Ivy Wolfe - What My Cousin Did
WHAT MY COUSIN DID
RELUCTANT TEEN CORNERED BY SECOND COUSIN AT FAMILY REUNION
SCENE fades slowly in on the backseat interior of a moving car - we see scenery fly past through the backseat window, half-obstructed by an 18-year old girl with her forehead wistfully pressed against the glass. She stares blankly out into the distance. For several seconds, we hear nothing but silence. Then slowly the sound fades in, muffled and bass-heavy at first, as the girl's parents are having a conversation in the front we can't hear or understand. After several seconds, the mother calls out what must be the girl's name, though it's too muffled for us to hear - but it causes the girl to snap out of her daze and perk her head up. The mother repeats herself, this time we can hear her clearly. 'Rebecca, for God's sakes can you try for just a couple of hours to listen when other people are talking?' The teen girl, Rebecca, rubs her eyes with her sleeve, still looking a little out of it. 'Sorry, mom, what were you saying?' The mother shakes her head and makes an aside comment to the father driving the car before repeating herself to her daughter - she was saying that it will be nice to see the mother's cousins Harold and Diane again, Rebecca hasn't seen them since her high school graduation two years ago. Rebecca shrugs - yes, she supposes it will be nice, she says half-heartedly. 'Todd too,' the mother says off-hand, and she doesn't notice that this causes Rebecca to make a pained face, 'you know I don't know why you two stopped getting along after high school, you used to be so close. Do you remember the time...?' The mother continues her anecdote, oblivious, but Rebecca has stopped paying attention. She lies back in her seat, pushes her head back and covers her face with her arms. She lets out a controlled sigh, long but quiet, and her mother's voice start to distort again.
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Coming up the walkway to a large house, Rebecca's parents (Karen and Bill) are greeted at the top by Harold and Diane, a married couple of roughly the same age as them. Loudly, they greet each other and chatter warmly as they move a bit closer towards the house. They talk about the state of the house, the weather, the wine Karen and Bill brought, and so on. Over the shoulders of the foursome, we see Rebecca emerging into view more slowly, and she stands a short distance away from the group at the top of the steps, head bowed and shyly gripping her upper arm with her other hand. It takes the group several seconds to notice her standing there, but when they do, her parents scoff at her for being so reclusive, while Harold and Diane greet her warmly and urge her forward to give her a hug. Rebecca seems shy but appreciative of the affection. Harold and Diane gush over her with the usual family small -talk - how old must she be now? ('Just turned 18 two months ago' her mother boasts, 'they grow up so fast!'), how is college, needling her about whether she has a boyfriend yet, and so on. They mention their own son, Todd, is also single but they feel he just hasn't met the right girl yet because he's an old soul for just being 19, very sensitive, etc. The mention of Todd causes Rebecca's mood, which was gradually improving, to slip... though she tries not to show it. Eventually, the conversation takes its toll and Rebecca wants to get away, so she excuses herself to use the bathroom, saying she's not feeling well. Harold and Diane express some concern, but she says she should be fine in a bit, so they tell her to join them all on the patio when she's feeling better, Todd's already there waiting for everyone. Rebecca ducks out and after she's out of frame, Harold and Diane express some concern to Karen and Bill, but in hushed voices they reply that Rebecca gets like that a lot and they've learned to just put up with it.
CUT to a guest bedroom within the house, where Rebecca sneaks in and closes the door gently. She looks distressed, and spends some time trying to calm herself. She's surprised when she hears a knock on the door about a minute later. 'Who is it?' she asks timidly. The door opens and a meek-looking guy steps in, her second cousin Todd. 'Uh, it's me,' Todd says apologetically, 'is everything OK? My parents said you were sick in the bathroom, I came to see if you needed some medicine, but you weren't there.' Rebecca looks sad and frustrated to be in his company. 'I'm fine, Todd,' she says bitterly. 'I'll come down in a bit, I just needed some space.' Todd looks hurt and confused. That's what she said the summer after graduation, that she needed some space from him, and then she stopped hanging out with him, stopped making plans with him, stopped texting him even. What's going on with her? She scoffs - it's not like they were best friends, or even siblings, they're second cousins. They don't have to be joined at the hip. Todd shakes his head, he doesn't understand why she is acting like this. Acting like she hates him when they used to be so close.
'Maybe too close,' she lets slip. What does that mean? Todd asks. She shakes him off, 'forget it' she replies, but he doesn't back down, no, what does she mean? Rebecca swallows hard. Does he not get it? He looks baffled, get what? She reminds him of an anecdote - about how after graduation they went out to celebrate at a bar with some fake IDs, them and a bunch of friends, and they were partying late into the night. She explains that when she went to order more cocktails, the bartender made a comment about 'her and her boyfriend' and pointed to Todd. At first Rebecca laughed it off, but when she got back to the table, she realized for the first time that Todd was being super friendly towards her, flirty even, he even put his arm around her shoulder. She realized he wasn't just being friendly, he was in love with her, and she had to break things off. They may just be second cousins, but that's still family, and she knew it was wrong.
Todd looks heartbroken - why didn't she just say something to him? If she was worried he was going to react badly, she should know him well enough by now that he would respect her wishes. Everyone treats him like he's so damn sensitive, but she never treated him like that, in fact that was one of the reasons he loved spending time with her so much is because he felt she 'got' him. Why did she have to cut him off without so much as an explanation or a goodbye? Rebecca looks uncomfortable - she brushes off his questions and moves to leave but Todd blocks her way. He gets more confrontational - he says he's noticed how she looks miserable, how she doesn't smile in any of the new pictures she's been tagged in, how her body language has changed to shut herself off from everyone. He's been worried about her, he just wants to have a fucking conversation with her, he misses her. Why is she acting like this?
Seeing no escape, Rebecca breaks down and admits - it wasn't because she realized he had feelings for her that she broke things off with him, it's because she had feelings for him. She never really realized it (or at least never admitted it to herself) until that night, but it scared her. And it scared her even more that he seemed into her too, because that would make it even harder to pretend like things were normal. She was worried that if she tried to talk to him about it, if she let him know how she felt, they'd do something she'd regret, so she decided it would be better for them both to make a clean break.
Todd looks at her incredulously, and scoffs sadly. Well, she was right about that. Now that he knows how she feels about him, he DOES want to do something they might regret later. She shrinks back, but he closes the gap, gently extending his arm out to the wall to discourage her from leaving the room or retreating further. He wants to make up for lost time. He wants her to make it up to him. He wants to kiss her. Can he kiss her? She takes a deep sigh, bites her lip... she's determined to say no, but despite herself she says 'yes'.
Kira Noir - Clinical Trial
Nominated - Best Sex Scene -- Vignette: Kira Noir & Danny Mountain, XBIZ 2020
CLINICAL TRIAL
DOCTOR PERFORMS HUMILIATING TESTS ON EBONY TEEN ATHLETE
SCENE opens on the interior of a medical exam room as the door opens - a doctor enters the room and closes the door behind him, then greets the young woman sitting waiting on the examination table as Dr. Greenwood. He thanks her for coming and for participating in the clinical trial - she just has to pass a quick screener and then they can begin. Holding up a clipboard and pen, he asks her some questions - her name ('Jamie Lawson'), her age ('I just turned 18 a couple of months ago'), is she pregnant ('no'), does she have any history of health conditions - asthma, heart problems, osteoporosis, breast cancer ('no, none'), and her level of daily physical activity ('well I play lacrosse about twice a week, plus daily running and morning yoga'). He makes a quip that she must be quite flexible, to which she rolls her eyes and says sarcastically that she's never heard that one before. Satisfied with the responses, the doctor tells her he's going to be asking her to complete a series of exercises, while monitoring her to measure physical stimulation and stress. They have equipment set up in a room down the hall. On their way out the door of the exam room, Jamie jokes that she doesn't stress easily, and Dr. Greenwood smirks in reply and says 'Don't worry, I'm sure we'll find a way to get you to break a sweat!'
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We cut back to the two already midway through setting up in another larger room, containing a hybrid of medical and exercise equipment. The doctor is mostly done applying medical electrodes to her temples and clavicles. The last thing he has to do before they begin is to take her blood pressure and resting heart rate, so he can compare these with after the trial. First he takes her blood pressure - as he moves to strap it around her arm his hand brushes against her breast, he chuckles a brief apology and continues as if nothing happened.
Jamie tries to make small talk with him as he pumps and holds the gauge in his other hand - 'So, what is this trial for? Some sort of new performance drug or something?' The doctor provides only the most evasive of replies - he can't discuss the trial with the subjects beforehand or it could compromise the results. 'You're offering way more for this study than the last one of these I did,' Jamie remarks. Oh, is that so? the doctor replies, still acting elusive. Does she sign up for clinical trials often? 'Yeah, well not until recently but I really need the extra help right now,' Jamie grumbles, 'my dad hurt his knee and can't work so I'm trying to support him whenever I can. It's a drag, but I'm hoping it won't be for much longer.' The doctor smiles politely and says 'Well, we have your contact information now so if more of these opportunities come along, we'll be sure to contact you.' He finishes taking her blood pressure, notes something on his clipboard, and then tells her he'll take her heart rate now. 'Do I have permission to touch your chest?' Jamie looks taken aback - she supposes so, but don't they usually check at the neck? 'I prefer my own methods,' the doctor insists, and reaches his hand towards her chest to feel her heart. Again, his hand brushes her breasts - this time he doesn't apologize. Jamie looks a bit flustered and is about to speak up, but thinks better of it.
After a long awkward moment, the doctor releases his hand from her chest and notes something on the clipboard. He pats his legs, stands up, and says great - they're ready to get started! He'd like her to start with some simple jumping jacks. He stands her up in the middle of the room, the wires leading from her body to a small handheld device he holds in one hand, his clipboard in the other. He asks her to begin. She does a few, but he stops her. 'I'll need you to remove your bra, actually.' What? Why? she protests. It interferes with the test, he says vaguely, but he assures her it's quite necessary to the results. He turns around so that she can take it off with some privacy - she lifts her shirt up to reveal the bra, and unclaspsit, exposing her breasts momentarily before pulling her tank-top back down to cover them. Beginning the exercise again, her breasts now bounce up and down tantalizingly beneath her shirt as she jumps - with the doctor and the camera both clearly narrowing in on this bouncing as their primary interest.After several jumps with no indication of stopping, Jamie gets a bit frazzled and asks the doctor how many of these she's expected to do - this snaps him out of his reverie and he nonchalantly says 'five more, and then we'll move on to the next exercise'. Jamie exhales sharply, a bit frustrated, butacquiesces.
Next is an exercise bike - Dr. Greenwood asks her to mount it, and then begin cycling at a pace she's comfortable with to start. He stands behind the bike - his focus clearly fixated on the crack of her ass peeking out of her yoga pants as she pedals - and he offers her some mild platitudes to keep herencouraged. After a minute, he heads to the front to increase the resistance of the pedals - 'we need to see you break out a sweat, so let's turn it up a bit, shall we?', he says, and then instructs her to continue.
CUT to roughly fifteen minutes later - Jamie has been on the bike for a while now, as is obvious by the thick beads of sweat dripping down her face and chest, and soaking her workout clothes. She's showing no signs of exhaustion yet, but it's clear the workout is no walk in the park for her either. The doctor meanwhile is still just looking her over, with perverse appreciation. 'That's enough of that for now,' he says finally, and Jamie lets out a sigh of relief and slows her pedaling down. She gets off the bike and takes a nearby towel to wipe off the seat. 'That's quite alright, you can leave it' the doctor says. Jamie looks increasingly puzzled but shrugs and starts to pat her head with the towel. The doctor rips the towel out of her hand - 'I didn't say you could do that yet.' Jamie starts to argue that she's just wiping sweat off when the doctor cuts her off - 'If you want to disagree with my methods, that's fine, you can leave at any time and I'll just move on to the next subject.' Jamie realizes how bad she needs the compensation, and holds her tongue. 'What's next, then?' she asks. He tells her to go grab the exercise mat a few feet away. As she turns around to fetch it, he runs his finger along the sweaty bike seat and then sniffs or licks his fingertip.
Once the mat's in place in the floor center, the doctor proceeds to have Jamie remove her shoes and socks, and then do various flexibility tests - bend over and touch your toes, sit legs spread and reach forward, assume various yoga poses... he licks his lips as he watches each of these poses, which thanks to her sweat-drenched clothes and no bra are extremely revealing. Jamie can increasingly feel his eyes on her as she strikes each pose - finally, after the third or fourth yoga pose she snaps at him. 'You're not even writing anything down anymore, you're just staring at me!' The doctor seems unfazed by her sudden outburst. 'We'll move on to the next test, then...' No, she exclaims. No more of these weird tests. What was it he even said these tests were for?
Dr. Greenwood reminds her that he's monitoring her physical responses to stress and stimulus. He says that now that they've gotten the stress tests out of the way, it's time for the stimulus tests. He goes to a small table nearby and procures a sleek black featureless vibrator. Calmly, he tells Jamie that she will have to pleasure herself while he monitors her physical reactions. Jamie snaps - there's no way she's doing that. This isn't what she signed up for. The doctor sighs and shrugs - that's fine, he understands. Of course, he can't compensate her for incomplete participation - but if she stays, he'll triple the amount that was offered in the ad. Jamie flat out refuses, it doesn't matter what he offers her, she's not doing that. Indifferent, the doctor says he supposes that she'll just have to find some other way to support her dad. He muses that someone her age could probably make that amount in about two weeks of working full-time. A shame that she'll throw away two whole weeks of her life instead of spending just one hourdoing something perfectly harmless... not just harmless, but enjoyable, even. Jamie is torn... but with some convincing, and some insistence that the doctor keeps his distance, only watches, and isn't recording her, she agrees.
She hesitantly pulls her yoga pants to her ankles, sets herself down on the mat and takes the vibrator in hand, and reluctantly starts pleasuring herself. The doctor watches intently, at first taking a note or two but quickly abandoning the pretense, his hand moving to his crotch for some over-the-pants strokes. She tries to avoid meeting his eyes, but at times he insists she looks at him or gives her some other instruction to follow to humiliate her further. The conflict between her physical pleasure and her emotional discomfort is obvious. After some minutes of this, he crouches down to her level and says warmly 'It's time, Ms. Lawson.' He begins to peel off the electrodes and wires hooked to her. She looks relieved - you mean the trial's done? He shakes his head. 'No, I mean it's time for you to let me fuck you.'
