Latest 'Big-dick' updates from Pornstar Scenes (Page 288)

NEEDING DADDY'S SEED
Daughter Begs Step-Father For Creampie To Get Her Pregnant

SCENE OPENS to Peter (John Strong) masturbating to daddy/daughter porn on his laptop. He's quite into it, entranced by the nature of the relationship and sensual acts on the screen, though he's interrupted by his own step-daughter, Mary (Kenna James), knocking at the door. He quickly closes the laptop and hides the tissues, then allows her into the room, where it's revealed she has something important to tell him.

Peter is attentive as she thanks him for being a wonderful step-father. Although he's done his best to give her a happy life, she still feels like something is missing. It still doesn't feel like they're a REAL family...

Although Peter is at a bit of a loss, he tells her that he'd be happy to adopt her to make everything more real. But she insists that that's not what she needs... No, she wants to start a real family with Peter... She wants him to get her pregnant!

Peter is stunned, insisting that he absolutely can't get her pregnant! She's his daughter! Yet, Mary is quick to remind him that she's his step-daughter... She further hacks away at his resolve by stating that she knows he lusts for her. She knows he watches videos of family roleplay. Here's the chance to live out the fantasy! Even if she doesn't get pregnant, they can have fun trying!

Unable to deny his desires any further, Peter gives in. As he watches his daughter eagerly go down on him, he knows there's no turning back...

Nominated - Best Three-Way Sex Scene -- B/B/G: Abigail Mac, Seth Gamble & Jake Adams, AVN 2020

THE CASTING
Struggling Actress Coerced Into Sex Audition By Creepy Director

Scene opens on Amy (Abigail Mac), a young waitress, as she waits by a bus stop at the end of a long shift. Still dressed in her work uniform, she rifles through her purse to find some change for the bus when her phone rings. It's her agent on the other end of the line, calling to inform the struggling actress that she received an invitation to audition for a new mainstream project -- a lead role in a pilot. Amy is ecstatic and surprised. It's the first audition she's ever had... The agent tells her that he received the invitation from the director himself, eager to meet Amy after seeing her demo reel. Eager to accept, she tells the agent to set up a time and she'll be there. 'Do you think you could make it to Los Verdes by 5pm?' The agent asks. Amy looks down at herself. 'As long as they don't mind my work uniform,' she jokes. The agent tells her he'll set it up and send the address. Amy puts the phone back in her purse and sits quietly for a moment, before jumping up and down in excitement at the bus stop.

CUT TO TITLE PLATE

Inside a staged living room, several crew members finish setting up lights and preparing their cameras. A small bespectacled man, the director (Jake Adams), comes on to the set and barks orders at several of them. Despite his slight stature, he commands a presence and the crew work obediently under him. He walks over to a separate area, where a makeup artist is finishing up with the male lead (Seth Gamble)'s hair. 'Tony Romeo,' the director says, clasping the man's hand. 'Do I have a fun audition for you today!' The actor flashes a toothy grin. 'Like last time?' he asks. The director smirks at him, adjusting his glasses, before telling the makeup artist to wrap it up. The actress will be here any moment. And he wants a closed set.

Outside the building, Amy paces by the door. It is already after 5pm and she doesn't want to make a bad impression. A PA lets her in, paging the director on his walkie-talkie. Amy steps inside to view the set. It looks so professional ... like a real living room! She nervously sits down on the couch when the director storms in. With a strong handshake, he introduces himself. 'I'm Steven Rothschild, welcome to my set!' Amy recognizes the name instantly. Rothschild is one of cable's most successful showrunners. 'You're the guy behind Red, White, and Bad!' she exclaims. 'That's one of the best shows on television right now!'

Tony struts into the room. 'OR ever!' he says, jokingly sliding into their conversation. Amy looks doubly starstruck. Tony Romeo is the hottest young actor in Hollywood right now. 'Oh my god, Tony Romeo. Are you in this?' He smiles, looking at the director. 'Are you kidding? Stevie wrote this for me!' He clasps his director friend on the back before sitting down on the couch. The director puts his arm around Amy and tells her that Tony is going to be helping read lines for her audition today. Is she ready to get started? Amy nods, then asks if he got her portfolio the agent sent over. Steven looks her up and down. 'Don't worry, I've seen everything I need to see about you already,' he says with a smile before turning to tell the crew to leave the room. This is a closed audition.

The director sits down beside Tony and asks Amy to stand before them. He asks her age, height, weight and then to spin around for him. Amy looks a little confused. 'Do we have a script?' she asks. The director smiles and repeats his request, with Tony chiming in. 'Stevie likes to freestyle his auditions,' he adds. 'Starting off with how you look!' Amy slowly turns around, trying to keep her composure. She feels awkward. The director likes what he sees and pays several compliments to Amy's physique. 'You look like you take very good care of yourself,' he says, jotting down a note. 'Have you done a lot of physical roles in the past?' Amy feels even more awkward. 'Um ... I work out,' she replies.

The two men look at each other and nod, before Tony gets up and walks over beside her. The director compliments how good they look together. 'Now, that's an attractive cast!' he remarks. Tony comes in close to Amy and puts his arm around her. He smells great and is very handsome. Amy blushes at the thought of him touching her. 'Thanks,' she squeaks. 'Now, are you sure you don't want me to read anything in specific?'

The director stands up and walks over to them, scoping them out. 'Are you comfortable with romantic roles?' he asks Amy. Amy nods. 'Good,' the director continues. 'Because this new project is a love story and it's going to feature several very intimate scenes.' The camera lingers on Amy's face, as she tries to remain confident and professional despite her unease. Tony playfully teases her by saying not to worry, he brushed his teeth. 'I'm sure that won't be a problem,' she replies quietly.

The director goes on to explain that there is one pivotal scene in the project that involves nudity. It is very important that she feels comfortable with being nude on camera. Amy's smile wavers. 'Um ... ok, I guess,' she replies. The director's tone changes sharply. 'Well, are you ok with being nude on camera or not?' he barks. Tony releases his grip and looks at her. Feeling cornered, Amy nods nervously. 'Yes, of course. I'm an actress,' she says. The director relaxes. 'Great,' he says, clasping his hands together. 'So, let's see you out of these clothes then. I want to make sure you don't have any tattoos or blemishes that would take away from the innocence of your character.'

Amy stares at the men in shock, before slowly looking across the room. It is empty. The crew have left. She is completely alone. 'I don't have any tattoos,' she whispers. The director crosses his arms and motions again for her to undress. 'He just wants to make sure,' Tony adds reassuringly. There is a long pause before Amy slowly begins to remove her work uniform. She strips down to her bra and panties. 'See, no tattoos,' she says, eager to redress. The director stops her. 'Let me take a good look,' he says scanning her body. 'Please remove your undergarments.' Amy wraps her arms around her chest. 'I don't think that's necessary, do you?' she asks. Tony chimes in again, joking that she might have something hidden under there. They just need to take a quick look. It's not a big deal. 'You are an actress, right?' he says, his joking attitude turning serious. Feeling intimidated, Amy nods and slowly slips off the rest of her clothing.

She stands before the two men fully nude and vulnerable. They exchange knowing looks before the director compliments her body again, saying how lovely she looks and what great shape she is in. She is a natural born star. Amy fakes a smile. 'Thank you,' she says. 'Shall I get dressed now?' The director says sure and goes back to sit on the couch when Tony interjects. 'Wait, wait, wait!' he says enthusiastically. 'Stevie, I have a great idea! Since we are all here and there is such a good vibe going on, why don't we just rehearse that scene you told us about to see what the chemistry is like? You can work out the angles you'd like for when we actually film it!' The director smiles. 'That is a FANTASTIC idea!' he replies as Amy covers herself up and the director leaves the room to grab his camera.

Tony starts to remove his clothing, staring intently at the nervous woman. 'You should really relax,' he says coldly. 'Stevie hates difficult women!' He pulls down his pants to reveal his semi-erect cock, as she turns away embarrassed. The director returns with his camera and begins to guide them into position. 'I imagine that this scene starts with a long, intimate kiss,' he says. 'Standing just about where you are now. When you're ready, please begin.' He kneels to get a nice low angle look at Amy as Tony closes in on her. 'Are you ready, beautiful?' he says, inches from her lips. Looking down at his cock on her thigh, she closes her eyes and says 'ok.'

The director yells action and Tony kisses her. She nervously kisses him back, not sure what to do with her hands, but the leading man grabs them and wraps them around his muscular frame. 'Closer,' the director whispers eagerly. 'More passionate!' Throughout the awkward make out session, the director moves around the couple to view his various angles. When he is not satisfied with something, he sharply asks Amy to bend and contort herself. The requests become increasingly exploitative and she tries to protest but both men remind her that this is an audition and she shouldn't break character. 'If you do what the director asks, you will get the part,' Tony whispers aggressively in her ear. 'So, don't be a diva about it!' She feels horribly conflicted but doesn't want to lose the role of a lifetime so, mustering up her courage, she tries her best to do everything the director says, no matter how invasive. She ends up spread eagle on the couch for both men to see, as the director sticks his lens right up to to her pussy and breathes heavily. 'This will make a perfect transition,' he mutters to himself as he hands his camera to Tony.

'Tony, I want your character to begin the sex scene with oral first, followed by penetration,' he says, matter-of-factly as he undoes his zipper. 'But, it needs to feel authentic, so let me show you how I'd like you to do it first.' Tony nods, pointing the camera. Amy looks at the director. 'I'm sorry ... What?!' she stammers. Looking at her coldly, the director arches an eyebrow. 'You don't have any issue with me showing him, right? I like to get into the minds of my characters through roleplay. It's just my style.' She closes her legs and starts to get up. 'I don't think I feel comfortable with that, I'm sorry.' She rushes over to her clothes and starts to gather them on the ground when she hears the men laughing behind her. Angry, she stands up and turns around. 'What is so funny?' She asks, her anger welling up alongside her anxiety. The men stop snickering and face her. 'You chicks are all the same,' Tony says. 'You take an opportunity and you ruin it with your attitude! Nobody wants to work with a bitch like that.'

Amy tries to defend herself. She doesn't have an issue with nudity or even a sex scene, she just wished she'd be informed. 'I thoroughly explained this all to your agent,' the director adds. 'He assured me that you were professional and experienced.' Amy walks back over to them, pleading. 'I am,' she says, exasperated. 'And I want this role, I really do! I just wasn't expecting this much pressure!'

Tony puts his arm around her and slowly pushes her back down on the couch. 'Look, I'm sorry if I offended you, I just hate it when actors aren't respectful on set. It's my biggest pet peeve ... right, Stevie?' The director nods, pulling his dick out. 'Nobody is here to pressure you sweetheart,' he says. 'We just want to make sure we create the most authentic scene possible!' She stares at the penis in his hands, her lips quivering. 'So, are you willing to continue?' he says. 'Because I've got girls lined up if you don't think you're strong enough for this role!' Amy closes her eyes. This isn't what she expected. But, if she doesn't do it, she won't get the role. Slowly, she spreads her legs wide again and stares at him. 'Yes,' she says quietly.

COCK-SLUT CONDITIONING
Manipulative Boyfriend Conditions Teen To Fuck Him In Front Of Her Parents

A young teen, Kaylee (Carolina Sweets), is getting ready to go out. Her parents, Leo (Derrick Pierce) and Diana (Chanel Preston), seem wary and uncomfortable as Kaylee excitedly announces that she's going out with Chad. It's their three-month anniversary and she thinks he has something special planned. Leo seems to be at a breaking point as he shakes his head. 'No, I'm not going to sit idly by anymore while our baby girl dates that piece of shit! Kaylee, what the HELL are you doing?'

'You've been on my case about Chad ever since we got together! Why can't you be happy for us??' Kaylee demands of both of them. Diana tells Kaylee that they're just worried about her. Chad is older after all, and they're worried he's been a bad influence on her. 'We're in LOVE, why can't you see that? He's THE ONE!' Kaylee responds.

'You're only 18, there's no way he's 'the one' for you!' Leo says angrily. 'Daddy, I'm not your baby girl anymore. You gotta let me go,' Kaylee sneers. Both Leo and Diana are stunned, though they don't get a chance to respond before there's a knock on the door.

Diana and Leo watch as Kaylee bounces to the door and opens it, revealing Chad (Dean Van Damme). 'Hey, cutie!' Chad greets, as he grabs and hauls her in for a smooch, which is filthy and shameless. Kaylee melts into the kiss, not ashamed of acting this way in front of her parents. Leo confronts Chad, stepping forward with anger. 'It's bad enough you're dating my daughter, but to behave like this under our roof...!'

'Daddy! Leave him alone,' Kaylee speaks up. Leo barks that a guy like Chad only has one thing on his mind...

Chad retaliates and insults Leo, which results in a physical altercation between them. Kaylee, blinded by her infatuation, takes Chad's side. Chad grins and puts an arm around Kaylee as he opens the door, telling her to come with him. Leo and Diana call for her to come back but their words fall on deaf ears. Kaylee heads out the door. 'I'm gonna make you both so sorry you did that, just you wait... ' Chad says smugly as he grins sinisterly and ducks out the door, leaving Leo and Diana stunned.

TITLE PLATE

Three weeks have passed since Kaylee's left home. Leo and Diana are looking at updates on Kaylee's social media when they hear the front door open. They rush to the door and discover Kaylee, distraught. She tearfully admits that they were right to be suspicious of Chad all along.

'Did he hurt you?? Did he keep you there against your will?' Leo demands. 'No! No, of course not dad, no, it's not like there was anything stopping me, but it took me so long to work up the courage... But tonight, he went to play a gig at some dive bar, so I... left. I just... opened that door and didn't look back, and... here I am. God, it's all a blur,' Kaylee says. Leo is furious and wants to get the police involved, but Kaylee convinces him not to.

Later that evening, the family tries to relax and recover. There is a knock on the door. Everyone is instantly tense. Finally, we hear Chad on the other side, saying, 'Kaylee? It's me, come on, I just want to talk!' Leo aggressively confronts Chad at the front door, though Chad insists that he's just there to talk to her. Leo doesn't want to let him in, but does so when Kaylee convinces him to.

