Latest 'Big dick' updates from Pornstar Scenes (Page 195)

SACRILEGIOUS: AN IVY LEBELLE STORY
Teen Takes Revenge On Faculty Of Oppressive And Abusive School

Molly (Ivy Lebelle) is a regular teenager being raised in an ultra-conservative home. Unfortunately for her, being a regular teenager doing regular teenager things is considered sinful by her cold parents. To help get their daughter back on the right path, Molly's parents dump her on the steps of a school run by a man named Jeremiah (Dick Chibbles). Jeremiah claims that he'll help Molly see the light but Molly has a bad feeling about him...

For months, Molly plays by their rules as Jeremiah and a woman named Miss Solomon try to drill into her how much of a sinner she is. While she tells them what they want to hear, she is fuming inside. One day, a student named Nick (Seth Gamble) slips her a secret note in passing. The note is simple, telling Molly that he thinks she's hot, but it's enough to get Molly through the long days and give her hope... until Jeremiah later goes through her room and finds the note.

She's once again punished, locked away in a closet to atone for her sins. Instead of making her remorseful, the solitary confinement only makes her angrier. One day, she gets a lucky break and is able to escape. Instead of making a run for it, though, she heads straight to Nick. There's something they need to do first...

MOTHER'S PRIZED MARE
Overbearing Mother Arranges For Stranger To Impregnate Her Daughter

SCENE OPENS to Mona (Christie Stevens) talking on the phone. She looks pleased with herself as she screens the man on the other end, asking questions for her breeding project. It seems like the man has exactly what she needs to impregnate her dear Millie, so she makes arrangements for them to meet that afternoon. It's all done in a formal manner as if it's the most normal thing in the world. As soon as Mona hangs up, she smiles and calls for her step-daughter, Millie (Natalie Knight).

Mona finds Millie in her bedroom and begins to prepare her for the meeting. Everything has to be perfect for this arrangement...Millie HAS to expand the family in a way that Mona herself can't. Although Millie is hesitant to fulfill her duty, Mona continues coaxing her, manipulating her. Millie MUST give her a child. Doesn't Millie want to honor her late father by passing on his genes?

When Rowan (Stirling Cooper) arrives at the house a short time later, Mona scrutinizes him in person. She'll only accept the best stud for her daughter, and, fortunately for them, he passes the initial test. However, when it comes time for the breeding to begin, Millie is too nervous. Thankfully for her, Mona is willing to do whatever it takes to make sure Millie takes a nice creampie...

A naughty nurse with an ass from heaven points it towards the sky as a debauched doctor gets the honor of humping her hard on the examination table.

NICE GIRLS FINISH LAST
Bully Corrupts Victim's Father Into Fucking Her & Bullying His Own Daughter

SCENE OPENS on Dave Wilkins (Charles Dera). He is washing dishes when his daughter Libby (Laney Grey) bursts through the front door, distraught and crying. She drops her knapsack and runs right to him, throwing herself into his arms. Almost on the verge of panic, Libby frantically tells Dave that a bully was terrorizing her at school today.

Dave is supportive and sympathetic and asks her if it's the same bully that's always on her case. Libby confirms it is, a girl named Katrina. Dave has one of his fists clenched in anger as he tells his daughter not to worry, he'll take care of it.

Later that day, Dave's front doorbell rings. He takes a deep, steadying breath before he opens the door. Standing there is Katrina (Jane Wilde), looking confident and mildly inconvenienced. They regard each other for a moment. Dave looks at her sternly. 'You must be Katrina,' he says. She looks at him another moment before her lips curl into a mean smile.

'I am... it's so nice to FINALLY meet you, Mr. Wilkins.'

CUT TO TITLE

Dave warns Katrina to stop bullying Libby, but Katrina begins to manipulate Dave, drawing his attention to the fact that Lilly plays the victim and is constantly craving attention. Katrina's words seem to be getting to Dave, particularly when she brings up the fact that Lilly wants to dominate HIS attention.

Katrina then makes her move and tries to seduce Dave. He is reluctant, but when Katrina encourages him to do something for himself for once and not for Libby, Dave can resist no longer. He goes in for a hungry kiss. Katrina slides down to her knees and takes Dave's cock out of his pants, spitting on it as she takes it down her throat.

Libby's in for a RUDE awakening when she comes home...

Story inspired by an original submission by Pure Taboo member, foobarnick!

Victoria Pure tries on a few outfits, but the result is not wearing anything at all! What a great decision. The platinum temptress proceeds to do some doggie on a chase lounge making it easy to see the sleazy...

A blonde doc and her smooth coochie get excited by a patient so she loses her patience and gets naked. The lucky patient turns his exam into a fruitful fuckfest. His HMO still billed him though...

SINS OF THE FATHER
Virgin Teen Discovers Terrifying Secret In Family Attic

SCENE OPENS on a closed door in a hallway. A moment later, Jillian (Lexi Lore) opens the door and turns off the bathroom light as she comes into the hallway. The house is completely quiet as she softly walks down the hallway back to her room. Suddenly, from somewhere off-screen we hear a soft tapping. TAP. TAP. Jillian stops, looking behind her towards the source of the noise. The tapping continues, getting increasingly louder. Suddenly the tapping turns into a loud THUMP. Jillian jumps. Fear crosses her face, but she has now discerned where the noise is coming from: the attic. She moves toward the attic. Suddenly the house is oppressively silent. The quiet seems to squeeze the air out of her as she approaches the attic door.

As Jillian's hand reaches up to grasp the cord that hangs from the attic door, she seems to be holding her breath. But suddenly, a dark figure standing in the hall startles her. She yelps in terror, moving away from the figure. But then...her shoulders sag with relief when she sees who it is: her father, Stan.

When she theorizes that the attic is haunted by the ghosts of her father's first wife and unborn child, who both died in childbirth, Stan dismisses her concerns harshly. 'I mean, GHOSTS?! Jesus Christ, you're 18 YEARS OLD! GROW UP, for god's sake! I'm your GODDAMN father, so why don't you start LISTENING to me and LEAVE IT ALONE,' he continues, shaking his head in apparent disappointment. She recoils in the face of his outburst, looking shocked and puzzled, as if his words have made her look at something in a new light. O-ok dad, Jillian stammers, thoroughly rattled. She turns to go back to her bedroom. 'And Jillian? DON'T tell your mother about this. I don't want you putting any of these ridiculous ideas in her head. You KNOW how confused she gets,' Stan adds. Jillian silently nods. She reaches her bedroom door, opening it. Before she goes back in, she looks back into the hall, her gaze fixed on the attic door.

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The next day, Jillian's curiosity gets the better of her and she goes up into the attic. She looks around the room, her eyes wide with surprise and fear. The attic is cluttered and spooky, but out in the most open area she sees a sort of nest of old ratty sheets, next to a rusty old bucket. Her dread mounting, she looks around. Suddenly, as her eyes sweep over the surroundings, she squints. What IS that? She peers closer. Her eyes widen and she reels backward, terrified. She puts her hand over her mouth, her eyes filling up with horrified tears. In the corner, crouched like a rat, is a filthy, disheveled looking young man (Michael Vegas). He wears a pair of underwear only and gazes back at her, at first with a mixture of fear and confusion.

'A-are you---who are---?' she stammers, at a loss. The boy's eyes betray almost no understanding. How long has he---?, she asks, trailing off as she glances again at the mattress and bucket. He looks back at her in fear and her eyes soften with sympathy. 'Who...who did this to you?' she asks him slowly, as if speaking to a child. Something changes in his eyes. 'NOT MY SON! NOT MY SON!' the boy growls, repeating something that has been said to him in the past. Confused, she tries to probe for information. 'Not WHOSE son?! What are you trying to tell me?! Did someone SAY that to you??' she asks him gently. 'SON OF A CHEATING WHORE!' the boy says frantically. Someone was a cheater?? Who is he TALKING about??, Jillian asks. 'NOT my blood! NOT MY BLOOD!' the boy growls again. Realization slowly dawns on Jillian's face.

This beast-like man is about to unleash all of his primal sexual energy on Jillian, but not before she uncovers the terrifying truth about him...and the truth of the sin that her father is so desperate to hide.

NEEDING DADDY'S SEED
Daughter Begs Step-Father For Creampie To Get Her Pregnant

SCENE OPENS to Peter (John Strong) masturbating to daddy/daughter porn on his laptop. He's quite into it, entranced by the nature of the relationship and sensual acts on the screen, though he's interrupted by his own step-daughter, Mary (Kenna James), knocking at the door. He quickly closes the laptop and hides the tissues, then allows her into the room, where it's revealed she has something important to tell him.