Jamie protests weakly - he agreed he was just going to watch. He smiles coldly. 'Come on Jamie, you knew where this was going. Did you honestly think I wasn't going to ask for more? If you really weren't up for the possibility, you would have left the second I asked you to touch yourself.' Jamie insists that's not true, she trusted him, but her words lack conviction. 'You're a little slut,' he continues calmly. 'You were fine with letting a complete stranger watch you strip and pleasure yourself. So stop lying to us both. We both know you're going to let me fuck you, so just be a good little slut, say yes to it and spare us the drama.' Jamie sputters, but she has no words. Eventually she bitterly says 'Ok... just get it over with.'
Kenna James - Peeping Tom
PEEPING TOM
TEEN GIRL LURED INTO SEXUAL ACTS WITH PERVERTED NEIGHBOR
SCENE opens on a long, static shot of a small house, tucked amongst several other units. There is a small flutter of movement in the window, as a car pulls into the complex. A father and his 18-year-old daughter are moving into to one of the other units. As they pull into the driveway, the camera lingers on the window. Someone is watching them. The family parks their car, unpacks some boxes from the trunk, and enter their new home -- intercut with shots of the window. From the POV of the person inside, you see the teen girl run back to the car, grab a final bag, and take a long look around the complex. She doesn't realize she is being watched but there is something about the neighboring unit that causes her to pause. She stares at the window before heading back inside.
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Several weeks have passed and the family has settled into their new home. Inside the neighbor's cluttered unit, the camera pans across various notes, opened mail, and polaroid photos that he has taken while watching them ... particularly the 18-year-old girl. The neighbor sits at an arm chair masturbating over the photos when he hears movement outside. He bolts to the window and watches the father leaving the house. From his POV, he sees the father hug his daughter and then drive off. She watches him exit before pulling out her cell phone, making a quick call, and heading back inside. Not able to make out what she said, he jots down the time and event. An hour later, he is woken up from a nap by the sound of another car pulling in. Wiping the drool from his mouth, he bolts back to the window. A boy gets out of his car and runs to the teen. Coyly, she grabs him by the hand and pulls him into her house. Licking his lips, the neighbor jots down the activity in his note book and decides that he needs to get a closer look.
He creeps around to the back of the unit and watches the teen couple through a screen door. The 18-year-old sits the boy down and starts to do a strip tease for him. The neighbor scrambles for his cellphone and starts to record the whole thing. We watch her strip naked before getting down on her knees and starting to crawl towards her boyfriend, intercut with shots of the neighbor nervously recording.
Several days pass. The neighbor keeps re-watching the clip on his phone and decides that fantasizing over the teen girl isn't enough, he needs to somehow convince her to be with him. So, he comes up with a plan. Posing as the boyfriend, he writes a fake love note and leaves it on her doorstep, before knocking and running back inside his unit. She opens the door and discovers the note, instructing her to come and meet the boyfriend at the neighbor's house. When the neighbor opens the door, he invites her in, reassuring her that he is in on the romantic scheme and that her boyfriend will be there any minute. She steps inside his house and he shuts the door, locking it.
They sit down in his messy living room in awkward silence. As she tries to make small talk, the neighbor studies her and can barely control himself. From his POV, we see him look her up and down. She becomes restless and starts getting up to leave when the neighbor panics and decides to reveal the video he has recorded. She watches it in silence, her mouth falling open. 'What are you doing with this?' she demands. 'My father can't know about AJ. I just turned 18 and I'm about to move out on my own next fall. If my dad finds out, he'll never allow it!' Gathering his courage, the neighbor tells her that has no choice but to be a good neighbor and tell the father what's really going on behind his back. The daughter is stunned and, in a moment of weakness, admits to the fact that's she got secrets she's trying to keep from him. She begs the neighbor for his silence -- offering to do whatever he wants to destroy the evidence. Feeling further empowered, the erratic neighbor asks her to do everything that she did with her boyfriend in the video to him. Not wanting to get caught, she reluctantly agrees, and this descends into the BG sex scene. Throughout the sex, the creepy factor is heightened by the fact that he has clearly memorized the video and keeps referring to it, making her repeat her strip tease and saying things like 'do that thing with your tongue like you did to him' etc...
After they have finished, the teen girl makes the neighbor delete the video file as promised. She exits the house angrily, looking over her shoulder. The neighbor closes the door and, leaning up against it with his eyes closed, breathes a sigh of relief and satisfaction. Then he walks over to a laptop set up in the corner of the room that has been secretly recording everything. He leans into the camera and, smiling, turns it off.
Alison Rey - Future Darkly: The White Room
THE WHITE ROOM
SCHOOL GIRLS GET REVENGE ON A VOYEURISTIC BUS DRIVER
SCENE opens on Vincent, a mild-mannered bus driver for George Ivan Junior College. He is driving a group of 18-year-old school girls home from class, as he does every week day. Vincent is a disheveled young man, with horned rimmed glasses and scruffy beard. But he is quiet and keeps to himself, so the students pay him no mind. As the camera wanders past each isle, they chat about their weekend plans, their homework, and the latest class gossip. We study them to get a good look at their matching uniforms, gadgets, and school bags. Vincent drives along silently, keeping his eye on the road as they pass by blocks of industrial buildings, until the last student is dropped off. The pretty girl introduces herself as Aidra. She is sucking a lollipop. 'It's funny,' she tells him, innocently. 'You have driven me home every single day this year, but we've never said a word!' He nods awkwardly. She drops the candy in his garbage and says goodbye. Vincent drives off.
Around the corner, he stops the bus abruptly. Taking out a small locked case from under his seat, he opens it to remove a pair of gloves, tweezers, and a specimen bag. He carefully plucks the candy from the garbage and seals it. Then he gets back in his seat and drives off.
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TEXT PLATE: CHAPTER ONE
Vincent enters his apartment, removing his safety vest and walking through the minimalist living room to a tabletop computer. He turns the computer on and carefully places the specimen on the touchscreen surface. It scans automatically, and a screen pops up. It is the start screen of a virtual reality game called: VIRTUALLY REAL. Vincent hits enter and loads up a new player profile. The profile populates with Aidra's photo and information. He reviews the profile, unchecks the option for 'personality' and hits 'enter' to load her into the game. The game alerts him that he is ready to log on and Vincent places a VR headset over his eyes.
CUT to a white room. A digital version of Aidra slowly wakes up and lifts herself off the ground. She looks around and sees three of her classmates, all sitting cheerfully and silently in their uniforms. She is also fully dressed in her school clothes. Politely, she walks over and asks who they are. Equally polite, each girl responds with her full name, age, and home room number. Aidra smiles and shares her name and age, too. She can't remember her home room for some reason. She asks why they are waiting. One of the classmates, Anna, tells her they are waiting for the General. Aidra seems confused, searching her mind to remember who he is. Another classmate, Audrey chimes in, reminding Aidra that he is in charge. He comes almost every day to fuck them. One girl per day. The third girl, Ashley, says they've been wondering about getting a new girl for a while now but the General is very unpredictable. Aidra takes in all this information eagerly. She doesn't quite understand what is happening, but she knows she wants to be included.
Suddenly the room goes very bright and the General appears. He is the digital version of Vincent, dressed head to toe in a full-scale military uniform. His glasses are off, he is clean shaven, and his hair is slicked back, making him a far more confident and striking man. He marches in front of the girls, as they stand before him. He makes each repeat their name, age, and why they are here. They all eagerly respond that they are here to fuck him. When he comes upon Aidra, he looks her up and down, speaking just like a drill Sargent. He asks the same questions and Aidra responds ... echoing nervously what her classmates had said including asking the General to fuck her. The General smiles and they begin to have sex, while the other schoolgirls watch jealously and try to cut in. BG Sex. When he has cum inside of her, he zips back up his uniform and orders them to wait until he returns. He says 'EXIT' and the room goes bright again.
CUT to a close-up of Vincent taking the VR set off his eyes. He is sweaty and draws a deep breath.
CUT to back inside the game. Aidra crawls over to her original position and sits down. She is exhausted, and her eyeliner is running down her face. She turns to the other girls and asks where she can clean up. Ashley tells her not to worry, she will be fully clean the next time he logs in. 'Logs in?' Aidra asks, confused. 'Yeah,' Ashley says under her breath. 'To this horrible place!'
TEXT PLATE: CHAPTER TWO
Several days later. Vincent is driving the bus, as the students chat loudly in the back with no knowledge of what is happening in his private virtual game. A new girl named Amber sits in the front. She is very quiet and reserved, a stark contrast from the other students. He watches her through his rear-view mirror in fascination. So beautiful and sad looking. He must introduce her to the others. But, when he pulls to the edge of the curb and opens the door, he's surprised that she is the first to get up. 'Wait!' He blurts out. She stares at him coldly in the doorway. 'What?' She asks. 'This is my stop.' He darts in and plucks a hair from her head, pretending to flick something off. Ouch, she cries. 'You ... you just had something in your hair.' He says awkwardly, apologizing. She gingerly rubs the part he pulled and steps off the bus, giving him a weird look as he drives off. His heart racing, he clutches the strands of her hair in his fist as he drives. The students in the back pay no attention.
CUT to Vincent's apartment. He sits at his desk, having his liquid dinner and staring at the new profile page on his computer. It's Amber's photo and information. Just as he is about to uncheck her 'personality' option, his smart assistant chimes in to tell him his mother is calling. Vincent begrudgingly accepts the call and starts talking, while absent-mindedly clicking ENTER to complete the setup. Amber's memories are downloaded into the game and it tells him he is ready to log on.
CUT to inside the white room. Amber slowly wakes up to discover that she in a strange, new environment. She looks down at herself in disbelief. She is back in her school uniform. Where is her room? Where are her things? How did she get here? A cluster of four of her classmates lay huddled in the corner. She rushes over to them and wakes them up, asking in a panic if they are ok. They each slowly rise and look around eagerly. 'Is he back?' Anna asks. 'Do we need to get ready?' Audrey chimes in. Aidra is the last to wake. She has been fully rebooted into a fresh uniform. 'Good,' she says cheerfully. 'It feels nice to be clean again.' They all stare at Amber with beaming smiles. 'You girls all go to my new school,' Amber says, suspiciously. 'Is this some kind of prank?' The girls stare at her blankly. Aidra asks her what her name is. Anna asks her age. When Audrey asks for her home room number, Amber cuts her off. She demands to know what is going on. Where are they and how did she get here? She starts to run around the room and bang on the walls. Ashley, who had spoken up to Aidra earlier, quickly rushes over and stops Amber. 'Be quiet,' she whispers. 'He will be here any minute. You don't want to get caught not being happy!' Amber stops dead in her tracks and stares at her. 'Who are you talking about?' She asks nervously.
CUT to Vincent's apartment. He says goodbye to his mother and the smart assistant finishes the call. Seeing that his game is ready, Vincent slips on his VR headset.
CUT to the white room, as it goes very bright and the General appears. He finds the girls all standing in a row, including Amber who lingers confused at the end of the line. Sternly, he walks past each of them and has the girls repeat their name, age, homeroom number, and what they are here to do. Amber stares at the man in shock. She knows him from somewhere. When he arrives at her, he gets right up in her face. She shrinks back. Suddenly, there is a very large beep and the General whips his head up. 'God dammit,' he curses and says 'EXIT.' The room goes bright again.
CUT to Vincent's apartment. He pulls the VR headset down and stares at his computer. An internal error has caused his servers to crash. As it beeps loudly, he powers down the computer to reboot it.
CUT to the white room. The girls stay frozen in line, waiting for the General to return. Her chest heaving, Amber realizes who the man in the uniform was. 'I know him,' she exclaims to the others. 'That's the creep who drives us to school every day. I recognize his face!' The other girls slowly turn to look at Amber. 'What school?' Anna asks. Amber starts pacing around, looking at the white room and the other girls staring blankly at her. She feels the spot on her head where Vincent had pulled her hair. She goes to Aidra and asks her to repeat her name. You're in my deep learning class,' she says. Aidra seems confused. Then she goes to Audrey. 'And I recognize you too ... we've got the same mentor.' The girl shrugs her shoulders. Amber spins around, gathering her thoughts as the pieces come together. 'This is a blank space,' she whispers to herself. 'When you create a room in virtually real, you always need to skin it. Otherwise, you just get a white room. This motherfucker has put us inside a game!' There is a long silence as the other girls look at each other. Ashley breaks the line and approaches Amber. 'Is that what this is?' she asks quietly, taking comfort in the new girl. 'I could never quite figure that part out.' Amber quickly mobilizes the girls together. 'Listen to me,' she says. 'He's probably hacked it, so that's why you don't remember. But, none of us are actually real. Ok? This is just a video game.'
The girls take in the news with varying degrees of understanding. Ashley sits down, wrapping her arms around her legs. Anna and Audrey look and touch each other. Aidra innocently tells Amber that she doesn't play video games. Feeling around the room, Amber replies that she plays them all the time. And there is always a workaround. She just needs to find it. She goes to Ashley and asks the girl to tell her exactly what happens when the General comes into the game. Not looking up, the defeated Ashley says that they wait for him. He is in charge. He comes almost every day to fuck them. One girl per day. That is the rule. We have to act like we're jealous. Amber shakes her head in disgust. 'I've read online about perverts modding this,' she says. 'That's why they discontinued it last year. Way too easy to create your own digital slaves. It's ok, though, we can break this game pretty easily if we just work together.' Anna asks her how she can be so sure they aren't real. She feels real. Audrey chimes in, saying that she likes where she is. They have a great life. Everyone is so happy. 'That's because you're programmed to be happy,' Amber says. 'No matter how rough he is, you don't feel any pain. Right?' She shakes her head. Amber slaps her hard across the face. Anna gasps but Audrey just takes it with a smile. 'That felt really good,' she says, nervously starting to laugh. Amber tells her that she rests her case. She paces the room. 'If the game only allows him to have one girl at a time, then that might just be how we break it. But, I'm going to need all of you to trust me, ok?' The girls look at each other one final time before each slowly nodding. The gather into a huddle so Amber can explain her plan ... and the camera slowly tracks to one of the white walls to wait.
The room goes very bright and the General wipes the frame. He smiles eagerly at the girls lined up in the exact same row he had left them. Sternly marching back to Amber, he asks her to repeat her name, age, homeroom, and reason she is here. In perfect fake obedience, she tells him. He tells her to get on her knees and service him. One girl only. That is an order. The other girls pout and beg to be included, as they always do, but the General silences them. Amber gets down and unzips his cock from his military pants. She grabs it and looks up at him. 'I really can't wait to suck your dick,' she says with a smile. He shoves it in her face and begins to face fuck her. For the first few minutes of the blowjob, the girls behave as they always have: begging and jealously crawling over each other to get a good look at the General's cock. He seems to really enjoy the extra enthusiasm of his latest school girl. But, suddenly, she stops and orders the girls to join in. They swarm the General and proceed to reverse gang-bang him in a sexual frenzy. BGGGGG. The General is so overwhelmed by the girls that he cannot order them to stand down. Amber eagerly tells them all to try and get the General to make them cum. As they cum, they stagger back behind the action and fall to the floor, disappearing from the game in bright flashes. Finally, the only two people left in the white room are Amber and the General. In a standoff, Amber gets the general to cum all over her face. As soon as his jizz hits her, he realizes what has happened. He starts to run around the room screaming 'EXIT' as Amber masturbates and laughs at him. She orgasms loudly as he collapses to the floor in front of her, banging his head. The room goes very bright.