Chad moves inside to the living room, claiming that he was worried about Kaylee and just wanted to see WHY she'd run off. 'You KNOW why!' Kaylee exclaims. 'You're not who I thought you were! You- you-' she starts, but is too ashamed to continue on in the presence of her parents.

'Chad, look what you DID to her!' Diana utters as she tries to comfort Kaylee.

Now Chad's expression gets darker as he grins. 'Did to her? Hah. I turned her into a nice little cock slut, that's what I did to her,' he announces, much to the horror of everyone there.

'Is this some kind of sick GAME to you?' Kaylee tearfully gasps.

'Oh, sweet Kaylee, so naive. You were always so eager to please, so it really wasn't hard to condition you.'

'Condition me? What are you talking about?!' Kaylee asks, confused and disgusted.

'You don't remember?' Chad teases. 'Well of course you don't, I conditioned you not to.'

'Kaylee, what the hell is he saying?' Leo asks her. 'I don't know, Dad!! I don't know what he's talking about!?'

'You're upsetting her, just leave us alone!' Diana frets. Chad ignores her and continues. 'Sweet Kaylee... I have you wrapped around my little finger -- or my big cock, rather. Even though you hate me now, I can have you over here on your knees in a heartbeat. All you need is the trigger.'

'You're DELUSIONAL! You didn't-... I never-' Kaylee protests almost in tears. 'Delusional? See for yourself!' Chad says with a smirk as he whips out his cock.

As Leo and Diana look on horrified, Kaylee becomes inexplicably hungry for sex. As if a switch has been flipped, she shamelessly sucks Chad's cock in front of her parents. 'I'm his good little cock-slut,' Kaylee says happily, not hesitating to take his cock and lick it, lavishing it with attention.

Her parents are disgusted and confused, yelling some more, but when they try to grab her shoulder to drag her away from Chad, Kaylee shrugs them off and hungrily goes back to giving Chad head.

Chad brags about how easy Kaylee was to condition for sex. He encourages her parents to stay and watch them have sex to humilate everyone there. At a complete loss but also wanting to be there for their daughter, they very reluctantly sit nearby.

Leo hugs Diana close, putting her head to his shoulder, their faces grimacing in agony as they watch their sweet daughter become the greedy little cock-slut that Chad conditioned her to be...

Texas Patti has an issue, her son is being bullied. He is being kicked off the team and she's going to fix this issue by getting bullied herself. By one big black cock! Can she handle it?

Slim-but-busty blonde MILF Sarah Jessie has lush lips, a tattoo sleeve and a hot, round ass. In a striptease, her lingerie can't conceal the butt plug buried in her bunghole. Commencing an interracial tryst, she and muscular black stud Isiah Maxwell kiss and caress. He stuffs his face in her cushioned crack for a rim job; from behind, he eats her thick, meaty labia and bald pussy. A worshipful blowjob creates strands of spit that lube a titty fuck. Isiah's big black cock goes straight to anal. She talks dirty and grinds her glutes on his boner; he spanks and oils her ass as he fucks it. Her big cheeks hump and snap through a backdoor dick ride, and Sarah gives passionate, ass-to-mouth head. Isiah drills her cunt, and then Sarah masturbates through manhandling sodomy in multiple positions. Sarah kneels for a cum facial, drooling the mess onto her body.

Looking fabulous in a denim jacket over elegant, white lingerie, black vixen Julie Kay flaunts her body. The busty, tattooed babe joins Jason Moody and Jay Smooth, worshiping their thick white dicks through an interracial blowjob threesome. Julie gags as she sucks stiff cocks, spit soaking her tits. See hard throat fucking, nasty rimming and a filthy, two-cock cum facial!

Stunning black beauty Kira Noir performs an epic, slow-motion striptease, slipping out of sexy lingerie. The athletic, cock-craving vixen shows off her fit body, masturbating and drooling. Kira feasts on the stiff pricks of studs Jay Smooth and Jason Moody. The dudes cram both dicks into her mouth at once! This interracial blowjob threesome serves up sloppy face fucking and intense, deepthroat fellatio. Lewd Kira rims bunghole too! She opens wide for two messy cum facials, and she thanks the guys.

Tight-bodied, black Demi Sutra teases and strips. She's ready to treat Jason Moody and Alex Mack to a nasty double blowjob. Commencing the interracial oral threesome, Demi kneels before the boys, talking dirty as drool seeps from her puffy lips. Throat-burbling oral action includes messy spit play, lewd rimming and two sloppy cum facials. When Alex and Jason slather Demi with hot sperm, she stares into the camera saying, 'Tastes so fucking good!'

Pale Blair Underwood, a young, real-life mom, looks like the MILF next-door, but she wears a 'SLUT' choker and skimpy threads that accentuate her fleshy, white ass. Blair talks dirty as she fingers her asshole and masturbates with a massager; her verbal filth continues through the scene. She sucks Mark Wood's prick, eyes reddening, spit flowing. Blair spreads her legs for a rim job. Mark goes straight to anal, and Blair says she likes watching his cock go in and out of her rectum. He chokes her as he sodomizes her, and Blair blurts, 'Pound my asshole.' She takes a buttfuck ride, Mark spanking her meaty cheeks. Blair declares an ass-to-mouth blowjob 'yummy.' The stud buttfucks her in multiple positions, making her pink sphincter gape. Blair swallows semen and cleans his dick orally.

ALPHA MALE
Father And Son DP Son's Cheating Girlfriend

SCENE OPENS to Toby (Robby Echo) and his girlfriend, Crystal (Whitney Wright), arriving at his father's house to do some studying. They seem like a sweet couple, though Toby is on edge. Crystal hasn't met Toby's father, Hunter (Stirling Cooper), yet, and Toby was more than happy to keep it that way. To him, Hunter is abrasive and a complete pig. He doesn't know how to treat women right! Meanwhile, Crystal tries to calm her boyfriend down, insisting he's being too hard on his old man. She's sure Hunter's just fine!

But when Hunter struts into view moments later, she's suddenly hit with just HOW fine Hunter is... He's much bigger, stronger, and more confident than Toby. He's undeniably attractive, although Crystal tries to push it all out of her mind...

She keeps close to Toby to resist these unexpected urges, both of them soon parting to study elsewhere. Even so, she's distracted -- so much so that Toby has to point out that she accidentally left her books out in the living room. Crystal snaps back to attention and excuses herself to fetch the books.

Along the way, she comes across Hunter. Immediately, she's weak in the knees as he comes onto her, whispering promises of a wild night to remember. His hands are strong, his breath warm, and his voice a low rumble. He has charisma that she can't deny and a cock that soon makes her gasp with pleasure as she eagerly accepts it into her pussy.

But when Toby walks in on them, she's soon caught between the two men in a battle of dominance. Just who will come out on top?

Nominated - Best Actress - Featurette: Alexis Fawx, AVN 2020

SEEN NOT HEARD: AN ALEXIS FAWX STORY
FEMALE PATIENT RELIVES PAST SEXUAL EXPERIENCES WITH HOSPITAL STAFF

SCENE OPENS on Anna (Alexis Fawx), a frazzled woman dressed in a patient gown, as she sits on the edge of her hospital bed with her eyes closed. Her body is tense but still, with her fists clenched. The room is dark and only her silhouette is really visible, set against the various shadows that move in the hallway on the other side of the curtain. Anna muses:

'Monsters are not only bred from darkness, monsters are also created. A monster by definition is an imaginary creature that is typically large, ugly and frightening. It's the unknown lingering under your bed making you wish your blankets had the power of invisibility. A monster comes in many shapes and forms; its main purpose to destroy. They are creatures of elaborate pain, a motherless, fatherless creature shadowed in robes, veiled in black taking shape of all the things we fear most.'

Suddenly we flashback to a different time, many years ago. We are looking at the face of 18-year-old Anna (Bobbi Dylan). She sits on the edge of her bed. An older man walks into frame with a paper bag in his hand. 'Hi sweetie, how was your day?' the man says as he blindfolds the young woman, intimately caressing the side of her face as he does so. His index finger grazes her mouth for a brief second and then he reaches over into a brown paper bag he has by his side. 'Are you going to be a good girl?' She nods and opens her mouth somewhat reluctantly. From the paper bag, the man takes a small container of chocolate pudding and dips his finger in it. He slides his finger into her mouth as she licks the pudding off. 'You know what happens if you get this wrong, don't you Anna?' He whispers. The girl looks up, despite being blindfolded, and nods as she chews. She hears the bedroom door slam.

Back in the present day, Anna is now having a panic attack, rocking back and forth. 'I guessed it right!' She half cries, half laughs as she continues to rock back and forth. A young male hospital orderly (Seth Gamble) walks into the room. Taking the woman by the shoulders, he guides her back into bed, tucking her in. 'Don't worry Anna, everything is going to be alright. The doctor will see you in the morning.' He smiles gently, as he caresses her face intimately and she closes her eyes.

CUT TO TITLE PLATE

The next morning, Anna wakes up suddenly. Sitting in a corner of the room is the girl from her memory, her younger self, still dressed in her nightgown. 'It's about time you wake up sleepy head, the doctor is waiting for us!' The younger Anna says innocently.

At the same moment, the orderly walks in to the room. Both women look at him, but he only looks at the older version of Anna, 'The Doctor is ready for you,' he says. Anna gets up reluctantly, examining herself and the younger woman beside her. She is expecting the orderly to say something -- but he seems oblivious. Finally, the younger Anna takes her hand and pulls her forward, as they follow the orderly out of the room.

In the doctor's office, Anna sits in a chair in front of the doctor (Eric Masterson) as he reviews her chart. He asks how she is feeling, how her appetite has been, and whether she's still been having those dreams they talked about. As Anna struggles to answer, the younger version of her leans in and whispers 'Remember dear, you must be seen and not heard!' Anna closes her eyes to try and tune it all out.

We flashback to another memory of the younger Anna. She opens her eyes to stare at herself. She is sitting in front of a mirror, as her mother brushes her hair. We don't see the woman's face, but we hear her saying 'Remember dear, you must be seen, not heard!' Young Anna listens to this being repeated before she starts to say it to herself as well.

Back in the doctor's office, Anna opens her eyes in a panic. The Doctor tries to calm her down, as she starts shouting 'be seen, not heard' repeatedly. He yells for help and the orderly comes back in to take her away. The younger Anna watches them leave with a sly smile on her lips before turning around and winking at the Doctor, who has no idea she is there.

Later that night, the orderly comes in to Anna's room with a dinner tray. 'I'm not hungry!' Anna shouts, as she turns over in her bed to reveal the younger version of herself also lying there. 'You have to eat something,' the orderly tries to coax her. The younger Anna sits up, picking a piece of food from the tray. 'You should really be a good girl Anna, you know what happens when you misbehave!' She whispers, slipping her fingers into Anna's mouth and then licking them herself. She then stands up and walks over to the hospital orderly, before looking back and saying, 'I'm eighteen now ... so why don't I show you how a good girl should behave!' She pulls the orderly's pants down, gets on her knees and asks to give him a blow job. In a calm voice, he says 'sure Anna'. Young Anna slides the orderly's cock into her mouth. Older Anna watches from the bed, utterly confused. Her mind races. Is what she's seeing even REAL?

BREAKING THE VOW
Serial Cheating Husband Lures Online Hookup Into Lewd Sex Acts

A beautiful, young woman, Vanessa (Keira Croft), is preparing for a date night. She's texting back and forth with a man named Tony (Steve Holmes), who she'll soon be meeting up with. She seems eager to please, changing her appearance based on what he's expressed that he likes. He likes the red lingerie she wore in a profile picture, so she changes from black to red... He normally prefers brunettes, so she dyes her hair from blonde to brown...

Then it's time for the date.

When Vanessa arrives, one of the first things she learns is that Tony is married. Although she's uncomfortable with the hookup now, Tony assures her that everything is fine and that there's nothing to worry about! Sure, his wife doesn't know about his cheating ways, but she doesn't need to! He gives her everything she needs, so he doesn't feel guilty getting what HE needs on the side as well. He needs to fuck -- and fuck a lot! He also craves variety, needing things to be kinkier than his sweet wife can handle.

Although Vanessa is still shy and uncertain, Tony eventually convinces her to go ahead with the fun they had planned. Yet, Tony has no idea that Vanessa is soon going to give him the surprise of his life...

DADDY'S GOLDEN RULES
DISCIPLINARY DAD MAKES DAUGHTER WET HERSELF
A teen girl, Carrie (April Aniston) quietly sneaks into her house long after her curfew. She thinks she's in the clear until her step-father, Kirk (Mr. Pete) calls out to her from the living room.

Busted.

Carrie has to endure her step-father voicing his resentment about being a step-father. As he begins to tell her off, she starts to squirm, needing to use the bathroom. She's been out all night, after all. However, Kirk isn't about to let her go without her reciting his three golden rules. He does everything for her, so the very least she can do is respect his rules.

She recites the golden rules, desperate to get out of there. Respect her mother and step-father, never bring boys home, and... never be late. But Kirk isn't happy. She's broken two of the three rules, so she knows what that means -- she has to wet herself.

Carrie is shocked -- the LAST time they were in this situation and she wet herself, she thought it was an accident, but it's clear now that Kirk gets off on it!

She begins to storm away, but Kirk threatens to double or triple her chores to make sure she doesn't have any time for fun anymore. Maybe he can tell her mother how bad she's been, too. She wouldn't want to disappoint her mom, would she?

Although Carrie's grossed out, she decides to give into what he wants just to get it over with. Little does she know, this is just the beginning of what he has in store for her. Kirk plans to make sure his daughter NEVER disrespects his golden rules ever again.

KEEP YOUR FAMILY CLOSE
CHEATING HUSBAND IS CORNERED WHEN ONLINE MISTRESS SHOWS UP ON HIS DOORSTEP

A wife (Chanel Preston) makes her husband (Charles Dera), a nice dinner. She tries striking up a conversation with him but he's too distracted. Little does she know, it's because he's busy staring at a string of messages on his phone from an apparent mistress of his. Annoyed by her husband's lack of caring, her eyes linger on a birthday card from her sister. 'Family's important, isn't it?' she directs to her husband, who once again ignores her, showing that he takes his wife and family for granted.

Unfortunately for HIM, karma's out to get him.

