Latest 'Reluctance' updates from Pornstar Scenes

Haley Reed in 'A Guest In Her Home'

Haley Reed - A Guest In Her Home

A GUEST IN HER HOME
Cowardly Mother Offers Up Reluctant Teen To Angry Boss To Keep Her Job

Brandi (Haley Reed) is tired of her pushover mom, Maureen. She's especially mad today since she got in trouble at school and was sent home early. That in itself is fine by her but now she's stuck sitting around in Maureen's office because Maureen insists on only taking her home after work.

Brandi bickers with her mom, frustrated about the situation and taking jabs wherever she can. Maureen tries to assert herself but Brandi doesn't buy it. She KNOWS her mom is a pushover, which is part of the reason why she can't stand being around Maureen. How can she respect someone who doesn't even respect herself?

In the middle of the fight, Maureen's boss, Ava Best (Tasha Reign), enters the office. Ava immediately likes what she sees and isn't shy about flirting with Brandi right then and there. Brandi is appalled as she looks to her mother for help but is left to fend for herself as Maureen meekly introduces her instead of stopping Ava. Unfortunately, when Ava finds out that they're family and that they've brought family drama into the office, she's NOT pleased and threatens to fire Maureen.

As Maureen starts begging for her job, becoming a sniveling mess, Brandi takes pity on her and tries to stand up for her. Even if they don't see eye-to-eye, she still needs her mom. But once again, Maureen doesn't take responsibility. Instead, to appease her angry boss, she offers to let Ava take Brandi home for the weekend.

As Ava easily takes Maureen up on the offer, Brandi is shocked. How could her mother just GIVE her to some stranger like that to save her own skin??

Brandi begrudgingly agrees to go with Ava, feeling hurt and betrayed. Although she doesn't know it yet, Brandi will have her chance to get revenge on Maureen... and she'll need Ava's help to do it.

Bella Rolland in 'Speak Now Or Forever Hold Your Peace'

Bella Rolland - Speak Now Or Forever Hold Your Peace

SPEAK NOW OR FOREVER HOLD YOUR PEACE
Bride-To-Be Confronted By Brother Of Groom Who Seeks Payback

Natasha (Bella Rolland) is in the passenger seat of a car being driven by Jay (Jessy Jones). Natasha is wearing a wedding gown and looking excited but nervous. Jay is wearing a suit and looks a bit tense, gripping the steering wheel a bit tight. Jay, her fiance's brother, is driving Natasha back to her house since she needs to pick up her grandmother's necklace for the wedding.

Jay soon pulls up to the house. Natasha tells Jay to keep the car running since she'll only be a minute, then climbs out of the car and hurries to the house as best she can in her gown. As Natasha goes into the house, Jay sees that she accidentally left her phone behind in the car. When her fiance calls, Jay declines the call, something snapping in him. He steps out of the car to follow Natasha.

TITLE PLATE

In the house, Natasha is retrieving her grandmother's necklace when she's startled by Jay showing up behind her. Jay helps put on Natasha's necklace, revealing that they were once boyfriend and girlfriend before Natasha got with Jay's brother. The whole act of him putting on the necklace seems increasingly possessive and threatening as Natasha begins to get nervous.

Finally, Jay's jealous rage erupts as he rips the back of Natasha's dress where the zipper is and they have an angry confrontation. Natasha wants Jay to bring her back to the wedding but he refuses. He vents more about how much he resents Natasha and Gavin's relationship and how it should've been HIM she's marrying.

Natasha has had enough and declares that she's leaving. However, Jay insists that he's going to make her married family life complete hell unless she has sex with him to give him closure. Natasha is still stunned by everything but reluctantly agrees so that Jay doesn't ruin her entire future with the family.

It was supposed to be the happiest day of Natasha's life, but Jay's going to make sure it's FAR from happy...

Bridgette B in 'Compromised Principles'

Bridgette B - Compromised Principles

COMPROMISED PRINCIPLES
School Principal Uses Reluctant Teacher To Lure Student Into Sex Trap

SCENE OPENS on a school principal, Principal Vaughn (Bridgette B). She sits at her desk, leafing through a stack of papers. She looks up and we see one of her teachers, Mr. O'Neil (Derrick Pierce) standing at the doorway of the office. Vaughn says she's called O'Neil there because she has a task for him.

