Latest 'Cum-swallowing' updates from Pornstar Scenes (Page 2)

Girl next door Adria Rae knows nothing about being nice but loves to be naughty! She shows off that smoking hot body in her black lace lingerie and has her fans and Jake Adams cocks rock hard standing at attention! She is eager to give him a wet and wild blowjob but really wants to jump on that cock feeling every inch of his shaft as it goes deep in her tight little shaved pussy!

This is Victorias first time being LIVE on camera and what a natural she is! She loves to see and read her fans excitement knowing they get to watch her fuck in some of their favorite positions. She listens to your requests trying to fulfill them all while letting Jakes large cock fuck that tight shaved pussy of hers! She gets his meat in between those beautiful large tits loving how it looks in her cleavage while Jake titty fucks her! She wants that hot load of his opening up her mouth for her to swallow down!

Having discovered that her boyfriend Rob Piper once had a three-way sexual encounter that included an infamous double penetration, Maya Kendrick decides that she needs to experience one as well. They convince a mutual friend Jason Brown to help her out. And while at first he's a bit confused, he quickly lends a helping hand (and cock) to fulfill her crazy sexual desire.

Brooke Beretta with her massive boobs and her massive booty is about to get wet and wild. Washing a muscle car while showing off her epic assets. She's craving anal and pure ass worshipping. Brunette beauty Brooke loves slip & slide anal play! Do not miss this stunning scene!

Carolina Cortez with her massive Latin ass is ready for all anal! This big booty babe craves Spanish dirty talking and ass worshiping. Including face smothering and a cum swallowing finish! Naughty Carolina knows what she wants and will not settle for less!

Newcomer, Gianna Dior, goes super hard in this intense gonzo style sex scene. Experiencing multiple orgasms while begging for more. All natural super cutie explains how sex was her favorite past time while growing up in rural Alabama. Get ready for a fan favorite taking on an epic cum swallowing finish!

Big Black Jack monster ia a cock attack & Amy Faye was happy to try to conquer the beast. She tried her hardest to manage that thick black snake into her mouth & pussy but the struggle of the black monster cock was almost to much... Amy Faye thought she was dreaming until the black one eyed monster shot its big white load of venom all over Amy and she knew this was reality and a dream cum true....

CHEATERS NEVER PROSPER
Cheating Wife Must Fuck Father-In-Law In Exchange For His Silence

SCENE OPENS to Melanie (Scarlett Mae) arriving at her father-in-law's house in preparation for a family dinner. Stephen (Dick Chibbles) warmly greets her, although there seems to be a little something off. He's a bit antsy as he inquires why Melanie has been avoiding his calls the last few days. Melanie insists that she's started taking acting classes, but Stephen starts zeroing in on her. If that's the case, then why did Stephen's buddy say he saw her leaving a hotel the other night?
The jig is up and Melanie tearfully admits that she's been cheating on her husband. She doesn't WANT to hurt her sweet husband but she's compelled to live life on the edge. She promises that she'll never do it again, but Stephen isn't convinced. In fact, Stephen darkly admits that he only wishes that Melanie had cheated with HIM. He'd always had a thing for Melanie... Now, if Melanie doesn't want him going to his son about her transgressions, she'll have to give herself to Stephen.

Melanie is shocked that her own father-in-law would turn on her in such a way. Yet, for as disgusted as she is, she's not ready to come clean to her husband about her misdoings. As Stephen slips behind her and starts running his hands slowly over her breasts, she makes her choice and gives in...

CORRUPTING HER INNOCENCE
Man Manipulates And Conditions Teen Babysitter To Have His Way With Her

SCENE OPENS to Rosie (Arietta Adams) arriving for an ordinary day of babysitting. The father of the children, Jack Harris (John Strong), greets her as warmly as always. When Rosie brings up having forgotten her laptop to do her homework, Jack easily offers her his laptop to use before leaving for work.

But when Rosie later checks the laptop, she is shocked to see an erotic video plastered on the screen. Surely Jack didn't mean for her to find THAT?!

As time passes, there are more hints that something is amiss, although Rosie can't quite put her finger on it. When she starts having trouble with her boyfriend, Jack seems too eager to give her advice... and he's so sexual and blunt about it! Even though it startles her, Jack always manages to convince her that there's really nothing wrong with them being so free with their discussions... They're both adults, after all.

Desperate to keep her boyfriend, she follows Jack's bedroom advice, although it makes things worse. In fact, her boyfriend breaks up with her! When she confronts Jack about it, he gets her to open up about her private life again. Was she ALWAYS this free with her private life? Or has Jack been getting into her head, slowly and surely, each time she showed up to babysit?

The answer soon becomes apparent when Jack drives home that the reason why the boyfriend left had to be because she was boring in bed. Well, in THAT case, HE can have sex with her and teach her what guys REALLY want...

Rosie doesn't want to be alone forever, does she?

DAUGHTER CAUGHT STRIPPING
Father Slut-Shames Daughter After Catching Her Stripping

SCENE OPENS on Belle (Athena Faris) a young woman in an oversized men's coat, who storms into her house angrily. Joseph (Derrick Pierce) stalks just as angrily in after her. 'I CAN'T believe you fucking DID that to me, Dad!' she exclaims as she turns on him, beside herself with anger. 'What is your PROBLEM? What were YOU even doing there, huh?! Now I DEFINITELY lost my job after this, I can't go back after you HUMILIATED me in there! I NEEDED that job, Dad! I'm 21 now -- you had NO RIGHT to treat me like that! You ruined my LIFE! Why--' Joseph breaks his silence as he turns to her and explodes with rage. 'No DAUGHTER OF MINE is going to be a FUCKING STRIPPER!'

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'You're such a fucking hypocrite! YOU went there to jerk off to girls your DAUGHTER'S age, and somehow I'M the one who's in trouble?!' Belle exclaims. 'Watch your mouth, I'm your step-father, so why don't you show me some damn respect!' Joseph booms. 'Oh, like you're showing ME respect right now?!' Belle challenges.

'What did I tell you about talking back?' Joseph barks, ignoring her words. 'And just what am I supposed to tell your mother, hm?' Belle retaliates by threatening to tell her mom about Joseph being at the club, though that would be admitting that she's a stripper. No, he gloats, she's not going to say anything, and he doesn't have to either. 'So, what do you say? Tit for tat?' he adds, his eyes falling towards her chest. 'Fine, whatever, I won't say anything... I-I'm going to bed now,' Belle says, anxious as she turns to hurry away. Yet, as she does, Joseph grabs her arm -- not in an overly aggressive way, but enough to stop her.

'I want my coat back,' he states. Belle eyes him, but hurries to take the coat off after pushing his hand away. 'No, SLOWER...' he interjects, looking hungry. 'Oh, my god... What the actual fuck?' Belle gasps as it dawns on her that Joseph wants her to strip for him. 'You don't think I'm going to let you off THAT easy, do you, Belle? Since you're so eager to lay it all out at the club, you may as well do it here... or do you only show your TRUE colors when there's a tip in it for you?'

No way, Belle exclaims. Joseph decides to play up another angle now, saying that she mustn't make much as a stripper. She defensively says that she does well enough. 'Well enough to live out there on your own instead of leeching off me? Because, like you said, you're 21... I don't HAVE to be your guardian anymore.'

Belle looks more anxious now. She still eyes him with contempt, then reluctantly takes a sexy stance and slowly removes the thick jacket. 'Okay, I'll do it, but you're still a fucking piece of trash.' She reveals her sexy stripper outfit beneath, which leaves little to the imagination. As she casts aside the coat, Joseph is hooked, hungrily gazing over her tight body. He moves to the couch and sits down.

Belle is disgusted with herself, then closes her eyes to take a steadying breath. 'Just think of him as any other customer,' she says quietly to herself, then opens her eyes. She begins to dance. When she steps in closer and Joseph reaches up to touch her, she smacks his hand away before he makes contact. 'That's taking it too far,' she protests. He says that he'll just have to break Mom's heart when she gets home from work, then.

