Brandi Love - A Housewife Scorned
A HOUSEWIFE SCORNED
Jilted Housewife Confronts Cheating Husband's Unsuspecting Mistress
SCENE OPENS on real estate agent Aubrey (Brandi Love) on the phone with her husband, Winston. She chats with him, mentioning that she just got done with her clients for the day. Property owners can be so exhausting, but she's looking forward to spending the evening with him.
Aubrey is disappointed and frustrated when her husband tells her that he'll be running late because of a meeting. She angrily hangs up.
A moment later, she receives a call from her real estate friend that she's seen Aubrey's husband with another woman. Shocked and shaken, Aubrey uses her laptop and finds her husband's mistress, Mia, who is a stay-at-home mommy blogger. Aubrey goes through a whirlwind of emotion as she learns the details of her husband's betrayal, finally deciding to go confront Mia.
Rage simmering in her eyes, Aubrey rushes out of the house.
TITLE PLATE
Some time later, Aubrey arrives at Mia's home. Approaching the house, Aubrey sees an open toolbox and grabs a wrench from it. At that moment, Mia (Valentina Nappi) opens the door. Mistaking Aubrey for the plumber that she called earlier, Mia invites Aubrey in.
Mia just made a huge mistake, because this housewife scorned will do whatever it takes to ruin her perfect little life...
Lee Stone - White Kong Dong 28
While working out in Venice Beach, CA Rachel hears about a local stud named Lee Stone, she can't help herself, she has to find out if all the rumors are true... is Lee Stone the muscle man with the 10 inch dick or is it just an urban legend.....? So after a half hour or so of sweet talking him, she asked him out on a date that night and promises him he wont be disappointed! Later that night she finds out Lee Stone is not an urban legend!! But he does not have a 10inch dick... Rachel told her friends she measured it! and its just under 12 inches WOW!
Ivy Lebelle - Sacrilegious: An Ivy Lebelle Story
SACRILEGIOUS: AN IVY LEBELLE STORY
Teen Takes Revenge On Faculty Of Oppressive And Abusive School
Molly (Ivy Lebelle) is a regular teenager being raised in an ultra-conservative home. Unfortunately for her, being a regular teenager doing regular teenager things is considered sinful by her cold parents. To help get their daughter back on the right path, Molly's parents dump her on the steps of a school run by a man named Jeremiah (Dick Chibbles). Jeremiah claims that he'll help Molly see the light but Molly has a bad feeling about him...
For months, Molly plays by their rules as Jeremiah and a woman named Miss Solomon try to drill into her how much of a sinner she is. While she tells them what they want to hear, she is fuming inside. One day, a student named Nick (Seth Gamble) slips her a secret note in passing. The note is simple, telling Molly that he thinks she's hot, but it's enough to get Molly through the long days and give her hope... until Jeremiah later goes through her room and finds the note.
She's once again punished, locked away in a closet to atone for her sins. Instead of making her remorseful, the solitary confinement only makes her angrier. One day, she gets a lucky break and is able to escape. Instead of making a run for it, though, she heads straight to Nick. There's something they need to do first...
Christie Stevens - Mother's Prized Mare
MOTHER'S PRIZED MARE
Overbearing Mother Arranges For Stranger To Impregnate Her Daughter
SCENE OPENS to Mona (Christie Stevens) talking on the phone. She looks pleased with herself as she screens the man on the other end, asking questions for her breeding project. It seems like the man has exactly what she needs to impregnate her dear Millie, so she makes arrangements for them to meet that afternoon. It's all done in a formal manner as if it's the most normal thing in the world. As soon as Mona hangs up, she smiles and calls for her step-daughter, Millie (Natalie Knight).
Mona finds Millie in her bedroom and begins to prepare her for the meeting. Everything has to be perfect for this arrangement...Millie HAS to expand the family in a way that Mona herself can't. Although Millie is hesitant to fulfill her duty, Mona continues coaxing her, manipulating her. Millie MUST give her a child. Doesn't Millie want to honor her late father by passing on his genes?
When Rowan (Stirling Cooper) arrives at the house a short time later, Mona scrutinizes him in person. She'll only accept the best stud for her daughter, and, fortunately for them, he passes the initial test. However, when it comes time for the breeding to begin, Millie is too nervous. Thankfully for her, Mona is willing to do whatever it takes to make sure Millie takes a nice creampie...
Alexis E - White Kong Dong 28
Alexis just found out form her friend, that her step brother's buddy George is supposed to have a big..big..big..dick... That's all she needed to hear! She texted her step brother and asked him to invite George over to the house. BAM... When her step brother goes to the store she makes her move on George... When she sees his big white dong she is as happy as can be and starts sucking every inch of it and then beg's him to fuck her before her step brother return's.... Good Times for all......
