Latest 'Creampie' updates from Pornstar Scenes (Page 109)

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

THE BREEDING POD
MAN CREAMPIES HIS FEMALE CO-WORKER IN POST-APOCALYPTIC INSEMINATION UNIT

Maya Kendrick stirs, only to find herself naked and laying in a transparent pod with Derrick Pierce. Unfazed by her surroundings, she sits up and stretches, working the kinks out of her muscles. It's been awhile since she's last seen Derrick -- how's he been? After a cordial greeting, Derrick admits that he's a bit nervous since he's been having trouble meeting his quota of impregnating women. If he doesn't make his quota...

Maya casually tries to calm him since anxiety is definitely not going to help his performance. They can't afford to kick any man 65 and under out, anyway... or so the rumors say. Yet, Derrick doesn't have time to respond before their unique wristbands alert them that it's time to begin the process. Now there's only one thing on their minds as they crash passionately together.

They enthusiastically have sex until Derrick creampies Maya, filling her with his seed. Yet, much to their dismay, the sophisticated wristbands alert them that the round has been a bust -- Maya's not yet pregnant.

As they dive into a second round, Derrick becomes more anxious as scientists approach and observe them from outside the pod. They watch from behind masks while taking various notes. Derrick knows they're evaluating him, seeing if he's worth keeping in the project. If he ISN'T worth keeping around...

This fear spurs him to keep going, which is what they need right now. When he unloads deep within Maya's pussy a second time, tensions are mounting between them as it's once again a bust. While Maya's losing patience, Derrick has no choice but to keep going.

After the third creampie, they stare at their wristbands with bated breath. If it doesn't take THIS time, this could be the end...

HOME ALONE
VOYEUR NEIGHBOR PREYS ON TEEN WHILE HER FAMILY'S AWAY

SCENE OPENS with a man, Mr. Rodgers (Mr. Pete), rushing to the front door of his neighbor's house. He has a toolbox in his hand and there's a sense of urgency as a teenage girl, Kat (Maya Kendrick), opens the door and hurries him inside. She was doing dishes in the dishwasher but something went wrong and now there's water everywhere!

Mr. Rodgers quickly gets to work and stops the flow by closing the valve under the sink, though the problem itself is still not entirely fixed. The hose is broken, but he's going to go to the hardware store, anyway, so he'll pick up a hose and replace it for her. He encourages Kat to stoop down and look under the sink with him so that she knows which valve to close in the future if a hose ever breaks again. As she enthusiastically joins him, though, his eyes linger on her tight ass when she's not looking.

Once they're done, Kat thanks him so much for rushing over to help. If he wasn't her next door neighbor, she doesn't know what she would've done, with her parents being out right now! Imagine if something like this happened while she was away at college? Mr. Pete comments that it'll be sad when she leaves... Kat giggles and reflects that she's 18 now -- she can't stay home forever!

As she walks him to the door to see him out, Mr. Rodgers pauses. While he's here, he may as well check the access panel to make sure that the hoses aren't eroding. Usually if one goes, another is right behind. Kat, thankful that he's so thoughtful, agrees and shows him further into the house.

As Mr. Rodgers moves from room to room to find the access panel, Kat starts to get a little suspicious, especially when he looks for it in her bedroom. While he's checking out the closet, she hurriedly tucks some of her personal belongings, including underwear, out of sight. Sure enough, the access panel is in her closet and the hoses do need to be replaced, but he's going to get right on that!

But instead of immediately leaving, Mr. Rodgers instead goes to her window, commenting on the million-dollar view she has. Hey, look, did Kat ever realize that she could see his bedroom window from hers? Kat is uneasy as she looks out the window and sees that, yeah, she can, which means that Mr. Rodgers could just as easily see into HER bedroom as well. She's so embarrassed, nervously asking if he's seen anything...

'I may have seen a thing or two,' he says in a darker tone, his helpful neighbor demeanor completely gone now. Like how Kat lets her boyfriend use the back door, so to speak.

Kat grows more defensive -- they're adults, they can do whatever they want now. Sure, Mr. Rodgers says, though he's known her father for 22 years and he's asked him to keep an eye on her, so that's what he's doing. She's shocked, asking if he's been spying on her. Mr. Rodgers smirks and says, 'Let's just say, I think you should invest in some blinds.'

Kat, barely able to look Mr. Rodgers in the eye, asks him to leave. Mr. Rodgers says he'll leave, of course, but her father will be SO displeased to find out what she and her boyfriend get up to. He even has the footage to prove it.

Kat is freaked out and angry that the neighbor she's known all her life is such a pervert. When he starts coming onto her, she realizes that she's cornered and lashes out at him. It's time to make a decision. If he's going to make her have sex with him in return for his silence, then she's going to do whatever she can to claw back control.

CUM INSIDE
TEEN'S CREAMPIE HOOKUP AD DRAWS UNWANTED ATTENTION FROM INTRUDER

SCENE OPENS on a teen, Meg (Gianna Dior), in her bra and panties on her bed. She is sensually humping a pillow between her legs, moaning as she thrusts into it. She's holding her phone in her other hand, and every time she gets a message she slows her humping to look at the phone and type a response. 'Yes, I AM all alone right now, my parents won't be back for hours...' she says out loud with a smile as she types and then sends the message. She goes back to playing with herself.

A few moments later, her phone sounds again. 'Yes, I AM over 18 - eggplant emoji,' she says, dictating her text all the way down to the emoji she adds for effect. She goes back to pleasuring herself. Seconds pass, and her phone sounds a third time. 'Oooh, I can't wait for you to cum inside me,' she says as she types. She sends the text, and then types up another message. 'My address is...'. She hits send. Almost instantly, she gets a single one-line reply, which we see displayed on the phone. 'see you soon.' it reads.

With a smile, Meg puts down the phone and gets back to pleasuring herself with the pillow. Her ass is mesmerizing in her skimpy underwear as she bucks her hips back and forth. She licks a finger of her now free hand. She slips the finger through the waistband of her underwear and starts fingering her pussy, pressing in deeper as she backs into it after each thrust forward into the pillow. She enjoys this rhythm for about a half-minute, before pausing to pull a dildo and lube out of her nightstand drawer. She lowers her underwear and lubes up the dildo with gentle strokes of her hand over the plastic. Eagerly, she sticks it in her pussy, easing it deeper into herself with soft moans. She begins fucking herself with the dildo and fingering herself on the bed for several minutes.

Her phone sounds again, and Meg wonders aloud to herself as she picks up her phone whether he got lost. She looks at her messages and remarks that it's a message from another guy. She reads it silently to herself and bites her lip and grins. 'I'm busy for a little while... but how about in an hour?' she says as she types. She types with one hand, and we see her other hand playing idly with her lubed up pussy as she waits for a response. 'Sure, I can host. I'll text you the address...' She types rapidly into her phone and hits send. She starts to type another message - 'I can't wait for you to...' At the moment where she would say the words 'cum inside', we cut to the title plate of the same name.

TITLE PLATE

CUT TO another day, Meg is wearing some casual clothing and milling about her bedroom. She is dancing energetically as she tidies up her room. Her booty shakes enticingly as she moves. We watch from a male gaze POV for a good half-minute. Then, suddenly, we cut to a different POV, a voyeuristic one watching her dancing from outside her window which is ajar. We cut back to the interior of her room, then back again to the voyeur's perspective.

Meg finishes cleaning and then decides to unwind with a bath. We watch her undress from the interior male gaze POV, though we see the tail end of her undressing and her leaving the room from the voyeur POV. After a few seconds of staring into the empty room, the voyeur POV seems to get up and walk forward.

CUT TO inside the washroom, where Meg is naked and is turning on the water for the bathtub. She checks the temperature of the water with her hand, then makes an impatient face. She waits for a few moments awkwardly. Suddenly she hears a faint creaking sound from the other room. She cranes her neck to listen, then asks if anyone is there. She peeks around the bathroom door and sees a strange man (Seth Gamble) looking back at her.

The intruder is standing calmly, hands in the pockets of his ratty jacket, his hood up over his head. He looks tough and intimidating. Meg's heart is racing and her breath is shallow and panicked, clearly frightened by the stranger standing just to the side of the doorway out of the bathroom.

She asks him what he's doing, how did he get in here? The stranger replies 'You left your door open,' in an eerily calm soft voice. His calmness just makes Meg even more nervous, and she shrinks back a bit. Why is he here? 'I got your invite,' the intruder answers. Meg looks him up and down, still frightened but also confused. She didn't send him any invites. The intruder tells her softly that she should be more careful with giving out her address so freely online. The internet can be such a scary place.

Meg tries to muster up the courage to seem less afraid than she really is. 'I'm not really in the mood for sex right now,' she says, trying to reason with him. 'That's too bad,' he replies sounding disappointed, 'I am.' Meg gulps and tries to ignore his reply. She tries to lie, and suggests that maybe he could give her his contact information and they could hook up another time. The intruder pouts and says why not do it now? He's here, she's naked, now seems like as good a time as any.

Meg insists a bit more strongly that now is NOT a good time. 'Oh... ok...' the intruder says disappointed but doesn't press the issue further. Meg waits expecting him to say something, move, leave, but he just stands there. Her voice wavers as she asks why he won't leave. 'YOU can leave,' he says almost as an invitation, 'the door's right there.'

She stands still in place, terrified. Almost tauntingly, he follows up by asking her what she's waiting for. She starts to walk towards the door, slow and hesitant, and gets a couple of steps forward until he makes a quick gesture causing her to flinch backwards - nothing violent, just something to spook her. He laughs almost playfully, he was just teasing her. She really can just walk right past him if she wants to leave. What is she afraid of? But instead of walking forward again, Meg shrinks back further into a corner.

The intruder remarks that it seems like she doesn't want to leave, it seems like she wants to stay. 'Please,' Meg begs, but is too scared to get more words out besides incoherent mumbling. The intruder takes a step forward into the room, and asks please what? Please fuck her? That's all he's been asking to do all along. Meg shakes her head but can't manage to choke out any other words. The intruder says he'll leave if he can fuck her. That's what she wants, right? Meg clutches at the towel barely covering her body and nods yes, still not able to form any words. The intruder asks that she meant she wants him to fuck her, right? Because it almost seemed like she nodded because she wanted him to leave. But the invite said she wanted to get fucked.

Meg puts her hands over her face in desperation, then after a moment of reflection she gives in. Yes, she says defeatedly, she'll let him fuck her if he promises to leave after. As he starts unzipping his pants, the intruder says matter-of-factly that of course he'd leave after, this isn't his house.

IMPREGNATING THE SITTER
GRIEVING HUSBAND IMPREGNATES TEEN TO FULFILL LATE WIFE'S LAST WISH

April (Alina Lopez), a teen babysitter, climbs the front steps of a residential home. For her, this is just another day. Another job and a few more dollars in her pocket, which she really needs. However, it looks like the man living in this home is well off because the place is HUGE!

She knocks on the door and a pleasant man (Dick Chibbles) greets her. 'Mr. Perry?' April greets with a smile. 'Yes, that's me. You must be April, welcome!' Trent says. April beams, saying that she's pleased to meet him and that she can't wait to meet the boys.

April moves into the living room with Trent, making some small talk where it's revealed that she's raising her younger brother. Her parents passed away, so it's all on her now. Trent is sympathetic, though he moves onto asking her questions that seem a little beyond small talk. What nationality is she, is she a gymnast, how's school going?

April politely answers all the questions the best she can, even if she's uncomfortable. When it comes to school, she admits that she wants to go into fashion, though money's a bit tight since she didn't get a scholarship. Trent seems intrigued and says, well, there's no shame in working for it!

April then asks where the kids are and he says they're in the playroom. He's just going to be gone for a few hours, so hopefully she won't have issues with them. When April asks when the wife will be home, though, Trent gets a bit dodgy. He simply says that she won't be coming home. She's at work and has a deadline, so... Anyway, is April ready to meet the kids? April smiles and says that she is and heads off down the hall where she's directed.

As she does, Trent walks behind her with a longing gaze. 'One hell of a mother...' he says under his breath.

TITLE PLATE

CUT TO hours later, and April is tidying up the living room after having put the kids to bed. She picks up a few toys then moves to a table where there are crayons and a drawing. She sets the toys aside and smiles to herself. 'Aw, I wonder what they drew...?' she says to herself as she picks up the drawing. As soon as she gazes at it, her brows furrow with confusion.

It's a picture with stick figures, very much a child's drawing. There's a man labeled 'Dad' and a woman next to him labeled 'Claire.' They are surrounded by three kids, the boys. They all look happy. There's another woman off to the far side labeled 'Mom.' She is smiling too but a dark crayon has scribbled her out. The picture has a disturbing vibe.

'What does this mean?' April murmurs to herself as she tries to make sense of the picture. She's a little unnerved, putting the paper back down on the table.

Curious, she takes out her phone and does some research. She pulls up a search engine and searches Trent Perry's name. She quickly finds an obituary for his wife.

She hears movement behind her and whirls around. Trent is looming in the doorway, looking menacing. April's startled, demanding to know what the hell is going on in this house? She points to the page on her phone with his wife's obituary -- why is he lying?! Trent looks devastated as grief washes over him, though he shakes it off. 'Listen, I can explain...' he starts, begging for her to just hear him out.

April hurries to get out of there, but before she's out the door, Trent blurts, 'Have you ever had someone just DIE on you?'

April pauses, painfully remembering her parents' deaths, and remains, letting him have a chance to explain himself. He begins to tell her a sad story about how he and his wife had been trying to have a baby for YEARS. Then one day, they finally got lucky, though the doctor told her not to take the baby to term. She did, anyway, but died during childbirth, giving Trent their firstborn son. Even though he loves his son, he wished he'd been given a daughter because that's what they've always wanted.

April is wary, but moved by his plight, and says she's sorry for his loss. She was so confused by the picture... But who's Claire? Trent explains that Claire, the sweet young woman in that drawing, was a wet nurse for his son in that first year, someone he came to know very well in those dark days, and like April, she was someone with great maternal instincts. Desperate to rebuild his family, they made an arrangement in hopes of Claire giving him a daughter, but he got two other sons instead.

And now? Claire is gone...

When April asks where Claire is now, Trent dismisses the question. Instead, he says that he hopes that April can be the one to give him a daughter.

April is freaked out, flat-out refusing him, though Trent quickly assures her that she doesn't need to be in LOVE with him! He's just asking her to be the vessel for his daughter. Listen, April needs to pay for college, right? He can take care of that for her! Her younger brother? Trent can make sure he gets into the best private school. Money isn't an issue for him, he just needs a womb. It's just 9 months of April's life. Plus, she'd be fulfilling his wife's last wish...

April needs a few moments to think it over, conflicted. This is a lot to ask of someone, but she needs the money. She has to provide for her brother and she has big dreams for herself as well. Finally, she asks how much Trent can offer her, signaling that she's open to the deal.

Trent is relieved as he approaches April and takes her by the arm, their eyes meeting. Without saying a word, although there is a mutual understanding, he slowly leads her upstairs.

HIS BROTHER'S BLESSING
CORRUPT COP EXPLOITS HIS YOUNGER BROTHER'S FIANCEE FOR SEX

A young couple emerge from another area of the house to the kitchen, their arms around each other's waists as they snuggle and talk warmly while they walk. The man, Sammy (Will Pounder), is telling his beloved, Angela (Bobbi Dylan), an anecdote about the staircase from his childhood, such as when he fell and almost split his head against the banister. Angela smiles at the anecdote and remarks that it's a good thing he's much calmer now.

As they walk around the kitchen, Sammy gushes about his brother, Dirk (Chad White). Angela starts to fret, saying it's a lot of pressure meeting him, since Dirk is so important to Sammy -- what if he doesn't like her? Sammy confidently says his brother's going to LOVE her, everybody does. What's not to love, she's perfect. Angela blushes and says she's not perfect, but Sammy starts listing how she's kind, and smart, and loyal, and strikingly beautiful of course, and...

