Latest 'Hardcore' updates from Pornstar Scenes (Page 124)

While working out in Venice Beach, CA  Rachel hears about a local stud named Lee Stone, she can't help herself, she has to find out if all the rumors are true... is Lee Stone the muscle man with the 10 inch dick or is it just an urban legend.....? So after a half hour or so of sweet talking him, she asked him out on a date that night and promises him he wont be disappointed! Later that night she finds out Lee Stone is not an urban legend!! But he does not have a 10inch dick... Rachel told her friends she measured it! and its just under 12 inches WOW!

Filthy Rich is a local scumbag who loves to look for college girls who think they are dirty bitches. While walking thru the city college courtyard he spotted Norah having a Pepsi and eating a foot long 'hot dog' He asks her if she liked big sausages and she laughed! Yea, I like big meat, why you got one? Filthy smiled and said, come back to my place and find out.... next thing they both know they're back at his place and Norah finds out he was not joking as she sucks and fucks his big WHITE MEAT!!!!!!

Mark Wood is 'Gangsta' white boy from the hood. He is a 'O.G' swinging a big white dick and Milla is gonna have a hard time taking in all that cock in her mouth and pussy. But this sexy girl is one to please, and she does not disappoint. Milla tries her best to suck every last inch of the monster cock.. Before crawling on top of that white boy and going for the ride of her life...Moaning and creaming for more... Long Live White Kong Dong....

Alexis just found out form her friend, that her step brother's buddy George is supposed to have a big..big..big..dick... That's all she needed to hear! She texted her step brother and asked him to invite George over to the house. BAM... When her step brother goes to the store she makes her move on George... When she sees his big white dong she is as happy as can be and starts sucking every inch of it and then beg's him to fuck her before her step brother return's.... Good Times for all......

AUNT'S HOSPITALITY: A RILEY REYES STORY

Aunt Threatens To Kick Nephew Out Of House Unless He Fucks Her

SCENE OPENS on Rita (Riley Reyes), who is in her living room when her doorbell rings. She is puzzled, and says aloud to herself that she isn't expecting anyone. She answers the door. Standing there is a young man (Lucas Frost), looking forlorn and soaked with sweat, carrying a knapsack. Um...Aunt Rita? He asks tentatively. Oliver? Rita asks in disbelief. 'Is that really you?! I haven't seen you since your 14th birthday, and that was...at least 5 years ago,' Rita says. She invites him inside, mentioning how sweltering it is outside.

He sits down on the couch. He is very shy and cagey about why he's shown up. With some encouragement from Rita, he eventually admits that he moved to town on a whim with his girlfriend. But almost immediately after they moved, she cheated on him and kicked him out of her apartment. He doesn't have a job and doesn't know anyone here, except for Aunt Rita. He finishes embarrassed saying that he used all his savings for the move and doesn't even have any money. With nowhere else to go, Rita offers to let him stay with her. Oliver gets up to give her a grateful hug and accepts her offer with relief.

Rita pulls away from the hug and with fake concern remarks that he's soaked with sweat, poor thing! She insists on putting his clothes in the dryer. As he takes off his shirt, he thanks her again for letting him stay there, adding that she should let him know what he can do to pay her back. He'll do anything. Aunt Rita looks at his shirtless body. She licks her lips as a predatory look comes over her. 'I'm sure I'll think of something,' she says with a wicked smile.

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Later that day, Aunt Rita purposefully barges in on him as he gets out of the shower, flaunting her naked body for him.

A few days later, Oliver and Rita are playing cards. They're laughing and joking together as they play crazy 8s. They make small talk and eventually Rita says that she's getting a little bored with the game they're playing. Maybe they should play something a little more...adult. After Oliver warily asks her what she means, she suggests with a mischievous wink that she's talking about strip poker. He can't tell if she's joking, saying with a nervous laugh that that probably isn't the kind of game and a guy and his aunt should play, even if she's only his aunt by technicality.

Hmm, ok, Rita smiles. How about this then---they'll each draw a card and whoever draws the high card gets to ask the other a question and they HAVE to answer with the truth? Rita suggests. Oliver is a little hesitant, but perhaps in his eagerness to play something other than strip poker, agrees. They draw cards. Rita gets the higher card. 'Do you want to fuck me, Oliver?' Rita asks. Oliver is shocked. What?! N-NO, of course not! He stammers. Rita moves her hand to Oliver's leg but he swats it back He pulls away and springs up, stuttering an excuse that he's really tired and needs to get some rest, hastily leaving the room.

The next day, Rita approaches Oliver, who sits on the couch. She says hello, sitting down next to him. She is nonchalant, and he acts polite, but he is clearly uncomfortable around her now and subtly moves away from her on the couch. Rita moves closer to him on the couch, delicately saying that she's sorry if things got a little weird last night. She didn't mean to come on so strong...they can just take things slow, she says suggestively, laying a hand on his leg. He pulls away from her again, insisting that they're not going to take things ANYWHERE.

She was afraid of this, Rita says with fake sadness. Well, if they can't...get along, unfortunately he can't stay there anymore, Rita says. W-what?? He has nowhere else to go! Rita says that she understands, and that he CAN stay, but he'll have to give her what she wants. Oliver is shocked at what she's suggesting. 'Just be a good boy and give Auntie Rita what she wants, and you can stay here as long as you need,' Rita says. 'Ok...OK, fine...I'll...I'll stay,' Oliver says. She grins, unbuckling his pants and slipping her hand around his already-hard cock.

Oliver's learning that there's always a price to be paid for his Aunt Rita's hospitality.

An original story from Pure Taboo's own model, Riley Reyes!

QUID PRO QUO
Teacher Entices Lesbian Student Into Seducing His Daughter While He Watches

SCENE OPENS on Mr. Jennings (Steve Holmes), who answers his door. Michelle (Naomi Swann) stands there. She looks nervous and reluctant. Ah, Michelle! Mr. Jennings says with a pleasant smile. Come in, please, he says. Michelle enters the house wordlessly. 'SO glad you're here. I can't TELL you how much I appreciate you coming!' Mr. Jennings says brightly. 'Well... it's not like you gave me much of a choice,' Michelle says, an edge of contempt in her voice. 'Oh come on now Michelle, I'm only your TEACHER. I can't control what you do! You're 18, you make your OWN decisions,' Mr. Jennings says. 'Although a decision that you made...a BAD one, I might add, is really what brought you here today.' Mr. Jennings says. 'WELL! In any case, it is lucky for you, then, that we've figured out a way for you to make up for that bad decision,' he continues, in a very stern-teacher way. 'So! What do you say we get my beautiful daughter down here? I just can't WAIT for you to meet her!' Mr. Jennings says. Holly! Mr. Jennings calls.

