Latest 'Deepthroat' updates from Pornstar Scenes (Page 80)

'Whosoever is delighted in solitude is either a wild beast or a god'
-Francis Bacon

WITHIN
Women At Isolated Cabin Are Stalked By Mysterious Hermit

SCENE OPENS on a close-up of a leaf, crisp and perfect. We slowly pan up to reveal a slightly disheveled looking man (Michael Vegas), his back turned to us. He holds a rabbit, which he has clearly just caught. He looks around, scanning the area. The woods are utterly silent. As he looks around, a gust of wind moves the trees. Satisfied that his scan has yielded nothing, he walks away.

We follow him as he walks through the woods, finally arriving at a makeshift camp. Tarps are strung over poles in a haphazardly manner. An old fire lingers in front.

As he begins to prepare the rabbit, he is suddenly roused when he senses something. Following his senses, he walks back through the woods until he comes upon a nearby cabin.

Hidden in the brush, he watches as a car pulls up and two women get out, Luna (Emily Willis) and Gwen (Emma Hix). They are here for a weekend getaway that Luna booked. Gwen is nervous because she's not used to the isolation of the country.

As they are about to enter the house, Gwen seems to sense something. She turns around and looks back at the woods. The trees blow in the wind, but she sees nothing.

CUT TO TITLE

A short time later, the girls are sunning themselves on the dock. They chat about their new friendship, discussing the fact that Gwen has recently gotten out of a relationship. Luna planned the weekend away as a destresser for Gwen.

The girls apply suntan lotion to each other, their hands rubbing their glistening bodies as the man watches, unbeknownst to them.

Later that night, the girls watch a movie as the man peers in from outside through a window. Soon, the weather turns stormy and the power goes out. As lightning periodically illuminates the darkened cabin, Luna reveals that she is sensing a subtle romantic vibe from Gwen. After some initial reluctance from Gwen, since she has never been with a woman before, they share a tender moment and kiss.

They have sex, with Luna patiently leading the shy and inexperienced Gwen through her first lesbian experience. As they fuck, lightning continues to flash.

Midway through the sex, the girls are lost in each other, both of their eyes closed. Lightning flashes. In that split second, we see that the man stands directly over them. The room is then plunged back into darkness.

The man has something special planned for the girls, but not everything is as it seems..

I DID IT FOR YOU
Brother Returns Home From Jail Changed After Taking The Fall For His Sister

As Eric (Chad White) steps out of a car, he marvels over the warmth of the sun on his face for what feels like the first time in forever. Everything about the day makes him feel so ALIVE as he stands before Tanya (Casey Calvert)'s house. He's impressed by her home and how well she's done for herself... because of HIS sacrifice.

Eric's over the moon when his step-sister greets him, although he doesn't seem to notice that she's not as excited as he is. As they catch up, it becomes more and more apparent that Tanya doesn't want him around, which crushes Eric. How could he get anything less than a hero's welcome home after everything he DID for her?? Tanya insists that he makes her uncomfortable... that jail CHANGED him.

Of COURSE it changed him, does she think being incarcerated is a walk in the park? But the more they argue, the more he feels Tanya slipping away from him. For so many years, all he thought about was returning home to Tanya... and enjoying the touch of the woman he loves most. Now THAT'S about to be taken away from him, too?

Afraid of losing Tanya, Eric starts guilting her for just ONE NIGHT with her. Surely after everything, that's the LEAST she can do? If HE hadn't stepped up, SHE'D have been the one in jail, not him. She OWES him that much, at least!

Although Tanya eyes him with contempt, it seems as though the guilt of letting an innocent man take the fall finally plays in Eric's favor. As she tentatively invites Eric to start undressing her, Eric is thrilled...

But will one night really be enough?

THE REAL ME
Teen Meets Online Crush For First Time And He Isn't Who He Claimed To Be

SCENE OPENS on Kelly (Gia Derza). She is in her kitchen when she hears the 'ding' of a message being received on her laptop. She looks at the screen curiously. Someone named Brent, who found her through a dating site, has messaged her. Despite some initial skepticism, she feels an early, shared connection with him when he mentions that, just like her, he's 18 and his father died when he was young. She smiles to herself, excited about the new guy in her life.

CUT TO TITLE

Over the next few weeks, Kelly and Brent bond. Soon, Kelly is falling hard for her online crush and Brent seemingly reciprocates her feelings.

A few days later, Kelly, nervously debates whether or not to take nude photos for Brent. Deciding that she trusts him, she takes the photos and sends them to him.

A week later, Kelly nervously gets ready to meet Brent for the first time. She chats with her friend Janice on the phone and talk turns to one of their teachers, a creepy man named Mr. Hughes who seems to have a weird attitude about sex.

Later that night, Kelly arrives at Brent's house to meet him. Kelly goes into the house tentatively. Brent? She calls softly. A male voice says 'Hi, Kelly.' Kelly turns toward the voice and her eyes widen in shock. Standing there is an older, meek-looking man (Dick Chibbles).

'Brent' is not who he seems, and when Kelly finds out what he has planned for her, she'll NEVER be the same...

POWER PLAY
Cutthroat Woman Outsmarts Co-Worker When He Confronts Her About Office Misdeeds

SCENE OPENS ON Madison (Eliza Ibarra). She is in her kitchen, making a smoothie. She pours fruit juice over the ice cubes in the blender. Her moves are very graceful and purposeful. She is about to turn the blender on when her doorbell rings. She looks as if she's not expecting anyone. She wipes her hands on a nearby hand-towel and leaves to go answer the door.

Madison answers the door and greets her colleague Jordan (Lucas Frost). She invites him in and leads him to the kitchen. As Madison makes her smoothie, Jordan reveals why he's come to see Madison, accusing her of engineering the departure of various co-workers through shady means to further her career. He asks her what she's willing to offer him in exchange for his silence.

Madison smiles thinly, not a hint of worry showing on her face. She turns on the blender. The ice is loudly crushed into oblivion.

CUT TO TITLE

Madison implies that she has dirt on Jordan too. Jordan thinks she's bluffing, but Madison gives Jordan concrete examples of his various misdeeds. Jordan laughs humorlessly, shaking his head. He looks at Madison with something almost approaching admiration.

Madison feels that she has a kindred spirit in Jordan and suggests that they fuck. Jordan laughs in an effort to appear incredulous, but it's obvious that he's interested. 'Not a chance,'' he says.

'Oh please, you can't tell me our little 'confrontation' didn't feel more like foreplay than fighting? What exactly did you think I was gonna offer you for your silence? Money? Neither of us needs it. THIS is what you came here for,' she retorts.

'FINE, hope you can handle me,' Jordan says.

'Bring it on,' Madison responds, flashing a wicked grin.

Jordan may think he knows what's in store for him, but he has no idea what Madison is REALLY capable of...

A fiery twosome clad in tight jeans make some sparks when they jump in the pool. Their jeans are split open and the goods spill out to be fucked. The specialty is the large ass that protrudes from the white jeans. Perfection!

SACRILEGIOUS: AN IVY LEBELLE STORY
Teen Takes Revenge On Faculty Of Oppressive And Abusive School

Molly (Ivy Lebelle) is a regular teenager being raised in an ultra-conservative home. Unfortunately for her, being a regular teenager doing regular teenager things is considered sinful by her cold parents. To help get their daughter back on the right path, Molly's parents dump her on the steps of a school run by a man named Jeremiah (Dick Chibbles). Jeremiah claims that he'll help Molly see the light but Molly has a bad feeling about him...

