Latest 'Domination' updates from Pornstar Scenes (Page 122)

HOMEWRECKER
ANGRY EX GETS REVENGE BY HATE-FUCKING HIS EX'S NEW LESBIAN GIRLFRIEND

A young woman, Evie (Riley Reyes), is enjoying a peaceful day at home when there's a knock on the door. A cableman (Mr. Pete) politely greets her, but Evie is confused since she didn't call him to have anything fixed. The confusion is cleared up when they work out that Evie's girlfriend, Casey, is the one who put in the work order. Satisfied, Evie lets the man in to do his job.

However, things take an unsettling turn when Evie catches the cableman ogling a framed picture of her and her girlfriend. Although he brushes it off and plays innocent, Evie is further unnerved when she catches him wandering off through the apartment, NOT doing his job. She starts to suspect that something isn't right and is about to call her girlfriend in secret when the cableman suddenly reappears.

'Who ARE you?!' she demands, though isn't expecting what she gets in response. The man is none other than Mitchell, Casey's ex -- the same man Casey left to be with Evie. To say he's upset that his girlfriend left him for another girl is an understatement. Mitchell believes that Evie corrupted Casey, stealing her away from him. He wants Casey to know what it's like to have your heart shattered into a million pieces...

And he's going to make Evie, Casey's beloved, help him.

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

'... there are those who cause you to freeze inside... Those you should keep away from. They are not good for you, even though others might say that they are good people...'
-Bodil Bredsdorff

THE KINDNESS OF STRANGERS
Rich Philanthropist Takes In Homeless Teen Who Discovers His BDSM Sex Dungeon

SCENE OPENS to Billie (Avi Love) awkwardly standing in a luxurious mansion. She's a teen living on the streets, though she had the good fortune of being invited to a fundraiser hosted by a well-respected philanthropist, Tom Ridge (Derrick Pierce). She feels so out of place, especially once she catches the rich, handsome man's eye.

Tom is charming and sweet, which Billie is naturally drawn to, though she is still guarded. Yet, she doesn't know what to make of him when he offers for her to stay in this beautiful home with him! She's suspicious -- there HAS to be a catch! Tom assures her that there is no catch... Well, except that she'd have to rely completely on the kindness of strangers.

Although Billie is still uncertain, she can't turn down the once-in-a-lifetime offer.

The next morning, Billie is given free rein of the house as Tom attends to business elsewhere. However, the one thing Tom's made clear is that she ISN'T allowed to do is go into a private room across from her own. Although she's able to resist temptation for most of the day, the mysterious wooden door seems to be calling her name.

Finally, she can't resist as she sneaks inside the room, only to uncover a BDSM sex dungeon.

As she carefully explores the room, blown away by all that surrounds her, it's hard to envision the kind community man having any part in THIS. Yet, she's about to find out just how dark his desires are when he returns home and discovers she's broken his one rule...

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

Dad's Paddle Collection
TEEN DAUGHTER UNCOVERS DAD'S REPRESSED DARK AND KINKY PAST

'He was now in that state of fire that she loved. She wanted to be burnt.' - Anaïs Nin

We open to Gracie (Marley Brinx), an innocent teen simply looking for her step-father's fishing gear so that she can spend a day out with friends. However, when she searches Tyler (Charles Dera)'s room, she finds a mysterious trunk that opens up a whole new world to her...

She's mystified as her eyes and fingers trail over the variety of paddles and riding crops delicately laid across a red velvet pillow. She picks up a paddle, feeling the solid weight of it in her hand as she carefully spins it around. She's drawn to it, like a moth to a flame... until she's suddenly snapped out of it by Tyler's stern voice behind her.

Instead of being afraid of Tyler, she sees a darker side to him that stirs a fire within she never knew existed. The way he describes his dark desires and past while lovingly handling his paddle collection has her hooked. This is a man who knows what he's doing and enjoys doing it, although he's denied himself such pleasure for so long. He vowed to put it all away to become a respected family man. He dedicated himself to his new wife and raising his step-daughter.

Yet, while Tyler tries his hardest to be a good father, Gracie soon tempts him to be anything but.

THE STARLET: A CASEY CALVERT STORY
BRATTY HOLLYWOOD ACTRESS LOSES SEX BET WITH STUNTMAN

Emma (Casey Calvert) is a Hollywood starlet that cares only about herself. She further proves this by causing a movie producer grief by being late for training with a stuntman. When she finds out that the stuntman she'll be closely working with is none other than Michael (Derrick Pierce), her ex-boyfriend, her entitled attitude makes her even more difficult to work with.

When Michael arrives at Emma's house for stage combat training, he isn't thrilled to be around her. Not only are they exes, but Emma stole this acting gig from Michael's current girlfriend. Although he tries to be professional, Emma makes it hard for him, acting like a spoiled brat. He's so annoyed with her, especially after she nearly breaks his nose for a 'joke,' that he abandons the session.

Perhaps feeling a LITTLE guilty for what she's done, Emma shows him that she's been practicing when they next meet up for more practice. She's so confident in her abilities that her ego continues to inflate, especially when Michael makes the mistake of complimenting her. She starts rubbing her skills in, getting under Michael's skin as she taunts his own skills -- both professional AND personal.

Finally, Michael's had enough. If he's being made to work with HER, then he wants to make things interesting. He proposes a bet. If she beats him during a mock fight, he'll do whatever she wants. If HE wins, she'll do whatever HE wants.

Emma easily agrees since she's sure she's got this in the bag. But when she finds herself quickly overpowered and pinned beneath Michael's strong body, it's evident that she's lost. When he demands a hate-fuck as his prize, she HAS to honor her end of the deal...

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

'Anytime your boss tells you yes or no, you have to respect their decision.'
-Unknown

THE SECRETARY

We open with the secretary (Jill Kassidy) laying on the floor with her ass up, looking sexy in her white blouse, pencil skirt, and high heels. Her fingers glide along the keys of the typewriter as she types 'YES BOSS' over and over again. In the background, her boss (Derrick Pierce) watches from his desk, hungrily admiring the view.

Once the secretary is done, she brings her boss the sheet of paper, eager for his praise. The boss calmly uncaps his pen and corrects her work. He's dissatisfied, handing her back the paper and telling her, 'Again.'

The secretary grins to herself as she hurries off.

CUT TO the secretary returning with another sheet of paper, with the handwritten words 'PLEASE BOSS' scrawled across. When the phone rings, the boss orders her to answer it while laying across his desk. As she obediently does so, he corrects her work by holding the paper against her ass. After she hangs up, he gives her the corrected paper, ordering, 'Again.'

The secretary's almost giddy at his stern tone, biting her bottom lip as she clutches the paper close to her chest.

CUT TO the secretary knocking on the boss' door. Once she's allowed in, she folds the sheet of paper and holds it in her mouth while getting down on all fours. She slowly crawls to her boss' desk, acting submissive as he stands tall before her. When he takes the paper from her mouth, we see the words 'FUCK ME BOSS, PLEASE!!' written in large, desperate letters.

Finally satisfied with her work, the secretary's wildest fantasy is about to come true as her boss orders her to bend over his desk.

'Do I go out of my way to help others?
Am I sincere in what I say and do?
Have I a good memory for names and faces?
Can I put people at their ease?
Can I take care of all my boss' needs?
Then, one day, I will be a good secretary.'

NYMPHOMANIA: AN EMILY WILLIS STORY
PSYCH PATIENT HAS SEX WITH DOCTORS AFTER GETTING CAUGHT MASTURBATING

SCENE OPENS on Katherine (Emily Willis), a 19-year-old patient, as she is dragged through the halls of the hospital she lives in by a male orderly (Chad White). She is kicking, biting, and screaming in a long straight jacket that envelopes most of her petite frame. Her fuzzy blue socks slip on the floor as she struggles, begging the man to take her back to her room. She promises not to do it again! But the man silently pulls her through a set of double doors and into an empty white room where the chief psychiatrist (Michael Vegas) is quietly waiting for her. The orderly slams her down in a chair in front of him and goes to wait by the doors.

'Katherine,' the psychiatrist begins calmly. 'How many times do we need to go over this? It's a strict rule in this facility that you cannot have sexual intercourse with the other patients!' He leans closely into Katherine's face and stares her down, as she turns her head. 'I'm sorry, doctor,' she whispers. 'I couldn't help myself ... I can't control it.'

The doctor steps back and pulls up a chair to face her. 'Katherine, I fear that your disorder is going to continue to put you in harm's way,' he continues. 'Do you forget what happened a few months ago with the patient in zone B?' Katherine shakes her head and squeezes her eyes shut. Her mind flashes back to the image of a terrifying man behind bars, coaxing her to come inside with him. 'Do you remember the beating? The way he tore you up?' the psychiatrist continues. 'How he nearly took everything away from you? Almost took your life away from you?'