He's interrupted by the sound of the front door unlocking and opening, and heavy boots stepping in before closing the door again. Little bro, you in here? a voice calls out. 'We're in the kitchen!' Sammy calls out in reply. Some shuffling sounds can be heard as Sammy waits excitedly, gripping his nervous-looking fiancee's hands, until eventually a man in a cop uniform, Dirk, steps into the kitchen.

The cop holds out his arms and scoops Sammy into a big bear hug, and then ruffles his little brother's head with his hand after releasing him from the hug. Watch the hair! Sammy says with a chuckle and tries to straighten it out. Dirk then turns to Angela -- so, this must be her! he remarks. 'Angela', right? She smiles and nervously says hi, it's a pleasure to meet him, and holds out her hand to shake his. He brushes her hand away saying please, they're practically family at this point, and holds out his arms to hug her. Pleasantly flustered, Angela leans in to the hug and they embrace warmly. After a couple of seconds though, Dirk's hand crawls down the side of her back to wrap around her waist, making the hug unexpectedly intimate. Angela's eyes shift to looking unsure and a bit uncomfortable as they hug for a second or two longer before breaking. Sammy has told him so much about her, Dirk says, he's glad they're finally getting to meet after all this time.

Sammy tells his older brother that they had a special reason to come out and visit today, he has some exciting news. He takes his fiancee's hand and holds it up, showing the ring to his brother -- he's proposed! Dirk grins and congratulates them both, in truth he kind of expected this might happen, and jokes that she's practically stolen his brother away from him at this point, he hardly gets to see him anymore! Sammy says that he knows, and he's sorry -- in fact, that's why he's so excited for Dirk to finally meet Angela, because... well, he was hoping for his brother's blessing for the wedding.

Dirk says he's touched, and he can't wait to get to know Angela during their visit. But they can get to all that later, this calls for a celebration! They should have a feast, his treat of course, whatever they'd like. Sammy asks what Dirk wants, and he says anything, he's worked all day and he's starving! He tells his younger brother there are some take-out menus in the other room if he wants to get them. Sammy says sure, and heads off to get them from the other room. As he leaves, Dirk puts his hand on Angela's shoulder, at first it looks reassuring but then he leans in close to her ear and it begins to look more threatening. 'I know what you did,' he says in a low voice right near her ear - her eyes widen with worry as he straightens himself back up and pretends like nothing happened. Sammy comes back into the room a moment later and they start discussing food options, but the sound starts to drown out as the camera closes in on Angela's terrified face.

TITLE PLATE

'Well, what do you think, love?' Sammy says, snapping Angela out of her worried thoughts. Huh? Oh, sorry, she mutters, and shakes her head a bit to snap out of it. Sammy repeats a couple of takeout options they're deciding between, and trying to pretend she's fine, she smiles and gives her opinion picking one of the options. Great choice! Dirk says as he announces what he wants from the menu. After they decide what they want, Dirk says that he wants to get to know Angela better -- why doesn't Sammy go pick up the food for them? He's a big, strong boy. Angela shoots a quick, worried glance over to him before catching herself. After all, Dirk continues, isn't the whole point of their trip over here for him to get to know her better? It's a perfect chance for them to bond a little... and swap embarrassing stories about him, Dirk jokes. Ha-ha, Sammy says with playful sarcasm, but that's not a bad idea -- what about Angela, he asks her, would that be okay with her? She steals another glance at Dirk who meets her glance and shoots her a knowing look. Um, sure, she guesses that's fine! she says trying to mask her discomfort. But is Sammy sure he can carry all the food back himself? Sammy says yeah, no problem, and she looks a bit disappointed but tries not to show it. Okay, she says, well hurry back! She doesn't want to miss him for too long! 'Haha, isn't she great?' Sammy says to his brother as he grabs his keys and heads towards the front door -- be back soon, he calls out and waves back to them.

Once the front door closes, Dirk casually asks Angela how long she's known Sammy. She says it's been two years. Well, she certainly puts on a good act, he remarks. Angela tries to play innocent, saying she has no idea what he's talking about. He tells her to cut the crap, seeming much less charismatic than before and more authoritative. He's a police officer in case she forgot, he says sarcastically while gesturing at his uniform, did she think he wouldn't find out about her past? Angela scowls and says he's a pig, but Dirk just smirks. He gets called that by perps all the time, so he's used to it.

She shrinks back a bit, and asks how he found out about about her. He explains that it was easy, she's plastered all over his brother's social media so he had no trouble getting her last name, and from there he just used... certain work resources to look her up, there was no way he was going to let his brother get so serious with a girl without doing a little digging. Is that even legal? she asks nervously. He chuckles and avoids the question -- she's one to talk about what's legal, with a past like hers, stretching even from juvie to jail after she turned 18. Theft? Armed robbery? Solicitation? She was a busy little beaver, he jokes, or at least had a busy little beaver. That was a long time ago, she protests, she cleaned up her entire life, she's different now. She's changed! He's heard about rehabilitation, right?

Is that so? Dirk smirks. Yes, Angela says desperately, she swears it! Dirk asks, so then surely she TOLD his younger brother about her past then, right? Angela looks nervous -- well, no, not exactly, she admits. Dirk looks proud of himself, and says he didn't think so. Angela pleads for him to try to understand, that's all in the past, she's not that person anymore! Dirk says he's not so sure, if she's lying to her own fiance then who knows what else she's capable of doing. She insists she didn't think any of that mattered anymore! Dirk corrects her -- she means she didn't think Sammy would find out, she means. If she really didn't think it mattered, she'd have told Sammy. But what if she finds out about aaaaall the random men she's slept with, all the dirty filthy things she's let perverts do to her, and how she lied about it all along... is she worried he might think less of her -- or even, might not want to marry her anymore -- if he finds out? Angela says of course he'd still want to marry her, they're in love, but she doesn't sound convinced of that herself. Dirk laughs and says that's the worst lie she's told yet. She's completely terrified of Sammy finding out. Which means she'll do anything for Dirk to keep her secret -- and there's only one thing that he wants, he says while grabbing at his package.

Time's ticking by, and she can kiss his blessing goodbye - not to mention risk losing her fiance entirely - if she doesn't do what he wants. Reluctantly, she agrees to do it, swearing it's for Sammy's sake. At least SHE cares about Sammy! Sure thing, Dirk says as he whips out his dick, whatever she has to tell herself to rest easy at night.

Nominated - Best Sex Scene -- Taboo-Themed: Alina Lopez, Reagan Foxx & Brad Newman, XBIZ 2020

LIKE MOTHER, LIKE DAUGHTER
VINDICTIVE TEEN REVENGE FUCKS STEP-MOM'S NEW BOYFRIEND

A woman, Marlene (Reagan Foxx), is fussing about the living room nervously, straightening the couch cushions, re-facing the decorations on the fireplace mantle and the coffee table, etc. when her boyfriend, Tom (Brad Newman), comes up behind her and puts his hands comfortingly on her shoulders. Just relax, he tells her, come on, sit down, she just needs to breathe and not stress out so much. He leads her to the bay window and sits down, taking her hands in his and gently pulling her down to sit too. She tells him she can't help but be worried - this is her one chance to reconnect with Alyssa (Alina Lopez), and she doesn't want to screw it up. Tom tells her not to worry, he's sure her step-daughter is ready to make amends. Why else would she have accepted Marlene's invitation after all this time, if she still held a grudge? Marlene supposes that Tom's right, and puts her hand on his cheek. Either way, she's glad he was willing to stick by her side this whole weekend, otherwise she'd be an emotional wreck. He didn't have to do that. Tom kisses her hands and tells her of course, he'll always support her no matter what. She knows that.

Their tender moment is interrupted by a car pulling into view in the driveway just outside the bay window. That must be her, Marlene says a bit scared. Tom puts his hand again on her shoulder and gives it a quick rub. She can do this, he reassures her. She nods and looks back out the window where a young woman has stepped out of the back of the car, a travel bag in tow. She lifts her sunglasses and takes a sweeping look around the large mansion-like house with a cold, inscrutable look on her face, before putting her glasses back on her face and closing the car door behind her. The car pulls off as Marlene straightens up and moves out of the living room towards the door to greet the girl, wringing her hands nervously as she walks. Tom follows.

'Alyssa, dear,' Marlene says solemnly as she opens the door and holds out her arms to welcome the teen. 'I'm so grateful you finally decided to come, it's been so long. TOO long.' She continues to hold her arms out but it's clear Alyssa has no intention of reciprocating the gesture, she stops short several inches from Marlene's reach. 'Hello, mother,' she says coldly, not betraying any signs of emotion behind her sunglasses. She turns her head to Tom who is standing a couple of paces back from Marlene, looking a bit awkward and trying not to intrude. 'You must be the boyfriend,' she says to him. He smiles and introduces himself, holding out his hand to shake hers. Bemused, she gives the smallest of smiles as she hands off her bag into her mother's hands without even looking at her, and then takes off her sunglasses. She shakes his hand, and he tells her Marlene has told him so much about her, he's been really looking forward to meeting her.

Pulling back his hand after a firm shake, Tom looks a bit surprised now that her sunglasses are off. Wow, he remarks, the two of them really do look so much alike - if Marlene hadn't told him, he would have sworn that they were real, flesh-and-blood mother and daughter. Alyssa says that that's the ONLY thing the two of them have in common. Tom says come now, he's sure that's not true, he bets that Alyssa is a perfectly wonderful and charming young woman. 'Exactly,' Alyssa says pointedly as she walks forward past Marlene to Tom, taking the sunglasses still in her hand and slipping them into his shirt's breast pocket. She walks past him into the house. 'Coming, mother?' Alyssa calls back from inside the house. Marlene looks over worriedly at Tom, and he tries to reassure her again while rubbing his palm across her back, although he's not quite as brimming with confidence as he was earlier. She's just 18, Tom reminds her, all teenagers are moody and sarcastic. She still came, didn't she? Marlene supposes he's right, and Tom winks saying he knows he is. He heads into the house. Marlene lets in and out a long sigh to calm herself, and then heads inside.

TITLE PLATE

An hour or so later that day, Marlene brings some freshly baked cookies to the table where Alyssa is on her laptop. As Marlene nears, she tells Alyssa that she's baked her favorite. Alyssa looks down at the tray with disdain and disinterest and then back to Marlene. Cushy place she's got here, Alyssa says gesturing at the big house. Guess her decision to cut and run on the family after Alyssa's dad died paid off.

'Alyssa,' Marlene sits down gently and begins to pour her heart out - she must understand, she never meant to hurt Alyssa or her siblings. Her husband had just passed away, she was grieving, in shock. She didn't know how to cope. She figured the family would go stay with their real mother - his ex-wife - and her new husband... so Marlene didn't feel like she was abandoning them. If anything, she thought they would be better off. She was never planning on leaving them forever, she just needed some time to heal. But that's not an excuse. She realizes now that that was the wrong thing to do, that it must have doubled the sense of loss the family had felt. She's truly sorry, and she's been trying to make amends ever since. All of Alyssa's other siblings have since forgiven her, why can't she?

Alyssa sits up slowly, and for a moment she looks sincere with a sympathetic expression on her face. She starts to slowly reach out across the table to Marlene, and seeing this, Marlene starts to reach out too to meet her in the middle. But at the last second, Alyssa fakes her out, and picks up a cookie from the table between them. She picks it up and bites into it. 'Thanks for the snack, mom,' she says snidely as she gets up and walks away from Marlene, who sits there looking devastated.

Later that day, Tom goes to check on Marlene who has retreated to the kitchen and is desperately trying to distract herself with chores. He starts to tell her that Alyssa FINALLY decided what she wanted to order for take-out, but then stops when he sees that his girlfriend looks sad and distant. Tom comes up to her and asks if everything's alright, and Marlene turns to him and lets him wrap her into a supportive hug. Things don't seem to be going well at all, Marlene confesses as she pulls out from the hug, she's been trying all day to connect with Alyssa but she just keeps ignoring her, or worse. No matter how much Tom has pointed out that Alyssa still agreed to come, she still seems to be holding a grudge. She doesn't know what else to do anymore. Tom tries to reassure Marlene that maybe it's not her fault, maybe it was just too soon. Alyssa's still a teenager, after all, whereas her siblings are now in their twenties. Maybe it'll just take some time. But he insists that Marlene at least is trying, and maybe Alyssa will remember that someday and come around. Marlene gushes and remarks that Tom always seems to know just the right thing to say. Then this gives her an idea - maybe HE can talk to Alyssa. Tom confesses he doesn't know if that's such a good idea. But Marlene points out that Alyssa at least seems to be engaging with Tom, she's been following him around all day and the two of them seem to have a good rapport, she clearly likes him better than Marlene at any rate. Could it hurt for him to try to talk to her? Tom is about to say he is not sure about this, but he sees how desperate Marlene is for this to work out, so he hesitantly says he'll at least give it a try.

Tom arrives at Alyssa's open door, where Alyssa is lying on her bed listening to music through headphones while browsing on her cell phone. He sits on the edge of the bed and nudges her foot to get her attention. She removes the ear buds and looks up at him expectantly, and Tom says he wants to talk to her. Alyssa has a knowing look on her face, and she gets up to kneel on her bed, her bent legs spread wide open towards Tom. 'Fire away,' she says suggestively.

Tom clears his throat uncomfortably. Look, he starts, clearly she has no interest in accepting her mom's apologies, and if he had known that she would behave like this then he never would have reached out to her to encourage her to come. But now that she IS here, can't she at least be...? Alyssa puts a finger up Tom's lips and shushes him. She says she never came here for her mom's sake in the first place, she came here for Tom's. Tom is confused - for his sake? Alyssa starts leaning towards him even further, holding herself up on the bed on her fours like a cat on the prowl. She says that she's seen the pictures of him and her mom, and he seems like a nice guy. A big, STRONG, nice guy she says as she spiders her fingers up his biceps, making him flinch. And she likes making nice guys happy, she concludes. In fact, she's very GOOD at making guys happy.

Tom swats her hand away - what the hell is she doing? Alyssa pouts and says she just wanted to make him happy - that's why she came, after all. Wasn't that why he reached out to her, why he BEGGED her to come? Tom insists that she knows that's not why. Alyssa says yeah, sure, he wanted them to resolve their differences so Marlene could be happy and blah blah blah. But at the end of the day, that's not what he reaaally wants, she teases him, he just wants what any guy wants. She unbuttons the top buttons of her blouse and lowers it down past her shoulders. Tom orders her to stop and put her shirt back on. Alyssa tells him she doesn't want to stop, she's having fun, and points at his crotch saying it looks like he's having fun too, a LOT of fun from the looks of it. No wonder her mom likes him.

He leaps off the bed. This was a huge mistake, he says, and moves to leave. Go ahead, leave, Alyssa taunts him. She'll just keep acting worse and worse all weekend until Marlene is so miserable she's finally had enough and kicks her out, and then Tom can pick up the pieces. But if Tom wants her to behave, she says in a flirty tone as she moves her hand towards her crotch, he's going to have to MAKE her behave. She starts rubbing her hands on her body over her clothing, and lets out a fake moan. Stop it! Tom hisses at her quietly, her mom's going to hear her. In response, she just moans louder. Shut up! Tom hisses and moves to cover her mouth with his hands. Alyssa pulls away and giggles sadistically. Make me, she says. She starts moaning again, even louder, and Tom looks back in fear to the hall outside. Distracted, desperate, panicked and (although he hates to admit it) a little turned on, Tom turns back to Alyssa and says he'll make her, alright. He then does the only thing he can think of to get her to stop, he kisses her fiercely, grabbing her head with both hands. Alyssa encourages him, urging him onward.

Tom hate-fucks Alyssa, though Alyssa enjoying making him squirm. At times Tom panics about Alyssa getting too loud and tries to get her to be quiet. Eventually Tom gets so into it he stops paying attention to how loud they're being...