For months, Molly plays by their rules as Jeremiah and a woman named Miss Solomon try to drill into her how much of a sinner she is. While she tells them what they want to hear, she is fuming inside. One day, a student named Nick (Seth Gamble) slips her a secret note in passing. The note is simple, telling Molly that he thinks she's hot, but it's enough to get Molly through the long days and give her hope... until Jeremiah later goes through her room and finds the note.

She's once again punished, locked away in a closet to atone for her sins. Instead of making her remorseful, the solitary confinement only makes her angrier. One day, she gets a lucky break and is able to escape. Instead of making a run for it, though, she heads straight to Nick. There's something they need to do first...

MOTHER'S PRIZED MARE
Overbearing Mother Arranges For Stranger To Impregnate Her Daughter

SCENE OPENS to Mona (Christie Stevens) talking on the phone. She looks pleased with herself as she screens the man on the other end, asking questions for her breeding project. It seems like the man has exactly what she needs to impregnate her dear Millie, so she makes arrangements for them to meet that afternoon. It's all done in a formal manner as if it's the most normal thing in the world. As soon as Mona hangs up, she smiles and calls for her step-daughter, Millie (Natalie Knight).

Mona finds Millie in her bedroom and begins to prepare her for the meeting. Everything has to be perfect for this arrangement...Millie HAS to expand the family in a way that Mona herself can't. Although Millie is hesitant to fulfill her duty, Mona continues coaxing her, manipulating her. Millie MUST give her a child. Doesn't Millie want to honor her late father by passing on his genes?

When Rowan (Stirling Cooper) arrives at the house a short time later, Mona scrutinizes him in person. She'll only accept the best stud for her daughter, and, fortunately for them, he passes the initial test. However, when it comes time for the breeding to begin, Millie is too nervous. Thankfully for her, Mona is willing to do whatever it takes to make sure Millie takes a nice creampie...

NO PEEKING
Unhappy Wife Tricks Husband Into Cheating With Tiny Teen Temptress

SCENE OPENS on Jackie (Joanna Angel) warmly greeting her husband Grant (Stirling Cooper) as he comes home from work. As she fixes his collar and pulls herself close, she apologizes for the argument they had that morning. She never should've gotten so worked up over the prenup... She doesn't care about the money, she cares about THEM. She wants them to be close again, so she has something special planned for them that night...

Stirling is surprised by this turn of events. It's not just about the apology but Jackie getting frisky since it's been awhile since there's been heat between them. When she undoes his tie to blindfold him, he's excited. When she tells him to lay back while she gets ready, he doesn't need to be told twice.

Jackie leaves the room and sneaks to the front door, letting an excited Amber (Lilly Lit) inside. She's tiny and energetic -- just what Jackie needs to make all of this work. She takes Amber's hand and leads her into the bedroom where her husband is patiently waiting, still blindfolded.

'Well, honey... Are you ready for your surprise?'

NICE GIRLS FINISH LAST
Bully Corrupts Victim's Father Into Fucking Her & Bullying His Own Daughter

SCENE OPENS on Dave Wilkins (Charles Dera). He is washing dishes when his daughter Libby (Laney Grey) bursts through the front door, distraught and crying. She drops her knapsack and runs right to him, throwing herself into his arms. Almost on the verge of panic, Libby frantically tells Dave that a bully was terrorizing her at school today.

Dave is supportive and sympathetic and asks her if it's the same bully that's always on her case. Libby confirms it is, a girl named Katrina. Dave has one of his fists clenched in anger as he tells his daughter not to worry, he'll take care of it.

Later that day, Dave's front doorbell rings. He takes a deep, steadying breath before he opens the door. Standing there is Katrina (Jane Wilde), looking confident and mildly inconvenienced. They regard each other for a moment. Dave looks at her sternly. 'You must be Katrina,' he says. She looks at him another moment before her lips curl into a mean smile.

'I am... it's so nice to FINALLY meet you, Mr. Wilkins.'

CUT TO TITLE

Dave warns Katrina to stop bullying Libby, but Katrina begins to manipulate Dave, drawing his attention to the fact that Lilly plays the victim and is constantly craving attention. Katrina's words seem to be getting to Dave, particularly when she brings up the fact that Lilly wants to dominate HIS attention.

Katrina then makes her move and tries to seduce Dave. He is reluctant, but when Katrina encourages him to do something for himself for once and not for Libby, Dave can resist no longer. He goes in for a hungry kiss. Katrina slides down to her knees and takes Dave's cock out of his pants, spitting on it as she takes it down her throat.

Libby's in for a RUDE awakening when she comes home...

Story inspired by an original submission by Pure Taboo member, foobarnick!

Nominated - Best Actor - Featurette: Nathan Bronson, AVN 2020

Nominated - Best Actress - Featurette: Evelyn Claire, AVN 2020

DIBS ON MOM
Twisted Step-Siblings Pass Around & Share Mom Like A Sex Toy

SCENE OPENS on Vivian (Chanel Preston), who is seated alone at a dining table, looking very distracted and satisfied. Her step-son, Carter (Nathan Bronson), joins her, not knowing that his step-sister and Vivan's step-daughter, Lucy (Evelyn Claire), is under the table eating Vivian out. Carter jokes about him being Vivian's favorite step-child.

'I, ahh, love BOTH of my step-children equally... your father, and Lucy's father, I could never choose between them... or you...' Vivian says, breathing heavily.

'Betcha you love us even more since we both turned 18, huh? Now that we can do so many more things to you... I mean WITH you...' Carter responds with a grin as he reaches across the table and puts his hand over one of hers. Vivian is flustered still but agrees with the statement.

Carter is suspicious now, though his eyes suddenly widen because, beneath the table, Lucy pointedly slaps his knee. He pushes his chair back and looks under the table, seeing Lucy there. She is grinning and licking her lips next to Vivian's exposed pussy.

TITLE PLATE

Vivian looks dazed but happy, though Lucy and Carter are tense as Lucy crawls out from under the table. Carter is mad that Lucy is having sex with their mom when it's supposed to be HIS turn with her. Lucy and Carter bicker for a few moments before Vivian calms them down.

Carter suddenly pulls out his cock, glaring at Lucy to back off some. Lucy snorts, saying that she at least got their mom good and wet for him so he doesn't have to fumble around down there or whatever he does.

Lucy leaves, bumping Carter's shoulder hard as she passes. Carter continues glaring after her. It lingers too long, suggesting that there could be attraction mixed with anger. He then turns his attention back to Vivian. He strokes his cock and asks if Vivian is ready. Vivian smiles and spreads her legs more, saying yes.

Vivian subtly watches Carter with curiosity, as if mulling things over, but when he looks back at her, she goes back to smiling blankly, grasping his cock with her hand.

Lucy and Carter may be fighting over who's got dibs on Mom, but there's something even THEY don't know about Vivian...

Story inspired by an original submission by PureTaboo member, TheLyle!

AUNT'S HOSPITALITY: A RILEY REYES STORY

Aunt Threatens To Kick Nephew Out Of House Unless He Fucks Her

SCENE OPENS on Rita (Riley Reyes), who is in her living room when her doorbell rings. She is puzzled, and says aloud to herself that she isn't expecting anyone. She answers the door. Standing there is a young man (Lucas Frost), looking forlorn and soaked with sweat, carrying a knapsack. Um...Aunt Rita? He asks tentatively. Oliver? Rita asks in disbelief. 'Is that really you?! I haven't seen you since your 14th birthday, and that was...at least 5 years ago,' Rita says. She invites him inside, mentioning how sweltering it is outside.