'I...um, I'm sorry, but, what do you mean, exactly?' O'Neil asks.

Vaughn grins maliciously.

'I WANT Rebecca Taylor, Mr. O'Neil, and unless you want me to expose your little secret...YOU are going to get her for me.'

CUT TO TITLE

O'Neil is extremely reluctant but, afraid of whatever dirt Vaughn has on him being exposed, he ultimately agrees.

Later that day, O'Neil brings 18-year-old student Rebecca (Brooklyn Gray) to Vaughn's office. Feeling that he's done what was asked of him, O'Neil tries to leave, but Vaughn makes him stay. Even though Rebecca is initially reluctant, Vaughn threatens to mess up her college admissions and she ultimately agrees to do what Vaughn wants, as does O'Neil.

Principal Vaughn smiles with cold satisfaction, demanding that O'Neil take Rebecca's clothes off. Resigned, Mr. O'Neil nods grimly and nervously slips Rebecca's top off, revealing her perky tits.

Compromising O'Neil's principles was even easier than Vaughn thought it would be...

Kit Mercer in 'Mom's Helping Hand'

Kit Mercer - Mom's Helping Hand

MOM'S HELPING HAND
Mom Offers To Help Injured Teen Son Pleasure Himself

SCENE OPENS on 20-year-old Aaron (Codey Steele). He is in bed and opens his eyes after a night of slumber. Both of his arms are in slings and his head is wrapped in a bandage. He tries to reach for a nearby remote but he winces in pain and sighs angrily, looking sad and frustrated.

He looks down at his lap and says 'nnnnh... not again... fuck...'

We see his legs fumble uncomfortably under his sheets as he squirms around a bit - his face looks like he's trying hard to concentrate. We get the sense he may be trying to masturbate but he has to be careful moving his upper body. He tries to move his hands lower but it's clear he can't reach.

In the midst of these attempts, his step-mom Ruth (Kit Mercer) arrives at the door and is about to pop in to say good morning. She notices what he's doing and watches for a moment in shock and a bit of sadness. He doesn't notice that she's there.Finally, Aaron gives up with a desperate cry of frustration. Ruth looks on, a sympathetic expression forming on her face.

When Ruth comes into the room, Aaron snaps at her angrily. He apologizes, explaining that the accident and the injuries have taken their toll on him. Knowing that his anger really comes from his sexual frustration, Ruth offers to give Aaron some sexual release. After some initial reluctance, he agrees.

Aaron lays back, taking a deep breath as Ruth slips her hand under the covers and begins to stroke his cock.

Ruth only wants to give Aaron some relief, but Mom's helping hand is going to have consequences that neither one of them could ever have anticipated...

Savannah Sixx in 'Sacrificial Lamb'

Savannah Sixx - Sacrificial Lamb

SACRIFICIAL LAMB
Tormented Sister Betrays Friend To Satisfy Twisted Brother's Dark Urges

Taylor (Savannah Sixx) is excited to have one last slumber party with her best friend, Megan (Vanessa Sky). They're both soon going away for college and their friendship is sure to change since they won't be able to see each other as often. That's why it's so important to make this a night to remember.

But Megan hasn't been herself awhile now -- not since Luke (Ricky Spanish), Megan's older brother, moved back home. Once they're lounging alone in bed later, Taylor tries to get Megan to open up about what's bothering her but can't seem to get through. Taylor's heartbroken when Megan shuts her out and turns off the light. It's apparently time for bed but Taylor's mind is racing...

Somehow, Taylor finally manages to drift off, although she's later stirred by the feeling of heat against her back. She thinks it's Megan wanting to finally talk but when she rolls over, she comes face-to-face with Luke!

Luke reveals that he's there because Megan threw Taylor under the bus to save her own skin. You see, Luke has certain... urges... and since Megan's his sister, he can't really act on them. Or at least, that's what Megan's hoping, which is why she keeps luring other girls to bed for him.

Taylor can't believe that her best friend would do this to her, although Luke isn't all that surprised. He gives her the chance to bail, but if she does, then he might just have to turn to Megan after all. Although Taylor's betrayed and devastated, she doesn't want Megan to fall into Luke's twisted hands... so she lifts her top to show off her breasts and slowly opens her legs for him.