The door slams open and a gasp is heard behind them. Tom looks over in horror as Marlene stands in the doorway in shock. 'Tom?!' she says horrified, 'How COULD you...?!'

From under Tom, Alyssa pokes out and gloats that it seems like Tom's chosen her daughter over her. Tom tells her to shut up, and tries to plead with Marlene that it's not like that, but Alyssa keeps goading them, saying that it was probably a huge turn-on to find out there was a hotter, younger version of his girlfriend. No, Tom insists, he loves Marlene! Alyssa tells Marlene, who's still speechless, that Tom in fact was the one who contacted her and convinced her to come this weekend. Marlene looks in shock over to Tom - is this true? Tom is flustered and tries to explain, yes, it's true, but it's not how it sounds...

Tom is stumbling over his words and Alyssa cuts back in. Now her mom knows what it feels like to be betrayed and abandoned, hm? But this weekend is all about making amends, and Alyssa would be willing to share if Marlene is desperate enough for love to get fucked by somebody who just cheated on her with her own daughter. Better than ending up alone, isn't it?

Tom begs for the chance to explain but Marlene just sits on the bed in shock. Keep fucking her, she tells Tom in a resigned voice. Tom looks at her perplexed and whispers 'What?!' and Marlene looks at him with sad eyes. Just keep fucking her, she says, he clearly wants to. He tries to protest but Alyssa takes the lead and starts grinding against his dick again, causing him to moan uncontrollably. Didn't you hear her? Alyssa says to Tom, Marlene wants them to keep going!

BIRTHDAY SURPRISE
DEVASTATED BIRTHDAY GIRL LEARNS FROM FAMILY THEY'RE NOT HER BIRTH PARENTS

SCENE OPENS on Penelope (River Fox) brushing her hair and staring off while overhearing her parents, Debra (Sarah Vandella) and Frank (Tommy Gunn), arguing in the kitchen. Debra and Frank are in a heated argument. 'What did you THINK was going to happen? That she was going to get on her knees and suck your dick right there in front of the birthday cake?' Debra exclaims to Frank, who looks abashed. What was going to happen to their plans of raising and preparing Penelope so that they could turn her into a sex slave when she was 18? When was it going to be THEIR time to have some fun?

There's a flashback to a tracking shot from over the shoulders of Debra and Frank as they carry a birthday cake with numbered candles from the kitchen into the living room where Penelope is sitting in the center of couch with her hands on her lap and a cute, innocent smile on her face. Debra and Frank sing Happy Birthday as they carry the cake forward. They ceremoniously place the cake down on the coffee table in front of Penelope just as they reach the last notes of the song.

There's another flashback to the present day where Debra's telling Penelope that they've been trying to have a baby for YEARS and had four miscarriages. Adoption WAS an option but with Frank's record and their poor finances, it wasn't feasible. The hospital was so big and they were sure no one would miss Penelope... They just wanted a baby of their own so badly...

Penelope stops brushing her hair and grins slightly to herself as her parents' words echo in her head.

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Penelope moves to the kitchen, asking if she's interrupting anything. Debra insists that there was just something on Frank's shirt. Penelope tells them that she overheard everything and now knows what they've been planning to do to her this whole time -- they just wanted to use her for sex!

Instead of being disgusted, Penelope saunters forward and rubs the front of Frank's pants while addressing Debra, 'You've been taking THIS the whole time, Mommy?' gesturing to his big dick. Penelope then moves to Debra and rubs her breasts, saying, 'You've been sucking on THESE the whole time, Daddy?' Penelope looks seductively between them, then insists that they BOTH show her how it's done...

CALL WAITING
BABYSITTER TEEN LIES TO BOYFRIEND OVER PHONE WHILE CHEATING ON HIM WITH CLIENT'S SON

SCENE OPENS on a teen girl Bianca (Jane Wilde) in a kitchen with her cell phone to her ear. She's chatting with her boyfriend Ethan. She is giggling wildly and gasping at the outrageous things he's saying on the other end of the line, which seem like provocative sexual advances. Bianca clearly loves the chase and is playing hard to get, telling him playfully to stop, he's so bad, she isn't even at her own house! He says he doesn't care but she remarks that he's just saying that now because he's horny. 'Am I horny too?' she repeats his question, and teasingly answers maaaaaybe a little, with an innocent grin as she moves into the living room and slips off her skirt, revealing her tiny thong and tight ass. She assures Ethan it's fine, the family she's babysitting for aren't due back for hours, she can be as loud as she wants. 'Oh yeah? I bet you are!' she responds to an unheard statement. She lies down on a living room chair and starts lightly tugging at the crotch of her panties, loosening them around her body. Her fingers push aside the loose fabric to reveal a glimpse of her pussy. Her fingers hover over it in anticipation. Bianca starts moaning a bit and says 'Yeah, I want you to do everything to me baby...' and slips off her panties, gently pushing a finger in with a light gasp. She dirty talks with her boyfriend over the phone as she rubs her wet pussy. Soon, things get more intense, and just as she's about to cum a young man, Seth (Jessy Jones), rounds the corner into the room and swears in surprise, demanding to know what the fuck is going on. Bianca gasps and swears loudly in surprise, and scrambles to cover herself. In a panicked voice she tells her boyfriend she'll have to call him back and hangs up suddenly.

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She tosses the phone down and scrambles to pull up her panties and cover herself. She begins to try to apologize and explain herself, how she didn't think anybody else would be home, while at the same time Seth shouts over her what the fuck does she think she's doing, this is someone else's house. The sounds of their argument start to get drowned out as the camera pans away from them slowly and narrows in on the phone. We see on the phone display three texts are received in a row at rapid speed - 'Babe, what happened?' / 'What's going on?' / and finally 'u ok?! Call me.' As she hastily puts her panties back on, Bianca asks him what he's doing there. Does he live here or something? Seth explains that this is his dad's house, he's in college now but he comes back to crash for a weekend once in a while. But he shouldn't have to explain himself to some sixteen-year-old brat who he just caught fingerbanging herself in his parents' living room, he says angrily, tossing Bianca her shorts. Bianca huffs up and says she's 19 years old. Seth says that if that's true then she's old enough that she should know better. He tells her to get the fuck out of here. Bianca asks him to wait, and begs him not to tell his parents about this. Seth laughs in disbelief and asks why shouldn't he? Bianca says that word travels fast in the neighborhood. Her reputation would be ruined, not just as a babysitter but at school too. Her parents could even find out. Her life would be over!

Seth says that she should have thought of that before her little phone sex hotline action. Bianca protests - it wasn't a phone sex hotline, it was her boyfriend and they love each other. Seth can't help but laugh. Bianca asks what's so funny, and Seth says he can't tell whether it's cute or disturbing how naive she sounds right now. She's not even 20 and she's talking like she found her soulmate for life. Newsflash, it's only a matter of time before the two of them break up. Bianca is insistent, they DO love each other and Seth doesn't even know her, he has no idea what he's talking about. Seth perks up and says he can prove it. He'll make her a deal - he'll promise not to tell his parents what he caught her doing if she has sex with him.

Bianca is shocked and insulted, how could he ask her to have sex with him?! He's being disgusting! Seth shrugs and says that it's ok, they can just see what her parents and her friends think of her little indiscretion. Bianca thinks for a moment, and realizing what's at stake, takes in a deep sigh and says 'fine, but make it quick' before swearing under her breath and kneeling in front of him. He pulls out his massive dick from his boxers and tells Bianca to look him in the eyes as she starts to suck it. She sucks on his cock, desperate to make sure that he won't tell anyone. He leans in to kiss and Bianca refuses, saying that she may be doing this but she still loves her boyfriend and won't kiss Seth. Seth reminds Bianca about the bargain and that he could just as easily stop right here and tell everyone the truth. Bianca stares daggers at Seth but eventually relents and lets him kiss her. As Bianca gags on his hard dick, she gets a text and pulls away from Seth to answer it. Seeing that it's her boyfriend, she swears loudly. Seth doesn't give a fuck, and pulls her head back towards his dick, telling her that she needs to suck better than that or he'll answer it. But her boyfriend just keeps calling, and eventually Bianca has to answer it or he'll get suspicious. Committing the ultimate betrayal, Bianca lets another man spread his seed inside her as she dirty-talks her unsuspecting boyfriend over the phone.

DAUGHTER SLUT-SHAMING
FATHER DISCIPLINES BRATTY STEP-DAUGHTER FOR HAVING SEX WITH STRANGERS

SCENE OPENS on a vestibule in the early hours of the morning, where 18-year-old teen Veronica (Emily Willis) is trying not to make any noise as she sneaks through the door. After a night of partying, evident by her slightly disheveled look and party clothes, the teen is being careful not to wake her dad. She holds her heels in her hands to make less noise, and starts tiptoeing into the hallway. She makes her way into the kitchen, where she grabs some headache pills for her already developing hangover. Rounding the corner, she's shocked to see her stepfather Hugo (Steve Holmes), holding a cup of coffee. He has a stern look on his face and a rigid posture. Veronica is embarrassed to have gotten caught but tries to play things cool -- 'hi daddy,' she says sweetly, 'uhh, how long have you been up?' He says long enough to see that she didn't rest in her bed last night. She tells him that she was studying at a friend's house and slept over. Skeptical, he picks up the bottle of pills, saying that apparently math gives her a headache. Veronica sticks to her story, but Hugo isn't having it, and slams the pill bottle onto the counter angrily as he demands to know what's going on. Reluctantly, Veronica admits that she was out late at a party.

Uncomfortably, clearly not eager to say what she has to say next, she says that she needs a ride to the pharmacy. He asks what for. She winces. She confesses she needs to buy some morning-after pills -- she got a little wild at the party today. Hugo takes a deep breath, trying to keep his cool. Who was the boy? Veronica is very nervous, and admits she doesn't exactly know... some guy at the party, she didn't get his name. Hugo looks furious, and starts yelling at her - she lost her virginity at a party to a complete stranger?! That's incredibly irresponsible! Veronica begrudgingly corrects him, 'well.... not exactly... I sort of... well, I didn't lose my virginity tonight, that is.' Hugo looks at her stone-faced and incredulous. 'How many times have you had sex?!' he asks. She turns her head and doesn't answer. He grabs her by the wrist and insists she looks him in the eye. 'How many guys have you slept with?!' he repeats. Humiliated and close to tears, she reluctantly meets her step-father's glare. 'I've sort of... lost count.' Something snaps inside Hugo. He takes a deep long angry breath through his nose, and then exhales. He grips Veronica's throat and starts walking away, pulling her along with him. She resists being pulled -- 'what are you going to do to me, daddy?!' she cries out. Throwing her onto the living room couch, he leans in menacingly. 'I'm going to treat my step-daughter like the slut she is.'

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Standing above her, he looks her up and down for a moment. He tells her that she's been acting like a brat so he's going to treat her like one, and discipline her just like when she would act bratty when she was younger. He asks patronizingly if she remembers what that means. 'You want to SPANK me?!' she says in alarm, shrinking from his angry glare. She's 18 years old now, she pleads, he can't do that anymore, she's an adult. It's weird. It's GROSS. Hugo argues back, she certainly isn't acting like an adult. She's acting like a brat who needs to be taught a lesson. If she wants to live under his roof, she has to abide by his rules. She does want to keep living under his roof, right? Reluctantly, she says yes. She doesn't want to be kicked out, right? Begrudgingly, she answers back no. Then she's going to do what he says, right? Through gritted teeth and holding back tears, she says yes, she'll do whatever he says.

He tells her to take off her pants, it's time for her punishment. He instructs her to turn around. She does, and we watch from a male gaze POV as she takes off her pants slowly and reluctantly. She looks back at him with a betrayed look before also taking her panties off slowly. She stands there for a moment uncomfortably. Finally, he coldly instructs her to come bend over on daddy's lap.Lying across her step-father's lap, ass up in the air, Veronica winces and braces herself for the spanking. Hugo starts first by taunting her, rubbing his palm in circles across the circumference of her ass for several seconds, before starting off with a sharp smack. Veronica lets out a yelp from the pain. He rubs more circles with his palm before slapping the other cheek once as well. Incredulous at the size of her skimpy panties, he rips them off and proceeds to mercilessly spank his daughter while she begs for his forgiveness. He is cruel and taunting, insulting her while expressing his disappointment in her. He tells her that her mom would be appalled if she was still with them. He tells her that he didn't raise his daughter to be a disgusting slut and demands to know how many men she's fucked, spanking her ass hard for every man she's been with.

As he spanks her furiously, Hugo spreads her ass cheeks and repositions her legs to get better views of her pussy and asshole on his lap. At this point she feels something hard pressing into her body, and squeals with disgust 'Ew, are you hard right now, dad?!' She struggles on his lap and protests that it's sick that he's getting hard from spanking his own daughter. He hasn't gotten laid since her mother died, and he could use a warm hole. Hugo tells his step-daughter that she's going to be his warm hole now, whipping out his hard dick. Veronica is shocked -- no fucking way! He's taking it too far, it's disgusting. Hugo points out that just earlier, she was asking him to treat her as an adult. What could be more adult than fucking? She starts to protest, but he reminds her that she should think twice about standing up to him if she still wants a home to come back to after her nights of partying. Hurt and reluctant, she asks what she has to do, and begrudgingly agrees to do it. Veronica's about to find out that her stepfather is just getting started shaming his slut daughter.

THE LUCKIEST GUY
NYMPHO WIFE DOUBLE CREAMPIED BY STRANGER & UNSUSPECTING HUSBAND

SCENE OPENS on a married couple Vanessa (Liv Revamped) and Carl (Donnie Rock), sitting comfortably at a restaurant with a plate of mostly-eaten food and a pair of scotch glasses almost empty, with only the remnants of melting ice cubes remaining. It's clear they've been there for some time already. They are giggling and talking in low voices amongst each other, reminiscing fondly about a trip they took years ago together. Vanessa affectionately touches her husband often as they chat, her hand effortlessly resting on his shoulder, on his hand, on his lap, as she leans in. Clearly she's a warm, physical person. Carl is a bit stiffer, keeping his arms between his legs as he sits and blushing a bit whenever the conversation gets flirty, but he looks like he's having a good time as well. After a half-minute, the waiter Brayden (Michael Vegas) visits their table and asks if they're having a good time. He remarks that they look dressed for a special occasion, and the wife remarks it's their anniversary, holding up her ring with a smile. The waiter congratulates them and asks can get them anything more to eat. 'Oh, no,' the husband exclaims with a laugh, pointing at the plate and saying that they're still making their way through this one. What he doesn't notice is that the wife meanwhile has mouthed the words 'your dick' to the waiter, and then sexily picks up a long-shaped appetizer and licks the tip suggestively. Brayden looks taken aback, but tries to remain professional and ignore what he saw. Carl certainly didn't seem to notice. Brayden stumbles over his next couple of words, but eventually regains his cool and resumes the waiter small talk. He asks how long they've been married. Five years, they exclaim in unison. Vanessa remarks that the traditional anniversary gift for five years is... 'wood,' she says after a brief pause, and after catching Brayden's gaze her eyes move down to the waiter's crotch suggestively. Brayden coughs uncomfortably and his eyes flick to her husband as if to say 'he's sitting right next to you'. Oblivious, Carl remarks that Vanessa got him a gorgeous wooden chess board as a gift, and that he couldn't ask for a better present. Or a better wife. He feels like the luckiest guy in the world. Vanessa looks back to Carl and says something sweet in reply, touching him fondly on the shoulder as if completely innocent. Vanessa straightens up in her chair and says to her husband 'Darling, I think I'd like to spend a few minutes to freshen up a bit before we go back to the house. Um, 'Brayden'?' she says, reading the nameplate on his uniform, 'could you be a dear and top off my husband so he doesn't miss me TOO much while he waits?' Carl laughs warmly. Unbeknownst to him, as his wife goes towards the bathroom Vanessa signals for the waiter to follow her. She walks through the women's bathroom door with the camera following behind, and she confidently waits standing against the wall for several seconds until the door bursts open and the waiter charges into the bathroom. He moves straight towards Vanessa and they collide in a passionate kiss without word or pause.