Peter is attentive as she thanks him for being a wonderful step-father. Although he's done his best to give her a happy life, she still feels like something is missing. It still doesn't feel like they're a REAL family...

Although Peter is at a bit of a loss, he tells her that he'd be happy to adopt her to make everything more real. But she insists that that's not what she needs... No, she wants to start a real family with Peter... She wants him to get her pregnant!

Peter is stunned, insisting that he absolutely can't get her pregnant! She's his daughter! Yet, Mary is quick to remind him that she's his step-daughter... She further hacks away at his resolve by stating that she knows he lusts for her. She knows he watches videos of family roleplay. Here's the chance to live out the fantasy! Even if she doesn't get pregnant, they can have fun trying!

Unable to deny his desires any further, Peter gives in. As he watches his daughter eagerly go down on him, he knows there's no turning back...

Nominated - Best Three-Way Sex Scene -- B/B/G: Abigail Mac, Seth Gamble & Jake Adams, AVN 2020

THE CASTING
Struggling Actress Coerced Into Sex Audition By Creepy Director

Scene opens on Amy (Abigail Mac), a young waitress, as she waits by a bus stop at the end of a long shift. Still dressed in her work uniform, she rifles through her purse to find some change for the bus when her phone rings. It's her agent on the other end of the line, calling to inform the struggling actress that she received an invitation to audition for a new mainstream project -- a lead role in a pilot. Amy is ecstatic and surprised. It's the first audition she's ever had... The agent tells her that he received the invitation from the director himself, eager to meet Amy after seeing her demo reel. Eager to accept, she tells the agent to set up a time and she'll be there. 'Do you think you could make it to Los Verdes by 5pm?' The agent asks. Amy looks down at herself. 'As long as they don't mind my work uniform,' she jokes. The agent tells her he'll set it up and send the address. Amy puts the phone back in her purse and sits quietly for a moment, before jumping up and down in excitement at the bus stop.

CUT TO TITLE PLATE

Inside a staged living room, several crew members finish setting up lights and preparing their cameras. A small bespectacled man, the director (Jake Adams), comes on to the set and barks orders at several of them. Despite his slight stature, he commands a presence and the crew work obediently under him. He walks over to a separate area, where a makeup artist is finishing up with the male lead (Seth Gamble)'s hair. 'Tony Romeo,' the director says, clasping the man's hand. 'Do I have a fun audition for you today!' The actor flashes a toothy grin. 'Like last time?' he asks. The director smirks at him, adjusting his glasses, before telling the makeup artist to wrap it up. The actress will be here any moment. And he wants a closed set.

Outside the building, Amy paces by the door. It is already after 5pm and she doesn't want to make a bad impression. A PA lets her in, paging the director on his walkie-talkie. Amy steps inside to view the set. It looks so professional ... like a real living room! She nervously sits down on the couch when the director storms in. With a strong handshake, he introduces himself. 'I'm Steven Rothschild, welcome to my set!' Amy recognizes the name instantly. Rothschild is one of cable's most successful showrunners. 'You're the guy behind Red, White, and Bad!' she exclaims. 'That's one of the best shows on television right now!'

Tony struts into the room. 'OR ever!' he says, jokingly sliding into their conversation. Amy looks doubly starstruck. Tony Romeo is the hottest young actor in Hollywood right now. 'Oh my god, Tony Romeo. Are you in this?' He smiles, looking at the director. 'Are you kidding? Stevie wrote this for me!' He clasps his director friend on the back before sitting down on the couch. The director puts his arm around Amy and tells her that Tony is going to be helping read lines for her audition today. Is she ready to get started? Amy nods, then asks if he got her portfolio the agent sent over. Steven looks her up and down. 'Don't worry, I've seen everything I need to see about you already,' he says with a smile before turning to tell the crew to leave the room. This is a closed audition.

The director sits down beside Tony and asks Amy to stand before them. He asks her age, height, weight and then to spin around for him. Amy looks a little confused. 'Do we have a script?' she asks. The director smiles and repeats his request, with Tony chiming in. 'Stevie likes to freestyle his auditions,' he adds. 'Starting off with how you look!' Amy slowly turns around, trying to keep her composure. She feels awkward. The director likes what he sees and pays several compliments to Amy's physique. 'You look like you take very good care of yourself,' he says, jotting down a note. 'Have you done a lot of physical roles in the past?' Amy feels even more awkward. 'Um ... I work out,' she replies.

The two men look at each other and nod, before Tony gets up and walks over beside her. The director compliments how good they look together. 'Now, that's an attractive cast!' he remarks. Tony comes in close to Amy and puts his arm around her. He smells great and is very handsome. Amy blushes at the thought of him touching her. 'Thanks,' she squeaks. 'Now, are you sure you don't want me to read anything in specific?'

The director stands up and walks over to them, scoping them out. 'Are you comfortable with romantic roles?' he asks Amy. Amy nods. 'Good,' the director continues. 'Because this new project is a love story and it's going to feature several very intimate scenes.' The camera lingers on Amy's face, as she tries to remain confident and professional despite her unease. Tony playfully teases her by saying not to worry, he brushed his teeth. 'I'm sure that won't be a problem,' she replies quietly.

The director goes on to explain that there is one pivotal scene in the project that involves nudity. It is very important that she feels comfortable with being nude on camera. Amy's smile wavers. 'Um ... ok, I guess,' she replies. The director's tone changes sharply. 'Well, are you ok with being nude on camera or not?' he barks. Tony releases his grip and looks at her. Feeling cornered, Amy nods nervously. 'Yes, of course. I'm an actress,' she says. The director relaxes. 'Great,' he says, clasping his hands together. 'So, let's see you out of these clothes then. I want to make sure you don't have any tattoos or blemishes that would take away from the innocence of your character.'

Amy stares at the men in shock, before slowly looking across the room. It is empty. The crew have left. She is completely alone. 'I don't have any tattoos,' she whispers. The director crosses his arms and motions again for her to undress. 'He just wants to make sure,' Tony adds reassuringly. There is a long pause before Amy slowly begins to remove her work uniform. She strips down to her bra and panties. 'See, no tattoos,' she says, eager to redress. The director stops her. 'Let me take a good look,' he says scanning her body. 'Please remove your undergarments.' Amy wraps her arms around her chest. 'I don't think that's necessary, do you?' she asks. Tony chimes in again, joking that she might have something hidden under there. They just need to take a quick look. It's not a big deal. 'You are an actress, right?' he says, his joking attitude turning serious. Feeling intimidated, Amy nods and slowly slips off the rest of her clothing.

She stands before the two men fully nude and vulnerable. They exchange knowing looks before the director compliments her body again, saying how lovely she looks and what great shape she is in. She is a natural born star. Amy fakes a smile. 'Thank you,' she says. 'Shall I get dressed now?' The director says sure and goes back to sit on the couch when Tony interjects. 'Wait, wait, wait!' he says enthusiastically. 'Stevie, I have a great idea! Since we are all here and there is such a good vibe going on, why don't we just rehearse that scene you told us about to see what the chemistry is like? You can work out the angles you'd like for when we actually film it!' The director smiles. 'That is a FANTASTIC idea!' he replies as Amy covers herself up and the director leaves the room to grab his camera.

Tony starts to remove his clothing, staring intently at the nervous woman. 'You should really relax,' he says coldly. 'Stevie hates difficult women!' He pulls down his pants to reveal his semi-erect cock, as she turns away embarrassed. The director returns with his camera and begins to guide them into position. 'I imagine that this scene starts with a long, intimate kiss,' he says. 'Standing just about where you are now. When you're ready, please begin.' He kneels to get a nice low angle look at Amy as Tony closes in on her. 'Are you ready, beautiful?' he says, inches from her lips. Looking down at his cock on her thigh, she closes her eyes and says 'ok.'

The director yells action and Tony kisses her. She nervously kisses him back, not sure what to do with her hands, but the leading man grabs them and wraps them around his muscular frame. 'Closer,' the director whispers eagerly. 'More passionate!' Throughout the awkward make out session, the director moves around the couple to view his various angles. When he is not satisfied with something, he sharply asks Amy to bend and contort herself. The requests become increasingly exploitative and she tries to protest but both men remind her that this is an audition and she shouldn't break character. 'If you do what the director asks, you will get the part,' Tony whispers aggressively in her ear. 'So, don't be a diva about it!' She feels horribly conflicted but doesn't want to lose the role of a lifetime so, mustering up her courage, she tries her best to do everything the director says, no matter how invasive. She ends up spread eagle on the couch for both men to see, as the director sticks his lens right up to to her pussy and breathes heavily. 'This will make a perfect transition,' he mutters to himself as he hands his camera to Tony.