After a moment, Holly (Emily Willis) comes into the living room. Hi! She must be Michelle? Holly says enthusiastically. Yeah...hi, Michelle says, smiling. Ready to get started? Holly asks. Um, yeah, sure, and...and thanks again for doing this, Michelle says. 'Yeah of course! Dad's never asked me to tutor one of his students before, so I hope I do ok!' Holly says with a little chuckle, taking a seat next to Michelle at the table. 'Oh, I'm sure you'll do GREAT honey,' Mr. Jennings says in a sickly-sweet tone. Thanks, Dad, Holly says happily. Mr. Jennings is about to walk out of the room but turns back. 'And be good, you two!' he says seemingly jokingly. 'Don't worry about us, Dad,' Holly laughs. 'Oh I'm not worried. In fact, I think the two of you are going to get along...JUST FINE,' he says with a smile, but a hint of something darker, something...unknown lurks under his grin.

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As Holly shows Michelle something on a shared paper, circling something with a pen, she pauses and looks up at Michelle. So...what's it like having him as a teacher? Holly asks, sincerely curious. 'Your dad? Well, he's um, he's...' Michelle says, seemingly unsure of how to answer as she glances at the room's entranceway. We don't see what she's looking at. Actually he's her STEP-dad, Holly clarifies. Oh...she didn't know that, Michelle says. Yeah, he married her mom a few years back, Holly responds. 'I'm 18 now, so I guess it was about...3 years ago?' Holly muses aloud. Oh ok, that's cool, Michelle says noncommittally. But, her mom died last year, so...now it's just the two of them, Holly says, a hint of sadness in her voice. Oh, she's...she's so sorry, Michelle says sincerely. That's ok, Holly says, snapping back to her bubbly self. So? What IS he like as a teacher? Holly presses. Um...Michelle says, fidgeting nervously. She glances again at the room's entranceway warily, but Holly doesn't seem to notice the look. We now see what Michelle is looking at: Mr. Jennings, who is spying into the room, unbeknownst to his daughter. When Michelle glances at him, they lock eyes and he gives her a glare through gritted teeth. He's...he's really nice, Michelle says finally. Holly laughs. 'Don't worry, you can say it,' Holly says. S-say what? Michelle asks cautiously. That he's a goof, Holly laughs. With all his corny sayings and cheesy jokes, Holly says. Oh...yeah, Michelle says, giving a phony laugh and glancing again at the living room entranceway. Aware that Mr. Jennings is watching, Michelle becomes slightly flirty with Holly. Mr. Jennings watches impatiently.

Michelle begins to seduce Holly as Mr. Jennings watches with increasing pleasure. The seduction is successful and Michelle leans in to kiss Holly. Holly returns her kiss tentatively, but as she gets swept up and lost in the moment, Holly kisses Michelle back with increasing passion. From the room's entranceway, we see Mr. Jennings. His eyes are lit up as he watches, licking his lips.

Swept up in the moment, the girls makeout increases in intensity as Mr. Jennings watches, fondling himself over his pants. Realizing she got carried away, Holly stops the makeout and rushes out of the room in embarrassment, running into her father. Holly realizes that he saw the whole thing. To her shock, Mr. Jennings reveals that he caught Michelle dealing on school property and she agreed to seduce Holly in exchange for his silence.

Holly is disgusted, but not wanting Michelle's life to be ruined, agrees to continue. Holly and Michelle begin to kiss again, tentatively and nervously. No...he's seen THIS already, let's move this along, Mr. Jennings says impatiently. 'Take off her clothes...and do it SLOWLY,' Mr. Jennings says to Michelle. Angry and disgusted, Michelle starts to take off Holly's clothes. Holly continues to be nervous, but Michelle tries to calm her down, leading her through the humiliating experience. Michelle begins to eat Holly's pussy. Holly seems ashamed that her dad is watching, but can't help but enjoy it. After a while, Mr. Jennings says 'now it's YOUR turn, sweetie,' and directs Holly to eat Michelle's pussy.

Mr. Jennings wanted to watch, but soon enough, WATCHING'S not going to be enough.

SINS OF THE FATHER
Virgin Teen Discovers Terrifying Secret In Family Attic

SCENE OPENS on a closed door in a hallway. A moment later, Jillian (Lexi Lore) opens the door and turns off the bathroom light as she comes into the hallway. The house is completely quiet as she softly walks down the hallway back to her room. Suddenly, from somewhere off-screen we hear a soft tapping. TAP. TAP. Jillian stops, looking behind her towards the source of the noise. The tapping continues, getting increasingly louder. Suddenly the tapping turns into a loud THUMP. Jillian jumps. Fear crosses her face, but she has now discerned where the noise is coming from: the attic. She moves toward the attic. Suddenly the house is oppressively silent. The quiet seems to squeeze the air out of her as she approaches the attic door.

As Jillian's hand reaches up to grasp the cord that hangs from the attic door, she seems to be holding her breath. But suddenly, a dark figure standing in the hall startles her. She yelps in terror, moving away from the figure. But then...her shoulders sag with relief when she sees who it is: her father, Stan.

When she theorizes that the attic is haunted by the ghosts of her father's first wife and unborn child, who both died in childbirth, Stan dismisses her concerns harshly. 'I mean, GHOSTS?! Jesus Christ, you're 18 YEARS OLD! GROW UP, for god's sake! I'm your GODDAMN father, so why don't you start LISTENING to me and LEAVE IT ALONE,' he continues, shaking his head in apparent disappointment. She recoils in the face of his outburst, looking shocked and puzzled, as if his words have made her look at something in a new light. O-ok dad, Jillian stammers, thoroughly rattled. She turns to go back to her bedroom. 'And Jillian? DON'T tell your mother about this. I don't want you putting any of these ridiculous ideas in her head. You KNOW how confused she gets,' Stan adds. Jillian silently nods. She reaches her bedroom door, opening it. Before she goes back in, she looks back into the hall, her gaze fixed on the attic door.

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The next day, Jillian's curiosity gets the better of her and she goes up into the attic. She looks around the room, her eyes wide with surprise and fear. The attic is cluttered and spooky, but out in the most open area she sees a sort of nest of old ratty sheets, next to a rusty old bucket. Her dread mounting, she looks around. Suddenly, as her eyes sweep over the surroundings, she squints. What IS that? She peers closer. Her eyes widen and she reels backward, terrified. She puts her hand over her mouth, her eyes filling up with horrified tears. In the corner, crouched like a rat, is a filthy, disheveled looking young man (Michael Vegas). He wears a pair of underwear only and gazes back at her, at first with a mixture of fear and confusion.