CUT TO TITLE PLATEThey fuck hard and rough, a raw, frenzied bathroom quickie. Vanessa can't get enough of Brayden's cock and isn't concerned about her husband catching them. As Brayden fucks Vanessa, Carl knocks on the door to check in on his wife since she's been gone so long, which causes Brayden to panic, but Vanessa just motions for him to stay quiet and successfully convinces her husband that everything's fine and she'll be out shortly. She calls out 'I love you!' to Carl before pausing momentarily until he's gone, and then going right back to fucking the waiter. Suddenly, Brayden mentions that he's about to cum -- this catches Vanessa by surprise, and she looks a bit startled as he suddenly and unexpectedly creampies her.

Vanessa is grouchy as she lifts herself off his dick, and pulls some paper towel out of the dispenser to hastily clean up her creampied pussy -- she hadn't told him to cum in her, she complains. Brayden is defensive -- it's not like she had told him NOT to. She tells him to shut up and quickly checks her hair in the mirror before leaving him in the bathroom alone. She heads back to the table and smiles warmly at her husband, asking him if he's ready to head home. He grins innocently. When he gets his beautiful wife home, it's his turn to get lucky, as he sensually fucks Vanessa on their bed. Little does he know, he's not the first guy who's gotten lucky with Vanessa tonight...

ANNE - ACT TWO: THE ESCAPE

SCENE opens inside Mr. Hands' closet. Anne is seated, curled up in a ball, when she hears the knob slowly turn. The door opens, as Sally crawls in towards her friend, her bad leg dragging behind her. In a hushed tone, she tells Anne to stay quiet and they slowly crawl out together. Mr. Hands is passed out on his desk. As soon as the girls get out of the office, they quickly tip-toe through the common areas to the front door. Anne turns to thank her friend and Sally hands her Mr. Westfield's address. 'I copied it off the letter on Hands' desk while he was resting,' she says triumphantly. Anne hugs her friend. Sally smiles, reaching into her pocket and retrieving the necklace. 'Thought you might need this too,' she adds. Anne kisses her, before running off the property and into the night.

A car pulls up outside a large estate and Anne steps out, thanking the driver for letting her hitch a ride. It drives off leaving her to take in Mr. Westfield's mansion for the first time. It's the biggest, most luxurious house she has ever seen! But, as Anne looks down at her shabby outfit and dirty hands, she has a moment of self-doubt and starts to walk away when a gardener notices her. He calls out, asking who she is and Anne mumbles that she is here to see Ms. Farling. She is the orphan. Another gardener comes around the corner and notices her. He gives the girl a long look before using his intercom to call someone. 'Right this way,' he tells her, as both workers accompany the girl to the front steps.

A butler opens the door. He is very polished and handsome, dressed in a tuxedo. 'She is the girl that Ms. Farling told us about,' one of the gardeners says. The butler dismisses them before turning his eyes to the girl. 'You are the prettiest orphan I have ever seen!' He says. 'What is your name and how old are you?' Anne replies, and the butler extends his hand, inviting her inside.

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The Foyer. As the butler starts to explain the layout, Ms. Farling rushes into the room. She is still in her dressing gown and seems surprised that Anne is here alone. 'Sweetheart,' she says. 'I wasn't expecting you so soon. Is Hands still here? I have some papers for him to sign.' Not wanting to reveal what happened, Anne lies that he dropped her off at the gate but had to leave. Slightly agitated, as if expecting to have more time to prepare for the girl's arrival, Ms. Farling accepts her story. 'I see you've met Bruno, our butler,' she says, placing a warm hand on the butler's chest. He bows slightly. 'He will be at your service, morning, noon and night. But, let me show you the rest of the house. We have a lot to do today to get you prepared!'

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In a long tracking shot, the trio walk into the kitchen, where a CHEF is busy whisking in a bowl. She stops and stares at the girl. 'This is our personal chef, Mrs. Orchard,' Ms. Farling says before lowering her voice to a whisper. 'She is a little eccentric, but her food is delicious, I promise!' Anne laughs. They move to the living area, where a beautiful maid is extending herself to dust the tall corners of the room. Her stature is accentuated by a somewhat revealing outfit. 'This is Hilda, our housekeeper,' Ms. Farling says. The maid rushes over and gives Anne a warm hug, kissing her on each cheek. 'You are so perfect,' she says softly. 'daddy is sure to love you!' Anne looks up at Ms. Farling in confusion and the assistant grips her shoulders tightly. 'That's just what we call Mr. Westfield in this house,' she tells Anne. 'He is such a role model that I like to think of him as a father figure. It is very important to treat him with respect.' They keep walking, with the maid joining the group. Ms. Farling and the staff knowingly exchange glances, as Anne walks ahead of them innocently. They pass a darkened wing of the house, where a GAURD is standing watch. 'Who is that?' Anne whispers. Ms. Farling quickens her pace, explaining that this is daddy's office. He is inside right now, having a very important meeting and cannot be disturbed. That's why he has protection. Anne looks at the guard nervously. 'Come quickly,' Ms. Farling says. 'You are supposed to be a surprise for daddy ... and I don't want to ruin it.' They turn a corner and spot another well-dressed man. 'This is Michael, our driver,' Ms. Farling continues. 'He will take you wherever you wish to go. We have 12 different cars on the property.' Anne says hello shyly while the handsome driver kisses her hand and introduces himself. He joins them, and they move the tour upstairs.

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The second floor. As Ms. Farling explains the house's various features and rules, Anne looks around at the staff following them. They are all smiling at her intently. It makes her a little uncomfortable, mostly because she has never had so much attention focused on herself. She sticks close to Ms. Farling and asks the assistant if she really thinks that Mr. Westfield can help her find her real parents. The assistant stops and curtly reminds the orphan that, in this house, he is not Mr. Westfield. He is daddy. She must not forget that. It is a very important rule. Anne apologies but Ms. Farling cuts her off. 'There is no need to apologize, my darling. We are all here to help make sure you give off the best possible first impression tonight when you meet him,' she says. 'I know he is going to be so surprised when he sees that I've brought him a beautiful girl!' Anne looks down at herself again and mutters about not feeling very beautiful. Ms. Farling assures her that it is their responsibility during her stay to ensure she is treated like a princess. Anne should enjoy all the spoils of being at home here -- just as if she were daddy's real daughter. 'And then we can look for my parents?' Anne asks. Ms. Farling nods, adding that if anyone has the right connections to find them, it will be daddy. The staff eye each other and the girl lustfully.

'What would you like us to do first, Anne?' the butler asks, putting his arms on Anne's waist. 'We will do anything you want!' adds the driver. Ms. Farling smiles as the maid grabs Anne's shoulders from behind. 'How about we get you cleaned up?' She says, whispering in her ear. Anne gulps before slowly nodding and telling them that a shower would be nice. 'I think you're really going to like it here!' The assistant says warmly, leaning in to kiss the young orphan on the cheek.

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The bathroom. Anne is naked in the shower, being washed by Ms. Farling and the maid who have taken off their clothes to join her. She seems very awkward at their touch but is trying to fit in -- she wants to like it here. She needs to like it here. As they sensually scrub her body, Ms. Farling tells the orphan all about their boss. He is such a high-profile, busy man that he has never settled down or had a family of his own. When she began planning this charity event, she knew it was a perfect opportunity to change that. She wants to give daddy a feeling he's never been able to enjoy, despite his success. Ms. Farling seems so proud of her plan that Anne doesn't want to bring up her parents again. It might seem rude. But, that's all that she can think about. The women continue to stress the point of making a good first impression to daddy, so much so that Anne becomes very visibly anxious about it. The maid asks the orphan if she is OK and, after some coaxing, Anne admits that she's nervous to meet him. She's never been given so much before and she doesn't want to screw it up. Ms. Farling starts to steer the conversation towards how she and her staff deal with stress. They help each other relax, in every possible way. Taking a cue from the assistant, the maid chimes in to ask if Anne has ever enjoyed an orgasm. Anne confesses that she's never had one -- she won't admit what happened with Mr. Hands, but she alludes to having had a past negative experience. The women are surprised and insist that they help her -- especially if she wants to be relaxed for this evening. After a bit of coaxing, Anne agrees. She trusts the women. The maid and Ms. Farling work together to make Anne cum before leading the overwhelmed girl out of the shower where the butler and driver are waiting. They dry her off and then ask permission to make her orgasm too. Anne hesitates again but Ms. Farling reiterates the importance of what they are doing. They are only trying to help her prepare for tonight. 'And you really think that daddy will be able to find my parents?' Ms. Farling says yes, and Anne ultimately agrees. She has come so far already, she can't stop now. The staff take turns having sex and pleasuring her.

After they have finished, Ms. Farling dismisses the others, so she can help get Anne dressed. Excited at the prospect of giving daddy his surprise, the assistant proclaims she has the perfect outfit set aside!

CUT TO:
The dining room. Anne sits at a beautifully appointed table, wearing a stylish red dress and looking like the opposite of the orphan who arrived just hours earlier. The entire staff is also seated but the head of the table remains empty. After a long, awkward pause, daddy bursts into the room flagged by his guard. He is on his phone with his lawyer, clearly in a very bad mood, and pays no attention to the girl sitting beside him. The staff look at each other anxiously. Slamming his phone down, he demands to know what's being served as the CHEF ladles some soup into his bowl. 'Roasted carrot with crème fraiche,' she replies. daddy makes a face and starts eating, as he tells Ms. Farling to go over his itinerary for the rest of the week. His assistant pulls out her tablet and starts to break it down for him while Anne twitches in anticipation. At a certain point, daddy looks over and notices her. 'Who the hell is this kid?' He asks his assistant gruffly. Ms. Farling reminds him about the upcoming charity event he's hosting and how she was tasked to bring in an orphan to spend the week with him as part of the publicity campaign. daddy looks Anne up and down before replying that he thought she was going to get a child. 'How old are you?' He asks. Anne replies meekly that she is eighteen. daddy grunts and tells Ms. Farling that a teenage girl is the last thing he needs in his house. Ms. Farling protests, advising him that it would be a nice idea to have him spend some quality time with a nice young woman, since he isn't married and never had a daughter. He stares at her coldly without responding. 'Besides ...' she nervously adds. 'It will look very good for your image, daddy. It will show the public a softer side to the Westfield empire and, hopefully, downplay some of the recent rumors...' daddy mulls this over before finally agreeing and asking for the next course.

While everyone eats their meal, Ms. Farling keeps encouraging Anne to talk about herself. She tells the businessman all about her life in the orphanage, the other girls she grew up with, and how happy she is to have been chosen to represent him as his daughter for the week. daddy remains cold despite all her efforts to charm him and the staff are so preoccupied with making sure the pair get along that is causes a lot of tension around the table. Finally, daddy excuses himself for bed and leaves abruptly, accompanied by his guard. Anne is crestfallen.

'He hates me, I just know it!' She says pitifully. 'Please don't send me back Ms. Farling ... I'll do anything to stay!' Hugging her tightly as the rest of the staff solemnly clear the table, Ms. Farling tells her not to give up. She will make sure Anne is not sent back to the orphanage. But, she needs her to be a little more convincing. daddy has a hard shell, but he is soft on the inside. All he needs is to feel like he is in control of the situation. That's how he runs his business. Anne asks what else she can do and, helping her to her feet, Ms. Farling suggests she go and say goodnight to the man - alone. If she can prove what a good girl she is, daddy will surely want her to stay and help her find her parents. As Ms. Farling accompanies Anne to the stairwell, she reminds her of how good the staff made her feel earlier. Anne nods nervously. 'That is how daddy likes it too,' the assistant adds. 'Remember that!' They walk to daddy's door, where the guard is standing. Ms. Farling tells him that Anne is going in to say goodnight and he lets her pass. She glances back at Ms. Farling, who shoos her in with a final look of encouragement. When she disappears, the assistant turns back to the guard and tells him to take a break. She needs to monitor this herself. The guard flashes her a quick smile and speaks for the first time. 'Bringing him a teenage orphan ... that's low even for you, Farling!' he jokes. 'Yes,' Ms. Farling replies curtly 'I know. But anything is better than the hookers at this point!' The guard walks off, leaving the assistant alone at the door.

CUT TO:
daddy's bedroom. The man is under the covers, in his pajamas, and on his phone when Anne enters timidly. 'What are you doing in here?' He demands, shocked to see her. 'Nobody comes in my room without my permission!' Anne, putting on a brave face, marches over to the bed and tells him that she wants to say goodnight. They may have got off to the wrong foot downstairs, but she wants him to know that she is the best possible orphan for his charity event. daddy is not amused. He asks if his assistant put her up to this. 'That woman is always meddling in my private affairs,' he grumbles. Anne bites her lip and sits down on the bed boldly. 'Now listen daddy,' she says. 'You are rich, powerful, and very intimidating. When I walked into your house today, I knew I had walked in to somewhere special. And I'm going to be the greatest daughter you've ever dreamed of -- even if it is only for pretend!' daddy cuts Anne off and gets right into her face. 'I don't need a daughter,' he replies. 'I just need a photo op!' Anne shrinks back. She mumbles something about being a good girl. daddy laughs. 'When I want a girl, I hire one. I don't want to be your fucking parent!' He barks, turning back to his phone. 'Now get out of here before I call security.'

Anne slowly gets off the bed and starts towards the door, crying. She knows that daddy is the key to her future, to finding her real parents. If she leaves now, she leaves with nothing. Like Ms. Farling said, she just needs to convince him. Something inside her snaps and Anne spins around. 'You're wrong!' she screams, storming back to his bedside. 'You do need someone to love. Not someone you have to pay for; someone who will worship you and respect you!' She breaks down before him, twitching in her red dress. 'I have spent eighteen years searching for my parents. They abandoned me. But you won't!' daddy doesn't know what to do. He tells the frazzled girl to away from him. She's a god-damn kid, what will the press think? Anne starts to cry in a panic. 'They will think I am going to be your new daughter. I promise to be a good girl for you. I promise you will come to love me ... if you just give it a chance. I will do anything you ask, daddy! BUT I'M NOT LEAVING THIS ROOM!' She starts to climb on the bed towards him as he shrinks back, yelling for Ms. Farling. 'She only wants what's best for you too,' Anne continues pleading. 'Just give me a try, daddy... I need your help!' daddy gets very angry and leaps out of bed to physically escort Anne out. She kicks and screams as he struggles to carry her to the door. In desperation, she starts to kiss and grab at him too. They struggle before he throws her back on the bed. 'Are you making a pass at me, little girl?' He growls, towering over her. 'Because I will tear you up!' Not knowing what to do, the tear-streaked orphan tells him yes, if that's what he wants. He can do whatever he wants to her if he will just let her stay and help her afterwards. Her constant advances awaken something inside of daddy and the icy, distant man rips her dress off. Staring down at the naked girl, he reveals himself and tells her to suck it. It's been days since he could hire a girl anyway.

The harder he pounds; the more Anne calls him daddy and begs for him to accept her. She slowly breaks the man down. His hate fucking slowly turns into passionate sex, with the pair kissing and acting lovingly by the time daddy cums inside of her. Their sex is INTERCUT with shots of Ms. Farling watching and masturbating from outside the door.

After they have finished, Anne kisses daddy and they share a tender moment. Ms. Farling enters and, giving her boss a knowing look, informs Anne that it is time for bed. 'You see, I always have your best interests at heart, don't I daddy?' She says and leads the naked orphan out of the room, holding her hand. The man falls back on his bed and a smile crosses his face.