The next day, the husband's world is turned upside down when a teen girl (Whitney Wright) shows up on his doorsteps. She's eerily calm while he is too shocked to do anything but stare at her. Before he can shoo her away, the wife catches sight of the teen and invites her in, thinking she's there selling cookies. The teen comments that there's a misunderstanding... she's not there to sell cookies, she's there to see her dad!

The husband is stuck between a rock and a hard place as the wife gets over her initial shock and invites the teen girl inside, giving her a place to stay now that they're family! While the wife is over the moon with happiness, the husband knows he's screwed as the teen casts him dark, sultry stares when the wife isn't looking.

There's more here than meets the eye, and the husband's troubles are just beginning.

Nominated - Best Actor - Featurette: Lucas Frost, AVN 2020

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

FATHER RECALL
MAN ENTERS INTO SADISTIC MIND TRADE WITH DAUGHTER'S BOYFRIEND

A young man (Lucas Frost) is in a jail cell, bound and disoriented. He has no idea how he got there or what's going to happen to him. All he knows is that it can't be good.

When he's hauled out of the cell, struggling to free himself from his captors, he comes face-to-face with an older man, Mr. Leblanc (Dick Chibbles), and a scientist (Chanel Preston). The young man's eyes widen as he recognizes the older man, although if he thinks Mr. Leblanc is there to help him, he's sorely mistaken. The young man is shown no mercy as he's rendered unconscious.

Mr. Leblanc despises the young man, who is his precious step-daughter's boyfriend, Bill, but instructs the scientist to keep him safe since his daughter would never forgive him otherwise. However, he needs Bill's body to fulfill one of his greatest and darkest desires, which requires trading his mind with Bill's using advanced technology.

Once the process is completed and he's in Bill's body, it's time to get to work...

He arrives back home and greets his beautiful and unsuspecting step-daughter, Lydia (Jaye Summers). She looks every bit like her mother, making Mr. Leblanc's grieving heart ache. He misses his late wife so much... Why does BILL get to know Lydia in those most intimate ways, when HE's the one who spent 18 years raising her on his own?

Lydia is thrilled to see her boyfriend, though that pleasure turns to uncertainty because of how... odd... he's acting. As they get frisky, Mr. Leblanc is unable to keep his story straight as he accidentally lets slip pet names and personal stories that only HE would know. Even despite her reservations, Lydia gives herself to him -- not knowing that she's doing it with her perverted step-father that has been lusting for her all her life.

After tonight, nothing will ever be the same for any of them.

DUTY CALLS
TEEN CHEATS ON BOYFRIEND WITH HIS BROTHER WHILE LYING TO BOYFRIEND ON THE PHONE

A teen girl, Carmen (Ember Snow), is crying when Brett (Johnny Goodluck), her boyfriend's brother, returns home. Brett seems to take an interest in her, almost like a predator sniffing out prey, as he sees how vulnerable she looks. He learns that Carmen and his brother got into a huge fight about her jealousy and insecurity towards other girls, and he stormed out. She's been crying her eyes out the past few minutes until Brett got home.

Brett sees an opportunity to wreak some havoc and have a bit of fun. He starts acting sweet and consoles Carmen, sympathizing with her and telling her his brother is an asshole. He asks how old she is and when she tells him she's 18, he tells her that because of being older, he knows more about how these things work. He tells her she needs to move on, not just because she deserves better but also because he lies that it sounds pretty clear his brother broke up with her. This upsets Carmen even more.

Brett tries to convince Carmen to have sex to get back at her boyfriend. Carmen doesn't want to, she still thinks her boyfriend loves her, so Brett plays to her insecurities and asks how she's sure his brother HASN'T been sleeping around with other girls?

Brett sees Carmen is starting to doubt and puts on the pressure - wouldn't it really make his brother jealous if SHE had sex with another guy? Someone like... him? Carmen is still reluctant, but all of her doubts and anger and frustration fuel her decision and she finally leans towards Brett, kissing him intensely. He slowly moves his hand between her legs and rubs her pussy as she gasps.

Carmen thinks she's getting the ultimate payback, but what she's really doing is EXACTLY what Brett wants her to do.

BIOGRAPHY OF A VIRGIN
OBSESSED TEACHER DEVELOPS DARK FIXATION ON VIRGIN STUDENT

Mr. Davies (Michael Vegas) is burning the midnight oil as he grades papers in his home office. He's down to the last one for the night, thankfully, although once he starts reading it, time seems to slow down.

The essay is about a girl (Carolina Sweets) owning the fact that she's an 18-year old virgin. Betty's proud, recognizing that her virginity is a special gift -- she doesn't want to give it away to just anyone...

Mr. Davies fixates on the student, hearing her utter, 'I'm a virgin,' in his head over and over again, slowly driving him mad with lust. It's like she's calling to him to be that special someone to make her complete...

The next day, he invites Betty over to discuss the essay and how beautifully it was written. Betty is naive about everything, though is happy to be in the presence of a teacher she admires. Yet, when Mr. Davies starts paying her more compliments than she's used to, she grows suspicious of his true intentions.

Finally, Mr. Davies asks if she feels it, too? The connection between them? When he read her essay, it was as though it was specifically written for HIM -- as if she was asking HIM to have the honor of taking her virginity.

Betty is shocked, exclaiming that that's not what she was implying at all, but Mr. Davies has power over her. If she doesn't give herself to him, he might stop her from graduating school or getting accepted into good colleges. He could end all her dreams with just one report card...

To save face, she submits to Mr. Davies' twisted delusion, willing to give up her virginity in order to prevent him from taking EVERYTHING from her.

Nominated - Best Actor - Featurette: Michael Vegas, AVN 2020

FACE TO FACE
WOMAN USES JOB AS REPORTER TO GET CLOSE TO AN ACCUSED PSYCHOPATH

Scene opens on the interior of a car. A young woman, Lois Brown (Whitney Wright), is the sole occupant and driver, and we watch over her shoulder as she pulls up to a house. She stops the car and turns it off. The camera pans down to see that her hands are shaking. She takes a deep breath, steadies herself. 'You can do this,' she says to herself and gets out of the car. She walks up the driveway to the door of the house and hesitates another moment before ringing the doorbell. After a second, the door opens and a man, James Stinson (Michael Vegas), stands there. He looks at her, appraising her in an almost predatory way. 'You must be Lois?' he asks with a tone of wary caution. Yes, and he must be Mr. Stinson, Lois says with a polite and professional smile. Oh, she can call him James, he says. A bit young for a reporter, no? She flashes him a polite, detached smile and says maybe, she's 22 but people always say she has an old soul. He nods and then realizes he's still blocking the doorway - But where are his manners? Please, come in, he says, waving her in. She follows him into the house, a modest, clean and well-kept abode.

So where does she want to do this?, he asks, a hint of discomfort creeping into his voice. Wherever he feels comfortable, she says politely but not warmly... how about the living room?, she suggests. He agrees and they sit down in the living room. He takes a seat and she sits in a chair across from him with a table between them. She takes out her cell phone and opens up a voice recording app. Does he mind if she records this?, Lois asks. No, please do, he doesn't want to be misquoted, he's had enough of that - he chuckles, not because it was funny but to fill the awkward silence following his comment. Great, she says after a pause, pressing the record button on the app and places the phone on the table between them. 'So let's start with the obvious: why now? Why grant your first face-to-face interview to a small college newspaper after all this time not speaking to the press?' Lois asks. He considers the question. Well, it's simple: in all this time, she's not the first reporter to call him on the anniversary of the crime, but she IS the first reporter to call him and tell him that she believes he's not guilty, and offer to tell his side of the story, he says. But he WAS acquitted of the crime he was accused of, so what guilt is he referring to?, Lois probes. As she knows, the case was all over the news, day and night, and even though he was found not guilty, most people believe that he is guilty and the verdict was wrong, James says. Guilty until proven innocent in the public eye, he says bitterly. And he's never been able to shake that stigma, people just don't look at him in the same way since then, he adds resentfully. It's a lonely existence. 'Maybe we can try to dispel some of that stigma once the public hears your side of the story. So I ask you, on the record: Are you guilty?' Lois asks. He smiles sadly back at her. 'Am I guilty?' he asks her. He takes a deep sigh. There is a tense moment of silence. Once again, something dark and predatory flashes across his face. 'Yes...I am,' he says, his smile gone.

CUT TO TITLE PLATE

Resuming the interview, Lois looks stunned at James's admission. 'I am guilty...guilty of being in the wrong place at the wrong time,' James clarifies. He happened to be at the club that night, and he happened to be the last person seen with... James says, trailing off, blanking at the victim's name. 'Darlene Davis,' Lois says, enunciating the name carefully. Yes that's right, it was a long time ago...and he has tried to put the whole episode behind him, being at the club that night, being at the wrong place at the wrong time...that ruined his life, James says. So how does he explain Darlene's DNA on his shirt?, Lois probes, adding that the police claim that this happened during the crime. The same way he explained it to the police, with the truth: she had a nosebleed when she was dancing with him, James says. But the press got a hold of that and used that to assume his guilt, he continues. What they didn't bother to report was that she was a known substance user prone to nosebleeds, he says.

'When they came to interview you because they saw you on the club's security footage, you consented to them searching your home, where they discovered the shirt with DNA evidence, which then led to your arrest and trial. If the DNA on the shirt was from an innocent nosebleed as you claim, why didn't you just tell the police about it instead of hiding the shirt for them to find, and for that matter, why did you consent to the search in the first place if you had evidence hidden away that would incriminate you?' Lois asks. Well, because he didn't feel that he had anything to hide, James says smoothly, for example why would he even think that shirt was evidence to a crime at the time unless he was the one who committed it? When he left the woman, she was still alive. But, she continues, if he had nothing to hide, why did he initially lie to the police about where he was after the club that night?, Lois asks skeptically. He didn't have an alibi that night, he just came home alone, and he's seen enough movies to know that it's really easy for cops to pin something on someone who can't account for their whereabouts, so he told them he went to get a burger instead, James says. Stupid mistake, he says regretfully. A stupid mistake that he's replayed over and over in his mind every day since then, he adds. But he can see why that story sounds a little thin right?, Lois asks. Especially since the route he claims to have taken home from the club that night is the least direct way to get home and HAPPENS to be one that doesn't have traffic cams in that area of town, she adds. He looks at her silently. Can she turn off the recording for a moment please?, he asks softly. Oh um, yes, sure, Lois stutters, caught off guard. She turns it off. Lois...he thought that this interview was going to give him the opportunity to shed some light on his innocence, so why does this feel like the same old assumption of guilt that he's used to?, he asks, leaning close to her, resting his elbows on his knees in a vaguely threatening way. 'Because if this is just about pushing my guilt, if you're hiding something from me...we're going to have...a problem,' James says, that same carnivorous look crossing his features again. Lois shifts in her chair nervously. No...it's not about that at all, even though she believes in his innocence, she still has to do her job and ask all the tough questions, she says anxiously. There is a tense moment while he considers her answer. Ok..let's keep going then, he says finally. Lois exhales sharply and resumes recording.

So getting back to the night of the crime: to help clear up any misconceptions, why doesn't he recount that night for her?, Lois suggests gently. Well, he was in the mood to go out, but all of his friends were busy, so he decided to go to the club alone and that's where he met Darlene; they danced for a little while, and then he went home, alone, James says quickly. There's really not much more to explain other than that, he adds. And what was Darlene like?, asks Lois, He doesn't really remember, he only danced with her for a short time and didn't really get to know her, he answers. So he didn't get a sense of her AT ALL?, a sense of what...Darlene was like?, Lois asks. Was she kind, did she seem happy? Why the great interest in Darlene?, James asks, his brow furrowed in suspicion. Just trying to get a sense of the victim is all, Lois says quickly. Hmmm, well he can't really help her there because like he said, he didn't get to know her, James says. But she did have a reputation around the neighborhood, she was known as kind of...he doesn't want to be rude here but...kind of a whore who would do ANYTHING for a fix, he says offhandedly. Upon hearing this, Lois looks a little rattled. At the time, some people were even saying that she...got what she deserved, James says softly. Lois looks a little sick when she hears his last answer and abruptly excuses herself, saying that she has to use the bathroom.

In the bathroom, she splashes water on her face and pats it down with a towel, regaining her composure. Keep it together, almost there, just this one last thing to do, she says to herself, breathing heavily. She takes another moment to steady herself, draws in a deep breath and exits the bathroom. Back in the living room, she goes to sit beside James on the couch. She apologizes for rushing out like that, adding that it must have been something she ate. He tells her not to worry about it. She smiles. What she would like to do now is shift gears and get...inside his head a bit, she says. Is that why she came to sit next to him, because things are about to get...personal?, he asks, with a slightly nervous edge as he looks away from her. Would that be ok?, she asks. He's not sure if getting personal is...a good idea, he says, looking back at her as a sinister expression invades his features for a moment. It passes quickly. Lois clears her throat. She's sure that this is best for the interview, so...is it ok if she continues?, she asks patiently. He nods. Ok, so when he was accused of this horrible crime, how did that make him feel?, she asks. Well...he felt...scared...angry...alone, James says slowly. She can relate, her mother passed away when she was a little girl and she can remember the intense feelings of isolation, like she was the only one in the world who felt these things, Lois says sympathetically. He is surprised to see her turn off the recording. And there were other feelings, other, more...disturbing thoughts that she had that made her feel even more alone, she continues. It was like a...darkness growing inside of her, and it scared her, but she didn't want to run away from it, she wanted to run towards it, she continues. She looks at James in the eyes. 'I think you know exactly what kind of...darkness I'm talking about,' Lois continues softly. 'You share that same darkness inside of you, don't you James?,' she asks. And he acted on that darkness, Lois says. James finally catches on. Does she think that he IS guilty?!, he asks looking betrayed. He thought---James starts, but Lois cuts him off. She doesn't THINK anything: she has ABSOLUTELY no doubt in her mind that he is guilty of this crime, Lois says.