'A-are you---who are---?' she stammers, at a loss. The boy's eyes betray almost no understanding. How long has he---?, she asks, trailing off as she glances again at the mattress and bucket. He looks back at her in fear and her eyes soften with sympathy. 'Who...who did this to you?' she asks him slowly, as if speaking to a child. Something changes in his eyes. 'NOT MY SON! NOT MY SON!' the boy growls, repeating something that has been said to him in the past. Confused, she tries to probe for information. 'Not WHOSE son?! What are you trying to tell me?! Did someone SAY that to you??' she asks him gently. 'SON OF A CHEATING WHORE!' the boy says frantically. Someone was a cheater?? Who is he TALKING about??, Jillian asks. 'NOT my blood! NOT MY BLOOD!' the boy growls again. Realization slowly dawns on Jillian's face.

This beast-like man is about to unleash all of his primal sexual energy on Jillian, but not before she uncovers the terrifying truth about him...and the truth of the sin that her father is so desperate to hide.

Winner - Best Actress -- Taboo-Themed Release: Alina Lopez, XBIZ 2020

Nominated - Best Actor - Featurette: Dick Chibbles, AVN 2020

Nominated - Best Actress - Featurette: Alina Lopez, AVN 2020

Nominated - Best Featurette, AVN 2020

Nominated - Taboo-Themed Release of the Year, XBIZ 2020

Nominated - Best Actor -- Taboo-Themed Release: Dick Chibbles, XBIZ 2020

Nominated - Best Sex Scene -- Taboo-Themed: Alina Lopez & Dick Chibbles, XBIZ 2020

BISHOP'S INTERVIEW: AN ALINA LOPEZ STORY
Corrupt Bishop Manipulates 18 Year Old Girl Into Sex

Alicia (Alina Lopez) is nervously fidgeting, sitting in a pew with the congregation. A sacrament tray is passed towards her, which is the source of her stress right now. She takes the tray, and hesitates, looking down at it. She knows she SHOULD take a sacrament but she can't. Not after she...

Alicia bites her lip then passes the tray onward, hoping that no one's seen that she rejected the sacrament. However, when she looks up to where Bishop Bond (Dick Chibbles) sits, their eyes meet. Alicia's stomach churns as the Bishop smiles.

When the service ends, Alicia is eager to get out of there but is stopped by the Bishop. Her anxiety spikes when he tells her he wants to see her, although she breathes a sigh of relief when he adds that he wants to discuss her recommendation letter to BYU. She shakily agrees to the meeting and soon finds herself in the Bishop's office.

Although she thinks she's there to get the letter of recommendation from the Bishop, it quickly becomes apparent that he knows that Alicia's recently sinned. He confronts her about her purity, uncovering that Alicia lost her virginity to her boyfriend. Unfortunately for Alicia, the Bishop won't be able to write that letter of recommendation after all. However, if Alicia agrees to have sex with HIM, he can cleanse her of her sins...

NEEDING DADDY'S SEED
Daughter Begs Step-Father For Creampie To Get Her Pregnant

SCENE OPENS to Peter (John Strong) masturbating to daddy/daughter porn on his laptop. He's quite into it, entranced by the nature of the relationship and sensual acts on the screen, though he's interrupted by his own step-daughter, Mary (Kenna James), knocking at the door. He quickly closes the laptop and hides the tissues, then allows her into the room, where it's revealed she has something important to tell him.

Peter is attentive as she thanks him for being a wonderful step-father. Although he's done his best to give her a happy life, she still feels like something is missing. It still doesn't feel like they're a REAL family...

Although Peter is at a bit of a loss, he tells her that he'd be happy to adopt her to make everything more real. But she insists that that's not what she needs... No, she wants to start a real family with Peter... She wants him to get her pregnant!

Peter is stunned, insisting that he absolutely can't get her pregnant! She's his daughter! Yet, Mary is quick to remind him that she's his step-daughter... She further hacks away at his resolve by stating that she knows he lusts for her. She knows he watches videos of family roleplay. Here's the chance to live out the fantasy! Even if she doesn't get pregnant, they can have fun trying!

Unable to deny his desires any further, Peter gives in. As he watches his daughter eagerly go down on him, he knows there's no turning back...

HEALTH, WEALTH & UNHAPPINESS
MAN GROWS PARANOID THAT HIS NEW BRIDE IS TRYING TO KILL HIM FOR HIS MONEY

SCENE OPENS on Jeff (Jake Adams). He sits nervously in his car. He taps the steering wheel, looking at his watch impatiently. His phone rings. He answers it, putting it on speaker. Hey man, he says to the phone. Hey little bro, his brother Bobby greets him. 'So did you pick her up yet?' Bobby asks. No not yet, he's actually at the airport now, her plane's already landed so now he's just waiting for her to get through customs, he says. IF she gets through customs, who KNOWS what she's hiding, Bobby says with a little laugh. That's not funny, Jeff says. He knows how he feels about this whole thing, but he doesn't need to constantly be taking little shots at him, Jeff says crossly. 'Sorry, it's just...I'm worried about you. She's a MAIL ORDER BRIDE for fuck's sake,' Bobby says. Jeff sighs, exasperated. Yeah, he knows that he sounds like a broken record, but really: how much does he ACTUALLY know about this girl?, Bobby asks, concerned. 'We've been over this a million times now Bobby. She's a 22-year-old girl from a small town. She's never even been on a PLANE before. She's just looking for a better life. And I can GIVE her that life,' Jeff says. Bobby sighs. They have a connection, Jeff adds. It's really easy to fake a connection with someone when they're MILES away and you've only ever talked to them on the phone, Bobby continues.

'Let's face it, Jeff. When Dad died he left us A LOT of money, and there are certain people who would want to...take advantage of that. You're a good guy Jeff. You're one of the most trusting people I know. But YOU'VE NEVER met this person. You don't know who she really is. I DON'T want to see you get hurt, man' Bobby says. 'I hear you, Bobby, but I DO know her. The things we've shared in our conversations...look, I love you, but I'm a big boy, I can take care of myself,' Jeff says. Before Bobby can respond, Jeff looks out the window of his car. She's here! He's gotta go, he says excitedly. Bobby seems to be about to say something, but Jeff seemingly ends the call and tosses the phone on the passenger seat as he hops out of the car. He didn't end the call properly and Bobby can be heard saying 'Hello? Jeff? Think you forgot to hang up the call, bud.' Bobby sighs loudly. 'Goddammit, just be careful, Jeff,' Bobby says worriedly to himself, ending the call with a click.

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Anna (Izzy Lush) is now in the car beside Jeff as he drives them back from the airport. Anna looks nervous, wide-eyed and a bit overwhelmed as she looks out the window at the passing sights. So is she ready to see her new house?, he asks, pulling the car to a stop. She nods, her nervousness giving way to excitement.