Katherine opens her eyes as tears well up. 'Please don't talk about it,' she begs. 'I can't think about it anymore!' The psychiatrist continues to berate her, suggesting that her nymphomania provoked it, that she is to blame for all her transgressions, that she won't stop no matter how rough it gets, and that one day it'll mean the end of her if she doesn't stick to her treatments like a good girl.

Finally, Katherine screams at the doctor to stop. Covering her ears and crying, she begs to be taken back to her room. The psychiatrist smiles. 'This is your final warning, Katherine,' he says, becoming calm again. 'You will complete your abstinence program, which means no sex, no masturbating, no touching yourself of any kind.' As he makes his final warning, the orderly steps back in and calmly picks Katherine up and carries the nervous woman out of the room.

CUT TO TITLE PLATE

Several days later. The orderly is doing his rounds, when he peers in on Katherine's room. She is on the floor by her bed, naked except for her white cotton panties. Her legs are spread wide and the patient is choking herself with one hand while using the other to finger her wet pussy. Authoritatively, the orderly opens the door and storms into the room, chasing the scrambling girl back to her bed. In a panic, she pleads with him not to say anything. She doesn't want to be restrained again. The orderly laughs in her face. 'Well, you should have done what you were told then!' he sneers. 'Now, I'm going to do what I've been told ... and take you back to the doctor. Your actions have consequences, Katherine!' He slams her down on the bed and begins to put her in her jacket, as she begs and pleads for mercy.

CUT TO the white room. The double doors bust open and the restrained girl is tossed on the floor at the feet of her psychiatrist. She cowers beneath him, as the orderly tells him that he caught her masturbating and trying to auto-asphyxiate herself. The psychiatrist shakes his head as she cries out, 'Please, doctor. Please! I am so sorry, I won't do it again. I promise! Please don't send me down to B. Please have mercy!'

He leans in close again, grabbing her chin in his hand. 'I guess this is just who you are, isn't it?' he says condescendingly. 'You'd rather have sex and suffer the consequences than just control yourself?' She shakes anxiously.

Dropping her back to the ground, the psychiatrist begins to slut shame her as he circles the restrained girl. He tells her that she is the one to blame. She keeps provoking her partners. She keeps putting herself in these situations for a reason. It's the violence she craves. The roughness. The patient in B was just a warm up for what she really wants. Men that will hurt her and punish her for the slut that she is. She probably deserves it all.

As he rants, Katherine begins to cry. She is traumatized by her own thoughts and actions and begs her doctor to stop being so cruel. She looks back at the orderly and notices him rubbing himself over his scrubs. He smiles at her. Looking back at the psychiatrist, she reiterates that she can't help it. She can't control herself. 'Are you ready to go back to B? Because we won't protect you this time!' the psychiatrist coos. Katherine pleads for forgiveness. 'Please, please don't make me go back there!' she cries. 'I'll stop, I promise. I won't be able to take it again, doctor. Please I'll do anything you want!'

The psychiatrist and the orderly look at each other and smirk. 'You're such a selfish little nympho,' he says, taking off his jacket. 'You only care about pleasing yourself. What about your partners? Are they pleased when they're through with you and your holes?' Katherine asks what he is talking about. 'You love sex more than anything, don't you? You'd do it with practically anybody, wouldn't you?' he continues, slipping off his shoes.

She looks around confused. 'I have a condition,' she says slowly. 'And what about how we feel?' he asks. 'We have to tolerate your bullshit and disobedience every day ... without any kind of relief. Don't you think you should be a little more grateful to us?' As the psychiatrist says this, both men pull their cocks out of their pants. At first Katherine looks away in shock and closes her eyes. The men move their cocks closer to her face. She bites her lip. She can feel them near and it drives her insane. She starts to writhe in her straight jacket. 'That isn't professional,' she mumbles, her eyes still closed.

The psychiatrist asks if she wants them to remove her straight jacket. She nods nervously. The psychiatrist asks if she wants to be taken back to her room. She nods again, opening her eyes to stare at the cocks surrounding her. She is almost salivating. 'Then you need to be a good girl and let us have a piece of you too ... just like everybody else,' the psychiatrist orders. The orderly chimes in. 'Are you going to agree with your doctor?' he asks. She stares at him, holding his cock, before turning back to the psychiatrist. 'Yes ... sir,' she says slowly, biting her lip and squeezing her legs together on the floor.

Nominated - Best Three-Way Sex Scene - G/G/B: Casey Calvert, Whitney Wright & Seth Gamble, AVN 2020

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

'Submission is a choice, born of free will and made from a place of strength. It is a deep-seated need to serve the one who has earned your obedience through patience, respect and trust.'
-Unknown

We watch a beautiful, submissive housewife (Casey Calvert) getting ready for her husband (Seth Gamble) to get home from work. She is dressed in a retro floral dress and apron with white stockings that highlights her purity. The house is ultra-modern, which contrasts with the woman's pinup style and old-fashioned accessories, as if she was transplanted from the 1950s into the modern world.

When she's done vacuuming and dusting, the housewife fills a crystal bowl with milk and saunters to the bedroom with a doting smile. Her pet (Whitney Wright), a young woman dressed in tight leather with a crystal collar clasped around her neck, stirs on the bed. As the housewife sets the bowl on the floor and sits with her pet, the pet nuzzles in close before crawling off the bed to lap at the milk.

The housewife admires her darling, obedient pet before leaving the room, with the pet crawling on all fours after her. It's almost time for the husband to arrive, and they're both eager to greet him after his long day at work.

When the husband steps in through the door, wearing a handsome suit and fedora, he is greeted by his pretty housewife and pet. Once he makes himself comfortable on the sofa, he's in heaven as he strokes his pet's hair while his housewife makes sure he has everything he needs. Of course, there's just one more thing he needs to really take away the stress of the day... and both his housewife and pet are all too willing to deliver.

'My will is yours.
My mind is yours.
My body is yours.
My heart is yours.
My fears belong to you.
My desires belong to you.
My release belongs to you.
My surrender belongs to you.
I submit to you.
I am yours.
But know this...
You are also mine.'

Nominated - Best Three-Way Sex Scene - B/B/G: Emily Willis, Charles Dera & Danny Mountain, AVN 2020

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Sex Scene -- All-Sex: Emily Willis, Charles Dera & Danny Mountain, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

'Being your slave, what should I do but tend
Upon the hours and times of your desire?
I have no precious time at all to spend,
Nor services to do till you require.'
- William Shakespeare

THE DATE

We watch a beautiful young woman (Emily Willis) in her apartment getting ready for the evening. She showers, lotions up her body, puts on expensive perfume, and dresses -- first into expensive black satin lingerie, stockings, garters, and heels and then slipping into a beige rain jacket. She looks like she just walked off a runway. The camera voyeuristically watches her, almost like a reverse striptease.

CUT TO the woman, in her jacket, bare legs and heels, as she exits her building and steps into a black town car. A man waiting for her shuts the door and gets into the driver seat.

CUT TO a car mount shot, looking in at the silent driver in a black suit and ray bans, and the girl who sits in the middle of the back seat. To her right is a very handsome man (Danny Mountain) in an expensive suit. A second man (Charles Dera), equally handsome and dressed the same, sits on her left.

CUT TO the road. As they drive, the man in the back asks the woman if she is ready. Obediently, she says 'yes.' He asks if she will give herself over completely. She says 'yes.' He strips her out of her jacket, exposing her bare skin. She quivers. He takes a brown paper bag and puts it over her head, before holding her arms to keep her still. They ride for a moment with her body writhing. The men look cool and collected, staring straight ahead. All you can hear are the light gasps and moans from the submissive woman as she is being driven, eagerly awaiting what's to come.

'My only submission is complete submission.
I will kneel before you, naked and unashamed,
My eyes down, my chin up.

'I will do as you say and be rewarded.
Always saying please and thank you,
Accepting my punishments like a good girl,
Never touching myself until you have given permission,
And always swallow, never spit.

'I will surrender to your will
And always remember who I belong to.'