What the fuck--he knew this had to be bullshit, she's just like all the other reporters, James says, getting up from the couch in frustration. That's just it, she's NOT like all the other reporters, Lois says... in a sense, she became a reporter just to get to this moment. To speak with him. Sure, she lied to him about believing that he didn't commit the crime, but she knew that was the only way he'd agree to meet her, and she NEEDED to meet him face to face, she feels that there is a connection, a...bond between them, Lois continues. He didn't- he begins. She waves him off. There's no need to put on any masks anymore, he can be his true self around her. She's here because she wants him to tell her---no, SHOW her, everything about that night, Lois continues breathlessly. She seems to be getting turned on as she speaks, but she exhales sharply as she finishes her last sentence, betraying a nervousness underneath her bluster of passion. This nervousness passes almost immediately, and James is too distracted to notice the subtle inconsistencies in Lois's demeanor. What kind of a sick fucking fantasy is this?! James asks incredulously. It's no fantasy, it's what she came here to share with him, Lois says. No, he can't do that, James says, shaking his head. Please!, Lois says fiercely, grabbing at his shirt. She needs to know!, Lois says feverishly, practically banging on his chest. He pulls her hands away from him. Stop this!, he says, resisting. 'SHOW. ME.' she enunciates firmly, bringing her face inches away from his. He can't resist anymore. 'Is this what you want?! Is THIS WHAT YOU WANT?!' James yells, ripping her blouse open roughly, the buttons hitting the floor. 'Yes, oh god yes,' gasps Lois.

As he tears her clothes off and buries his face hungrily in Lois' pink pussy, Stinson unleashes his inner-maniac. Will Lois get more than she bargained for? Maybe...but what James doesn't know is that Lois has a secret of her own...

THE BAD UNCLE RETURNS
UNCLE CONVINCES NIECE TO HELP LURE & SEDUCE HER YOUNGER SISTER

PREVIOUSLY ON PURE TABOO: This is the story about how Diana (Jaye Summers) really lost her virginity. He'd been her dad's best friend for years. Uncle Joe (Charles Dera), as he called himself, had watched her grow up -- and she was his princess, the niece he never had. But once Diana turned 18, something changed about Joe. His fondness for her turned into an obsession. So he came up with a plan to get her alone...

SCENE OPENS on present-day Diana and her Uncle Joe fucking in Joe's spare bedroom on the bed, she is riding him cowgirl-style and clearly putting in a lot more work and enthusiasm. She gasps and moans in pleasure and calls out Uncle Joe's name as she bounces up and down on his dick, while Joe mostly lies there and just offers a few generic grunts in reply. Diana seems to reach orgasm after a little while and then starts asking Joe to cum inside her - Diana exclaims that she can feel it and starts to slow and eventually stop.

She pulls off of him and collapses to his side on the bed, rolling over to snuggle up to him placing her arm on his chest. He doesn't seem to reciprocate much. Diana tells her uncle that was great, but he corrects her - 'it was fine,' he says gruffly. She asks him what's wrong, she did all his favorites for him! He waves her off, telling her yeah yeah, she was swell... he doesn't seem to mean it. She sits up a bit and looks worriedly at him, did she do something wrong, or something? He looks at her with a serious expression and grips both sides of her head with his hands, playing lightly with her hair. 'Listen 'Princess', no offense, but...' he starts in a rude tone, the novelty's kind of wearing off. She's no longer a teenager and she's certainly not a virgin anymore...

She asks him what she could do, what he wants her to do to make him happy. He looks her up and down, considering her, then pinches her cheek affectionately, saying she's cute when she's desperate. He asks about her younger step-sister, she must be getting around 18 these days, mustn't she? Diana reluctantly says yeah, she just turned it a couple of months ago. And she's a virgin, like Diana was? '...Yes,' Diana admits. Uncle Joe looks pleased at himself for the idea and says yeah... yeah, that would do the trick alright. 'Bring her here,' he instructs her, and goes back to stroking her hair with one hand. She looks at him with reluctant subservience but doesn't say anything in reply.

TITLE PLATE

CUT TO another day, where Diana and Cammy (Emily Willis) are greeted at the door by a much friendlier-seeming Uncle Joe. 'There's my princesses!' he exclaims. He takes their bags from their hands and tosses them to the side, then welcomes them in. He gives Diana a brisk, business-like hug then moves on to Cammy, and hugs her for much longer. Wow, she laughs at how warmly he's greeting her, uh hi Uncle Joe! Long time no see! Uncle Joe releases her from the hug but keeps his hands on her arms as he looks her up and down, remarking at how much she's grown. He remembers when he used to come over to their house to visit their dad, and would pick her up for piggy-back rides like it was nothing, feels like only yesterday. Although he bets he could still do it! Without even waiting for permission, he scoops Cammy up in his arms and she yelps in surprise, then giggles in embarrassment. 'Uncle Joe!' she squeaks. Diana looks at them with a mix of jealousy and guilt.

Once she's set down, Cammy starts to pick up her bag and Joe says no, let him take care of it! He turns back to Diana. Why doesn't she give Cammy the tour, he says suggestively to her, while he gets all their things settled in their room. Then they can all meet up outside at the pool for a swim. A pool! Cammy squeaks with excitement, she can't wait! Uncle Joe sidles up behind Diana and puts his hand firmly, ominously even, on her shoulder. Make sure the two of them don't skimp on the tour, he says to her with fake innocence, take all the time they want. She nods obediently without looking back at him, and then slips her hand into Cammy's. They scamper off, and Uncle Joe shoots a devious look at the bags.

CUT TO poolside, Uncle Joe is seated comfortably in a pool chair wearing his sunglasses when the two girls emerge from the house - Cammy is still wearing her original clothes while Diana is wearing a bikini. Uncle Joe? Cammy asks, he wouldn't have happened to have seen her bathing suit when he brought the bags up to the room, did he? Uncle Joe feigns innocence and says no, he hardly touched the bags other than to bring them upstairs. Diana looks to Cammy and says see, she knew Uncle Joe wouldn't know where it is, Cammy probably forgot to pack it. But Cammy swears she remembered putting it in her bag, it was one of the first things she packed - she was really excited to go swimming and absolutely didn't want to forget. Oh, Uncle Joe says, well she shouldn't let a little thing like that ruin her fun, now. She can just swim in her underwear, he suggests. Cammy seems a bit hesitant, but Uncle Joe says come on, between her step-sister and him being their dad's best friend, they're all practically family here - no need to be so bashful. O-okay, Cammy says, warming up to the idea as she sees they don't seem to mind. She strips out of her clothes, revealing a white bra and panties underneath. 'Atta girl, Uncle Joe says, don't be shy. She flashes a grin at him and then jumps into the pool with a splash and a playful shriek. Unbeknownst to her, her white bra and panties once wet now show Uncle Joe a great view of her nubile teen body.

Uncle Joe catches Diana's eye and shoots her a meaningful look and a tilt of his head towards Cammy. Diana looks back obediently and nods again slightly. She joins Cammy in the pool. 'Hey Cammy,' Diana calls out, does she remember when they used to play pool tag as kids? They should play that again! Cammy says that it might be a bit lame with just two people, and Diana taunts her, she's just saying that because she knows she won't be able to catch Cammy. Oh, it's on! Cammy giggles and chases after Diana.

The two of them frolic in the water, laughing and giggling as they chase around the pool, splashing each other and trying to catch each other. Whenever Diana is 'it' and catches Cammy, she gets very handsy, giggling and hugging and pressing her body up against Cammy's. Cammy takes a cue from her and starts to do the same. Soon the two of them are barely running or chasing at all, but rather wrestling each other in the pool. Diana even playfully lowers one of Cammy's bra straps or tries to remove it, and Cammy gasps in happy shock and tries to get revenge by doing the same. Throughout, Uncle Joe watches them through his sunglasses with perverted interest.

Cammy remarks she's getting hungry, and is going to fix herself a snack. She asks if Uncle Joe wants one and he jokes that he's good, he's got a couple of tasty morsels already right in front of him. Cammy looks weirded out for a moment then laughs the comment off saying that Uncle Joe is so silly, but behind her Diana shoots Uncle Joe a glare of concern.

Uncle Joe then watches, with no attempt to hide it, as Cammy steps out of the pool dripping wet and grabs a towel, heading back into the house. Diana steps out of the pool next and rushes up to Uncle Joe. He has to be more careful, she warns him quietly, he's going to scare her off. They have to take things more slowly and get her warmed up to the idea, having sex with her dad's best friend is one thing but sex with her own step-sister too - it's going to make her freak if they don't handle it carefully. Uncle Joe tells Diana she'd better make damn well sure that doesn't happen, because he's just starting to enjoy himself and he's not in the mood to take things slow. So it's up to Diana to make sure her sister behaves when the time comes. Diana wouldn't want to disappoint him, would she? Diana timidly says she'll do what she can. Uncle Joe gives her a smack on the ass and tells her to get going inside.

CUT TO late that night - both girls are dreaming sweet dreams, side by side in bedrolls on the floor. The bedroom door creaks open, and the light of the hall spills out into the dark bedroom. Uncle Joe's feet step into frame. He looks the girls over hungrily, edging his way into the room to get a closer look at their teen bodies in their nightwear. He moves into the space in the middle of them both and, careful not to alert them, he settles in lying down between them. His attention goes straight to Cammy. He rolls onto his side to spoon her - she moans comfortably in her dreams. He holds her like that for several seconds, then feeling emboldened, he backs up slightly from her body and pulls his hard dick out from his boxer shorts. He strokes himself, inching as close as he can to Cammy without touching her again now that his dick's out. He breathes heavily against her neck as he strokes himself. Sensing his presence, Cammy's eyes flutter open. 'D-Diana?' she asks quietly and timidly, 'is that you?' No, princess, Uncle Joe says back in a low voice, it's her Uncle Joe.

Cammy still seems a bit groggy, Uncle Joe? What is he doing h- ... she rolls to her other side and sees him stroking himself and her eyes go wide. She calls out to Diana, get up, Uncle Joe is-! Diana's eyes snap open and she instantly starts to reassure her, Cammy, it's ok, it's ok! Cammy doesn't calm down right away, and tries to get Diana to realize what's going on, but Diana tells her she knows. 'What do you mean you know?' Cammy asks, panicked. Diana explains that Uncle Joe has something he wants to share with the two of them, something very special. 'No, but-' Cammy starts to protest, but Diana interrupts her. It's okay, she tells her little sister, she's going to like it, see? She grabs Uncle Joe's hard dick in her hand, and then puts her mouth on it to suck it, looking Cammy right in the eyes as she does it and saying mmmm.

'Diana, what are you-?!' Cammy tries to say, but Diana pulls her mouth off of his dick and cuts her off again. See, Cammy? she says, moving his dick to point at her little sister now as if offering it to her. It's no big deal, he just wants the two of them to thank him for his hospitality. Didn't mom and dad teach them to show manners growing up? Cammy starts to get flustered and frustrated, but this isn't right, she insists, this- 'Cammy,' Diana hisses, sounding a bit desperate. 'You're being rude! Uncle Joe invited us here, we're guests in his home, and this is how he wants us to thank him. Quit being such a brat and just give him what he wants.' Her tone softens, and she continues, saying that she promises Cammy will enjoy it. Just like Diana did.

Cammy's eyes widen - like she did? Diana nods and says it makes Uncle Joe happy. It makes her happy too. Cammy looks from her sister to Uncle Joe, who's staring intently at her. 'What do you say, princess?' he coaxes her and strokes her hair. 'Don't you wanna make your Uncle Joe happy?' Cammy looks down at his dick, which he continues to stroke with his other hand. She says she guesses she can try, but she's never done anything like this before. Uncle Joe tells her don't worry, her big sister will show her everything she needs to know.

CAUGHT BETWEEN
Cheating Wife Takes Turns Fucking Her Husband And His Best Friend

SCENE OPENS on a young wife, Tess (Penny Pax), in the hallway of her residential house, wearing a fashionable billowing day-robe hurriedly tied together with a sash, glimpses of her lacy elegant underwear peeking out. She is ushering an attractive-looking and stylish man, Xavier (Ryan McLane), into a bedroom connected to the hall. She has a pensive, conflicted expression on her face as she heads into the room herself and closes the door behind her.

'Are you sure nobody saw you?' she starts to say as she closes the door and turns to face him, but she's interrupted with a steamy, passionate kiss from Xavier, gripping her face with both hands and his body pinning hers against the door slightly. 'I've been waiting all week for this,' Xavier says in a low voice and moves back in for another kiss on the lips. Tess lets out a gasp of pleasure, but her face continues to look conflicted and her brow furrows with concern. She starts to lightly push on his shoulder or chest and tells him to wait. Xavier pulls back, confused, and asks her what's wrong.

Tess explains that she can't keep doing this with him anymore. Xavier grins and takes her by the waist, pulling her in slightly. That's what she said the last three times she called him, he says suavely. She pulls away more emphatically this time and tells him to stop, and his smile drops. She says that she's serious this time - it isn't fair to Rick. Xavier moves in closer to her and says in a soft voice that he doesn't care. How can he say that? Tess asks. Rick's his best friend! Xavier replies so? It shouldn't just be about what Rick wants. What about what HE wants? Or what SHE wants? This thing between them is real, it's undeniable, why should they both be miserable just for the sake of someone else? 'Because I still love him,' Tess says desperately and adds that she can't keep lying to him. It's tearing her up inside.

Xavier points out that she's going to have to keep lying to him anyways, she can't just erase the past eight months. The lying isn't going to end unless she tells Rick about ALL of it... Tess shakes her head no, it would break his heart, she could never do that to him. Xavier says that he could be the one to tell Rick, and then they could be together without anyone in the way. Tess tells Xavier no, nobody is telling Rick, the past is going to stay in the past where it belongs. Xavier asks then what's the difference if they enjoy themselves this one more time or not? Tess struggles for an answer, but Xavier's charms are working on her, and as his hands move sensually up and down her body, opening her robe to expose her underwear, she finds her resistance crumbling. This has to be the last time, she insists as she gives in and bends down, taking his cock out of his pants.

Just as she slips his dick into her mouth, the same familiar click of the front door lock from earlier can be heard. What was that? Tess says in a panic. Xavier says he didn't hear anything, and tries to keep the moment going, but Tess pushes him off and remarks that she thought it sounded like the front door. Then from off-screen her husband Rick's voice calls out 'Tess? Honey?' Tess says in a panicked whisper 'Shit! It's Rick!' Rick remarks softly that he thought Rick wasn't supposed to be home for hours, and Tess instructs Xavier to stay in the room and keep quiet. She rushes to retie her robe and straighten her hair before leaving the room.