Something seems to dawn on Belle at that moment. 'You're not going to let this go unless I fuck you, are you?' she snaps. He pushes aside her hair and kisses the back of her neck with a twisted smile, saying, 'Exactly.' She shudders, reluctantly but clearly saying, okay, she'll do it. 'Just think of him as any other customer...' she quietly reminds herself again before rising off his lap to go down on his cock.

Joseph has only just begun to slut-shame his stripper daughter...

Story inspired by an original submission by Pure Taboo member, NightOwl61a!

COCK-SLUT CONDITIONING
Manipulative Boyfriend Conditions Teen To Fuck Him In Front Of Her Parents

A young teen, Kaylee (Carolina Sweets), is getting ready to go out. Her parents, Leo (Derrick Pierce) and Diana (Chanel Preston), seem wary and uncomfortable as Kaylee excitedly announces that she's going out with Chad. It's their three-month anniversary and she thinks he has something special planned. Leo seems to be at a breaking point as he shakes his head. 'No, I'm not going to sit idly by anymore while our baby girl dates that piece of shit! Kaylee, what the HELL are you doing?'

'You've been on my case about Chad ever since we got together! Why can't you be happy for us??' Kaylee demands of both of them. Diana tells Kaylee that they're just worried about her. Chad is older after all, and they're worried he's been a bad influence on her. 'We're in LOVE, why can't you see that? He's THE ONE!' Kaylee responds.

'You're only 18, there's no way he's 'the one' for you!' Leo says angrily. 'Daddy, I'm not your baby girl anymore. You gotta let me go,' Kaylee sneers. Both Leo and Diana are stunned, though they don't get a chance to respond before there's a knock on the door.

Diana and Leo watch as Kaylee bounces to the door and opens it, revealing Chad (Dean Van Damme). 'Hey, cutie!' Chad greets, as he grabs and hauls her in for a smooch, which is filthy and shameless. Kaylee melts into the kiss, not ashamed of acting this way in front of her parents. Leo confronts Chad, stepping forward with anger. 'It's bad enough you're dating my daughter, but to behave like this under our roof...!'

'Daddy! Leave him alone,' Kaylee speaks up. Leo barks that a guy like Chad only has one thing on his mind...

Chad retaliates and insults Leo, which results in a physical altercation between them. Kaylee, blinded by her infatuation, takes Chad's side. Chad grins and puts an arm around Kaylee as he opens the door, telling her to come with him. Leo and Diana call for her to come back but their words fall on deaf ears. Kaylee heads out the door. 'I'm gonna make you both so sorry you did that, just you wait... ' Chad says smugly as he grins sinisterly and ducks out the door, leaving Leo and Diana stunned.

TITLE PLATE

Three weeks have passed since Kaylee's left home. Leo and Diana are looking at updates on Kaylee's social media when they hear the front door open. They rush to the door and discover Kaylee, distraught. She tearfully admits that they were right to be suspicious of Chad all along.

'Did he hurt you?? Did he keep you there against your will?' Leo demands. 'No! No, of course not dad, no, it's not like there was anything stopping me, but it took me so long to work up the courage... But tonight, he went to play a gig at some dive bar, so I... left. I just... opened that door and didn't look back, and... here I am. God, it's all a blur,' Kaylee says. Leo is furious and wants to get the police involved, but Kaylee convinces him not to.

Later that evening, the family tries to relax and recover. There is a knock on the door. Everyone is instantly tense. Finally, we hear Chad on the other side, saying, 'Kaylee? It's me, come on, I just want to talk!' Leo aggressively confronts Chad at the front door, though Chad insists that he's just there to talk to her. Leo doesn't want to let him in, but does so when Kaylee convinces him to.

Chad moves inside to the living room, claiming that he was worried about Kaylee and just wanted to see WHY she'd run off. 'You KNOW why!' Kaylee exclaims. 'You're not who I thought you were! You- you-' she starts, but is too ashamed to continue on in the presence of her parents.

'Chad, look what you DID to her!' Diana utters as she tries to comfort Kaylee.

Now Chad's expression gets darker as he grins. 'Did to her? Hah. I turned her into a nice little cock slut, that's what I did to her,' he announces, much to the horror of everyone there.

'Is this some kind of sick GAME to you?' Kaylee tearfully gasps.

'Oh, sweet Kaylee, so naive. You were always so eager to please, so it really wasn't hard to condition you.'

'Condition me? What are you talking about?!' Kaylee asks, confused and disgusted.

'You don't remember?' Chad teases. 'Well of course you don't, I conditioned you not to.'

'Kaylee, what the hell is he saying?' Leo asks her. 'I don't know, Dad!! I don't know what he's talking about!?'

'You're upsetting her, just leave us alone!' Diana frets. Chad ignores her and continues. 'Sweet Kaylee... I have you wrapped around my little finger -- or my big cock, rather. Even though you hate me now, I can have you over here on your knees in a heartbeat. All you need is the trigger.'

'You're DELUSIONAL! You didn't-... I never-' Kaylee protests almost in tears. 'Delusional? See for yourself!' Chad says with a smirk as he whips out his cock.

As Leo and Diana look on horrified, Kaylee becomes inexplicably hungry for sex. As if a switch has been flipped, she shamelessly sucks Chad's cock in front of her parents. 'I'm his good little cock-slut,' Kaylee says happily, not hesitating to take his cock and lick it, lavishing it with attention.

Her parents are disgusted and confused, yelling some more, but when they try to grab her shoulder to drag her away from Chad, Kaylee shrugs them off and hungrily goes back to giving Chad head.

Chad brags about how easy Kaylee was to condition for sex. He encourages her parents to stay and watch them have sex to humilate everyone there. At a complete loss but also wanting to be there for their daughter, they very reluctantly sit nearby.

Leo hugs Diana close, putting her head to his shoulder, their faces grimacing in agony as they watch their sweet daughter become the greedy little cock-slut that Chad conditioned her to be...

WRONG WAY: A LOLA FAE STORY
Escort Finds Comfort From Her Tragic Past In The Arms Of A Smitten Client

SCENE OPENS to Annie (Lola Fae) at a bar when a young man, Bradley (Seth Gamble) approaches her. Her eyes light up at the sight of him since Bradley is a sweet guy that she enjoys spending time with. He seems to be really smitten with her, wanting to spoil her rotten and take care of her...

But right now, he can't keep his hands off her, so they steal away to the bathroom to have some fun.

After their romp, she goes with Bradley, even though she knows she probably shouldn't. Once they arrive at his motel room, Bradley is contented to coddle her, especially once she starts to look distracted. When he asks her about it, she hesitates before regaling him with a story of how much of a nightmare her family is. Her father and step-brothers are just so cruel... It's because of them that she does whatever she has to to make ends meet.

Bradley can't stand to hear the horrors Annie's been through. If she'll let him, he'll take care of her forever. Hell, if she wants, he'll go and take care of her family, too, if she catches his drift...

Annie lights up at the promise of safety and security, though insists that Bradley keep her family out of this. No, why don't they run away together instead? Get away from all this? For Bradley, such a thing is a dream come true, and they seal the deal by passionately coming together once again.

Yet, is everything really as it seems?

Slim-but-busty blonde MILF Sarah Jessie has lush lips, a tattoo sleeve and a hot, round ass. In a striptease, her lingerie can't conceal the butt plug buried in her bunghole. Commencing an interracial tryst, she and muscular black stud Isiah Maxwell kiss and caress. He stuffs his face in her cushioned crack for a rim job; from behind, he eats her thick, meaty labia and bald pussy. A worshipful blowjob creates strands of spit that lube a titty fuck. Isiah's big black cock goes straight to anal. She talks dirty and grinds her glutes on his boner; he spanks and oils her ass as he fucks it. Her big cheeks hump and snap through a backdoor dick ride, and Sarah gives passionate, ass-to-mouth head. Isiah drills her cunt, and then Sarah masturbates through manhandling sodomy in multiple positions. Sarah kneels for a cum facial, drooling the mess onto her body.