'Tony, I want your character to begin the sex scene with oral first, followed by penetration,' he says, matter-of-factly as he undoes his zipper. 'But, it needs to feel authentic, so let me show you how I'd like you to do it first.' Tony nods, pointing the camera. Amy looks at the director. 'I'm sorry ... What?!' she stammers. Looking at her coldly, the director arches an eyebrow. 'You don't have any issue with me showing him, right? I like to get into the minds of my characters through roleplay. It's just my style.' She closes her legs and starts to get up. 'I don't think I feel comfortable with that, I'm sorry.' She rushes over to her clothes and starts to gather them on the ground when she hears the men laughing behind her. Angry, she stands up and turns around. 'What is so funny?' She asks, her anger welling up alongside her anxiety. The men stop snickering and face her. 'You chicks are all the same,' Tony says. 'You take an opportunity and you ruin it with your attitude! Nobody wants to work with a bitch like that.'

Amy tries to defend herself. She doesn't have an issue with nudity or even a sex scene, she just wished she'd be informed. 'I thoroughly explained this all to your agent,' the director adds. 'He assured me that you were professional and experienced.' Amy walks back over to them, pleading. 'I am,' she says, exasperated. 'And I want this role, I really do! I just wasn't expecting this much pressure!'

Tony puts his arm around her and slowly pushes her back down on the couch. 'Look, I'm sorry if I offended you, I just hate it when actors aren't respectful on set. It's my biggest pet peeve ... right, Stevie?' The director nods, pulling his dick out. 'Nobody is here to pressure you sweetheart,' he says. 'We just want to make sure we create the most authentic scene possible!' She stares at the penis in his hands, her lips quivering. 'So, are you willing to continue?' he says. 'Because I've got girls lined up if you don't think you're strong enough for this role!' Amy closes her eyes. This isn't what she expected. But, if she doesn't do it, she won't get the role. Slowly, she spreads her legs wide again and stares at him. 'Yes,' she says quietly.

COCK-SLUT CONDITIONING
Manipulative Boyfriend Conditions Teen To Fuck Him In Front Of Her Parents

A young teen, Kaylee (Carolina Sweets), is getting ready to go out. Her parents, Leo (Derrick Pierce) and Diana (Chanel Preston), seem wary and uncomfortable as Kaylee excitedly announces that she's going out with Chad. It's their three-month anniversary and she thinks he has something special planned. Leo seems to be at a breaking point as he shakes his head. 'No, I'm not going to sit idly by anymore while our baby girl dates that piece of shit! Kaylee, what the HELL are you doing?'

'You've been on my case about Chad ever since we got together! Why can't you be happy for us??' Kaylee demands of both of them. Diana tells Kaylee that they're just worried about her. Chad is older after all, and they're worried he's been a bad influence on her. 'We're in LOVE, why can't you see that? He's THE ONE!' Kaylee responds.

'You're only 18, there's no way he's 'the one' for you!' Leo says angrily. 'Daddy, I'm not your baby girl anymore. You gotta let me go,' Kaylee sneers. Both Leo and Diana are stunned, though they don't get a chance to respond before there's a knock on the door.

Diana and Leo watch as Kaylee bounces to the door and opens it, revealing Chad (Dean Van Damme). 'Hey, cutie!' Chad greets, as he grabs and hauls her in for a smooch, which is filthy and shameless. Kaylee melts into the kiss, not ashamed of acting this way in front of her parents. Leo confronts Chad, stepping forward with anger. 'It's bad enough you're dating my daughter, but to behave like this under our roof...!'

'Daddy! Leave him alone,' Kaylee speaks up. Leo barks that a guy like Chad only has one thing on his mind...

Chad retaliates and insults Leo, which results in a physical altercation between them. Kaylee, blinded by her infatuation, takes Chad's side. Chad grins and puts an arm around Kaylee as he opens the door, telling her to come with him. Leo and Diana call for her to come back but their words fall on deaf ears. Kaylee heads out the door. 'I'm gonna make you both so sorry you did that, just you wait... ' Chad says smugly as he grins sinisterly and ducks out the door, leaving Leo and Diana stunned.

TITLE PLATE

Three weeks have passed since Kaylee's left home. Leo and Diana are looking at updates on Kaylee's social media when they hear the front door open. They rush to the door and discover Kaylee, distraught. She tearfully admits that they were right to be suspicious of Chad all along.

'Did he hurt you?? Did he keep you there against your will?' Leo demands. 'No! No, of course not dad, no, it's not like there was anything stopping me, but it took me so long to work up the courage... But tonight, he went to play a gig at some dive bar, so I... left. I just... opened that door and didn't look back, and... here I am. God, it's all a blur,' Kaylee says. Leo is furious and wants to get the police involved, but Kaylee convinces him not to.

Later that evening, the family tries to relax and recover. There is a knock on the door. Everyone is instantly tense. Finally, we hear Chad on the other side, saying, 'Kaylee? It's me, come on, I just want to talk!' Leo aggressively confronts Chad at the front door, though Chad insists that he's just there to talk to her. Leo doesn't want to let him in, but does so when Kaylee convinces him to.

Chad moves inside to the living room, claiming that he was worried about Kaylee and just wanted to see WHY she'd run off. 'You KNOW why!' Kaylee exclaims. 'You're not who I thought you were! You- you-' she starts, but is too ashamed to continue on in the presence of her parents.

'Chad, look what you DID to her!' Diana utters as she tries to comfort Kaylee.

Now Chad's expression gets darker as he grins. 'Did to her? Hah. I turned her into a nice little cock slut, that's what I did to her,' he announces, much to the horror of everyone there.

'Is this some kind of sick GAME to you?' Kaylee tearfully gasps.

'Oh, sweet Kaylee, so naive. You were always so eager to please, so it really wasn't hard to condition you.'

'Condition me? What are you talking about?!' Kaylee asks, confused and disgusted.

'You don't remember?' Chad teases. 'Well of course you don't, I conditioned you not to.'

'Kaylee, what the hell is he saying?' Leo asks her. 'I don't know, Dad!! I don't know what he's talking about!?'

'You're upsetting her, just leave us alone!' Diana frets. Chad ignores her and continues. 'Sweet Kaylee... I have you wrapped around my little finger -- or my big cock, rather. Even though you hate me now, I can have you over here on your knees in a heartbeat. All you need is the trigger.'

'You're DELUSIONAL! You didn't-... I never-' Kaylee protests almost in tears. 'Delusional? See for yourself!' Chad says with a smirk as he whips out his cock.

As Leo and Diana look on horrified, Kaylee becomes inexplicably hungry for sex. As if a switch has been flipped, she shamelessly sucks Chad's cock in front of her parents. 'I'm his good little cock-slut,' Kaylee says happily, not hesitating to take his cock and lick it, lavishing it with attention.

Her parents are disgusted and confused, yelling some more, but when they try to grab her shoulder to drag her away from Chad, Kaylee shrugs them off and hungrily goes back to giving Chad head.

Chad brags about how easy Kaylee was to condition for sex. He encourages her parents to stay and watch them have sex to humilate everyone there. At a complete loss but also wanting to be there for their daughter, they very reluctantly sit nearby.

Leo hugs Diana close, putting her head to his shoulder, their faces grimacing in agony as they watch their sweet daughter become the greedy little cock-slut that Chad conditioned her to be...

Texas Patti has an issue, her son is being bullied. He is being kicked off the team and she's going to fix this issue by getting bullied herself. By one big black cock! Can she handle it?

Slim-but-busty blonde MILF Sarah Jessie has lush lips, a tattoo sleeve and a hot, round ass. In a striptease, her lingerie can't conceal the butt plug buried in her bunghole. Commencing an interracial tryst, she and muscular black stud Isiah Maxwell kiss and caress. He stuffs his face in her cushioned crack for a rim job; from behind, he eats her thick, meaty labia and bald pussy. A worshipful blowjob creates strands of spit that lube a titty fuck. Isiah's big black cock goes straight to anal. She talks dirty and grinds her glutes on his boner; he spanks and oils her ass as he fucks it. Her big cheeks hump and snap through a backdoor dick ride, and Sarah gives passionate, ass-to-mouth head. Isiah drills her cunt, and then Sarah masturbates through manhandling sodomy in multiple positions. Sarah kneels for a cum facial, drooling the mess onto her body.

Looking fabulous in a denim jacket over elegant, white lingerie, black vixen Julie Kay flaunts her body. The busty, tattooed babe joins Jason Moody and Jay Smooth, worshiping their thick white dicks through an interracial blowjob threesome. Julie gags as she sucks stiff cocks, spit soaking her tits. See hard throat fucking, nasty rimming and a filthy, two-cock cum facial!