Rick, sweetheart, she gushes as Rick (Ricky Johnson) rounds the corner into view, and she approaches him to give him a cordial kiss on the cheek - what is he doing home so early? He says he took a half-day and wanted to surprise her, he knows he's been really busy with work lately and he wanted to make it up to her. Plus, he couldn't stop thinking about her today. He leans in close and says he thought they could have some... intimate time together. Tess glances back nervously at the master bedroom door behind her and then back to her husband, and says she's not sure she's in the mood right now. Rick looks disappointed but understanding and says that it's his fault, he thought it would be fun to surprise her but maybe it would have been better for him to call her first instead of spring it on her. He knows she doesn't like to be as spontaneous as he does. He says it's fine, at least they can still spend the day together, just let him change out of his work clothes and they can do whatever she wants with the rest of their day. He takes a step towards the bedroom to get undressed but she stops him. NO! Tess says suddenly, and then catches herself. She means no, actually he's right, maybe they SHOULD be a bit more spontaneous. What if... they get a bit frisky in the guest bedroom instead? she suggests. Rick smiles but looks a bit confused, the guest bedroom? Tess smiles and plays with the tie draped around his neck - yeah, she says, why not a change of scenery to shake things up? Rick smiles and shrugs, sure, why not?

They go into the guest bedroom and begin to kiss. Just as things are getting intense, Tess comes up with an excuse to go to the master bedroom, saying that she wants to go and get Rick's favorite lube. Rick is all for it, and Tess bounces out of the room. Tess enters the master bedroom where Xavier has been waiting impatiently on the bed. She hurries over to him and whispers that the coast is clear, she's busy distracting Rick, but he'll have to be quiet and sneak out the back door. Xavier seems stubborn, and in a quiet voice asks her how long is this going to go on for? Tess pleads with him and says she doesn't have time for this conversation right now, he has to leave! Xavier stands up calmly, crosses his arms and says no. No? Tess asks in a panic. Xavier repeats no, he's not leaving. If she doesn't want to tell Rick, then he will. Rick can burst in and find him here for all he cares. Desperate, Tess asks him why he would do this, and Xavier says that he can't stand the thought of her being in there with Rick, fucking him, because... 'because I love you'. Tess is shocked, but firm in her resolve. She looks at Xavier and tells him he has to leave. Now.

Meanwhile, Ricky is getting tired of waiting for his wife and walks towards the master bedroom. He rounds the corner only to find...Tess, alone on the bed. Hi honey, she purrs. Tess tells him that she changed her mind and was waiting for him to find her all sprawled out for him. She quickly takes off her husband's pants, helping herself to his huge cock. It doesn't take long for him to slide that cock inside Tess's tight pussy, fucking her hard. She squeals with ecstasy, jumping on top of him and riding his dick. He fucks her hard and deep, flipping her over and pounding her doggystyle before dropping a creamy load in her mouth. Kissing him softly, she leaves the room to clean up. Rick calls from the other room, telling her that he just got a call from work and has to go back. She leaves the room to kiss him goodbye, but doesn't see...that Xavier is still there, hiding behind a door. Tess will find out soon enough that her lover never left...and he's far from done with her...

The horny and single Mischelle Klein is spending the weekend with her best friend, they share everything together and we really mean everything as Mischelle is kindly given boyfriend Alberto Blanco for some well needed fun. Watch Mischelle get straight down to business with a nice sloppy deepthroat blowjob before offering up her juicy pussy and tight little ass for some intense anal action. Enjoy this stunning teen as she puts that petite tattooed body to work riding, grinding and fucking all the way to a facial cumshot, another scene of true private class.

In Private Specials, Beautifully Young 3 estate agent Nelly Kent is looking to close her first ever sale with businessman Alberto Blanco and she will go to any length to do so! Nelly slips into her sexy lingerie as the final lure and soon she's on her knees giving an incredible sloppy blowjob and wet tit fuck to the lucky buyer. Then watch this beauty put her sexy tattooed body to work as she receives a hard pounding, first in her pussy and then in her tight little ass as she enjoys some great anal action that will culminate in a facial cumshot.

SEVEN MINUTES IN HELL
SHY TEEN CAUGHT, HUMILIATED & RECORDED FUCKING IN PUBLIC

Laura (Jaye Summers) sits alone on a set of stairs and watches quietly as a party carries on. It's late into the night at this point, and what was presumably started as a crowded, high energy event has started to wind down as most of the partygoers have left by now, the basement littered with red cups, beverage bottles, bowls of chips, and a general state of messiness left behind. The 10 or so teens who remain are chilling around the room as party music plays softly in the background, most talking in twos or small groups with Laura being the odd one out. One of the guys bounds down the stairs excitedly holding a red cup filled with liquid in each hand, brushing into Laura as he passes and almost spilling the beverages on her, and she makes an uncomfortable face as he passes her unapologetically.

Laura continues to sit in silence for a little while, and it becomes clear that she's not just watching the party, but staring at one guy in particular - Vince (Zac Wild) - as he laughs and jokes along with a pretty girl across the room. She looks on with a bit of envy, clearly wishing she could take the place of the girl he's talking to.

Just then, her fixation on him is broken when Janet, the party host and Laura's best friend, gets everybody's attention by flashing her tits. She laughs and says good, now that she's got everybody's attention, it's time to bring some life back into this party - who's up for a game of Seven Minutes In Heaven? Everyone groans and mocks her for such a dumb suggestion. She explains that they're all 18 here so this isn't going to be some lame-ass PG-13 kiss on the lips shit - anything goes as long as both people consent to it. She holds up a fistful of ripped paper scraps and waves them in the air - she's written down everybody's name on the paper - yeah, EVERYBODY she says as a couple of the teens chuckle nervously - and she's going to pull out one guy's name and one girl's name. And they know the rest!

Janet quickly divides the scraps of paper into two hats, and then pulls two strips of paper out of the hat. She announces the two names, Felicia and Brad - Felicia being the girl that Vince was talking to earlier - and the two of them look at each other with nervous smiles and shrugs. Janet tells them the clock is ticking as she starts a stopwatch app on her cell phone and then urges Brad and Felicia upstairs and starting the countdown. 'Have fun, you two lovebirds!' Janet mocks before heading back to the others who have settled back into party mode.

Janet looks around the room and sees Laura sitting by herself, and comes and sits next to her on the stairs. How is she liking the party so far? It's fine, Laura replies. Liar, Janet says. She knows Laura's been moping around staring at Vince all night and hasn't said a word to him. Laura blushes, is it that obvious? Janet says absolutely, she's just lucky that everyone their age is so self-centered that nobody has noticed. Laura ducks her head in her arms and moans, why can't she just talk to him? Janet tells Laura that it's easy, she just has to get up and say hi to him. Men like women that are forward.

After a minute or two of them talking, Felicia bursts out of the connected room. 'Boooo!' Janet says holding up her phone and pointing at it, they still had almost 5 minutes left! Felicia says nonchalantly that Brad was too hairy, it was disgusting, and she returns to the party without looking back. Brad comes back out the room too with an embarrassed shrug and tries to play it off as fine, some girls like a guy with a hairy chest. Felicia jokes that she wasn't talking about his chest, and the rest of the partygoers ooh and laugh at Brad.

Janet gets back up and pulls out the next two pieces of paper. She opens the first one up, and we see it says 'Vince'. She calls out his name and he raises his fists triumphantly, and a couple of his buddies wolf-whistle him in encouragement. Janet opens up the next slip of paper, and we can see the name 'Janet' written on it, but she closes it quickly without anybody else seeing it. 'Laura!' she calls out. Laura looks up, flustered, and says she didn't think she was playing. Janet says of course, she told them that EVERYONE was playing. Laura tries to excuse herself, saying she's fine sitting out, maybe Felicia would want to take her place since she didn't use her full time... but as she's saying this, Vince looks at Laura with a charming smile and tells her he likes the pairing as it is. Laura stutters, and Vince says reassuringly not to worry, he won't bite. C'mon! Laura is wide-eyed and almost speechless, but she nods okay and gets up to follow him into the room. Janet closes the door with a mischievous grin and starts the timer.

TITLE PLATE

Vince turns to Laura and asks so, where should they start? Laura blushes and says he doesn't have to do anything if he doesn't want to, they can just talk... or even not talk, if he'd rather. Vince asks her why on earth he wouldn't want to do something with her? She's one of the cutest girls in school. Laura looks surprised to hear it, and says that she didn't think he even knew who she was. He's hardly ever talked to her. Vince explains that he didn't want to screw up his chances or give her a bad impression by coming on too strong, she seemed like the type who didn't like rowdy guys, and likes to keep to herself. He was waiting for her to make the first move. Laura blushes and says oh, she had no idea. Vince grins and says he guesses fate must have put them together tonight. Laura tells him she doesn't mind if he comes on her... comes on to her! she corrects herself with embarrassment. Vince smirks and says he could even do both. Laura gasps and giggles nervously. Vince asks if she does really want to JUST talk. Laura shakes her head no, she wants more than that. Good, Vince replies, he does too.

They're still in there! Kyle laughs as he, Janet and perhaps one or two other partygoers huddle around quietly after several minutes of not having heard from the two upstairs. Janet smirks and says she knows, it's already been like ten minutes, things must be going well. Kyle mentions that there's only one way to find out. Janet gets serious, no, hey, Kyle, don't even think about it. Kyle has already started to walk away and says don't worry, he's not going to interrupt them, he's just going to stick his head in for a quick peek. After all, what if he's hurting her or something? Janet tells him that's not funny and Kyle says he's serious, wouldn't Janet rather be safe than sorry? Janet reluctantly admits he has a point. Thank you! Kyle says arrogantly, and creeps upstairs to the door of the bedroom. He opens it quietly and edges his way through the door and into the room.

He sees that Vince and Laura are mid-fucking and stifles a laugh. Oh shit! he says to himself. He watches them fuck for a good solid minute, intrigued and bemused, as Laura is being very vocal, telling Vince don't stop, keep going. Finally, Kyle sneaks back out. 'They're totally fucking!' he says in a loud excited whisper, not just to Janet but to the whole room. Janet looks pissed at Kyle for telling everyone, but several others in the room start to gather towards him to gossip. Is he serious? Vince, with HER? Isn't she a virgin though? and so on. Kyle relishes at being the one to tell them what he saw, how she was practically begging him for his dick. Janet looks increasingly upset, and tries to get them to respect Laura's privacy, but others in the group insist that they want to see too, they won't believe it until they see it. Slowly, people start to gather towards the bedroom, as shy Laura unsuspectingly continues to enjoy her seven minutes in heaven with her crush, unaware of the hell that's about to unleash.

FOOL ME ONCE...
OBSESSED STALKER TEEN LURES UNSUSPECTING CRUSH INTO SEX TRAP

SCENE OPENS on a teen, Kimberly, as she unlocks the door to her house and lets in her companion, a handsome young man, Jamal, only a few years older than her. They are both wearing gym clothes with gym bags slung over their shoulders, and are sipping on smoothies as they engage in lively small talk. They seem to have great chemistry together. Jamal remarks that Kimberly has a really nice place, and she replies that her family is pretty well off so when it came time that she wanted to move out on her own when she turned 18, her parents paid for everything. She jokes that she always gets what she wants, and Jamal suavely asks her what it is she wants right now. 'You'll see,' Kimberly says teasingly. She leads him in to the living room and invites him to get comfortable.

Jamal asks Kimberly how long she's been going to that gym, and she says she joined probably about two months ago? What a coincidence, Jamal says, it's been about two months for him too. He remarks that they seem to have similar schedules too, he jokes that it feels like he's seen her almost every time he's been there. And yet it took him this long to come up and say hi? Kimberly asks with a smirk. Jamal chuckles and says he likes to take things slow but that Kimberly definitely caught his eye right away. Kimberly asks him what about her caught his eye right away? With a laugh and a gesture towards her whole body, Jamal asks besides the obvious? Well, he did actually also happen to notice she was wearing a t-shirt of his favorite band. Kimberly seems surprised, that band is his favorite? It's hers too! They both gush about the band for a bit, and compare some other bands they like as well as listing off other favorites, like favorite foods and colors. Both of them seem excited and shocked to learn how many interests and activities they have in common.

Kimberly mentions it's crazy it took them so long to meet each other with so much in common, and that they should do one of their shared activities together sometime. This encourages Jamal to turn on the charm, and he hints to Kimberly that he bets there's one other activity they could do if she's interested. Kimberly takes the hint and flirts back, saying that he read her mind. That's exactly what she wants, right now. 'And you always get what you want, right?' Jamal asks with a smile as he leans in closer to her. 'You bet I do,' Kimberly replies. Their faces are inches away, and there's a moment of electric tension before they close the gap and start kissing intensely, with tongue. Jamal's hands move over Kimberly's upper body, feeling her up over her clothes as they make out.

After a good half-minute, Kimberly breaks away. She tells him she just wants to freshen up for a second in the bathroom before they go further, and Jamal says no problem. He jokes that she knows where to find him when she gets back. Kimberly laughs and makes her way to the bathroom. Once there, she closes the door and pulls out her phone with a greedy, secretive look on her face.

Kimberly wets her finger with her tongue and slips it down her pants to finger her pussy teasingly for a few seconds as she stares at her phone, pleasuring herself to the voyeuristic pictures she'd taken of Jamal from a previous day. Then she closes the phone and puts it back away, and opens up her bathroom drawer. She pulls out a sterile specimen cup, the seal not yet broken, and hides it discreetly in her hand behind her back. She gives a quick check in the mirror of her appearance, and then leaves the bathroom, turning off the light and closing the door behind her, shutting out the camera as we catch a last glimpse of the specimen cup in her hand.

TITLE PLATE

Kimberly comes back to the couch and says she hopes Jamal wasn't kept waiting too long. Jamal says he likes to take things slow, remember? He'd only ever get with a woman he thinks is worth waiting for. Kimberly remarks that he's quite the gentleman... but she hopes he knows how to be a bit of an animal too. Jamal boasts that he can be as nasty as she wants him to be. Kimberly stealthily tucks the specimen cup behind her back somewhere nearby but out of sight, and then straddles his lap instead of taking her seat back beside him. Her ass sticks out teasingly in this position, and Jamal puts his hands firmly on either side of her ass over her clothes and starts groping her cheeks as they resume making out. Kimberly encourages him to keep being nasty and playfully calls Jamal 'Mr. Williams' , at which point Jamal slows for a second and remarks that he doesn't remember ever telling her his last name, did he? Kimberly lies and says she overheard the greeter at the gym call him that one time, and Jamal believes her.