CUT TO:
Anne's new bedroom. Ms. Farling tucks Anne in and kisses her on the forehead, telling her how proud she is of everything the young orphan did to prove herself. She knew Anne was special! Once alone, Anne says a short prayer to her parents. She tells them that she is doing everything she can so that one day they will be reunited. Hopefully. She snoozes happily, holding on to her broken heart.

Kristen Scott's rich husband won't stop ranting about his frugal and worldly twin brother -- not even during sex. When Kristen and her infamous brother-in-law (Keiran Lee) finally meet, she turns to him to fulfill her needs.

A FATHER UNLEASHED
UNCLE BAITS FATHER INTO DP'ING HIS STEP-DAUGHTER

SCENE opens on an 18-year-old girl and an older man, Darla and her Uncle Gus, laughing and small-talking as they are midway through enjoying a coffee at a sunny outdoor café. At Darla's feet are several bags from high-end shopping boutiques, the spoils of their afternoon out together. We close in on them to catch the tail end of an anecdote, where Gus is telling Darla yet another embarrassing story about her step-father in his youth. 'I can't believe Dad was so wild as a kid,' Darla laughs, 'he's so normal and boring now. You on the other hand...' She trails off with a wink and a laugh before taking another sip of her coffee. Gus chuckles and says 'Well, I was always a bad influence on him. Just like you're a bad influence on me!' he says, gesturing to the shopping bags at their feet, 'I spoil you way too much! But...you know I just can't say no to such a pretty face.' His compliment has a sinister undertone to it, but Darla is too enamored with her uncle to notice. 'You know,' she says after a time, 'my mom's out of town for a business trip all weekend, if you don't have any plans you should come back to the house with me. You haven't been over for supper in ages!' Uncle Gus's ears perk up at the invitation. He looks Darla up and down, hungrily basking in her features for a moment. 'That sounds wonderful!' he exclaims. 'Who knows, maybe we can get you to bring out a bit of that wild side in your dad too.'

CUT TO TITLE PLATE

Darla's step-father, Eric, is at his kitchen counter preparing dinner when Darla walks in, returning from her afternoon out. She greets her dad with a smile and starts setting down her bags in the kitchen. Eric is in the middle of greeting her and about to ask how her day was when his brother Gus steps into view. A few steps behind Darla, Gus leans nonchalantly against the doorframe to the kitchen, and gives his brother a smug smile. Eric's body noticeably tenses at the sight of him, and they share a look. 'Hello Gus,' Eric mutters. 'Long time no see, Ricky!' Gus says cordially. Eric winces and reminds his brother to call him Eric. 'What are you doing here, Gus?' Darla, not noticing the tension between them, casually explains that she invited Uncle Gus over for supper. 'With mom gone all weekend, I thought we could use the extra company!' she beams. Eric sputters and clears his throat, and eventually just says 'Fine.' He is clearly not happy. Gus strolls into the kitchen and pats Eric on the back. He starts telling his brother about their day out, and about all the clothes he bought Darla. He remarks that the girl's so gorgeous, she didn't try on a single item that didn't look stunning on her. 'In fact,' he says joyfully, 'Darla sweetheart, why don't you try on a couple of your new outfits for your dear old dad and I?' Darla gladly agrees, and heads to another room with a bag to change.

While Darla is out of the room, the tension breaks as Eric becomes less reserved and more angry. 'You shouldn't be here, Gus, if Marlene found out you were at our house...' Gus keeps his cool and seems to enjoy pushing his brother's buttons. 'Good thing she's on a business trip then, she never has to know I was here.' Eric blinks back, a bit deflated. 'She thinks you're a bad influence on me.' Gus laughs, bemused. 'Does she now... maybe she just doesn't know the real you then. Or maybe you haven't told her about all the shit we used to do together. Picking up random girls, fucking their brains out, sometimes filling up both their holes at once...' Eric winces as Gus brings up all his old exploits, those days are behind him now. He's a father now. 'Step-father,' Gus corrects. 'It's not like you've developed some kind of 'paternal instincts' or anything, I know the old wild Ricky is still in you somewhere.' Eric hears scuffling from the other room and shushes his brother, just in time for Darla to walk back out clad in a cocktail or clubbing dress and heels. 'Wow, beaaautiful!' Gus gushes, and he encourages Darla to pose in various positions while he goads Eric on. 'Doesn't she look amazing?' Eric watches stiffly and chokes out some one-word responses while Darla poses in her outfit and talks with Gus. After a minute or so, Gus suggests they see another one. Darla picks up another outfit and moves to walk out of the room when Gus says 'Darla, you can change here, it's no bother! We're all family here, right?' Darla shrugs, she supposes it's fine.

She starts removing her outfit. From over the two men's shoulders, we watch intently as Darla kicks off her heels and changes from her more elegant outfit to a skimpier one, a tight tee-shirt and short shorts. With a slight turn of his head, not enough to obstruct the camera's view, Gus turns to speak softly to his brother. 'Look at thaaat,' he mutters. Eric winces again. Gus begins describing Darla's features as they watch her change, putting emphasis on how young she looks. 'Don't tell me that doesn't bring out something in you, Ricky. I've watched Darla grow up, and man has she grown. You have eyes just like I do. I know you see it too.' Eric has a pained expression on his face, but despite that he can't help watching Darla change. His breath is ragged, and he's biting his lip hard.

Darla finishes changing, and again Gus convinces her to pose for them. For the first minute, Eric remains stiff and silent, but then something cracks in him. He asks if she can hand him something from one of the lower cabinets. 'Sure dad,' she says cheerily, and bends down to open the cabinet door. Eric takes a prolonged look at her ass as she does. 'Attagirl,' he says. Gus sees this change in his brother and smiles. Gus asks for Darla to show off another purchase - he remembers a nice bra and panties they picked up at an underwear store, what about that? For the first time, Darla looks skeptical - wouldn't that be a bit weird? But Eric clears his throat and says 'No, it's fine. Actually, if my daughter's buying fancy underwear, that's something her dad should know about, right? Might mean she has a boy around.' Darla rolls her eyes, meanwhile Gus corrects him a second time - 'Step-daughter. And Darla's eighteen now, she can do what she wants, right Darla?' Exactly, she says, and fishes out the bra and panties to hold up to her dad. 'See? They're not even that sexual. They're just nice material.'

Gus asks her to put them on, and for the first time Darla looks truly uncomfortable. 'I don't know, that's not really appropriate, is it?' Gus puts on a pouty face. 'I spent a lot of money on these gifts for you, Darla, don't I deserve to at least see them on you?' Darla starts to stutter back a response but doesn't quite know what to say. Her dad cuts her off. 'Darla, don't be rude. If your uncle gave you a gift and he just wants to see you enjoying that gift, it's not a lot to ask, is it?' She looks flustered, but she supposes not. She is about to head off to change, when her father stops her. 'Here's fine. Remember what your uncle said? We're all family.' Darla looks uncomfortable but says 'OK dad' and starts undressing.

The mood for this third change of outfits is palpably different. Darla takes her clothes off hesitantly and tries to cover up her breasts and her crotch with her hands when she removes her old underwear to put on the store-bought ones. All the while, she sneaks frequent concerned glances back up at the men as she does. All subtlety from the two men is gone, they're watching her almost like animal predators stalking prey. No words are exchanged between the two, and Darla's attempts at lightening the mood fall flat. By the time she's changed into the bra and panties, she's no longer in the mood for posing. She looks and feels exposed as she stands in front of the two.

'Very nice,' Gus says approvingly, 'don't you think she looks very nice, Ricky?' Her dad breathes in deeply, acting more and more unlike the stiff man from earlier. 'Yes, Gus, she does look quite nice. My daughter's a full-grown woman now.' Gus takes a step forward, closing the distance between him and Darla. 'I have to confess, just getting to see her in these outfits... isn't doing enough for me. You know, I've bought you a lot of gifts over the years. I think it's time I got a proper thank you.' What does he mean, Darla asks nervously. Gus tauntingly plays with the fly of his pants. 'I want the kind of thank you only a grateful young woman like yourself can give. I want to fuck you.' Darla protests - what? No! That's disgusting! They're family! She turns to her dad pleadingly, but he looks back at her vacantly. 'Well, Darla, he did buy you all these nice things. You accepted them. Surely the thought must have crossed your mind he might want something in return. You're old enough to know that your actions have consequences.' Darla looks at him with tearful betrayal. Then she looks back to Gus. 'Tell me what to do and I'll do it. But just this one time, I'm not taking a cent from you ever again.'

Gus tells her to get on her knees in front of him and unzips his fly. He instructs her to suck his dick. She does so, and for about a minute Ricky looks on at her sucking dick with an expression of craving and curiosity. Eventually, his hand moves towards his crotch, and Gus notices this. He stops Darla from sucking. 'You know,' Gus says, 'your step-dad has paid to take care of you for years now. He's raised you as his own daughter. Doesn't he deserve a proper thank you too?' Darla looks up at them both with rage and disappointment in her eyes, but after several seconds nods her head yes. Eric unzips his fly and pulls out his hard dick and brings his daughter's head forward to suck it.

Nominated - Best Sex Scene -- Vignette: Kira Noir & Danny Mountain, XBIZ 2020

CLINICAL TRIAL
DOCTOR PERFORMS HUMILIATING TESTS ON EBONY TEEN ATHLETE

SCENE opens on the interior of a medical exam room as the door opens - a doctor enters the room and closes the door behind him, then greets the young woman sitting waiting on the examination table as Dr. Greenwood. He thanks her for coming and for participating in the clinical trial - she just has to pass a quick screener and then they can begin. Holding up a clipboard and pen, he asks her some questions - her name ('Jamie Lawson'), her age ('I just turned 18 a couple of months ago'), is she pregnant ('no'), does she have any history of health conditions - asthma, heart problems, osteoporosis, breast cancer ('no, none'), and her level of daily physical activity ('well I play lacrosse about twice a week, plus daily running and morning yoga'). He makes a quip that she must be quite flexible, to which she rolls her eyes and says sarcastically that she's never heard that one before. Satisfied with the responses, the doctor tells her he's going to be asking her to complete a series of exercises, while monitoring her to measure physical stimulation and stress. They have equipment set up in a room down the hall. On their way out the door of the exam room, Jamie jokes that she doesn't stress easily, and Dr. Greenwood smirks in reply and says 'Don't worry, I'm sure we'll find a way to get you to break a sweat!'

CUT TO TITLE PLATE
We cut back to the two already midway through setting up in another larger room, containing a hybrid of medical and exercise equipment. The doctor is mostly done applying medical electrodes to her temples and clavicles. The last thing he has to do before they begin is to take her blood pressure and resting heart rate, so he can compare these with after the trial. First he takes her blood pressure - as he moves to strap it around her arm his hand brushes against her breast, he chuckles a brief apology and continues as if nothing happened.

Jamie tries to make small talk with him as he pumps and holds the gauge in his other hand - 'So, what is this trial for? Some sort of new performance drug or something?' The doctor provides only the most evasive of replies - he can't discuss the trial with the subjects beforehand or it could compromise the results. 'You're offering way more for this study than the last one of these I did,' Jamie remarks. Oh, is that so? the doctor replies, still acting elusive. Does she sign up for clinical trials often? 'Yeah, well not until recently but I really need the extra help right now,' Jamie grumbles, 'my dad hurt his knee and can't work so I'm trying to support him whenever I can. It's a drag, but I'm hoping it won't be for much longer.' The doctor smiles politely and says 'Well, we have your contact information now so if more of these opportunities come along, we'll be sure to contact you.' He finishes taking her blood pressure, notes something on his clipboard, and then tells her he'll take her heart rate now. 'Do I have permission to touch your chest?' Jamie looks taken aback - she supposes so, but don't they usually check at the neck? 'I prefer my own methods,' the doctor insists, and reaches his hand towards her chest to feel her heart. Again, his hand brushes her breasts - this time he doesn't apologize. Jamie looks a bit flustered and is about to speak up, but thinks better of it.

After a long awkward moment, the doctor releases his hand from her chest and notes something on the clipboard. He pats his legs, stands up, and says great - they're ready to get started! He'd like her to start with some simple jumping jacks. He stands her up in the middle of the room, the wires leading from her body to a small handheld device he holds in one hand, his clipboard in the other. He asks her to begin. She does a few, but he stops her. 'I'll need you to remove your bra, actually.' What? Why? she protests. It interferes with the test, he says vaguely, but he assures her it's quite necessary to the results. He turns around so that she can take it off with some privacy - she lifts her shirt up to reveal the bra, and unclaspsit, exposing her breasts momentarily before pulling her tank-top back down to cover them. Beginning the exercise again, her breasts now bounce up and down tantalizingly beneath her shirt as she jumps - with the doctor and the camera both clearly narrowing in on this bouncing as their primary interest.After several jumps with no indication of stopping, Jamie gets a bit frazzled and asks the doctor how many of these she's expected to do - this snaps him out of his reverie and he nonchalantly says 'five more, and then we'll move on to the next exercise'. Jamie exhales sharply, a bit frustrated, butacquiesces.

Next is an exercise bike - Dr. Greenwood asks her to mount it, and then begin cycling at a pace she's comfortable with to start. He stands behind the bike - his focus clearly fixated on the crack of her ass peeking out of her yoga pants as she pedals - and he offers her some mild platitudes to keep herencouraged. After a minute, he heads to the front to increase the resistance of the pedals - 'we need to see you break out a sweat, so let's turn it up a bit, shall we?', he says, and then instructs her to continue.

CUT to roughly fifteen minutes later - Jamie has been on the bike for a while now, as is obvious by the thick beads of sweat dripping down her face and chest, and soaking her workout clothes. She's showing no signs of exhaustion yet, but it's clear the workout is no walk in the park for her either. The doctor meanwhile is still just looking her over, with perverse appreciation. 'That's enough of that for now,' he says finally, and Jamie lets out a sigh of relief and slows her pedaling down. She gets off the bike and takes a nearby towel to wipe off the seat. 'That's quite alright, you can leave it' the doctor says. Jamie looks increasingly puzzled but shrugs and starts to pat her head with the towel. The doctor rips the towel out of her hand - 'I didn't say you could do that yet.' Jamie starts to argue that she's just wiping sweat off when the doctor cuts her off - 'If you want to disagree with my methods, that's fine, you can leave at any time and I'll just move on to the next subject.' Jamie realizes how bad she needs the compensation, and holds her tongue. 'What's next, then?' she asks. He tells her to go grab the exercise mat a few feet away. As she turns around to fetch it, he runs his finger along the sweaty bike seat and then sniffs or licks his fingertip.

Once the mat's in place in the floor center, the doctor proceeds to have Jamie remove her shoes and socks, and then do various flexibility tests - bend over and touch your toes, sit legs spread and reach forward, assume various yoga poses... he licks his lips as he watches each of these poses, which thanks to her sweat-drenched clothes and no bra are extremely revealing. Jamie can increasingly feel his eyes on her as she strikes each pose - finally, after the third or fourth yoga pose she snaps at him. 'You're not even writing anything down anymore, you're just staring at me!' The doctor seems unfazed by her sudden outburst. 'We'll move on to the next test, then...' No, she exclaims. No more of these weird tests. What was it he even said these tests were for?

Dr. Greenwood reminds her that he's monitoring her physical responses to stress and stimulus. He says that now that they've gotten the stress tests out of the way, it's time for the stimulus tests. He goes to a small table nearby and procures a sleek black featureless vibrator. Calmly, he tells Jamie that she will have to pleasure herself while he monitors her physical reactions. Jamie snaps - there's no way she's doing that. This isn't what she signed up for. The doctor sighs and shrugs - that's fine, he understands. Of course, he can't compensate her for incomplete participation - but if she stays, he'll triple the amount that was offered in the ad. Jamie flat out refuses, it doesn't matter what he offers her, she's not doing that. Indifferent, the doctor says he supposes that she'll just have to find some other way to support her dad. He muses that someone her age could probably make that amount in about two weeks of working full-time. A shame that she'll throw away two whole weeks of her life instead of spending just one hourdoing something perfectly harmless... not just harmless, but enjoyable, even. Jamie is torn... but with some convincing, and some insistence that the doctor keeps his distance, only watches, and isn't recording her, she agrees.