He sits down on the couch. He is very shy and cagey about why he's shown up. With some encouragement from Rita, he eventually admits that he moved to town on a whim with his girlfriend. But almost immediately after they moved, she cheated on him and kicked him out of her apartment. He doesn't have a job and doesn't know anyone here, except for Aunt Rita. He finishes embarrassed saying that he used all his savings for the move and doesn't even have any money. With nowhere else to go, Rita offers to let him stay with her. Oliver gets up to give her a grateful hug and accepts her offer with relief.

Rita pulls away from the hug and with fake concern remarks that he's soaked with sweat, poor thing! She insists on putting his clothes in the dryer. As he takes off his shirt, he thanks her again for letting him stay there, adding that she should let him know what he can do to pay her back. He'll do anything. Aunt Rita looks at his shirtless body. She licks her lips as a predatory look comes over her. 'I'm sure I'll think of something,' she says with a wicked smile.

CUT TO TITLE

Later that day, Aunt Rita purposefully barges in on him as he gets out of the shower, flaunting her naked body for him.

A few days later, Oliver and Rita are playing cards. They're laughing and joking together as they play crazy 8s. They make small talk and eventually Rita says that she's getting a little bored with the game they're playing. Maybe they should play something a little more...adult. After Oliver warily asks her what she means, she suggests with a mischievous wink that she's talking about strip poker. He can't tell if she's joking, saying with a nervous laugh that that probably isn't the kind of game and a guy and his aunt should play, even if she's only his aunt by technicality.

Hmm, ok, Rita smiles. How about this then---they'll each draw a card and whoever draws the high card gets to ask the other a question and they HAVE to answer with the truth? Rita suggests. Oliver is a little hesitant, but perhaps in his eagerness to play something other than strip poker, agrees. They draw cards. Rita gets the higher card. 'Do you want to fuck me, Oliver?' Rita asks. Oliver is shocked. What?! N-NO, of course not! He stammers. Rita moves her hand to Oliver's leg but he swats it back He pulls away and springs up, stuttering an excuse that he's really tired and needs to get some rest, hastily leaving the room.

The next day, Rita approaches Oliver, who sits on the couch. She says hello, sitting down next to him. She is nonchalant, and he acts polite, but he is clearly uncomfortable around her now and subtly moves away from her on the couch. Rita moves closer to him on the couch, delicately saying that she's sorry if things got a little weird last night. She didn't mean to come on so strong...they can just take things slow, she says suggestively, laying a hand on his leg. He pulls away from her again, insisting that they're not going to take things ANYWHERE.

She was afraid of this, Rita says with fake sadness. Well, if they can't...get along, unfortunately he can't stay there anymore, Rita says. W-what?? He has nowhere else to go! Rita says that she understands, and that he CAN stay, but he'll have to give her what she wants. Oliver is shocked at what she's suggesting. 'Just be a good boy and give Auntie Rita what she wants, and you can stay here as long as you need,' Rita says. 'Ok...OK, fine...I'll...I'll stay,' Oliver says. She grins, unbuckling his pants and slipping her hand around his already-hard cock.

Oliver's learning that there's always a price to be paid for his Aunt Rita's hospitality.

An original story from Pure Taboo's own model, Riley Reyes!

DAUGHTER CAUGHT STRIPPING
Father Slut-Shames Daughter After Catching Her Stripping

SCENE OPENS on Belle (Athena Faris) a young woman in an oversized men's coat, who storms into her house angrily. Joseph (Derrick Pierce) stalks just as angrily in after her. 'I CAN'T believe you fucking DID that to me, Dad!' she exclaims as she turns on him, beside herself with anger. 'What is your PROBLEM? What were YOU even doing there, huh?! Now I DEFINITELY lost my job after this, I can't go back after you HUMILIATED me in there! I NEEDED that job, Dad! I'm 21 now -- you had NO RIGHT to treat me like that! You ruined my LIFE! Why--' Joseph breaks his silence as he turns to her and explodes with rage. 'No DAUGHTER OF MINE is going to be a FUCKING STRIPPER!'

TITLE PLATE

'You're such a fucking hypocrite! YOU went there to jerk off to girls your DAUGHTER'S age, and somehow I'M the one who's in trouble?!' Belle exclaims. 'Watch your mouth, I'm your step-father, so why don't you show me some damn respect!' Joseph booms. 'Oh, like you're showing ME respect right now?!' Belle challenges.

'What did I tell you about talking back?' Joseph barks, ignoring her words. 'And just what am I supposed to tell your mother, hm?' Belle retaliates by threatening to tell her mom about Joseph being at the club, though that would be admitting that she's a stripper. No, he gloats, she's not going to say anything, and he doesn't have to either. 'So, what do you say? Tit for tat?' he adds, his eyes falling towards her chest. 'Fine, whatever, I won't say anything... I-I'm going to bed now,' Belle says, anxious as she turns to hurry away. Yet, as she does, Joseph grabs her arm -- not in an overly aggressive way, but enough to stop her.

'I want my coat back,' he states. Belle eyes him, but hurries to take the coat off after pushing his hand away. 'No, SLOWER...' he interjects, looking hungry. 'Oh, my god... What the actual fuck?' Belle gasps as it dawns on her that Joseph wants her to strip for him. 'You don't think I'm going to let you off THAT easy, do you, Belle? Since you're so eager to lay it all out at the club, you may as well do it here... or do you only show your TRUE colors when there's a tip in it for you?'

No way, Belle exclaims. Joseph decides to play up another angle now, saying that she mustn't make much as a stripper. She defensively says that she does well enough. 'Well enough to live out there on your own instead of leeching off me? Because, like you said, you're 21... I don't HAVE to be your guardian anymore.'

Belle looks more anxious now. She still eyes him with contempt, then reluctantly takes a sexy stance and slowly removes the thick jacket. 'Okay, I'll do it, but you're still a fucking piece of trash.' She reveals her sexy stripper outfit beneath, which leaves little to the imagination. As she casts aside the coat, Joseph is hooked, hungrily gazing over her tight body. He moves to the couch and sits down.

Belle is disgusted with herself, then closes her eyes to take a steadying breath. 'Just think of him as any other customer,' she says quietly to herself, then opens her eyes. She begins to dance. When she steps in closer and Joseph reaches up to touch her, she smacks his hand away before he makes contact. 'That's taking it too far,' she protests. He says that he'll just have to break Mom's heart when she gets home from work, then.

Something seems to dawn on Belle at that moment. 'You're not going to let this go unless I fuck you, are you?' she snaps. He pushes aside her hair and kisses the back of her neck with a twisted smile, saying, 'Exactly.' She shudders, reluctantly but clearly saying, okay, she'll do it. 'Just think of him as any other customer...' she quietly reminds herself again before rising off his lap to go down on his cock.

Joseph has only just begun to slut-shame his stripper daughter...

Story inspired by an original submission by Pure Taboo member, NightOwl61a!