Stunning black beauty Kira Noir performs an epic, slow-motion striptease, slipping out of sexy lingerie. The athletic, cock-craving vixen shows off her fit body, masturbating and drooling. Kira feasts on the stiff pricks of studs Jay Smooth and Jason Moody. The dudes cram both dicks into her mouth at once! This interracial blowjob threesome serves up sloppy face fucking and intense, deepthroat fellatio. Lewd Kira rims bunghole too! She opens wide for two messy cum facials, and she thanks the guys.

Tight-bodied, black Demi Sutra teases and strips. She's ready to treat Jason Moody and Alex Mack to a nasty double blowjob. Commencing the interracial oral threesome, Demi kneels before the boys, talking dirty as drool seeps from her puffy lips. Throat-burbling oral action includes messy spit play, lewd rimming and two sloppy cum facials. When Alex and Jason slather Demi with hot sperm, she stares into the camera saying, 'Tastes so fucking good!'

Pale Blair Underwood, a young, real-life mom, looks like the MILF next-door, but she wears a 'SLUT' choker and skimpy threads that accentuate her fleshy, white ass. Blair talks dirty as she fingers her asshole and masturbates with a massager; her verbal filth continues through the scene. She sucks Mark Wood's prick, eyes reddening, spit flowing. Blair spreads her legs for a rim job. Mark goes straight to anal, and Blair says she likes watching his cock go in and out of her rectum. He chokes her as he sodomizes her, and Blair blurts, 'Pound my asshole.' She takes a buttfuck ride, Mark spanking her meaty cheeks. Blair declares an ass-to-mouth blowjob 'yummy.' The stud buttfucks her in multiple positions, making her pink sphincter gape. Blair swallows semen and cleans his dick orally.

ALPHA MALE
Father And Son DP Son's Cheating Girlfriend

SCENE OPENS to Toby (Robby Echo) and his girlfriend, Crystal (Whitney Wright), arriving at his father's house to do some studying. They seem like a sweet couple, though Toby is on edge. Crystal hasn't met Toby's father, Hunter (Stirling Cooper), yet, and Toby was more than happy to keep it that way. To him, Hunter is abrasive and a complete pig. He doesn't know how to treat women right! Meanwhile, Crystal tries to calm her boyfriend down, insisting he's being too hard on his old man. She's sure Hunter's just fine!

But when Hunter struts into view moments later, she's suddenly hit with just HOW fine Hunter is... He's much bigger, stronger, and more confident than Toby. He's undeniably attractive, although Crystal tries to push it all out of her mind...

She keeps close to Toby to resist these unexpected urges, both of them soon parting to study elsewhere. Even so, she's distracted -- so much so that Toby has to point out that she accidentally left her books out in the living room. Crystal snaps back to attention and excuses herself to fetch the books.

Along the way, she comes across Hunter. Immediately, she's weak in the knees as he comes onto her, whispering promises of a wild night to remember. His hands are strong, his breath warm, and his voice a low rumble. He has charisma that she can't deny and a cock that soon makes her gasp with pleasure as she eagerly accepts it into her pussy.

But when Toby walks in on them, she's soon caught between the two men in a battle of dominance. Just who will come out on top?

Nominated - Best Actress - Featurette: Alexis Fawx, AVN 2020

SEEN NOT HEARD: AN ALEXIS FAWX STORY
FEMALE PATIENT RELIVES PAST SEXUAL EXPERIENCES WITH HOSPITAL STAFF

SCENE OPENS on Anna (Alexis Fawx), a frazzled woman dressed in a patient gown, as she sits on the edge of her hospital bed with her eyes closed. Her body is tense but still, with her fists clenched. The room is dark and only her silhouette is really visible, set against the various shadows that move in the hallway on the other side of the curtain. Anna muses:

'Monsters are not only bred from darkness, monsters are also created. A monster by definition is an imaginary creature that is typically large, ugly and frightening. It's the unknown lingering under your bed making you wish your blankets had the power of invisibility. A monster comes in many shapes and forms; its main purpose to destroy. They are creatures of elaborate pain, a motherless, fatherless creature shadowed in robes, veiled in black taking shape of all the things we fear most.'

Suddenly we flashback to a different time, many years ago. We are looking at the face of 18-year-old Anna (Bobbi Dylan). She sits on the edge of her bed. An older man walks into frame with a paper bag in his hand. 'Hi sweetie, how was your day?' the man says as he blindfolds the young woman, intimately caressing the side of her face as he does so. His index finger grazes her mouth for a brief second and then he reaches over into a brown paper bag he has by his side. 'Are you going to be a good girl?' She nods and opens her mouth somewhat reluctantly. From the paper bag, the man takes a small container of chocolate pudding and dips his finger in it. He slides his finger into her mouth as she licks the pudding off. 'You know what happens if you get this wrong, don't you Anna?' He whispers. The girl looks up, despite being blindfolded, and nods as she chews. She hears the bedroom door slam.

Back in the present day, Anna is now having a panic attack, rocking back and forth. 'I guessed it right!' She half cries, half laughs as she continues to rock back and forth. A young male hospital orderly (Seth Gamble) walks into the room. Taking the woman by the shoulders, he guides her back into bed, tucking her in. 'Don't worry Anna, everything is going to be alright. The doctor will see you in the morning.' He smiles gently, as he caresses her face intimately and she closes her eyes.

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The next morning, Anna wakes up suddenly. Sitting in a corner of the room is the girl from her memory, her younger self, still dressed in her nightgown. 'It's about time you wake up sleepy head, the doctor is waiting for us!' The younger Anna says innocently.

At the same moment, the orderly walks in to the room. Both women look at him, but he only looks at the older version of Anna, 'The Doctor is ready for you,' he says. Anna gets up reluctantly, examining herself and the younger woman beside her. She is expecting the orderly to say something -- but he seems oblivious. Finally, the younger Anna takes her hand and pulls her forward, as they follow the orderly out of the room.

In the doctor's office, Anna sits in a chair in front of the doctor (Eric Masterson) as he reviews her chart. He asks how she is feeling, how her appetite has been, and whether she's still been having those dreams they talked about. As Anna struggles to answer, the younger version of her leans in and whispers 'Remember dear, you must be seen and not heard!' Anna closes her eyes to try and tune it all out.

We flashback to another memory of the younger Anna. She opens her eyes to stare at herself. She is sitting in front of a mirror, as her mother brushes her hair. We don't see the woman's face, but we hear her saying 'Remember dear, you must be seen, not heard!' Young Anna listens to this being repeated before she starts to say it to herself as well.

Back in the doctor's office, Anna opens her eyes in a panic. The Doctor tries to calm her down, as she starts shouting 'be seen, not heard' repeatedly. He yells for help and the orderly comes back in to take her away. The younger Anna watches them leave with a sly smile on her lips before turning around and winking at the Doctor, who has no idea she is there.

Later that night, the orderly comes in to Anna's room with a dinner tray. 'I'm not hungry!' Anna shouts, as she turns over in her bed to reveal the younger version of herself also lying there. 'You have to eat something,' the orderly tries to coax her. The younger Anna sits up, picking a piece of food from the tray. 'You should really be a good girl Anna, you know what happens when you misbehave!' She whispers, slipping her fingers into Anna's mouth and then licking them herself. She then stands up and walks over to the hospital orderly, before looking back and saying, 'I'm eighteen now ... so why don't I show you how a good girl should behave!' She pulls the orderly's pants down, gets on her knees and asks to give him a blow job. In a calm voice, he says 'sure Anna'. Young Anna slides the orderly's cock into her mouth. Older Anna watches from the bed, utterly confused. Her mind races. Is what she's seeing even REAL?

BREAKING THE VOW
Serial Cheating Husband Lures Online Hookup Into Lewd Sex Acts

A beautiful, young woman, Vanessa (Keira Croft), is preparing for a date night. She's texting back and forth with a man named Tony (Steve Holmes), who she'll soon be meeting up with. She seems eager to please, changing her appearance based on what he's expressed that he likes. He likes the red lingerie she wore in a profile picture, so she changes from black to red... He normally prefers brunettes, so she dyes her hair from blonde to brown...

Then it's time for the date.

When Vanessa arrives, one of the first things she learns is that Tony is married. Although she's uncomfortable with the hookup now, Tony assures her that everything is fine and that there's nothing to worry about! Sure, his wife doesn't know about his cheating ways, but she doesn't need to! He gives her everything she needs, so he doesn't feel guilty getting what HE needs on the side as well. He needs to fuck -- and fuck a lot! He also craves variety, needing things to be kinkier than his sweet wife can handle.