Pale Blair Underwood, a young, real-life mom, looks like the MILF next-door, but she wears a 'SLUT' choker and skimpy threads that accentuate her fleshy, white ass. Blair talks dirty as she fingers her asshole and masturbates with a massager; her verbal filth continues through the scene. She sucks Mark Wood's prick, eyes reddening, spit flowing. Blair spreads her legs for a rim job. Mark goes straight to anal, and Blair says she likes watching his cock go in and out of her rectum. He chokes her as he sodomizes her, and Blair blurts, 'Pound my asshole.' She takes a buttfuck ride, Mark spanking her meaty cheeks. Blair declares an ass-to-mouth blowjob 'yummy.' The stud buttfucks her in multiple positions, making her pink sphincter gape. Blair swallows semen and cleans his dick orally.

CLOSE YOUR EYES
LONELY DAD GETS CATFISHED & BAITED INTO SEX WITH STEPDAUGHTER

SCENE opens on Tim (Dick Chibbles) and his stepdaughter Laura (Mackenzie Moss). They're sitting next to each other on the living room couch eating from bowls of cereal. Tim looks up from his paper, smiling warmly at Laura. So, what is she up to today?, Tim asks. Oh not much, she's probably going to go meet Sharon to see a movie later, but for now, she's just going to hang out in her room...read a little, Laura says pleasantly. Lazy Sunday, huh?, Tim smiles. Exactly, Laura responds. 'Well, you deserve a lazy day. You've been working so hard lately. You're only 18 and your work ethic is ALREADY better than mine ever was,' Tim says with a little laugh. Well, it takes a lot of work to get into a good college, Laura says modestly. He looks at her lovingly. Her mom would be SO proud of her, he says softly, an edge of sadness in his voice. Thanks, Tim, Laura says, her voice heavy with emotion. He told her that she could get used to starting to call him 'Dad' if she wants, Tim says gently. But no pressure, he adds reassuringly. Ok, Laura smiles. And what about him, what does he have planned for the day?, Laura asks. He's probably going to have a pretty lazy day too, Tim says. He has to catch up on some emails, but that's about all the firm plans he has for the day, Tim says. Emails, huh? Anything...important?, Laura asks. 'Um....well, we'll see,' Tim says, smiling hopefully. Ok, well, have a good day!, she says, getting up and kissing him on the cheek. He smiles at her as she takes her bowl of cereal and exits the room.

A short time later, Tim chats with a woman online, arranging for her to come over that evening so that they can meet for the first time. Tim goes to tell Laura about the date. He's nervous and excited. 'Don't worry, you'll be great. You're an...AMAZING guy and she's a lucky girl,' Laura says encouragingly. He smiles at her, brimming with love for his stepdaughter. Thanks, sweetie, he says kindly. They smile at each other for another moment before Tim says that he'll leave her to it, exiting the room as he closes the door softly behind him. We stay in the room with Laura, who smiles. As she looks down at her laptop, we see what is on her screen. Unbeknownst to Tim, she is the one who he has been chatting with online.

CUT TO TITLE

Later that day, Tim's date Rachel (Christiana Cinn) arrives. He's nervous, but as they chat, it's evident that their online chemistry has extended to real life. As get to know each other, they begin to make out. When Rachel wants to take things beyond just kissing, Tim is hesitant. But she reassures him and they go to his bedroom.

In the bedroom, Rachel suggests that he put a blindfold on so that he can't see when they have sex. Tim's not too sure about it, but when Rachel explains that she finds it very erotic, he agrees and covers his eyes. She grins up flirtatiously at him as she begins to unbuckle his belt. Don't worry, she'll take GOOD care of him, Rachel says, but seems to say it a little louder than is necessary, turning her head toward the bedroom door as she speaks. It is clearly a signal to someone standing outside the door. At that moment, the bedroom door slowly and soundlessly opens and a pair of bare feet softly pad in, careful not to make any noise. As the unidentified visitor enters, they bend down to get on their knees next to Rachel and it is revealed that this visitor is...Laura! She smiles knowingly at Rachel, who nods coldly back at her. Wordlessly and gracefully, Rachel slides over and Laura takes her place in front of her stepfather. Laura slides Tim's pants and underwear off and looks at his cock, licking her lips expectantly, as if she has been waiting a long time for this moment. 'Are you ready to feel some soft, delicate hands wrapped around your BIG juicy cock?' Rachel asks seductively. Yes, Tim whispers. Laura bites her lip and begins to stroke his cock, slowly and tenderly. He gasps.

Tim's eyes may be closed, but when he opens them, he's in for a rude awakening.

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

'Since mankind's dawn, a handful of oppressors have accepted the responsibility over our lives that we should have accepted for ourselves. By doing so, they took our power. By doing nothing, we gave it away.'
-Alan Moore, V For Vendetta

MODEL CITIZEN
Law Enforcer Audits Young Housewife's Lifestyle In Dystopian Future

Citizen Val (Aria Lee) sits obediently in front of a television, her eyes focused solely on the screen. Before her, Mother relays her daily message of love, ensuring that all her children can hear her soothing voice. As a model citizen, it's up to Citizen Val to do her part for the good of society, which includes ONLY having romantic and sexual relations with designated partners of approved genetic compatibility.

When there is a knock on the door, she is quick to answer. Auditor Bale (Tyler Nixon) stands before her, his presence a powerful one that she respects without question. In a calm, authoritative voice, he announces that he's there to do a routine audit of the household to ensure that everything is in working order. Although Citizen Val finds this a bit suspicious, since she was audited only a couple weeks ago, she allows him inside.

Auditor Bale surveys the house, making sure that everything is exactly as it should be, especially when it comes to receiving Mother's messages. He then asks Citizen Val routine questions to ensure that she's been doing her part as a model citizen. With each question asked, Citizen Val grows more nervous, although Auditor Bale doesn't seem to catch on.

Finally, it's time for the physical examination to ensure that Citizen Val's genetic profile is up to date.

'Do you understand and accept that only Auditors have the authority to disable the broadcast, and that as a model citizen you must never disable it of your own volition?' Auditor Bale relays, clearly having said the line hundreds of times before.

'Yes,' Citizen Val utters.

As Auditor Bale disables the surveillance all around her, Citizen Val's heart pounds wildly in her chest for what's to come.

CUTTING THE CORD: A JANE WILDE STORY
CURIOUS TEENAGER CHEATS ON BOYFRIEND WITH OLDER UNCIRCUMCISED MAN

Scene opens on Leah (Jane Wilde), a 19-year-old junior counselor at a conservative camp. The shy Jewish teenager has been attending the camp for years, but this will be her first year as a counselor. It is also where she met her boyfriend, Josh (Jake Adams), another junior counselor. They've been together for a year and Josh is a shining example of exactly who her religious parents want her to marry. He comes from an upscale family with deep roots and is planning to go into pre-med in the fall. Once he is settled, they will get married and she will start having his children. It's all been perfectly planned out. But, as they set up their tent for the camp's annual wilderness kickoff, Leah finds herself conflicted. She loves Josh, but she is anxious about spending the rest of her life with him. He is her only sexual experience. And, this summer, will be her last chance to explore herself before she makes that final commitment.

She reviews the checklist on her clipboard, while Josh fumbles in the background to finish setting up their tent. He is busy talking about all the cliques in the camp and how Leah shouldn't worry about the fact that her family makes less money than most of them. She is with him now and everybody will accept her. Plus, they're junior counselors ... one step away from running the place! As Leah nods aimlessly, she notices one of the senior counselors approaching them.

Charlie (Danny Mountain) is the only non-Jewish counselor at the camp, brought in several years ago as the football coach. Leah has always been fascinated by him. He is British, in his mid-thirties, athletic, and absolutely the opposite of everything her parents would approve of. With a boisterous laugh, Charlie struts over and checks in to see if Josh needs any help. 'There are a still a lot of tents to set up before the kids arrive, mate!' Josh looks irritated. 'I'll get them done,...' he replies. Flashing a wink at Leah, Charlie heads off to talk to another counselor. In the distance, Leah watches him. As Josh grumbles, she stares almost transfixed. CUT to inside her mind, as she fantasizes about Charlie kissing her and pushing her down to her knees. She stares up at his erection as he pulls out his uncircumcised cock and lays it over her face. CUT back to the present. Josh has said her name several times, annoyed, before she snaps back to reality. 'Can you help me finish this tent please?' he whines. She puts the clipboard down and turns to help him, apologizing, but not before sneaking one final look back over her shoulder.