QUID PRO QUO
Teacher Entices Lesbian Student Into Seducing His Daughter While He Watches

SCENE OPENS on Mr. Jennings (Steve Holmes), who answers his door. Michelle (Naomi Swann) stands there. She looks nervous and reluctant. Ah, Michelle! Mr. Jennings says with a pleasant smile. Come in, please, he says. Michelle enters the house wordlessly. 'SO glad you're here. I can't TELL you how much I appreciate you coming!' Mr. Jennings says brightly. 'Well... it's not like you gave me much of a choice,' Michelle says, an edge of contempt in her voice. 'Oh come on now Michelle, I'm only your TEACHER. I can't control what you do! You're 18, you make your OWN decisions,' Mr. Jennings says. 'Although a decision that you made...a BAD one, I might add, is really what brought you here today.' Mr. Jennings says. 'WELL! In any case, it is lucky for you, then, that we've figured out a way for you to make up for that bad decision,' he continues, in a very stern-teacher way. 'So! What do you say we get my beautiful daughter down here? I just can't WAIT for you to meet her!' Mr. Jennings says. Holly! Mr. Jennings calls.

After a moment, Holly (Emily Willis) comes into the living room. Hi! She must be Michelle? Holly says enthusiastically. Yeah...hi, Michelle says, smiling. Ready to get started? Holly asks. Um, yeah, sure, and...and thanks again for doing this, Michelle says. 'Yeah of course! Dad's never asked me to tutor one of his students before, so I hope I do ok!' Holly says with a little chuckle, taking a seat next to Michelle at the table. 'Oh, I'm sure you'll do GREAT honey,' Mr. Jennings says in a sickly-sweet tone. Thanks, Dad, Holly says happily. Mr. Jennings is about to walk out of the room but turns back. 'And be good, you two!' he says seemingly jokingly. 'Don't worry about us, Dad,' Holly laughs. 'Oh I'm not worried. In fact, I think the two of you are going to get along...JUST FINE,' he says with a smile, but a hint of something darker, something...unknown lurks under his grin.

CUT TO TITLE

As Holly shows Michelle something on a shared paper, circling something with a pen, she pauses and looks up at Michelle. So...what's it like having him as a teacher? Holly asks, sincerely curious. 'Your dad? Well, he's um, he's...' Michelle says, seemingly unsure of how to answer as she glances at the room's entranceway. We don't see what she's looking at. Actually he's her STEP-dad, Holly clarifies. Oh...she didn't know that, Michelle says. Yeah, he married her mom a few years back, Holly responds. 'I'm 18 now, so I guess it was about...3 years ago?' Holly muses aloud. Oh ok, that's cool, Michelle says noncommittally. But, her mom died last year, so...now it's just the two of them, Holly says, a hint of sadness in her voice. Oh, she's...she's so sorry, Michelle says sincerely. That's ok, Holly says, snapping back to her bubbly self. So? What IS he like as a teacher? Holly presses. Um...Michelle says, fidgeting nervously. She glances again at the room's entranceway warily, but Holly doesn't seem to notice the look. We now see what Michelle is looking at: Mr. Jennings, who is spying into the room, unbeknownst to his daughter. When Michelle glances at him, they lock eyes and he gives her a glare through gritted teeth. He's...he's really nice, Michelle says finally. Holly laughs. 'Don't worry, you can say it,' Holly says. S-say what? Michelle asks cautiously. That he's a goof, Holly laughs. With all his corny sayings and cheesy jokes, Holly says. Oh...yeah, Michelle says, giving a phony laugh and glancing again at the living room entranceway. Aware that Mr. Jennings is watching, Michelle becomes slightly flirty with Holly. Mr. Jennings watches impatiently.

Michelle begins to seduce Holly as Mr. Jennings watches with increasing pleasure. The seduction is successful and Michelle leans in to kiss Holly. Holly returns her kiss tentatively, but as she gets swept up and lost in the moment, Holly kisses Michelle back with increasing passion. From the room's entranceway, we see Mr. Jennings. His eyes are lit up as he watches, licking his lips.

Swept up in the moment, the girls makeout increases in intensity as Mr. Jennings watches, fondling himself over his pants. Realizing she got carried away, Holly stops the makeout and rushes out of the room in embarrassment, running into her father. Holly realizes that he saw the whole thing. To her shock, Mr. Jennings reveals that he caught Michelle dealing on school property and she agreed to seduce Holly in exchange for his silence.

Holly is disgusted, but not wanting Michelle's life to be ruined, agrees to continue. Holly and Michelle begin to kiss again, tentatively and nervously. No...he's seen THIS already, let's move this along, Mr. Jennings says impatiently. 'Take off her clothes...and do it SLOWLY,' Mr. Jennings says to Michelle. Angry and disgusted, Michelle starts to take off Holly's clothes. Holly continues to be nervous, but Michelle tries to calm her down, leading her through the humiliating experience. Michelle begins to eat Holly's pussy. Holly seems ashamed that her dad is watching, but can't help but enjoy it. After a while, Mr. Jennings says 'now it's YOUR turn, sweetie,' and directs Holly to eat Michelle's pussy.

Mr. Jennings wanted to watch, but soon enough, WATCHING'S not going to be enough.

SINS OF THE FATHER
Virgin Teen Discovers Terrifying Secret In Family Attic

SCENE OPENS on a closed door in a hallway. A moment later, Jillian (Lexi Lore) opens the door and turns off the bathroom light as she comes into the hallway. The house is completely quiet as she softly walks down the hallway back to her room. Suddenly, from somewhere off-screen we hear a soft tapping. TAP. TAP. Jillian stops, looking behind her towards the source of the noise. The tapping continues, getting increasingly louder. Suddenly the tapping turns into a loud THUMP. Jillian jumps. Fear crosses her face, but she has now discerned where the noise is coming from: the attic. She moves toward the attic. Suddenly the house is oppressively silent. The quiet seems to squeeze the air out of her as she approaches the attic door.

As Jillian's hand reaches up to grasp the cord that hangs from the attic door, she seems to be holding her breath. But suddenly, a dark figure standing in the hall startles her. She yelps in terror, moving away from the figure. But then...her shoulders sag with relief when she sees who it is: her father, Stan.

When she theorizes that the attic is haunted by the ghosts of her father's first wife and unborn child, who both died in childbirth, Stan dismisses her concerns harshly. 'I mean, GHOSTS?! Jesus Christ, you're 18 YEARS OLD! GROW UP, for god's sake! I'm your GODDAMN father, so why don't you start LISTENING to me and LEAVE IT ALONE,' he continues, shaking his head in apparent disappointment. She recoils in the face of his outburst, looking shocked and puzzled, as if his words have made her look at something in a new light. O-ok dad, Jillian stammers, thoroughly rattled. She turns to go back to her bedroom. 'And Jillian? DON'T tell your mother about this. I don't want you putting any of these ridiculous ideas in her head. You KNOW how confused she gets,' Stan adds. Jillian silently nods. She reaches her bedroom door, opening it. Before she goes back in, she looks back into the hall, her gaze fixed on the attic door.

CUT TO TITLE

The next day, Jillian's curiosity gets the better of her and she goes up into the attic. She looks around the room, her eyes wide with surprise and fear. The attic is cluttered and spooky, but out in the most open area she sees a sort of nest of old ratty sheets, next to a rusty old bucket. Her dread mounting, she looks around. Suddenly, as her eyes sweep over the surroundings, she squints. What IS that? She peers closer. Her eyes widen and she reels backward, terrified. She puts her hand over her mouth, her eyes filling up with horrified tears. In the corner, crouched like a rat, is a filthy, disheveled looking young man (Michael Vegas). He wears a pair of underwear only and gazes back at her, at first with a mixture of fear and confusion.