THE HOUSEMAID'S TALE
WEALTHY MAN INTIMIDATES HIS EUROPEAN MAID INTO CLEANING FOR HIM IN THE NUDE

A wealthy man (Charles Dera) comes down the stairs of his house and turns the corner into the living room. He is distracted by his phone, and without looking, he accidentally bumps into a woman (Valentina Nappi), a housemaid who was cleaning in the room. He apologizes, and remarks that she must be the new maid the cleaning company sent over. She responds yes, with a noticeable accent but her english is otherwise quite good. He welcomes her to the payroll, and she replies 'Thank you, Mr. Bradley' in a polite and respectful tone. He tells her there's no need to be so formal, please call him Trent. He asks her for her name -- he's clearly into her. She introduces herself as Rosa. As he listens he notices her accent more, and asks her where she's from. She replies that she's Italian. 'Ah, Italian!' he exclaims, and boasts that he speaks a little Italian himself. He recites a small phrase in French, and Rosa nervously responds that she doesn't know French. Trent dismisses his blunder, then boasts that he travels a lot for work and he's been all over the world. He asks if she likes to travel and she says that she'd never been out of Italy until she moved here a few months ago, her family didn't have much money growing up and since coming to the States she's been cleaning houses for a living and sending some of her wages back to them when she can afford to. Trent misses the point, and tells her that she's missing out if she's never traveled for fun, getting uncomfortably close to Rosa. It's clear that she's unhappy with his close proximity, but he either doesn't notice or doesn't care.

Trent seems emboldened by what he mistakes as Rosa being friendly instead of just polite. He asks her if she's ever been to one of the local Italian restaurants, a fancy-sounding one. Rosa gives a strained smile at his tone-deaf question and says no, she hasn't. Trent was clearly expecting this answer, and says that's perfect, he can take her there sometime! There's no better five-star restaurant in the area, he knows the head chef personally. Rosa interrupts him and tells him she's flattered, but she makes it a policy not to date clients. Trent's smile wavers, and he starts chuckling to himself out of embarrassment. 'Oh what, you thought I was asking you out on a date?' he laughs, and then in a bit of a more petty tone, he says 'You must think I'm some kind of fucking loser to pay my maid to go on a date with me.' Rosa starts to apologize, she thought- 'Yeah, I know what you thought,' Trent interrupts, and his rude tone gradually gets worse as he starts to rant at her. 'Let me tell you, I do just fine. I've dated supermodels, I've dated fucking pop stars, trust me, I don't need to be hitting on my fucking maid, OK?'

As her boss gets more and more riled up, Rosa tries to calm him down. Finally she admits he's right, she's so sorry, and to make him feel better about himself she lies and says she must have misunderstood, english isn't her first language after all, she sometimes misunderstands things. The fact she acted like he was right seems to cool Trent down, and he starts to treat her nicely again, patronizing her even. Oh, of course, how silly of him, apology accepted. Sometimes he forgets who he's talking to, but he didn't mean to be so insensitive. He'll try to speak a bit slower from now on so she can understand better. Reluctantly, Rosa says thank you, and he says he'll leave her to her work then. He walks past her and gives her a pat on the shoulder, not noticing that she flinches slightly at his touch. He keeps walking away from the camera and out of focus, as Rosa stands there looking shaken.

TITLE PLATE

CUT TO days later, Rosa is on her knees scrubbing the floor with a sponge or rag, and wearing rubber cleaning gloves. She is wearing a nicer outfit than the previous encounter, one that accents her curves nicely and reveals a bit of her legs and cleavage, though it still looks on the plain, sensible and affordable side. She's wearing a cleaning apron to keep the clothes relatively clean. Trent comes down the stairs and quietly approaches nearer to her, with the camera following his male gaze POV as he watches her with voyeuristic intent.

After a long moment of watching her silently, Trent says what a nice dress she's wearing. Rosa is startled for a moment, then sighs in relief. 'I didn't see you standing there, Mr. Bradley!' she scolds him with a nervous laugh. He apologizes for scaring her, and says he hopes she's not still on edge from what happened the other day. Rosa, clearly lying, says no, of course not, he's the customer and it's her job to keep him happy. Trent, oblivious, says that's good and he's glad they were able to work things out. He watches for a few more moments and then compliments her on the dress. She looks up at him with a smile and says thanks, does he like it? She's wearing it for someone special. Trent raises his eyebrows, grins, and says 'Are you, now,' thinking she meant him. Rosa says yes as she turns her attention back to scrubbing, and continues saying she has something very special planned for the night. Trent asks her to go on, and she seems to warm up to him a bit since his apology and becomes a bit more talkative. She tells him she's planning a romantic candlelit dinner, followed by a delicious dessert... although if all goes according to plan, 'we won't make it to dessert!' She lets out a hearty laugh. Trent remarks that that's very forward of her to say. Rosa looks back at him with a wink and says that she's Italian, passion runs in her blood. She and Trent continue to talk about her planned special night, with him still thinking it's him she's talking about. She asks if she can leave an hour early to get ready and he agrees.

Rosa thanks him graciously as she starts to collect her supplies from around the floor, and says that her boyfriend is going to be so surprised. Mr. Bradley's face cracks, her boyfriend? Rosa says yes, her boyfriend, for their three month anniversary, didn't she say so earlier? Mr. Bradley gets up slowly and starts to walk towards her with a heavy step. No, he says angrily, she didn't say so earlier. Rosa starts to say oh, well who else did he think she was referring to? But before she can finish, Trent interrupts her in a raised voice. 'I'm not paying you to run off and fuck your fucking boyfriend!' he shouts. He continues, talking about how she's prancing around in the dress, trying to turn him on, and now she's going to reject him to go fuck her boyfriend? And she wants him to pay for it? All it takes is one phone call from him and she'll be deported so fast. Trent stomps past her and kicks the bucket of water next to her, causing it to spill onto the floor. There, he says without looking back at her, there's some work to do, she can clean that up.

The next day, Rosa arrives at the house and is surprised to be met by Trent upon arrival. She remarks nervously that she didn't expect him home this morning, usually he's in the office until much later. How was her date? Trent asks. Rosa says nervously that it was fine, but doesn't elaborate. Trent looks her up and down, seeing she's wearing very plain clothes. He remarks that she's not all dressed up today, in fact pretty much the opposite. Rosa replies that these clothes seemed more work-appropriate. Trent tells her he disagrees - he liked it when he could see a bit of skin. In fact, he wants to see a lot more. He wants her to strip naked and clean his house in the nude today. Rosa spins around, clutching her supplies in shock. He wants what? Trent says, 'You don't want all that money to stop going to your parents, do you?' She's worried and says that he wouldn't do that, and he says, 'You can try me!' He then tells her that he just wants to help her and her family... Looking sad and humiliated, Rosa reluctantly says 'fine' and starts stripping out of her clothing, throwing them onto the floor in what little protest she can give.

As she strips, Trent stares with great interest. When she's finally naked, he instructs her to start cleaning. She begins scrubbing down the sink and he tells her she missed a spot, and another spot, and another...

Rosa turns and see that Trent has his cock out. She recoils, saying that this has gone too far while Trent says it's only just started. As he undresses, he tells her that it'd be a shame if she had to fly away, never to see her boyfriend again... Does she understand the words that are coming out of his mouth? So she knows what she has to do. Rosa's hesitant but finally goes down on her knees with a defeated, 'fine.'

BOOKED
NAIVE TEENAGER ARRESTED AND FUCKED BY TWO CORRECTIONS OFFICERS

SCENE OPENS one night as Charlotte, an anxious looking 18-year-old girl, follows her boyfriend Max along a dirt road. The pair are trespassing on commercial land so Max, an aspiring graffiti artist, can tag a water tower that is popular among his buddies. His accomplice is very nervous about getting caught but doesn't want to appear uncool in front of her man. She urges him to find the spot and hurry up before someone notices. They walk aimlessly, unable to find the water tower until Max, growing frustrated, suggests they stop instead. He pulls out an unmarked 40-ounce bottle from his bag and takes a swig, as Charlotte watches the road. She really doesn't think it's a good idea to stop, especially where they are so clearly visible. Max tells her to chill out and join him and, finally, she agrees. But, before she can take a sip herself, a cop car pulls up with its lights flashing. Max runs away, leaving Charlotte alone with the bottle in her hand and an open backpack full of spray paint. She looks up as the cop's flashlight comes streaming into her face and realizes that she is in big trouble.

CUT TO TITLE PLATE

12 hours later. The camera slowly pulls out to reveal Charlotte resting disheveled in the corner of a holding cell. She has been waiting here since her arrest the previous evening. No phone call. No charges filed. Nothing. She wakes up to realize she is being pet by a fellow inmate, a tough-looking woman, who nudges the girl lustfully. Charlotte tries to pull away, curling herself up into a tight ball on the opposite side of the cell, as the inmate whistles and cat-calls. Several awkward moments pass before the outer doors open and Officer Wright enters. Without saying a word, the male corrections officer unlocks the cell and removes the other woman. She demands to know where she is being taken but Wright ignores her, slamming the cell door and escorting her out of the room. Charlotte slowly lifts her head from her lap and, realizing that she is finally alone, begins to unwind. She gets up and paces back and forth, hugging herself, when the officer returns with a tray. He unlocks the cell again and walks in, demanding that Charlotte remove all her accessories and personal effects. Charlotte does as she is told, asking the officer in a whimper if her parents have been called. They are probably angry. In a monotone voice, he replies that she is still in the process of being booked. She will get her phone call when it is appropriate. He takes the tray away and tells her to strip before exiting the cell and the room.