Although Vanessa is still shy and uncertain, Tony eventually convinces her to go ahead with the fun they had planned. Yet, Tony has no idea that Vanessa is soon going to give him the surprise of his life...

DADDY'S GOLDEN RULES
DISCIPLINARY DAD MAKES DAUGHTER WET HERSELF
A teen girl, Carrie (April Aniston) quietly sneaks into her house long after her curfew. She thinks she's in the clear until her step-father, Kirk (Mr. Pete) calls out to her from the living room.

Busted.

Carrie has to endure her step-father voicing his resentment about being a step-father. As he begins to tell her off, she starts to squirm, needing to use the bathroom. She's been out all night, after all. However, Kirk isn't about to let her go without her reciting his three golden rules. He does everything for her, so the very least she can do is respect his rules.

She recites the golden rules, desperate to get out of there. Respect her mother and step-father, never bring boys home, and... never be late. But Kirk isn't happy. She's broken two of the three rules, so she knows what that means -- she has to wet herself.

Carrie is shocked -- the LAST time they were in this situation and she wet herself, she thought it was an accident, but it's clear now that Kirk gets off on it!

She begins to storm away, but Kirk threatens to double or triple her chores to make sure she doesn't have any time for fun anymore. Maybe he can tell her mother how bad she's been, too. She wouldn't want to disappoint her mom, would she?

Although Carrie's grossed out, she decides to give into what he wants just to get it over with. Little does she know, this is just the beginning of what he has in store for her. Kirk plans to make sure his daughter NEVER disrespects his golden rules ever again.

KEEP YOUR FAMILY CLOSE
CHEATING HUSBAND IS CORNERED WHEN ONLINE MISTRESS SHOWS UP ON HIS DOORSTEP

A wife (Chanel Preston) makes her husband (Charles Dera), a nice dinner. She tries striking up a conversation with him but he's too distracted. Little does she know, it's because he's busy staring at a string of messages on his phone from an apparent mistress of his. Annoyed by her husband's lack of caring, her eyes linger on a birthday card from her sister. 'Family's important, isn't it?' she directs to her husband, who once again ignores her, showing that he takes his wife and family for granted.

Unfortunately for HIM, karma's out to get him.

The next day, the husband's world is turned upside down when a teen girl (Whitney Wright) shows up on his doorsteps. She's eerily calm while he is too shocked to do anything but stare at her. Before he can shoo her away, the wife catches sight of the teen and invites her in, thinking she's there selling cookies. The teen comments that there's a misunderstanding... she's not there to sell cookies, she's there to see her dad!

The husband is stuck between a rock and a hard place as the wife gets over her initial shock and invites the teen girl inside, giving her a place to stay now that they're family! While the wife is over the moon with happiness, the husband knows he's screwed as the teen casts him dark, sultry stares when the wife isn't looking.

There's more here than meets the eye, and the husband's troubles are just beginning.

Nominated - Best Actor - Featurette: Lucas Frost, AVN 2020

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

FATHER RECALL
MAN ENTERS INTO SADISTIC MIND TRADE WITH DAUGHTER'S BOYFRIEND

A young man (Lucas Frost) is in a jail cell, bound and disoriented. He has no idea how he got there or what's going to happen to him. All he knows is that it can't be good.

When he's hauled out of the cell, struggling to free himself from his captors, he comes face-to-face with an older man, Mr. Leblanc (Dick Chibbles), and a scientist (Chanel Preston). The young man's eyes widen as he recognizes the older man, although if he thinks Mr. Leblanc is there to help him, he's sorely mistaken. The young man is shown no mercy as he's rendered unconscious.

Mr. Leblanc despises the young man, who is his precious step-daughter's boyfriend, Bill, but instructs the scientist to keep him safe since his daughter would never forgive him otherwise. However, he needs Bill's body to fulfill one of his greatest and darkest desires, which requires trading his mind with Bill's using advanced technology.

Once the process is completed and he's in Bill's body, it's time to get to work...

He arrives back home and greets his beautiful and unsuspecting step-daughter, Lydia (Jaye Summers). She looks every bit like her mother, making Mr. Leblanc's grieving heart ache. He misses his late wife so much... Why does BILL get to know Lydia in those most intimate ways, when HE's the one who spent 18 years raising her on his own?

Lydia is thrilled to see her boyfriend, though that pleasure turns to uncertainty because of how... odd... he's acting. As they get frisky, Mr. Leblanc is unable to keep his story straight as he accidentally lets slip pet names and personal stories that only HE would know. Even despite her reservations, Lydia gives herself to him -- not knowing that she's doing it with her perverted step-father that has been lusting for her all her life.

After tonight, nothing will ever be the same for any of them.

DUTY CALLS
TEEN CHEATS ON BOYFRIEND WITH HIS BROTHER WHILE LYING TO BOYFRIEND ON THE PHONE

A teen girl, Carmen (Ember Snow), is crying when Brett (Johnny Goodluck), her boyfriend's brother, returns home. Brett seems to take an interest in her, almost like a predator sniffing out prey, as he sees how vulnerable she looks. He learns that Carmen and his brother got into a huge fight about her jealousy and insecurity towards other girls, and he stormed out. She's been crying her eyes out the past few minutes until Brett got home.

Brett sees an opportunity to wreak some havoc and have a bit of fun. He starts acting sweet and consoles Carmen, sympathizing with her and telling her his brother is an asshole. He asks how old she is and when she tells him she's 18, he tells her that because of being older, he knows more about how these things work. He tells her she needs to move on, not just because she deserves better but also because he lies that it sounds pretty clear his brother broke up with her. This upsets Carmen even more.

Brett tries to convince Carmen to have sex to get back at her boyfriend. Carmen doesn't want to, she still thinks her boyfriend loves her, so Brett plays to her insecurities and asks how she's sure his brother HASN'T been sleeping around with other girls?

Brett sees Carmen is starting to doubt and puts on the pressure - wouldn't it really make his brother jealous if SHE had sex with another guy? Someone like... him? Carmen is still reluctant, but all of her doubts and anger and frustration fuel her decision and she finally leans towards Brett, kissing him intensely. He slowly moves his hand between her legs and rubs her pussy as she gasps.

Carmen thinks she's getting the ultimate payback, but what she's really doing is EXACTLY what Brett wants her to do.

BIOGRAPHY OF A VIRGIN
OBSESSED TEACHER DEVELOPS DARK FIXATION ON VIRGIN STUDENT

Mr. Davies (Michael Vegas) is burning the midnight oil as he grades papers in his home office. He's down to the last one for the night, thankfully, although once he starts reading it, time seems to slow down.

The essay is about a girl (Carolina Sweets) owning the fact that she's an 18-year old virgin. Betty's proud, recognizing that her virginity is a special gift -- she doesn't want to give it away to just anyone...

Mr. Davies fixates on the student, hearing her utter, 'I'm a virgin,' in his head over and over again, slowly driving him mad with lust. It's like she's calling to him to be that special someone to make her complete...

The next day, he invites Betty over to discuss the essay and how beautifully it was written. Betty is naive about everything, though is happy to be in the presence of a teacher she admires. Yet, when Mr. Davies starts paying her more compliments than she's used to, she grows suspicious of his true intentions.

Finally, Mr. Davies asks if she feels it, too? The connection between them? When he read her essay, it was as though it was specifically written for HIM -- as if she was asking HIM to have the honor of taking her virginity.

Betty is shocked, exclaiming that that's not what she was implying at all, but Mr. Davies has power over her. If she doesn't give herself to him, he might stop her from graduating school or getting accepted into good colleges. He could end all her dreams with just one report card...

To save face, she submits to Mr. Davies' twisted delusion, willing to give up her virginity in order to prevent him from taking EVERYTHING from her.

Nominated - Best Actor - Featurette: Michael Vegas, AVN 2020

FACE TO FACE
WOMAN USES JOB AS REPORTER TO GET CLOSE TO AN ACCUSED PSYCHOPATH

Scene opens on the interior of a car. A young woman, Lois Brown (Whitney Wright), is the sole occupant and driver, and we watch over her shoulder as she pulls up to a house. She stops the car and turns it off. The camera pans down to see that her hands are shaking. She takes a deep breath, steadies herself. 'You can do this,' she says to herself and gets out of the car. She walks up the driveway to the door of the house and hesitates another moment before ringing the doorbell. After a second, the door opens and a man, James Stinson (Michael Vegas), stands there. He looks at her, appraising her in an almost predatory way. 'You must be Lois?' he asks with a tone of wary caution. Yes, and he must be Mr. Stinson, Lois says with a polite and professional smile. Oh, she can call him James, he says. A bit young for a reporter, no? She flashes him a polite, detached smile and says maybe, she's 22 but people always say she has an old soul. He nods and then realizes he's still blocking the doorway - But where are his manners? Please, come in, he says, waving her in. She follows him into the house, a modest, clean and well-kept abode.