Kenzie Reeves - Resisting Arrest
Nominated - Best Sex Scene -- All-Girl: Abigail Mac & Kenzie Reeves, XBIZ 2020
RESISTING ARREST
Angry Cop Vents Frustrations On Teen Vandal With Rough Sex
Officer Sonia Kapelli (Abigail Mac) is sitting in her car watching the wretched world go by when she gets a call from a dispatcher about a vandalism in progress. When she answers the call, she sees the troublemaking teen, Zoe Willis (Kenzie Reeves), adding the finishing touches to her graffiti masterpiece.
Zoe is alarmed when a cop car suddenly starts speeding down the alleyway where she's working. She drops her spray can and legs it, hoping to outrun the long arm of the law. But as the sirens scream and engine revs, Zoe doesn't like her chances.
OPENING CREDITS
By some stroke of luck, Zoe's able to duck around a corner and lose the pursuing officer. She rushes into a nearby warehouse, relieved to have dodged that bullet. After she takes a few moments to catch her breath, she removes another spray can from her satchel, ready to continue her mission.
'I wouldn't do that if I were you.'
Zoe freezes in her tracks, slowly turning around as Officer Kapelli approaches. She oozes authority, which triggers that rebellious side of Zoe to flare. She tries to run but stops when Officer Kapelli orders her to freeze. She's compliant when Officer Kapelli pats her down to check for any weapons but becomes suspicious when Officer Kapelli starts manhandling her. Zoe knows the cop is rougher than she should be and protests, but the protests fall on deaf ears.
Zoe becomes cockier, angrier, as she challenges Officer Kapelli while being handcuffed with her hands behind her back. What is she being arrested for? Vandalism and trespassing, when REAL criminals are on the streets? THESE words seem to be what makes Officer Kapelli see red. What does Zoe know about how the world REALLY works?
Zoe doesn't stop. She's under the cop's skin now and pushes even further... until she makes one harsh comment too many.
As Officer Kapelli's expression darkens and her eyes become predatory, Zoe knows her luck's finally run out.
Emily Willis - Nerd's Breaking Point
Nominated - Best Girl/Girl Sex Scene: Emily Willis & Gianna Dior, AVN 2020
NERD'S BREAKING POINT
Nerd Has Rough Sex With Sadistic Bully As Payback For Years Of Humiliation
Delores (Emily Willis), a nerdy high schooler is approached by her longtime bully, Nikki (Gianna Dior). Delores freezes, obviously terrified. A shadow falls across her back as Nikki steps up behind her. 'God, how have I put UP with your UGLY-ass face since we were 13---for FIVE whole years now?! I mean, I hate EVERYTHING about you. Even those dollar-bin glasses,' Nikki says, grabbing the glasses from Delores' face and smashing them on the ground. Nikki walks away laughing. Delores stands there for another moment, shaking, her fists clenched with anger. Suddenly Delores' fury boils over and she finally let's go, unleashing an ear-splitting scream of rage.
OPENING CREDITS
A few days later, Delores sits in the driver's seat of her car. Her glasses are taped up. The door is open and she sits half outside with her feet on the pavement. She seems expectant, glancing up often as if she is waiting for something to happen. Finally, she seems to see what she's been waiting for and reaches over to the passenger seat, grabbing a bottle of clear liquid. She glances up again and as if she has received a cue, she takes off the bottle cap and begins to slowly bring the bottle to her lips, as if she is about to sip on it. Before it reaches her lips, we hear Nikki, from off-screen: 'What the FUCK?!' Nikki approaches Delores. 'About to go on a little afternoon BENDER, Clitoris?!' Nikki asks. Doing exactly what she expected Nikki to do, the bully steals the bottle and takes a swig. 'What the hell!? This isn't BOOZE! Whatever it is, it tastes AWFUL!' Nikki says, puzzled.
Sometime later, Nikki's eyes flutter open. Groggy, she slowly and laboriously sits up. She looks around, confused, wondering aloud to herself where she is. She sees that she is in a wooded, outdoor area. Nikki looks down at herself, discovering that she is in her bra and panties. She glances around and sees that Delores is squatting down to be level with Nikki.
Delores is holding a lead pipe. Delores begins to lightly tap the lead pipe on her hand. There is something unsettling and threatening about this gesture.
Delores gives Nikki an ultimatum: Nikki will do whatever Delores tells her to do. If she doesn't, Delores will send compromising photos of Nikki to Nikki's father. Nikki begrudgingly agrees.
Delores has reached her breaking point, and Nikki's going to be sorry that she ever messed with her...
Abigail Mac - The Casting: An Abigail Mac Story
Nominated - Best Three-Way Sex Scene -- B/B/G: Abigail Mac, Seth Gamble & Jake Adams, AVN 2020
THE CASTING
Struggling Actress Coerced Into Sex Audition By Creepy Director
Scene opens on Amy (Abigail Mac), a young waitress, as she waits by a bus stop at the end of a long shift. Still dressed in her work uniform, she rifles through her purse to find some change for the bus when her phone rings. It's her agent on the other end of the line, calling to inform the struggling actress that she received an invitation to audition for a new mainstream project -- a lead role in a pilot. Amy is ecstatic and surprised. It's the first audition she's ever had... The agent tells her that he received the invitation from the director himself, eager to meet Amy after seeing her demo reel. Eager to accept, she tells the agent to set up a time and she'll be there. 'Do you think you could make it to Los Verdes by 5pm?' The agent asks. Amy looks down at herself. 'As long as they don't mind my work uniform,' she jokes. The agent tells her he'll set it up and send the address. Amy puts the phone back in her purse and sits quietly for a moment, before jumping up and down in excitement at the bus stop.