'A-are you---who are---?' she stammers, at a loss. The boy's eyes betray almost no understanding. How long has he---?, she asks, trailing off as she glances again at the mattress and bucket. He looks back at her in fear and her eyes soften with sympathy. 'Who...who did this to you?' she asks him slowly, as if speaking to a child. Something changes in his eyes. 'NOT MY SON! NOT MY SON!' the boy growls, repeating something that has been said to him in the past. Confused, she tries to probe for information. 'Not WHOSE son?! What are you trying to tell me?! Did someone SAY that to you??' she asks him gently. 'SON OF A CHEATING WHORE!' the boy says frantically. Someone was a cheater?? Who is he TALKING about??, Jillian asks. 'NOT my blood! NOT MY BLOOD!' the boy growls again. Realization slowly dawns on Jillian's face.

This beast-like man is about to unleash all of his primal sexual energy on Jillian, but not before she uncovers the terrifying truth about him...and the truth of the sin that her father is so desperate to hide.

NEEDING DADDY'S SEED
Daughter Begs Step-Father For Creampie To Get Her Pregnant

SCENE OPENS to Peter (John Strong) masturbating to daddy/daughter porn on his laptop. He's quite into it, entranced by the nature of the relationship and sensual acts on the screen, though he's interrupted by his own step-daughter, Mary (Kenna James), knocking at the door. He quickly closes the laptop and hides the tissues, then allows her into the room, where it's revealed she has something important to tell him.

Peter is attentive as she thanks him for being a wonderful step-father. Although he's done his best to give her a happy life, she still feels like something is missing. It still doesn't feel like they're a REAL family...

Although Peter is at a bit of a loss, he tells her that he'd be happy to adopt her to make everything more real. But she insists that that's not what she needs... No, she wants to start a real family with Peter... She wants him to get her pregnant!

Peter is stunned, insisting that he absolutely can't get her pregnant! She's his daughter! Yet, Mary is quick to remind him that she's his step-daughter... She further hacks away at his resolve by stating that she knows he lusts for her. She knows he watches videos of family roleplay. Here's the chance to live out the fantasy! Even if she doesn't get pregnant, they can have fun trying!

Unable to deny his desires any further, Peter gives in. As he watches his daughter eagerly go down on him, he knows there's no turning back...

HEALTH, WEALTH & UNHAPPINESS
MAN GROWS PARANOID THAT HIS NEW BRIDE IS TRYING TO KILL HIM FOR HIS MONEY

SCENE OPENS on Jeff (Jake Adams). He sits nervously in his car. He taps the steering wheel, looking at his watch impatiently. His phone rings. He answers it, putting it on speaker. Hey man, he says to the phone. Hey little bro, his brother Bobby greets him. 'So did you pick her up yet?' Bobby asks. No not yet, he's actually at the airport now, her plane's already landed so now he's just waiting for her to get through customs, he says. IF she gets through customs, who KNOWS what she's hiding, Bobby says with a little laugh. That's not funny, Jeff says. He knows how he feels about this whole thing, but he doesn't need to constantly be taking little shots at him, Jeff says crossly. 'Sorry, it's just...I'm worried about you. She's a MAIL ORDER BRIDE for fuck's sake,' Bobby says. Jeff sighs, exasperated. Yeah, he knows that he sounds like a broken record, but really: how much does he ACTUALLY know about this girl?, Bobby asks, concerned. 'We've been over this a million times now Bobby. She's a 22-year-old girl from a small town. She's never even been on a PLANE before. She's just looking for a better life. And I can GIVE her that life,' Jeff says. Bobby sighs. They have a connection, Jeff adds. It's really easy to fake a connection with someone when they're MILES away and you've only ever talked to them on the phone, Bobby continues.

'Let's face it, Jeff. When Dad died he left us A LOT of money, and there are certain people who would want to...take advantage of that. You're a good guy Jeff. You're one of the most trusting people I know. But YOU'VE NEVER met this person. You don't know who she really is. I DON'T want to see you get hurt, man' Bobby says. 'I hear you, Bobby, but I DO know her. The things we've shared in our conversations...look, I love you, but I'm a big boy, I can take care of myself,' Jeff says. Before Bobby can respond, Jeff looks out the window of his car. She's here! He's gotta go, he says excitedly. Bobby seems to be about to say something, but Jeff seemingly ends the call and tosses the phone on the passenger seat as he hops out of the car. He didn't end the call properly and Bobby can be heard saying 'Hello? Jeff? Think you forgot to hang up the call, bud.' Bobby sighs loudly. 'Goddammit, just be careful, Jeff,' Bobby says worriedly to himself, ending the call with a click.

CUT TO TITLE

Anna (Izzy Lush) is now in the car beside Jeff as he drives them back from the airport. Anna looks nervous, wide-eyed and a bit overwhelmed as she looks out the window at the passing sights. So is she ready to see her new house?, he asks, pulling the car to a stop. She nods, her nervousness giving way to excitement.

Almost a year passes since the couple has married. In the bedroom one evening, Anna gets Jeff his regular pills after telling him that she filled his prescription yesterday. Jeff realizes that they are the wrong pills and doesn't take them, wondering aloud what they would have done to him if he had. Suddenly, Jeff is gripped momentarily by suspicion towards his wife since he just added her to his will the week before. He dismisses these suspicions immediately, kissing her before settling into bed.

Days later, Jeff comes home with a bandage on his forehead, injured because the brakes on his car failed. His paranoia growing, he calls the mechanic, who tells him that it's possible that a puncture they found in the brake line could have been done on purpose. This sends Jeff over the edge and he is completely suspicious of his wife now.

The next day, Jeff rifles through Anna's things trying to find something incriminating. He discovers a brochure for a funeral parlor. When Anna walks in, he confronts her and accuses her of trying to murder him for his money.

She denies his accusation. Enraged, he is determined to show her that he is not someone to be trifled with. He begins to unbutton his shirt. What is he...doing?, she asks with trepidation. 'WHAT?! Is there something WRONG with a husband wanting to be with his LOVING wife?' he asks. Anna looks at him, taking a deep breath and gulping down her fear. 'N-no, of course not, t-there's nothing wrong with that...that's...fine,' she says softly. He takes off his shirt and begins to take his pants off. He shakes his head disgustedly. 'You think I'm some IDIOT that you can just do this to?!' he spits, getting in her face. 'Well, I'm NOT FUCKING stupid,' he says, his words seething as his eyes burn with heartache and rage.

Jeff is about to find out whether or not he can TRULY trust his beautiful young wife.

Nominated - Best Three-Way Sex Scene -- B/B/G: Abigail Mac, Seth Gamble & Jake Adams, AVN 2020

THE CASTING
Struggling Actress Coerced Into Sex Audition By Creepy Director

Scene opens on Amy (Abigail Mac), a young waitress, as she waits by a bus stop at the end of a long shift. Still dressed in her work uniform, she rifles through her purse to find some change for the bus when her phone rings. It's her agent on the other end of the line, calling to inform the struggling actress that she received an invitation to audition for a new mainstream project -- a lead role in a pilot. Amy is ecstatic and surprised. It's the first audition she's ever had... The agent tells her that he received the invitation from the director himself, eager to meet Amy after seeing her demo reel. Eager to accept, she tells the agent to set up a time and she'll be there. 'Do you think you could make it to Los Verdes by 5pm?' The agent asks. Amy looks down at herself. 'As long as they don't mind my work uniform,' she jokes. The agent tells her he'll set it up and send the address. Amy puts the phone back in her purse and sits quietly for a moment, before jumping up and down in excitement at the bus stop.