They continue to kiss and grope each other as Kimberly straddles Jamal. He peels her top off revealing her sports bra, and plays with lowering her pants and tugging teasingly at her thong. Kimberly also lifts Jamal's shirt up and eventually off. As she traces her finger along his facial hair, she remarks that she likes it way better than when he was completely shaven, she finds it way more sexy and distinguished. Jamal chuckles but it quickly turns to nervous laughter, and he takes her hand in his and pulls it back. He hasn't been completely shaven for four months, he says. But she's only seen him for two months. Kimberly casually tries to convince him that no, he definitely was completely shaven at the gym, she remembers he had it when he took that spin class she was in. Yeah, Jamal says, at his old gym. He hasn't taken any classes since he joined the new gym. Right, Kimberly continues as if nothing is wrong, his old gym across the street from his house. He doesn't remember her from there too? Jamal's voice grows more concerned and he says no, he doesn't. But more importantly, how does she know where he lives? Kimberly doesn't have an answer, and Jamal tosses her off his lap and spits out the truth - she's some kind of fucking stalker or something, isn't she?!

Jamal realizes more and more how much Kimberly had fooled him. He gets up to get farther away from her. All that stuff she said they had in common, that was just bullshit, wasn't it, she's just like obsessed with him or some shit. Kimberly gets up too to try to close the distance between them. She swears that no, maybe it's true she hadn't tried most of that stuff before meeting Jamal but once she found out what he liked, she started learning more about it all and she really does love it. Jamal calls her a crazy bitch, she just stalked him and invaded his privacy and then tried to trick him into fucking her. He's getting the hell out of here.

Desperate, Kimberly tells him he can't go. Jamal says 'Watch me,' and pushes past her, snatching up his shirt from the couch. Kimberly hesitates for a moment, but seeing she has no other choice, she blurts out that she'll tell everyone all his secrets if he leaves. He stops, but is reluctant to believe her. What secrets, he asks. 'Gloria' she replies, and Jamal's shocked that she knows about his wife. Also about Sarah, a mistress... Kimberly can tell Gloria all about his weekly trips to the motel at the next PTA meeting for his son...

Jamal keeps from shouting, though it's clear that he's barely holding back his anger. She's fucking crazy, does she know that? Like seriously unhinged. How can she say she loves him, and then threaten to ruin his life? Kimberly insists that Jamal only has two options: making love to her or Gloria finding out all about Sarah. Jamal shakes his head again and mutters another insult about how fucked up this is under his breath, then says 'Let's just get this over with...' He pushes her face-down onto the couch since he doesn't even want to see her face while he does what he has to do.

THE LOVE HOTEL
ROBOT SELF-DESTRUCTS AFTER A NIGHT OF SEX WITH HER CLIENTS

SCENE opens on a dark bathroom. From a birds-eye angle over the tub, the lights in the room turn on as a woman known only as unit #30562 (Emily Willis) floats in the milky bath water. She opens her eyes, calmly getting out of the tub and drying herself off. She has a perfectly proportioned body. She walks over to a large mirror and, pressing her fingertips in the lower right corner, causes the mirror to illuminate before it turns into a smart screen. A message pops up, thanking unit #30562 for signing in. 'Are you ready for your next shift?' The mirror asks in a soft female voice. #30562 says yes and the screen loads her itinerary for the evening. It explains that her first guest will be a returning client: John Doe, 57 years old, solar sales manager, 6'0'' tall, 165 lbs, brown hair, blue eyes. His kinks include school girls, anal sex, ass worship, rimming, ATM. Past crypto tips include 8000 tokens: extra rough, 10000 tokens: novelty take home, and 500 tokens: kissing on the mouth. Accept client? 'Accepted,' says #30562. As the smart screen processes the order and a confirmation appears, the door buzzes.

CUT TO TITLE PLATE
#30562 opens the door and John Doe (Steve Holmes) enters, breezing into the room in a silver bomber jacket and matching wraparound mirrored glasses. He looks her up and down lustfully before pulling out a card and inserting it into the reader. A hologram screen pops up and confirms that the tokens have been accepted. #30562 takes a deep breath, puts on a big smile, and guides John over to the bed. She bends over, and he buries his face in her perfect ass, before sliding his cock inside her tight hole. After he pulls out and cums on her ass, she asks if he would like to kiss and he eagerly agrees. The room flashes green and replies to confirm the extra gratuity. They make out for a few moments before John Doe happily puts his clothes back on and leaves the room.

#30562 goes back to the mirror and stares at herself for a moment, emotionless. She presses the tips of her fingers against the glass and the smart screen wakes up. It explains that her next guest is also a returning client: Richard Roe, 30 years old, space tourism guide, 5'10'' tall, 170 lbs, auburn hair, blue eyes. Kinks include rough sex, breath play, collaring, fisting, and golden showers. Note from management: client is limited to rough sex after last session resulted in damages. Accept client? 'Accepted,' says #30562. As the smart screen processes the order and a confirmation appears, she stares at herself blankly and the door buzzes.

CUT to the door opening. Richard (Charles Dera) enters briskly. He backs #30562 in a corner and places his hand around her throat, his lips curling up in a sneer to reveal shiny gold teeth. 'Remember me?' He growls. She smiles and advises him to scan his card. The man backs off slowly, places his card into the reader, and a hologram screen pops up to confirm his tokens have been accepted. #30562 takes a deep breath and walks over to him. He hoists her over his shoulder and goes to the bed. Throwing her onto the bed, he licks her tight pussy, getting it nice and wet before he fucks her hard. At a certain point, he is about to pee on her when the room flashes red and reminds him that this activity has been blocked. Frustrated, he shoves his dick back in #30562's pussy and keeps fucking her till he pulls out and cums on her face. While the woman catches her breath and wipes the cum from her eyes, Richard gathers his things and leaves without a word.

When #30562 stands up, she finds herself very dizzy. The room beeps red and instructs her to return to her charging station. She crawls to a corner of the room and stands on a white platform to recharge. As soon as her feet plant on top of the station, she becomes still while her body powers up.

CUT to an hour later. #30562 is still charging, eyes closed, when the door buzzes. She opens her eyes and steps off the platform, walking to the mirror in the bathroom to accept the next client but discovers the screen is off. The room buzzes again. #30562 goes and opens the door anyway. A naked woman (Penny Pax) steps inside, clutching a holographic bag. #30562 has never seen another woman before and she is awestruck. 'Please scan your card here...' she says to the woman. The woman looks at her for a long time and feels #30562's face, trying to hold back tears, before reaching into her bag and pulling out a coin. 'Is this accepted?' She begs. #30562 takes the coin into her hand and stares at it. She's never seen anything like it before. She places it on the counter beside the card reader. 'What would you like to do to me this evening?' She asks the woman. Biting her lip and trying to contain her nervous energy, the woman reaches back into her bag and pulls out a shiny silver dildo. 'I want you to fuck me as hard as you can.' She says. #30562 takes the dildo and puts on a big smile, leading the woman to the bed. Unit #30562 may be programmed to please, but this latest client of The Love Hotel is not who she seems, and by the time she's done with #30562, the sexbot's world will never be the same.

BIRTHDAY SURPRISE
DEVASTATED BIRTHDAY GIRL LEARNS FROM FAMILY THEY'RE NOT HER BIRTH PARENTS

SCENE OPENS on Penelope (River Fox) brushing her hair and staring off while overhearing her parents, Debra (Sarah Vandella) and Frank (Tommy Gunn), arguing in the kitchen. Debra and Frank are in a heated argument. 'What did you THINK was going to happen? That she was going to get on her knees and suck your dick right there in front of the birthday cake?' Debra exclaims to Frank, who looks abashed. What was going to happen to their plans of raising and preparing Penelope so that they could turn her into a sex slave when she was 18? When was it going to be THEIR time to have some fun?

There's a flashback to a tracking shot from over the shoulders of Debra and Frank as they carry a birthday cake with numbered candles from the kitchen into the living room where Penelope is sitting in the center of couch with her hands on her lap and a cute, innocent smile on her face. Debra and Frank sing Happy Birthday as they carry the cake forward. They ceremoniously place the cake down on the coffee table in front of Penelope just as they reach the last notes of the song.

There's another flashback to the present day where Debra's telling Penelope that they've been trying to have a baby for YEARS and had four miscarriages. Adoption WAS an option but with Frank's record and their poor finances, it wasn't feasible. The hospital was so big and they were sure no one would miss Penelope... They just wanted a baby of their own so badly...

Penelope stops brushing her hair and grins slightly to herself as her parents' words echo in her head.

TITLE PLATE

Penelope moves to the kitchen, asking if she's interrupting anything. Debra insists that there was just something on Frank's shirt. Penelope tells them that she overheard everything and now knows what they've been planning to do to her this whole time -- they just wanted to use her for sex!

Instead of being disgusted, Penelope saunters forward and rubs the front of Frank's pants while addressing Debra, 'You've been taking THIS the whole time, Mommy?' gesturing to his big dick. Penelope then moves to Debra and rubs her breasts, saying, 'You've been sucking on THESE the whole time, Daddy?' Penelope looks seductively between them, then insists that they BOTH show her how it's done...

THE WATCHER
CREEPY VOYEUR SPIES ON YOUNG COUPLE AND FOLLOWS THEM HOME

SCENE opens on an establishing shot of a broken-down shed. It is early morning. Cut to inside. A homeless man's legs stick out from underneath a tarp as he lays huddled on the dirt floor, surrounded by garbage and old food containers. From a dirty POV, we watch him lift off the tarp and sit up to see the sunlight streaming through the cracks in the door. His face is hidden by his hooded sweatshirt, but he is a tall, intimidating figure. He rummages through his garbage before picking up an old tattered porno mag and, with a groan, opening its sticky pages.

CUT TO TITLE PLATE

Several hours later. The man, still shrouded in his hoodie, leans up against a curb begging for money. People pass him by without any notice.

JUMP CUT to a close-up of the man's dirty shoes as he staggers down the roadside, panning up to reveal him holding a tall can wrapped in a brown bag. He comes upon the entrance of a park. From a dirty POV, we watch him look around before deciding to venture inside.

JUMP CUT to the man walking through a secluded, woody area at the back of the park. He has come here to look through more of his magazine. As he settles down by the parameter fence, he hears a woman laughing and pauses. From a dirty POV, we watch as he cautiously stands back up and creeps towards the sound of the woman. Through the clearing, A couple have laid out a blanket underneath some trees and are making out. Jenny, the woman, giggles and play fights with Paul, her boyfriend, who is trying to affectionately get her clothes off. The man watches and listens, as their small talk reveals the pair are a recent couple out on a date. They are both college students. Paul wants to have sex while Jenny is nervous. She doesn't want to do it in public and get caught. He tells her to chill out, no one ever comes to the back of the park. 'Besides, we are both over twenty-one,' he adds. 'And it would only be a misdemeanor ... so isn't it worth the risk?!' She laughs and tells him he's a terrible influence, as they keep kissing. The camera jumps between a wide shot of the couple, with the man shrouded in the background, and a dirty POV of him watching. Finally, caving to the pressure, Paul suggests they go back to his place to fuck instead ... and Jenny eagerly agrees. They gather up their things and leave, while the man still watches.

JUMP CUT to a dirty POV of the man watching Paul and Jenny as they enter his house, leaving the door slightly ajar by mistake. Cautiously, the man creeps up and quietly steps through it after them. He can hear their voices on the other side of the house. Breathing heavily, he walks through the main floor and towards the bedroom. He peeks inside and watches as the couple make out in bed. Paul is removing Jenny's top as they kiss passionately, and she undoes his belt. She begins to give him a hand job, as the camera cuts back and forth between inside the room with them and the man's dirty POV. Paul begs Jenny to suck his dick, but she keeps laughing and pulling twigs out from his dirty shorts. 'Let's just take a quick shower first,' she teases. 'And then you can do whatever the fuck you want to me!' Paul groans and nods, ushering Jenny off the bed and out of the room, as they strip off their clothes and narrowly miss the man who has darted around the corner. From a dirty POV, he hears the shower come on and then creeps into the bedroom, so he can find himself a better view. He decides to hide inside the closet.

A few moments later, the couple come back into the room naked and ready to have sex. The closet door stays in the frame as they begin to go at it, completely unaware that they are being watched.

ANNE - ACT THREE: THE SCAM

SCENE opens in Anne's bedroom. She is slowly being woken up from her slumber by daddy, grinning ear-to-ear with lust and devotion. Overnight, he has become a new man, obsessed with his princess. While the rest of his staff watch eagerly from the doorway, he hands the girl a surprise -- a beautiful, brand new necklace from the fanciest jewelry store in town. He tells Anne that he had Ms. Farling go and order it especially for her, as no daughter of his should wear a rusty piece of tin around her neck. Anne smiles at daddy as he takes the necklace out of the box and shows it off, but her expression soon fades. She tells him that she is beside herself with happiness. He is the best daddy she could ever ask for and the charity event at the end of the week is going to be perfect -- but she cannot accept the gift. She explains that her broken heart is the only thing she's ever had that belonged to her real parents. She still believes that they are out there somewhere and, until she finds them, she will never take it off. That is why she is here. She needs his help. daddy studies her for a moment before breaking away. He summons Ms. Farling over and, in a low voice, asks if his assistant had completed the background check on the girl. She nods quietly, whispering that they could not find any traces of the parents. daddy hushes her and goes back to Anne. Horny and desperate to keep her happy, he pledges to post a reward for any information related to finding her folks. Anne bursts into tears, hugging him. 'You really mean that?' She says. He nods, adding that with his connections they should be able to find her parents within days. Anne hugs him as he clutches onto her body lustfully and sends Ms. Farling to alert his publicist.