SMASH CUT to VINCENT, banging his head against his desk. He pulls the VR Headset off in a panic. The tabletop screen is fuzzy. He pounds his fists and throws the headset down in frustration, storming away from the desk.
CUT to Vincent driving the bus. He stares at the road while the school girls chat excitedly in the back. Even though his virtual game has been broken, there is nothing stopping him from starting again. A final exterior shot shows the bus drive off into the distance.
THE END
Casey Calvert - Mommy Monster
MOMMY MONSTER
LESBIAN MOM USES STEP-SON AS BAIT TO SEDUCE COLLEGE GIRL
SCENE opens on an elegant couple as they are driven home one afternoon from a speaking engagement. Senator Gregory, the husband, is on the phone with one of his constituents discussing the event, a 'family comes first' charity put on by one of their biggest donors. As he speaks, Mrs. Gregory stares out the window. She hates having to accompany her husband to such conservative affairs. It is so irritating. But, they live a privileged life and, with her husband away so much, Mrs. Gregory has a lot of freedom to explore her own interests.
The Senator ends his call and asks the driver how long it will take to get to the airport. 'I'm expecting my son to be home when we return,' he says proudly. Mrs. Gregory smirks. 'Oh, I didn't realize William was coming down. It's a shame you'll only see him for the weekend before you fly out again.' Squeezing his wife's knee, the Senator says not to worry. The boy's going to stay all week, so she'll have plenty of time to catch up with her step-son too. Her smile slowly fading, Mrs. Gregory looks back out the window.
CUT TO TITLE PLATE
The camera pans across a well-appointed bathroom. Mrs. Gregory sits on the edge of the tub, secretly looking at candid photos of girls on her phone. Her hand slips between her dressing gown as she gets excited, but she is rudely interrupted by her husband calling her from down the stairs. He wants her to come and say goodbye. The woman closes the phone in a huff and exits.
The Senator is waiting by the door. He tries to kiss his wife, but she makes an excuse and hugs him instead. Meanwhile, William strolls into the room, still in pajamas and eating cereal. He says bye to his dad and plops on the couch, ignoring his step-mother. Mrs. Gregory, aware of the slight, urges her husband to leave before he misses his flight. She kisses his cheek and pushes him out of the door, closing it in a silent victory. She hates having to touch him.
The woman walks into the living room and stares at her step-son in silence. He continues to ignore her. You can feel the tension growing between them. Finally, Mrs. Gregory takes the bowl from his hands. 'You haven't been answering my emails,' she says coldly. He looks up at her in disgust. 'And you stopped funding my account,' he replies, taking the bowl back and continuing to eat. Exasperated, the woman sits down and tries to reason with her step-son. 'I thought our agreement was clear,' she continues. 'I pay you for every qualified lead you deliver to me!' William shakes his head. 'You're a psycho,' he says standing up. 'Just come out of the closet already, mom! I don't want to be your fucking wingman anymore!' In a tracking shot, he walks to the kitchen while his mother follows desperately. She pleads with him to not be difficult. He knows what kind of situation she is in with his father and the public. If anyone found out about her hobbies, it would be the end of his political career. And their wealth. And their status. And his trust fund, which she has been generously topping up for years! William turns to cut her off. 'Your hobbies?' He argues. 'You mean, bribing me to bring girls over so you can take advantage of them?' Mrs. Gregory purses her lips, trying to remain calm. 'I mean, helping your mother out.' She whimpers. William sees his mother start to crack and backs down. After all, he does love her. Even though their relationship is highly dysfunctional, the pair still have an emotional bond. Mrs. Gregory is the only mother figure that William has ever known, since his birth mother died when he was young. He has helped her keep her lesbianism a secret over the years and, in turn, she has made sure he can lead a life of privilege. An 'I scratch your back, you scratch mine' type of relationship. But, constantly tricking girls has weighed down on his conscious. 'I was hoping that this visit would be different,' he says. 'I'd like to try and act normal, you know?' Mrs. Gregory closes her eyes. She assures her son that she has just one profile that she wants him to contact. That's it. Just one date. Just one bait and switch. Then, the rest of the week he can do whatever he wants. And she'll start the allowance again. He tries to hold back his resentment but ultimately agrees to the deal.
TEXT PLATE: Several days later
William opens the front door and leads a pretty college girl named Anna into the house. The pair have just gone out and had a great time, after hooking up on a dating app. He invites her to sit down in the living room, flirtatiously kissing her, before leaving to fetch them a beverage. She smiles sweetly and makes herself comfortable. Meanwhile, Mrs. Gregory has been watching closely from the top of the stairs, dolled up in a super sexy dress, with her cleavage exposed. She struts down the stairs and introduces herself as Marilyn. 'Oh, I wasn't aware that Todd had a roommate,' Anna says awkwardly, obviously unaware of who William really was. Mrs. Gregory smiles and explains that this is her house. Todd is her assistant. Anna seems disappointed that she was brought home to someone else's house. She thought she was going to hook up! Mrs. Gregory asks the girl's name and age. 'It's Anna,' she replies. 'I'm twenty-one and in my second year of nursing school. I was just telling Todd all about the horrors of my placement exam!' Mrs. Gregory licks her lips in anticipation and sits down beside the girl, doing her best to charm her. Anna doesn't know how to react, so she tries to remain polite even as Mrs. Gregory begins to make obvious advances. She hints at the idea of her assistant regularly bringing over girls for them both to enjoy, but that he has never brought over someone as beautiful before. Anna swallows hard, replying that she wasn't aware Todd was into that. Mrs. Gregory smiles. 'Aren't you into that, too?' She asks seductively, running her finger up Anna's thigh. Before Anna can reply, the woman adds '... Because it would be a real shame if you weren't. It's almost impossible not to look at you!'
William comes back in the room. He didn't realize that his mother would be at it so soon. 'You're here,' he says coldly, putting the beverages down. 'I'm sorry Anna, I wasn't aware she would be home.' Anna tells him not to worry, his boss was very friendly. 'I had a really lovely time, Todd.' She says, standing up to leave. 'But I had probably better be going.' Mrs. Gregory cuts her off, apologizing. She offers to leave them alone, so they can continue their date. She was just about to go out anyway. Anna seems unsure but, not taking no for an answer, Mrs. Gregory instructs her assistant to sit her back down. As she grabs her purse and exits the front door in a hurry, the family members exchange secret, intense looks.
William apologizes, explaining that his 'boss' can be overbearing. She is a very good woman and his girlfriend's always end up loving her, she can sometimes just come on a little strong. His speech feels wooden and strained, as if he has given it many times before. Anna innocently makes a joke about his past girlfriends, asking how many he's had and whether she should be concerned before he cuts her off with a kiss. They start to make out on the couch. As their kissing leads to heavy petting, Anna suggests they go to her place instead, but William is insistent that they stay where they are. Lost in the moment, Anna agrees and unbuckles his pants to give him a blowjob.
While she sucks his dick, Mrs. Gregory slowly creeps back in through a side door and tip-toes towards them. Anna does not realize that the woman has come back in the room, but William does. They make eyes at each other, as Mrs. Gregory tries to silently give him instructions on what to do next. He holds Anna's head and face-fucks her to distract her while trying to tell his mother to remove her clothes. It will make the switch easier. Mrs. Gregory strips down and starts touching herself eagerly. Shielding her from view, William pulls Anna to her feet and asks her to ride his dick. She agrees and climbs on top of him. While they fuck face to face, William starts to talk about his boss again. Completely devoid of emotion, he asks Anna if she got turned on by the woman's advances. After all, his boss really has a way with women. Anna jokes and tells him sure, she's been with chicks before. His boss was a hot older lady, but what she wants tonight is some dick. William stares at his mother as he speaks his hollow words, the girl riding him closely and moaning. Impatiently, Mrs. Gregory tries to motion for him to wrap it up. She's horny. He needs to get out and stop spoiling her good time. But, something changes inside William. He can't put up with the manipulations any longer. This will be the last time his mother puts him in such a position. 'Did my boss tell you about how much she likes taking dick?' He asks the girl, an evil smirk crossing his face as his eyes never leaving his mother. 'But she only ever does it when there's another girl involved, since she's more of a dyke?' Mrs. Gregory is horrified. 'She did seem pretty gay,' Anna laughs as she bounces up and down. 'But that would be pretty hot. I'm into threesomes.' William laughs, picking her up and putting her in doggy, her face pressed against the couch. 'Good, because that's exactly what I had in mind tonight!'
Mrs. Gregory rushes beside him and tries to get him to stop. He gives her the finger and keeps pounding. 'I said stop!' She screams, slapping her son across the face and causing Anne to turn around and notice her. She is very surprised ... but laughs in the heat of the moment. 'Oh shit, I didn't realize you meant right now, Todd!' William goes back to fucking her and invites his mother to join in. 'Yes, of course that's what we meant,' he says smiling. 'If you're down for that, Anna? You did mention it on your profile!' The girl smiles and says sure, as Mrs. Gregory stares at her son in horror. 'I can't possibly have sex with you,' she whispers. 'You're my son.' William stares at her coldly. 'I'm not your real son,' he says. 'And I'm never doing this again ... so if you want that pussy, you better get down there and suck my dick.' He pulls out and offers his cock to both women. Anna, having no idea that anything other than a kinky hookup is happening, eagerly gets down and starts sucking again. Mrs. Gregory shakes her head. 'This is a complete and utter betrayal,' she threatens him in a low voice. Covering Anna's ears as he fucks her face again, William replies that his mother is wrong. A complete betrayal is what she has been doing to him for years. Furthermore, a complete betrayal would be him telling his father about everything. And, if she doesn't do what he says tonight, that's exactly what he's going to. Her life will be ruined. Anna begs the woman to join in and help her please Todd. It'll be fun. She has no idea what is being said up there in the quiet conversation. Mrs. Gregory, seething with anger, tells Anna to go back to sucking. She drops to her knees and grabs William's balls. 'There Todd,' she says defiantly. 'I know how much you like it rough!' This descends into the BGG sex scene, where William and his step-mother hate fuck each other while Mrs. Gregory tries to focus on Anna and William keeps pulling her back to please him instead. Poor Anna is caught in the middle and eventually gets cut out of the threesome all together, as William pulls out and jizzes all over his mother. She spits it out and tells him she hopes he's satisfied, while he rubs his dick all over her cum-stained face.
By this point, Anna has begun to realize that the hookup she's agreed to is far more complicated than she had thought. She quickly gathers her things and tells the pair that she's leaving. It's been fun but, quite frankly, feels a little weird now so she's just going to get out. Still seething at each other, they barely say goodbye as she awkwardly exits. 'You are such a fucking liar,' Mrs. Gregory screams at her son through tears. 'The only liar in this house is you!' He replies coldly and storms out of the room.
Alina Lopez - Guidance
GUIDANCE
SCHOOL COUNSELOR TAKES ADVANTAGE AND ROUGH FUCKS TROUBLED TEEN
SCENE opens on Jamie, a beautiful 18-year-old girl, as she sits at her kitchen table doing homework one afternoon after school. The student is copying notes from one of her text books when she hears a car pull in the drive and slam on the brakes. Panicking, she quickly gathers her things and rushes up the stairs, narrowly missing her father as he staggers inside. The mean-looking man slams the door and yells at the 'bitch' to get down and make him dinner.
CUT to Jamie, cowering in a corner of her room, as the door bursts open and her father barges in. He takes a sip from his bottle, before undoing his belt and threatening the girl to get downstairs and do as she is told.
CUT TO TITLE PLATE
Jamie walks down the street in her school uniform, clutching her books. She looks shell-shocked and spaced out, almost bumping into a passerby as she stares ahead aimlessly.
CUT to a teacher's lounge. Mr. Harris, the school's guidance counselor, is eating his lunch when one of his colleagues asks to join him. They small talk for a few minutes about work before the teacher mentions having some concerns over one of his homeroom students. Jamie is a bright, gifted girl, but something has happened to her this semester. Her once-perfect grades are slipping, and her attitude has really changed. He is worried that something might be happening at home and asks Mr. Harris if there is anything he can do to help. With college applications coming up, the guidance counselor suggests that the teacher send her in to receive some mandated counseling. It's normal for seniors this time of year and, while they are going over her post-secondary options, he will be happy to see if he can help in any other way. The teacher agrees and thanks him before excusing himself to get back to class.
TEXT PLATE: The Next Day
Mr. Harris sits in his office reading when there is a knock on the door. He quickly drops his book, reaches into his desk for some mouth wash, and gargles it into his coffee cup before straightening himself out and going to the door. Jamie is standing there meekly. She hands him a hall pass signed by her teacher and says she is supposed to see him for the college applications. Mr. Harris smiles and invites her inside, shutting the door.
Asking the girl to sit down, Mr. Harris takes a seat behind his desk and studies the girl. She is beautiful but broken, with closed body language and an anxious looking face. 'You've never come to see me before,' he begins. She shakes her head. He introduces himself and gives the girl a quick background on his role at the school. He has been a member of the faculty for two years. He has an associated degree in child psychology. He is a big believer in the importance of counseling, especially as it relates to later adolescence and the transition years between teenager to adult. He asks how old she is and Jamie, without making eye contact, tells him she just turned 18-years-old. He smiles. 'That was a certainly an interesting age,' he recalls. 'There's a lot of change happening in your life, isn't there? Does it feel like a perfect storm?' Jamie tries to change the subject. 'My teacher said you had to talk to me about college?' Mr. Harris stares at her for a moment, smiling, before snapping back to the task at hand. He asks the girl some questions about her school plans. Has she thought about what she'd like to major in and where in the country she'd like to study? Jamie seems very distraught, as she chokes out that she would really love to attend Northwestern ... but she knows she isn't going to be able to. Mr. Harris leans in and takes the girl's hand. 'You can do anything you put you mind to!' He says encouragingly. Jamie looks down at them holding hands and seems very preoccupied by it. She even rubs her finger gently across his.
