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An android, known as VX-13 (Kenna James), awakens to find herself naked and alone in the middle of the Wastelands. The android has no idea how she ended up there, although she's in dire need of water to keep her systems up and running.Meanwhile, April O'Neil, or The Doc, is driving through the desert in search of plants while the radio spews depressing news about the rapid decline of the world as they know it. Distracted by thoughts of her past life, April doesn't see the dazed VX-13 standing in the middle of the road until it's too late.The world is a dangerous one, so April cautiously gets out of her vehicle and approaches the motionless blonde. She carefully checks for a pulse and discovers that VX-13 doesn't have one, so thinks her to be dead. It doesn't once cross her mind that the stranger could be a synthetic human. She decides to honor VX-13 by driving elsewhere to bury her.Once she arrives to her chosen location, she gets the shock of a lifetime as VX-13 suddenly springs back to life! April's astonished, not able to understand how VX-13 survived, but VX-13 keeps her identity a secret.When VX-13 has her own flashbacks, she breaks down in April's comforting embrace, weeping and telling her that she was kept in a cage and used by people for sex. April is horrified and tells her that this is her chance to leave the past behind her -- VX-13 is reborn! VX-13 celebrates this revelation by promptly kissing April, which takes her aback. VX-13 insists that April is kind and that no one's ever cared about her before. This gives way to more tender kisses that are sensual and unhurried. Eventually, once April's sure that VX-13's ready and wants more, they further explore each other's body beneath the warm desert sun.April takes her time, lavishing VX-13's nipples and breasts with sweet kisses and moving at the pace that VX-13 sets. She checks in with VX-13 to make sure she still wants this to happen before diving into her pussy. Despite being scarred by the acts she's been made to do before, when it's VX-13's turn to eat April out, there is no hesitation. Being with April is her choice -- not someone else's command! Their sex is slow and sensual, and it feels like they have all the time in the world to get to know each other better.The bright and sunny scene cuts away to a cold, dark interior of a truck where a blonde android is cowering in fear. Commander Mac (Abigail Mac), steps into the truck. She's there to take the android back to Pleasure Park, pretending as though the android has a choice, but they both know that's not the case. At the same time, Commander Mac is notified that VX-13 has been located about two days away from their location, placing her deep in the Wastelands. The hunt is on and VX-13's days of freedom are numbered.
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April O'Neil and VX-13 (Kenna James), find a moment's respite -- a much-needed change from the usual harsh treks through the Wastelands. As they enjoy the warm day together, April introduces VX-13 to the various plants she harvests to make medicine for people. She's confused when VX-13 asks her why she kills the plants, which she's never thought about before. April explains that she does so because she wants to help people since she's a doctor -- or at least she used to be.The girlfriends eventually find a long driveway leading to an abandoned building. Although VX-13's worried for their safety, April assures them that they'll be safe. They then break into the house in search of supplies they can use, but find nothing. April's disappointed, but insists that they stay overnight. It's not every day that they get a chance to stay in a proper house now, although April once lived a comfortable life. VX-13 admires April and wants to comfort her, so they share an intimate encounter on a single blanket on the floor.Like their first encounter, it's slow and tender as they take their time warming each other up. It starts with tender kisses before April pleases VX-13 by sucking on her nipples and licking her pussy. It isn't long before VX-13 returns the favor, wanting to give April pleasure, too. However, their temporary state of bliss is shattered as soldier androids crash into the house. Although April catches a glimpse of VX-13's hidden strength as she defends herself, they are both apprehended.Commander Mac (Abigail Mac), follows in the soldiers' wake and makes herself known to the terrified girls. She's there to take back GirlsWay Corporation's precious property. Through all of this, April still doesn't realize that VX-13's an android, which pleases Commander Mac to no end since she LOVES seeing other people's misery.Finally VX-13's true identity is revealed to April as Commander Mac activates VX-13's seduction mode, then makes VX-13 seduce April. Although April is reluctant at first, it could be the last time she's with VX-13 before Commander Mac drags her back to GirlsWay Corporation. Who knows what will happen to VX-13 then? There's nothing else she can do now except play along with Commander Mac's twisted game. A threesome is soon underway with lots of kissing, eating out pussy, and tribbing -- all for the purpose of showing April that VX-13 is not the sweet human girlfriend she thought she was.
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April O'Neil wakes up after being knocked out by Commander Mac (Abigail Mac), only to find herself all alone in the abandoned house. She stumbles outside and finds a receiver, then is told by a mysterious voice, known only as The Programmer, that she needs to break into GirlsWay Corporation's Pleasure Park to rescue VX-13 (Kenna James).April makes her way into Pandora and infiltrates Pleasure Park, relying on The Programmer's guidance. As April meets with various pleasure bots, they start to become suspicious of her intentions because of how nervous she is. If she's not careful, she's not going to survive long enough to find VX-13.While April is busy trying not to get caught, VX-13 is locked in a jail cell and guarded by android soldiers. Commander Mac arrives at the cold steel bars and taunts VX-13 about being broken. VX-13 insists that she's ALIVE and has a soul, but Commander Mac doesn't buy any of it. In fact, she's angry, revealing her resentment for synthetic humans for the first time. They're immortals that are revered, never having to worry about starving or being destroyed, while humans fight to survive.Meanwhile, April hurries to find VX-13 before security catches her. She accidentally stumbles across a number of the elite living out their fantasies with synthetic humans throughout Pleasure Park. Although the performers are not pleased about being interrupted, April escapes unscathed.After April frees VX-13, they come face-to-face with The Programmer (Cherie DeVille), who shares new information that could change the way humans and synthetics co-exist. Her unexpected revelation however gets interrupted by Commander Mac, who has caught up to them and kicks in the door. The four women's game of cat and mouse comes to a climactic close as they give into their primal urges in a foursome fuck-fest where the lines blur between android obedience and human desire.Things take a serious turn as their orgasmic high fades and dark reality sets in again. If they have any hope of shaking up the world order, they first have to make it out of GirlsWay Corporation alive.