CUT TO TITLE PLATE

Cut to that night, as the sun sets. Leah sits on Josh's lap in front of their tent. Apart from some flashlights going off in the tents behind them, all is quiet on the camp. The couple have 30 minutes left of 'watch duty' before they can retire, so they pass the time talking about their relationship. How they first saw each other years earlier at his brother's bar mitzvah, how he finally worked up the nerve to ask her out on her 18th birthday last summer, and the type of wedding they want to plan. Josh holds her tightly and kisses the top of her head as they talk. It's clear how much he loves her. Feeling conflicted, she tries to say something but backs down when she looks in his eyes. 'Is everything ok?' He asks. She wishes she could look at him and feel safe, secure, and in love. But she doesn't. 'What?' he asks again. 'Nothing,' she quickly replies. 'You just -- you're so amazing!' Josh smiles. 'Well, you know how much I love you. I don't have to say it.' Leah quickly shakes her head. 'No, you don't. You don't ever have to say it!'

She leans in and kisses him on the lips. He kisses back, and they begin making out. They kiss intensely for a moment, as Leah desperately tries to feel something. Anything. Any sort of passion or excitement inside. She deepens the kiss and begins to undo his shorts when Josh pulls away. 'Whoa, are you sure?' he asks, looking around. She nods quickly. She knows she can't keep feeling like this. She wants things to go back to how they were when they first met. She doesn't want to hurt him. 'Of course, I am. I want to make you feel good.' He protests a little about their plans to wait till the wedding before she assures him it will just be a BJ. They've done that plenty of times before, just not in public. He smiles sheepishly as she grabs his hand, leading them away from the cluster of tents.

They get to a tree and Leah pushes Josh against it. She sinks down to her knees, undoes his shorts, and takes out his dick. It's exactly as it always has been. Circumcised - the only one she's ever seen. She takes it in her mouth and starts to blow him, desperate to feel SOMETHING for her boyfriend...

After the session, which leaves her feeling more anxious and guilt-ridden before, Josh's walkie-talkie buzzes. It's a senior counselor, asking why he left his post. There is a camper who just threw up and needs to see the nurse. He kisses Leah goodbye and tells her he'll take care of it. She should go shower or something. He jogs off, leaving the girl standing in the woods.

CUT to Leah in the shower. As she runs her hands down her body, she closes her eyes and flashes of Charlie's face come to mind. She sees him smiling at her. His muscular, hard body. The slight bulge in his shorts. She can't help but slip a finger inside herself, still keeping her eyes closed. She moans softly and plays with herself, letting the fantasy take over. All thoughts of religion, Josh, and her parents are gone... She knows what she needs to do now.

CUT to the gravel road. Her hair still wet, she looks down at her own walkie-talkie. Nervously, she tunes it to Charlie's frequency and calls him. 'What's up, my Jewish American princess?' he responds jovially. Leah takes a deep breath before stammering, 'Charlie, I need to see you. I need you to help me with something.' There is a pause before Charlie, with a notable change in his voice, replies. 'Of course, Leah. I'm down in the rec room. Meet me there.' Putting her walkie-talkie down, Leah takes one long look down the road before turning to run towards her first ever act of rebellion, breaking the number one rule she was raised to obey.

THE LOVE HOTEL
ROBOT SELF-DESTRUCTS AFTER A NIGHT OF SEX WITH HER CLIENTS

SCENE opens on a dark bathroom. From a birds-eye angle over the tub, the lights in the room turn on as a woman known only as unit #30562 (Emily Willis) floats in the milky bath water. She opens her eyes, calmly getting out of the tub and drying herself off. She has a perfectly proportioned body. She walks over to a large mirror and, pressing her fingertips in the lower right corner, causes the mirror to illuminate before it turns into a smart screen. A message pops up, thanking unit #30562 for signing in. 'Are you ready for your next shift?' The mirror asks in a soft female voice. #30562 says yes and the screen loads her itinerary for the evening. It explains that her first guest will be a returning client: John Doe, 57 years old, solar sales manager, 6'0'' tall, 165 lbs, brown hair, blue eyes. His kinks include school girls, anal sex, ass worship, rimming, ATM. Past crypto tips include 8000 tokens: extra rough, 10000 tokens: novelty take home, and 500 tokens: kissing on the mouth. Accept client? 'Accepted,' says #30562. As the smart screen processes the order and a confirmation appears, the door buzzes.

CUT TO TITLE PLATE
#30562 opens the door and John Doe (Steve Holmes) enters, breezing into the room in a silver bomber jacket and matching wraparound mirrored glasses. He looks her up and down lustfully before pulling out a card and inserting it into the reader. A hologram screen pops up and confirms that the tokens have been accepted. #30562 takes a deep breath, puts on a big smile, and guides John over to the bed. She bends over, and he buries his face in her perfect ass, before sliding his cock inside her tight hole. After he pulls out and cums on her ass, she asks if he would like to kiss and he eagerly agrees. The room flashes green and replies to confirm the extra gratuity. They make out for a few moments before John Doe happily puts his clothes back on and leaves the room.

#30562 goes back to the mirror and stares at herself for a moment, emotionless. She presses the tips of her fingers against the glass and the smart screen wakes up. It explains that her next guest is also a returning client: Richard Roe, 30 years old, space tourism guide, 5'10'' tall, 170 lbs, auburn hair, blue eyes. Kinks include rough sex, breath play, collaring, fisting, and golden showers. Note from management: client is limited to rough sex after last session resulted in damages. Accept client? 'Accepted,' says #30562. As the smart screen processes the order and a confirmation appears, she stares at herself blankly and the door buzzes.

CUT to the door opening. Richard (Charles Dera) enters briskly. He backs #30562 in a corner and places his hand around her throat, his lips curling up in a sneer to reveal shiny gold teeth. 'Remember me?' He growls. She smiles and advises him to scan his card. The man backs off slowly, places his card into the reader, and a hologram screen pops up to confirm his tokens have been accepted. #30562 takes a deep breath and walks over to him. He hoists her over his shoulder and goes to the bed. Throwing her onto the bed, he licks her tight pussy, getting it nice and wet before he fucks her hard. At a certain point, he is about to pee on her when the room flashes red and reminds him that this activity has been blocked. Frustrated, he shoves his dick back in #30562's pussy and keeps fucking her till he pulls out and cums on her face. While the woman catches her breath and wipes the cum from her eyes, Richard gathers his things and leaves without a word.

When #30562 stands up, she finds herself very dizzy. The room beeps red and instructs her to return to her charging station. She crawls to a corner of the room and stands on a white platform to recharge. As soon as her feet plant on top of the station, she becomes still while her body powers up.

CUT to an hour later. #30562 is still charging, eyes closed, when the door buzzes. She opens her eyes and steps off the platform, walking to the mirror in the bathroom to accept the next client but discovers the screen is off. The room buzzes again. #30562 goes and opens the door anyway. A naked woman (Penny Pax) steps inside, clutching a holographic bag. #30562 has never seen another woman before and she is awestruck. 'Please scan your card here...' she says to the woman. The woman looks at her for a long time and feels #30562's face, trying to hold back tears, before reaching into her bag and pulling out a coin. 'Is this accepted?' She begs. #30562 takes the coin into her hand and stares at it. She's never seen anything like it before. She places it on the counter beside the card reader. 'What would you like to do to me this evening?' She asks the woman. Biting her lip and trying to contain her nervous energy, the woman reaches back into her bag and pulls out a shiny silver dildo. 'I want you to fuck me as hard as you can.' She says. #30562 takes the dildo and puts on a big smile, leading the woman to the bed. Unit #30562 may be programmed to please, but this latest client of The Love Hotel is not who she seems, and by the time she's done with #30562, the sexbot's world will never be the same.