Charlotte looks lost and anxious. She slowly peels off her clothing and stands naked, covering herself. The camera lingers on her shivering body as her nipples harden and she squeezes herself for warmth. The teenage girl has never been in trouble with the law before and is terrified of what her parents are going to say when she finally gets to speak to them.

When the outer doors open again, she is surprised to see Officer Wells enter instead. She is a beautiful female corrections officer, neatly styled in a tight-fitting uniform. Officer Wright follows closely behind. The female officer unlocks the cell and approaches the girl. 'It's ok sweetheart,' she says softly. 'You don't need to be afraid. What's your name and how old are you?' Charlotte stammers her name and tells the officers that she just turned 18 two weeks prior. They look at each other for a moment, before Officer Wright whispers that this was why he kept her overnight. 'Yes,' Officer Wells agrees, smiling and turning back to the girl. 'She is here because she is an adult and, as an adult, she has the right to represent herself. Isn't that right, Charlotte?' Charlotte nods nervously. Officer Wells informs her in a sweet, sympathetic voice that she and her partner are going to have to take her clothing into custody and conduct a full body search. Officer Wright gathers her civilian clothes while Officer Wells instructs her to stand still. She slips on some gloves and begins to pat the girl down in a professional manner while her partner removes the old clothes from the cell and returns with a folded orange jumpsuit. Charlotte cringes at the sight of it. 'Spread your legs, sweetie,' Officer Wells say. The teen girl does as she is told, and the corrections officer inserts a finger into her vagina. She feels around before bending the girl over, so she can reach deeper. She shoves several fingers inside the girl as she squirms. 'She's really wet,' the female officer jokes to her partner. He laughs in response. Charlotte asks the woman if she is done yet. Kneeling in front of her, gloves still glistening, Officer Wells tells her to shut her fucking mouth. It's a dramatic change in tone and Charlotte is taken aback. 'I'd .... like my phone call ... now,' She stammers. Grabbing the girl by her legs, Officer Wells tells Charlotte to take a deep breath and cough. The girl nervously eyes the other officer, who motions for her to obey. Closing her eyes, Charlotte draws in a deep breath, as Officer Wells brings her face in very close to the girl's vagina and takes a deep breath in herself. Charlotte looks down at the sadistic female officer. 'Why are you doing that?' She whispers. Officer Wells looks up at her and, smile fading, informs her that she is smelling for drugs. Her boyfriend is known to police and she might very well be concealing something up in there. 'Max isn't a drug dealer,' Charlotte argues. 'He's an artist.' Both officers laugh, as Officer Wells stands back up and gets very close to Charlotte's face. She asks who the girl wants to call and, trying to remain calm, Charlotte says her parents. Officer Wells smirks. 'I bet they are going to be horrified when they realize their daughter is a drug mule!' Charlotte starts to breakdown, partially pleading for mercy while also defending herself. 'I swear to you, I don't have any drugs ... I was just hanging out with my boyfriend!' She yells. Officer Wright nonchalantly tells her there is only one way to make sure she's telling the truth. She looks over at him and asks what he means. 'We need to clean your pussy out,' Officer Wells cuts in. 'Make sure it's all empty up in there.' As she says this, Officer Wright unfolds the jumpsuit to reveal a strapless dildo. Charlotte takes one look at it and jumps back. Officer Wells begins to take off her clothes while explaining exactly what is going to happen. Both her and her partner are going to take turns probing the suspect. She hands her uniform to her partner and picks up the strap-on. 'All you have to do is comply to this extra cavity search and prove that you have nothing inside of you,' She continues, slipping the dildo in. 'And Officer Wright and I will release you without pressing any charges. Your parents will never know what you did.' Charlotte stares at the officers. Officer Wright tosses her the jumpsuit and reminds her that she can put that on instead if she would prefer to remain detained. The nervous teen clutches the prison uniform while her mind races. She can't believe what is happening to her. Officer Wells tells her to hurry up and make up her mind. After some awkward coercing, Charlotte agrees to do whatever the officers say in turn for her release. In a final sadistic twist, they make her repeat herself several times, so it is clear she is consenting to everything they plan to do in the cell.

GUIDANCE
SCHOOL COUNSELOR TAKES ADVANTAGE AND ROUGH FUCKS TROUBLED TEEN

SCENE opens on Jamie, a beautiful 18-year-old girl, as she sits at her kitchen table doing homework one afternoon after school. The student is copying notes from one of her text books when she hears a car pull in the drive and slam on the brakes. Panicking, she quickly gathers her things and rushes up the stairs, narrowly missing her father as he staggers inside. The mean-looking man slams the door and yells at the 'bitch' to get down and make him dinner.

CUT to Jamie, cowering in a corner of her room, as the door bursts open and her father barges in. He takes a sip from his bottle, before undoing his belt and threatening the girl to get downstairs and do as she is told.

CUT TO TITLE PLATE

Jamie walks down the street in her school uniform, clutching her books. She looks shell-shocked and spaced out, almost bumping into a passerby as she stares ahead aimlessly.

CUT to a teacher's lounge. Mr. Harris, the school's guidance counselor, is eating his lunch when one of his colleagues asks to join him. They small talk for a few minutes about work before the teacher mentions having some concerns over one of his homeroom students. Jamie is a bright, gifted girl, but something has happened to her this semester. Her once-perfect grades are slipping, and her attitude has really changed. He is worried that something might be happening at home and asks Mr. Harris if there is anything he can do to help. With college applications coming up, the guidance counselor suggests that the teacher send her in to receive some mandated counseling. It's normal for seniors this time of year and, while they are going over her post-secondary options, he will be happy to see if he can help in any other way. The teacher agrees and thanks him before excusing himself to get back to class.

TEXT PLATE: The Next Day

Mr. Harris sits in his office reading when there is a knock on the door. He quickly drops his book, reaches into his desk for some mouth wash, and gargles it into his coffee cup before straightening himself out and going to the door. Jamie is standing there meekly. She hands him a hall pass signed by her teacher and says she is supposed to see him for the college applications. Mr. Harris smiles and invites her inside, shutting the door.

Asking the girl to sit down, Mr. Harris takes a seat behind his desk and studies the girl. She is beautiful but broken, with closed body language and an anxious looking face. 'You've never come to see me before,' he begins. She shakes her head. He introduces himself and gives the girl a quick background on his role at the school. He has been a member of the faculty for two years. He has an associated degree in child psychology. He is a big believer in the importance of counseling, especially as it relates to later adolescence and the transition years between teenager to adult. He asks how old she is and Jamie, without making eye contact, tells him she just turned 18-years-old. He smiles. 'That was a certainly an interesting age,' he recalls. 'There's a lot of change happening in your life, isn't there? Does it feel like a perfect storm?' Jamie tries to change the subject. 'My teacher said you had to talk to me about college?' Mr. Harris stares at her for a moment, smiling, before snapping back to the task at hand. He asks the girl some questions about her school plans. Has she thought about what she'd like to major in and where in the country she'd like to study? Jamie seems very distraught, as she chokes out that she would really love to attend Northwestern ... but she knows she isn't going to be able to. Mr. Harris leans in and takes the girl's hand. 'You can do anything you put you mind to!' He says encouragingly. Jamie looks down at them holding hands and seems very preoccupied by it. She even rubs her finger gently across his.

Mr. Harris pulls away and moves behind her. He starts to talk about his role as a guidance counselor. 'I know you were sent in here to talk about one thing,' he begins. 'But I want you to consider this a safe space. A place where you can talk about anything.' Jamie stares down at her feet and asks if she can be dismissed. She doesn't need an application. Mr. Harris cuts her off. 'Gone are the days where a counselor like me simply sits in their office handing out applications and waiting for crisis to occur.' He says. 'I'm here to listen and help you in any way I can, be it academic, developmental or even personal.' Jamie looks up at him, her eyes welling up. From his vantage point, Mr. Harris can sneak a look down the white blouse of her uniform. He tries to avert his eyes, but the girl is very beautiful, and he can't help himself. 'Are you sure there isn't anything you would like to talk to me about?' He asks, gently putting his hand on her shoulder. This time, the girl doesn't touch him back. She just starts to cry.

'I can't go to college ... because my father came back home,' she says tearfully. Mr. Harris asks her to explain and the girl confesses that her father had recently been released from prison. Her mother had no choice but to let him back in, even though he had always been a very bad man. In the last six months, he has gambled and drank all the money they had saved for her school. Now, mom is barely home, and dad is home too much. It's getting bad. Mr. Harris hugs the girl as she confesses her family secrets. His hands slowly wander down her back and rest at the top of her school girl skirt. He closes his eyes, trying to remain professional while Jamie buries herself in his chest. 'Does your father hurt you in any way?' Mr. Harris asks nervously. Jamie nods into his chest, starting to rub her hands over the man's back as she breaks down. Mr. Harris bites his lip, looking at the closed door of his office. 'What does he do to you exactly?' he whispers. She looks up at him. 'He fucks me up,' she says, kissing the counselor.