A mother will do anything to protect her daughter but sometimes that love can backfire. Rachel (Mercedes Carrera) has her hands fill with her young daughter Alison (Avi Love) who defies her at every turn and blames her for her father (Tommy Gunn) leaving the family. When Rachel moves on with a new boyfriend, Alison decides to do whatever she has to do to sabotage this new relationship and get her father back. Passionate sexual performances and powerful acting blend perfectly in "A Daughter's Deception."

A mother will do anything to protect her daughter but sometimes that love can backfire. Rachel (Mercedes Carrera) has her hands fill with her young daughter Alison (Avi Love) who defies her at every turn and blames her for her father (Tommy Gunn) leaving the family. When Rachel moves on with a new boyfriend, Alison decides to do whatever she has to do to sabotage this new relationship and get her father back. Passionate sexual performances and powerful acting blend perfectly in "A Daughter's Deception."

A mother will do anything to protect her daughter but sometimes that love can backfire. Rachel (Mercedes Carrera) has her hands fill with her young daughter Alison (Avi Love) who defies her at every turn and blames her for her father (Tommy Gunn) leaving the family. When Rachel moves on with a new boyfriend, Alison decides to do whatever she has to do to sabotage this new relationship and get her father back. Passionate sexual performances and powerful acting blend perfectly in "A Daughter's Deception."

A mother will do anything to protect her daughter but sometimes that love can backfire. Rachel (Mercedes Carrera) has her hands fill with her young daughter Alison (Avi Love) who defies her at every turn and blames her for her father (Tommy Gunn) leaving the family. When Rachel moves on with a new boyfriend, Alison decides to do whatever she has to do to sabotage this new relationship and get her father back. Passionate sexual performances and powerful acting blend perfectly in "A Daughter's Deception."

A mother will do anything to protect her daughter but sometimes that love can backfire. Rachel (Mercedes Carrera) has her hands fill with her young daughter Alison (Avi Love) who defies her at every turn and blames her for her father (Tommy Gunn) leaving the family. When Rachel moves on with a new boyfriend, Alison decides to do whatever she has to do to sabotage this new relationship and get her father back. Passionate sexual performances and powerful acting blend perfectly in "A Daughter's Deception."