So where does she want to do this?, he asks, a hint of discomfort creeping into his voice. Wherever he feels comfortable, she says politely but not warmly... how about the living room?, she suggests. He agrees and they sit down in the living room. He takes a seat and she sits in a chair across from him with a table between them. She takes out her cell phone and opens up a voice recording app. Does he mind if she records this?, Lois asks. No, please do, he doesn't want to be misquoted, he's had enough of that - he chuckles, not because it was funny but to fill the awkward silence following his comment. Great, she says after a pause, pressing the record button on the app and places the phone on the table between them. 'So let's start with the obvious: why now? Why grant your first face-to-face interview to a small college newspaper after all this time not speaking to the press?' Lois asks. He considers the question. Well, it's simple: in all this time, she's not the first reporter to call him on the anniversary of the crime, but she IS the first reporter to call him and tell him that she believes he's not guilty, and offer to tell his side of the story, he says. But he WAS acquitted of the crime he was accused of, so what guilt is he referring to?, Lois probes. As she knows, the case was all over the news, day and night, and even though he was found not guilty, most people believe that he is guilty and the verdict was wrong, James says. Guilty until proven innocent in the public eye, he says bitterly. And he's never been able to shake that stigma, people just don't look at him in the same way since then, he adds resentfully. It's a lonely existence. 'Maybe we can try to dispel some of that stigma once the public hears your side of the story. So I ask you, on the record: Are you guilty?' Lois asks. He smiles sadly back at her. 'Am I guilty?' he asks her. He takes a deep sigh. There is a tense moment of silence. Once again, something dark and predatory flashes across his face. 'Yes...I am,' he says, his smile gone.

CUT TO TITLE PLATE

Resuming the interview, Lois looks stunned at James's admission. 'I am guilty...guilty of being in the wrong place at the wrong time,' James clarifies. He happened to be at the club that night, and he happened to be the last person seen with... James says, trailing off, blanking at the victim's name. 'Darlene Davis,' Lois says, enunciating the name carefully. Yes that's right, it was a long time ago...and he has tried to put the whole episode behind him, being at the club that night, being at the wrong place at the wrong time...that ruined his life, James says. So how does he explain Darlene's DNA on his shirt?, Lois probes, adding that the police claim that this happened during the crime. The same way he explained it to the police, with the truth: she had a nosebleed when she was dancing with him, James says. But the press got a hold of that and used that to assume his guilt, he continues. What they didn't bother to report was that she was a known substance user prone to nosebleeds, he says.

'When they came to interview you because they saw you on the club's security footage, you consented to them searching your home, where they discovered the shirt with DNA evidence, which then led to your arrest and trial. If the DNA on the shirt was from an innocent nosebleed as you claim, why didn't you just tell the police about it instead of hiding the shirt for them to find, and for that matter, why did you consent to the search in the first place if you had evidence hidden away that would incriminate you?' Lois asks. Well, because he didn't feel that he had anything to hide, James says smoothly, for example why would he even think that shirt was evidence to a crime at the time unless he was the one who committed it? When he left the woman, she was still alive. But, she continues, if he had nothing to hide, why did he initially lie to the police about where he was after the club that night?, Lois asks skeptically. He didn't have an alibi that night, he just came home alone, and he's seen enough movies to know that it's really easy for cops to pin something on someone who can't account for their whereabouts, so he told them he went to get a burger instead, James says. Stupid mistake, he says regretfully. A stupid mistake that he's replayed over and over in his mind every day since then, he adds. But he can see why that story sounds a little thin right?, Lois asks. Especially since the route he claims to have taken home from the club that night is the least direct way to get home and HAPPENS to be one that doesn't have traffic cams in that area of town, she adds. He looks at her silently. Can she turn off the recording for a moment please?, he asks softly. Oh um, yes, sure, Lois stutters, caught off guard. She turns it off. Lois...he thought that this interview was going to give him the opportunity to shed some light on his innocence, so why does this feel like the same old assumption of guilt that he's used to?, he asks, leaning close to her, resting his elbows on his knees in a vaguely threatening way. 'Because if this is just about pushing my guilt, if you're hiding something from me...we're going to have...a problem,' James says, that same carnivorous look crossing his features again. Lois shifts in her chair nervously. No...it's not about that at all, even though she believes in his innocence, she still has to do her job and ask all the tough questions, she says anxiously. There is a tense moment while he considers her answer. Ok..let's keep going then, he says finally. Lois exhales sharply and resumes recording.

So getting back to the night of the crime: to help clear up any misconceptions, why doesn't he recount that night for her?, Lois suggests gently. Well, he was in the mood to go out, but all of his friends were busy, so he decided to go to the club alone and that's where he met Darlene; they danced for a little while, and then he went home, alone, James says quickly. There's really not much more to explain other than that, he adds. And what was Darlene like?, asks Lois, He doesn't really remember, he only danced with her for a short time and didn't really get to know her, he answers. So he didn't get a sense of her AT ALL?, a sense of what...Darlene was like?, Lois asks. Was she kind, did she seem happy? Why the great interest in Darlene?, James asks, his brow furrowed in suspicion. Just trying to get a sense of the victim is all, Lois says quickly. Hmmm, well he can't really help her there because like he said, he didn't get to know her, James says. But she did have a reputation around the neighborhood, she was known as kind of...he doesn't want to be rude here but...kind of a whore who would do ANYTHING for a fix, he says offhandedly. Upon hearing this, Lois looks a little rattled. At the time, some people were even saying that she...got what she deserved, James says softly. Lois looks a little sick when she hears his last answer and abruptly excuses herself, saying that she has to use the bathroom.

In the bathroom, she splashes water on her face and pats it down with a towel, regaining her composure. Keep it together, almost there, just this one last thing to do, she says to herself, breathing heavily. She takes another moment to steady herself, draws in a deep breath and exits the bathroom. Back in the living room, she goes to sit beside James on the couch. She apologizes for rushing out like that, adding that it must have been something she ate. He tells her not to worry about it. She smiles. What she would like to do now is shift gears and get...inside his head a bit, she says. Is that why she came to sit next to him, because things are about to get...personal?, he asks, with a slightly nervous edge as he looks away from her. Would that be ok?, she asks. He's not sure if getting personal is...a good idea, he says, looking back at her as a sinister expression invades his features for a moment. It passes quickly. Lois clears her throat. She's sure that this is best for the interview, so...is it ok if she continues?, she asks patiently. He nods. Ok, so when he was accused of this horrible crime, how did that make him feel?, she asks. Well...he felt...scared...angry...alone, James says slowly. She can relate, her mother passed away when she was a little girl and she can remember the intense feelings of isolation, like she was the only one in the world who felt these things, Lois says sympathetically. He is surprised to see her turn off the recording. And there were other feelings, other, more...disturbing thoughts that she had that made her feel even more alone, she continues. It was like a...darkness growing inside of her, and it scared her, but she didn't want to run away from it, she wanted to run towards it, she continues. She looks at James in the eyes. 'I think you know exactly what kind of...darkness I'm talking about,' Lois continues softly. 'You share that same darkness inside of you, don't you James?,' she asks. And he acted on that darkness, Lois says. James finally catches on. Does she think that he IS guilty?!, he asks looking betrayed. He thought---James starts, but Lois cuts him off. She doesn't THINK anything: she has ABSOLUTELY no doubt in her mind that he is guilty of this crime, Lois says.

What the fuck--he knew this had to be bullshit, she's just like all the other reporters, James says, getting up from the couch in frustration. That's just it, she's NOT like all the other reporters, Lois says... in a sense, she became a reporter just to get to this moment. To speak with him. Sure, she lied to him about believing that he didn't commit the crime, but she knew that was the only way he'd agree to meet her, and she NEEDED to meet him face to face, she feels that there is a connection, a...bond between them, Lois continues. He didn't- he begins. She waves him off. There's no need to put on any masks anymore, he can be his true self around her. She's here because she wants him to tell her---no, SHOW her, everything about that night, Lois continues breathlessly. She seems to be getting turned on as she speaks, but she exhales sharply as she finishes her last sentence, betraying a nervousness underneath her bluster of passion. This nervousness passes almost immediately, and James is too distracted to notice the subtle inconsistencies in Lois's demeanor. What kind of a sick fucking fantasy is this?! James asks incredulously. It's no fantasy, it's what she came here to share with him, Lois says. No, he can't do that, James says, shaking his head. Please!, Lois says fiercely, grabbing at his shirt. She needs to know!, Lois says feverishly, practically banging on his chest. He pulls her hands away from him. Stop this!, he says, resisting. 'SHOW. ME.' she enunciates firmly, bringing her face inches away from his. He can't resist anymore. 'Is this what you want?! Is THIS WHAT YOU WANT?!' James yells, ripping her blouse open roughly, the buttons hitting the floor. 'Yes, oh god yes,' gasps Lois.