Several days later. Mr. Hands is sitting in his office, angry, when PATTY brings him a newspaper. Anne is on the front page with a headline that reads: $1M Reward for Real Parents. The villain can hardly believe his eyes. He kicks PATTY out of the room, does another line, and places a call. 'Sis,' he says in a one-sided conversation. 'Get over here now. Bring the husband. I've got a job for you two!' Slamming the phone down, he wipes his teeth with his finger and walks over to his safe. Fumbling to unlock it, he finally does and pulls out a manila envelope with Anne's name on it.

CUT TO:
A door knocks. Mr. Hands opens it quickly to reveal his sister and brother-in-law standing there. They are a very trashy looking couple, especially the husband, Mr. Budge. While Mr. Hands tries to hurry them through the courtyard towards his office, Mr. Budge insists they make a pit stop to visit his secret wing. It's been awhile since he got a good look at his girls. Mrs. Budge agrees with her husband, urging her brother to let them go and just have a quick peek. Irritated, the crooked proprietor says fine and tells them to hurry. He hasn't got all day.

CUT TO:
Mr. Hands leads the couple through the secret room, as they drool over each girl. The orphans shrink back at the site of the truly disgusting and distasteful couple. They are even worse than Mr. Hands!

CUT TO:
Inside his office, Mr. Hands orders the couple to sit down. He has a business proposal for them. One of his girls has been taken in by a very wealthy businessman and they are now offering one million dollars to find her real parents. 'I ain't killing anyone,' Mrs. Budge says curtly. 'Not after last time!' Mr. Budge tells his wife to shut up and stop interrupting her brother. He asks Mr. Hands what he is getting at. 'That reward money belongs to me,' Mr. Hands replies. 'If they are going to steal one of my girls, I'm at least going to be the one who benefits from it. And I'm willing to cut you both in 50/50.' Mrs. Budge is still hesitant. She accuses her brother of being a pathological liar and asks why they should believe him. Mr. Hands tells his sister that he knows they are looking to get into his business. He sees the way they look at his girls. Doing this job for him would be a perfect trial run for a longer-term partnership. Mr. Budge is very eager to hear more and, shutting his wife up again, asks his brother-in-law what they would need to do. Mr. Hands explains that all they must do is convince Anne that they are her real parents. And he has all the inside information they would need to perfect their con. He hands them the manila envelope containing photos and documents about the parents who abandoned the girl so many years before. They are dead. All the records are there. But, more importantly, he has this. Mr. Hands pulls out the other half of Anne's broken heart necklace. 'You flash this little memento in front of her eyes,' he says, with a sneer. 'And the money is as good as ours!' Mr. Budge eagerly takes the necklace from his brother-in-law's hands. The men start to laugh. 'Not so fast,' Mrs. Budge says. 'I haven't agreed to anything yet.' Her husband starts to plead with her, as she stares coldly into her brother's eyes. 'We're only going to do it,' she continues. 'If you add a little cherry on top.' She smacks her lips and motions back to the secret room. Mr. Hands sighs and asks which one she wants. Smiling, Mrs. Budge replies that she liked the little vulnerable one in the corner. The girl with the braces. If Mr. Hands will agree to let them have a go with her, then they will be happy to play pretend parents afterwards. Mr. Hands seems irritated by his sister's demands but agrees and leaves the room to go fetch Sally. The creepy couple smile at each other, as Mr. Budge puts the necklace around Mrs. Budge 'S neck.

When Mr. Hands returns with the crippled girl, she is clearly nervous. 'That's right, Sally,' he says, taking her leg braces from her and leaning her up against the table. 'Just do everything this nice couple wants and then one week off, as promised.' Sally nods meekly, before asking Mr. Hands if that can include some television. She misses it so much. The crooked proprietor laughs and turns to the couple. 'Be careful with her bones,' he says distastefully. 'She's got muscular something or other. But, she bends easily if she has something to prop herself up with.' Mr. Hands winks at the girl and, taking her leg braces with him, says that he'll keep these outside for safety. He leaves as the couple close in on the girl.

'How old are you?' Mr. Budge asks, his hands wringing. Sally tells the couple that she just turned 18 a few months earlier. They cannot contain their excitement. 'Young and eager,' Mrs. Budge adds. 'Just the way we like them!' She kisses Sally on the mouth. A long, awkward kiss. 'You sure you want to do this, sweetheart?' Mr. Budge asks the girl. 'You seem a little reluctant. We don't want to have to call old Handsy back in here, do we?' Sally shakes her head and tells them in a monotone voice that she wants to please them both. They can do whatever they want to her. The couple kiss triumphantly, before Mrs. Budge undoes her husband's pants and guides Sally down to his penis. From the corner of her eye, Sally spots the broken heart necklace dangling from Mrs. Budge 's neck. Her mind flashes back to the moment when she handed Anne the other half of the same necklace. 'Where did you get that?' she asks, her mouth full of cock. Mrs. Budge laughs and says it's a family heirloom. Then she joins the girl in sucking her husband's dick.

As she is bent over the desk and penetrated, Sally sees the newspaper with Anne's photo. She begins to piece together what is happening, especially as MR. and Mrs. Budge begin to make jokes and off-the-cuff remarks about the con and their future fortune. Knowing that she may be able to help her friend, Sally plays up the submissive act to try and get more information. In the end, Mr. Budge cums all over Sally's face but not before she has a pretty good idea of what the couple plan to do. Mrs. Budge calls Mr. Hands back in the room, yelling that they are done. The crippled girl takes her leg braces back, without making eye contact, and quietly exits the room.

CUT TO:
SEVERAL DAYS LATER
Inside the mansion. It's the end of the week and everyone is busy preparing for the charity event, blowing balloons and hanging up streamers. daddy and Anne sit in an adjacent room practicing their speech with Ms. Farling when the doorbell rings. The BUTLER answers and is surprised to see a clean-cut couple standing on the doorstep. It is Mr. and Mrs. Budge but they introduce themselves as the Knox family. They claim to be Anne's biological parents! When they saw the newspaper headline about their dear sweet Anne, it felt like the miracle they'd been waiting eighteen years for! They invite themselves into the mansion, as Anne overhears them and drops everything to rush over. She looks them both up and down. 'Mom? Dad?' She says, collapsing into Mr. Budge's arms. daddy looks devastated as he asks the man if he is certain that this is his daughter. Before he can respond, Mrs. Budge pulls out the broken heart necklace hiding underneath her blouse and says she has never been so sure about anything in her whole life! Anne sees the necklace and breaks down. She thanks daddy profusely for helping to reunite her with her parents. Ms. Farling, suspicious, whispers to her boss that they should confirm this lead before concluding anything. They can ask them to leave until they've done the proper due diligence. But daddy, staring stoically at the daughter he nearly had, cannot bring himself to break her heart again. After all, he has truly fallen in love with the beautiful young orphan. So, he suggests that he and his staff give the family some privacy to gather up her things. He shows them to the stairs and, as they head up, Anne hugs him one more time. 'Thank you, daddy,' she whispers in his ear. He watches her go upstairs with the parents before turning back and storming through the house, tearing down some streamers.

CUT TO:
Inside Anne's bedroom. Anne starts packing her bags while trying to connect with her long-lost parents, but something makes her feel uneasy. Their affection seems insincere and almost sexual. They don't want to catch up at all, they just want to talk about how pretty Anne is and how much fun they are going to have with her. They also seem to be arguing over something, although Anne can't quite figure out what. Her supposed father wants to wait until they leave to 'give it to her' but his wife is urging them to do it quickly now. It isn't going to take long. 'What isn't going to take long?' Anne asks innocently. Agreeing with his wife, Mr. Budge tries to grope Anne. She backs away awkwardly. MRS. BUDGE asks if she will come and sit down on the bed beside her. When she agrees, Mr. Budge slides in too and starts to kiss her. Anne asks why her parents are acting this way and they explain that this is just how their family shows affection. She tells them about everything that happened to her in the orphanage and how long she held out for them to return. 'Then how come you're being so distant with us now?' Mr. Budge jokes. 'Don't you want to kiss your mama while we wait?' Anne looks over at her supposed mother and slowly nods. The women kiss awkwardly. 'Now, come over here and suck daddy's dick,' Mr. Budge says. 'Quickly. Just like a good girl would!' Anne thinks about daddy and everything the man had done for her. All she did was be a good girl. Maybe that's all she needs to do now. The confused orphan slowly agrees and gets on her knees, as Mrs. Budge pushes her head towards her husband's dick.

CUT TO:
Downstairs. daddy stares into space, utterly depressed, as Ms. Farling paces in the living room making calls. The other staff linger, taking down the decorations when suddenly, one of the gardeners bursts into the house carrying Sally in his arms. He yells for his boss and they help deposit the exhausted girl onto a couch. Breathless, she tells daddy who she is and where she comes from. She's been out all night trying to find them. Anne is about to be kidnapped by two criminals. They were hired by Mr. Hands. She overheard the whole plan. As soon as daddy hears this, he flies into a rage and storms up the stairs, his staff chasing him.

CUT TO:
Mr. Budge is pulling up his zipper, having just cum on Anne's face, when daddy bursts through the door. He takes one look at his princess before knocking Mr. Budge to the ground, as Ms. Farling grabs Mrs. Budge and wrestles her into submission. Shocked, Anne tries to defend her parents. What the hell are they doing to them! MRS. FARLING restrains her while daddy, the GUARD and the BUTLER drag the two criminals out of the room. She sobs into the assistant's chest, screaming at daddy to stop hurting her parents. She is inconsolable! A few moments later, daddy slowly re-enters the room with Sally. As soon as Anne sees the other orphan, she stops. 'What is happening?' She asks them all. Sally wipes the semen off her friend's face, as the two girls hold each other. 'I need to tell you something,' she says. Those people were not your birth parents. They were imposters, sent in by Mr. Hands. Your birth parents are dead. She hands Anne the manila envelope.

The room becomes eerily still, as the weight of the truth hits Anne. She pours through the photos and documents, as everything she has ever hoped for disappears. In a daze, she gets up and slowly staggers out of the room.

CUT TO:
Anne descends the stairs, with daddy following. Tears are streaming down her face. The man tries to comfort her, apologizing for her loss. He will do anything she wants. He loves her. As he consoles her, Sally and the rest of his staff follow them in the background. Anne buries herself in his chest. 'Please fuck me,' she says frantically. daddy steps back, confused, and assures her that she doesn't have to do that. Not now. 'I don't care,' she cries, looking up at him. 'I need to feel something ... anything other than this!' She starts pulling at his belt like a maniac, as he looks around nervously for his staff and tries to talk her out of it. But, something else has snapped in Anne. She demands that daddy make her cum. If he loves her, he will make her cum. She needs to feel something, she begs repeatedly. Finally, the man agrees, and they start to have sex in the living area.

His staff, who are gathering around them, look at each other awkwardly. 'You are all dismissed!' daddy says, trying to be authoritative mid-pump. But, the staff stay frozen, looking on stunned as the pair switch positions. Sally tries to intervene, asking if Anne is ok. She's probably in shock. Ms. Farling chimes in that she could call a doctor. 'Please Sally,' Anne begs frantically. 'This is what I need to do!' The staff urges each other to leave but Anne insists they stay, she wants them to watch, she wants them to join. She insists this is what they all need. The staff slowly start to undress and join the fray, gathering in an intense orgy born out of Anne's insatiable hunger.

When all the group is spent, daddy cradles Anne in his arms and tells her he loves her. 'Ms. Farling,' the man orders. 'Call the police! I want that orphanage shut down immediately!' The assistant nods and, gathering up the other staff, exit the room. Wiping her eyes, Anne asks how Sally got away from Mr. Hands. With a smirk, she tells Anne not to worry about it. They hug again.

OVER HER HEADEXTRA SMALL TEEN LIES TO OLDER GUY ABOUT BEING A VIRGIN

The scene opens on an 18-year-old girl, Aubrey (Lily Rader), as she leaves her family's house ... casually saying goodbye to her parents. When she gets safely inside her car, she pulls off the baggy sweater she is wearing to reveal a skimpy top. She calls a friend on speaker and starts to drive. She asks if her friend will back her up because she lied to her parents about having a slumber party together. She is actually planning to meet up with a man she's been chatting with. When her friend pushes for details, Aubrey explains that he is a lot older and that he thinks she's in college. He doesn't know that she's barely 18 and still in high school. When her friend warns her about meeting him alone at his house, Aubrey reassures her that he's a super nice guy and that they've talked on the phone already. She even confides that they've been sending dirty messages. Besides, it would be cool to lose her virginity to an older man ... she even bought some condoms! The friends laugh and, after making her promise to back her up, Aubrey gets off the phone and continues driving to the man's house.

When Aubrey shows up at the house, she is greeted by the man's roommate ... who leads her inside. Damien (Dean Van Damme), the guy she's there to meet, is playing darts. He warmly greets her. Aubrey is bubbly and friendly. She thinks they are going to head off to a party, as planned, and asks about it eagerly. Damien makes sure that his roommate is gone before getting her to sit down. He seems a little edgy. Still flirtatious but getting a little nervous now, she small talks while he brings her closer towards him.

Soon, they are making out and he is getting increasingly forward with her. She hesitates. He asks her what the matter is and, not wanting to admit she's a virgin, she plays it cool and keeps kissing, as he removes her shirt. She hesitates again, using the excuse of his roommate being around. Damien tells her that he won't be back for ages. Again, not wanting to seem naïve, Aubrey plays it off and allows Damien to continue pulling her clothes off. When he pushes her down for a blowjob and face fucks her hard, she strains a smile at him as her eyes water and she chokes on his cock. This is way more intense than any BJ she has given before! When he bends her over, she hesitates again and tells him she has a condom in her purse. He laughs ... why would they need a condom? She's on the pill right? She does this all the time, right?! Nervously, Aubrey lies and says she does do it all the time, he's right, she doesn't need a condom. She is totally protected. He can do it. With that, he slides his big cock deep inside of her and takes her virginity.

ANNE - ACT TWO: THE ESCAPE

SCENE opens inside Mr. Hands' closet. Anne is seated, curled up in a ball, when she hears the knob slowly turn. The door opens, as Sally crawls in towards her friend, her bad leg dragging behind her. In a hushed tone, she tells Anne to stay quiet and they slowly crawl out together. Mr. Hands is passed out on his desk. As soon as the girls get out of the office, they quickly tip-toe through the common areas to the front door. Anne turns to thank her friend and Sally hands her Mr. Westfield's address. 'I copied it off the letter on Hands' desk while he was resting,' she says triumphantly. Anne hugs her friend. Sally smiles, reaching into her pocket and retrieving the necklace. 'Thought you might need this too,' she adds. Anne kisses her, before running off the property and into the night.