During last night's torrid orgy, coven matriarch Anya (Jelena Jensen) kept her promise to Willow (Melissa Moore) and turned the blind girl's sister Lucy (Abigail Mac) into a vampire, rather than taking her life. Back at her late father's cabin, alone and asleep in bed, Lucy's body rocks with spasms as her once-mortal form metabolizes the venom now coursing through her blood. She awakens the following morning, drenched in sweat. She gets out of bed and looks out the window. The sunlight scorches her retinas and burns her skin. She takes shelter inside her bathroom, and panics when she looks in the mirror but sees no reflection. Ella (Shyla Jennings) hears the commotion and comes running. By the time she finds Lucy, her burns have spontaneously healed. But Lucy is still shaking like a leaf. She doesn't want Ella to see her in that condition., but Ella brings her into her bedroom and stays there to care for her. Once Lucy settles down in bed beside Ella, she suddenly feels famished, but her hunger is for sex. With a wicked gleam in her eye, Lucy divulges a family secret. The truth is that she is only Ella's sister by marriage. Ella isn't in the mood for sex and she is worried for her sister, but Lucy makes her quench her thirst. In the middle of fucking, Lucy draws the life force out from Ella's lungs. When Ella recovers, scared and confused as to what happened, she instinctively grabs her cross. She holds it up like a shield, and its protective powers scorch Lucy's face. She demands to know what's going on. Lucy tells her about Willow and the vampires. Ella is so devoted to Lucy, the shocking revelation does not deter her from cumming in Lucy's mouth, again and again. It's not like there's any way out of this mess anyhow ... Or is there?

How does a blind girl from Boston wind up in a dirty back alley running for her life? It all started when Ella (Shyla Jennings) and her big sister Lucy (Abigail Mac) moved to Santa Clarita after their father's death. They settle into the ranch house bequeathed to them in his will. Ella unpacks her bags, and Lucy finds a girl online for a quick hook up. Lucy goes out to meet Willow (Melissa Moore) at her family home and the attraction is instantaneous. But the second Lucy mentions her blind sister, Willow cuts their encounter short and rushes her out of the house. Except they're intercepted by Willow's sisters Amber (Carter Cruise) and Dawn (Georgia Jones). When the sisters tell Willow she has to share her new friend with them, Lucy assumes they are talking about sex. Unbeknownst to Lucy, Willow's family is a coven of Vampires and they wish to consume her most vital juices. The coven's stern and powerful mother figure Anya (Jelena Jensen) enters the room and confronts Lucy as though she were intruding. Lucy tries to excuse herself and return home to Lucy, but Anya bewitches her to stay. Bearing some affection for Lucy, and out of pity for the blind sister she cares for, Willow tries to undo Anya's spell, but her defiance only invokes her anger. Willow pleads with Anya in private to spare Lucy's life and turn her into a Vampire. Anya agrees to grant Lucy immortality if Willow gives up her remaining one hundred years above ground. Willow accepts her self-sacrifice and prepares to give Anya pleasure. While Lucy is slowly overtaken by Willow's hypersexual and thirsty sisters, Anya reveals in the ecstasy of making Willow cum, Willow joins her sisters in devouring Lucy. She vacuums the cum from Lucy's clit, then Anya tribes the mortal girl's pussy until she falls asleep. Willow and her sisters are uncertain if Lucy will survive the night. They contemplate if Willow must kill her to save her own life. And then they feed on each other's fresh pussies.