Mackenzie Moss in 'You Remind Me Of Me'

Mackenzie Moss - You Remind Me Of Me

YOU REMIND ME OF ME
Coach Lures Teen Cheerleader Into Sex With Her And Her Husband

SCENE OPENS on Heather (Cory Chase) welcoming Kelly (Mackenzie Moss) into her home. Kelly seems excited, even a little starstruck to be there. Heather, a well-known former cheerleader, is Kelly's cheerleading coach. She has taken a special interest in Kelly and has invited Kelly there for a last-minute pep talk before an upcoming competition.

Looking at old photos of Heather taken when Heather was 18, the same age Kelly is, they remark how much Kelly looks like Heather when she was younger. This segues into them chatting about the upcoming competition. Heather offers advice to Kelly about being an effective leader and dealing with the pressure of the competition.

At that moment, Heather's husband Donald (Stirling Cooper) wanders in, seemingly by accident. He remarks on how much they look alike and conversation turns to Heather's old uniform, which she gets up to go get.

CUT TO TITLE

As they chat, Heather seems to get an idea: Kelly should put on Heather's old uniform for some fun and innocent photos. Kelly agrees but is shocked when they ask her to change in front of them. Despite her reluctance and growing disquiet, Kelly changes into the cheerleader outfit in front of Donald and Heather as they leer at her.

Donald and Heather take some photos as the atmosphere becomes even creepier. Soon, Heather and Donald reveal their plan: to have a threesome with Kelly. She refuses, but when Heather threatens to kick her off the squad, Kelly ultimately agrees. 'F-Fine, I'll do it,' Kelly says.

This conniving couple will do ANYTHING to get what they want...

Whitney Wright in 'A Betrayal of Trust'

Whitney Wright - A Betrayal of Trust

A BETRAYAL OF TRUST
Teen Lesbian Is Coerced By Girlfriend Into Straight Threesome With Step-Dad

SCENE OPENS on Paige Owens greeting her girlfriend Whitney Wright as Whitney arrives at Paige's house. They instantly giggle and paw at each other as Paige pushes Whitney towards the couch playfully. Whitney jokingly tells Paige to slow down a little - what's the hurry? They have Paige's house to themselves all weekend. Whitney tells Paige she wants to cuddle and talk. Paige looks a bit worried but says sure they can talk.

Whitney asks how things have been since Paige's new step-father Bruce, who is a police officer, moved in a couple of weeks ago. Paige says things have been fine. Whitney seems surprised - Paige was SO upset for WEEKS about her mom's marriage and plans for him to move in, she didn't think Paige would have such a sudden change of heart.

Paige dismisses Whitney's concerns, saying it just took her awhile to get used to since her real dad was such a laid-back guy that she wasn't used to having a disciplinary figure in her life. Paige tries to get the subject back onto sex, pressing her body seductively against Whitney's and kissing her sensually before leading Whitney to her bedroom.

They begin to engage in light foreplay. During one particularly lengthy kiss, Whitney's back is to the doorway to the room, her eyes closed, while Paige is facing it. There at the doorway, mostly hiding around the corner, Bruce (Dick Chibbles) stands peeking into the room to watch them. He is staring hungrily, his face stern and unsmiling. We see Paige's eyeline is directed right at him and they exchange a stare. She does not seem surprised by his presence at all.

The girls slip off each other's shirts as the action gets steamier and starts to lead to sex, with Bruce still watching at the door, as Whitney fingers and eats out Paige. Soon, Paige begins to encourage Whitney to try a dildo. She's reluctant but eventually agrees, even though she still seems a bit weirded out that it's shaped like a dick.

Bruce nods with approval from the doorway as Paige uses the toy on Whitney. She tries to enjoy it, but eventually Whitney finds it too weird and tells Paige to stop, asking WHAT is going on??

Bruce steps out from the shadows and says he can be the one to explain. Whitney is shocked by his sudden appearance, panicking and trying to cover herself up. Bruce explains he is using dirt he has on Paige to coerce her into following his instructions - including luring Whitney here for sex.

Bruce insists on having sex with them both, under the threat of using his authority to get them in trouble if they don't cooperate. Whitney is disgusted at the situation but her girlfriend begs her to agree, and she gives in.

Can Paige and Whitney's relationship withstand this twisted betrayal of trust?