As he tears her clothes off and buries his face hungrily in Lois' pink pussy, Stinson unleashes his inner-maniac. Will Lois get more than she bargained for? Maybe...but what James doesn't know is that Lois has a secret of her own...

THE BAD UNCLE RETURNS
UNCLE CONVINCES NIECE TO HELP LURE & SEDUCE HER YOUNGER SISTER

PREVIOUSLY ON PURE TABOO: This is the story about how Diana (Jaye Summers) really lost her virginity. He'd been her dad's best friend for years. Uncle Joe (Charles Dera), as he called himself, had watched her grow up -- and she was his princess, the niece he never had. But once Diana turned 18, something changed about Joe. His fondness for her turned into an obsession. So he came up with a plan to get her alone...

SCENE OPENS on present-day Diana and her Uncle Joe fucking in Joe's spare bedroom on the bed, she is riding him cowgirl-style and clearly putting in a lot more work and enthusiasm. She gasps and moans in pleasure and calls out Uncle Joe's name as she bounces up and down on his dick, while Joe mostly lies there and just offers a few generic grunts in reply. Diana seems to reach orgasm after a little while and then starts asking Joe to cum inside her - Diana exclaims that she can feel it and starts to slow and eventually stop.

She pulls off of him and collapses to his side on the bed, rolling over to snuggle up to him placing her arm on his chest. He doesn't seem to reciprocate much. Diana tells her uncle that was great, but he corrects her - 'it was fine,' he says gruffly. She asks him what's wrong, she did all his favorites for him! He waves her off, telling her yeah yeah, she was swell... he doesn't seem to mean it. She sits up a bit and looks worriedly at him, did she do something wrong, or something? He looks at her with a serious expression and grips both sides of her head with his hands, playing lightly with her hair. 'Listen 'Princess', no offense, but...' he starts in a rude tone, the novelty's kind of wearing off. She's no longer a teenager and she's certainly not a virgin anymore...

She asks him what she could do, what he wants her to do to make him happy. He looks her up and down, considering her, then pinches her cheek affectionately, saying she's cute when she's desperate. He asks about her younger step-sister, she must be getting around 18 these days, mustn't she? Diana reluctantly says yeah, she just turned it a couple of months ago. And she's a virgin, like Diana was? '...Yes,' Diana admits. Uncle Joe looks pleased at himself for the idea and says yeah... yeah, that would do the trick alright. 'Bring her here,' he instructs her, and goes back to stroking her hair with one hand. She looks at him with reluctant subservience but doesn't say anything in reply.

TITLE PLATE

CUT TO another day, where Diana and Cammy (Emily Willis) are greeted at the door by a much friendlier-seeming Uncle Joe. 'There's my princesses!' he exclaims. He takes their bags from their hands and tosses them to the side, then welcomes them in. He gives Diana a brisk, business-like hug then moves on to Cammy, and hugs her for much longer. Wow, she laughs at how warmly he's greeting her, uh hi Uncle Joe! Long time no see! Uncle Joe releases her from the hug but keeps his hands on her arms as he looks her up and down, remarking at how much she's grown. He remembers when he used to come over to their house to visit their dad, and would pick her up for piggy-back rides like it was nothing, feels like only yesterday. Although he bets he could still do it! Without even waiting for permission, he scoops Cammy up in his arms and she yelps in surprise, then giggles in embarrassment. 'Uncle Joe!' she squeaks. Diana looks at them with a mix of jealousy and guilt.

Once she's set down, Cammy starts to pick up her bag and Joe says no, let him take care of it! He turns back to Diana. Why doesn't she give Cammy the tour, he says suggestively to her, while he gets all their things settled in their room. Then they can all meet up outside at the pool for a swim. A pool! Cammy squeaks with excitement, she can't wait! Uncle Joe sidles up behind Diana and puts his hand firmly, ominously even, on her shoulder. Make sure the two of them don't skimp on the tour, he says to her with fake innocence, take all the time they want. She nods obediently without looking back at him, and then slips her hand into Cammy's. They scamper off, and Uncle Joe shoots a devious look at the bags.

CUT TO poolside, Uncle Joe is seated comfortably in a pool chair wearing his sunglasses when the two girls emerge from the house - Cammy is still wearing her original clothes while Diana is wearing a bikini. Uncle Joe? Cammy asks, he wouldn't have happened to have seen her bathing suit when he brought the bags up to the room, did he? Uncle Joe feigns innocence and says no, he hardly touched the bags other than to bring them upstairs. Diana looks to Cammy and says see, she knew Uncle Joe wouldn't know where it is, Cammy probably forgot to pack it. But Cammy swears she remembered putting it in her bag, it was one of the first things she packed - she was really excited to go swimming and absolutely didn't want to forget. Oh, Uncle Joe says, well she shouldn't let a little thing like that ruin her fun, now. She can just swim in her underwear, he suggests. Cammy seems a bit hesitant, but Uncle Joe says come on, between her step-sister and him being their dad's best friend, they're all practically family here - no need to be so bashful. O-okay, Cammy says, warming up to the idea as she sees they don't seem to mind. She strips out of her clothes, revealing a white bra and panties underneath. 'Atta girl, Uncle Joe says, don't be shy. She flashes a grin at him and then jumps into the pool with a splash and a playful shriek. Unbeknownst to her, her white bra and panties once wet now show Uncle Joe a great view of her nubile teen body.

Uncle Joe catches Diana's eye and shoots her a meaningful look and a tilt of his head towards Cammy. Diana looks back obediently and nods again slightly. She joins Cammy in the pool. 'Hey Cammy,' Diana calls out, does she remember when they used to play pool tag as kids? They should play that again! Cammy says that it might be a bit lame with just two people, and Diana taunts her, she's just saying that because she knows she won't be able to catch Cammy. Oh, it's on! Cammy giggles and chases after Diana.

The two of them frolic in the water, laughing and giggling as they chase around the pool, splashing each other and trying to catch each other. Whenever Diana is 'it' and catches Cammy, she gets very handsy, giggling and hugging and pressing her body up against Cammy's. Cammy takes a cue from her and starts to do the same. Soon the two of them are barely running or chasing at all, but rather wrestling each other in the pool. Diana even playfully lowers one of Cammy's bra straps or tries to remove it, and Cammy gasps in happy shock and tries to get revenge by doing the same. Throughout, Uncle Joe watches them through his sunglasses with perverted interest.

Cammy remarks she's getting hungry, and is going to fix herself a snack. She asks if Uncle Joe wants one and he jokes that he's good, he's got a couple of tasty morsels already right in front of him. Cammy looks weirded out for a moment then laughs the comment off saying that Uncle Joe is so silly, but behind her Diana shoots Uncle Joe a glare of concern.

Uncle Joe then watches, with no attempt to hide it, as Cammy steps out of the pool dripping wet and grabs a towel, heading back into the house. Diana steps out of the pool next and rushes up to Uncle Joe. He has to be more careful, she warns him quietly, he's going to scare her off. They have to take things more slowly and get her warmed up to the idea, having sex with her dad's best friend is one thing but sex with her own step-sister too - it's going to make her freak if they don't handle it carefully. Uncle Joe tells Diana she'd better make damn well sure that doesn't happen, because he's just starting to enjoy himself and he's not in the mood to take things slow. So it's up to Diana to make sure her sister behaves when the time comes. Diana wouldn't want to disappoint him, would she? Diana timidly says she'll do what she can. Uncle Joe gives her a smack on the ass and tells her to get going inside.

CUT TO late that night - both girls are dreaming sweet dreams, side by side in bedrolls on the floor. The bedroom door creaks open, and the light of the hall spills out into the dark bedroom. Uncle Joe's feet step into frame. He looks the girls over hungrily, edging his way into the room to get a closer look at their teen bodies in their nightwear. He moves into the space in the middle of them both and, careful not to alert them, he settles in lying down between them. His attention goes straight to Cammy. He rolls onto his side to spoon her - she moans comfortably in her dreams. He holds her like that for several seconds, then feeling emboldened, he backs up slightly from her body and pulls his hard dick out from his boxer shorts. He strokes himself, inching as close as he can to Cammy without touching her again now that his dick's out. He breathes heavily against her neck as he strokes himself. Sensing his presence, Cammy's eyes flutter open. 'D-Diana?' she asks quietly and timidly, 'is that you?' No, princess, Uncle Joe says back in a low voice, it's her Uncle Joe.