The troubled school girl aggressively kisses her counselor, backing him up against his desk. He tries to pry her off, telling her that it isn't appropriate for him to be doing this. Finally, she slumps back into her chair. 'I'm so messed up inside,' she screams. 'I don't know what to do with myself!' Not wanting to raise suspicions, Mr. Harris hushes her and darts over to make sure his door is locked. He stutters that everything is going to be ok, he won't tell anyone what happened. She should consider him a friend. He tries to pinch himself to stop the growing bulge in his trousers. She looks at him, her mascara running. 'Are you married?' She asks. Mr. Harris nods. She puts her head in her hands. 'I'm so sorry,' she says, breaking down. 'I'm just confused.' Mr. Harris stares at her, conflicted between his attraction and his sense of duty. From his POV, we see him scan her body as she twitches in her seat looking up at him with doe-eyes. 'It's ok, Jamie.' He says, opening his arms. She goes in to hug him again and they stare at each other, their lips inches away. 'Will you tell anyone?' She asks. He shakes his head. 'Everything is confidential in this room,' he finds himself saying. She bites her lip. 'I need to feel something inside of me other than my father,' she says back. 'Can you please help me?' There is a very long silence, as the sexual tension builds between them. Finally, unable to take it anymore, Mr. Harris throws the girl down on his desk, pulling down her panties and undoing his pants. He grabs his dick and stares at Jamie's bare ass, as she turns back to him. 'Please do it,' she begs as the guidance counselor slides inside of her.

BG Rough Sex Scene. As they have sex, the broken schoolgirl demands that Mr. Harris fuck her harder and harder. Finally, he cums on her face.

Panicked by what has happened, Mr. Harris tries to wipe up the girl's face and get her back into her clothes. 'I think you should probably take the rest of the day off,' he says nervously. 'Just to give this a little space. I'll write you a permission slip. Is there anywhere safe you can go?' He starts to throw his own clothes back on and write up the slip on his desk, his hands shaking, as Jamie looks defeated again. She tells him she has nowhere to go. He suggests calling a friend. She throws down her bag and screams that she doesn't have any friends. He suggests a women's shelter again but, by this time, the girl has begun crying again. Frantically searching for ideas, he ends up suggesting she come to his house that night. 'I can tell my wife it's an emergency,' he stammers. Jamie stops crying and nods, thanking the man. He tells her to sit tight while he pulls out his phone and dials his wife, his fingers now fumbling uncontrollably. As the phone rings, he motions to the girl to keep calm. 'Hi honey...' he says, his voice breaking.

Maddy is a dirty slut, and she loves getting tied up and tormented, but we haven't had her on the pages of Kink.com for many years. That changes today when she submits to The Pope. How could anyone say no to that? We now present to you Maddy O'Reilly, bound and beaten and made to cum. Maddy begins her journey on her knees like every good whore should, in inescapable bondage. The Pope enters and we get right into the good stuff. After some flogging and cropping, we find out how playful Maddy can be. She clearly loves this more than any of us may have thought, so The Pope cranks up the intensity with some brutal bastinado. She is rewarded with multiple orgasms before moving on to the next scene, where we have Maddy face down and ass up to showcase her luscious ass. The only proper thing to do in this scenario is a double flogging scene to ensure maximum suffering. Her ass and back are berated with non-stop flogging until her flesh glows a bright red. That is followed with some heavy-handed spanking, then she is fucked and made to orgasms repeatedly. The final scene begins with Maddy spread eagle on the floor. She is as helpless as she can possibly be, and The Pope takes full advantage of the situation. Her beautiful suffering is heightened with a cat o nine tails as it whips her flesh. She squeals as he hits all of her sensitive spots. The cane stripes her body, then The Pope moves on to the brutal torment of her feet with a knitting needle. The orgasms are plentiful as the scene wraps up. It's been a while since we've seen Maddy, but we are confident in saying it's totally been worth the wait.

TAKE MY BREATH AWAY
SHY TEEN WITH DARK DESIRE SEEKS OUT STRANGER TO CHOKE HER DURING SEX

In her bathtub at night, shy nerdy teen Lucy stares up at the ceiling, unmoving. The tap drips as the only indication of sound or movement. After several seconds, there is a light disturbance in the still bathwater, and then Lucy lets out a small gasp -- she's moved her hand to slip a finger into her pussy under the water. When her finger is all the way in, she pauses for a moment, then starts slowly moving it in and out to pleasure herself, her gasps becoming heavy and sensual -- several close-ups of her mouth and face, along with heightened sounds of inhaling and exhaling, draw heavy focus towards her breathing. After a half-minute or more, fully immersed in her fantasy, she inhales a single long drawnout breath through her teeth, as she slowly slips under the water, submersing herself. She stays under, and the water goes perfectly still.

CUT TO TITLE PLATE

At her computer another morning, Lucy is in her pajamas typing up a college paper. She is stuck on a sentence, not sure what to write next. She breaths out a huge sigh of frustration, removes her glasses, and rubs her eyes wearily. Putting her glasses back on a little crooked, she tries to go back to writing... but a previously opened tab in the corner of her eye distracts her, and she clicks back onto it. We see on the screen that it's a site for breath play enthusiasts called 'Breathless'. Her breathing shallows, and she runs her fingers along where her neck meets the collar of her nightshirt as a nervous tic. She opens up a chat bar where she has a message already open and typed out, a message to another member. From the wording, it seems to be the last in a long line of messages between them. Towards the end of her message, she's suggesting that they meet up. Her face and body language shows she is still undecided as to whether to send it or not. Clearly anxious, and idly running her fingers along her chest and up and down her throat, Lucy deliberates for several seconds. Then, spontaneously she shoots her hand out to click send. She gets an alert that the message has been sent. She closes the laptop in panic, almost in fear of what she's just done... or perhaps what the response might be. She bites her thumb nervously and taps the laptop casing, before removing her glasses and flopping down on her bed. Her breathing is fast and nervous as she closes her eyes and lies there, eyes shut, until her breathing eventually calms itself.

CUT TO another evening, in the doorway of a house. Lucy walks through the door, followed by a strange man a couple of years older than her, Preston. He's holding keys and locks the door behind him -- this is his place, not hers. They are both visibly awkward around each other as they remove their shoes and he leads them up to his master bedroom. Once there, they sit side by side on the bed, at first making no move to close the gap between them. They talk about the breath-play site they met at, how long each of them has been a member, how they found out about it, etc. Lucy joined around when she turned 18. Preston reaffirms what was said in the chat, that Lucy has never done anything like it before. Neither has he. The closest he came was when he practiced choke grips on a first aid doll once when his dad brought one home from work, and it turned him on. He's immediately embarrassed from telling the story, but Lucy tells him she understands -- she has nobody she can talk to about her fetish either. It's tough for a guy to ask a girl to do that, Preston admits, it would make him look like a serious creep. He's always hoped some girl would ask him, but he knows it's a long shot. Lucy sympathizes - everyone assumes that because she's shy and nerdy that she's completely innocent. One time she asked her boyfriend to choke her, and he was a bit freaked out by the idea and she quickly told him never mind. For the next few days he acted weird around her, and then not long after he broke up with her. Ever since, she's been too shy to tell anybody she's been with, because she doesn't want boys to think she's some weird freak. Especially with how word spreads around college.

There's an awkward pause, and then Preston asks if she wants to start any specific way. Shyly, Lucy shakes her head no -- she never really pictured where to go from here, she never even thought she'd ever get this far. Preston says he's seen a few videos, it's given him a few ideas of what to do. Does she mind if he takes the lead? Lucy says it's fine, he can try whatever he wants, and that if it gets too intense she can tap on the bed with her hand. Preston agrees to this, and moves his hand up hesitantly towards her neck. He pauses, she nods, and he continues. He grabs her throat, and squeezes -- not too rough at first, but hard enough that she certainly feels it. As he grips her throat tightly, he moves in to kiss her, first up the side of her neck, her ear, the side of her cheek, then he turns her head towards his and kisses her mouth. He kisses passionately, albeit a bit awkwardly -- he moves as someone who is less suavely copying moves that he's seen elsewhere. Still, he remains in control throughout, and Lucy submits with a gasp each time he reasserts his dominance with a renewed grip on her throat.