CUT TO TITLE PLATE

Inside a staged living room, several crew members finish setting up lights and preparing their cameras. A small bespectacled man, the director (Jake Adams), comes on to the set and barks orders at several of them. Despite his slight stature, he commands a presence and the crew work obediently under him. He walks over to a separate area, where a makeup artist is finishing up with the male lead (Seth Gamble)'s hair. 'Tony Romeo,' the director says, clasping the man's hand. 'Do I have a fun audition for you today!' The actor flashes a toothy grin. 'Like last time?' he asks. The director smirks at him, adjusting his glasses, before telling the makeup artist to wrap it up. The actress will be here any moment. And he wants a closed set.

Outside the building, Amy paces by the door. It is already after 5pm and she doesn't want to make a bad impression. A PA lets her in, paging the director on his walkie-talkie. Amy steps inside to view the set. It looks so professional ... like a real living room! She nervously sits down on the couch when the director storms in. With a strong handshake, he introduces himself. 'I'm Steven Rothschild, welcome to my set!' Amy recognizes the name instantly. Rothschild is one of cable's most successful showrunners. 'You're the guy behind Red, White, and Bad!' she exclaims. 'That's one of the best shows on television right now!'

Tony struts into the room. 'OR ever!' he says, jokingly sliding into their conversation. Amy looks doubly starstruck. Tony Romeo is the hottest young actor in Hollywood right now. 'Oh my god, Tony Romeo. Are you in this?' He smiles, looking at the director. 'Are you kidding? Stevie wrote this for me!' He clasps his director friend on the back before sitting down on the couch. The director puts his arm around Amy and tells her that Tony is going to be helping read lines for her audition today. Is she ready to get started? Amy nods, then asks if he got her portfolio the agent sent over. Steven looks her up and down. 'Don't worry, I've seen everything I need to see about you already,' he says with a smile before turning to tell the crew to leave the room. This is a closed audition.

The director sits down beside Tony and asks Amy to stand before them. He asks her age, height, weight and then to spin around for him. Amy looks a little confused. 'Do we have a script?' she asks. The director smiles and repeats his request, with Tony chiming in. 'Stevie likes to freestyle his auditions,' he adds. 'Starting off with how you look!' Amy slowly turns around, trying to keep her composure. She feels awkward. The director likes what he sees and pays several compliments to Amy's physique. 'You look like you take very good care of yourself,' he says, jotting down a note. 'Have you done a lot of physical roles in the past?' Amy feels even more awkward. 'Um ... I work out,' she replies.

The two men look at each other and nod, before Tony gets up and walks over beside her. The director compliments how good they look together. 'Now, that's an attractive cast!' he remarks. Tony comes in close to Amy and puts his arm around her. He smells great and is very handsome. Amy blushes at the thought of him touching her. 'Thanks,' she squeaks. 'Now, are you sure you don't want me to read anything in specific?'

The director stands up and walks over to them, scoping them out. 'Are you comfortable with romantic roles?' he asks Amy. Amy nods. 'Good,' the director continues. 'Because this new project is a love story and it's going to feature several very intimate scenes.' The camera lingers on Amy's face, as she tries to remain confident and professional despite her unease. Tony playfully teases her by saying not to worry, he brushed his teeth. 'I'm sure that won't be a problem,' she replies quietly.

The director goes on to explain that there is one pivotal scene in the project that involves nudity. It is very important that she feels comfortable with being nude on camera. Amy's smile wavers. 'Um ... ok, I guess,' she replies. The director's tone changes sharply. 'Well, are you ok with being nude on camera or not?' he barks. Tony releases his grip and looks at her. Feeling cornered, Amy nods nervously. 'Yes, of course. I'm an actress,' she says. The director relaxes. 'Great,' he says, clasping his hands together. 'So, let's see you out of these clothes then. I want to make sure you don't have any tattoos or blemishes that would take away from the innocence of your character.'

Amy stares at the men in shock, before slowly looking across the room. It is empty. The crew have left. She is completely alone. 'I don't have any tattoos,' she whispers. The director crosses his arms and motions again for her to undress. 'He just wants to make sure,' Tony adds reassuringly. There is a long pause before Amy slowly begins to remove her work uniform. She strips down to her bra and panties. 'See, no tattoos,' she says, eager to redress. The director stops her. 'Let me take a good look,' he says scanning her body. 'Please remove your undergarments.' Amy wraps her arms around her chest. 'I don't think that's necessary, do you?' she asks. Tony chimes in again, joking that she might have something hidden under there. They just need to take a quick look. It's not a big deal. 'You are an actress, right?' he says, his joking attitude turning serious. Feeling intimidated, Amy nods and slowly slips off the rest of her clothing.

She stands before the two men fully nude and vulnerable. They exchange knowing looks before the director compliments her body again, saying how lovely she looks and what great shape she is in. She is a natural born star. Amy fakes a smile. 'Thank you,' she says. 'Shall I get dressed now?' The director says sure and goes back to sit on the couch when Tony interjects. 'Wait, wait, wait!' he says enthusiastically. 'Stevie, I have a great idea! Since we are all here and there is such a good vibe going on, why don't we just rehearse that scene you told us about to see what the chemistry is like? You can work out the angles you'd like for when we actually film it!' The director smiles. 'That is a FANTASTIC idea!' he replies as Amy covers herself up and the director leaves the room to grab his camera.

Tony starts to remove his clothing, staring intently at the nervous woman. 'You should really relax,' he says coldly. 'Stevie hates difficult women!' He pulls down his pants to reveal his semi-erect cock, as she turns away embarrassed. The director returns with his camera and begins to guide them into position. 'I imagine that this scene starts with a long, intimate kiss,' he says. 'Standing just about where you are now. When you're ready, please begin.' He kneels to get a nice low angle look at Amy as Tony closes in on her. 'Are you ready, beautiful?' he says, inches from her lips. Looking down at his cock on her thigh, she closes her eyes and says 'ok.'

The director yells action and Tony kisses her. She nervously kisses him back, not sure what to do with her hands, but the leading man grabs them and wraps them around his muscular frame. 'Closer,' the director whispers eagerly. 'More passionate!' Throughout the awkward make out session, the director moves around the couple to view his various angles. When he is not satisfied with something, he sharply asks Amy to bend and contort herself. The requests become increasingly exploitative and she tries to protest but both men remind her that this is an audition and she shouldn't break character. 'If you do what the director asks, you will get the part,' Tony whispers aggressively in her ear. 'So, don't be a diva about it!' She feels horribly conflicted but doesn't want to lose the role of a lifetime so, mustering up her courage, she tries her best to do everything the director says, no matter how invasive. She ends up spread eagle on the couch for both men to see, as the director sticks his lens right up to to her pussy and breathes heavily. 'This will make a perfect transition,' he mutters to himself as he hands his camera to Tony.