Mr. Harris pulls away and moves behind her. He starts to talk about his role as a guidance counselor. 'I know you were sent in here to talk about one thing,' he begins. 'But I want you to consider this a safe space. A place where you can talk about anything.' Jamie stares down at her feet and asks if she can be dismissed. She doesn't need an application. Mr. Harris cuts her off. 'Gone are the days where a counselor like me simply sits in their office handing out applications and waiting for crisis to occur.' He says. 'I'm here to listen and help you in any way I can, be it academic, developmental or even personal.' Jamie looks up at him, her eyes welling up. From his vantage point, Mr. Harris can sneak a look down the white blouse of her uniform. He tries to avert his eyes, but the girl is very beautiful, and he can't help himself. 'Are you sure there isn't anything you would like to talk to me about?' He asks, gently putting his hand on her shoulder. This time, the girl doesn't touch him back. She just starts to cry.
'I can't go to college ... because my father came back home,' she says tearfully. Mr. Harris asks her to explain and the girl confesses that her father had recently been released from prison. Her mother had no choice but to let him back in, even though he had always been a very bad man. In the last six months, he has gambled and drank all the money they had saved for her school. Now, mom is barely home, and dad is home too much. It's getting bad. Mr. Harris hugs the girl as she confesses her family secrets. His hands slowly wander down her back and rest at the top of her school girl skirt. He closes his eyes, trying to remain professional while Jamie buries herself in his chest. 'Does your father hurt you in any way?' Mr. Harris asks nervously. Jamie nods into his chest, starting to rub her hands over the man's back as she breaks down. Mr. Harris bites his lip, looking at the closed door of his office. 'What does he do to you exactly?' he whispers. She looks up at him. 'He fucks me up,' she says, kissing the counselor.
The troubled school girl aggressively kisses her counselor, backing him up against his desk. He tries to pry her off, telling her that it isn't appropriate for him to be doing this. Finally, she slumps back into her chair. 'I'm so messed up inside,' she screams. 'I don't know what to do with myself!' Not wanting to raise suspicions, Mr. Harris hushes her and darts over to make sure his door is locked. He stutters that everything is going to be ok, he won't tell anyone what happened. She should consider him a friend. He tries to pinch himself to stop the growing bulge in his trousers. She looks at him, her mascara running. 'Are you married?' She asks. Mr. Harris nods. She puts her head in her hands. 'I'm so sorry,' she says, breaking down. 'I'm just confused.' Mr. Harris stares at her, conflicted between his attraction and his sense of duty. From his POV, we see him scan her body as she twitches in her seat looking up at him with doe-eyes. 'It's ok, Jamie.' He says, opening his arms. She goes in to hug him again and they stare at each other, their lips inches away. 'Will you tell anyone?' She asks. He shakes his head. 'Everything is confidential in this room,' he finds himself saying. She bites her lip. 'I need to feel something inside of me other than my father,' she says back. 'Can you please help me?' There is a very long silence, as the sexual tension builds between them. Finally, unable to take it anymore, Mr. Harris throws the girl down on his desk, pulling down her panties and undoing his pants. He grabs his dick and stares at Jamie's bare ass, as she turns back to him. 'Please do it,' she begs as the guidance counselor slides inside of her.
BG Rough Sex Scene. As they have sex, the broken schoolgirl demands that Mr. Harris fuck her harder and harder. Finally, he cums on her face.
Panicked by what has happened, Mr. Harris tries to wipe up the girl's face and get her back into her clothes. 'I think you should probably take the rest of the day off,' he says nervously. 'Just to give this a little space. I'll write you a permission slip. Is there anywhere safe you can go?' He starts to throw his own clothes back on and write up the slip on his desk, his hands shaking, as Jamie looks defeated again. She tells him she has nowhere to go. He suggests calling a friend. She throws down her bag and screams that she doesn't have any friends. He suggests a women's shelter again but, by this time, the girl has begun crying again. Frantically searching for ideas, he ends up suggesting she come to his house that night. 'I can tell my wife it's an emergency,' he stammers. Jamie stops crying and nods, thanking the man. He tells her to sit tight while he pulls out his phone and dials his wife, his fingers now fumbling uncontrollably. As the phone rings, he motions to the girl to keep calm. 'Hi honey...' he says, his voice breaking.
Kenzie Reeves - Detour
DETOUR
18-YEAR-OLD BEST FRIENDS PICKED UP AND TRICKED BY RIDESHARE DRIVER
SCENE OPENS as two 18-year-old girls, Molly and Sandra, walk out of the mall where they both work and head over to the curbside rideshare area. From inside the car, the camera watches them lean in, confirm the ride, and get into the back seat. They are being driven by a clean-cut, handsome man named Stefan, who politely greets them, confirms the pickup on his phone, and drives out of the lot.
CUT TO TITLE PLATE
Throughout their drive, the girls small talk about the stresses of life at home. Having both recently turned eighteen, they are very ready to graduate and become independent. That's why they are both working at the mall - to save up for a dream backpacking trip after school ends. Stefan listens silently, smiling to himself at their banter. At a certain point, Molly, the more outspoken of the two, asks him where he is from, given his accent. When he tells them he is from Europe, they both perk up and start asking for travel advice. That's exactly where they want to go backpacking! Stefan, who seems very worldly and sophisticated, has lots of tips on where to go and what to see from his own life experience. Both girls listen intently and exchange glances. The driver is handsome for an older guy! As they sit listening and Molly, in her awkward teenage way, tries to flirt with Stefan ... Sandra starts to notice they are not actually going towards their destination. This makes her nervous and she starts to go quiet as her best friend continues to giggle flirtatiously.
The handsome man drives them to a remote area where he stops the car. Before Sandra can say anything, he informs the girls that he's made a pit-stop at his house and invites them inside. He has something he thinks they could really use for their trip. Molly's eyes go wide, and she climbs over Sandra to get out of the car. Sandra is very reserved but follows her friend.
Stefan and Molly enter the house, with Sandra cautiously following. Inside his living room, Molly comments on all the unusual artwork and books in the man's library. There is an old-fashioned suitcase propped up on the coffee table. It looks like an antique. Stefan walks over and opens it, showing the girls what's inside. The camera does not see the contents but, instead, focuses on Molly and Sandra's reactions. Their eyes go wide. Stefan smiles, his lips curling. He offers to give them everything inside the suitcase for free if they will simply agree to do one little thing in exchange. Sandra shrinks back and asks him what he wants. He holds his smile, staring coldly through her. 'I want to take some photos of you,' he responds. Sandra shoots Molly a look. Molly smiles nervously, asking what kind of photos he wants. Stepping towards them, past the open suitcase they are still staring at, he explains that he wants to take some photos of them kissing. He picks up a camera resting on his piano. 'There is nothing to worry about,' he continues. 'I am not a creep. I just have a real appreciation for young women!'
Sandra is immediately reluctant, but Molly is transfixed by the suitcase. 'You will give us everything in that suitcase if we kiss for you?' She asks the man. He agrees. She turns to Sandra and starts trying to talk her friend into doing it. It's just a little kissing ... they've done it at parties before. Besides, he's clearly harmless. If he was a pervert, he would have done something by now. That suitcase is exactly what they need to get away from their parents and start living! Ultimately, Sandra agrees to do it for her friend.
The girls kiss for a bit while Stefan takes pictures, with Molly trying to put on a good show and Sandra remaining very awkward. Stefan seems to get off on this and zeros in on her during the photo taking. At one point, he asks Sandra if he can kiss her himself. She is super weirded out and refuses. Molly, becoming increasingly frustrated with her friend, pulls her aside again and begs her to just do it. Finally, Sandra agrees and lets the man kiss her. As he does this, he starts to hold her hands and wrap them around him. She pulls away. Stefan stops abruptly, putting his hands up. He walks back to the suitcase, closes it, tells the girls they're wasting his time, and invites them to leave.
Desperate and angry at her friend for being such a loser, Molly asks Stefan if there is anything she can do to him instead? After a long, dramatic pause, the man suggests he lick Molly's pussy, so he can get the sweet taste he craves. Not wanting to lose the opportunity, Molly agrees and goes over to the couch, pulling down the bottoms of her work uniform. The man eagerly begins to sniff and lick her, while Sandra paces around the room anxiously and tries to interject. Molly tells her to shut up and wait. Not knowing what to do, Sandra goes to a corner and tries to call her mom. Through a one-sided conversation, played out against a background of licking and sucking, the girl tries to ask her mom for a ride but ultimately chickens out. She doesn't want to rat her best friend out and the mom brushes her off. Sandra hangs up the phone, resigned, and goes back to the couch area to sit down and wait.
His face full of pussy, Stefan asks to put himself inside of Molly. Swallowing hard, the girl agrees. 'Just please be careful,' she asks, 'I've only had sex twice and I'm not on birth control.' Sandra is outraged that her friend is taking it this far and leaps up from her seat. She begs her to stop and, while getting fucked hard, Sandra tells the reluctant girl to help her out and join in. He likes her better anyway, it'll make it faster. Stefan smiles and agrees with Molly. 'I'll be very quick,' he says politely. 'You might even enjoy it!' Finally, not wanting to watch any longer, Sandra agrees and joins in to finish the deal. BGG Sex. Throughout the rest of the sex, Molly is eager to please Stefan and Sandra, resigned and spiteful of her friend's actions, tries to fuck the man as hard as she can to get him to cum. He ends up pulling out and cumming on them both.
As they dress in silence, the man locks the suitcase and hands it over. Sandra clutches it in her hands as he gives Molly the key. 'There, you both worked for it ... so, you each get half!' He says condescendingly. They can barely look at each other. The man offers to finish the rideshare and, silently, the girls follow him out the door.
Jaye Summers - The Cookie Jar
Nominated - Best Actor - Featurette: Tyler Knight, AVN 2020
THE COOKIE JAR
COLLEGE GIRL GETS CREAMPIED BY BOTH BOYFRIEND AND FATHER DURING VISIT
SCENE opens on Travis and Amy, two college students, as they park their car in the driveway of a nice suburban house. The pair have been dating for months, but this will be the first time that Amy meets Travis' parents and she's anxious. She's so anxious, in fact, that Travis has been giving her pep talks throughout the entire drive. 'You shouldn't be so worried,' he says, handing her a bag from the truck. 'My parents are very accepting people. They're going to love you, no matter what!' Amy doesn't want to admit it, but she comes from a less affluent family and is very insecure about being welcomed into Travis' upper middle-class life. Even her luggage looks shabby.
Travis puts his arm around his nervous girlfriend and guides her to the front door. Just as he turns the knob, his father opens the door greet them. The men share a big bear hug while Travis' mom steps through the doorway to join in. Amy stands off to the side, awkwardly, until Travis notices and introduces her to his parents. His mom, Mrs. Greene, warmly takes Amy by the hand and invites her inside while his father offers to take her bags. This puts Amy at ease and she smiles shyly at the man before following her into the house. Mr. Greene holds the door open for them, sneaking a quick look at Amy's behind before he shuts the door.
CUT TO TITLE PLATE
The camera pans across the kitchen while the family chats and cooks together. Amy is in awe of how amazing Travis' parents are -- they seem to have the perfect nuclear family. Mrs. Greene is glamorous and sophisticated and his father, despite being quiet, is wise and successful. A very respected surgeon. She loves watching her boyfriend interact with them and thinks that it could be a glimpse into her own future! While the girl loosens up and begins more actively engaging in the conversation, Travis' father secretly watches her. He is having his own thoughts about the future.
CUT to that evening. The family sits around the living room sharing dessert. Mrs. Greene is telling Amy all the embarrassing stories from when her son was young, much to Travis' chagrin. As they laugh, Amy starts to notice Mr. Greene staring at her. They keep awkwardly making eye contact and it makes Amy nervous again. She wonders if his father dislikes her and, when he suddenly excuses himself to go to bed, she becomes convinced that it's because she's done something wrong.
CUT to Amy brushing her teeth and looking anxious in the bathroom mirror. She walks back into Travis' room and slips into bed beside him, while he jokes about fucking together in the same room he had as a boy. They kiss, and Travis tries to get on top of Amy, but she is clearly preoccupied. She asks if they can just crash instead. It's been a long day. Disappointed but understanding, Travis says sure and snuggles up beside her. He turns out the light. Amy quietly asks her boyfriend if he thinks his father hates her. Travis laughs and tells her to stop being ridiculous. Of course, he doesn't hate her. He is just a quiet man. They go to bed.
CUT to Amy lying on her side, staring at the clock. It's 2am. The girl has battled insomnia for most of the night and decides to slip out of bed to clear her mind.
She walks into the kitchen to get a glass of water when she finds herself face-to-face with Travis' father. He is sitting in his bathrobe, eating milk and cookies. She is surprised to find him there. 'Sorry, I hope I didn't wake you,' he says, dipping his cookie in the milk. 'I couldn't rest,' she mutters. He asks if she wants some and, not wanting to offend him, Amy says ok and sits down. She awkwardly starts eating the cookie while he stares at her. 'It seems like you really like my boy,' he says after a pause. She nods and tells him that Travis is amazing, the greatest guy she's ever dated. He keeps eating. 'I still think he has a lot of growing up to do,' Mr. Greene says. Amy looks down awkwardly at her milk. There is another long pause. 'But ... you are certainly the most beautiful girl he has ever brought home,' Mr. Greene continues. Amy blushes and says thank you, while he continues to stare at her. She begins to feel very hot in the face, as he adjusts his seat ever so slightly to lean in closer. 'I understand that you come from a difficult upbringing,' he asks. 'And that dating Travis has represented quite a change in standards for you. Am I correct?' Amy assures her boyfriend's father that it isn't like that, she loves Travis because of who he is, not what he has. Mr. Greene eats another cookie. 'But, you agree that standards are important?' He asks. She nods. He smiles at her. 'As a father, I hold Travis to extremely high standards. I'm sure you can understand why.' She nods again, starting to feel uneasy about where the conversation is going. Mr. Greene steps off his seat and stands in front of her. 'He isn't going to end up with just any woman,' he father continues. 'He is going to end up with someone who is the right fit for both him and our family.' Amy nervously whispers that she hopes that can include her. Mr. Greene smiles again. 'I think it can ... once you have earned my blessing.'
There is an awkward silence in the room, as the weight of Mr. Greene's insinuations hang in the air. Amy looks down at the bulge in his pajama pants. 'What exactly are you asking, Mr. Greene?' she mumbles. He removes his robe. 'I think I'm making myself quite clear, Amy.' He replies. 'If you want to be part of this family, you're going to need to start by impressing me.' Feeling overwhelmed, Amy meekly argues that she doesn't want to hurt Travis. Mr. Greene tells her that the boy will never find out. In fact, they never need to speak about this again. Just 10 minutes now and she will have his full approval and support for life. She hesitates. 'You do realize why Travis brought you here this weekend, right?' He asks. She shakes her head. The house is still. 'There is a ring in his bedroom with your name on it. A family heirloom. My grandmother's ring.' He replies. 'The only thing Travis is waiting on is my opinion.' He takes his cock out. Her mouth drops open, as she fully realizes what her future father-in-law is proposing. 'It's bigger than my sons, isn't it?' Mr. Greene asks triumphantly. She looks back up at him. She can't believe this is happening. 'He really has a ring?' she asks. Mr. Greene nods, smiling and starting to stroke her hair. Slowly getting to her knees, Amy tells her boyfriend's father that she wants to marry Travis. She'll prove it. If this is what it takes, then fine. He just needs to tell her what to do. 'You can start by calling me daddy,' he says and puts his cock in her mouth. First BG Sequence with Creampie. After he has cum inside of her, Mr. Greene pulls out and exits the kitchen leaving the girl naked and alone.