Maya Kendrick in 'Face Your Fears'

Maya Kendrick - Face Your Fears

FACE YOUR FEARS
Twisted Therapist Manipulates Girl Into Public Strap-On DP To Overcome Her Fears

SCENE OPENS to Ella (Maya Kendrick) having a nervous breakdown in front of her therapist (Dana DeArmond). The therapist is not impressed with Ella's behavior and with how little progress they've made during their sessions. She has tried everything but Ella isn't responding and doesn't really seem to be TRYING to get better.

Ella is terrified of the outside world and spends her days in a dark room all alone. She has crippling social anxiety and falls apart at the drop of a hat. She's convinced that if she goes outside, someone will make a pass at her. She's so afraid of being put on the spot, of experiencing anything vaguely sexual, that she chooses to shut herself away to avoid it altogether.

But the therapist has had enough. If Ella's shutting herself away just to avoid a little bit of sexual humiliation, then it's time to bite the bullet. Once she gets Ella to trust her and surrender to her, it's time to go.

A short time later, Ella is horrified as she's brought into a rowdy nightclub. The therapist convinces her that the only way she'll get over her fear of public sexual humiliation is to face it!

Surrounded by hungry, rowdy, masked people, Ella meekly gives herself to the therapist and the therapist's awaiting husband. Is this REALLY going to cure her or has the therapist finally snapped?


Lana Sharapova in 'A Living Hell'

Lana Sharapova - A Living Hell

LIVING HELL
Father And Teacher Conspire Together To Fuck And DP Teen Daughter

Krista (Lana Sharapova) is your typical teenage girl. She's just doing her best to get through high school so that she can go onto bigger and better things. Yet, when she her step-father, Paul (Tommy Gunn), brings home her teacher, Mr. Chambers (Jessy Jones), she has the feeling that something is about to go terribly wrong...

Paul and Mr. Chambers are calm as they sit with her. They explain that she's not in trouble but that there IS something they need to take care of. Krista has turned into a beautiful, young woman, and Paul and Mr. Chambers can no longer hide their lust for her. So, since both of the men are strong influences in both her personal and academic life, it'd be in her best interest if she lets them have a bit of... fun.

Krista is horrified, unable to believe that the two men she trusted most would betray her like this. Although she first turns them down, disgusted beyond words, they up the pressure. If she doesn't give into their twisted fantasies, they will destroy her life and she will have nowhere to go.

Once Paul and Mr. Chambers stand in front of her, pulling their cocks out of their pants as invitation, Krista knows what she has to do...

Alex Coal in 'Swapping Girlfriends'

Alex Coal - Swapping Girlfriends

SWAPPING GIRLFRIENDS
Woman Is Shocked To Find Her Boyfriend Has Traded Her To His Brother

April (Alex Coal) is NOT thrilled with the weekend trip her boyfriend, Andy, has planned. The thing is, they're visiting Andy's brother, Pete (Logan Pierce), who gives April the creeps. Even though Pete already has a girlfriend, April is sure that Pete is lusting for HER. Unfortunately, Andy thinks that April is overreacting and that Pete is a bit weird, sure, but harmless.

Once they arrive, Pete greets them at the door. Even though he knows how uncomfortable April is, Andy insists that he forgot the bags in the car and needs to run back out and get them. As he takes his leave, April reluctantly follows Pete inside, half-jokingly telling her boyfriend that he better not leave her with Pete TOO long!

Little does she know, the brothers have made a secret deal behind her back. As soon as Andy is behind the wheel, he drives away without looking back. He's already looking to greener pastures...

When April realizes that Andy's gone, she starts to panic, demanding to know what the hell is going on. Pete, on the other hand, is calm and collected as he tells her that sometimes guys get bored and need a little variety in their lives... So the brothers agreed to swap and share their unsuspecting girlfriends for a little bit of fun.

Although April is hurt and betrayed, wanting nothing to do with Pete, she's all alone now and has nowhere else to go...

Gia Paige in 'The Sanctity Of Marriage'

Gia Paige - The Sanctity Of Marriage

THE SANCTITY OF MARRIAGE
Priest Takes Advantage Of A Desperate Bride-To-Be With A Secret

Anna (Gia Paige) is about to begin a new chapter in her life: she's marrying her childhood sweetheart, Milo. When the happy couple goes to her church to speak to her priest about officiating their wedding, Father Thomas (Steve Holmes) is surprised but pleased to see them.