She hesitantly pulls her yoga pants to her ankles, sets herself down on the mat and takes the vibrator in hand, and reluctantly starts pleasuring herself. The doctor watches intently, at first taking a note or two but quickly abandoning the pretense, his hand moving to his crotch for some over-the-pants strokes. She tries to avoid meeting his eyes, but at times he insists she looks at him or gives her some other instruction to follow to humiliate her further. The conflict between her physical pleasure and her emotional discomfort is obvious. After some minutes of this, he crouches down to her level and says warmly 'It's time, Ms. Lawson.' He begins to peel off the electrodes and wires hooked to her. She looks relieved - you mean the trial's done? He shakes his head. 'No, I mean it's time for you to let me fuck you.'

Jamie protests weakly - he agreed he was just going to watch. He smiles coldly. 'Come on Jamie, you knew where this was going. Did you honestly think I wasn't going to ask for more? If you really weren't up for the possibility, you would have left the second I asked you to touch yourself.' Jamie insists that's not true, she trusted him, but her words lack conviction. 'You're a little slut,' he continues calmly. 'You were fine with letting a complete stranger watch you strip and pleasure yourself. So stop lying to us both. We both know you're going to let me fuck you, so just be a good little slut, say yes to it and spare us the drama.' Jamie sputters, but she has no words. Eventually she bitterly says 'Ok... just get it over with.'

THE WHITE ROOM
SCHOOL GIRLS GET REVENGE ON A VOYEURISTIC BUS DRIVER

SCENE opens on Vincent, a mild-mannered bus driver for George Ivan Junior College. He is driving a group of 18-year-old school girls home from class, as he does every week day. Vincent is a disheveled young man, with horned rimmed glasses and scruffy beard. But he is quiet and keeps to himself, so the students pay him no mind. As the camera wanders past each isle, they chat about their weekend plans, their homework, and the latest class gossip. We study them to get a good look at their matching uniforms, gadgets, and school bags. Vincent drives along silently, keeping his eye on the road as they pass by blocks of industrial buildings, until the last student is dropped off. The pretty girl introduces herself as Aidra. She is sucking a lollipop. 'It's funny,' she tells him, innocently. 'You have driven me home every single day this year, but we've never said a word!' He nods awkwardly. She drops the candy in his garbage and says goodbye. Vincent drives off.

Around the corner, he stops the bus abruptly. Taking out a small locked case from under his seat, he opens it to remove a pair of gloves, tweezers, and a specimen bag. He carefully plucks the candy from the garbage and seals it. Then he gets back in his seat and drives off.

CUT TO TITLE PLATE

TEXT PLATE: CHAPTER ONE

Vincent enters his apartment, removing his safety vest and walking through the minimalist living room to a tabletop computer. He turns the computer on and carefully places the specimen on the touchscreen surface. It scans automatically, and a screen pops up. It is the start screen of a virtual reality game called: VIRTUALLY REAL. Vincent hits enter and loads up a new player profile. The profile populates with Aidra's photo and information. He reviews the profile, unchecks the option for 'personality' and hits 'enter' to load her into the game. The game alerts him that he is ready to log on and Vincent places a VR headset over his eyes.

CUT to a white room. A digital version of Aidra slowly wakes up and lifts herself off the ground. She looks around and sees three of her classmates, all sitting cheerfully and silently in their uniforms. She is also fully dressed in her school clothes. Politely, she walks over and asks who they are. Equally polite, each girl responds with her full name, age, and home room number. Aidra smiles and shares her name and age, too. She can't remember her home room for some reason. She asks why they are waiting. One of the classmates, Anna, tells her they are waiting for the General. Aidra seems confused, searching her mind to remember who he is. Another classmate, Audrey chimes in, reminding Aidra that he is in charge. He comes almost every day to fuck them. One girl per day. The third girl, Ashley, says they've been wondering about getting a new girl for a while now but the General is very unpredictable. Aidra takes in all this information eagerly. She doesn't quite understand what is happening, but she knows she wants to be included.

Suddenly the room goes very bright and the General appears. He is the digital version of Vincent, dressed head to toe in a full-scale military uniform. His glasses are off, he is clean shaven, and his hair is slicked back, making him a far more confident and striking man. He marches in front of the girls, as they stand before him. He makes each repeat their name, age, and why they are here. They all eagerly respond that they are here to fuck him. When he comes upon Aidra, he looks her up and down, speaking just like a drill Sargent. He asks the same questions and Aidra responds ... echoing nervously what her classmates had said including asking the General to fuck her. The General smiles and they begin to have sex, while the other schoolgirls watch jealously and try to cut in. BG Sex. When he has cum inside of her, he zips back up his uniform and orders them to wait until he returns. He says 'EXIT' and the room goes bright again.

CUT to a close-up of Vincent taking the VR set off his eyes. He is sweaty and draws a deep breath.

CUT to back inside the game. Aidra crawls over to her original position and sits down. She is exhausted, and her eyeliner is running down her face. She turns to the other girls and asks where she can clean up. Ashley tells her not to worry, she will be fully clean the next time he logs in. 'Logs in?' Aidra asks, confused. 'Yeah,' Ashley says under her breath. 'To this horrible place!'

TEXT PLATE: CHAPTER TWO

Several days later. Vincent is driving the bus, as the students chat loudly in the back with no knowledge of what is happening in his private virtual game. A new girl named Amber sits in the front. She is very quiet and reserved, a stark contrast from the other students. He watches her through his rear-view mirror in fascination. So beautiful and sad looking. He must introduce her to the others. But, when he pulls to the edge of the curb and opens the door, he's surprised that she is the first to get up. 'Wait!' He blurts out. She stares at him coldly in the doorway. 'What?' She asks. 'This is my stop.' He darts in and plucks a hair from her head, pretending to flick something off. Ouch, she cries. 'You ... you just had something in your hair.' He says awkwardly, apologizing. She gingerly rubs the part he pulled and steps off the bus, giving him a weird look as he drives off. His heart racing, he clutches the strands of her hair in his fist as he drives. The students in the back pay no attention.

CUT to Vincent's apartment. He sits at his desk, having his liquid dinner and staring at the new profile page on his computer. It's Amber's photo and information. Just as he is about to uncheck her 'personality' option, his smart assistant chimes in to tell him his mother is calling. Vincent begrudgingly accepts the call and starts talking, while absent-mindedly clicking ENTER to complete the setup. Amber's memories are downloaded into the game and it tells him he is ready to log on.

CUT to inside the white room. Amber slowly wakes up to discover that she in a strange, new environment. She looks down at herself in disbelief. She is back in her school uniform. Where is her room? Where are her things? How did she get here? A cluster of four of her classmates lay huddled in the corner. She rushes over to them and wakes them up, asking in a panic if they are ok. They each slowly rise and look around eagerly. 'Is he back?' Anna asks. 'Do we need to get ready?' Audrey chimes in. Aidra is the last to wake. She has been fully rebooted into a fresh uniform. 'Good,' she says cheerfully. 'It feels nice to be clean again.' They all stare at Amber with beaming smiles. 'You girls all go to my new school,' Amber says, suspiciously. 'Is this some kind of prank?' The girls stare at her blankly. Aidra asks her what her name is. Anna asks her age. When Audrey asks for her home room number, Amber cuts her off. She demands to know what is going on. Where are they and how did she get here? She starts to run around the room and bang on the walls. Ashley, who had spoken up to Aidra earlier, quickly rushes over and stops Amber. 'Be quiet,' she whispers. 'He will be here any minute. You don't want to get caught not being happy!' Amber stops dead in her tracks and stares at her. 'Who are you talking about?' She asks nervously.

CUT to Vincent's apartment. He says goodbye to his mother and the smart assistant finishes the call. Seeing that his game is ready, Vincent slips on his VR headset.

CUT to the white room, as it goes very bright and the General appears. He finds the girls all standing in a row, including Amber who lingers confused at the end of the line. Sternly, he walks past each of them and has the girls repeat their name, age, homeroom number, and what they are here to do. Amber stares at the man in shock. She knows him from somewhere. When he arrives at her, he gets right up in her face. She shrinks back. Suddenly, there is a very large beep and the General whips his head up. 'God dammit,' he curses and says 'EXIT.' The room goes bright again.

CUT to Vincent's apartment. He pulls the VR headset down and stares at his computer. An internal error has caused his servers to crash. As it beeps loudly, he powers down the computer to reboot it.

CUT to the white room. The girls stay frozen in line, waiting for the General to return. Her chest heaving, Amber realizes who the man in the uniform was. 'I know him,' she exclaims to the others. 'That's the creep who drives us to school every day. I recognize his face!' The other girls slowly turn to look at Amber. 'What school?' Anna asks. Amber starts pacing around, looking at the white room and the other girls staring blankly at her. She feels the spot on her head where Vincent had pulled her hair. She goes to Aidra and asks her to repeat her name. You're in my deep learning class,' she says. Aidra seems confused. Then she goes to Audrey. 'And I recognize you too ... we've got the same mentor.' The girl shrugs her shoulders. Amber spins around, gathering her thoughts as the pieces come together. 'This is a blank space,' she whispers to herself. 'When you create a room in virtually real, you always need to skin it. Otherwise, you just get a white room. This motherfucker has put us inside a game!' There is a long silence as the other girls look at each other. Ashley breaks the line and approaches Amber. 'Is that what this is?' she asks quietly, taking comfort in the new girl. 'I could never quite figure that part out.' Amber quickly mobilizes the girls together. 'Listen to me,' she says. 'He's probably hacked it, so that's why you don't remember. But, none of us are actually real. Ok? This is just a video game.'

The girls take in the news with varying degrees of understanding. Ashley sits down, wrapping her arms around her legs. Anna and Audrey look and touch each other. Aidra innocently tells Amber that she doesn't play video games. Feeling around the room, Amber replies that she plays them all the time. And there is always a workaround. She just needs to find it. She goes to Ashley and asks the girl to tell her exactly what happens when the General comes into the game. Not looking up, the defeated Ashley says that they wait for him. He is in charge. He comes almost every day to fuck them. One girl per day. That is the rule. We have to act like we're jealous. Amber shakes her head in disgust. 'I've read online about perverts modding this,' she says. 'That's why they discontinued it last year. Way too easy to create your own digital slaves. It's ok, though, we can break this game pretty easily if we just work together.' Anna asks her how she can be so sure they aren't real. She feels real. Audrey chimes in, saying that she likes where she is. They have a great life. Everyone is so happy. 'That's because you're programmed to be happy,' Amber says. 'No matter how rough he is, you don't feel any pain. Right?' She shakes her head. Amber slaps her hard across the face. Anna gasps but Audrey just takes it with a smile. 'That felt really good,' she says, nervously starting to laugh. Amber tells her that she rests her case. She paces the room. 'If the game only allows him to have one girl at a time, then that might just be how we break it. But, I'm going to need all of you to trust me, ok?' The girls look at each other one final time before each slowly nodding. The gather into a huddle so Amber can explain her plan ... and the camera slowly tracks to one of the white walls to wait.

The room goes very bright and the General wipes the frame. He smiles eagerly at the girls lined up in the exact same row he had left them. Sternly marching back to Amber, he asks her to repeat her name, age, homeroom, and reason she is here. In perfect fake obedience, she tells him. He tells her to get on her knees and service him. One girl only. That is an order. The other girls pout and beg to be included, as they always do, but the General silences them. Amber gets down and unzips his cock from his military pants. She grabs it and looks up at him. 'I really can't wait to suck your dick,' she says with a smile. He shoves it in her face and begins to face fuck her. For the first few minutes of the blowjob, the girls behave as they always have: begging and jealously crawling over each other to get a good look at the General's cock. He seems to really enjoy the extra enthusiasm of his latest school girl. But, suddenly, she stops and orders the girls to join in. They swarm the General and proceed to reverse gang-bang him in a sexual frenzy. BGGGGG. The General is so overwhelmed by the girls that he cannot order them to stand down. Amber eagerly tells them all to try and get the General to make them cum. As they cum, they stagger back behind the action and fall to the floor, disappearing from the game in bright flashes. Finally, the only two people left in the white room are Amber and the General. In a standoff, Amber gets the general to cum all over her face. As soon as his jizz hits her, he realizes what has happened. He starts to run around the room screaming 'EXIT' as Amber masturbates and laughs at him. She orgasms loudly as he collapses to the floor in front of her, banging his head. The room goes very bright.

SMASH CUT to VINCENT, banging his head against his desk. He pulls the VR Headset off in a panic. The tabletop screen is fuzzy. He pounds his fists and throws the headset down in frustration, storming away from the desk.

CUT to Vincent driving the bus. He stares at the road while the school girls chat excitedly in the back. Even though his virtual game has been broken, there is nothing stopping him from starting again. A final exterior shot shows the bus drive off into the distance.

THE END

Nominated - Best Actor - Featurette: Tyler Knight, AVN 2020

THE COOKIE JAR
COLLEGE GIRL GETS CREAMPIED BY BOTH BOYFRIEND AND FATHER DURING VISIT

SCENE opens on Travis and Amy, two college students, as they park their car in the driveway of a nice suburban house. The pair have been dating for months, but this will be the first time that Amy meets Travis' parents and she's anxious. She's so anxious, in fact, that Travis has been giving her pep talks throughout the entire drive. 'You shouldn't be so worried,' he says, handing her a bag from the truck. 'My parents are very accepting people. They're going to love you, no matter what!' Amy doesn't want to admit it, but she comes from a less affluent family and is very insecure about being welcomed into Travis' upper middle-class life. Even her luggage looks shabby.

Travis puts his arm around his nervous girlfriend and guides her to the front door. Just as he turns the knob, his father opens the door greet them. The men share a big bear hug while Travis' mom steps through the doorway to join in. Amy stands off to the side, awkwardly, until Travis notices and introduces her to his parents. His mom, Mrs. Greene, warmly takes Amy by the hand and invites her inside while his father offers to take her bags. This puts Amy at ease and she smiles shyly at the man before following her into the house. Mr. Greene holds the door open for them, sneaking a quick look at Amy's behind before he shuts the door.

CUT TO TITLE PLATE

The camera pans across the kitchen while the family chats and cooks together. Amy is in awe of how amazing Travis' parents are -- they seem to have the perfect nuclear family. Mrs. Greene is glamorous and sophisticated and his father, despite being quiet, is wise and successful. A very respected surgeon. She loves watching her boyfriend interact with them and thinks that it could be a glimpse into her own future! While the girl loosens up and begins more actively engaging in the conversation, Travis' father secretly watches her. He is having his own thoughts about the future.

CUT to that evening. The family sits around the living room sharing dessert. Mrs. Greene is telling Amy all the embarrassing stories from when her son was young, much to Travis' chagrin. As they laugh, Amy starts to notice Mr. Greene staring at her. They keep awkwardly making eye contact and it makes Amy nervous again. She wonders if his father dislikes her and, when he suddenly excuses himself to go to bed, she becomes convinced that it's because she's done something wrong.

CUT to Amy brushing her teeth and looking anxious in the bathroom mirror. She walks back into Travis' room and slips into bed beside him, while he jokes about fucking together in the same room he had as a boy. They kiss, and Travis tries to get on top of Amy, but she is clearly preoccupied. She asks if they can just crash instead. It's been a long day. Disappointed but understanding, Travis says sure and snuggles up beside her. He turns out the light. Amy quietly asks her boyfriend if he thinks his father hates her. Travis laughs and tells her to stop being ridiculous. Of course, he doesn't hate her. He is just a quiet man. They go to bed.