Almost a year passes since the couple has married. In the bedroom one evening, Anna gets Jeff his regular pills after telling him that she filled his prescription yesterday. Jeff realizes that they are the wrong pills and doesn't take them, wondering aloud what they would have done to him if he had. Suddenly, Jeff is gripped momentarily by suspicion towards his wife since he just added her to his will the week before. He dismisses these suspicions immediately, kissing her before settling into bed.

Days later, Jeff comes home with a bandage on his forehead, injured because the brakes on his car failed. His paranoia growing, he calls the mechanic, who tells him that it's possible that a puncture they found in the brake line could have been done on purpose. This sends Jeff over the edge and he is completely suspicious of his wife now.

The next day, Jeff rifles through Anna's things trying to find something incriminating. He discovers a brochure for a funeral parlor. When Anna walks in, he confronts her and accuses her of trying to murder him for his money.

She denies his accusation. Enraged, he is determined to show her that he is not someone to be trifled with. He begins to unbutton his shirt. What is he...doing?, she asks with trepidation. 'WHAT?! Is there something WRONG with a husband wanting to be with his LOVING wife?' he asks. Anna looks at him, taking a deep breath and gulping down her fear. 'N-no, of course not, t-there's nothing wrong with that...that's...fine,' she says softly. He takes off his shirt and begins to take his pants off. He shakes his head disgustedly. 'You think I'm some IDIOT that you can just do this to?!' he spits, getting in her face. 'Well, I'm NOT FUCKING stupid,' he says, his words seething as his eyes burn with heartache and rage.

Jeff is about to find out whether or not he can TRULY trust his beautiful young wife.

UNCLE'S MUSE
Uncle Lures Niece Into Compromising Poses During Nude Modeling

Sasha (Lexi Lore) is excited to spend the weekend with her favorite uncle, Uncle Jack (Eric Masterson)! As an artist, he'd always been the fun uncle, and she's always admired his work. They hadn't been able to spend much time together since his wife, Sasha's aunt, passed away, but now they finally have the chance!

Unfortunately, Uncle Jack bursts her bubble when he reveals that he has an important project to work on during her stay. To make matters worse, his regular model dropped out! Of course, Sasha could always volunteer to be his model so that he can get his work done AND spend more time with her...

Eager to hang out with her uncle, Sasha easily agrees to be a model -- until he throws in that she'd have to pose nude. Although she's uncomfortable with the thought, Uncle Jack is family and she's willing to do anything for family.

Uncle Jack is delighted as he leads the young woman into his studio and encourages her to strip down. Once she's seated naked before him, her nerves kick in as she holds an arm shly across her breasts. When Uncle Jack sits next to her and slowly runs his strong hands over her, posing her perfect body into tantalizing positions, she's about to become his best piece yet.

Nominated - Best Three-Way Sex Scene -- B/B/G: Abigail Mac, Seth Gamble & Jake Adams, AVN 2020

THE CASTING
Struggling Actress Coerced Into Sex Audition By Creepy Director

Scene opens on Amy (Abigail Mac), a young waitress, as she waits by a bus stop at the end of a long shift. Still dressed in her work uniform, she rifles through her purse to find some change for the bus when her phone rings. It's her agent on the other end of the line, calling to inform the struggling actress that she received an invitation to audition for a new mainstream project -- a lead role in a pilot. Amy is ecstatic and surprised. It's the first audition she's ever had... The agent tells her that he received the invitation from the director himself, eager to meet Amy after seeing her demo reel. Eager to accept, she tells the agent to set up a time and she'll be there. 'Do you think you could make it to Los Verdes by 5pm?' The agent asks. Amy looks down at herself. 'As long as they don't mind my work uniform,' she jokes. The agent tells her he'll set it up and send the address. Amy puts the phone back in her purse and sits quietly for a moment, before jumping up and down in excitement at the bus stop.

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Inside a staged living room, several crew members finish setting up lights and preparing their cameras. A small bespectacled man, the director (Jake Adams), comes on to the set and barks orders at several of them. Despite his slight stature, he commands a presence and the crew work obediently under him. He walks over to a separate area, where a makeup artist is finishing up with the male lead (Seth Gamble)'s hair. 'Tony Romeo,' the director says, clasping the man's hand. 'Do I have a fun audition for you today!' The actor flashes a toothy grin. 'Like last time?' he asks. The director smirks at him, adjusting his glasses, before telling the makeup artist to wrap it up. The actress will be here any moment. And he wants a closed set.

Outside the building, Amy paces by the door. It is already after 5pm and she doesn't want to make a bad impression. A PA lets her in, paging the director on his walkie-talkie. Amy steps inside to view the set. It looks so professional ... like a real living room! She nervously sits down on the couch when the director storms in. With a strong handshake, he introduces himself. 'I'm Steven Rothschild, welcome to my set!' Amy recognizes the name instantly. Rothschild is one of cable's most successful showrunners. 'You're the guy behind Red, White, and Bad!' she exclaims. 'That's one of the best shows on television right now!'

Tony struts into the room. 'OR ever!' he says, jokingly sliding into their conversation. Amy looks doubly starstruck. Tony Romeo is the hottest young actor in Hollywood right now. 'Oh my god, Tony Romeo. Are you in this?' He smiles, looking at the director. 'Are you kidding? Stevie wrote this for me!' He clasps his director friend on the back before sitting down on the couch. The director puts his arm around Amy and tells her that Tony is going to be helping read lines for her audition today. Is she ready to get started? Amy nods, then asks if he got her portfolio the agent sent over. Steven looks her up and down. 'Don't worry, I've seen everything I need to see about you already,' he says with a smile before turning to tell the crew to leave the room. This is a closed audition.

The director sits down beside Tony and asks Amy to stand before them. He asks her age, height, weight and then to spin around for him. Amy looks a little confused. 'Do we have a script?' she asks. The director smiles and repeats his request, with Tony chiming in. 'Stevie likes to freestyle his auditions,' he adds. 'Starting off with how you look!' Amy slowly turns around, trying to keep her composure. She feels awkward. The director likes what he sees and pays several compliments to Amy's physique. 'You look like you take very good care of yourself,' he says, jotting down a note. 'Have you done a lot of physical roles in the past?' Amy feels even more awkward. 'Um ... I work out,' she replies.

The two men look at each other and nod, before Tony gets up and walks over beside her. The director compliments how good they look together. 'Now, that's an attractive cast!' he remarks. Tony comes in close to Amy and puts his arm around her. He smells great and is very handsome. Amy blushes at the thought of him touching her. 'Thanks,' she squeaks. 'Now, are you sure you don't want me to read anything in specific?'