Nominated - Best Art Direction, AVN 2020

FUTURE DARKLY - DON'T PANIC
COUPLE MUST TRADE SEX FOR SURVIVAL AFTER THE WORLD ENDS

SCENE opens on a couple, Jacob (Logan Pierce) and Katlyn (Elena Koshka), walking hand in hand down a modern city street. They've just left dinner, and, through their small talk, it is revealed that the pair recently moved in together. They come to a corner and pause to share a tender moment. While they kiss, a shower of satellites streaks the sky behind them before tumbling to earth and exploding. The couple barely has time to react before everything buzzes and fades to white.

CUT TO TITLE PLATE

SIX WEEKS LATER

Katlyn slowly opens her eyes. She is huddled under a tarp and wearing the exact same outfit as before, except it is now filthy and soiled. Her once pretty hair is greasy and pulled back with string. Dirt streaks her face. As she pulls back the tarp, she realizes that her boyfriend Jacob is missing. The girl freaks out and jumps to her feet, looking for the wood plank she keeps by her side. As she grabs it, Jacob comes around the corner with a jug of water. He is also wearing the same outfit, caked with dirt and filth. He is unshaven and carrying a crude piece of metal. Katlyn rushes into his arms asking if he found food but her boyfriend urges her to be quiet. There is somebody up the road and he isn't sure if they're good or not. Katlyn starts to frantically gather their things. 'He might not be bad. He might know something, like the woman who drove us back in the beginning.' He continues. Katlyn asks him what he looks like. He looks pretty normal, Jacob replies. They decide to go approach him.

CUT to inside a derelict building. The couple approach the window and a man's shoulder steps into frame. He is the man Jacob saw earlier, another drifter. The couple wave their weapons above their arms and tell the man they mean no harm. They want to know if he has any information. The man hesitates before slowly sticking his head out of the door. 'You tell me first,' he says. The couple look at each other before Jacob replies that they heard it was an asteroid. Nothing works. No GPS, no internet, no electricity. The man pauses before replying 'I heard it was a nuclear attack, but I've only met 13 other people.' He pauses, before adding 'I also know where some water is.' Katlyn jumps in, demanding to know where. The man sticks his head out a little further and says he'll tell them but only if they give him some of their own water first. Jacob clutches the jug tightly. He weighs his options before Katlyn urges him to do it. Jacob agrees, and the man pulls out a dirty plastic container. Jacob fills it up and the man eagerly takes it, before telling them there is a well two miles up the road. He disappears inside, and the couple turn to keep walking.

CUT to the middle of nowhere. The couple walk through the blazing sun, with nothing in sight. Their jug is empty, and both are growing desperate. They argue about the water before coming upon a body lying in the road. Looking down on it, they root through the person's pockets but only find a dead phone.

Katlyn pleads that she is hungry, and Jacob tells her that water is more important. They need to keep walking. He tosses the phone in the dirt.

SMASH CUT to a gravel road, as the couple come up a large empty house. 'It's probably been raided already,' Jacob says but Katlyn urges them to check. They go to the front door and enter.

CUT to inside the house. It is still. There are no lights on, except for the natural light streaming in. Jacob tells Katlyn to wait while he checks the rest of the house. While she stands alone nervously, she starts to look around. A coffee cup rests on the table. It is moldy inside. She spots a pencil and snatches it up, stuffing it in her pockets. Then she sees something that shocks her: a flickering light coming from behind a closed door. She screams out to Jacob, who rushes back in.

'The whole house has been stripped,' he says. 'Like I told you.' Katlyn points to the light. The couple stare in shock. They haven't seen a single light on since it happened. Guarding his girlfriend, Jacob slowly opens the door to reveal a library with several oil lamps burning. In the middle of the floor, is a pile of tuna cans.

The couple's eyes go wide, and they pounce on them. This is more food than they've had in weeks. They try to chew them open and bang them against the floor and with books to open them. Katlyn even tries to use the pencil she found in desperation. Nothing. They collapse in frustration as a rifle barrel slowly slides out from behind a curtain in the corner of a room. A man, dressed in clean tactical clothes and greased back hair steps out. He tells them to freeze.

Jacob shields his girlfriend and begs the man to put his gun down. They are not bad people, they are just passing through. The man asks them what they know. Nervously, they reply that it might be an asteroid or a nuclear attack. There is no GPS, internet or electricity and there is supposed to be water near here. They think it's been 2 or 3 months, but they aren't sure. The man studies them before slowly putting the gun down. 'There's a well at the end of my property,' he replies. Jacob asks if they would be allowed to fill up their jug. The man smiles and sits down. 'I believe it was Kessler Syndrome,' he says matter-of-factly. Katlyn asks if he is a doctor. 'I was a high school science teacher,' he replies. There is an awkward silence, as the couple stray towards the door. 'It was a theory proposed in the seventies by NASA,' he continues. 'The idea that if enough space objects were to collide, the debris they would cause would litter our atmosphere with so much junk that all the satellites would come crashing down.' Katlyn asks her boyfriend if that is true. He shrugs his shoulders. 'No telecommunications, no electrical grids, no laws.' The man adds, laughing to himself. Jacob asks again if they can use his well. The man reaches into his pocket and pulls out a can opener. 'How about you help yourself to these cans, as well?' Katlyn freaks out and reaches for the opener, when the man pulls his hand away. 'I'll give this to you if you let me fuck your pussy!' He says, putting the opener back in his pocket. Jacob lunges at him but the man picks up his gun. 'I will defend myself,' he threatens. Jacob tells him that his girlfriend is not for sale. 'It's a trade,' he says calmly. 'Just a few minutes in exchange for a whole week's worth of food.' Jacob stares down at the food. 'I haven't been with a woman in a long time, I'm sure you can understand my position.' The man argues. He stares lustfully at Katlyn. Jacob turns and starts to debate doing it with his girlfriend. She is stunned at his attitude. How could he even be contemplating this idea? He tells her to not panic. Just calm down and listen ... food is getting harder to find. He's going to give them water too. Life isn't like it used to be. Katlyn slaps her boyfriend. He pleads with her to think about them both, not just herself. She can close her eyes. She can get through it. As he speaks, Katlyn gradually realizes that her boyfriend is right. They need the food. Old rules don't apply. She must do it. 'If you give my boyfriend the cans and the opener first, then I'll do it,' she negotiates. 'He won't leave without me.'

The man smiles. He tells her to strip while he carries the gun back to his curtain and tucks it out of view. He pulls out a single wet wipe. 'Clean yourself down there first,' he says. Katlyn nervously wipes her vagina while he inspects her. 'Wait outside,' he orders Jacob. Jacob looks guilt-ridden at his girlfriend before she tells him to go. She will be out soon. He stuffs the cans into their tarp and leaves, closing the door. Katlyn turns back to the man, tells him she is ready and then starts sucking his dick.

Demi Sutra has built her company from the ground up. Her only mistake is trusting her long time business partner Seth Gamble. Seth is sick of listening to Demi and decides it's time to take charge. He kidnaps her, strips her to her bra and panties, and has her tied and gagged. Now Demi has no other choice but to sign the contract Seth has drawn up which gives her shares of the company to him. Demi thinks after she signs Seth will let her go, but Seth has other plans. He knows he has to show Demi who is in charge and make Demi respect him. He slaps her across the face and makes her acknowledge that he's her boss now. He tells Demi he's willing to let her have a job with the company if Demi obeys his every order, starting with sucking his cock. Demi begrudgingly opens her mouth and blows her new boss. Seth groans as her lips close around his cock. This moment is better than he could've imagined. Demi is humiliated as Seth fucks her face and makes her call him boss. Even more embarrassing is as much as she doesn't want this, her pussy is dripping wet. Next, Demi is tied on her knees and flogged. Demi's feet kick out as she struggles in bondage. She cries out as Seth sinks his rock hard cock into her warm wet cunt. He fucks her hard and fast. Each thrust stretches open her tight pussy. Then he makes her ride him. Demi bounces up and down on her new boss' cock before Seth ties her down on her back with her legs spread. Demi moans as Seth fucks her cunt and punches her ass. She begs to cum and cums hard on her boss' cock. Finally, Seth blows his load all over Demi and makes her admit once more that he is the boss.