ANNE - ACT TWO: THE ESCAPE

SCENE opens inside Mr. Hands' closet. Anne is seated, curled up in a ball, when she hears the knob slowly turn. The door opens, as Sally crawls in towards her friend, her bad leg dragging behind her. In a hushed tone, she tells Anne to stay quiet and they slowly crawl out together. Mr. Hands is passed out on his desk. As soon as the girls get out of the office, they quickly tip-toe through the common areas to the front door. Anne turns to thank her friend and Sally hands her Mr. Westfield's address. 'I copied it off the letter on Hands' desk while he was resting,' she says triumphantly. Anne hugs her friend. Sally smiles, reaching into her pocket and retrieving the necklace. 'Thought you might need this too,' she adds. Anne kisses her, before running off the property and into the night.

A car pulls up outside a large estate and Anne steps out, thanking the driver for letting her hitch a ride. It drives off leaving her to take in Mr. Westfield's mansion for the first time. It's the biggest, most luxurious house she has ever seen! But, as Anne looks down at her shabby outfit and dirty hands, she has a moment of self-doubt and starts to walk away when a gardener notices her. He calls out, asking who she is and Anne mumbles that she is here to see Ms. Farling. She is the orphan. Another gardener comes around the corner and notices her. He gives the girl a long look before using his intercom to call someone. 'Right this way,' he tells her, as both workers accompany the girl to the front steps.

A butler opens the door. He is very polished and handsome, dressed in a tuxedo. 'She is the girl that Ms. Farling told us about,' one of the gardeners says. The butler dismisses them before turning his eyes to the girl. 'You are the prettiest orphan I have ever seen!' He says. 'What is your name and how old are you?' Anne replies, and the butler extends his hand, inviting her inside.

CUT TO:
The Foyer. As the butler starts to explain the layout, Ms. Farling rushes into the room. She is still in her dressing gown and seems surprised that Anne is here alone. 'Sweetheart,' she says. 'I wasn't expecting you so soon. Is Hands still here? I have some papers for him to sign.' Not wanting to reveal what happened, Anne lies that he dropped her off at the gate but had to leave. Slightly agitated, as if expecting to have more time to prepare for the girl's arrival, Ms. Farling accepts her story. 'I see you've met Bruno, our butler,' she says, placing a warm hand on the butler's chest. He bows slightly. 'He will be at your service, morning, noon and night. But, let me show you the rest of the house. We have a lot to do today to get you prepared!'

CUT TO:
In a long tracking shot, the trio walk into the kitchen, where a CHEF is busy whisking in a bowl. She stops and stares at the girl. 'This is our personal chef, Mrs. Orchard,' Ms. Farling says before lowering her voice to a whisper. 'She is a little eccentric, but her food is delicious, I promise!' Anne laughs. They move to the living area, where a beautiful maid is extending herself to dust the tall corners of the room. Her stature is accentuated by a somewhat revealing outfit. 'This is Hilda, our housekeeper,' Ms. Farling says. The maid rushes over and gives Anne a warm hug, kissing her on each cheek. 'You are so perfect,' she says softly. 'daddy is sure to love you!' Anne looks up at Ms. Farling in confusion and the assistant grips her shoulders tightly. 'That's just what we call Mr. Westfield in this house,' she tells Anne. 'He is such a role model that I like to think of him as a father figure. It is very important to treat him with respect.' They keep walking, with the maid joining the group. Ms. Farling and the staff knowingly exchange glances, as Anne walks ahead of them innocently. They pass a darkened wing of the house, where a GAURD is standing watch. 'Who is that?' Anne whispers. Ms. Farling quickens her pace, explaining that this is daddy's office. He is inside right now, having a very important meeting and cannot be disturbed. That's why he has protection. Anne looks at the guard nervously. 'Come quickly,' Ms. Farling says. 'You are supposed to be a surprise for daddy ... and I don't want to ruin it.' They turn a corner and spot another well-dressed man. 'This is Michael, our driver,' Ms. Farling continues. 'He will take you wherever you wish to go. We have 12 different cars on the property.' Anne says hello shyly while the handsome driver kisses her hand and introduces himself. He joins them, and they move the tour upstairs.

CUT TO:
The second floor. As Ms. Farling explains the house's various features and rules, Anne looks around at the staff following them. They are all smiling at her intently. It makes her a little uncomfortable, mostly because she has never had so much attention focused on herself. She sticks close to Ms. Farling and asks the assistant if she really thinks that Mr. Westfield can help her find her real parents. The assistant stops and curtly reminds the orphan that, in this house, he is not Mr. Westfield. He is daddy. She must not forget that. It is a very important rule. Anne apologies but Ms. Farling cuts her off. 'There is no need to apologize, my darling. We are all here to help make sure you give off the best possible first impression tonight when you meet him,' she says. 'I know he is going to be so surprised when he sees that I've brought him a beautiful girl!' Anne looks down at herself again and mutters about not feeling very beautiful. Ms. Farling assures her that it is their responsibility during her stay to ensure she is treated like a princess. Anne should enjoy all the spoils of being at home here -- just as if she were daddy's real daughter. 'And then we can look for my parents?' Anne asks. Ms. Farling nods, adding that if anyone has the right connections to find them, it will be daddy. The staff eye each other and the girl lustfully.

'What would you like us to do first, Anne?' the butler asks, putting his arms on Anne's waist. 'We will do anything you want!' adds the driver. Ms. Farling smiles as the maid grabs Anne's shoulders from behind. 'How about we get you cleaned up?' She says, whispering in her ear. Anne gulps before slowly nodding and telling them that a shower would be nice. 'I think you're really going to like it here!' The assistant says warmly, leaning in to kiss the young orphan on the cheek.

CUT TO:
The bathroom. Anne is naked in the shower, being washed by Ms. Farling and the maid who have taken off their clothes to join her. She seems very awkward at their touch but is trying to fit in -- she wants to like it here. She needs to like it here. As they sensually scrub her body, Ms. Farling tells the orphan all about their boss. He is such a high-profile, busy man that he has never settled down or had a family of his own. When she began planning this charity event, she knew it was a perfect opportunity to change that. She wants to give daddy a feeling he's never been able to enjoy, despite his success. Ms. Farling seems so proud of her plan that Anne doesn't want to bring up her parents again. It might seem rude. But, that's all that she can think about. The women continue to stress the point of making a good first impression to daddy, so much so that Anne becomes very visibly anxious about it. The maid asks the orphan if she is OK and, after some coaxing, Anne admits that she's nervous to meet him. She's never been given so much before and she doesn't want to screw it up. Ms. Farling starts to steer the conversation towards how she and her staff deal with stress. They help each other relax, in every possible way. Taking a cue from the assistant, the maid chimes in to ask if Anne has ever enjoyed an orgasm. Anne confesses that she's never had one -- she won't admit what happened with Mr. Hands, but she alludes to having had a past negative experience. The women are surprised and insist that they help her -- especially if she wants to be relaxed for this evening. After a bit of coaxing, Anne agrees. She trusts the women. The maid and Ms. Farling work together to make Anne cum before leading the overwhelmed girl out of the shower where the butler and driver are waiting. They dry her off and then ask permission to make her orgasm too. Anne hesitates again but Ms. Farling reiterates the importance of what they are doing. They are only trying to help her prepare for tonight. 'And you really think that daddy will be able to find my parents?' Ms. Farling says yes, and Anne ultimately agrees. She has come so far already, she can't stop now. The staff take turns having sex and pleasuring her.

After they have finished, Ms. Farling dismisses the others, so she can help get Anne dressed. Excited at the prospect of giving daddy his surprise, the assistant proclaims she has the perfect outfit set aside!