CUT TO TITLE PLATE
Inside a staged living room, several crew members finish setting up lights and preparing their cameras. A small bespectacled man, the director (Jake Adams), comes on to the set and barks orders at several of them. Despite his slight stature, he commands a presence and the crew work obediently under him. He walks over to a separate area, where a makeup artist is finishing up with the male lead (Seth Gamble)'s hair. 'Tony Romeo,' the director says, clasping the man's hand. 'Do I have a fun audition for you today!' The actor flashes a toothy grin. 'Like last time?' he asks. The director smirks at him, adjusting his glasses, before telling the makeup artist to wrap it up. The actress will be here any moment. And he wants a closed set.
Outside the building, Amy paces by the door. It is already after 5pm and she doesn't want to make a bad impression. A PA lets her in, paging the director on his walkie-talkie. Amy steps inside to view the set. It looks so professional ... like a real living room! She nervously sits down on the couch when the director storms in. With a strong handshake, he introduces himself. 'I'm Steven Rothschild, welcome to my set!' Amy recognizes the name instantly. Rothschild is one of cable's most successful showrunners. 'You're the guy behind Red, White, and Bad!' she exclaims. 'That's one of the best shows on television right now!'
Tony struts into the room. 'OR ever!' he says, jokingly sliding into their conversation. Amy looks doubly starstruck. Tony Romeo is the hottest young actor in Hollywood right now. 'Oh my god, Tony Romeo. Are you in this?' He smiles, looking at the director. 'Are you kidding? Stevie wrote this for me!' He clasps his director friend on the back before sitting down on the couch. The director puts his arm around Amy and tells her that Tony is going to be helping read lines for her audition today. Is she ready to get started? Amy nods, then asks if he got her portfolio the agent sent over. Steven looks her up and down. 'Don't worry, I've seen everything I need to see about you already,' he says with a smile before turning to tell the crew to leave the room. This is a closed audition.
The director sits down beside Tony and asks Amy to stand before them. He asks her age, height, weight and then to spin around for him. Amy looks a little confused. 'Do we have a script?' she asks. The director smiles and repeats his request, with Tony chiming in. 'Stevie likes to freestyle his auditions,' he adds. 'Starting off with how you look!' Amy slowly turns around, trying to keep her composure. She feels awkward. The director likes what he sees and pays several compliments to Amy's physique. 'You look like you take very good care of yourself,' he says, jotting down a note. 'Have you done a lot of physical roles in the past?' Amy feels even more awkward. 'Um ... I work out,' she replies.
The two men look at each other and nod, before Tony gets up and walks over beside her. The director compliments how good they look together. 'Now, that's an attractive cast!' he remarks. Tony comes in close to Amy and puts his arm around her. He smells great and is very handsome. Amy blushes at the thought of him touching her. 'Thanks,' she squeaks. 'Now, are you sure you don't want me to read anything in specific?'
The director stands up and walks over to them, scoping them out. 'Are you comfortable with romantic roles?' he asks Amy. Amy nods. 'Good,' the director continues. 'Because this new project is a love story and it's going to feature several very intimate scenes.' The camera lingers on Amy's face, as she tries to remain confident and professional despite her unease. Tony playfully teases her by saying not to worry, he brushed his teeth. 'I'm sure that won't be a problem,' she replies quietly.
The director goes on to explain that there is one pivotal scene in the project that involves nudity. It is very important that she feels comfortable with being nude on camera. Amy's smile wavers. 'Um ... ok, I guess,' she replies. The director's tone changes sharply. 'Well, are you ok with being nude on camera or not?' he barks. Tony releases his grip and looks at her. Feeling cornered, Amy nods nervously. 'Yes, of course. I'm an actress,' she says. The director relaxes. 'Great,' he says, clasping his hands together. 'So, let's see you out of these clothes then. I want to make sure you don't have any tattoos or blemishes that would take away from the innocence of your character.'
Amy stares at the men in shock, before slowly looking across the room. It is empty. The crew have left. She is completely alone. 'I don't have any tattoos,' she whispers. The director crosses his arms and motions again for her to undress. 'He just wants to make sure,' Tony adds reassuringly. There is a long pause before Amy slowly begins to remove her work uniform. She strips down to her bra and panties. 'See, no tattoos,' she says, eager to redress. The director stops her. 'Let me take a good look,' he says scanning her body. 'Please remove your undergarments.' Amy wraps her arms around her chest. 'I don't think that's necessary, do you?' she asks. Tony chimes in again, joking that she might have something hidden under there. They just need to take a quick look. It's not a big deal. 'You are an actress, right?' he says, his joking attitude turning serious. Feeling intimidated, Amy nods and slowly slips off the rest of her clothing.