Lacy Lennon is a sexy, sensual redhead who gives everything she's got, on every shoot. Today is no different, except The Pope has higher expectations of her than last time. Lacy starts the day seated on a large wooden throne with her hands pulled out and restrained with steel traps. Her ankles are held in place with steel shackles, and her head is locked in a deprivation box. The box has a two way mirror that allows us to see inside, but she cannot see out. The box makes her stare at herself while she is suffering, which is a mind-fuck all its own. The torment starts and Lacey closes her eyes and looks deep into herself for the strength to tolerate the pain. The Pope will not allow that, and makes her open her eyes, so she is fully present during the suffering. After some impact play, he applies mouse traps to her pussy and then tapes them to her leg to spread her nice and wide. A vibe is brought in to press against her stretched out pussy for her to cum. Scene two begins and Lacy is bent over in a doggy position with her hands pulled far out in front of her. The Pope adds a spike pad to the bottom of each of her feet. He then begins to explore her body, and decides to spend some quality time fucking her tight whore cunt. The orgasms begin, and it isn't long before her pussy is gushing with squirting orgasms. He puts down the dildo and starts to milk her pussy for more orgasms and she soaks the entire table with her juices. In the final scene we have Lacy on her side with one leg pulled up high, exposing her pussy to whatever The Pope's sadistic mind can drum up. Nipple clamps are applied to her sensitive tits, and then she is throat fucked before he moves to her pussy again. He launches a full-out assault on her fucked cunt with the plan to drain her of all of her juices. She shows us a prime example of imposed orgasms when she has to just lay there and take it until he decides to stop.

Katie Kush is a sweet and innocent looking slut who's just bratty enough to motivate The Pope to do every last nasty thing to her. It's not a secret that he loves brats, but we're not sure if Katie is ready for the repercussions of behaving that way with him. We begin the day with Katie in a full split suspension, just to show her what happens when brats need to be put in their place. This doesn't curb her brattiness, but rather inspires her to taunt him even more. The positive thing to remember is that she is willing to endure whatever he throws at her when she pushes his buttons, so this is going to be an interesting shoot no matter what. The next position is also a suspension, but this one is very asymmetrical and it pulls this slut in every direction. Orgasm after orgasm is ripped from her slutty pussy, and she begins to show signs of submission as the pain is ramped up. After two brutal suspensions, you would think that she would be a little less bratty, but this is not the case. She continues to antagonize him to see how sadistic he canreally be, and soon finds out how fucking twisted this man is. Katie is now folded in half, and her arms are tied in a way that they are what holds her in place for the next dose of torment. Now the pain comes faster and harder, and suddenly Katie realizes that her mouth may have gotten her in more trouble than her body was capable of handling. The torment is brutal and she begins to wonder if she is going to make it to the end. Her throat and pussy are fucked mercilessly until she can no longer take the stimulation. In the final scene, Katie is atop a wooden box with her limbs pulled up and away from her body leaving her completely helpless. Foot torment, breath control, and imposed orgasms close out the day as we see Katie finally submit to The Pope.

Levi owns a swanky house that he rents out for sex parties. One morning, while cleaning up after a wild night, he listens to his voicemails, one of which is from Skylar Snow. She says that she got his number from his friend Donny. Donny told her about how Levi wants a kinky live-in "House Girl", and that he's accepting applications. Skylar is more than interested at the opportunity and wants to schedule a meeting, which she does and meets Levi later at his house. She hands her checklist to Levi and he goes over it. He asks if she's ready and nervously she says yes. He slowly comes up from behind her and rips her dress off. He spreads her legs, rubs her pussy, and spits in her mouth. Skylar gets bent over a chair. Levi pulls her panties aside, spanks her and spreads her ass. After her pussy and ass get probed by his gloved fingers, Levi grabs a leather flogger and hits Skylar's ass hard and true. Skylar shows her gratitude by saying,"Thank you sir" after every hit. Levi turns her around to face him and spreads her legs. He hands her an Hitachi vibrator, places a rocks glass by her pussy and tells her to pour him a drink. Skylar works herself up to orgasm and squirts into his glass and they both drink it. In the next scene, Levi has tied Skylar up with rope on her side, with her hands behind her back, and one leg up, in a full suspension. Skylar's mouth, perfectly placed at dick-level, Levi takes advantage and uses it to pleasure his cock. Covered in Skylar's spit, Levi shoves his cock in her pussy and fucks it deep and hard. After that predicament, Levi takes her down and has her get on her hands and knees on top of his black leather couch. She begs for him to fuck her ass and he obliges. While fucking her ass, his friend Donny Sins shows up as a surprise for Skylar. Donny whips out his huge cock and Skylar gets to sucking it while she gets fucked in her ass. They double penetrate her holes, Donny covers her eyes in cum, and Levi creampies her pussy.

Cam Damage is new to us at Kink, but bondage and torment are right up her alley. She's a hardcore bottom that loves to be helpless in extreme bondage, so putting her on Device Bondage makes perfect sense. The devices are designed to ensure her ultimate suffering, and The Pope adds his own sadistic play to push her over the edge. Cam begins in a bridge position with her pussy pushed up and vulnerable. Her bush is the first target, and he plucks her pubes like flowers in the spring. Her flesh is warmed up with a flogger, and then the crop is used to bring out the red in all of her tattoos. The Pope then plays the game of crop or vibe, and not allowing her to orgasm until her pussy is so sensitive that she can no longer help herself. Her tits are covered with clothes pins and then they are slapped off to increase her pain level. The second scene begins and Cam is in a doggy position with her arms pulled out to her side. The Pope comes in and rips at her flesh to get her ready for the torment that is coming. Nipple clamps are added and then weights are added to them, so that the intensity is increased even more. Her ass is target of the next assault, because Cam is one tough bitch, and The Pope takes full advantage of that fact. After properlyabusing this slut, he shoves a huge dildo down her throat and then deep inside of her pussy. The orgasms flow quickly! Next Cam is in a seated position with her arms pulled into a mild strappado. She is more exposed than ever, and The Pope takes full advantage of this. Her flesh is showing signs of wear from all of the torment, but she is still a very willing participant in this sadistic dance. The pain only gets more intense from this point. The Pope doesn't get to play at this level often, so when given the opportunity with someone as tough as Cam Damage, he enjoys every second of her suffering.

Since Hogtied started, there have been several styles, and riggers that have been featured on these pages. The one style that has been shared by all of them is the traditional basic bondage style. It's not showing off. It's not overly stylized. It's simply effective bondage that renders the model totally helpless in tight ropes. Today we have a classic bondage shoot featuring a smoking hot model, Carmen Valentina. Carmen begins in a standing position with her hands above her head and her legs spread wide. A large red ball gag makes her mouth drool, which drips down her body and makes it glisten. The Pope takes his time tormenting her with different implements before giving her her the first of many orgasms. Next Carmen is in a traditional hogtie suspension. She gets flogged on her pussy before a crop is used to precisely attack the sensitive spots on her body as he holds a vibe against her pussy. She is not allowed to cum until he says so, and he is in the mood for some tease and denial. The Pope introduces a large dildo and fucks Carmen's mouth before shoving it inside her pussy. The orgasms pour out of her pussy before he exits the scene. The final scene is upon us and Carmen is on her back with her legs up and spread. The Pope puts rubber bands on her feet to start the suffering. What follows is the most intense bastinado that Carmen has ever had to endure. The day is finished up with more pussy fucking and non stop orgasms.

London River has been neglected at home by her husband for a long time. After he comes home demanding that she throw a dinner party to impress his boss, she completely loses patience with him. She sneaks off to an abandoned warehouse to get cropped, flogged and fucked by Ramon Nomar. Her husband doesn't know how to please her, but Ramon uses and abuses her every way she likes. Ramon strips London and exposes her shaved pussy. After tying up her full rack, he squeezes her perky nipples into tweezer clamps and pulls her tit flesh tight in lots of clothes pins. London is locked into a device bondage head cage so Ramon can use it to choke her while he fucks her slutty pussy. He mercilessly beats her into submission at the end of his huge, uncut cock. London's sexual torment continues as Ramon ties her on her back exposing her clamped pussy. He makes her orgasm over and over. Her pleasure is so intense that it causes her asshole to rosebud. Ramon, of course, punishes her for being such a greedy slut by cropping that rosebud repeatedly. He leaves her a sloppy, mess with all her holes fucked. Days later at her dinner party, her husband's boss walks in. To London's shock it's the same stranger she's been fucking. She panics and runs to the restroom. The boss corners her and convinces her that she needs to take his hard cock in every hole, right then and there, or he will tell her husband about their tryst. He fucks her mercilessly over the bathroom counter while all of her guests pretend not to hear it. Ramon greedily cream pies her slutty asshole, pulls up her panties, and sends her back to the party with all those holes fucked wide open.