After two stepsisters move to Los Angeles in the wake of their father's untimely death, they cross paths with a coven of vampires when one them swipes right on the wrong dating profile. Sister Lucy (Abigail Mac) finds out her hookup Willow (Melissa Moore) is a vampire soon after they meet. She is seduced into an all-girl orgy with her date's whole family, and then slated for death. Lucy's date convinces the coven leader to spare Lucy's life and turn her into a vampire instead. Confused and afraid, Lucy runs home and begins to feel the effects of the turning. Her blind sister Ella (Shyla Jennings) tries to intervene. Lucy tells the whole strange story and her sister pledges to save her damned soul.The following morning, Lucy wakes up to a call from a stranger (Serena Blair) who knows about the vampires. She strongly advises the sisters to leave the house for their own safety. They decide to heed her advice and accept her offer to pick them up. The stranger drives them to her safehouse from the undead, underneath a church, stocked with garlic and ammunition. She is a vampire hunter and tries to enlist them. Lucy is slow to trust the stranger but her sister implores her to get aboard. The stranger is a doctor and offers hope. It may be possible to reverse her condition. She can help.Lucy submits to a medical exam and lets her naked body be inspected. The doctor reveals the only way Lucy can become human again is to eliminate leader of the coven. The sisters stick to their vow to save Lucy and begin formulating a plan. Serena gives them survival tools for their mission. She tells Lucy she has to prepare for tomorrow by feeding her energy to her now. She elaborates, and Lucy resists, but the blind sister slips her hand between Lucy's legs to make her more cooperative.Soon the threesome of lesbians are naked and sucking each other's hard nipples, full breasts and juicy pussies. Serena takes her time licking Lucy's meaty lips while the vampire gets face-fucked by her sister. Drained of all energy, Lucy eventually can't take it anymore, but Serena makes her keep going. And her sister pitches in to help. The lesbians form a chain of mouth to ass, licking and nibbling and making each other cum. Lucy sticks her finger in Serena's pussy and slowly extracts its juice. Her sister joins in. The threesome take turns riding each other's tongues and tribbing each other's pussies, cumming over and over again!

Alice (Sara Luvv) finishes fucking Ellen (Serena Blair) and leaves her trapped in the closet at home to head to the Sacred Circle meeting. But the closeted lesbian is impervious to the irony of her own situation, and unaware that her lost love Dina (Bree Daniels) texted her to say that she misses her. Alice is now completely eclipsed by her inner lesbians, butch Al and lipstick lesbian Alicia. And those troublemakers are late. When the Faces of Alice show up at the Sacred Circle, 'they' are ready to preside. The sisters of the Circle (AJ Applegate, Darci Dolce, Kristen Scott, Kimmy Granger, Dahlia Sky, Melissa Moore) stare in awe as they behold the wonder that is Alice, sparkling like a goddess in full regalia, hair in tresses, tutu in pink toile, trucker hat and a deep decollete. Aphrodite's spell is in full effect. Alice the Ultimate Lesbian informs the sisters of the Circle that Ellen won't be coming tonight. But Alice is more than happy to help them yoke with the divine and reach exaltation. The sisters beg at her feet to show them how. Alice rises like the Sun and commands them to undress. The sisters obediently remove their garments to reveal their nubile breasts, slender waists, endless legs, and lesbian pussies desperate to experience the rapture of the goddess. Alice tells them to chant, 'There is no love spell, there is no power circle, we're all just here to fuck!'Alice sheds her clothing and beholds her creation, a circle of six naked beauties surrounding her, with tight wet pussies hungering for the purple doubledong that protrudes from inside of her lesbian pussy. Ready to experience the ultimate duality of fucking while getting fucked, Alice lets the sisters pull her down into their tight, wet sacred spaces. Meanwhile, Alice's roommate Christy (Cadence Lux) comes home to find Ellen locked inside the closet. They finally figure out that Alice must have invoked the goddess Aphrodite (Adriana Sephora), who has a sick and twisted mind. Ellen summons Aphrodite and makes a deal with the goddess to help reverse the spell, if Ellen stops invoking her in her sacred circles. According to Aphrodite, they're boring. But the spell can be broken with a true love's kiss, or an orgasm. Some kind of profession of love. The girls run off to bring Dina to the Sacred Circle, before it's too late.Back at the Sacred Circle, six sisters are worshipping Alicia's pussy, when Al decides it's time to fuck them in a row. The girls double up and mount each other in pairs, so their pussies line up one beside the other. With her doubledong stuffed inside her pussy, she pokes and prods their slits, feeding the bulbous end into each juicy peach. While the girls wait their turn to be conquered, they masturbate each other's mounds in eager anticipation of delicious penetration. The Circle descends into an elaborate orgy. Wet pussies writhe under hungry mouths, while fingers fuck the squirt out of them, and tongues release orgasms like whiplash.Alice is in the middle of being worshipped hedonistically, when Christy and Ellen crash the assembly to begin the intervention. Ellen invokes the power of her status as High Priestess of the Sacred Circle, commanding the sisters to part the way to Alice's pussy. Ellen undresses herself and licks Alice's pussy to rescind Aphrodite's spell. As the channeling spirits begin to recede, Ellen calls Dina into the Circle. She orders the sisters to surround them and focus the energy. Dina kisses Alice lovingly. She pulls her in close until their pussies kiss. Dina and Alice sway rhythmically, rocking and tribbing until Alice has a shuddering cum. Suddenly, Alice comes back to the surface, relieved to be in the arms of her true love. Alice clutches Dina and begs forgiveness. She just wanted to prove that she's a real lesbian. But we're all better now. Aphrodite's spell is unbounded.