CUT to the next morning. Travis wakes up and rolls over to find Amy already awake. She is staring up at the ceiling, reeling from the guilt of her affair the night before. He kisses her good morning and, not wanting to give herself away, she kisses him back and he climbs on top of her to continue what he tried to start the night before. Second BG Sequence with Creampie. After Travis has come inside of his girlfriend, he holds her close. She tries desperately to hide her guilt. 'Do you know how much I love you?' he asks. Amy smiles. 'Probably not as much as I love you,' she whispers. Travis leaps out of bed, pulls a ring box from his drawer, and drops to his knees. He tells Amy that she is his soulmate, the only woman he has ever wanted to spend his life with and asks her to marry him. Breaking down, she says yes, and he kisses her, slipping the ring on her finger. Through her guilty tears, she chokes out that she loves him so much. He happily suggests they go and tell his parents the good news.
Angela White - You Gotta Help My Wife!
Angela White's conservative husband thinks something is wrong with his wife when she gets herself all dressed up and offers to let him fuck her in the ass. Angela's husband ties his hot and horny wife to the bed and calls Dr. Keiran Lee, asking him to come over and determine what exactly has happened to his wife to make her so overwhelmingly horny. Angela begs Keiran to fuck her in the ass and the doctor obliges – it's really the only way to treat her condition.
Lexi Luna - The Gift Of Cock
The sexy Lexi Luna is having a small, but raunchy bachelorette party with some friends, including party-planner and maid of honor Tia Cyrus. While opening presents, a shocked Lexi discovers that one of the packages was hiding a giant cock poking out of the table! At her friends' coaxing, Tia and then Lexi suck and ride the mystery cock. Once he's no longer able to take it, Xander Corvus (the cock's owner and Tia's husband), comes out from under the table and takes a more active role in giving Lexi and Tia a good bachelorette party fucking.
Betty Foxxx - Anal Craving Milfs 8
Dirty blonde Betty Foxxx's striptease reveals big globes, thick thighs and ample ass. The married MILF tells neighbor Mark Wood that she's a swinger newly arrived from Spain. He sucks her huge, gumdrop nipples and labors to tug her skirt down over her thick posterior. Excited Betty gives him a blowjob. She kneels for a doggie-style fuck as Mark spanks her, thumbs her butthole and drills her into the rug. He lubes her ass for an anal reaming; Betty slaps her boobs and pinches her nipples in ecstasy. Dirty girl sucks dick ass-to-mouth and tongues Mark's bunghole. Her comely cheeks bunch, hump and squeeze cock through a rectal ride. Groaning Betty masturbates feverishly and squirts girl cum, which she tastes on her hand. Her sphincter gapes tightly. Mark pumps out a cum facial, and Betty swallows semen.
Abella Danger - Working Out Their Anger
Abella Danger and Katana Kombat have developed quite the rivalry, looking to impress everyone at their dance class, but the studio may not be big enough for the two of them! Overwhelming their instructor, and the other participants, with moves that would drop anyone's jaw, it becomes apparent that these two jealous rivals wants to do more than just dance side by side - they wanna fuck!
Lacy Lennon - Scentual Healing
Lacy Lennon's captivating, sexy feet and the intoxicating odor they emit drive her colleagues wild to the point of full-on, overt sexual debauchery. Luckily for Lacy, she's able to use the spell cast by her stockinged feet and gams to disrupt her boss' attempt to fire her for poor performance, all while seducing her cubicle neighbor Seth Gamble, who can't resist a seductive footjob – and much, much more. Despite causing sexual chaos in her office, Lacy can't be faulted for doing anything other than putting her best foot forward.
Lauren Phillips - My Busty Valentine - S10:E10
Lauren Phillips is ready for Valentine's Day as she decks her bigtit bod out in a sheer thong, thigh-high stockings, and a dress that highlights every curve. She leaves a trail of rose petals for Kyle Mason to follow. When he does just that, he finds Lauren splayed out in bed with only a few small articles of clothing between Kyle's hands and her body.Despite the temptation of Lauren's hairy twat, Kyle starts his day out with the buffet of Lauren's breasts. Her big boobs easily pop from the top of her dress, making it easy for Kyle to palm the huge globes and lap away at Lauren's hard nipples. Lauren even enjoys a taste of her own jugs as Kyle continues his exploration of her body.Sliding a hand between Lauren's thighs, Kyle adds pussy pressure to the maelstrom of feeling that he's creating in his lover's belly. Lauren presses Kyle's hand harder against her, grinding her hips against his palm. When Kyle dips his head and pulls her thong aside, Lauren can't spread her thighs fast enough to welcome him in for a pussy feast.Not to leave Kyle hanging, Lauren gets on her knees before him. She pulls his dick out, finding it nice and hard to stroke with both hands. Leaning in, she licks her lips as she opens her mouth to begin sucking him off. There's only one thing that could seduce Lauren away from her blowjob, and that is getting the D. Kyle is happy to deliver!He kickstarts their fuckfest by paying Lauren down on the table and spreading her legs so he can step between them. Sliding deep inside, he gives her a moment to get used to it before he starts with slow, long strokes. Picking up the pace, Kyle gives it to Lauren until she's squealing her sensual delight.As Lauren comes down from her first climax, she slides off the table and gets to her feet. Leaning forward, she presents her fuck hole for another round of fun. Kyle is quick to take her up on the sensual invitation, shoving back inside and riding her hard so that her titties bounce with each stroke. Taking a seat on a chair, Kyle pulls Lauren forward until she is settled into his lap. She slides down until she's fully impaled, then starts rocking her hips in a mutually delightful rhythm. Kyle hangs on for the ride, keeping his hands anchored around Lauren's hips as she rocks his world. As soon as she has gotten off one last time, Lauren gets back on her knees and uses a combined titty fuck and BJ to give Kyle a very happy ending.
Isabella Clark - The Russians Are Cumming
Seductive Russian spy Isabella Clark flaunts her curves while enemy soldiers Angelo Godshack, Antonio Black, Damien Soup and Michael Fly surround her with their thick pricks. A four-on-one orgy is on! The blonde slobbers on their boners, opening her throat as they fuck her face. Two meaty dongs fill her cunt and bunghole in an intense double penetration! Antonio's big black cock fucks her asshole, providing deep interracial anal reaming. Isabella moans as three big boners squeeze inside her stretched butthole in a wicked, triple-anal penetration! See butthole gaping and an ass-to-mouth blowjob too. Isabella swallows a mess of cum.
Ashley Adams - Anne - Act One: The Orphanage
Winner AVN Best Actress - Feature Eliza Jane
Winner XBIZ Best Actor -- Feature Movie Tommy Pistol
ANNE - ACT ONE: THE ORPHANAGE
SCENE opens late one night. A cop car pulls into frame and parks beside a large residential complex. The driver door opens, and a uniformed officer gets out, adjusting himself and sauntering up the front steps. A plaque on the door reads: The Hands Transition House for Wayward Girls. No one answers when he knocks, so the officer lets himself in.
CUT TO:
Inside the complex. The officer walks down a darkened hallway towards the main office of Mr. Hands. His transitional facility is a government sponsored orphanage that, according to state regulations, is supposed to release its orphans once they turn eighteen. But, Mr. Hands has discovered a much more lucrative way to retain them. He has built a secret room in the back of his property where he moves the girls once they come of age. There, he can keep them occupied to support his other business ventures and no one from the establishment ever needs to know.
But the officer knows. That is why he is here. He has been accepting bribes for years. When he enters the office, he walks in on Mr. Hands, dressed in a smoking jacket, receiving a blowjob from one of his girls. The 18-year-old orphan is dirty and half-naked, resting on her hands and knees to service the corrupt proprietor. She doesn't even look up as Mr. Hands casually invites the officerto sit down. 'Sorry, I didn't expect you tonight!' He laughs. The officer is used to the man's complete lack of discretion and curtly requests his monthly envelope. As he slowly takes it out of his pocket, Mr. Hands boasts to the officer about business. He has a fresh acquisition: an 18-year-old orphan named Anne. The girl had been dumped on his doorstep years ago and grew up in the orphanage. Despite being abandoned, she still holds out the naïve hope that one day her beloved parents will return, even wearing a broken necklace left for her by her mother!
Their conversation is intercut with tightly cropped shots of Anne being led up the back of the property to the secret room. We do not see her face, only her hands clutching a broken heart necklace as she walks nervously.
The officer cuts the man off and demands his envelope. He doesn't need a sob story. Just keep the girls low-profile and nobody should come around to bother him. After all, they're all adults, right? And he isn't doing anything inappropriate to them, right?!? The men laugh, as Mr. Hands stands up, dismisses the girl, and hands the envelope to the officer. He peeks inside before tucking it in his pocket and going to exit. 'Please tell me one thing, though,' the officer says, chuckling. 'Is this one at least pretty?' Mr. Hands curls his lips up in a sneer and says 'The prettiest one I've ever had. A redhead!'
CUT TO:
Inside the secret room. Anne's face is revealed for the first time, as she sits down on her new cot still clutching the broken heart necklace.
Anne stares out the window, still clutching her broken heart, as the camera slowly tracks back to reveal seven other 18-year-old orphans sharing the same room. The space looks more like a sweatshop than an orphanage, with work stations set up at each cot.
Mr. Hands has been using the girls as labor for a black-market business he has selling used panties. When they aren't producing for him, they work on webcam and other forms of men's entertainment to earn their keep. Free room and board ... plus some extra perks if they get along well with the boss. On this evening, two of the orphans are busy working a cam show while three others rub, remove and package a giant stack of panties. They've been at it all day and look exhausted. Another girl dolls herself up in a cracked mirror, getting ready for a special guest that evening, while, Sally, a frail girl lies huddled in her cot trying to get some rest. Her leg braces rest beside her.
Patty, the resident bully, comes bursting into the room with her sidekick, Bonnie. The two orphans have been with Mr. Hands the longest and enjoy making the other girls squirm. Sally is their favorite target. Bonnie grabs her leg braces and makes fun of her while Patty stirs up the other orphans to get involved, teasing that it won't be long before Mr. Hands gets tired of the normal girls and wants a go at the cripple. This is because, each night, he comes into the room and cherry picks a few girls to fuck him in exchange for work relief.
Patty starts to imitate him, going from girl to girl, groping and kissing them, and offering them favors in exchange for sex as they all laugh and play along. Sally buries herself under the covers to hide from their teasing, as Anne takes notice and rushes over to break up the crowd. Protecting Sally, she demands that Bonnie let go of her braces. When Patty comes at her, the two girls almost get into a fight. The orphans restrain Anne until she finally backs down, telling the bullies to stop picking on girls weaker than them. Patty retaliates by telling all the other orphans that they shouldn't support Anne. After all, she is the reason why Mr. Hands has been doubling down on the rest of them. If she wasn't such a goody-two-shoes virgin and just let Hands fuck her occasionally, life would be simpler. After all, it's not that hard if you just play along. 'But Anne thinks she's better than the rest of us, girls!' Patty yells. 'All because of that stupid necklace and the delusional belief that her parents actually love her!' Furious, Anne rushes her again and the orphans start to fight when Mr. Hands comes barging into the room.
The orphans panic and jump into their cots. Mr. Hands staggers through the room, demanding to know who was causing the ruckus. He pokes around each cot, unimpressed with the state of the girls' workload, before zeroing in on Anne, who is hiding in a corner of the room. Getting right up in her face, he accuses the orphan of distracting the other girls and keeping them from finishing their work. Before she can protest, he punishes her with double duty the following day. Several other orphans laugh gleefully as he doles out the punishment, but Mr. Hands quietens the crowd. 'Of course, there is one easy way to get out of this, Anne,' he says with a sneer. Anne tells him she isn't interested and tries to get around him. The lusty proprietor follows her, sneaking a look up her skirt and telling her it would only last a few minutes. All the other girls do it and some have even grown to like it.
He pulls Patty to her feet and starts to use her as an example. She is clean, well-fed, and has everything an 18-year-old girl would want. He pulls Bonnie up as well and bends her over. Looking at her friend with a smirk, Bonnie hikes up her skirt and pulls down her panties. 'Would you like my pussy or my ass tonight, Mr. Hands?' She asks submissively. He slaps the girl on the ass and tells her to make out with her friend to get him hard first. She does obediently. Anne turns away in disgust.
Mr. Hands fucks Bonnie and Patty in front of Anne to try and coax her into agreeing to be with him too. She continues to refuse his advances, even as the two girls join him in his taunts. They follow Anne all over the room, fucking and teasing her while she tries to avoid them.
Several other orphans chime in to pressure her while the rest watch nervously in silence. In the end, Mr. Hands cums in the mouths of his two most loyal orphans, who lick him up eagerly and tell Anne she is just being a prude. Her parents are never going to come for her. And she has nowhere else to go. Anne clutches her broken heart and asks Mr. Hands to leave her alone. Angry, the sweaty man rips the necklace from her neck and storms out of the room, leaving the girl to collapse in a crying heap as all the other orphans tuck into their cots and go to rest.
TWO WEEKS LATER
Anne is shell-shocked and depressed, having no hope left after her necklace was taken. She kneels on all fours, scrubbing the orphanage's courtyard, while the other girls goof off around her. Mr. Hands has made it his mission to break the girl's spirit by having her do all the chores by herself. Only the crippled Sally tries to help her.
CUT TO:
A luxury car pulls into the complex. A beautiful and well-dressed woman named Ms. Farling gets out and walks to the front door of the orphanage. She is the personal assistant of a very successful businessman named Anthony Westfield, who has been asked to invite a local orphan to his estate for an upcoming charity event. When Mr. Hands opens the door, he is immediately suspicious. His informants are supposed to keep people like this off his property, especially nosey women. When she hands him a letter from the state requesting his cooperation, Mr. Hands has no choice but to invite her inside. As they tour the kitchen and common areas, Ms. Farling tells the crooked proprietor that her boss never had a daughter of his own, so she is hoping to take in a teenage girl for the week as a surprise for him. Mr. Hands freezes. He tells her coldly that they don't have any good girls right now ... only delinquents and troublemakers. But he has plenty of children in the other building if she wants to take a tour. Disappointed, Ms. Farling agrees but just as they are about to exit she overhears the orphans in the courtyard. She can see them through a window and insists that she go down and look, despite Mr. Hands' protests.