CUT TO:
The dining room. Anne sits at a beautifully appointed table, wearing a stylish red dress and looking like the opposite of the orphan who arrived just hours earlier. The entire staff is also seated but the head of the table remains empty. After a long, awkward pause, daddy bursts into the room flagged by his guard. He is on his phone with his lawyer, clearly in a very bad mood, and pays no attention to the girl sitting beside him. The staff look at each other anxiously. Slamming his phone down, he demands to know what's being served as the CHEF ladles some soup into his bowl. 'Roasted carrot with crème fraiche,' she replies. daddy makes a face and starts eating, as he tells Ms. Farling to go over his itinerary for the rest of the week. His assistant pulls out her tablet and starts to break it down for him while Anne twitches in anticipation. At a certain point, daddy looks over and notices her. 'Who the hell is this kid?' He asks his assistant gruffly. Ms. Farling reminds him about the upcoming charity event he's hosting and how she was tasked to bring in an orphan to spend the week with him as part of the publicity campaign. daddy looks Anne up and down before replying that he thought she was going to get a child. 'How old are you?' He asks. Anne replies meekly that she is eighteen. daddy grunts and tells Ms. Farling that a teenage girl is the last thing he needs in his house. Ms. Farling protests, advising him that it would be a nice idea to have him spend some quality time with a nice young woman, since he isn't married and never had a daughter. He stares at her coldly without responding. 'Besides ...' she nervously adds. 'It will look very good for your image, daddy. It will show the public a softer side to the Westfield empire and, hopefully, downplay some of the recent rumors...' daddy mulls this over before finally agreeing and asking for the next course.

While everyone eats their meal, Ms. Farling keeps encouraging Anne to talk about herself. She tells the businessman all about her life in the orphanage, the other girls she grew up with, and how happy she is to have been chosen to represent him as his daughter for the week. daddy remains cold despite all her efforts to charm him and the staff are so preoccupied with making sure the pair get along that is causes a lot of tension around the table. Finally, daddy excuses himself for bed and leaves abruptly, accompanied by his guard. Anne is crestfallen.

'He hates me, I just know it!' She says pitifully. 'Please don't send me back Ms. Farling ... I'll do anything to stay!' Hugging her tightly as the rest of the staff solemnly clear the table, Ms. Farling tells her not to give up. She will make sure Anne is not sent back to the orphanage. But, she needs her to be a little more convincing. daddy has a hard shell, but he is soft on the inside. All he needs is to feel like he is in control of the situation. That's how he runs his business. Anne asks what else she can do and, helping her to her feet, Ms. Farling suggests she go and say goodnight to the man - alone. If she can prove what a good girl she is, daddy will surely want her to stay and help her find her parents. As Ms. Farling accompanies Anne to the stairwell, she reminds her of how good the staff made her feel earlier. Anne nods nervously. 'That is how daddy likes it too,' the assistant adds. 'Remember that!' They walk to daddy's door, where the guard is standing. Ms. Farling tells him that Anne is going in to say goodnight and he lets her pass. She glances back at Ms. Farling, who shoos her in with a final look of encouragement. When she disappears, the assistant turns back to the guard and tells him to take a break. She needs to monitor this herself. The guard flashes her a quick smile and speaks for the first time. 'Bringing him a teenage orphan ... that's low even for you, Farling!' he jokes. 'Yes,' Ms. Farling replies curtly 'I know. But anything is better than the hookers at this point!' The guard walks off, leaving the assistant alone at the door.

CUT TO:
daddy's bedroom. The man is under the covers, in his pajamas, and on his phone when Anne enters timidly. 'What are you doing in here?' He demands, shocked to see her. 'Nobody comes in my room without my permission!' Anne, putting on a brave face, marches over to the bed and tells him that she wants to say goodnight. They may have got off to the wrong foot downstairs, but she wants him to know that she is the best possible orphan for his charity event. daddy is not amused. He asks if his assistant put her up to this. 'That woman is always meddling in my private affairs,' he grumbles. Anne bites her lip and sits down on the bed boldly. 'Now listen daddy,' she says. 'You are rich, powerful, and very intimidating. When I walked into your house today, I knew I had walked in to somewhere special. And I'm going to be the greatest daughter you've ever dreamed of -- even if it is only for pretend!' daddy cuts Anne off and gets right into her face. 'I don't need a daughter,' he replies. 'I just need a photo op!' Anne shrinks back. She mumbles something about being a good girl. daddy laughs. 'When I want a girl, I hire one. I don't want to be your fucking parent!' He barks, turning back to his phone. 'Now get out of here before I call security.'

Anne slowly gets off the bed and starts towards the door, crying. She knows that daddy is the key to her future, to finding her real parents. If she leaves now, she leaves with nothing. Like Ms. Farling said, she just needs to convince him. Something inside her snaps and Anne spins around. 'You're wrong!' she screams, storming back to his bedside. 'You do need someone to love. Not someone you have to pay for; someone who will worship you and respect you!' She breaks down before him, twitching in her red dress. 'I have spent eighteen years searching for my parents. They abandoned me. But you won't!' daddy doesn't know what to do. He tells the frazzled girl to away from him. She's a god-damn kid, what will the press think? Anne starts to cry in a panic. 'They will think I am going to be your new daughter. I promise to be a good girl for you. I promise you will come to love me ... if you just give it a chance. I will do anything you ask, daddy! BUT I'M NOT LEAVING THIS ROOM!' She starts to climb on the bed towards him as he shrinks back, yelling for Ms. Farling. 'She only wants what's best for you too,' Anne continues pleading. 'Just give me a try, daddy... I need your help!' daddy gets very angry and leaps out of bed to physically escort Anne out. She kicks and screams as he struggles to carry her to the door. In desperation, she starts to kiss and grab at him too. They struggle before he throws her back on the bed. 'Are you making a pass at me, little girl?' He growls, towering over her. 'Because I will tear you up!' Not knowing what to do, the tear-streaked orphan tells him yes, if that's what he wants. He can do whatever he wants to her if he will just let her stay and help her afterwards. Her constant advances awaken something inside of daddy and the icy, distant man rips her dress off. Staring down at the naked girl, he reveals himself and tells her to suck it. It's been days since he could hire a girl anyway.

The harder he pounds; the more Anne calls him daddy and begs for him to accept her. She slowly breaks the man down. His hate fucking slowly turns into passionate sex, with the pair kissing and acting lovingly by the time daddy cums inside of her. Their sex is INTERCUT with shots of Ms. Farling watching and masturbating from outside the door.

After they have finished, Anne kisses daddy and they share a tender moment. Ms. Farling enters and, giving her boss a knowing look, informs Anne that it is time for bed. 'You see, I always have your best interests at heart, don't I daddy?' She says and leads the naked orphan out of the room, holding her hand. The man falls back on his bed and a smile crosses his face.

CUT TO:
Anne's new bedroom. Ms. Farling tucks Anne in and kisses her on the forehead, telling her how proud she is of everything the young orphan did to prove herself. She knew Anne was special! Once alone, Anne says a short prayer to her parents. She tells them that she is doing everything she can so that one day they will be reunited. Hopefully. She snoozes happily, holding on to her broken heart.

Dark-haired, pretty Lasirena69 is a young, real-life mom, and her body is as special as her name. She performs a poolside striptease, her big, tan-lined jugs and spectacularly curvy butt complemented by a leopard-print one-piece and heels. Aroused stud Mark enters the frame with a boner, and the sexy MILF kneels for a deepthroat blowjob. Mark rubs his meat in her ass crack and oils her thick cheeks. He delivers a doggie-style pussy pounding, and then an anal reaming. Lasirena69 responds with ass-to-mouth cocksucking. Legs splayed, she masturbates through more buttfucking. A skin-slamming anal ride makes her comely, round rear rumble. Lasirena69's face shows the joy of desperate, gaping sodomy in multiple positions, with breaks for more rectally flavored fellatio. She takes a syrupy cum facial.

A FATHER UNLEASHED
UNCLE BAITS FATHER INTO DP'ING HIS STEP-DAUGHTER

SCENE opens on an 18-year-old girl and an older man, Darla and her Uncle Gus, laughing and small-talking as they are midway through enjoying a coffee at a sunny outdoor café. At Darla's feet are several bags from high-end shopping boutiques, the spoils of their afternoon out together. We close in on them to catch the tail end of an anecdote, where Gus is telling Darla yet another embarrassing story about her step-father in his youth. 'I can't believe Dad was so wild as a kid,' Darla laughs, 'he's so normal and boring now. You on the other hand...' She trails off with a wink and a laugh before taking another sip of her coffee. Gus chuckles and says 'Well, I was always a bad influence on him. Just like you're a bad influence on me!' he says, gesturing to the shopping bags at their feet, 'I spoil you way too much! But...you know I just can't say no to such a pretty face.' His compliment has a sinister undertone to it, but Darla is too enamored with her uncle to notice. 'You know,' she says after a time, 'my mom's out of town for a business trip all weekend, if you don't have any plans you should come back to the house with me. You haven't been over for supper in ages!' Uncle Gus's ears perk up at the invitation. He looks Darla up and down, hungrily basking in her features for a moment. 'That sounds wonderful!' he exclaims. 'Who knows, maybe we can get you to bring out a bit of that wild side in your dad too.'