She stands before the two men fully nude and vulnerable. They exchange knowing looks before the director compliments her body again, saying how lovely she looks and what great shape she is in. She is a natural born star. Amy fakes a smile. 'Thank you,' she says. 'Shall I get dressed now?' The director says sure and goes back to sit on the couch when Tony interjects. 'Wait, wait, wait!' he says enthusiastically. 'Stevie, I have a great idea! Since we are all here and there is such a good vibe going on, why don't we just rehearse that scene you told us about to see what the chemistry is like? You can work out the angles you'd like for when we actually film it!' The director smiles. 'That is a FANTASTIC idea!' he replies as Amy covers herself up and the director leaves the room to grab his camera.
Tony starts to remove his clothing, staring intently at the nervous woman. 'You should really relax,' he says coldly. 'Stevie hates difficult women!' He pulls down his pants to reveal his semi-erect cock, as she turns away embarrassed. The director returns with his camera and begins to guide them into position. 'I imagine that this scene starts with a long, intimate kiss,' he says. 'Standing just about where you are now. When you're ready, please begin.' He kneels to get a nice low angle look at Amy as Tony closes in on her. 'Are you ready, beautiful?' he says, inches from her lips. Looking down at his cock on her thigh, she closes her eyes and says 'ok.'
The director yells action and Tony kisses her. She nervously kisses him back, not sure what to do with her hands, but the leading man grabs them and wraps them around his muscular frame. 'Closer,' the director whispers eagerly. 'More passionate!' Throughout the awkward make out session, the director moves around the couple to view his various angles. When he is not satisfied with something, he sharply asks Amy to bend and contort herself. The requests become increasingly exploitative and she tries to protest but both men remind her that this is an audition and she shouldn't break character. 'If you do what the director asks, you will get the part,' Tony whispers aggressively in her ear. 'So, don't be a diva about it!' She feels horribly conflicted but doesn't want to lose the role of a lifetime so, mustering up her courage, she tries her best to do everything the director says, no matter how invasive. She ends up spread eagle on the couch for both men to see, as the director sticks his lens right up to to her pussy and breathes heavily. 'This will make a perfect transition,' he mutters to himself as he hands his camera to Tony.
'Tony, I want your character to begin the sex scene with oral first, followed by penetration,' he says, matter-of-factly as he undoes his zipper. 'But, it needs to feel authentic, so let me show you how I'd like you to do it first.' Tony nods, pointing the camera. Amy looks at the director. 'I'm sorry ... What?!' she stammers. Looking at her coldly, the director arches an eyebrow. 'You don't have any issue with me showing him, right? I like to get into the minds of my characters through roleplay. It's just my style.' She closes her legs and starts to get up. 'I don't think I feel comfortable with that, I'm sorry.' She rushes over to her clothes and starts to gather them on the ground when she hears the men laughing behind her. Angry, she stands up and turns around. 'What is so funny?' She asks, her anger welling up alongside her anxiety. The men stop snickering and face her. 'You chicks are all the same,' Tony says. 'You take an opportunity and you ruin it with your attitude! Nobody wants to work with a bitch like that.'
Amy tries to defend herself. She doesn't have an issue with nudity or even a sex scene, she just wished she'd be informed. 'I thoroughly explained this all to your agent,' the director adds. 'He assured me that you were professional and experienced.' Amy walks back over to them, pleading. 'I am,' she says, exasperated. 'And I want this role, I really do! I just wasn't expecting this much pressure!'
Tony puts his arm around her and slowly pushes her back down on the couch. 'Look, I'm sorry if I offended you, I just hate it when actors aren't respectful on set. It's my biggest pet peeve ... right, Stevie?' The director nods, pulling his dick out. 'Nobody is here to pressure you sweetheart,' he says. 'We just want to make sure we create the most authentic scene possible!' She stares at the penis in his hands, her lips quivering. 'So, are you willing to continue?' he says. 'Because I've got girls lined up if you don't think you're strong enough for this role!' Amy closes her eyes. This isn't what she expected. But, if she doesn't do it, she won't get the role. Slowly, she spreads her legs wide again and stares at him. 'Yes,' she says quietly.
Cherie DeVille - The Ghost Rocket
Winner - Most Outrageous Sex Scene: Cherie DeVille & Michael Vegas, AVN 2020
Nominated - Best Art Direction, AVN 2020
Nominated - Best Special Effects, AVN 2020
'Those Whom We Love Are Often The Most Alien To Us.'