'Tony, I want your character to begin the sex scene with oral first, followed by penetration,' he says, matter-of-factly as he undoes his zipper. 'But, it needs to feel authentic, so let me show you how I'd like you to do it first.' Tony nods, pointing the camera. Amy looks at the director. 'I'm sorry ... What?!' she stammers. Looking at her coldly, the director arches an eyebrow. 'You don't have any issue with me showing him, right? I like to get into the minds of my characters through roleplay. It's just my style.' She closes her legs and starts to get up. 'I don't think I feel comfortable with that, I'm sorry.' She rushes over to her clothes and starts to gather them on the ground when she hears the men laughing behind her. Angry, she stands up and turns around. 'What is so funny?' She asks, her anger welling up alongside her anxiety. The men stop snickering and face her. 'You chicks are all the same,' Tony says. 'You take an opportunity and you ruin it with your attitude! Nobody wants to work with a bitch like that.'

Amy tries to defend herself. She doesn't have an issue with nudity or even a sex scene, she just wished she'd be informed. 'I thoroughly explained this all to your agent,' the director adds. 'He assured me that you were professional and experienced.' Amy walks back over to them, pleading. 'I am,' she says, exasperated. 'And I want this role, I really do! I just wasn't expecting this much pressure!'

Tony puts his arm around her and slowly pushes her back down on the couch. 'Look, I'm sorry if I offended you, I just hate it when actors aren't respectful on set. It's my biggest pet peeve ... right, Stevie?' The director nods, pulling his dick out. 'Nobody is here to pressure you sweetheart,' he says. 'We just want to make sure we create the most authentic scene possible!' She stares at the penis in his hands, her lips quivering. 'So, are you willing to continue?' he says. 'Because I've got girls lined up if you don't think you're strong enough for this role!' Amy closes her eyes. This isn't what she expected. But, if she doesn't do it, she won't get the role. Slowly, she spreads her legs wide again and stares at him. 'Yes,' she says quietly.

COCK-SLUT CONDITIONING
Manipulative Boyfriend Conditions Teen To Fuck Him In Front Of Her Parents

A young teen, Kaylee (Carolina Sweets), is getting ready to go out. Her parents, Leo (Derrick Pierce) and Diana (Chanel Preston), seem wary and uncomfortable as Kaylee excitedly announces that she's going out with Chad. It's their three-month anniversary and she thinks he has something special planned. Leo seems to be at a breaking point as he shakes his head. 'No, I'm not going to sit idly by anymore while our baby girl dates that piece of shit! Kaylee, what the HELL are you doing?'

'You've been on my case about Chad ever since we got together! Why can't you be happy for us??' Kaylee demands of both of them. Diana tells Kaylee that they're just worried about her. Chad is older after all, and they're worried he's been a bad influence on her. 'We're in LOVE, why can't you see that? He's THE ONE!' Kaylee responds.

'You're only 18, there's no way he's 'the one' for you!' Leo says angrily. 'Daddy, I'm not your baby girl anymore. You gotta let me go,' Kaylee sneers. Both Leo and Diana are stunned, though they don't get a chance to respond before there's a knock on the door.

Diana and Leo watch as Kaylee bounces to the door and opens it, revealing Chad (Dean Van Damme). 'Hey, cutie!' Chad greets, as he grabs and hauls her in for a smooch, which is filthy and shameless. Kaylee melts into the kiss, not ashamed of acting this way in front of her parents. Leo confronts Chad, stepping forward with anger. 'It's bad enough you're dating my daughter, but to behave like this under our roof...!'

'Daddy! Leave him alone,' Kaylee speaks up. Leo barks that a guy like Chad only has one thing on his mind...

Chad retaliates and insults Leo, which results in a physical altercation between them. Kaylee, blinded by her infatuation, takes Chad's side. Chad grins and puts an arm around Kaylee as he opens the door, telling her to come with him. Leo and Diana call for her to come back but their words fall on deaf ears. Kaylee heads out the door. 'I'm gonna make you both so sorry you did that, just you wait... ' Chad says smugly as he grins sinisterly and ducks out the door, leaving Leo and Diana stunned.

TITLE PLATE

Three weeks have passed since Kaylee's left home. Leo and Diana are looking at updates on Kaylee's social media when they hear the front door open. They rush to the door and discover Kaylee, distraught. She tearfully admits that they were right to be suspicious of Chad all along.

'Did he hurt you?? Did he keep you there against your will?' Leo demands. 'No! No, of course not dad, no, it's not like there was anything stopping me, but it took me so long to work up the courage... But tonight, he went to play a gig at some dive bar, so I... left. I just... opened that door and didn't look back, and... here I am. God, it's all a blur,' Kaylee says. Leo is furious and wants to get the police involved, but Kaylee convinces him not to.

Later that evening, the family tries to relax and recover. There is a knock on the door. Everyone is instantly tense. Finally, we hear Chad on the other side, saying, 'Kaylee? It's me, come on, I just want to talk!' Leo aggressively confronts Chad at the front door, though Chad insists that he's just there to talk to her. Leo doesn't want to let him in, but does so when Kaylee convinces him to.

Chad moves inside to the living room, claiming that he was worried about Kaylee and just wanted to see WHY she'd run off. 'You KNOW why!' Kaylee exclaims. 'You're not who I thought you were! You- you-' she starts, but is too ashamed to continue on in the presence of her parents.

'Chad, look what you DID to her!' Diana utters as she tries to comfort Kaylee.

Now Chad's expression gets darker as he grins. 'Did to her? Hah. I turned her into a nice little cock slut, that's what I did to her,' he announces, much to the horror of everyone there.

'Is this some kind of sick GAME to you?' Kaylee tearfully gasps.

'Oh, sweet Kaylee, so naive. You were always so eager to please, so it really wasn't hard to condition you.'

'Condition me? What are you talking about?!' Kaylee asks, confused and disgusted.

'You don't remember?' Chad teases. 'Well of course you don't, I conditioned you not to.'

'Kaylee, what the hell is he saying?' Leo asks her. 'I don't know, Dad!! I don't know what he's talking about!?'

'You're upsetting her, just leave us alone!' Diana frets. Chad ignores her and continues. 'Sweet Kaylee... I have you wrapped around my little finger -- or my big cock, rather. Even though you hate me now, I can have you over here on your knees in a heartbeat. All you need is the trigger.'

'You're DELUSIONAL! You didn't-... I never-' Kaylee protests almost in tears. 'Delusional? See for yourself!' Chad says with a smirk as he whips out his cock.

As Leo and Diana look on horrified, Kaylee becomes inexplicably hungry for sex. As if a switch has been flipped, she shamelessly sucks Chad's cock in front of her parents. 'I'm his good little cock-slut,' Kaylee says happily, not hesitating to take his cock and lick it, lavishing it with attention.

Her parents are disgusted and confused, yelling some more, but when they try to grab her shoulder to drag her away from Chad, Kaylee shrugs them off and hungrily goes back to giving Chad head.

Chad brags about how easy Kaylee was to condition for sex. He encourages her parents to stay and watch them have sex to humilate everyone there. At a complete loss but also wanting to be there for their daughter, they very reluctantly sit nearby.

Leo hugs Diana close, putting her head to his shoulder, their faces grimacing in agony as they watch their sweet daughter become the greedy little cock-slut that Chad conditioned her to be...

