course, now we're going to tell everyone what a whore you are. You came over here purely to seduce us, you sicko. What, does getting it on with a brother and sister get you off?' Lisa is horrified, exclaiming that they can't spread such lies about her. Nikki continues, saying, who are people going to believe? Them or Lisa? Lisa's a NOBODY at school. Besides, aren't they PRACTICALLY FAMOUS? Lisa's out of her MIND if she thinks she's worth anything. She's just a pathetic little girl that got into their school as a charity case. The school probably took pity on her and her parents and decided to show a little goodwill. It looks good in the public eye. So what would happen then if the school found out the sweet, underprivileged girl they let in was going around slutting it up with classmates? And what will her darling parents think when they learn that their little girl is not so innocent?

So here's the deal: if Lisa fucks Stephan and does everything they ask, they won't breathe a word about it to anyone else. Nikki likes watching her brother defile young, innocent, underprivileged, hardworking girls like Lisa...

Lisa can't believe what she's hearing and is almost about to cry because of the confrontation. She begs them not to say anything. They don't understand that school is literally all she has! So much has been sacrificed to get into this school. She's willing to do anything to ensure that the step-siblings don't fuck it up for her. Anything!

'Then it sounds like we have a deal,' Nikki purrs, but Lisa is still worried. 'If I let you f-fuck me -- then you'll keep everything quiet?' she asks while trying to put on a brave face. 'We promise,' Nikki says. 'Just... Just be gentle. It's my first time,' Lisa adds, nervously giving her consent. 'Oh, we'll be gentle,' Nikki says...