The director stands up and walks over to them, scoping them out. 'Are you comfortable with romantic roles?' he asks Amy. Amy nods. 'Good,' the director continues. 'Because this new project is a love story and it's going to feature several very intimate scenes.' The camera lingers on Amy's face, as she tries to remain confident and professional despite her unease. Tony playfully teases her by saying not to worry, he brushed his teeth. 'I'm sure that won't be a problem,' she replies quietly.

The director goes on to explain that there is one pivotal scene in the project that involves nudity. It is very important that she feels comfortable with being nude on camera. Amy's smile wavers. 'Um ... ok, I guess,' she replies. The director's tone changes sharply. 'Well, are you ok with being nude on camera or not?' he barks. Tony releases his grip and looks at her. Feeling cornered, Amy nods nervously. 'Yes, of course. I'm an actress,' she says. The director relaxes. 'Great,' he says, clasping his hands together. 'So, let's see you out of these clothes then. I want to make sure you don't have any tattoos or blemishes that would take away from the innocence of your character.'

Amy stares at the men in shock, before slowly looking across the room. It is empty. The crew have left. She is completely alone. 'I don't have any tattoos,' she whispers. The director crosses his arms and motions again for her to undress. 'He just wants to make sure,' Tony adds reassuringly. There is a long pause before Amy slowly begins to remove her work uniform. She strips down to her bra and panties. 'See, no tattoos,' she says, eager to redress. The director stops her. 'Let me take a good look,' he says scanning her body. 'Please remove your undergarments.' Amy wraps her arms around her chest. 'I don't think that's necessary, do you?' she asks. Tony chimes in again, joking that she might have something hidden under there. They just need to take a quick look. It's not a big deal. 'You are an actress, right?' he says, his joking attitude turning serious. Feeling intimidated, Amy nods and slowly slips off the rest of her clothing.

She stands before the two men fully nude and vulnerable. They exchange knowing looks before the director compliments her body again, saying how lovely she looks and what great shape she is in. She is a natural born star. Amy fakes a smile. 'Thank you,' she says. 'Shall I get dressed now?' The director says sure and goes back to sit on the couch when Tony interjects. 'Wait, wait, wait!' he says enthusiastically. 'Stevie, I have a great idea! Since we are all here and there is such a good vibe going on, why don't we just rehearse that scene you told us about to see what the chemistry is like? You can work out the angles you'd like for when we actually film it!' The director smiles. 'That is a FANTASTIC idea!' he replies as Amy covers herself up and the director leaves the room to grab his camera.

Tony starts to remove his clothing, staring intently at the nervous woman. 'You should really relax,' he says coldly. 'Stevie hates difficult women!' He pulls down his pants to reveal his semi-erect cock, as she turns away embarrassed. The director returns with his camera and begins to guide them into position. 'I imagine that this scene starts with a long, intimate kiss,' he says. 'Standing just about where you are now. When you're ready, please begin.' He kneels to get a nice low angle look at Amy as Tony closes in on her. 'Are you ready, beautiful?' he says, inches from her lips. Looking down at his cock on her thigh, she closes her eyes and says 'ok.'

The director yells action and Tony kisses her. She nervously kisses him back, not sure what to do with her hands, but the leading man grabs them and wraps them around his muscular frame. 'Closer,' the director whispers eagerly. 'More passionate!' Throughout the awkward make out session, the director moves around the couple to view his various angles. When he is not satisfied with something, he sharply asks Amy to bend and contort herself. The requests become increasingly exploitative and she tries to protest but both men remind her that this is an audition and she shouldn't break character. 'If you do what the director asks, you will get the part,' Tony whispers aggressively in her ear. 'So, don't be a diva about it!' She feels horribly conflicted but doesn't want to lose the role of a lifetime so, mustering up her courage, she tries her best to do everything the director says, no matter how invasive. She ends up spread eagle on the couch for both men to see, as the director sticks his lens right up to to her pussy and breathes heavily. 'This will make a perfect transition,' he mutters to himself as he hands his camera to Tony.

'Tony, I want your character to begin the sex scene with oral first, followed by penetration,' he says, matter-of-factly as he undoes his zipper. 'But, it needs to feel authentic, so let me show you how I'd like you to do it first.' Tony nods, pointing the camera. Amy looks at the director. 'I'm sorry ... What?!' she stammers. Looking at her coldly, the director arches an eyebrow. 'You don't have any issue with me showing him, right? I like to get into the minds of my characters through roleplay. It's just my style.' She closes her legs and starts to get up. 'I don't think I feel comfortable with that, I'm sorry.' She rushes over to her clothes and starts to gather them on the ground when she hears the men laughing behind her. Angry, she stands up and turns around. 'What is so funny?' She asks, her anger welling up alongside her anxiety. The men stop snickering and face her. 'You chicks are all the same,' Tony says. 'You take an opportunity and you ruin it with your attitude! Nobody wants to work with a bitch like that.'

Amy tries to defend herself. She doesn't have an issue with nudity or even a sex scene, she just wished she'd be informed. 'I thoroughly explained this all to your agent,' the director adds. 'He assured me that you were professional and experienced.' Amy walks back over to them, pleading. 'I am,' she says, exasperated. 'And I want this role, I really do! I just wasn't expecting this much pressure!'

Tony puts his arm around her and slowly pushes her back down on the couch. 'Look, I'm sorry if I offended you, I just hate it when actors aren't respectful on set. It's my biggest pet peeve ... right, Stevie?' The director nods, pulling his dick out. 'Nobody is here to pressure you sweetheart,' he says. 'We just want to make sure we create the most authentic scene possible!' She stares at the penis in his hands, her lips quivering. 'So, are you willing to continue?' he says. 'Because I've got girls lined up if you don't think you're strong enough for this role!' Amy closes her eyes. This isn't what she expected. But, if she doesn't do it, she won't get the role. Slowly, she spreads her legs wide again and stares at him. 'Yes,' she says quietly.

COCK-SLUT CONDITIONING
Manipulative Boyfriend Conditions Teen To Fuck Him In Front Of Her Parents

A young teen, Kaylee (Carolina Sweets), is getting ready to go out. Her parents, Leo (Derrick Pierce) and Diana (Chanel Preston), seem wary and uncomfortable as Kaylee excitedly announces that she's going out with Chad. It's their three-month anniversary and she thinks he has something special planned. Leo seems to be at a breaking point as he shakes his head. 'No, I'm not going to sit idly by anymore while our baby girl dates that piece of shit! Kaylee, what the HELL are you doing?'

'You've been on my case about Chad ever since we got together! Why can't you be happy for us??' Kaylee demands of both of them. Diana tells Kaylee that they're just worried about her. Chad is older after all, and they're worried he's been a bad influence on her. 'We're in LOVE, why can't you see that? He's THE ONE!' Kaylee responds.