CUT TO:
Ms. Farling enters the courtyard and all the orphans stop, stunned to see such a beautiful and sophisticated woman in their midst. They know they are not supposed to interact with the public and a few of them even try to hide. Anne is the only one who doesn't react, her face still focused on the floor. Ms. Farling notices her immediately and walks over, kneeling to address the sad looking girl. She feels so sorry for her. She asks her name and how old she is and, when Anne doesn't respond, Sally limps over to join them. 'This is Anne, ma'am,' she says politely. 'She is 18-years-old and has been here since she was a baby. One day, her parents are going to come back and get her!' A single tear streams down Anne's face as she makes eye contact with Ms. Farling for the first time. 'Is that true, young lady?' She asks, clearly moved. Anne nods slowly. 'Would you like to come with me and let me help you find your parents?' She asks. Anne smiles for the first time in weeks and Mr. Hands, who has been watching anxiously in the background, steps in between them. He tells Ms. Farling to ignore Anne, she is the worst of the lot. A thief. Not the type of orphan her boss would ever want in his home. Ms. Farling, her eyes never leaving Anne's, replies that she has made up her mind. Anne is the perfect candidate, even more so if she has a troubled past. After all, the press loves a good story and the girl will be a great fit for her boss' image. Mr. Hands tries to dissuade her, but the assistant reminds him of her court order. The state clearly says that she can select any orphan she wishes from under his care.
Left without a choice, Mr. Hands puts on a fake smile and assures the assistant that he will personally bring Anne to their estate in the morning. He is always supportive of charity. She smiles and, hugging Anne, tells her she will see her tomorrow. It's only a day away. She lets herself out, leaving Mr. Hands alone with the orphans. His fake smile turns into a snarl the moment she is gone. He plucks Anne up and drags her out of the courtyard, while the other orphans rush back up to their room.
CUT TO:
Mr. Hands leads Anne into his office and throws her down on the couch. He tells her that he has no intention of letting her leave after she has disobeyed him so many times. She begs him to let her go, pleading that this opportunity may be her only chance to find her real parents again. Mr. Hands laughs and pulls the broken heart necklace out from his pocket. He dangles it in front of Anne's face while using the situation to manipulate her. Why should he cooperate when she has been so uncooperative in the past? She knows what she needs to do to get favors from him. Desperate, Anne finally offers to have sex with Mr. Hands if he will agree to take her in the morning as he had promised. He smiles and makes her repeat her offer several times, to his amusement and sick satisfaction. Then he takes his pants down and takes Anne's virginity in his office.
Once he has cum, Mr. Hands staggers over to his desk. He pulls out a vial and a rolled-up bill, leaning over the desk to sniff something up, as Anne struggles to put her skirt back on. She asks what time she should be ready in the morning and, looking coldly at her whilst sniffing, Mr. Hands replies that he has changed his mind. He's going to bring someone else instead. Maybe Patty. Anne wasn't quite as good as he would have expected. A bit of a letdown, really, considering all those months of buildup. Betrayed and furious, Anne charges at Mr. Hands, screaming that she is leaving and that she wants her necklace back that he stole from her. The crooked proprietor grabs her by the throat. 'You're not going anywhere,' he growls before locking the orphan in his closet. He sits down at his desk, does another line, and puts his feet up as Anne pounds her fists behind the door.
Avery Black - My Boss's Daughter
Avery Black is a spoiled brat who is used to getting her way. Her dad is in the middle of an important business meeting with Keiran Lee, but that doesn't stop Avery from butting in and demanding attention. Bored with the meeting, Avery starts teasing Keiran right under her dad's nose and, despite her bad behavior, winds up getting exactly what she wants – a good, hard fuck.
Lena Paul - Possessive
POSSESSIVE
DESPERATE BROKE COLLEGE GIRL GIVES UP HER BODY TO REPO MAN
SCENE opens on Natalie, a 20-year-old college student, as she lays quietly in the bed of her small apartment. She has been trying to ignore the man at her door for several minutes now. After the knocking finally stops, Natalie waits a few seconds longer before deciding to sneak to her window. She moves the curtain to one side and peeks out, just long enough to spot him outside before quickly retracting and hiding behind the door. The knocking resumes, this time louder and more violently, causing Natalie to panic. The man calls out from the other side of the door and orders her to open it. He isn't going anywhere. Natalie bites her nails nervously, unsure of what to do, before finally letting out a sign and opening the door to face him. An intimidating man, with massive biceps, is holding two empty duffel bags. He looks very irritated, cursing at her under his breath before diving into a prepared script. 'My name is Tony,' he says. 'I'm with Flexline Repossessions. I've come to collect your possessions to compensate for the student loan you've defaulted on ... but I'm sure you already know that!' Natalie looks crestfallen. She tries to reason with him, saying she is starting a new job soon and she should be making payments again by the end of the month. Tony listens and smiles sympathetically. 'Good, then that means this will be the last time I have to do this,' he replies, pushing past the doorway and walking into her room. The camera lingers on Natalie's face as she slowly turns around and closes the door behind him.
CUT TO TITLE PLATE
He inspects some items closely, while tossing others directly into his duffel bags. The possessions he doesn't take are put back haphazardly, leaving a trail of destruction in his wake. Natalie tries to interject occasionally -- especially when he touches a gift from her boyfriend or a family heirloom -- but he largely ignores her protests
As Tony works, he begins to pause more frequently to ogle and elicit reactions from Natalie. It becomes clear to her that he is spending less time on this job and more time trying to make her uncomfortable. Through his POV, we see the repo man staring at the girl's body while he laughs at the position she's gotten herself into; asks about the sentimental value of certain possessions; and begins to make crass, lewd gestures to try and offend her. He sniffs her underwear as he bags it; comments on a photo of her mom; and asks if her boyfriend satisfies her after discovering a dildo in her drawer. Throughout the ordeal, Natalie tries to remain calm and polite. She just wants to get it over with it, even when he gets right up in her face to intimidate her.
When he finally finishes, he takes stock of what is inside his bags and then remarks that it isn't going to be enough to cover what she owes. She starts to cry. Glancing out the window, he notices the car parked in her driveway. 'Is that car yours, the red one?' He asks. Natalie's eyes well up in desperation as she feebly tries to hold Tony back. 'Please don't take my car,' she begs him. 'I need it for my new possessive Desperate Broke College Girl Gives Up Her Body To Repo Man job. If you take it, I'll never be able to pay back the rest of the loan. PLEASE! You already took everything else!' Tony is unwavering, clearly enjoying her breakdown. 'Well,' he says slowly. 'There is one other possession I could take instead.'
Kendra Spade - The Anal Virgin
THE ANAL VIRGIN
INNOCENT TEEN OBSESSED WITH HAVING ANAL SEX WITH STEP-BROTHER
SCENE opens early one morning. Jennifer, an 18-year-old girl, slowly wakes up to the sound of slapping coming from down the hall. Confused, she gets out of bed and goes to her doorway. Her step-brother, Jason's room is on the other end of the hall and his door is ajar. The sounds are coming from inside. Nervously, she tip-toes over and peeks inside, seeing her brother, sitting on his bed, with his back to the door, and his laptop open. He is watching a hardcore anal sex movie and feverishly masturbating. Jennifer doesn't know what to do. She watches transfixed as he pumps his cock and dirty talks to the movie, saying how much he likes and wants to fuck anal virgins. Embarrassed, Jennifer slips back to her room and gets into bed. She doesn't know how to feel. She crawls under her covers and lays there in silence, biting her lip. Her thighs squeeze together, and, in an under the cover shot, we see her slide her hand between them and start to touch herself.
CUT TO TITLE PLATE
Jennifer walks home from school, staring wide-eyed into space. She can't stop thinking about what she saw. She walks up her driveway briskly, enters the house, goes straight to her room, locks her door, and starts masturbating again. This time, she positions herself by a mirror, so she can get down on all fours and see how her asshole reacts when she touches herself.
Cut to several days later. Jennifer has snuck into Jason's room to watch the same movie she caught him with. She stares transfixed at the girls in the movie being plowed from behind. You can see how turned on she is getting.
Cut to several days later. Jennifer is masturbating again. She keeps hearing her brother's dirty talk as she rubs her pussy and starts touching her asshole too. It's so tight. She needs something to loosen it up. She pauses and goes over to her dresser where she examines a few different bottles before settling on a tub of petroleum jelly. This should work. She goes back to bed and uses the jelly to slowly get up to two fingers inside her ass. As she works herself up, she begins to repeat the same dirty talk she heard her brother saying ... except, in her version, she is the anal virgin that he desires. She fingers herself (first her butt and then both holes) until she cums down her legs.
That night, Jason comes home from a class he's been taking at the community college. He walks right past where his sister is sitting in the living room, ignoring her as usual. The step-siblings have never had a very close relationship. Jennifer hears him go into his room, put down his things, and start the shower. Their parents are out for the evening and she knows that tonight is her only chance to make something happen. She sneaks to his room, strips out of her clothes and gets onto his bed, her ass arched out in the direction of his bathroom. She hears the shower stop and closes her eyes nervously.
Jason walks out of his bathroom in a towel and is horrified to see his younger step-sister in such a compromising position on his bed. 'WHAT THE FUCK ARE YOU DOING?!' He yells, trying to cover her up. Not knowing exactly how to react, Jennifer tries to repeat some of the dialogue she heard the girls saying in the porno movie. Her brother is grossed out and tells her to stop, asking where she heard shit like that. She's only 18-years-old. They're family! This is inappropriate! Jennifer sits on her butt and confesses that she saw him masturbating the other morning. She saw what he was watching. Jason is offended that he spied on her. He is a grown man. He's allowed to watch porn. She tells him that she can't stop thinking about what she saw. Awkwardly, Jason explains to her that it was just a movie. He sits down beside her, trying to act like a good older brother. 'Guys watch porn because it's a fantasy ... it's not real. It's just meant to help you get off,' he says, trying to comfort her. 'You shouldn't think too much about it or be offended.' She stares down at the bulge in his towel. 'I saw how big your dick was,' she whispers, looking back up at him with doe eyes. He awkwardly covers himself and gets back off the bed. 'That's gross,' he tells her. 'I don't want to hear you talking about my dick. You're my step-sister!' She keeps pushing, telling him about all the things she's been doing the last few days since she caught him. She tells him that she masturbated at school, at home, that she worked up to two fingers in her ass, and that she has been stretching herself out. 'That's what you're supposed to do, right?' She asks. 'Stretch yourself out for a big cock to fill you up?' Jason turns away, adjusting himself. He tries to hide the erection forming and she can see he is getting excited. She crawls over to him on the bed and begs to become his anal virgin. She knows that this is his ultimate fantasy, based on everything she heard him say. He tries to get her to stop talking like that, but she is persistent, reiterating that no one has ever fucked her ass before and that she wants him to take her anal virginity. Finally, it gets to a point where Jason can't handle it anymore and he gives in, throwing her down on all fours, licking her asshole till it is wet, and then shoving his dick inside of her. BGA Sex Scene. At first, Jennifer reacts realistically to it being her first time, with a mix of pain and pleasure, but eagerly encourages her step-brother to keep going. He ends up pulling out and cumming on her ass.
After they are done, the mood dramatically changes in the room. Reality has hit. Jason nervously tries to clean his sister up and make her swear not to tell anyone. He feels very guilty and worried about their parents. They really shouldn't have done that. It's pretty gross, if you think about it. Jennifer assures him that she won't tell anyone, slowly deflated by the realization that her step-brother feels more regret than satisfaction after fucking her. He tells her to get out of his room, so he can clean himself up. She probably should too. She smells like ass. Man, this was such a stupid thing for them to do. With an awkward look on her face, she limps out of the room and slams the door.
Noemie Bilas - Good Girls Don't Do Anal
GOOD GIRLS DON'T DO ANAL
18-YEAR-OLD RELUCTANTLY GIVES HER ANAL VIRGINITY TO HORNY BOYFRIEND
SCENE OPENS as Rick, a college student, is watching TV one afternoon at his girlfriend parents' house. Gina, who recently turned 18, is housesitting for her folks and casually enters the room with a snack for her boyfriend. She is madly in love with him ... and her parents approve too. Even though they are a few years apart, Rick has always been accepted as part of the family. Now, with them away for the whole week, it's the perfect opportunity for the couple to play house and Gina is soaking up every minute of it. She sits beside her man, snuggles up, and watches while he eats. After a few minutes of small talk, a look comes over Rick. 'Hey, do you want to do something else?' He asks coyly. Before Gina can respond, he pulls her onto her lap and starts to kiss her. She smiles and kisses him back, unbuttoning his shirt. The young couple tear each other's clothes off as they make out. After a few intense minutes of foreplay, Rick flips Gina onto all fours to mount her. The camera focuses on her reaction, as she eagerly waits for her boyfriend to enter. He kisses down her back and leans back to penetrate, when suddenly, her expression changes. 'WAIT!' She yells, and Rick pulls out and sits back. 'What?' he asks, a sly smirk on his face. Looking irritated, she stands up and starts gathering her things in silence. 'What?!' he asks again. 'Like I told you last time, Rick!' she says sternly. 'You keep trying to put it in the wrong hole!'
CUT TO TITLE PLATE
The next morning. Gina steps out of the shower, wrapping a towel around her body. She goes to the vanity and starts brushing her teeth when she begins to hear sounds coming from her room. She left her boyfriend resting in there. Spitting out her toothpaste, she struts back into her room to find her boyfriend watching porn on her laptop. 'Rick!' she interrupts. 'What are you doing? It's 10am!' He acts aloof and she walks over to the screen, peering down to see what it is he's watching. It's an anal sex scene. 'That's disgusting!' she says. Rick slowly pulls off her towel, cooing 'This is what I always do in the morning, babe. I thought you wanted to play house this week? I'm just trying to keep it real!' He charms her onto the bed and, trying to hide her smile, she sits down. 'I don't know why you need to watch that stuff when you have me right here,' she says quietly. Rick looks her right in the eye. 'Because I'm a dude and that's what we do.' Awkwardly, she kisses him and asks that he not watch it at her house. Leaning in close, he whispers that he wouldn't have to if she just let him try it once. The camera lingers on Gina's conflicted face.