Alice (Sara Luvv) wakes up thrashing in bed, tormented by the voices in her head that are taking control of her body, and pitting her between two multiple personalities, lipstick lesbian Alicia and butch Al. But Al has sexual urges that make her personality harder to suppress. So, Al gets out of bed, slips on a smoker's robe and lines up a day's worth of pussy (Jenna Sativa, Charlotte Stokely, Abigail Mac). Before she can finish fucking them all, Al blacks out. Her multiple personalities flicker in and out of consciousness, until Alice comes back up. She doesn't remember what made her decide to stand outside naked, or why a stranger is offering her flowers. She runs back inside and cowers in a heap behind the front door, just as the councilor Ellen (Serena Blair) from Safe Spaces knocks on the door, called over by Alice's concerned roommate Christy. Grateful to see Ellen, Alice explains her blackouts and migraines. Alice suspects she had sex with a goddess the night before, and woke up possessed by two lesbians' spirits. She can feel them with her now, and she thinks they're masturbating. Ellen offers to hold a seance to communicate with Alice's alter spirits. She instructs Alice to remove her robe, and lie on the floor spiritually. Surrounded by candles, the medium waves her hands over Alice's naked body and summons Al, and then Alicia. But the two inner lesbians conspire to gang up on Ellen and fuck her as a team. Alicia starts kissing Ellen too sensually for her to resist the seduction. She puts her dark puffy nipples in Ellen's mouth and coos when she sucks them. Ellen tries to regain her composure, thinking she must resist having sex with her troubled and possibly haunted friend. But Al takes over and pushes Ellen's face into the floor and eats her bare ass. Al folds Ellen's naked body into plough position, with her legs thrown overhead. Al inserts her fingers in Ellen's pussy, extracting her orgasm with her tongue. Then pretty Alicia takes her turn, daintily telling Ellen she'd like to get fucked. She opens her legs, and Ellen obediently licks up and down her landing strip, till Alicia melts in her mouth. Al comes back hungry to fuck Ellen. She begins tribbing Ellen's pussy with wild abandon. When Alicia returns, the lesbians grind their pussies till they cum. Finally, Alice fights her way to the surface, but she's no match for the other two lesbian personalities. Ellen is left trapped in the closet, as the Faces of Alice head out to have more fun.

If anybody knows the intricacies of a young man's desire for mature women, it's 25-year old Rikki Braun, the already multi award-nominated son of legendary director Axel Braun.In MILFY MILFS, Rikki uses his skills and trademark stylish approach to conjure someelectrifying performances from a stellar cast headlined by superstar Alexis Fawx.

If anybody knows the intricacies of a young man's desire for mature women, it's 25-year old Rikki Braun, the already multi award-nominated son of legendary director Axel Braun.In MILFY MILFS, Rikki uses his skills and trademark stylish approach to conjure someelectrifying performances from a stellar cast headlined by superstar Alexis Fawx.

If anybody knows the intricacies of a young man's desire for mature women, it's 25-year old Rikki Braun, the already multi award-nominated son of legendary director Axel Braun.In MILFY MILFS, Rikki uses his skills and trademark stylish approach to conjure someelectrifying performances from a stellar cast headlined by superstar Alexis Fawx.