'You're only 18, there's no way he's 'the one' for you!' Leo says angrily. 'Daddy, I'm not your baby girl anymore. You gotta let me go,' Kaylee sneers. Both Leo and Diana are stunned, though they don't get a chance to respond before there's a knock on the door.

Diana and Leo watch as Kaylee bounces to the door and opens it, revealing Chad (Dean Van Damme). 'Hey, cutie!' Chad greets, as he grabs and hauls her in for a smooch, which is filthy and shameless. Kaylee melts into the kiss, not ashamed of acting this way in front of her parents. Leo confronts Chad, stepping forward with anger. 'It's bad enough you're dating my daughter, but to behave like this under our roof...!'

'Daddy! Leave him alone,' Kaylee speaks up. Leo barks that a guy like Chad only has one thing on his mind...

Chad retaliates and insults Leo, which results in a physical altercation between them. Kaylee, blinded by her infatuation, takes Chad's side. Chad grins and puts an arm around Kaylee as he opens the door, telling her to come with him. Leo and Diana call for her to come back but their words fall on deaf ears. Kaylee heads out the door. 'I'm gonna make you both so sorry you did that, just you wait... ' Chad says smugly as he grins sinisterly and ducks out the door, leaving Leo and Diana stunned.

TITLE PLATE

Three weeks have passed since Kaylee's left home. Leo and Diana are looking at updates on Kaylee's social media when they hear the front door open. They rush to the door and discover Kaylee, distraught. She tearfully admits that they were right to be suspicious of Chad all along.

'Did he hurt you?? Did he keep you there against your will?' Leo demands. 'No! No, of course not dad, no, it's not like there was anything stopping me, but it took me so long to work up the courage... But tonight, he went to play a gig at some dive bar, so I... left. I just... opened that door and didn't look back, and... here I am. God, it's all a blur,' Kaylee says. Leo is furious and wants to get the police involved, but Kaylee convinces him not to.

Later that evening, the family tries to relax and recover. There is a knock on the door. Everyone is instantly tense. Finally, we hear Chad on the other side, saying, 'Kaylee? It's me, come on, I just want to talk!' Leo aggressively confronts Chad at the front door, though Chad insists that he's just there to talk to her. Leo doesn't want to let him in, but does so when Kaylee convinces him to.

Chad moves inside to the living room, claiming that he was worried about Kaylee and just wanted to see WHY she'd run off. 'You KNOW why!' Kaylee exclaims. 'You're not who I thought you were! You- you-' she starts, but is too ashamed to continue on in the presence of her parents.

'Chad, look what you DID to her!' Diana utters as she tries to comfort Kaylee.

Now Chad's expression gets darker as he grins. 'Did to her? Hah. I turned her into a nice little cock slut, that's what I did to her,' he announces, much to the horror of everyone there.

'Is this some kind of sick GAME to you?' Kaylee tearfully gasps.

'Oh, sweet Kaylee, so naive. You were always so eager to please, so it really wasn't hard to condition you.'

'Condition me? What are you talking about?!' Kaylee asks, confused and disgusted.

'You don't remember?' Chad teases. 'Well of course you don't, I conditioned you not to.'

'Kaylee, what the hell is he saying?' Leo asks her. 'I don't know, Dad!! I don't know what he's talking about!?'

'You're upsetting her, just leave us alone!' Diana frets. Chad ignores her and continues. 'Sweet Kaylee... I have you wrapped around my little finger -- or my big cock, rather. Even though you hate me now, I can have you over here on your knees in a heartbeat. All you need is the trigger.'

'You're DELUSIONAL! You didn't-... I never-' Kaylee protests almost in tears. 'Delusional? See for yourself!' Chad says with a smirk as he whips out his cock.

As Leo and Diana look on horrified, Kaylee becomes inexplicably hungry for sex. As if a switch has been flipped, she shamelessly sucks Chad's cock in front of her parents. 'I'm his good little cock-slut,' Kaylee says happily, not hesitating to take his cock and lick it, lavishing it with attention.

Her parents are disgusted and confused, yelling some more, but when they try to grab her shoulder to drag her away from Chad, Kaylee shrugs them off and hungrily goes back to giving Chad head.

Chad brags about how easy Kaylee was to condition for sex. He encourages her parents to stay and watch them have sex to humilate everyone there. At a complete loss but also wanting to be there for their daughter, they very reluctantly sit nearby.

Leo hugs Diana close, putting her head to his shoulder, their faces grimacing in agony as they watch their sweet daughter become the greedy little cock-slut that Chad conditioned her to be...

WRONG WAY: A LOLA FAE STORY
Escort Finds Comfort From Her Tragic Past In The Arms Of A Smitten Client

SCENE OPENS to Annie (Lola Fae) at a bar when a young man, Bradley (Seth Gamble) approaches her. Her eyes light up at the sight of him since Bradley is a sweet guy that she enjoys spending time with. He seems to be really smitten with her, wanting to spoil her rotten and take care of her...

But right now, he can't keep his hands off her, so they steal away to the bathroom to have some fun.

After their romp, she goes with Bradley, even though she knows she probably shouldn't. Once they arrive at his motel room, Bradley is contented to coddle her, especially once she starts to look distracted. When he asks her about it, she hesitates before regaling him with a story of how much of a nightmare her family is. Her father and step-brothers are just so cruel... It's because of them that she does whatever she has to to make ends meet.

Bradley can't stand to hear the horrors Annie's been through. If she'll let him, he'll take care of her forever. Hell, if she wants, he'll go and take care of her family, too, if she catches his drift...

Annie lights up at the promise of safety and security, though insists that Bradley keep her family out of this. No, why don't they run away together instead? Get away from all this? For Bradley, such a thing is a dream come true, and they seal the deal by passionately coming together once again.

Yet, is everything really as it seems?

Slim-but-busty blonde MILF Sarah Jessie has lush lips, a tattoo sleeve and a hot, round ass. In a striptease, her lingerie can't conceal the butt plug buried in her bunghole. Commencing an interracial tryst, she and muscular black stud Isiah Maxwell kiss and caress. He stuffs his face in her cushioned crack for a rim job; from behind, he eats her thick, meaty labia and bald pussy. A worshipful blowjob creates strands of spit that lube a titty fuck. Isiah's big black cock goes straight to anal. She talks dirty and grinds her glutes on his boner; he spanks and oils her ass as he fucks it. Her big cheeks hump and snap through a backdoor dick ride, and Sarah gives passionate, ass-to-mouth head. Isiah drills her cunt, and then Sarah masturbates through manhandling sodomy in multiple positions. Sarah kneels for a cum facial, drooling the mess onto her body.