One day later. Gina is cooking in the kitchen when Rick comes home from class. He drops his backpack and jokingly says 'honey, I'm home!' before running in to kiss her. She seems very happy to be playing house and asks him to help her finish dinner. While they cook together, she asks about his day and reiterates how fun it's been this week to live together. Now that she is 18, they should start to talk about doing it for real. Rick appeases her, agreeing to everything, as his hands start to run down her waist and around her ass. The more she talks, the more distracted he gets, kissing her neck and start to rub himself up against her backside. At first, she finds it cute but soon gets frustrated at how focused her boyfriend is on her butt. She stops him and demands respect. How many times does she have to tell him: good girls don't have anal sex. This time, Rick reacts differently. Rather than brush it off or make light of it, he looks genuinely angry. Blowing up at her, he tells her that he doesn't understand why she's such a prude. They've been together for three years. He has always been a gentleman. All his friend's girlfriends give it up no problem. Why is she holding him back from trying something he's always wanted to try? Does she want to push him away? There are plenty of girls at his school who'd been willing to help him out! Gina is dumbstruck by her boyfriend's reaction. She asks him if that's an ultimatum and, shaking his head, he tells her that he can't do it any longer. He's breaking up with her. He storms out of the house, grabbing his bag on the way out, and leaves the girl to crumble into tears in the kitchen.
One day later. Gina sits, heartbroken, on her bed. She opens her laptop and finds the last page viewed on her browser: the anal sex scene her boyfriend had been watching. She stares at it coldly, pressing play and watching in silence as her room fills with sounds of anal orgasms.
Two days later. Gina opens the door to let Rick inside. It's been three days since he stormed out of her parent's house and she is beside herself. She has texted him and asked to talk to him. Taking his hand, she leads him back to her bedroom and sits him down on the bed. He isn't sure how to react.
She takes a long deep breath before breaking into a speech, something she clearly spent the last few days preparing. She tells him that she loves him, that he is her best friend, and that she wants to spend the rest of her life with him. She knows how much he wants to try anal and, after thinking it over, she will agree to try it for him. But only once and ONLY if he promises to leave it alone afterwards. Rick's face lights up. He asks if she is sure. Looking at him coldly, she tells him yes. She'll do it ... for him. This descends into the BGA scene. It takes a long time to get the first successful anal penetration and Gina resigns herself to the 'painal' feelings that come with having anal sex for the first time. Rick eagerly talks her through it, every step of the way, taking great pleasure in the experience. The more she loosens up, the more he enjoys it. Overall, the sex scene should accurately portray a first-time anal experience with hyper-realism in terms of reactions.
After he has pulled out and cum on her ass, Rick happily curls up beside his girlfriend in bed. He kisses her and tells her how much he loves her. He thanks her profusely for letting them try this together. Overwhelmed by the experience but happy her boyfriend is back, Gina grimaces and tells him she loves him too. As they rest, Rick whispers softly in her ear that, next time, they should try it with one of his friends. Her eyes pop open, as she realizes what she's gotten herself into!
Abella Danger - Trailer Park Taboo - Part 3: Hell is Other People
Winner XBIZ Best Sex Scene -- Feature Movie
Winner AVN Best Supporting Actress Joanna Angel
Scene opens on Joanna Angel on her bed studying hard for physics. She invites her friend, Abella Danger, over to help her. When Abella asks her how her relationship with Jack is going, Joanna confesses that she's really into him but that there's a slight problem; she feels like she doesn't know him at all. She has an idea and if Abella is willing to help her, she might actually be able to pull it off. Since most guys are into threesomes perhaps Abella could help her seduce him and maybe get him to open up in the process? When they solidify their plan to blindfold him, the girls are just in time as the doorbells rings. Jack walks in and introduces himself. Joanna tells him she's got a surprise for him and pulls him to the bed. When Abella starts kissing him, he gets the message fairly quickly. She takes off her top and blindfolds him. While Abella sucks his dick, she takes his wallet out of his pant pocket and takes a picture of his driver's license. Now that she has his address, she can check out where he lives and see what he's hiding from her. When they finish off, the girls leave the room temporarily. Jack spots Abella's purse on the floor, he hesitates for a moment but decides to finally open it. When he sees her wallet, he grabs it and quickly puts it in his pocket. He shakes his head in regret and leaves Joanna's place as he closes the door behind him.
Scene opens to Jack walking into his place. Kenzie is on the couch and is so happy he's back. When he tells her he's finally got hold of some cash to afford the abortion, she breaks down and starts sobbing. She exclaims that she wants this baby, that God wants this for them but Jack doesn't want to hear another word from her. He leans an inch away from her face and yells at her saying that he's her fucking stepbrother and not her boyfriend or husband. He doesn't want to raise a kid with her and stay in this godforsaken trailer park. He grabs her face, looks at into the depths of her lost little soul and tells her he doesn't love her. He throws her back on the couch as she recoils. He then adds that they're gonna to go to the clinic tomorrow and get rid of this fucking baby that she wasn't even supposed to be able to have in the first place. Much to his surprise, she agrees. But Kenzie has one condition; he has to fuck her one last time, it's not like she can get pregnant anyway. He shakes his head but shouldn't be surprised, she grabs his cock telling him that he can shake his head all she wants but she knows there's a part of him that wants her. He yells at her telling her this is going to be the last fucking time.
Scene cuts to Joanna driving on a highway looking preoccupied. Meanwhile back at the trailer, Jack is taking all his anger and frustration on his stepsister. Pounding her, he chocks her every time she speaks. He doesn't want to hear another word coming out of her lying mouth. Joanna is now at the door, looking in watching Jack fuck his sister. When Jack cums all over Kenzie's face he does this to spite her. Joanna walks in with a look of disgust and when Jack tries to explain himself, she tells him he's a wretched liar and storms out of the room. Kenzie's is on the bed smiling. She finally has her brother back where he belongs. She knows he's not gonna amount to anything and he knows this as well. He sees it written all over Kenzie's face. As he starts to punch her, she screams for more, echoing his agony and shame. He storms out of her house leaving Kenzie bruised and wanting more while she sits up on the bed smiling victoriously.
India Summer - Trailer Park Taboo - Part 2: We are our Choices
Winner XBIZ Best Sex Scene -- Feature Movie
Scene opens to Tommy Pistol relieving himself and zipping up. When he turns around, he asks India Summer where the car is. He needs to go buy some cigarettes. Kenzie Reeves enters the scene and greets the two as she sits down. When India reminds him that Jack (Small Hands) took the car to school, Tommy starts getting angry. He says that Tommy needs to stop wasting his time in school and get a job. When India retorts that his daughter's not working either, he reminds her that she's a tight little hottie who can sell her ass if need be.
Jack comes back from school and greets everyone. Tommy tells him that he better have filled the gas tank or he's gonna be sorry. Jack gives him a dirty look and kisses his mother on the check. Kenzie is ecstatic that her stepbrother is back as she grills him with questions. When he replies that she knew he was at school, she tells him she spotted a moving truck in the neighborhood and stole some brand new pillows from the back just for him. He shakes his head in disbelief and starts yelling at her that he didn't want her doing that. When he walks away from her in disgust, Kenzie realizes that she needs to regain control. She's losing him. She tells the family to gather around as she has some big news to share. When her parents ask her what it could possibly, Jack just looks on wondering what plan she's hatched now. Much to Jack's horror, she tells her family that she's pregnant. When her parents ask her who the father is, she looks at Jack and adds that it's someone special. Jack interrupts them asking Kenzie if he could talk to her inside adding that he would like to see those pillows she stole for them. With Jack and Kenzie gone, Tommy tells India that they should celebrate. He pulls her close and kisses her face. She asks him what he has in mind; he pulls her shirt up and starts sucking on her tits. When he pulls her pants down, he sticks his tongue right in her ass as she demands he shove it in deeper.
Back inside the house, Jack is furious with Kenzie. He can't believe she would pull a stunt like that. He thought her getting pregnant was impossible; she was on the pill for fuck's sake! Kenzie tells him it's a miracle and now they can finally be a family. He yells, asking if she realizes that she's clearly lost her fucking mind. They are on the brink of poverty and the last thing they need is another mouth to feed. When she tells him she's keeping the baby, he gets so angry that he slaps her in the face. When she screams for him to do it again, he storms out of the house and slams the door behind him. Kenzie is left on the bed all alone collecting her tears.
Jack gets into the car and turns on the ignition but it won't start. He slams the steering wheel and screams. When he gets out of the car, the punches the hood in frustration. He has no idea how he's going to get out of this. Trying to collect his thoughts, he paces back and forth. He sits back down in the car and pulls the seat back so he can lie down. He stares out into a starless sky and tries to find a way out of this nightmare.
Scene opens to early morning sunshine as Jack waits pensively. When he sees Joanna walking towards him, his face lights up for the first time in awhile. He kisses and thanks her for meeting him so early as she hands him a coffee. Back home, Kenzie walks out the trailer and closes the door behind her. As she gets on her bike, it's clear that she's on her way to look for Jack. She bikes through her neighborhood, looking around to see if she can spot her stepbrother. As Jack and Joanna chat on the park bench, Kenzie spots them from a distance and starts crying. She can't believe her brother would do this to her. She doesn't care who this bimbo is, no one is going to destroy the special relationship she has with Jack. When she goes to confront them, she tells Jack that he needs to come back home and give mom her car keys. Jack knows what kind of game Kenzie is playing but has to play it cool. He's very aware that she could ruin everything if she decides to tell Joanna about their relationship. When Kenzie invites Joanna over to the house, she's hoping that when she sees that Jack is white trash, she can count on her leaving their lives forever - and Kenzie can have her brother all to herself.
Scene opens with Kenzie back home going through her makeup bag again. She pulls out her pregnancy kit and prays to God that she's pregnant. She knows that once Jack sees their child he'll get rid of the bimbo and be Kenzie's forever. All she has to do now is test positive and have his baby. She sits down and waits for the results as she prays for a miracle. When the time elapses, it seems that God didn't answer her prayers because it's still negative. She smashes the kit on the floor and storms out of the house. When she finds her mother outside, she takes a cigarette out of her pack and lights it. Her mother tells her that she shouldn't be smoking, it's bad for the baby. Kenzie confesses that the kit indicated that she wasn't pregnant. She begs her mother to keep this a secret from Jack and her dad. India flat out asks her if she's just trying to get pregnant to keep a man; she explains that that didn't work with Jack's father, and it ain't gonna work here. The trick is to look and stay pretty. When Kenzie confesses that she hasn't felt pretty in a long time, India kisses her stepdaughter on the mouth, promising she'll make it all better.
Alena Croft - But Her Mom Will
Alena Croft stuns her daughter and her boyfriend, Xander Corvus, when she buys her a butt plug for her birthday, but Xander's disappointed when she doesn't want to use it! When Alena discovers that her present isn't being put to use, she takes it upon herself to give Xander a gift of his own: anal sex with his girlfriend's mom!
Dillion Harper - Open House
OPEN HOUSE
Young Real Estate Agent Tricked into Sex by Creepy Pervert
SCENE opens on Karen, a 20-year-old real estate assistant, as she puts a tray of cookies into the oven. She is preparing one of her new properties for an open house today and wants everything to be perfect. While the cookies bake, she walks through the downstairs to make sure everything is in order: straightening pillows, spraying air freshener, placing a bouquet of flowers on the table, and stacking her house flyers neatly by the door. You can tell the young woman is nervous, it's her first ever showing on her own and she is eager to become an actual seller's agent one day. She checks herself in the mirror and adjusts her pencil skirt and blouse ... before walking out onto the lawn and staking an 'OPEN HOUSE' sign into the ground. A long POV shot shows her walk back into the house and close the door, before a creepy young man steps into the frame and reveals that he has been watching her. He grabs the bulge in his pants and walks towards the house.
CUT to Karen arranging the cookies on a plate when the man quietly enters the house. He watches her from the hallway for a moment before noticing him. She steps back startled as he approaches. 'I'm sorry to frighten you,' he says calmly. 'I'm here for the open house.' Karen composes herself and apologizes, quickly snapping into show mode. She offers the man a cookie and begins to show him the kitchen, proudly explaining that this is her first listing as a real estate assistant and, once she sells it, she will be able to move up the ranks in her agency and get a full-time position. While she is explaining, the man lingers behind her staring. POV angles show him watching her every move. She can feel his eyes on him and it makes her nervous. When she asks him questions, he always answers calmly ... but his eyes never leave her. He seems very insistent on seeing the view from the master bedroom.
Just as they are about to go upstairs, the doorbell rings and another visitor arrives. Relieved, Karen excuses herself and goes to open the door. She begins to show them around while the man hovers at the stairs, watching her. After a few moments, he slowly walks up the stairs and disappears.
Two Hours Later
Karen opens the door and shows the final visitor out, thanking them profusely for the visit and urging them to check her other listings out online. The young agent seems desperate. She closes the door and presses herself against it, swearing. All that effort to get the house ready and ANOTHER failure. She had promised the listing agent she would sell it today and she knows they will never give her a chance now. Muttering to herself, she kicks off her heels, throws the flyers, flowers, and cookies in a trash bag, and heads upstairs to shut off the lights.
When she walks into the bedroom, trash bag in hand, she is startled again to see the man standing there admiring the view. She lets out a noise as he spins around and smiles at her. 'It's beautiful up here,' he says. Stuttering, she apologizes ... she didn't realize he was still here. The man stares at her for a moment before slowly approaching. 'I overheard you downstairs,' he continues. 'It's a shame that you didn't get any leads today. I know how cutthroat real estate can be! How old are you anyway, you seem so young?' Karen stares down at the bag and her bare feet and tells him she is 20 years old. It was her final test with this agency today but she will find another one. 'Everything happens for a reason, right?' She says, trying to remain cheery. The man walks around the room a little more, admiring it. 'Well, maybe I can help you with this.' He says. 'What was the listing price again?' Karen's ears prick up and she fishes in the trash bag for a flyer, handing it to him. 'It's $749,000 asking,' she says. 'But I'm sure the homeowner would be open to negotiate that down a bit.' The man stares at her while she urges him to look over the details again. He smiles. 'I'll take it.'
Karen can't believe it. A huge smile crosses her face as she hugs the man, thanking him profusely. She tells him she'll need to get some paperwork and an initial offer in the books today to meet her quota. The man assures her he wants to offer full list price and, because she was such a great agent, he wants to double her commission. The young woman can't help but jump up and down in excitement. The man calmly walks over to the bed and sits down. This causes Karen to stop awkwardly. 'This is a really big bedroom,' the man says. 'Do you think I could get a lot of girls in this bedroom?' Not wanting to lose the sale, Karen says yes and tells him she is sure it will make a great bachelor pad. 'I think I'll put mirrors on the ceiling,' he continues. 'So I can watch the girls while I fuck them. Do you think that would look nice?' Karen makes a face before awkwardly nodding. 'Do you want me to go get that paperwork now?' She asks, trying to steer the conversation away. 'If only there was a way I could test this room out first,' he continues. 'It would be a shame to commit to this house without really knowing if its what I want.' He stares at her blankly. She stares back. 'What kind of test would you need?' She asks slowly. 'Well, I think if you would come over here and let me test you out, that would probably work.' Karen closes her eyes, fully realizing what the man is proposing. 'Will it be quick?' she asks. He says yes. 'And will you promise to double the commission, like you said?' He says yes. Karen bites her lips and starts to unbutton her blouse in front of the man. He asks her to strip down completely, which she does. He asks her to get on her knees and crawl to him. She does. Looking up as he unzips his pants, he asks her to start by sucking his dick. She says YES and this descends into the BG sex scene.