Winner - Most Outrageous Sex Scene: Cherie DeVille & Michael Vegas, AVN 2020

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

'Those Whom We Love Are Often The Most Alien To Us.'
-- Christopher Paolini

THE GHOST ROCKET
Conspiracy Theorist Is Anally Probed By Sexy Female Extra-Terrestrial

SCENE opens on an empty field late one night. The stars twinkle in the sky, as the camera slowly tracks back to reveal Roger (Michael Vegas) looking through a telescope. The self-published conspiracy theorist is wearing nothing but his boxer shorts, a UFO t-shirt, and LED translucent glasses. His hair is greased back, and he is guzzling a can of liquid caffeine, as he shifts from the telescope to the back of his flatbed truck, where he finishes setting up his latest invention. It's a small but powerful antenna designed to transmit mathematical equations into space in the hopes of contacting a ghost rocket.

Roger believes this long-disputed UFO phenomenon is the key to contacting alien life forms. As he connects the final pieces of his machine together, he mutters into a makeshift gadget on his wrist: 'In 1946 and 1947, numerous reports occurred of ghost rockets appearing over Scandinavian countries, primarily Sweden, which then spread into other European countries. In 2046, similar reports resurfaced of ghost rockets appearing in the Pacific Northwest and down through parts of California and Mexico. All 200 sightings have been refuted by the US government, despite being verified with radar returns and, in some cases, physical fragments...'

He puts his wrist down, stripping off his shirt and putting a tin foil cap on his head. '...Until now, you sons of bitches!' He shouts into the night, removing his glasses, placing transmitters in his ears, and rubbing his chest with petroleum jelly. He plugs some final code into his laptop before hitting enter and pointing his antenna towards the sky. A static sound in his ears grows louder and louder as he spins the antenna around. Finally, it connects with something and a beam of light penetrates the sky and strikes the antenna. Then, as quickly as it started, the beam disappears, and Roger falls to the ground. The antenna lies at his side, melted and destroyed.

CUT TO TITLE PLATE

Roger drives home from the field, feeling frustrated. He mutters and swears to himself before rolling down the window and throwing his antenna out. He puts his wrist to his mouth and begins to report the failed experiment when, suddenly, he comes upon a beautiful woman (Cherie DeVille) standing in the middle of the road. She is shimmering in a metallic body suit, with windswept hair, and staring at him like a deer in headlights. He slams on the breaks.

They regard each other for a moment before she starts to approach the car. Roger is scared. What is this strange woman doing out here? She presses her hands on his driver side window, trying to open it, and speaking in a strange language he doesn't understand. Finally, Roger rolls it down. 'What... do... you... want?' He stammers. She stops, takes a moment to compute what she just heard, and then begins talking slowly again -- in English. 'Hello human male,' she says. 'May I please enter your craft so I may breed with you?'

'Who... are... you?' He asks slowly. The woman unfolds her arms and puts her hands in front of her. The broken antenna appears. 'I am responding to your signal,' she says. Roger stares at the antenna in disbelief. 'You were on a ghost rocket?' He mutters. 'Affirmative.' she replies, and the antenna disappears. 'I have been sent to earth to breed with a human male. Are you a human male?' 'How do I know you're not just putting me on?' He asks. 'Do you require proof?' She asks. He nods. Her hands pull apart her face. He is horrified by what he sees and slumps back before raising his arms in surrender and stating that he is, indeed, a human male. She stops, puts her face back and, revealing her human form again, smiles. 'Excellent! We must hurry and get to a breeding chamber,' she says. Stunned, Roger opens up the passenger door and she steps inside. 'Is my bedroom ok?' He asks, getting in himself. 'Affirmative,' She says smiling.

They arrive at Roger's home. It is bare bones, with only UFO posters on the wall, stacks of papers, and a basic blowup mattress in the middle. The woman walks in and examines the surroundings. 'Human males are strange and primitive life forms,' she says matter-of-factly. Roger nervously clears an area around his bed and invites her to sit. 'I would like to consume your seed now so it may stimulate this human shell and support my arousal.' Roger flushes red. She unzips her top to expose her breasts and puts his hands on her. He has never felt anything so good in his life. She tells him to take out his member. Nervously, he does, and she slips her hand around his cock, stroking it, all the while exclaiming how fascinating his human penis is. Finally, she puts his hard cock into her mouth, tasting him before she guides him into her pussy. He gasps as she rides his cock.

Roger can hardly believe his good fortune, but how will he react when it's HIS turn to be probed?

CAN'T SAY NO
Woman Cheats With Ex While On The Phone With Current Boyfriend

SCENE OPENS with Mandy (Casey Calvert) on her way to her ex's house. She's in her car and on the phone with her current boyfriend, Todd, who isn't too keen on her going to her ex's just to get an old sweater. He knows the history and chemistry they have, and is afraid that the ex might tempt Casey...

Casey tries to assure Todd that everything is going to be fine! He trusts her, right? He can even call her in 20 minutes to give her an easy out. Todd promises that he will. If she doesn't pick up, he will charge over there to rescue her. Casey thanks him for his concern, then hangs up to focus on the task at hand...

When she arrives, her ex, Luke (Donny Sins), answers the door. He's as handsome as ever and her attraction to him makes itself instantly known. Although she loves Todd, Luke has raw, sexual appeal that's impossible to ignore. She tries to remind herself that she's just there for her sweater, but even Luke sees through her pathetic attempts.

They both know she's there to fuck. For everything that they got wrong in their relationship, the one thing they got right was that they knew how to fuck.

Casey's unable to resist Luke as he lays on the charm. As she loses herself in a whirlwind of passion, her phone rings...

WRONG WAY: A LOLA FAE STORY
Escort Finds Comfort From Her Tragic Past In The Arms Of A Smitten Client

SCENE OPENS to Annie (Lola Fae) at a bar when a young man, Bradley (Seth Gamble) approaches her. Her eyes light up at the sight of him since Bradley is a sweet guy that she enjoys spending time with. He seems to be really smitten with her, wanting to spoil her rotten and take care of her...

But right now, he can't keep his hands off her, so they steal away to the bathroom to have some fun.

After their romp, she goes with Bradley, even though she knows she probably shouldn't. Once they arrive at his motel room, Bradley is contented to coddle her, especially once she starts to look distracted. When he asks her about it, she hesitates before regaling him with a story of how much of a nightmare her family is. Her father and step-brothers are just so cruel... It's because of them that she does whatever she has to to make ends meet.

Bradley can't stand to hear the horrors Annie's been through. If she'll let him, he'll take care of her forever. Hell, if she wants, he'll go and take care of her family, too, if she catches his drift...

Annie lights up at the promise of safety and security, though insists that Bradley keep her family out of this. No, why don't they run away together instead? Get away from all this? For Bradley, such a thing is a dream come true, and they seal the deal by passionately coming together once again.

Yet, is everything really as it seems?

Slim-but-busty blonde MILF Sarah Jessie has lush lips, a tattoo sleeve and a hot, round ass. In a striptease, her lingerie can't conceal the butt plug buried in her bunghole. Commencing an interracial tryst, she and muscular black stud Isiah Maxwell kiss and caress. He stuffs his face in her cushioned crack for a rim job; from behind, he eats her thick, meaty labia and bald pussy. A worshipful blowjob creates strands of spit that lube a titty fuck. Isiah's big black cock goes straight to anal. She talks dirty and grinds her glutes on his boner; he spanks and oils her ass as he fucks it. Her big cheeks hump and snap through a backdoor dick ride, and Sarah gives passionate, ass-to-mouth head. Isiah drills her cunt, and then Sarah masturbates through manhandling sodomy in multiple positions. Sarah kneels for a cum facial, drooling the mess onto her body.