CUT TO TITLE PLATE

Darla's step-father, Eric, is at his kitchen counter preparing dinner when Darla walks in, returning from her afternoon out. She greets her dad with a smile and starts setting down her bags in the kitchen. Eric is in the middle of greeting her and about to ask how her day was when his brother Gus steps into view. A few steps behind Darla, Gus leans nonchalantly against the doorframe to the kitchen, and gives his brother a smug smile. Eric's body noticeably tenses at the sight of him, and they share a look. 'Hello Gus,' Eric mutters. 'Long time no see, Ricky!' Gus says cordially. Eric winces and reminds his brother to call him Eric. 'What are you doing here, Gus?' Darla, not noticing the tension between them, casually explains that she invited Uncle Gus over for supper. 'With mom gone all weekend, I thought we could use the extra company!' she beams. Eric sputters and clears his throat, and eventually just says 'Fine.' He is clearly not happy. Gus strolls into the kitchen and pats Eric on the back. He starts telling his brother about their day out, and about all the clothes he bought Darla. He remarks that the girl's so gorgeous, she didn't try on a single item that didn't look stunning on her. 'In fact,' he says joyfully, 'Darla sweetheart, why don't you try on a couple of your new outfits for your dear old dad and I?' Darla gladly agrees, and heads to another room with a bag to change.

While Darla is out of the room, the tension breaks as Eric becomes less reserved and more angry. 'You shouldn't be here, Gus, if Marlene found out you were at our house...' Gus keeps his cool and seems to enjoy pushing his brother's buttons. 'Good thing she's on a business trip then, she never has to know I was here.' Eric blinks back, a bit deflated. 'She thinks you're a bad influence on me.' Gus laughs, bemused. 'Does she now... maybe she just doesn't know the real you then. Or maybe you haven't told her about all the shit we used to do together. Picking up random girls, fucking their brains out, sometimes filling up both their holes at once...' Eric winces as Gus brings up all his old exploits, those days are behind him now. He's a father now. 'Step-father,' Gus corrects. 'It's not like you've developed some kind of 'paternal instincts' or anything, I know the old wild Ricky is still in you somewhere.' Eric hears scuffling from the other room and shushes his brother, just in time for Darla to walk back out clad in a cocktail or clubbing dress and heels. 'Wow, beaaautiful!' Gus gushes, and he encourages Darla to pose in various positions while he goads Eric on. 'Doesn't she look amazing?' Eric watches stiffly and chokes out some one-word responses while Darla poses in her outfit and talks with Gus. After a minute or so, Gus suggests they see another one. Darla picks up another outfit and moves to walk out of the room when Gus says 'Darla, you can change here, it's no bother! We're all family here, right?' Darla shrugs, she supposes it's fine.

She starts removing her outfit. From over the two men's shoulders, we watch intently as Darla kicks off her heels and changes from her more elegant outfit to a skimpier one, a tight tee-shirt and short shorts. With a slight turn of his head, not enough to obstruct the camera's view, Gus turns to speak softly to his brother. 'Look at thaaat,' he mutters. Eric winces again. Gus begins describing Darla's features as they watch her change, putting emphasis on how young she looks. 'Don't tell me that doesn't bring out something in you, Ricky. I've watched Darla grow up, and man has she grown. You have eyes just like I do. I know you see it too.' Eric has a pained expression on his face, but despite that he can't help watching Darla change. His breath is ragged, and he's biting his lip hard.

Darla finishes changing, and again Gus convinces her to pose for them. For the first minute, Eric remains stiff and silent, but then something cracks in him. He asks if she can hand him something from one of the lower cabinets. 'Sure dad,' she says cheerily, and bends down to open the cabinet door. Eric takes a prolonged look at her ass as she does. 'Attagirl,' he says. Gus sees this change in his brother and smiles. Gus asks for Darla to show off another purchase - he remembers a nice bra and panties they picked up at an underwear store, what about that? For the first time, Darla looks skeptical - wouldn't that be a bit weird? But Eric clears his throat and says 'No, it's fine. Actually, if my daughter's buying fancy underwear, that's something her dad should know about, right? Might mean she has a boy around.' Darla rolls her eyes, meanwhile Gus corrects him a second time - 'Step-daughter. And Darla's eighteen now, she can do what she wants, right Darla?' Exactly, she says, and fishes out the bra and panties to hold up to her dad. 'See? They're not even that sexual. They're just nice material.'

Gus asks her to put them on, and for the first time Darla looks truly uncomfortable. 'I don't know, that's not really appropriate, is it?' Gus puts on a pouty face. 'I spent a lot of money on these gifts for you, Darla, don't I deserve to at least see them on you?' Darla starts to stutter back a response but doesn't quite know what to say. Her dad cuts her off. 'Darla, don't be rude. If your uncle gave you a gift and he just wants to see you enjoying that gift, it's not a lot to ask, is it?' She looks flustered, but she supposes not. She is about to head off to change, when her father stops her. 'Here's fine. Remember what your uncle said? We're all family.' Darla looks uncomfortable but says 'OK dad' and starts undressing.

The mood for this third change of outfits is palpably different. Darla takes her clothes off hesitantly and tries to cover up her breasts and her crotch with her hands when she removes her old underwear to put on the store-bought ones. All the while, she sneaks frequent concerned glances back up at the men as she does. All subtlety from the two men is gone, they're watching her almost like animal predators stalking prey. No words are exchanged between the two, and Darla's attempts at lightening the mood fall flat. By the time she's changed into the bra and panties, she's no longer in the mood for posing. She looks and feels exposed as she stands in front of the two.

'Very nice,' Gus says approvingly, 'don't you think she looks very nice, Ricky?' Her dad breathes in deeply, acting more and more unlike the stiff man from earlier. 'Yes, Gus, she does look quite nice. My daughter's a full-grown woman now.' Gus takes a step forward, closing the distance between him and Darla. 'I have to confess, just getting to see her in these outfits... isn't doing enough for me. You know, I've bought you a lot of gifts over the years. I think it's time I got a proper thank you.' What does he mean, Darla asks nervously. Gus tauntingly plays with the fly of his pants. 'I want the kind of thank you only a grateful young woman like yourself can give. I want to fuck you.' Darla protests - what? No! That's disgusting! They're family! She turns to her dad pleadingly, but he looks back at her vacantly. 'Well, Darla, he did buy you all these nice things. You accepted them. Surely the thought must have crossed your mind he might want something in return. You're old enough to know that your actions have consequences.' Darla looks at him with tearful betrayal. Then she looks back to Gus. 'Tell me what to do and I'll do it. But just this one time, I'm not taking a cent from you ever again.'

Gus tells her to get on her knees in front of him and unzips his fly. He instructs her to suck his dick. She does so, and for about a minute Ricky looks on at her sucking dick with an expression of craving and curiosity. Eventually, his hand moves towards his crotch, and Gus notices this. He stops Darla from sucking. 'You know,' Gus says, 'your step-dad has paid to take care of you for years now. He's raised you as his own daughter. Doesn't he deserve a proper thank you too?' Darla looks up at them both with rage and disappointment in her eyes, but after several seconds nods her head yes. Eric unzips his fly and pulls out his hard dick and brings his daughter's head forward to suck it.

Dirty blonde Betty Foxxx's striptease reveals big globes, thick thighs and ample ass. The married MILF tells neighbor Mark Wood that she's a swinger newly arrived from Spain. He sucks her huge, gumdrop nipples and labors to tug her skirt down over her thick posterior. Excited Betty gives him a blowjob. She kneels for a doggie-style fuck as Mark spanks her, thumbs her butthole and drills her into the rug. He lubes her ass for an anal reaming; Betty slaps her boobs and pinches her nipples in ecstasy. Dirty girl sucks dick ass-to-mouth and tongues Mark's bunghole. Her comely cheeks bunch, hump and squeeze cock through a rectal ride. Groaning Betty masturbates feverishly and squirts girl cum, which she tastes on her hand. Her sphincter gapes tightly. Mark pumps out a cum facial, and Betty swallows semen.