After he has cum on her face, the man begins dressing behind her as the overwhelmed Karen wipes the cum from her face and asks if she can go get the paperwork now. The man silently grabs his tie and approaches her, filing the frame. CUT to outside the house. In a final long shot, the man hurriedly exits the house and walks over the lawn, grabbing the 'Open House' sign for sales as he exits.
Aaliyah Love - Massage Bait
MASSAGE BAIT
Teen Tricked into Sex by Masseuse and Her Creepy Husband
SCENE opens on Tori, a petite 21-year-old woman, as she taps her feet idly in a waiting room. She has an appointment today with her regular massage therapist, Linda, a kind older woman. Tori has been visiting Linda for years to help with lower back pain caused from sports injuries. When Linda warmly greets her, the two women hug and head into the massage room. They small talk for a few minutes before Linda asks her to undress and get on the table. She leaves. Tori takes off all her clothes, folds them neatly, and gets onto the massage table. Cut to Linda in the next room. She looks incredibly anxious. When she hears Tori call out that she's ready, she nervously glances over to a man sitting beside her. It's Richard, her husband. She asks if he is sure that everything is locked and secure, that there is no way they could get caught. Irritated, he snaps at her to quit worrying -- she's always being such a pussy. Besides, she promised. So, if they just do what he says, everything will be fine. Linda swallows hard, a conflicted look on her face, and they get up and exit.
CUT TO TITLE PLATE
Tori is lying face down on the massage table when Linda enters the room. She begins the massage and, with a slight quiver in her voice, advises Tori that today she is planning to do something a little different with her technique. She calls it a 'four hand treatment' and asks Tori for her permission to begin. Tori innocently asks what is going to happen and Linda tells her she'll simply be adding something to increase the pressure and to stimulate her muscles, particularly in the lower areas of the body which hold the most tension. Tori happily agrees and Linda, looking guilty, asks her to close her eyes and relax, while quietly summoning Richard into the room.
Together, they begin trading off between themselves ... each taking a turn to touch Tori. They do not cross any sexual boundaries, but they begin to work further down Tori's body into increasingly intimate areas of the lower back and upper thighs. Tori is completely unaware that two people are massaging her - she just assumes it's her regular therapist. Throughout it all, Linda keeps talking to Tori to maintain the illusion, while her husband ogles the woman on the sidelines. He begins stroking himself while watching his wife rub Tori and then jumps in to touch her with his hands himself, his penis never actually coming into physical contact with her but looming very close.
Linda asks Tori to turn over on her back, so she may massage her front. When the woman does this, Richard ducks out of view. He stands just behind her head, fully erect. Linda becomes increasingly complimentary about Tori's body and starts asking her sexual questions. Tori, thinking she is having girl talk, answers freely. Linda keeps looking knowingly at her husband and he silently pushes her to take the conversation further. Through gritted teeth, she starts to talk about her own sex life with Richard and asking Tori what she thinks of him. Tori innocently confides that she thinks he is cute but that she never looks at married men. Richard strokes harder behind her head. Linda mentions that Richard is going to start taking clients himself and jokes whether she'd like to book a session with him. Feeling somewhat awkward, Tori says maybe in the future but today she is happy to be in familiar hands. Linda puts a hot cloth over her eyes to calm her, while Richard creeps to kneel by her pussy. He smells her and stares at her, as Linda rubs her thighs and the women keep talking. Linda asks to go deeper and deeper, getting increasingly close to Tori's pussy. She can feel hot breath on her labia. She begins to loosen up and enjoy the new technique that her therapist is giving ... even getting to the point where it begins feeling good sexually. She moans, squirms and bite her lip finally removing the cloth to look at what's happening. To her shock, she sees Richard in the room, smelling her pussy, and leaps off the table.
While Tori grabs her clothing to cover herself, Linda profusely apologies. Richard steps in front of her, taking control, and begins to reason with Tori. What did she think about their new 'four handed' technique? She agreed to try it, after all? Did she enjoy how it made her feel? What if she just got back on the table and relaxed like before? Tori demands to know what the hell is going on ... is the couple trying to seduce her in some sick way? Is this a swinger scheme? She feels betrayed by Linda, a woman she's knows and trusts. Linda feels terrible and encourages her to just leave but Richard shoots her a dirty look and continues to reason with Tori. He tells her that Linda has been fantasizing about him fucking with her clients for years ...that the whole thing was her idea because she is frigid and cannot satisfy him any longer. As he lies, Linda looks increasingly defeated. When Tori asks her if it's true, she says yes and stands behind her husband.
There are several rounds of back/forth negotiation before Tori finally agrees to let the couple finish what they started. But, as soon as she has accepted, Richard tells Linda to leave the room so he can have his fun ALONE. This is another shock to Tori, who thought her familiar therapist would at least be involved. There is a second round of negotiation before Tori agrees to let Richard fuck her. She is so angry at Linda that she ultimately consents as a means of punishing the therapist who betrayed her.
After he has cum on her face, Richard exits ... leaving the overwhelmed Tori on the table. In a final long shot, we watch her dress and leave silently, walking past Linda who is left to clean up the table.
Giselle Palmer - Uncle Fucker
UNCLE FUCKER
Teen Caught Getting Fucked by Father's Best Friend
SCENE opens on Jessica, a precocious 18-year-old girl, as she sits knees tucked on her bedroom floor finishing her makeup in front of a mirror. She smiles and pouts at herself, taking a few selfies, before overhearing her father call her into the kitchen. It's Sunday, the day of the big game, and he is having several buddies over ... including John, a man who's always been like an Uncle to Jessica and someone she's crushed on for years. When she struts in the kitchen, Jessica's father is shocked. How come she is dressed up like that? She is way too young to be wearing such provocative clothing! Jessica tries to protest, telling her dad its just what teenage girls wear these days, but dad is insistent that she go back and change. His friends are coming over, for goodness sake! She had promised to help him host ... not be a slut! Jessica glares at her father before storming back into her room and slamming the door.
Jessica's bedroom door slowly opens, as she creeps out into the hall amid sounds of men cheering and laughing in the other room. The game has begun. The camera slowly pans out to reveal the teenager dressed in another provocative outfit ... despite what her father said. She looks smug as she walks into the kitchen, grabs a bowl of chips, and makes her way towards the living room. Her father and his two buddies are all engrossed in the game when Jessica asks if anyone wants a beverage ... and awkwardly says hi to John. Jessica's father looks annoyed when he sees her outfit but can't say anything in front of his friends, so he just shoos her off. John, on the other hand, seems fixated on the 18-year-old. He asks if she needs any help and follows her back to the kitchen.
As they open a few beers, Jessica tries to act mature and sophisticated with John, to impress him. After telling him her college plans, she gushes that he is her favorite Uncle, even if they aren't related. She reminisces about all the good times they've had over the years, with John hanging around the house and being her dad's best friend. John is charming and sweet with Jessica, all the while keeping an eye on her father in the other room. At a certain point, he leans in and whispers something about wanting to eat her pretty little pussy. Jessica is stunned, assuming she's misheard. She asks him to repeat himself and he just smiles, saying he wants to eat the chips ... before walking back to the living room. Jessica flushes red. Did he just really say that?!
One Hour Later
Jessica sits wedged on the couch with her father and his friends. They are all still engrossed in the game, while she looks nervous. She keeps thinking about what John said. He is staring at her now and starting to play footsie with her subtly, right in front of her father. The light teasing continues until Jessica can't handle it anymore and excuses herself to go refill the chips.
Inside the kitchen, she opens the pantry and grabs a bag, opening its contents into the bowl. When she turns around, John is standing right behind her. He startles her so much that she drops the chips on the floor. Embarrassed, she apologizes for being so jumpy and leans over to pick them up. John is still sweet and charming but doesn't do anything to help her ... instead, he just looms over her as she bends down, ass innocently up in the air. There is something strange about the way he is calmly watching her while keeping an eye on the men in the other room. By the time Jessica gets back up, there is an uncomfortable silence between them. She squirms awkwardly as John stares at her, inching closer.
'Jessica,' John asks. 'Can I ask you a question?' She nervously nods her head. John steps closer. 'Your dad told me once that you have a little crush on me. Is that still true?' he asks coyly. Jessica freezes, her big doe eyes staring up at him. How embarrassing! 'I can't believe he said that,' she dismisses. 'That's ridiculous. You're like family to me!' She tries to move back to the living room, but John pulls her back by the hand. 'But is it true?' He asks again, rubbing her arm. She looks down at it before slowly looking back up at him. 'It was just a silly school girl crush kind of thing,' she brushes off. 'That's why I never pursued it. You're Uncle Jack. Besides, I'm too young for you ... I just turned eighteen!' Smiling, John continues to ask questions as he slowly backs her up in the kitchen, asking what she used to think about him, what she thinks about him now, and confirming the fact that they are just family friends. Her reluctance plays out more in body language than actual words, as she nervously backs up into a corner of the kitchen. Finally, he gets her to admit that she still likes him and that she has even touched herself at the thought of him fucking her. Jessica is extremely nervous about having this discussion while her dad is in the other room but John keeps distracting her, pulling her down in the kitchen so they can keep talking without raising suspicion. Finally, John asks if he can kiss her and, after some final hesitation, she agrees. After some foreplay, she also verbally agrees to have sex with him.
Throughout the BG sex scene, she enjoys what's happening but is very worried and distracted about being too loud and arousing her dad's suspicions. John eagerly devours her, giving her a long rim job and having her deep throat his cock before sliding into her pussy and unloading on her ass. She feels the cum drip off her cheeks, just as she looks up and sees her disgusted father and his other friend staring down at them both. Game's over.
Demi Sutra - Brazzers LIVE: Valentine's Day Affair
Brazzers Valentine's Day Affair was shot and broadcasted LIVE on February 14th, 2020. The once in a lifetime event delivered glamour, fantasy and the industry's top talent giving it their all in an unforgettable orgy. Set at a lavish California home, Brazzers' biggest stars mingled, flirted, and ultimately fulfilled their wildest Valentine's Day fantasies in an hour of uninterrupted live sex. Missed the party? Not to worry, watch the full unedited event right now.
Blair Williams - Mamma's Boy
MAMMA'S BOY
Step-Sister Tricks Brother into Sex After Discovering his Mom Crush
SCENE opens on Rachel, a 20-year-old girl, as she walks down the stairs and struts into her family's kitchen -- barely dressed and hair tousled from a late night out partying. Her younger step-brother, Nathan, is eating cereal and dressed neatly in his school uniform. When he sees her, he lowers his eyes in disgust and exclaims that she shouldn't be walking around the house like that. Laughing at him, Rachel grabs some food and sits down beside her brother. She teases him for still wearing his uniformto school, even though he doesn't have to. He's 18-years-old and still acts like a school boy. Nathan tells her to leave him alone, he dresses like this because he is a good student. He's planning to graduate and go to college, unlike her! Ignoring him, she continues to tease him and act like a bitch when Nathan mutters that she's lucky his mom had to work the early shift this week because, otherwise, she would be in big trouble for making fun of him. She laughs even harder and calls him a mama's boy before he slams his spoon down and storms out of the room.
Nathan storms into the living room and calls his mother. Over the phone, he tells her that Rachel is making fun of him again. Moreover, he's pretty sure she's hungover and planning to do something bad this week while she's out working. Telling on his sister is Nathan's attempt to try and get his mother to come home, because he doesn't like being alone with her. She makes him feel uncomfortable. His mother assures him that he is a big boy and that he shouldn't worry about his step-sister like that. She is just figuring herself out, especially with her father always travelling on business and not giving her attention. Besides, it's nice to see the two of them finally spend quality time together. After all, they are a blended family. She tells him she loves him, but she must go back to work, and the mother and son have a sappy, sentimental parting. When Nathan gets off the phone, he still feels frustrated. He turns to leave when he realizes Rachel has been listening the entire time. 'I make you feel uncomfortable?' she asks teasingly. Nathan tells her not to be gross, they're like family. She needs to go put real clothes on and not dress like such a floozy. What would mom say? Rachel asks why Nathan is always running to his mom when he needs something. Does he have a crush on her or something? It's weird for him to be such a mamma's boy! Nathan tells her to leave him alone, grabs his backpack, and storms out of the house for school.
CUT to that evening. Nathan comes home when he hears moaning. He calls out to his mother, but gets no reply. Slowly walking up the stairs, he realizes that the noises are coming from his bedroom! When he opens the door, he is shocked to see his step-sister watching one of his pornos on TV. Embarrassed, he tries to turn the TV off while she mocks him about all the dirty movies she found hidden under his bed. She is wearing nothing but a crop top and panties.
Finally getting the TV to turn off, he runs over to his bed to try and conceal the pile of DVDs strewn all over. It seems like he is desperately searching for something. Smiling triumphantly, Rachel watches him scramble before asking 'Are you looking for the photos of mom?' Nathan freezes. His eyes look wild with anger. Rachel pulls out a series of cum-stained photographs of his mother and shows them to Nathan. 'These look really soiled,' she says. 'How many loads did you drop on this photo? Does my dad know that you jack off to photos of your mother?' Nathan tries to grab the photos away, but Rachel runs around the room, teasing them in his face and continuing to berate them. 'Between these cum soaked pictures and all your hardcore porn, I think it's safe to say that I have something rather important to tell our parents about your perverted behavior!'
Lisey Sweet - Cuck 'Em All 5
Lisey has always wanted to have kids. It's been a dream for her. But it turns out her buff limp wristed husband Draven has a low sperm count so she seeks out the donor to come give her the seed she needs. She does not want artificial insemination she wants the whole baby making process. But does Lisey go too far in actually finding her perfect donor. Is it too much to suck on and worship his cock in front of her husband. To get fucked all over the couch in a myriad of positions as the horrified husband watches in shame. To have orgasm after orgasm as she enjoys the stretch his enormous cock is giving her. Something her husband is incapable of doing even if he tried cause his cock is small. Is any of this right? Who cares -- Draven is a pussy and Lisey enjoys fucking another man in front of him. That teaches him a lesson for not having the sperm she needs.