NOWHERE TO RUN
Teen's Car Breaks Down and She Accepts Help From A Suspicious Stranger

SCENE OPENS on Anita (Autumn Falls), a young woman. She's in her car and lightly hits the steering wheel. Why won't you just START?, she complains to herself. She exhales heavily, reaching for her cell phone. She tries to turn it on, but it's dead. She opens the glove compartment and roots around in it. After a moment, her head sags in disappointment. 'Aaaaaaaand you didn't bring your charger. GREAT job Anita,' she chastises herself. At that moment, there is a sudden knock at the window. She jumps with a slight yelp, completely startled. Standing at her window is Shane (Derrick Pierce), a somewhat rough looking man. He is unsmiling and motions for her to roll down the window. She regards him warily and hesitantly rolls down her window, but just a crack. Uh...yes?, she asks cautiously. Hey, he's sorry to scare her, but he was coming home and saw her car stall and quit on her, he begins, his tone even and non-threatening.

Oh uh, yeah, it...it won't start no matter what she does, she answers, a touch of wariness still in her voice. Ok, well if she wants, his house is right there, he says, pointing to his nearby house. And he can help her push the car into his garage and see if he can figure what's wrong with it himself, he offers. Oh that's ok, she says still acting a bit wary of the stranger but smiling politely, she wouldn't want to inconvenience him, she can just call the tow service. If she says so, he shrugs, but it'll probably take them hours to get here. And this isn't the best place for a girl like her to be waiting around. She debates for another moment, unsure of what to do. Then she looks down at her phone and remembers it's dead. '...I guess we could give it a shot,' she says hesitantly. He looks at her, shrugging noncommittally. 'Your call,' he says.

After pushing the car into his garage, they chat about what a bad neighborhood it is. Well, he'd better get started, he adds, moving towards the garage door, grabbing the top of it as he prepares to pull it down. Oh um...what is he doing?, Anita asks meekly. The light coming in from outside is shining in his eyes, gonna make it hard to look around and scout out what the problem is. He's just gonna close the door and hook a light to the hood so he can see what he's doing better, he says. That's cool...right?, he asks, a vaguely threatening undertone in his voice. She looks out of the garage toward the street, perhaps deciding whether or not she should just get out of there. Um...yeah, of course that's cool, Anita says, smiling nervously. He looks at her for a second, sizing her up. He pulls down the garage door. It loudly hits the floor, sealing them in.

CUT TO TITLE

Shane hunches over the open hood of the car, tinkering around inside. What's she DOING in this neighborhood anyway?, he asks as he continues working on the car. She was just passing through actually, on her way back from touring a new school, she responds. High school?, he asks, looking over his shoulder at her with an eyebrow raised. No, no, she's 18, she's in college, she clarifies.

'Do me a favor. Pass me a screwdriver. From that toolbox over there,' he says, pointing to a toolbox on the floor. Sure, Anita says, turning around. She bends over, opening the toolbox and rooting around in it. As she searches, Shane is staring at her ass hungrily, licking his lips. Um, there's NO screwdriver in here, Anita says, puzzled. Ohhh, sorry, he FORGOT, the screwdriver is in THAT toolbox, he says with a crooked smile. She immediately goes to the other toolbox he indicated and withdraws the screwdriver, handing it to him quickly. Thanks, he says quietly, turning back to the car.

Ah dammit, he says aloud. What?, she asks, concerned. This cable's been worn away, he says. She narrows her eyes suspiciously, walking over to the hood. Don't worry, she doesn't need to come over here, he's got it, he says, trying to wave her off. No, she wants to see it, she responds firmly, peering under the hood. He is holding a wrench, watching her closely. Yeah, she sees it, but...it looks like it's been...she begins, her eyes resting on a pair of wire cutters that are lying adjacent to the car. Her eyes go wide with fear. ...it looks like it's been CUT, she says in horror, backing away from him cautiously. He has a hard look on his face and slowly leans towards her. Going somewhere?, he asks in a bored, teasing tone. 'Y-you...you DID that to the car. You CUT that cable! You did it on purpose. W-why would you DO something like that?? A-are you trying to...?' she asks, trailing off, unable to articulate what she's trying to say..

'I ain't tryin to do a GODDAMN thing other than fix your car. You can LEAVE anytime you want. Your car sure isn't going anywhere though,' he says, leaning in and sneering with a big wicked grin. That's fine, she says defiantly. She'll walk if she has to. He laughs. Through THIS neighborhood?? She could try. A tasty little morsel like her would attract a lot of unwanted attention. But on the other hand, if she wants him to finish the job so that she can be on her way safely, she could always do...a little something...for HIM, he says, a toothy grin on his face. He swings the wrench around, almost absent-mindedly. She looks upset at his suggestion. What's stopping her from running out into the street and just yelling for someone to call the cops?!, she asks. Nothing, he gloats and goads her, in fact go ahead and try it. People out here fuckin' HATE cops, he says. 'You go runnin' out of here shouting for the pigs to come save you, you think you're gonna get ANY sympathy?? Girlie, you wouldn't even make it two BLOCKS,' he says. Her shoulders sag with disappointed realization as she gulps, weighing her options. Her eyes dart to the garage door. She takes a deep breath. If... if he promises not to hurt her and fixes her car afterwards, then...FINE, she says finally, an edge of defiance and anger in her voice. He can do whatever disgusting thing he has in mind. Shane grins as he draws Anita to him, squeezing a handful of her massive tits.

Anita's got nowhere to run, and EVERYTHING to lose.

FAMILY BARBECUE
Seedy Uncle Lures Teen Niece Into Gangbang At Creepy Family Gathering

It's the Fourth of July and Penny (Whitney Wright) is ready to celebrate with her Uncle Jonas (Steve Holmes) and his family (Small Hands, Nathan Bronson, Jake Adams). Jonas has only recently married into Penny's family, so she's never met relatives from his side but is eager to do so. Although she's nervous, Jonas assures her that everyone's REALLY looking forward to meeting her, too, and that she should start mingling...

With his coaxing, Penny leaves her uncle's side to greet the other partygoers. As she mingles, oblivious to the hungry stares from the surrounding guests, she soon realizes that there are no other women at the party. Every time she asks about her absent family relatives, the men brush her off, making lame excuses.

It's only now that she is aware of how vulnerable she is amongst these strangers. Freaked out, she rushes to her Uncle Jonas' side for comfort, only to learn that there's a family tradition of all the men on his side sharing new female family members!

Although Penny's initially reluctant, her uncle seduces her by building up her confidence and curiosity. He especially preys on her insecurities as a virgin, which he knows is a weak spot for her. Eventually, Penny tentatively agrees that it WOULD be nice to get some... experience... as long as her family promises to take good care of her.