Alexis Tae is a young and very eager slut who's tired of watching things from afar. She's decided that she's going to go for it, and knew that the main reason she joined the porn industry was to work for Kink. Today she will take on the toughest channel we've got; Device Bondage! The bondage is more diabolical than any other on the internet, and the torment is going to be the most brutal that she has had to endure yet. Alexis begins her day in a brutal back bend with her young body locked into place with cold steel. The moment arrives when The Pope walks in with a leather flogger and begins to tenderize her flesh. At first she smiles because she is getting just what she wanted, but it quickly turns into more than she bargained for. The sounds of her wimpers and the surprised look on her face when he doesn't stop is priceless. Alexis is now completely aware that she has bitten off more than she can chew, but she's a brave slut and she's ready for whatever he has in store for her. Next, The Pope has Alexis in a scorpion hogtie, face-down on a wooden box. She is totally immobilized as she awaits her captor to enter and begin the next session of suffering. Her back is bent in a way that increases her suffering, but then he enters with a cane and begins a methodical bastinado session. He follows that with a crop to her already sensitive soles, and Alexis begins to show signs of breaking. The Pope sees this and moves the pain to her pussy as to not break her yet, but then goes back to her feet to finish her off. As the scene wraps up, she is made to cum uncontrollably to reward her for her suffering. The last scene begins with Alexis on her back and her feet exposed and the center point of this device. The Pope does not disappoint this time at all, and issues a brutal foot tormenting scene that leaves Alexis in severe pain. The day closes with several more imposed orgasms to finish her off.

Paige Owens begins in a predicament position with all of her weight balancing in her knees. Her feet are pulled up and her thighs are pulled out to keep them separated. Her hands are pulled up high. In this position she is totally helpless. The Pope enters and spends a few moments groping her young tight body before shoving a gag in her mouth. Next she's flogged all over her gorgeous body and then the crop is used to get at her nipples and other sensitive places, including her feet. After that clothespins are added to her tits, and the he takes aim at trying to knock them off with the crop. Then The Pope feverishly finger bangs her with a vibe to assist in the overwhelming attack on her pussy. The next scene starts and Paige is in another sticky situation. One of her legs is pulled as high as it will go, exposing her pussy to whatever The Pope has planned for it. The suffering begins with some bastinado, and then turns to breath control. After some pretty extreme breath play, The Pope fucks her mouth and pussy, then adds a a vibe to push her over the edge of orgasmic bliss. The third scene begins and Paige is in a doggy position and tied to a wooden horse. The flogger is used to redden her ass before shoving a dildo in her pussy again. The fucking starts, and Paige quickly realizes that orgasms can be as much pleasurable torment as actual pain. The dildo goes back and forth from her pussy to her mouth, and then back again. And she fucking loves it.

Stunning petite wife Mia Gold is enjoying her poolside sun bathing. Little does she know this brunette's privileged wealthy lifestyle is about to get fucked. Her husband owe's a lot of money and it's time to pay up. Muscle stud Karlo Karrera shows up and drags Mia into the house. Throws her on the couch and demands she tell him where her husband is. This innocent wife has no clue what is about to happen to her. As Karlo chokes Mia, he pulls off her clothes and demands sexual payment. His hard huge cock gets rammed down her wet throat for a deep throat cock sucking. He pulls her hair harder as he gags her on his dick. He flips her over and holds her down as she screams. He shoves his hard cock deep in her wet pussy and pounds her for hard fucking. This isn't all about pleasure, there must be sexual pain and punishment. He handcuffs her and brings out the flogger and she screams for corporal punishment. Nipple clamps come out and the clover clamps are applied to her sensitive nipples. She is bound in BDSM rope bondage and her mouth is gagged with a red ball gag. Her screams are muffled as he fucks her deep in her ass. Deep anal pounding gets her squirting all over the place. With her pussy and ass fully pounded he unloads his huge load all over her body. Her husband better pay up soon. Enjoy this original Kink scene from our archives, released for the first time!

Janice Griffith is very new to our dark world of dungeons, bondage, domination, and brutal submission. She's very curious about it all, but is taking it slowly because she wants to be sure about it before fully committing to this glorious life. She is reluctant to do too many things so we take it slow and give this nervous little giggle slut all the time she needs. Her infectious laughing is clearly a defense mechanism to deal with the intense pain, which works for me. I like breaking in the new girls, and will have her turned into a true pain slut in no time. Her intense squirting orgasms prove that she's very into it.

Ropebaby visits the dungeon with her real life partner Barry Cox for a kinky and electrifying predicament bondage experience. Wearing nothing but bright red, thigh-high stockings, little Ropebaby is exposed and strapped to a wired copper pipe that is coursing with electricity. If she holds herself up and hovers just above it, she is safe, but if she loses control and slips down onto the threatening device she will be shocked! Good thing Ropebaby loves pain because also stuffed inside her pussy is an electrode, sizzling with electrical current.Barry knows just how to weaken and motivate his plaything so he puts clothespins all over her inner thighs and tits and teases her with the vibrator and zapper. While pushing Ropebaby to the edge with the Hitachi, he brutally knocks off the clothespins with the cane, causing a wild storm of sensation that makes her cum again and again. Who ever thought electroshock treatment could be so hot!Next, Ropebaby is gagged and strapped to a spanking bench where Barry spanks her firm ass persistently until it turns beet red. To top it off and help her endure the pain he fucks her pussy with a dick on a stick, which throws Ropebaby into a wild and endless series of delicious orgasms.

Filthy top, Estella Bathory, mails Tony Orlando his chastity key after a whole year in chastity! They tease Tony 'till his cock is leaking an extreme amount of precum. Tony is instructed to cover his body and balls with clothespins and to shock his cock repeatedly. His struggle is Estella's pleasure!Before Estella lets Tony out of his cage, he takes a hard pounding from a huge dildo on fucking machine and fists his own asshole. Estella finally allows him to come, before making him eat it all up!

Cherie Deville is an app developer by day and a webcam dominatrix on the side. She meets a prospective employer online for a job interview and fails to leave the meeting before she starts her second gig, domming online. Cherie greets her horny and perverted fans with a filthy show. She liberates her perfect tits and spreads her legs. Her pussy looks so good behind the nude stockings. She gags on a long double-headed dildo, rips her nylons open, and fucks her tight wet pussy. She tells her fans not to cum until she does, making their hard cocks throb and their balls ache. Cherie undulates in pleasure, her eyes roll back in her head, cumming over and over again.

Alexis Fawx is in charge and isn't afraid to give orders. Xander Corvus and Johnny Castle exist solely for her pleasure and wait patiently, blindfolded, while Alexis bathes and dresses herself for her big night. Alexis heads downstairs to the dining room, where she lets Johnny lick her sweet pussy before leading them to her bedroom to fuck her exactly the way she wants - to be pounded by both their big dicks in a wild threesome!

Nervous creep, Sam Solo, is lured to an abandoned farmhouse by bombshell Ella Nova. Sam dares to trespass on private property, despite the dangers, simply for the chance to be with Ella outside of the office. She could convince him to do anything. Once inside, Ella is magically bedecked in a sexy latex outfit, wielding a flogger. Sam is strapped to a cross in his underwear and tie, with a red ball gag in his mouth. The poor guy had no idea what he was getting into!Ella grinds on his dick, flirting and teasing as she explains that today is his lucky day. You see, Ella Nova is in urgent need of a last minute replacement sub for her afternoon play. She grabs the first man she sees in her office and lures him to her dungeon. She wants a toy to play rough with and throw away when she's done, and Sam has 'fucktoy' written all over him. She flogs him until his chest is beet red, she cuts his underwear off and laughs at his vulnerability. She makes him hump the air and laughs some more. Pathetic little worm!Smacking him around and cutting off his fancy clothes has got Ella's pussy wet. She pulls Sam down so that he is lying on his back. She grinds her perfect ass on his face and presses down so he cannot get any air. He doesn't need oxygen, this is where he belongs. Under her ass, her pussy lips grinding on his entire face. She only allows him to breathe when she leans forward to stroke his cock, edging him until he is so, so very close, only to smack his little prick and deny him. Ella loves his confusion. He doesn't know what to feel. He's never been touched by anyone even close to Ella's magnificence and she's making him so turned on but so scared. What the hell is she going to do to him next, how is this crazy afternoon going to end? Only Ella knows…

The stunning and sexy, Aubrey Kate is doing her make-up. Jordan Lake lays at her feet with his head on the floor like a bad dog. He's being punished. Jordan was caught rummaging through her things and so now he has to wear a collar around his neck, with a leash which Aubrey holds the end of. Aubrey scolds him and puts make-up on his face. She pulls him to her bathroom and washes it off in the sink. She pulls Jordan's pants down and sucks his cock. Jordan gets down on his knees and pleasures her cock, getting it rock-hard and ready for his ass… He then gets up on the sink and Aubrey slides her big dick inside Jordan's ass, fucking him deep, hard, and raw. She brings him to her bedroom and hits Jordan's ass with a crop until it turns red. She licks his ass while he sucks her cock in a hot sixty-nine just before Jordan mounts her hard cock in reverse-cowboy, taking every inch as she pounds him from below. Aubrey puts a ball-gag in his mouth and while on his back she spreads his legs, and fucks the cum right out of him. She glazes his face with her huge load and tells him to never go through her shit again.