Cammy still seems a bit groggy, Uncle Joe? What is he doing h- ... she rolls to her other side and sees him stroking himself and her eyes go wide. She calls out to Diana, get up, Uncle Joe is-! Diana's eyes snap open and she instantly starts to reassure her, Cammy, it's ok, it's ok! Cammy doesn't calm down right away, and tries to get Diana to realize what's going on, but Diana tells her she knows. 'What do you mean you know?' Cammy asks, panicked. Diana explains that Uncle Joe has something he wants to share with the two of them, something very special. 'No, but-' Cammy starts to protest, but Diana interrupts her. It's okay, she tells her little sister, she's going to like it, see? She grabs Uncle Joe's hard dick in her hand, and then puts her mouth on it to suck it, looking Cammy right in the eyes as she does it and saying mmmm.

'Diana, what are you-?!' Cammy tries to say, but Diana pulls her mouth off of his dick and cuts her off again. See, Cammy? she says, moving his dick to point at her little sister now as if offering it to her. It's no big deal, he just wants the two of them to thank him for his hospitality. Didn't mom and dad teach them to show manners growing up? Cammy starts to get flustered and frustrated, but this isn't right, she insists, this- 'Cammy,' Diana hisses, sounding a bit desperate. 'You're being rude! Uncle Joe invited us here, we're guests in his home, and this is how he wants us to thank him. Quit being such a brat and just give him what he wants.' Her tone softens, and she continues, saying that she promises Cammy will enjoy it. Just like Diana did.

Cammy's eyes widen - like she did? Diana nods and says it makes Uncle Joe happy. It makes her happy too. Cammy looks from her sister to Uncle Joe, who's staring intently at her. 'What do you say, princess?' he coaxes her and strokes her hair. 'Don't you wanna make your Uncle Joe happy?' Cammy looks down at his dick, which he continues to stroke with his other hand. She says she guesses she can try, but she's never done anything like this before. Uncle Joe tells her don't worry, her big sister will show her everything she needs to know.

CAUGHT BETWEEN
Cheating Wife Takes Turns Fucking Her Husband And His Best Friend

SCENE OPENS on a young wife, Tess (Penny Pax), in the hallway of her residential house, wearing a fashionable billowing day-robe hurriedly tied together with a sash, glimpses of her lacy elegant underwear peeking out. She is ushering an attractive-looking and stylish man, Xavier (Ryan McLane), into a bedroom connected to the hall. She has a pensive, conflicted expression on her face as she heads into the room herself and closes the door behind her.

'Are you sure nobody saw you?' she starts to say as she closes the door and turns to face him, but she's interrupted with a steamy, passionate kiss from Xavier, gripping her face with both hands and his body pinning hers against the door slightly. 'I've been waiting all week for this,' Xavier says in a low voice and moves back in for another kiss on the lips. Tess lets out a gasp of pleasure, but her face continues to look conflicted and her brow furrows with concern. She starts to lightly push on his shoulder or chest and tells him to wait. Xavier pulls back, confused, and asks her what's wrong.

Tess explains that she can't keep doing this with him anymore. Xavier grins and takes her by the waist, pulling her in slightly. That's what she said the last three times she called him, he says suavely. She pulls away more emphatically this time and tells him to stop, and his smile drops. She says that she's serious this time - it isn't fair to Rick. Xavier moves in closer to her and says in a soft voice that he doesn't care. How can he say that? Tess asks. Rick's his best friend! Xavier replies so? It shouldn't just be about what Rick wants. What about what HE wants? Or what SHE wants? This thing between them is real, it's undeniable, why should they both be miserable just for the sake of someone else? 'Because I still love him,' Tess says desperately and adds that she can't keep lying to him. It's tearing her up inside.

Xavier points out that she's going to have to keep lying to him anyways, she can't just erase the past eight months. The lying isn't going to end unless she tells Rick about ALL of it... Tess shakes her head no, it would break his heart, she could never do that to him. Xavier says that he could be the one to tell Rick, and then they could be together without anyone in the way. Tess tells Xavier no, nobody is telling Rick, the past is going to stay in the past where it belongs. Xavier asks then what's the difference if they enjoy themselves this one more time or not? Tess struggles for an answer, but Xavier's charms are working on her, and as his hands move sensually up and down her body, opening her robe to expose her underwear, she finds her resistance crumbling. This has to be the last time, she insists as she gives in and bends down, taking his cock out of his pants.

Just as she slips his dick into her mouth, the same familiar click of the front door lock from earlier can be heard. What was that? Tess says in a panic. Xavier says he didn't hear anything, and tries to keep the moment going, but Tess pushes him off and remarks that she thought it sounded like the front door. Then from off-screen her husband Rick's voice calls out 'Tess? Honey?' Tess says in a panicked whisper 'Shit! It's Rick!' Rick remarks softly that he thought Rick wasn't supposed to be home for hours, and Tess instructs Xavier to stay in the room and keep quiet. She rushes to retie her robe and straighten her hair before leaving the room.

Rick, sweetheart, she gushes as Rick (Ricky Johnson) rounds the corner into view, and she approaches him to give him a cordial kiss on the cheek - what is he doing home so early? He says he took a half-day and wanted to surprise her, he knows he's been really busy with work lately and he wanted to make it up to her. Plus, he couldn't stop thinking about her today. He leans in close and says he thought they could have some... intimate time together. Tess glances back nervously at the master bedroom door behind her and then back to her husband, and says she's not sure she's in the mood right now. Rick looks disappointed but understanding and says that it's his fault, he thought it would be fun to surprise her but maybe it would have been better for him to call her first instead of spring it on her. He knows she doesn't like to be as spontaneous as he does. He says it's fine, at least they can still spend the day together, just let him change out of his work clothes and they can do whatever she wants with the rest of their day. He takes a step towards the bedroom to get undressed but she stops him. NO! Tess says suddenly, and then catches herself. She means no, actually he's right, maybe they SHOULD be a bit more spontaneous. What if... they get a bit frisky in the guest bedroom instead? she suggests. Rick smiles but looks a bit confused, the guest bedroom? Tess smiles and plays with the tie draped around his neck - yeah, she says, why not a change of scenery to shake things up? Rick smiles and shrugs, sure, why not?

They go into the guest bedroom and begin to kiss. Just as things are getting intense, Tess comes up with an excuse to go to the master bedroom, saying that she wants to go and get Rick's favorite lube. Rick is all for it, and Tess bounces out of the room. Tess enters the master bedroom where Xavier has been waiting impatiently on the bed. She hurries over to him and whispers that the coast is clear, she's busy distracting Rick, but he'll have to be quiet and sneak out the back door. Xavier seems stubborn, and in a quiet voice asks her how long is this going to go on for? Tess pleads with him and says she doesn't have time for this conversation right now, he has to leave! Xavier stands up calmly, crosses his arms and says no. No? Tess asks in a panic. Xavier repeats no, he's not leaving. If she doesn't want to tell Rick, then he will. Rick can burst in and find him here for all he cares. Desperate, Tess asks him why he would do this, and Xavier says that he can't stand the thought of her being in there with Rick, fucking him, because... 'because I love you'. Tess is shocked, but firm in her resolve. She looks at Xavier and tells him he has to leave. Now.

Meanwhile, Ricky is getting tired of waiting for his wife and walks towards the master bedroom. He rounds the corner only to find...Tess, alone on the bed. Hi honey, she purrs. Tess tells him that she changed her mind and was waiting for him to find her all sprawled out for him. She quickly takes off her husband's pants, helping herself to his huge cock. It doesn't take long for him to slide that cock inside Tess's tight pussy, fucking her hard. She squeals with ecstasy, jumping on top of him and riding his dick. He fucks her hard and deep, flipping her over and pounding her doggystyle before dropping a creamy load in her mouth. Kissing him softly, she leaves the room to clean up. Rick calls from the other room, telling her that he just got a call from work and has to go back. She leaves the room to kiss him goodbye, but doesn't see...that Xavier is still there, hiding behind a door. Tess will find out soon enough that her lover never left...and he's far from done with her...

The horny and single Mischelle Klein is spending the weekend with her best friend, they share everything together and we really mean everything as Mischelle is kindly given boyfriend Alberto Blanco for some well needed fun. Watch Mischelle get straight down to business with a nice sloppy deepthroat blowjob before offering up her juicy pussy and tight little ass for some intense anal action. Enjoy this stunning teen as she puts that petite tattooed body to work riding, grinding and fucking all the way to a facial cumshot, another scene of true private class.