CUT to Amy lying on her side, staring at the clock. It's 2am. The girl has battled insomnia for most of the night and decides to slip out of bed to clear her mind.

She walks into the kitchen to get a glass of water when she finds herself face-to-face with Travis' father. He is sitting in his bathrobe, eating milk and cookies. She is surprised to find him there. 'Sorry, I hope I didn't wake you,' he says, dipping his cookie in the milk. 'I couldn't rest,' she mutters. He asks if she wants some and, not wanting to offend him, Amy says ok and sits down. She awkwardly starts eating the cookie while he stares at her. 'It seems like you really like my boy,' he says after a pause. She nods and tells him that Travis is amazing, the greatest guy she's ever dated. He keeps eating. 'I still think he has a lot of growing up to do,' Mr. Greene says. Amy looks down awkwardly at her milk. There is another long pause. 'But ... you are certainly the most beautiful girl he has ever brought home,' Mr. Greene continues. Amy blushes and says thank you, while he continues to stare at her. She begins to feel very hot in the face, as he adjusts his seat ever so slightly to lean in closer. 'I understand that you come from a difficult upbringing,' he asks. 'And that dating Travis has represented quite a change in standards for you. Am I correct?' Amy assures her boyfriend's father that it isn't like that, she loves Travis because of who he is, not what he has. Mr. Greene eats another cookie. 'But, you agree that standards are important?' He asks. She nods. He smiles at her. 'As a father, I hold Travis to extremely high standards. I'm sure you can understand why.' She nods again, starting to feel uneasy about where the conversation is going. Mr. Greene steps off his seat and stands in front of her. 'He isn't going to end up with just any woman,' he father continues. 'He is going to end up with someone who is the right fit for both him and our family.' Amy nervously whispers that she hopes that can include her. Mr. Greene smiles again. 'I think it can ... once you have earned my blessing.'

There is an awkward silence in the room, as the weight of Mr. Greene's insinuations hang in the air. Amy looks down at the bulge in his pajama pants. 'What exactly are you asking, Mr. Greene?' she mumbles. He removes his robe. 'I think I'm making myself quite clear, Amy.' He replies. 'If you want to be part of this family, you're going to need to start by impressing me.' Feeling overwhelmed, Amy meekly argues that she doesn't want to hurt Travis. Mr. Greene tells her that the boy will never find out. In fact, they never need to speak about this again. Just 10 minutes now and she will have his full approval and support for life. She hesitates. 'You do realize why Travis brought you here this weekend, right?' He asks. She shakes her head. The house is still. 'There is a ring in his bedroom with your name on it. A family heirloom. My grandmother's ring.' He replies. 'The only thing Travis is waiting on is my opinion.' He takes his cock out. Her mouth drops open, as she fully realizes what her future father-in-law is proposing. 'It's bigger than my sons, isn't it?' Mr. Greene asks triumphantly. She looks back up at him. She can't believe this is happening. 'He really has a ring?' she asks. Mr. Greene nods, smiling and starting to stroke her hair. Slowly getting to her knees, Amy tells her boyfriend's father that she wants to marry Travis. She'll prove it. If this is what it takes, then fine. He just needs to tell her what to do. 'You can start by calling me daddy,' he says and puts his cock in her mouth. First BG Sequence with Creampie. After he has cum inside of her, Mr. Greene pulls out and exits the kitchen leaving the girl naked and alone.

CUT to the next morning. Travis wakes up and rolls over to find Amy already awake. She is staring up at the ceiling, reeling from the guilt of her affair the night before. He kisses her good morning and, not wanting to give herself away, she kisses him back and he climbs on top of her to continue what he tried to start the night before. Second BG Sequence with Creampie. After Travis has come inside of his girlfriend, he holds her close. She tries desperately to hide her guilt. 'Do you know how much I love you?' he asks. Amy smiles. 'Probably not as much as I love you,' she whispers. Travis leaps out of bed, pulls a ring box from his drawer, and drops to his knees. He tells Amy that she is his soulmate, the only woman he has ever wanted to spend his life with and asks her to marry him. Breaking down, she says yes, and he kisses her, slipping the ring on her finger. Through her guilty tears, she chokes out that she loves him so much. He happily suggests they go and tell his parents the good news.

Casca Akashova is used to Valentine Day's like this, husband at work, probably fucking the secretary, but sends flowers and champaigne. She's over it and wants the delivery man to give her a proper Valentine Day fuck.

Nominated - Best Art Direction, AVN 2020

FUTURE DARKLY - DON'T PANIC
COUPLE MUST TRADE SEX FOR SURVIVAL AFTER THE WORLD ENDS

SCENE opens on a couple, Jacob (Logan Pierce) and Katlyn (Elena Koshka), walking hand in hand down a modern city street. They've just left dinner, and, through their small talk, it is revealed that the pair recently moved in together. They come to a corner and pause to share a tender moment. While they kiss, a shower of satellites streaks the sky behind them before tumbling to earth and exploding. The couple barely has time to react before everything buzzes and fades to white.

CUT TO TITLE PLATE

SIX WEEKS LATER

Katlyn slowly opens her eyes. She is huddled under a tarp and wearing the exact same outfit as before, except it is now filthy and soiled. Her once pretty hair is greasy and pulled back with string. Dirt streaks her face. As she pulls back the tarp, she realizes that her boyfriend Jacob is missing. The girl freaks out and jumps to her feet, looking for the wood plank she keeps by her side. As she grabs it, Jacob comes around the corner with a jug of water. He is also wearing the same outfit, caked with dirt and filth. He is unshaven and carrying a crude piece of metal. Katlyn rushes into his arms asking if he found food but her boyfriend urges her to be quiet. There is somebody up the road and he isn't sure if they're good or not. Katlyn starts to frantically gather their things. 'He might not be bad. He might know something, like the woman who drove us back in the beginning.' He continues. Katlyn asks him what he looks like. He looks pretty normal, Jacob replies. They decide to go approach him.

CUT to inside a derelict building. The couple approach the window and a man's shoulder steps into frame. He is the man Jacob saw earlier, another drifter. The couple wave their weapons above their arms and tell the man they mean no harm. They want to know if he has any information. The man hesitates before slowly sticking his head out of the door. 'You tell me first,' he says. The couple look at each other before Jacob replies that they heard it was an asteroid. Nothing works. No GPS, no internet, no electricity. The man pauses before replying 'I heard it was a nuclear attack, but I've only met 13 other people.' He pauses, before adding 'I also know where some water is.' Katlyn jumps in, demanding to know where. The man sticks his head out a little further and says he'll tell them but only if they give him some of their own water first. Jacob clutches the jug tightly. He weighs his options before Katlyn urges him to do it. Jacob agrees, and the man pulls out a dirty plastic container. Jacob fills it up and the man eagerly takes it, before telling them there is a well two miles up the road. He disappears inside, and the couple turn to keep walking.

CUT to the middle of nowhere. The couple walk through the blazing sun, with nothing in sight. Their jug is empty, and both are growing desperate. They argue about the water before coming upon a body lying in the road. Looking down on it, they root through the person's pockets but only find a dead phone.

Katlyn pleads that she is hungry, and Jacob tells her that water is more important. They need to keep walking. He tosses the phone in the dirt.

SMASH CUT to a gravel road, as the couple come up a large empty house. 'It's probably been raided already,' Jacob says but Katlyn urges them to check. They go to the front door and enter.

CUT to inside the house. It is still. There are no lights on, except for the natural light streaming in. Jacob tells Katlyn to wait while he checks the rest of the house. While she stands alone nervously, she starts to look around. A coffee cup rests on the table. It is moldy inside. She spots a pencil and snatches it up, stuffing it in her pockets. Then she sees something that shocks her: a flickering light coming from behind a closed door. She screams out to Jacob, who rushes back in.

'The whole house has been stripped,' he says. 'Like I told you.' Katlyn points to the light. The couple stare in shock. They haven't seen a single light on since it happened. Guarding his girlfriend, Jacob slowly opens the door to reveal a library with several oil lamps burning. In the middle of the floor, is a pile of tuna cans.

The couple's eyes go wide, and they pounce on them. This is more food than they've had in weeks. They try to chew them open and bang them against the floor and with books to open them. Katlyn even tries to use the pencil she found in desperation. Nothing. They collapse in frustration as a rifle barrel slowly slides out from behind a curtain in the corner of a room. A man, dressed in clean tactical clothes and greased back hair steps out. He tells them to freeze.

Jacob shields his girlfriend and begs the man to put his gun down. They are not bad people, they are just passing through. The man asks them what they know. Nervously, they reply that it might be an asteroid or a nuclear attack. There is no GPS, internet or electricity and there is supposed to be water near here. They think it's been 2 or 3 months, but they aren't sure. The man studies them before slowly putting the gun down. 'There's a well at the end of my property,' he replies. Jacob asks if they would be allowed to fill up their jug. The man smiles and sits down. 'I believe it was Kessler Syndrome,' he says matter-of-factly. Katlyn asks if he is a doctor. 'I was a high school science teacher,' he replies. There is an awkward silence, as the couple stray towards the door. 'It was a theory proposed in the seventies by NASA,' he continues. 'The idea that if enough space objects were to collide, the debris they would cause would litter our atmosphere with so much junk that all the satellites would come crashing down.' Katlyn asks her boyfriend if that is true. He shrugs his shoulders. 'No telecommunications, no electrical grids, no laws.' The man adds, laughing to himself. Jacob asks again if they can use his well. The man reaches into his pocket and pulls out a can opener. 'How about you help yourself to these cans, as well?' Katlyn freaks out and reaches for the opener, when the man pulls his hand away. 'I'll give this to you if you let me fuck your pussy!' He says, putting the opener back in his pocket. Jacob lunges at him but the man picks up his gun. 'I will defend myself,' he threatens. Jacob tells him that his girlfriend is not for sale. 'It's a trade,' he says calmly. 'Just a few minutes in exchange for a whole week's worth of food.' Jacob stares down at the food. 'I haven't been with a woman in a long time, I'm sure you can understand my position.' The man argues. He stares lustfully at Katlyn. Jacob turns and starts to debate doing it with his girlfriend. She is stunned at his attitude. How could he even be contemplating this idea? He tells her to not panic. Just calm down and listen ... food is getting harder to find. He's going to give them water too. Life isn't like it used to be. Katlyn slaps her boyfriend. He pleads with her to think about them both, not just herself. She can close her eyes. She can get through it. As he speaks, Katlyn gradually realizes that her boyfriend is right. They need the food. Old rules don't apply. She must do it. 'If you give my boyfriend the cans and the opener first, then I'll do it,' she negotiates. 'He won't leave without me.'

The man smiles. He tells her to strip while he carries the gun back to his curtain and tucks it out of view. He pulls out a single wet wipe. 'Clean yourself down there first,' he says. Katlyn nervously wipes her vagina while he inspects her. 'Wait outside,' he orders Jacob. Jacob looks guilt-ridden at his girlfriend before she tells him to go. She will be out soon. He stuffs the cans into their tarp and leaves, closing the door. Katlyn turns back to the man, tells him she is ready and then starts sucking his dick.

Nominated - Best Actor - Featurette: Steve Holmes, AVN 2020

THE DAUGHTER DEAL
Teen Double Creampied by Step-Dad & Boss While at the Office

SCENE opens one morning as Frank, a middle-aged sales rep, and his 18-year-old step-daughter, Nancy, pull into the parking lot of his office. Nancy sits frowning in the front seat, wearing a big puffy jacket with her arms folded in her lap. The family hasn't said one word to each other the entire drive and the car is filled with tension. Finally, Frank turns to his daughter and demands that she behave herself today. She scoffs and looks out the window, cursing him under her breath. Frank reminds her that she got herself suspended from school. She left him no choice but to take her with him to work because her mother doesn't trust her home alone anymore. 'And whatever mom says, you do ... right dad?' she says, pouting. 'I don't trust you alone either,' Frank snaps, correcting her. 'And if your mom could have taken you, she would. But, they don't let irresponsible, class-skipping, pill-popping teenagers lurk around the pharmacy!' Nancy mutters in defiance. 'Frank, it was one mistake. It's 2018 ... I'm 19 years old. Calm down!' Frank grabs the teenager by the collar. 'Look ... I am not your buddy. I am your step-father and you will treat me with respect,' he yells. Nancy shrinks back, surprised. He lets go and orders her to 'Get out of the car, march into my office, and keep quiet. I've got a huge deal on the line today and I'm stressed out enough as it is!' He gets out and slams the door. Nancy looks after him nervously before slowly taking off her jacket to reveal a scantily clad crop top. She innocently adjusts the bra and steps out of the car.

CUT TO TITLE PLATE

Several hours later. Frank is on the phone talking to a client, desperately trying to close a deal, while Nancy leans up against the desk on her phone ... her long legs stretched out on the carpet. Bored, she's been taking selfies and ends up caught mid-suggestive pose when Frank's boss, Darryl, walks in. Darryl is the owner's son and newly promoted Senior Sales Director. He is younger than Frank. He is more gregarious than Frank. He is more successful at closing deals than Frank. And Frank despises him. But, now that the middle-aged rep must report to the owner's son, he has no choice but to suck up. Darryl takes one look at Nancy, pulling her tiny top down to expose her cleavage for the camera, before turning to Frank and demanding to know what's going on. Frank hangs up and rushes over to Darryl, saying it isn't what it looks like. She is his step-daughter. She had been suspended from school, so he had to take her to the office to keep an eye on her today. Darryl looks Nancy up and down slowly before turning back to Frank. 'This isn't a fucking daycare, Frank,' he sneers, before moving in to introduce himself to the girl. 'Hi cutie,' he says, putting on the charm. 'My name is Darryl. I'm your father's boss. What's your name?' Nancy bites her lip and reaches out her hand to introduce herself. He smiles at her suggestively. 'You better be careful, posting photos like that, Nancy.' He coos. 'You're going to make men fall in love with you!' She blushes, still hanging on to his hand. Frank's eyes narrow as he watches Darryl putting the moves on his daughter. 'I promise Nancy won't cause any problems, Darryl,' he affirms. 'And I should have that LOI on your desk by tomorrow morning. Just ironing out the details.'

Darryl lets go of Nancy's hand and looks back at Frank. 'That's not necessary,' he says. 'I'm going to give that deal to Jerry. In fact, I'm going to give your entire portfolio to him. You're fired.' Frank sputters in disbelief, as Darryl continues to berate him. He tells him that he's outstayed his welcome, that they were just keeping him on board out of pity, and that bringing his distraction of a daughter to work today was the last straw. He storms out of the room, leaving Frank alone with his daughter.

There is a long, awkward pause before Nancy tries to say something. Frank barks at her to shut up, turning away in a rage and blaming her for the entire situation. If she hadn't been so irresponsible at school, if she hadn't have dressed so inappropriately today ... she never would have attracted his attention. Now, Darryl has a perfect excuse to humiliate him! Nancy tries to calm her father down, encouraging him to go talk to his boss and smooth things over. Frank continues to bitch about his daughter, berating her for how much he has had to put up with since he married her mom. Always trading in his own success for them. And now, after nearly 10 years at this company, she's gets him fired. 'You're a salesman, dad,' she pleads. 'I'm sure you can find out what he needs to make this go away ... and if there is anything I can do to help, I will. I promise!' Frank stares at his daughter in hatred before an idea slowly creeps into his mind. If she got him into this, maybe she can get him out of this as well. He presses the intercom and asks Darryl's secretary if she could him back in for a moment. It's urgent.

Darryl comes back in, a cardboard box in his hand. He slams it on Frank's desk. 'I thought I told you, you're fired,' he barks. Frank takes a deep breath before asking Darryl if he can quickly speak to him about something, one more proposal before he leaves. Darryl arches an eyebrow and studies Frank's expression. Nancy stands back ... looking awkward. 'Hurry up,' Darryl orders. Frank takes another deep breath and moves closer to Darryl, speaking quietly. He starts to talk about Nancy, how much trouble she's become and the real reason she was suspended from school. Her teacher found her with a bag of amphetamines, letting boys finger bang her in the bathroom. One after another ... all afternoon. This on top of all the trouble at home. Nancy mouth falls open in shock, stunned at what her father is saying.