If anybody knows the intricacies of a young man's desire for mature women, it's 25-year old Rikki Braun, the already multi award-nominated son of legendary director Axel Braun.In MILFY MILFS, Rikki uses his skills and trademark stylish approach to conjure someelectrifying performances from a stellar cast headlined by superstar Alexis Fawx.

If anybody knows the intricacies of a young man's desire for mature women, it's 25-year old Rikki Braun, the already multi award-nominated son of legendary director Axel Braun.In MILFY MILFS, Rikki uses his skills and trademark stylish approach to conjure someelectrifying performances from a stellar cast headlined by superstar Alexis Fawx.

Suburbia interrupted! Paul and Amy (Tommy Pistol and Mercedes Carrera) are a typical married couple raising a rebellious millennial daughter confused about her sexuality (Gia Paige). When Paul gets demoted from his high paying job, panic ensues and Amy decides she needs to get a job to help out. After discovering that the mother of her daughter's lesbian girlfriend is a sex worker, Amy jumps in with both feet to save the family. Scorching hot sex and sharp comedy blend perfectly in "Making Ends Meet."


Suburbia interrupted! Paul and Amy (Tommy Pistol and Mercedes Carrera) are a typical married couple raising a rebellious millennial daughter confused about her sexuality (Gia Paige). When Paul gets demoted from his high paying job, panic ensues and Amy decides she needs to get a job to help out. After discovering that the mother of her daughter's lesbian girlfriend is a sex worker, Amy jumps in with both feet to save the family. Scorching hot sex and sharp comedy blend perfectly in "Making Ends Meet."

Suburbia interrupted! Paul and Amy (Tommy Pistol and Mercedes Carrera) are a typical married couple raising a rebellious millennial daughter confused about her sexuality (Gia Paige). When Paul gets demoted from his high paying job, panic ensues and Amy decides she needs to get a job to help out. After discovering that the mother of her daughter's lesbian girlfriend is a sex worker, Amy jumps in with both feet to save the family. Scorching hot sex and sharp comedy blend perfectly in "Making Ends Meet."

Suburbia interrupted! Paul and Amy (Tommy Pistol and Mercedes Carrera) are a typical married couple raising a rebellious millennial daughter confused about her sexuality (Gia Paige). When Paul gets demoted from his high paying job, panic ensues and Amy decides she needs to get a job to help out. After discovering that the mother of her daughter's lesbian girlfriend is a sex worker, Amy jumps in with both feet to save the family. Scorching hot sex and sharp comedy blend perfectly in "Making Ends Meet."

Suburbia interrupted! Paul and Amy (Tommy Pistol and Mercedes Carrera) are a typical married couple raising a rebellious millennial daughter confused about her sexuality (Gia Paige). When Paul gets demoted from his high paying job, panic ensues and Amy decides she needs to get a job to help out. After discovering that the mother of her daughter's lesbian girlfriend is a sex worker, Amy jumps in with both feet to save the family. Scorching hot sex and sharp comedy blend perfectly in "Making Ends Meet."

Time passes. People change. After 20 years, the gang gets back together to celebrate their good ol' days, but the passage of time has not tamed the lustful desires of these former school mates and sometimes it's the ones that you least expect who harbor the dirtiest secrets. This is one High School reunion you don't want to miss.

Time passes. People change. After 20 years, the gang gets back together to celebrate their good ol' days, but the passage of time has not tamed the lustful desires of these former school mates and sometimes it's the ones that you least expect who harbor the dirtiest secrets. This is one High School reunion you don't want to miss.

Time passes. People change. After 20 years, the gang gets back together to celebrate their good ol' days, but the passage of time has not tamed the lustful desires of these former school mates and sometimes it's the ones that you least expect who harbor the dirtiest secrets. This is one High School reunion you don't want to miss.

Time passes. People change. After 20 years, the gang gets back together to celebrate their good ol' days, but the passage of time has not tamed the lustful desires of these former school mates and sometimes it's the ones that you least expect who harbor the dirtiest secrets. This is one High School reunion you don't want to miss.