A car pulls up outside a large estate and Anne steps out, thanking the driver for letting her hitch a ride. It drives off leaving her to take in Mr. Westfield's mansion for the first time. It's the biggest, most luxurious house she has ever seen! But, as Anne looks down at her shabby outfit and dirty hands, she has a moment of self-doubt and starts to walk away when a gardener notices her. He calls out, asking who she is and Anne mumbles that she is here to see Ms. Farling. She is the orphan. Another gardener comes around the corner and notices her. He gives the girl a long look before using his intercom to call someone. 'Right this way,' he tells her, as both workers accompany the girl to the front steps.

A butler opens the door. He is very polished and handsome, dressed in a tuxedo. 'She is the girl that Ms. Farling told us about,' one of the gardeners says. The butler dismisses them before turning his eyes to the girl. 'You are the prettiest orphan I have ever seen!' He says. 'What is your name and how old are you?' Anne replies, and the butler extends his hand, inviting her inside.

CUT TO:
The Foyer. As the butler starts to explain the layout, Ms. Farling rushes into the room. She is still in her dressing gown and seems surprised that Anne is here alone. 'Sweetheart,' she says. 'I wasn't expecting you so soon. Is Hands still here? I have some papers for him to sign.' Not wanting to reveal what happened, Anne lies that he dropped her off at the gate but had to leave. Slightly agitated, as if expecting to have more time to prepare for the girl's arrival, Ms. Farling accepts her story. 'I see you've met Bruno, our butler,' she says, placing a warm hand on the butler's chest. He bows slightly. 'He will be at your service, morning, noon and night. But, let me show you the rest of the house. We have a lot to do today to get you prepared!'

CUT TO:
In a long tracking shot, the trio walk into the kitchen, where a CHEF is busy whisking in a bowl. She stops and stares at the girl. 'This is our personal chef, Mrs. Orchard,' Ms. Farling says before lowering her voice to a whisper. 'She is a little eccentric, but her food is delicious, I promise!' Anne laughs. They move to the living area, where a beautiful maid is extending herself to dust the tall corners of the room. Her stature is accentuated by a somewhat revealing outfit. 'This is Hilda, our housekeeper,' Ms. Farling says. The maid rushes over and gives Anne a warm hug, kissing her on each cheek. 'You are so perfect,' she says softly. 'daddy is sure to love you!' Anne looks up at Ms. Farling in confusion and the assistant grips her shoulders tightly. 'That's just what we call Mr. Westfield in this house,' she tells Anne. 'He is such a role model that I like to think of him as a father figure. It is very important to treat him with respect.' They keep walking, with the maid joining the group. Ms. Farling and the staff knowingly exchange glances, as Anne walks ahead of them innocently. They pass a darkened wing of the house, where a GAURD is standing watch. 'Who is that?' Anne whispers. Ms. Farling quickens her pace, explaining that this is daddy's office. He is inside right now, having a very important meeting and cannot be disturbed. That's why he has protection. Anne looks at the guard nervously. 'Come quickly,' Ms. Farling says. 'You are supposed to be a surprise for daddy ... and I don't want to ruin it.' They turn a corner and spot another well-dressed man. 'This is Michael, our driver,' Ms. Farling continues. 'He will take you wherever you wish to go. We have 12 different cars on the property.' Anne says hello shyly while the handsome driver kisses her hand and introduces himself. He joins them, and they move the tour upstairs.

CUT TO:
The second floor. As Ms. Farling explains the house's various features and rules, Anne looks around at the staff following them. They are all smiling at her intently. It makes her a little uncomfortable, mostly because she has never had so much attention focused on herself. She sticks close to Ms. Farling and asks the assistant if she really thinks that Mr. Westfield can help her find her real parents. The assistant stops and curtly reminds the orphan that, in this house, he is not Mr. Westfield. He is daddy. She must not forget that. It is a very important rule. Anne apologies but Ms. Farling cuts her off. 'There is no need to apologize, my darling. We are all here to help make sure you give off the best possible first impression tonight when you meet him,' she says. 'I know he is going to be so surprised when he sees that I've brought him a beautiful girl!' Anne looks down at herself again and mutters about not feeling very beautiful. Ms. Farling assures her that it is their responsibility during her stay to ensure she is treated like a princess. Anne should enjoy all the spoils of being at home here -- just as if she were daddy's real daughter. 'And then we can look for my parents?' Anne asks. Ms. Farling nods, adding that if anyone has the right connections to find them, it will be daddy. The staff eye each other and the girl lustfully.

'What would you like us to do first, Anne?' the butler asks, putting his arms on Anne's waist. 'We will do anything you want!' adds the driver. Ms. Farling smiles as the maid grabs Anne's shoulders from behind. 'How about we get you cleaned up?' She says, whispering in her ear. Anne gulps before slowly nodding and telling them that a shower would be nice. 'I think you're really going to like it here!' The assistant says warmly, leaning in to kiss the young orphan on the cheek.

CUT TO:
The bathroom. Anne is naked in the shower, being washed by Ms. Farling and the maid who have taken off their clothes to join her. She seems very awkward at their touch but is trying to fit in -- she wants to like it here. She needs to like it here. As they sensually scrub her body, Ms. Farling tells the orphan all about their boss. He is such a high-profile, busy man that he has never settled down or had a family of his own. When she began planning this charity event, she knew it was a perfect opportunity to change that. She wants to give daddy a feeling he's never been able to enjoy, despite his success. Ms. Farling seems so proud of her plan that Anne doesn't want to bring up her parents again. It might seem rude. But, that's all that she can think about. The women continue to stress the point of making a good first impression to daddy, so much so that Anne becomes very visibly anxious about it. The maid asks the orphan if she is OK and, after some coaxing, Anne admits that she's nervous to meet him. She's never been given so much before and she doesn't want to screw it up. Ms. Farling starts to steer the conversation towards how she and her staff deal with stress. They help each other relax, in every possible way. Taking a cue from the assistant, the maid chimes in to ask if Anne has ever enjoyed an orgasm. Anne confesses that she's never had one -- she won't admit what happened with Mr. Hands, but she alludes to having had a past negative experience. The women are surprised and insist that they help her -- especially if she wants to be relaxed for this evening. After a bit of coaxing, Anne agrees. She trusts the women. The maid and Ms. Farling work together to make Anne cum before leading the overwhelmed girl out of the shower where the butler and driver are waiting. They dry her off and then ask permission to make her orgasm too. Anne hesitates again but Ms. Farling reiterates the importance of what they are doing. They are only trying to help her prepare for tonight. 'And you really think that daddy will be able to find my parents?' Ms. Farling says yes, and Anne ultimately agrees. She has come so far already, she can't stop now. The staff take turns having sex and pleasuring her.

After they have finished, Ms. Farling dismisses the others, so she can help get Anne dressed. Excited at the prospect of giving daddy his surprise, the assistant proclaims she has the perfect outfit set aside!

CUT TO:
The dining room. Anne sits at a beautifully appointed table, wearing a stylish red dress and looking like the opposite of the orphan who arrived just hours earlier. The entire staff is also seated but the head of the table remains empty. After a long, awkward pause, daddy bursts into the room flagged by his guard. He is on his phone with his lawyer, clearly in a very bad mood, and pays no attention to the girl sitting beside him. The staff look at each other anxiously. Slamming his phone down, he demands to know what's being served as the CHEF ladles some soup into his bowl. 'Roasted carrot with crème fraiche,' she replies. daddy makes a face and starts eating, as he tells Ms. Farling to go over his itinerary for the rest of the week. His assistant pulls out her tablet and starts to break it down for him while Anne twitches in anticipation. At a certain point, daddy looks over and notices her. 'Who the hell is this kid?' He asks his assistant gruffly. Ms. Farling reminds him about the upcoming charity event he's hosting and how she was tasked to bring in an orphan to spend the week with him as part of the publicity campaign. daddy looks Anne up and down before replying that he thought she was going to get a child. 'How old are you?' He asks. Anne replies meekly that she is eighteen. daddy grunts and tells Ms. Farling that a teenage girl is the last thing he needs in his house. Ms. Farling protests, advising him that it would be a nice idea to have him spend some quality time with a nice young woman, since he isn't married and never had a daughter. He stares at her coldly without responding. 'Besides ...' she nervously adds. 'It will look very good for your image, daddy. It will show the public a softer side to the Westfield empire and, hopefully, downplay some of the recent rumors...' daddy mulls this over before finally agreeing and asking for the next course.

While everyone eats their meal, Ms. Farling keeps encouraging Anne to talk about herself. She tells the businessman all about her life in the orphanage, the other girls she grew up with, and how happy she is to have been chosen to represent him as his daughter for the week. daddy remains cold despite all her efforts to charm him and the staff are so preoccupied with making sure the pair get along that is causes a lot of tension around the table. Finally, daddy excuses himself for bed and leaves abruptly, accompanied by his guard. Anne is crestfallen.

'He hates me, I just know it!' She says pitifully. 'Please don't send me back Ms. Farling ... I'll do anything to stay!' Hugging her tightly as the rest of the staff solemnly clear the table, Ms. Farling tells her not to give up. She will make sure Anne is not sent back to the orphanage. But, she needs her to be a little more convincing. daddy has a hard shell, but he is soft on the inside. All he needs is to feel like he is in control of the situation. That's how he runs his business. Anne asks what else she can do and, helping her to her feet, Ms. Farling suggests she go and say goodnight to the man - alone. If she can prove what a good girl she is, daddy will surely want her to stay and help her find her parents. As Ms. Farling accompanies Anne to the stairwell, she reminds her of how good the staff made her feel earlier. Anne nods nervously. 'That is how daddy likes it too,' the assistant adds. 'Remember that!' They walk to daddy's door, where the guard is standing. Ms. Farling tells him that Anne is going in to say goodnight and he lets her pass. She glances back at Ms. Farling, who shoos her in with a final look of encouragement. When she disappears, the assistant turns back to the guard and tells him to take a break. She needs to monitor this herself. The guard flashes her a quick smile and speaks for the first time. 'Bringing him a teenage orphan ... that's low even for you, Farling!' he jokes. 'Yes,' Ms. Farling replies curtly 'I know. But anything is better than the hookers at this point!' The guard walks off, leaving the assistant alone at the door.

CUT TO:
daddy's bedroom. The man is under the covers, in his pajamas, and on his phone when Anne enters timidly. 'What are you doing in here?' He demands, shocked to see her. 'Nobody comes in my room without my permission!' Anne, putting on a brave face, marches over to the bed and tells him that she wants to say goodnight. They may have got off to the wrong foot downstairs, but she wants him to know that she is the best possible orphan for his charity event. daddy is not amused. He asks if his assistant put her up to this. 'That woman is always meddling in my private affairs,' he grumbles. Anne bites her lip and sits down on the bed boldly. 'Now listen daddy,' she says. 'You are rich, powerful, and very intimidating. When I walked into your house today, I knew I had walked in to somewhere special. And I'm going to be the greatest daughter you've ever dreamed of -- even if it is only for pretend!' daddy cuts Anne off and gets right into her face. 'I don't need a daughter,' he replies. 'I just need a photo op!' Anne shrinks back. She mumbles something about being a good girl. daddy laughs. 'When I want a girl, I hire one. I don't want to be your fucking parent!' He barks, turning back to his phone. 'Now get out of here before I call security.'

Anne slowly gets off the bed and starts towards the door, crying. She knows that daddy is the key to her future, to finding her real parents. If she leaves now, she leaves with nothing. Like Ms. Farling said, she just needs to convince him. Something inside her snaps and Anne spins around. 'You're wrong!' she screams, storming back to his bedside. 'You do need someone to love. Not someone you have to pay for; someone who will worship you and respect you!' She breaks down before him, twitching in her red dress. 'I have spent eighteen years searching for my parents. They abandoned me. But you won't!' daddy doesn't know what to do. He tells the frazzled girl to away from him. She's a god-damn kid, what will the press think? Anne starts to cry in a panic. 'They will think I am going to be your new daughter. I promise to be a good girl for you. I promise you will come to love me ... if you just give it a chance. I will do anything you ask, daddy! BUT I'M NOT LEAVING THIS ROOM!' She starts to climb on the bed towards him as he shrinks back, yelling for Ms. Farling. 'She only wants what's best for you too,' Anne continues pleading. 'Just give me a try, daddy... I need your help!' daddy gets very angry and leaps out of bed to physically escort Anne out. She kicks and screams as he struggles to carry her to the door. In desperation, she starts to kiss and grab at him too. They struggle before he throws her back on the bed. 'Are you making a pass at me, little girl?' He growls, towering over her. 'Because I will tear you up!' Not knowing what to do, the tear-streaked orphan tells him yes, if that's what he wants. He can do whatever he wants to her if he will just let her stay and help her afterwards. Her constant advances awaken something inside of daddy and the icy, distant man rips her dress off. Staring down at the naked girl, he reveals himself and tells her to suck it. It's been days since he could hire a girl anyway.

The harder he pounds; the more Anne calls him daddy and begs for him to accept her. She slowly breaks the man down. His hate fucking slowly turns into passionate sex, with the pair kissing and acting lovingly by the time daddy cums inside of her. Their sex is INTERCUT with shots of Ms. Farling watching and masturbating from outside the door.

After they have finished, Anne kisses daddy and they share a tender moment. Ms. Farling enters and, giving her boss a knowing look, informs Anne that it is time for bed. 'You see, I always have your best interests at heart, don't I daddy?' She says and leads the naked orphan out of the room, holding her hand. The man falls back on his bed and a smile crosses his face.

CUT TO:
Anne's new bedroom. Ms. Farling tucks Anne in and kisses her on the forehead, telling her how proud she is of everything the young orphan did to prove herself. She knew Anne was special! Once alone, Anne says a short prayer to her parents. She tells them that she is doing everything she can so that one day they will be reunited. Hopefully. She snoozes happily, holding on to her broken heart.