Pale Blair Underwood, a young, real-life mom, looks like the MILF next-door, but she wears a 'SLUT' choker and skimpy threads that accentuate her fleshy, white ass. Blair talks dirty as she fingers her asshole and masturbates with a massager; her verbal filth continues through the scene. She sucks Mark Wood's prick, eyes reddening, spit flowing. Blair spreads her legs for a rim job. Mark goes straight to anal, and Blair says she likes watching his cock go in and out of her rectum. He chokes her as he sodomizes her, and Blair blurts, 'Pound my asshole.' She takes a buttfuck ride, Mark spanking her meaty cheeks. Blair declares an ass-to-mouth blowjob 'yummy.' The stud buttfucks her in multiple positions, making her pink sphincter gape. Blair swallows semen and cleans his dick orally.

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

'Time is the longest distance between two places.'
â?? Tennessee Williams, The Glass Menagerie

ALL THE TIME IN THE WORLD
Desperate Man Uses Time-Freezing Tech To Have Sex With Crush

SCENE OPENS on Ted (Justin Hunt), who is in his room, preparing for a dinner party for his friend Gabi's birthday. There is the sound of a Newton's Cradle which we see clacking in the foreground on his desk. We can also hear the faint sounds of a cityscape through his bedroom window. Ted is nervous and adjusting his clothes. He is rehearsing in front of the mirror, trying to come up with a way to express his love for his best friend Gabi and to convince her to break up with her longtime boyfriend Drake.

He retrieves a pocket watch that he got for Gabi's birthday. He thinks it's broken and manhandles it, accidentally uncovering a secret compartment that emits a strange effect as it opens.

The distortion effect ripples out across the screen like a shockwave. Sound and movement slow to a stop for everyone but Ted. Ted is confused, looks around the room, sees that his clock is no longer moving. He remarks that it's weird the clock stopped. He feels something is amiss and sees that the Newton's Cradle has stopped in mid swing. He can't believe what he's seeing, and pulls back a bit in fear.

Ted leans in to peer and scrutinize the Newton's Cradle with shock and curiosity. Ted looks in wonder and cautiously reaches a hand out. He touches the Cradle. At his touch, the balls instantly start to swing again, the clacking sound whooshing back. Ted stares for a moment at the moving Cradle, then something catches his attention out the window. He goes to look out the window. 'What...the...hell? Everything's just...STOPPED. The birds...the people. Nothing's...MOVING. Th-that's IMPOSSIBLE. It's like time is just...FROZEN,' Ted says in stunned disbelief.

Ted looks down at his hand, only now noticing he still is idly holding the open watch in his hand. It starts to dawn on him that the watch did this. He looks out at the frozen city in awe, gazing back and forth between the city and the watch a few times. He seems to get an idea. As he stares out the window, he snaps the clock closed.

Instantaneously, the sounds of the cityscape whoosh back in and the clock hand begins moving again. Everything has become unfrozen. Ted stares, stunned into silence, for several seconds. 'Gabi...' he finally whispers.

CUT TO TITLE

CUT TO another day. Gabi's birthday dinner party is in full swing. Gabi (Alina Lopez) sits beside Drake (Nathan Bronson) at the dinner table. Ted sits across from Gabi. Their mutual friends Pat and Leslie sit around them, and everybody but Ted are clearly enjoying themselves, engaged in light and lively conversation, laughing and joking. Ted seems withdrawn and distracted, spaced-out. He isn't talking to anyone, and instead keeps pulling the watch in and out of his pocket and looking at it under the table.

As the other guests are busy, Gabi notices Ted's distraction. She touches his hand and asks what's wrong. Ted snaps out of his distraction, seemingly reminded of his strong feelings for Gabi. Ted is about to profess his love for Gabi when he is interrupted by Drake getting on bended knee in front of Gabi. He proposes and Gabi says yes as Ted panics. Ted's panic boils over and he makes a snap decision, activating the watch to freeze time.

Sound and movement slow to a stop for everyone but Ted. Gabi's words cut off as she freezes, hand out.

Ted gets up slowly from his chair and paces the room, slowly walking and examining the guests. He seems bitter and disgusted at their happy expressions. He looks at Gabi first, then over to Drake with jealousy, then enters the kitchen briefly to circle Pat and Leslie making sure they're frozen - waving his hand in front of their faces and snapping his fingers in front of their eyes. Ted takes a deep breath, exhaling heavily as he calms down, glancing at the pocket watch and considering what to do.

Ted resumes his spot at the dining room table, sighing. He looks back at Gabi, Drake beside her, her hand held out to Ted showing off the ring. His expression turns possessive as he gazes at her. He readies himself and reaches out to touch her outstretched hand.

Gabi unfreezes and immediately panics when she discovers everyone else is frozen except her and Ted. She tries to wake Drake up but can't. Ted explains that the pocket watch can stop time. Ted finally professes his love for Gabi, thinking she will reciprocate, but she doesn't. He reveals that he stopped time so that they could be together forever.

Gabi is freaked out. Ted feels betrayed and hurt that she doesn't share his feelings. He threatens to smash the watch unless she fucks him. Gabi, full of resentment, agrees to have sex - 'You aren't the person I thought you were, Ted... I'll have sex with you, but I could NEVER love you after this.' Ted tells her that she'll see, she'll change her mind.

She tries to lead him to the bedroom. Ted says that he wants them to do it in front of Drake so he can prove to Gabi he's a better lover than Drake. Gabi is appalled but reluctantly agrees.

Ted's going to take his time with Gabi. They DO have all the time in the world, after all.

AN HONEST LIVING
Homeowner's Son Terrorizes Honest Hardworking Housemaid

Amelia (Anny Aurora), a hardworking and honest housemaid, casts uncertain looks over her shoulder as she cautiously approaches her employer, Mr. Winters. There's something she's been wanting to tell him for months, and today's the day that she's finally going to do it. Yet, she freezes as she stands before Mr. Winters, who is impatiently waiting for her to spit it out. Although Amelia tries her hardest, words fail her, leading Mr. Winters to think she's simply shy about asking for a raise. However, nothing could be further from the truth...

Admitting defeat, she returns to the kitchen to clean the floor, only to be startled by Adam (Alex D), her employer's son. Adam is calculated and cruel, taking great pleasure in tormenting Amelia at every given opportunity. He hasn't shown mercy since the first day she started work. Even though he's not her boss, Amelia feels powerless to stop him from taking what he wants whenever he wants.

As Adam toys with her, he reveals that he knows Amelia was trying to tattle on him. She deserves to be punished for such subordinance... Although Amelia doesn't want to submit to him, she can't afford to lose this job and be left penniless. Once again, as she slowly unties her apron and bends over the counter, she gives in to Adam's demands.