Seductive Russian spy Isabella Clark flaunts her curves while enemy soldiers Angelo Godshack, Antonio Black, Damien Soup and Michael Fly surround her with their thick pricks. A four-on-one orgy is on! The blonde slobbers on their boners, opening her throat as they fuck her face. Two meaty dongs fill her cunt and bunghole in an intense double penetration! Antonio's big black cock fucks her asshole, providing deep interracial anal reaming. Isabella moans as three big boners squeeze inside her stretched butthole in a wicked, triple-anal penetration! See butthole gaping and an ass-to-mouth blowjob too. Isabella swallows a mess of cum.

TAKE MY BREATH AWAY
SHY TEEN WITH DARK DESIRE SEEKS OUT STRANGER TO CHOKE HER DURING SEX

In her bathtub at night, shy nerdy teen Lucy stares up at the ceiling, unmoving. The tap drips as the only indication of sound or movement. After several seconds, there is a light disturbance in the still bathwater, and then Lucy lets out a small gasp -- she's moved her hand to slip a finger into her pussy under the water. When her finger is all the way in, she pauses for a moment, then starts slowly moving it in and out to pleasure herself, her gasps becoming heavy and sensual -- several close-ups of her mouth and face, along with heightened sounds of inhaling and exhaling, draw heavy focus towards her breathing. After a half-minute or more, fully immersed in her fantasy, she inhales a single long drawnout breath through her teeth, as she slowly slips under the water, submersing herself. She stays under, and the water goes perfectly still.

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At her computer another morning, Lucy is in her pajamas typing up a college paper. She is stuck on a sentence, not sure what to write next. She breaths out a huge sigh of frustration, removes her glasses, and rubs her eyes wearily. Putting her glasses back on a little crooked, she tries to go back to writing... but a previously opened tab in the corner of her eye distracts her, and she clicks back onto it. We see on the screen that it's a site for breath play enthusiasts called 'Breathless'. Her breathing shallows, and she runs her fingers along where her neck meets the collar of her nightshirt as a nervous tic. She opens up a chat bar where she has a message already open and typed out, a message to another member. From the wording, it seems to be the last in a long line of messages between them. Towards the end of her message, she's suggesting that they meet up. Her face and body language shows she is still undecided as to whether to send it or not. Clearly anxious, and idly running her fingers along her chest and up and down her throat, Lucy deliberates for several seconds. Then, spontaneously she shoots her hand out to click send. She gets an alert that the message has been sent. She closes the laptop in panic, almost in fear of what she's just done... or perhaps what the response might be. She bites her thumb nervously and taps the laptop casing, before removing her glasses and flopping down on her bed. Her breathing is fast and nervous as she closes her eyes and lies there, eyes shut, until her breathing eventually calms itself.

CUT TO another evening, in the doorway of a house. Lucy walks through the door, followed by a strange man a couple of years older than her, Preston. He's holding keys and locks the door behind him -- this is his place, not hers. They are both visibly awkward around each other as they remove their shoes and he leads them up to his master bedroom. Once there, they sit side by side on the bed, at first making no move to close the gap between them. They talk about the breath-play site they met at, how long each of them has been a member, how they found out about it, etc. Lucy joined around when she turned 18. Preston reaffirms what was said in the chat, that Lucy has never done anything like it before. Neither has he. The closest he came was when he practiced choke grips on a first aid doll once when his dad brought one home from work, and it turned him on. He's immediately embarrassed from telling the story, but Lucy tells him she understands -- she has nobody she can talk to about her fetish either. It's tough for a guy to ask a girl to do that, Preston admits, it would make him look like a serious creep. He's always hoped some girl would ask him, but he knows it's a long shot. Lucy sympathizes - everyone assumes that because she's shy and nerdy that she's completely innocent. One time she asked her boyfriend to choke her, and he was a bit freaked out by the idea and she quickly told him never mind. For the next few days he acted weird around her, and then not long after he broke up with her. Ever since, she's been too shy to tell anybody she's been with, because she doesn't want boys to think she's some weird freak. Especially with how word spreads around college.

There's an awkward pause, and then Preston asks if she wants to start any specific way. Shyly, Lucy shakes her head no -- she never really pictured where to go from here, she never even thought she'd ever get this far. Preston says he's seen a few videos, it's given him a few ideas of what to do. Does she mind if he takes the lead? Lucy says it's fine, he can try whatever he wants, and that if it gets too intense she can tap on the bed with her hand. Preston agrees to this, and moves his hand up hesitantly towards her neck. He pauses, she nods, and he continues. He grabs her throat, and squeezes -- not too rough at first, but hard enough that she certainly feels it. As he grips her throat tightly, he moves in to kiss her, first up the side of her neck, her ear, the side of her cheek, then he turns her head towards his and kisses her mouth. He kisses passionately, albeit a bit awkwardly -- he moves as someone who is less suavely copying moves that he's seen elsewhere. Still, he remains in control throughout, and Lucy submits with a gasp each time he reasserts his dominance with a renewed grip on her throat.

POSSESSIVE
DESPERATE BROKE COLLEGE GIRL GIVES UP HER BODY TO REPO MAN

SCENE opens on Natalie, a 20-year-old college student, as she lays quietly in the bed of her small apartment. She has been trying to ignore the man at her door for several minutes now. After the knocking finally stops, Natalie waits a few seconds longer before deciding to sneak to her window. She moves the curtain to one side and peeks out, just long enough to spot him outside before quickly retracting and hiding behind the door. The knocking resumes, this time louder and more violently, causing Natalie to panic. The man calls out from the other side of the door and orders her to open it. He isn't going anywhere. Natalie bites her nails nervously, unsure of what to do, before finally letting out a sign and opening the door to face him. An intimidating man, with massive biceps, is holding two empty duffel bags. He looks very irritated, cursing at her under his breath before diving into a prepared script. 'My name is Tony,' he says. 'I'm with Flexline Repossessions. I've come to collect your possessions to compensate for the student loan you've defaulted on ... but I'm sure you already know that!' Natalie looks crestfallen. She tries to reason with him, saying she is starting a new job soon and she should be making payments again by the end of the month. Tony listens and smiles sympathetically. 'Good, then that means this will be the last time I have to do this,' he replies, pushing past the doorway and walking into her room. The camera lingers on Natalie's face as she slowly turns around and closes the door behind him.

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He inspects some items closely, while tossing others directly into his duffel bags. The possessions he doesn't take are put back haphazardly, leaving a trail of destruction in his wake. Natalie tries to interject occasionally -- especially when he touches a gift from her boyfriend or a family heirloom -- but he largely ignores her protests

As Tony works, he begins to pause more frequently to ogle and elicit reactions from Natalie. It becomes clear to her that he is spending less time on this job and more time trying to make her uncomfortable. Through his POV, we see the repo man staring at the girl's body while he laughs at the position she's gotten herself into; asks about the sentimental value of certain possessions; and begins to make crass, lewd gestures to try and offend her. He sniffs her underwear as he bags it; comments on a photo of her mom; and asks if her boyfriend satisfies her after discovering a dildo in her drawer. Throughout the ordeal, Natalie tries to remain calm and polite. She just wants to get it over with it, even when he gets right up in her face to intimidate her.

When he finally finishes, he takes stock of what is inside his bags and then remarks that it isn't going to be enough to cover what she owes. She starts to cry. Glancing out the window, he notices the car parked in her driveway. 'Is that car yours, the red one?' He asks. Natalie's eyes well up in desperation as she feebly tries to hold Tony back. 'Please don't take my car,' she begs him. 'I need it for my new possessive Desperate Broke College Girl Gives Up Her Body To Repo Man job. If you take it, I'll never be able to pay back the rest of the loan. PLEASE! You already took everything else!' Tony is unwavering, clearly enjoying her breakdown. 'Well,' he says slowly. 'There is one other possession I could take instead.'