-- Christopher Paolini
THE GHOST ROCKET
Conspiracy Theorist Is Anally Probed By Sexy Female Extra-Terrestrial
SCENE opens on an empty field late one night. The stars twinkle in the sky, as the camera slowly tracks back to reveal Roger (Michael Vegas) looking through a telescope. The self-published conspiracy theorist is wearing nothing but his boxer shorts, a UFO t-shirt, and LED translucent glasses. His hair is greased back, and he is guzzling a can of liquid caffeine, as he shifts from the telescope to the back of his flatbed truck, where he finishes setting up his latest invention. It's a small but powerful antenna designed to transmit mathematical equations into space in the hopes of contacting a ghost rocket.
Roger believes this long-disputed UFO phenomenon is the key to contacting alien life forms. As he connects the final pieces of his machine together, he mutters into a makeshift gadget on his wrist: 'In 1946 and 1947, numerous reports occurred of ghost rockets appearing over Scandinavian countries, primarily Sweden, which then spread into other European countries. In 2046, similar reports resurfaced of ghost rockets appearing in the Pacific Northwest and down through parts of California and Mexico. All 200 sightings have been refuted by the US government, despite being verified with radar returns and, in some cases, physical fragments...'
He puts his wrist down, stripping off his shirt and putting a tin foil cap on his head. '...Until now, you sons of bitches!' He shouts into the night, removing his glasses, placing transmitters in his ears, and rubbing his chest with petroleum jelly. He plugs some final code into his laptop before hitting enter and pointing his antenna towards the sky. A static sound in his ears grows louder and louder as he spins the antenna around. Finally, it connects with something and a beam of light penetrates the sky and strikes the antenna. Then, as quickly as it started, the beam disappears, and Roger falls to the ground. The antenna lies at his side, melted and destroyed.
CUT TO TITLE PLATE
Roger drives home from the field, feeling frustrated. He mutters and swears to himself before rolling down the window and throwing his antenna out. He puts his wrist to his mouth and begins to report the failed experiment when, suddenly, he comes upon a beautiful woman (Cherie DeVille) standing in the middle of the road. She is shimmering in a metallic body suit, with windswept hair, and staring at him like a deer in headlights. He slams on the breaks.
They regard each other for a moment before she starts to approach the car. Roger is scared. What is this strange woman doing out here? She presses her hands on his driver side window, trying to open it, and speaking in a strange language he doesn't understand. Finally, Roger rolls it down. 'What... do... you... want?' He stammers. She stops, takes a moment to compute what she just heard, and then begins talking slowly again -- in English. 'Hello human male,' she says. 'May I please enter your craft so I may breed with you?'
'Who... are... you?' He asks slowly. The woman unfolds her arms and puts her hands in front of her. The broken antenna appears. 'I am responding to your signal,' she says. Roger stares at the antenna in disbelief. 'You were on a ghost rocket?' He mutters. 'Affirmative.' she replies, and the antenna disappears. 'I have been sent to earth to breed with a human male. Are you a human male?' 'How do I know you're not just putting me on?' He asks. 'Do you require proof?' She asks. He nods. Her hands pull apart her face. He is horrified by what he sees and slumps back before raising his arms in surrender and stating that he is, indeed, a human male. She stops, puts her face back and, revealing her human form again, smiles. 'Excellent! We must hurry and get to a breeding chamber,' she says. Stunned, Roger opens up the passenger door and she steps inside. 'Is my bedroom ok?' He asks, getting in himself. 'Affirmative,' She says smiling.
They arrive at Roger's home. It is bare bones, with only UFO posters on the wall, stacks of papers, and a basic blowup mattress in the middle. The woman walks in and examines the surroundings. 'Human males are strange and primitive life forms,' she says matter-of-factly. Roger nervously clears an area around his bed and invites her to sit. 'I would like to consume your seed now so it may stimulate this human shell and support my arousal.' Roger flushes red. She unzips her top to expose her breasts and puts his hands on her. He has never felt anything so good in his life. She tells him to take out his member. Nervously, he does, and she slips her hand around his cock, stroking it, all the while exclaiming how fascinating his human penis is. Finally, she puts his hard cock into her mouth, tasting him before she guides him into her pussy. He gasps as she rides his cock.
Roger can hardly believe his good fortune, but how will he react when it's HIS turn to be probed?
Nia Nacci - Pool Shark
Lexi Luna is having a relaxing day when Nia Nacci shows up at her door. Nia is a friend of Lexi's little sister, though it seems like there's trouble in paradise. It's just that Lexi's little sister is super competitive and Nia's getting tired of her poor sportsmanship. Nia noticed that her friend suddenly got really good at pool after being taught by Lexi, so would Lexi be willing to teach HER how to play pool, too??
Although Lexi doesn't feel right about going behind her sister's back, she DOES agree that it'd be nice to see her sister knocked down a couple of pegs. After slyly looking Nia over, Lexi agrees to give Nia some pointers as long as Nia doesn't say anything!