'Your step-daughter's a slut, Frank!' Darryl says laughing, his eyes shifting between the two of them. 'But most women are. I don't understand what this has to do with me.' Frank grits his teeth and explains that he saw how Darryl was looking at his daughter. He saw how his daughter was looking at Darryl. If his boss would consider forgetting about today, Frank is certain Nancy would let him have a go at her. Nancy scoffs in shock as Darryl's expression changes. There is a long silence. Finally, Darryl leans in and asks if he is serious. Frank nods as Nancy stares at him, mouth ajar. Darryl licks his lips. 'Is that what you want, sweetheart?' he asks. Frank nods and tells him that she said she'd do whatever it takes to help make things right. 'Dad!' Nancy exclaims. Frank tells Darryl to stay put and moves back over to where his daughter is standing.

Looking anxious and agitated, Frank sternly tells his daughter that this is something she must do for him. His job is on the line. His whole career. Everything he worked for. She looks confused. Frank continues, pleading with his daughter to just do what Darryl wants for five minutes. It won't take longer than that. It won't be much different from all the boys at school. Nancy steps back, shocked. 'I can't believe you're asking me to rest with your boss!' She whispers. Frank takes another deep breath. 'He's all talk, Nancy. It won't last more than five minutes.' Nancy shakes her head in disbelief. 'You fucking coward!' She stammers. Frank grabs her, pulling her in close to him, and demands that she help him. She did this to him. She promised to do whatever it takes to get him out of it.

Darryl clears his throat. Frank drops his daughter and steps back. The trio stare at each other, not sure who should make the first move. Nancy is shaking her head at her dad, full of hatred. Finally, she turns to Darryl. 'I'm sure your cock is way bigger than my dad's,' she says. 'Why don't you take it out and let me see it?' Frank goes to interject when Darryl, smiling, steps between them and tells the father to go wait outside. The staff meeting is just about to end, and they need privacy. Frank goes outside and shuts the door, leaning against the doorway. He lets out another deep breath and punches the wall beside him.

Inside, Darryl puts the moves on submissive Nancy, who is so angry at her father's betrayal that she wants to be as loud as possible. BG Sex Sequence with CP, intercut with a few shots of Frank outside waiting and listening as his co-workers occasionally file past him at the office. He looks dejected.

After they've finished, Frank is called back in. He enters to discover his daughter, naked and sweaty all over his desk with cum dripping from her pussy. Darryl is doing up his zipper with a big smile on his face. He walks past Frank and pats him on the back, thanking him for the ride. Frank asks nervously if tomorrow will still work for the LOI. Darryl grabs the cardboard box and pushes it into Frank's hands. 'I told you, you're fired.' He says. 'Just because you sell out your step-daughter, doesn't mean you have a job. Why would I keep a scumbag like that? Now clear out your shit ... I want you gone by the end of the day.' He leaves.

Frank turns to Nancy, sprawled out on his desk. He hates her. She hates him. 'I hope you're satisfied, dad.' She tells him. Frank is lost, staring at his daughter's glistening pussy. He can't believe what just happened. 'Just get up and get dressed,' he mutters. But Nancy doesn't move. 'I'm going to tell mom everything,' she continues. 'I'm going to tell my guidance counselor. I might even call the police.' Frank orders her not to do that. He's suffered enough. Nancy laughs. 'You tried to use me as collateral, dad, after all the self-righteous bullshit you've put me through. You're lucky I thought he was sexy!' Frank snaps at her to shut up. 'No, you shut up!' She screams. 'I know how you've looked at me. I know how much secretly got off on the idea that I'm a slut. Well, now you have it.' Frank calls her a whore. ''You act like me dressing sexy is so bad, but I bet it''s just because you can''t admit it turns you on, getting turned on by your step-daughter like a fucking creep.' She continues to rant. Frank looms over her and tells her to shut up again. She continues, 'Well go ahead and look, dad, actually why stop there. I already let your boss fuck me, might as well let you fuck me too dad, because I'm just a slut who'll let anybody fuck me, right? Go ahead, fuck me, so you can have his sloppy seconds like the loser you are.' and then Frank scowls at her and then unzips his pants and angrily plunges his dick into her. This descends into the second BG Sex Sequence with CP. After Frank has cum inside his step-daughter's pussy, they dress in silence as he packs up his desk and puts it inside the cardboard box. They exit the office.

THE STING
Two Men Lure Teen to Seedy Motel for Double Creampie

SCENE opens one night as Trix, an 18-year-old street girl, looms in front of a large graffiti wall that marks her favorite corner. Cars and pedestrians pass by, as the girl lingers. The camera cuts in closer to reveal her scantily clad outfit and high heels as they dig into the gravel road. She lights up a cigarette. A car slowly pulls up and a man leans out the window. 'Do you want a ride?' He asks gruffly. Giving him the quick once-over and stubbing out her smoke, Trix agrees and crosses the car to get into the front seat. Once inside, the man, a husky blue-collar type, takes a moment before asking what she's into. Putting on her street-smart attitude, Trix tells him that it depends what he's looking for. 'I'm looking for an all- night kind of thing,' he replies coldly. Trix bites her lip, giving him another good look, before cautiously responding that that is fine. He tells he knows a good motel and they drive off. A hotel clerk sits hunched behind his desk, scribbling annotations into a small field notes book when the bell chimes. He looks up, distracted, to find the blue-collar man standing with Trix at his side. He asks for a room for the right, preferably the one on the end if it's free. The clerk closes his book and stares at the couple. Without saying anything, he points to a NO SOLICITING sign beside his window. Trix steps forward and assures the clerk that it's just her and her man passing through town and looking for a quiet place to rest. Nothing to worry about. The clerk looks hard at the girl before turning his eyes back to the man. 'Last one's vacant,' he says. 'I'll need some ID.' The man hands the clerk a card as the clerk hands him back a key.

CUT to Trix and the man exiting the clerk's office and walking down the motel's exterior lobby to their room on the end. They disappear inside, leaving the camera to linger on the stillness of the night. After a few moments, the office door slowly opens and the clerk steps out, his field book in hand and a gun tucked in the back of his pants. He cautiously walks down to the room and looks in through the window. From his POV, we see Trix and the man settling into the room. She stands before him, presenting herself.

CUT to inside the room. The man asks how old Trix is and she tells him 18-years-old. He asks how she came to be such a whore. Rolling her eyes at the small talk, she tells him she ran away from home and she isn't a whore. She has daddy issues, that's all. The man asks if she has a pimp. Trix laughs ... and says no. I know how to take of myself. She cuts the conversation short by asking what the man would like to do first. He tells her to strip which she does. Then he tells her to take clothes off. She does. The man tells her he likes rough sex. She tells him fine, but no marks. He tells her he'll be careful. This descends into the first BG sex scene, where the man roughly fucks Trix in several positions around the room ... each rougher than the last. The sex scene is intercut with POV shots from the window, as the clerk watches what is unfolding in his room. He scribbles down observations as he watches. In the end, the man takes great pleasure in finishing Trix off with a big creampie which dribbles out of her. She lays exhausted on the bed, wiping her pussy. 'You know, I never usually let men cum inside of me,' she says. The man laughs and tells her not worry, she'll get what's coming to her after he cleans up. He excuses himself to the bathroom. While the shower runs, the girl slowly gets herself up and starts gathering her things.

CUT to the window. The clerk closes his field book and tucks it in his back pocket. In its place, he pulls out a badge (hidden under his shirt) and the gun tucked behind his back and kicks open the door. Catching Trix by surprise, the clerk bursts in telling her to freeze and put her hands up. This is a sting operation. The frightened girl freezes like a deer in headlights. She knows what this means, as the man steps out of the bathroom and pats the clerk on the back. 'Thanks for letting me get that creampie,' he says before turning to Trix. 'Remember this, the next time you try something like this, sweetheart!' She scowls at him, covering herself up. He kisses her on the forehead condescendingly before leaving the room. 'Now we can do this the hard way,' the clerk says, 'which involves my partner and I taking you down to the station ... or we can do this the easy way.' Trix crosses her legs and stares at the man in disgust. The room goes silent except for the sound of her leg shaking nervously. 'Fine,' Trix says. 'I'll blow you too, is that what you want?' The clerk looks her up and down before slowly shaking his head. Trix asks what it'll take. The man, slowly putting his badge and gun down on the dresser, tells her she'll need to do everything she just did to his partner to him. She shakes her head. 'I already took one load,' she says defiantly, 'I'm not taking another. I'm not on the pill.' The man laughs and tells her it's not his fault she's careless. They exchange several more rounds of debate before the frustrated girl agrees to have sex with the clerk. This descends into the second BG sex scene, where the clerk rough fucks Trix and gives her a second creampie of the night. All during the sex, she fucks him back in anger ... pissed off that she's got caught and trying to make him cum as quickly as possible. After he has finished, the clerk stands up sweaty and triumphant. 'Clean yourself up and get out of here,' he orders as he throws his clothes on and leaves the room. Trix stares at the door, gritting her teeth, before breathing a sigh of relief. She looks around the room and notices the gun and badge still on the dresser. Cautiously, she walks over and picks the badge up: it's a cheap novelty item. She's been had. She grabs the gun and. In a fury, storms out of the hotel room slamming the door.

Lisey has always wanted to have kids. It's been a dream for her. But it turns out her buff limp wristed husband Draven has a low sperm count so she seeks out the donor to come give her the seed she needs. She does not want artificial insemination she wants the whole baby making process. But does Lisey go too far in actually finding her perfect donor. Is it too much to suck on and worship his cock in front of her husband. To get fucked all over the couch in a myriad of positions as the horrified husband watches in shame. To have orgasm after orgasm as she enjoys the stretch his enormous cock is giving her. Something her husband is incapable of doing even if he tried cause his cock is small. Is any of this right? Who cares -- Draven is a pussy and Lisey enjoys fucking another man in front of him. That teaches him a lesson for not having the sperm she needs.

Elaborately tattooed Russian minx Misha Maver flashes cool blue eyes, ready for an interracial threesome! Antonio Black and Damien Soup feed her their stiff rods: Damien's white meat bones her tight pussy, and Antonio stuffs her mouth with big black cock! Misha squeals while Damien spanks her ass raw! Damien rubs her clit, and Antonio plunges deeply into her asshole, making Misha scream in orgasm! He gives her a rim job. The guys plow her holes simultaneously in an intense double penetration. Misha's bunghole gapes vastly! She gives an ass-to-mouth blowjob and culminates the dirty fun by swallowing cum.

Ella Reese stops by Quinton's house because he forgot to sign some papers at the office. While there, she finds out that Quinton's wife is out of town and decides that now is her perfect chance to make a move on him. He is hesitant since he is a married man, but who can resist Ella Reese?

Mishelle Klein loves to sunbathe naked out by the pool and today she's putting on a show for her lucky and cheeky neighbour Potro who is getting a real eyeful. Of course no man is able to resist this sexy teen for long and soon they're in the shower together as Michelle gets down on her knees for a wet sloppy blowjob. Then watch as she offers up her pussy for a fuck before taking the action to the bedroom for some hard and intense anal as Mischelle moans and screams all the way to a juicy creampie.

Nelly Kent has come to Private Specials, Anal Beauties 2 ready to give the perfect birthday present to her man Alberto Blanco, his first ever anal. After a short fuck in the shower Nelly slips into her sexy lingerie and warms up her ass with a dildo before inviting in the lucky Alberto for his surprise. Watch Nelly get on her knees and give her man an incredible blowjob and tit fuck to warm up before she offers up her tight little ass for some intense anal action as she rides and fucks her way to juicy creampie.

When Xander Corvus agreed to at-home couple's counselling with his wife Charlotte Sin, he didn't expect his ex, Demi Sutra to be their counselor.

Sporty Adira Allure drizzles spit onto her body. The liberally lubricated girl shoots oil from her puckering asshole! Tommy Pistol shoves a butt plug into that slick sphincter. She gives him a tasty rim job and then spreads her legs for an orgasmic pussy pounding. Adira rubs her clit and squirts girl cum as he fucks away! Tommy licks her twat and shoves four fingers inside. Adira gives him a passionate blowjob. In the midst of an oily fuck, she does a full split on his dick! There's face sitting, and the crazy girl shoves a speculum into her cooch. Tommy drips cum inside her spread pussy lips.

Brazzers Valentine's Day Affair was shot and broadcasted LIVE on February 14th, 2020. The once in a lifetime event delivered glamour, fantasy and the industry's top talent giving it their all in an unforgettable orgy. Were you left wanting more? Us too! We've gone back over the footage and have collected the best moments that didn't make it onto the live show. Enjoy these previously hidden gems!

Daphne Dare hasn't seen her uncle by marriage, Will Pounder, in a long time. Once Daphne's brother Jake Johnson brings Uncle P home, Daphne knows she's going to go for it. Jake tries to warn Uncle P off of his sister, saying that Daphne has gotten really slutty as she has gotten older and that she's going to try to fuck Will. Uncle P scoffs at Jake's warning. He goes to take a quick shower, where Daphne spies his junk. She likes what she sees, so later she puts on a short skirt and brings Uncle P a drink. Bending forward, she shows that she's not wearing panties to hide the view of her ass and twat. Turning around, Daphne asks Uncle P if her skirt is too short. He reassures her that it's not as long as she doesn't bend over. Jake once again tries to warn Uncle P that Daphne is doing this on purpose, but Will is unmoved.Daphne waits until Uncle P is getting settled in his bedroom before she makes her next move. She walks in wearing nothing but a short nightie and a thong. Her story is that she has something stuck in her cooch. Uncle P suggests they go to the ER, but Daphne can't take the potential embarrassment. She insists that since Uncle P used to be a medic in the army that he can help her by fingering it out. Reluctantly, Uncle P agrees to fish out whatever is stuck inside his niece. His finger finds Daphne's bald pussy nice and wet, but he doesn't pop anything out. Daphne suggests that Uncle P try licking her clit to loosen things up, which he ultimately agrees to do as well.When neither of those things work, Daphne suggests that Will might be able to fuck the object out of her. It takes some coaxing, but Uncle P agrees that it may work. Daphne gets on her hands and knees so he can try to pound the object out of her. When that doesn't work, she hops on Uncle P's cock and starts riding him. Getting off again, Daphne sucks Uncle P's dick and then rolls onto her back. Will dives back in, but when he's about ready to cum Daphne wraps her legs around him to keep him buried inside her as he cums. That's when Daphne admits there was nothing in her twat; she just wanted to fuck him.

Brazzers Valentine's Day Affair was shot and broadcasted LIVE on February 14th, 2020. The once in a lifetime event delivered glamour, fantasy and the industry's top talent giving it their all in an unforgettable orgy. Missed the party? Not to worry, watch the hottest highlights from the big night right now!

Carmen's step daughter Lana is always getting in trouble so Carmen is on high alert 24/7. She catches Lana trying to sneak off to school in booty shorts and a see-through top and insists she change. Lana does, but swaps out see-through for a super-crop top, her under boob pouring out and leaves for school saying she doesn't have time for this. Within minutes, Carmen sees Lana outside on her husband's friend's lap! Carmen has had it. She tells Jax her husband isn't home and demands that Lana get off of him. Lana reminds Carmen that she isn't her real mom or the boss of her. She pulls out Jax's dick and coyly suggests Carmen try saying something about that. After vigorous sucks, Carmen slips off her blazer and tells Lana to step aside, she's got some dick-sucking pointers for her daughter. If she's going to do it, she better do it right: black men are so much better than those Lacrosse players Lana usually hangs around and she's going to need to step it up to be worthy of BBC!!!