Lexi brings Nia inside and begins teaching her the basics to becoming a pool shark. Of course, things naturally get hot between them as Lexi presses their bodies close in order to show her the correct form. However, while Lexi obviously has the hots for Nia, Nia seems oblivious to her advances... until Lexi gives Nia's breasts a little grope. When she does, Nia takes a shot and does well, which tells Lexi one thing: Nia just needs to unwind! If she doesn't let go of all that tension, Nia will NEVER beat Lexi's little sister at pool...
Nia is determined to win, so she agrees to do whatever Lexi says to in order to be at the top of her game. Lexi leads the way with a sultry kiss, which soon leads to them sucking on each other's breasts and eating out each other's pussies. Things get even hotter as they 69 each other and trib to their heart's delight! But will this extra lesson be enough to make Nia a winner??
Sarah Jessie - Anal Craving Milfs 8
Slim-but-busty blonde MILF Sarah Jessie has lush lips, a tattoo sleeve and a hot, round ass. In a striptease, her lingerie can't conceal the butt plug buried in her bunghole. Commencing an interracial tryst, she and muscular black stud Isiah Maxwell kiss and caress. He stuffs his face in her cushioned crack for a rim job; from behind, he eats her thick, meaty labia and bald pussy. A worshipful blowjob creates strands of spit that lube a titty fuck. Isiah's big black cock goes straight to anal. She talks dirty and grinds her glutes on his boner; he spanks and oils her ass as he fucks it. Her big cheeks hump and snap through a backdoor dick ride, and Sarah gives passionate, ass-to-mouth head. Isiah drills her cunt, and then Sarah masturbates through manhandling sodomy in multiple positions. Sarah kneels for a cum facial, drooling the mess onto her body.
Julie Kay - Black Chicks Suckin' Dicks
Looking fabulous in a denim jacket over elegant, white lingerie, black vixen Julie Kay flaunts her body. The busty, tattooed babe joins Jason Moody and Jay Smooth, worshiping their thick white dicks through an interracial blowjob threesome. Julie gags as she sucks stiff cocks, spit soaking her tits. See hard throat fucking, nasty rimming and a filthy, two-cock cum facial!
Autumn Falls - Nowhere To Run
NOWHERE TO RUN
Teen's Car Breaks Down and She Accepts Help From A Suspicious Stranger
SCENE OPENS on Anita (Autumn Falls), a young woman. She's in her car and lightly hits the steering wheel. Why won't you just START?, she complains to herself. She exhales heavily, reaching for her cell phone. She tries to turn it on, but it's dead. She opens the glove compartment and roots around in it. After a moment, her head sags in disappointment. 'Aaaaaaaand you didn't bring your charger. GREAT job Anita,' she chastises herself. At that moment, there is a sudden knock at the window. She jumps with a slight yelp, completely startled. Standing at her window is Shane (Derrick Pierce), a somewhat rough looking man. He is unsmiling and motions for her to roll down the window. She regards him warily and hesitantly rolls down her window, but just a crack. Uh...yes?, she asks cautiously. Hey, he's sorry to scare her, but he was coming home and saw her car stall and quit on her, he begins, his tone even and non-threatening.
Oh uh, yeah, it...it won't start no matter what she does, she answers, a touch of wariness still in her voice. Ok, well if she wants, his house is right there, he says, pointing to his nearby house. And he can help her push the car into his garage and see if he can figure what's wrong with it himself, he offers. Oh that's ok, she says still acting a bit wary of the stranger but smiling politely, she wouldn't want to inconvenience him, she can just call the tow service. If she says so, he shrugs, but it'll probably take them hours to get here. And this isn't the best place for a girl like her to be waiting around. She debates for another moment, unsure of what to do. Then she looks down at her phone and remembers it's dead. '...I guess we could give it a shot,' she says hesitantly. He looks at her, shrugging noncommittally. 'Your call,' he says.
After pushing the car into his garage, they chat about what a bad neighborhood it is. Well, he'd better get started, he adds, moving towards the garage door, grabbing the top of it as he prepares to pull it down. Oh um...what is he doing?, Anita asks meekly. The light coming in from outside is shining in his eyes, gonna make it hard to look around and scout out what the problem is. He's just gonna close the door and hook a light to the hood so he can see what he's doing better, he says. That's cool...right?, he asks, a vaguely threatening undertone in his voice. She looks out of the garage toward the street, perhaps deciding whether or not she should just get out of there. Um...yeah, of course that's cool, Anita says, smiling nervously. He looks at her for a second, sizing her up. He pulls down the garage door. It loudly hits the floor, sealing them in.
CUT TO TITLE
Shane hunches over the open hood of the car, tinkering around inside. What's she DOING in this neighborhood anyway?, he asks as he continues working on the car. She was just passing through actually, on her way back from touring a new school, she responds. High school?, he asks, looking over his shoulder at her with an eyebrow raised. No, no, she's 18, she's in college, she clarifies.
'Do me a favor. Pass me a screwdriver. From that toolbox over there,' he says, pointing to a toolbox on the floor. Sure, Anita says, turning around. She bends over, opening the toolbox and rooting around in it. As she searches, Shane is staring at her ass hungrily, licking his lips. Um, there's NO screwdriver in here, Anita says, puzzled. Ohhh, sorry, he FORGOT, the screwdriver is in THAT toolbox, he says with a crooked smile. She immediately goes to the other toolbox he indicated and withdraws the screwdriver, handing it to him quickly. Thanks, he says quietly, turning back to the car.
Ah dammit, he says aloud. What?, she asks, concerned. This cable's been worn away, he says. She narrows her eyes suspiciously, walking over to the hood. Don't worry, she doesn't need to come over here, he's got it, he says, trying to wave her off. No, she wants to see it, she responds firmly, peering under the hood. He is holding a wrench, watching her closely. Yeah, she sees it, but...it looks like it's been...she begins, her eyes resting on a pair of wire cutters that are lying adjacent to the car. Her eyes go wide with fear. ...it looks like it's been CUT, she says in horror, backing away from him cautiously. He has a hard look on his face and slowly leans towards her. Going somewhere?, he asks in a bored, teasing tone. 'Y-you...you DID that to the car. You CUT that cable! You did it on purpose. W-why would you DO something like that?? A-are you trying to...?' she asks, trailing off, unable to articulate what she's trying to say..
'I ain't tryin to do a GODDAMN thing other than fix your car. You can LEAVE anytime you want. Your car sure isn't going anywhere though,' he says, leaning in and sneering with a big wicked grin. That's fine, she says defiantly. She'll walk if she has to. He laughs. Through THIS neighborhood?? She could try. A tasty little morsel like her would attract a lot of unwanted attention. But on the other hand, if she wants him to finish the job so that she can be on her way safely, she could always do...a little something...for HIM, he says, a toothy grin on his face. He swings the wrench around, almost absent-mindedly. She looks upset at his suggestion. What's stopping her from running out into the street and just yelling for someone to call the cops?!, she asks. Nothing, he gloats and goads her, in fact go ahead and try it. People out here fuckin' HATE cops, he says. 'You go runnin' out of here shouting for the pigs to come save you, you think you're gonna get ANY sympathy?? Girlie, you wouldn't even make it two BLOCKS,' he says. Her shoulders sag with disappointed realization as she gulps, weighing her options. Her eyes dart to the garage door. She takes a deep breath. If... if he promises not to hurt her and fixes her car afterwards, then...FINE, she says finally, an edge of defiance and anger in her voice. He can do whatever disgusting thing he has in mind. Shane grins as he draws Anita to him, squeezing a handful of her massive tits.
Anita's got nowhere to run, and EVERYTHING to lose.
Alexis Fawx - Parent-Teacher Trap
PARENT-TEACHER TRAP
Teacher Demands Sex From Student & Her Mother In Exchange For Not Expelling The Student
Miss Morgan (Kendra James), a high school history teacher, is at a desk correcting homework, scowling to herself as she makes notes in bright red pen. To the side of her desk, a bright red apple sits in full view, a small pocket knife next to it folded closed. Something catches her eye and she suspiciously flips back and forth between two different pieces of homework. She mutters to herself that this is unbelievable - the nerve of some students. She flips back to the cover page, sees the name on the paper, and narrows her eyes with a furious glare. Miss Morgan picks up the phone.
'Yes, is this Cheryl Best, Mandy's step-mother? This is Miss Morgan, Mandy's history teacher. ... I need to have a talk with you and your daughter. ... No, here at the school. ... The earliest you can make it. ... no, I'm afraid I INSIST. .... Good. We'll see each other shortly then. Goodbye,' Miss Morgan says curtly. She hangs up the phone and taps it sharply with her fingernails before moving her hand over towards the apple, however it stops short at the knife and she hovers over it. She picks it up and flicks it open with a flourish.
OPENING CREDITS
Cheryl (Alexis Fawx) and Mandy (Mackenzie Moss) arrive, and Miss Morgan tells them that she knows Mandy's been copying off of other students. M-Mandy! Is this true?? Cheryl asks. 'Y-yes, it's true... I'm so sorry! It's just that I'm 18 now and about to graduate! There's just SO MUCH PRESSURE to have high grades to get into the schools you and dad want me to...' Mandy stammers.
Miss Morgan reveals that this isn't the first time Mandy was caught copying work. Cheryl still hesitates to blame Mandy or put her foot down, so Miss Morgan threatens to expel Mandy. Both mother and daughter protest that she can't do that, it will ruin Mandy's chances at getting into a good college. Cheryl insists that Miss Morgan is being way too harsh! Miss Morgan says that clearly Mandy needs some tough love, and if Cheryl isn't the one to give it to her then she will. It's about time SOMEBODY slapped some sense into her.
Cheryl becomes desperate to avoid conflict, asking what else she could do to make this go away? A favor from one of her husband's many influential friends? A donation to the school maybe? As Cheryl lists these off, Miss Morgan gets more and more upset at Cheryl's attitude. Miss Morgan declares she wants Cheryl to spank Mandy. Mandy and Cheryl are shocked, with Cheryl insisting that she'd NEVER spank her step-daughter! Miss Morgan says it's because of parents being wusses these days that kids get away with everything. Spank Mandy and she'll consider not taking this to the principal or the school board like she SHOULD.
Cheryl seems taken aback but says that when she and Mandy get home they can of course discuss it as part of Mandy's punishment. Miss Morgan tells her she misunderstands - she wants Cheryl to spank Mandy right now, in front of her. How else can she be sure that Cheryl is going to be true to her word with all the dishonesty that comes out of that family of hers?
Mandy agrees to be spanked to get the punishment over with. Yet, as she's spanked, Miss Morgan becomes aroused and starts feeling herself up.
As Cheryl notices Miss Morgan touching herself, she abruptly stops spanking Mandy and hurriedly tells her it's time to go. Miss Morgan becomes angry at the interruption and tells them that they've only made things worse for themselves now. She demands sex from them. Mandy and Cheryl are outraged, and move to leave again.
'You can refuse, of course... but you'll be sealing your fate at this school. Maybe even the whole school board. Especially once I tell them all the SICK things you both tried to get me to do. Pulling down your own daughter's pants to expose her to me like this??' Miss Morgan says. Cheryl is disturbed but agrees with Mandy to have sex with Miss Morgan to keep everything quiet. Miss Morgan stares at Cheryl with a cold resolve, darkness tinting her eyes. 'Take off your shirt,' Miss Morgan tells Cheryl.
Cheryl and Mandy have walked right into Miss Morgan's twisted trap.
Kenzie Taylor - The Daddy Interview
THE DADDY INTERVIEW
Kinky Mom & Daughter Interview Potential Daddy To Join Their Twisted Family
Roxy (Kenzie Taylor) is relaxing on the couch, lovingly cuddled up to her step-daughter, Chelsea (Carolina Sweets). As she glides her fingers affectionately through Chelsea's hair, she admits that it's time to start dating again. It's been awhile since she divorced Chelsea's dad... Roxy can only give Chelsea so much, needing a man to do the rest for her dear, sweet daughter... Chelsea needs a daddy.
Although Chelsea is worried at first, she soon eagerly helps Roxy set up an online date with a doctor named Marc (Tommy Gunn). If all goes well, their little family will be complete, and Chelsea will have the daddy she sorely craves...
When Marc arrives, he is entranced by Roxy, yet unnerved when she introduces him to Chelsea. While Marc thinks it's unusual to introduce Chelsea so soon, Roxy argues that getting formalities out of the way will just make things easier for them. They need a family man in their life, and he's a family man, right?
As they settle for dinner, Marc begins to suspect that something is amiss with the women. Roxy is exuding raw sexual energy in front of Chelsea and Chelsea herself doesn't look so innocent either. Things only get more unsettling as Roxy heavily comes onto him by groping him under the table.
Or at least he THINKS it's Roxy feeling him up until he sees that it's Chelsea! When Roxy coyly asks how he'd punish Chelsea if she were his own daughter, the date only becomes more twisted. Roxy declares that Chelsea needs a new daddy and they think Marc could be the one. Although Marc is hesitant, his resolve crumbles under the sultry gaze of the mother-daughter duo...
Story inspired by an original submission by Pure Taboo member, S P I N K I N G!
Luna Star - My Vengeful Valentine
Luna Star's boyfriend Carmello forgets it's Valentine's Day, and although she appears to keep her cool when he shows up with his buddies Xander Corvus and Mick Blue, you can tell she's fuming inside! When Luna invites Mick and Xander to stay for her planned romantic dinner, she serves up a whole lot more than just food, climbing up on the table and giving the guys a show they'll never forget…and a three-way fucking that'll leave her boyfriend regretting this day for a long time!
Madison Ivy - Red Hot
It doesn't get much hotter than this! Madison Ivy is absolutely smokin' in strappy red lingerie and thigh-high boots, and Small Hands is the lucky man who has the pleasure of pleasuring her! Madison takes every inch of Small Hands' big cock until he unloads inside her mouth…with Madison enjoying it to the very last drop!
Blair Underwood - Anal Craving Milfs 8
Pale Blair Underwood, a young, real-life mom, looks like the MILF next-door, but she wears a 'SLUT' choker and skimpy threads that accentuate her fleshy, white ass. Blair talks dirty as she fingers her asshole and masturbates with a massager; her verbal filth continues through the scene. She sucks Mark Wood's prick, eyes reddening, spit flowing. Blair spreads her legs for a rim job. Mark goes straight to anal, and Blair says she likes watching his cock go in and out of her rectum. He chokes her as he sodomizes her, and Blair blurts, 'Pound my asshole.' She takes a buttfuck ride, Mark spanking her meaty cheeks. Blair declares an ass-to-mouth blowjob 'yummy.' The stud buttfucks her in multiple positions, making her pink sphincter gape. Blair swallows semen and cleans his dick orally.