But not all is well with Anna. After she asks Milo to step out so that she can take care of all the paperwork, she admits to Father Thomas that she cheated on Milo. It was a stupid mistake when they first started dating years ago. She's never told Milo but she wants Father Thomas' forgiveness before they get married so that she can start the marriage on the right foot.

Father Thomas listens intently, but instead of giving her absolution, he insists that the cheating is a serious flaw in Anna's character. Even if he gives her his blessing, she'll likely go out there and cheat on poor Milo again. Although Anna is adamant that she'll never hurt Milo again, Father Thomas insists that the only way he'll help her make things right is if she gives herself to him.

Anna is shocked that the community man she looked up to would twist things around and use her sin against her. However, Father Thomas gives her a choice: she can have sex with him OR come clean to Milo about her infidelity...

So which will it be?

Abigail Mac in 'Lesser Of Two Evils'

Abigail Mac - Lesser Of Two Evils

THE LESSER OF TWO EVILS
Fear-Plagued Woman Is Given Agonizing Choice By Home Invader

Maggie (Abigail Mac) is petrified of the world outside of her home because of agoraphobia. Try as she might, she just can't bring herself to step out the front door. It's so bad that she even gets groceries delivered, although even that little bit of outside human interaction is overwhelming.

Maggie spends her days milling around the house and using forums where other people gather to talk about their phobias. She feels comforted in such spaces, able to freely discuss her experiences. She feels a kinship with these people, although she's never met any of them and might NEVER meet any of them...

Or so she thinks.

One day, she hears movement within the household. Although she's uncertain, she goes to investigate the sound, glancing nervously to the windows and doors. To her horror, a hooded man (Derrick Pierce) emerges from one of the rooms, confronting her. She's bewildered as the stranger belittles her, telling her how pathetic it is that she's kept herself cooped up for four months -- that's right, he's been WATCHING her. He despises people like her and wants her to prove that her fears are really all just in her head. If she walks out that door, she's a free woman; if she lets her FEARS rule her, then she can submit to him.

Maggie is disgusted as she realizes this stranger wants to fuck her. She flees but when she approaches the front door, her heart starts to pound. She can hardly breathe and her feet are like cement. With the stranger smirking at her back, is Maggie brave enough to step outside to save herself?

Laney Grey in 'Uncle Hyde'

Laney Grey - Uncle Hyde

UNCLE HYDE
Sleazy Uncle Deceives Niece To Get Her Alone With Him For The Weekend

Brooklyn (Laney Grey) is excited to visit her aunt and uncle for the weekend. Her Uncle Neil (Stirling Cooper) greets her, though her Aunt Sadie is nowhere to be found. Unfortunately, Neil claims that Aunt Sadie's been called away for work at the last minute. Although Brooklyn's disappointed, she still looks forward to spending the weekend with her favorite uncle, at least!

Since Neil is her favorite uncle, she easily lets her guard down around him, revealing that the reason for the visit is because she's passing through to meet a guy she's been dating online. Her parents would so not approve of this at all, but she knows Neil is cool, so she trusts him with this info...

But as Brooklyn settles down, she starts to notice odd little things with her uncle. He seems to be more touchy-feely than usual and some of the things he says are a little worrying. Although she manages to shrug most of it off, when she catches Neil spying on her through a crack in the door, she's especially unnerved.

Then she gets a text from her aunt. She's shocked to learn that her aunt hadn't been called away for work -- Uncle Neil arranged for her to be gone for the weekend instead! Now Brooklyn is alarmed, confronting Neil to find out what he's up to. Unfortunately, he soon removes his mask, revealing that he's been secretly lusting after Brooklyn and wanted her all to himself. If she doesn't want her parents to find out about the boy she's visiting, she'll have to do whatever dear Uncle Neil says.

Heartbroken and afraid to face her parents' wrath, she gives in to satisfy this side of Uncle Neil that she hopes to never see again.

Maya Kendrick in 'I'll Take Care Of You'

Maya Kendrick - I'll Take Care Of You

I'LL TAKE CARE OF YOU
Pregnant Teen Desperately Turns To Sleazy Boyfriend's Dad For Help

SCENE OPENS with Kylie (Maya Kendrick) pacing around the bathroom. She looks truly frazzled and distraught, a cell phone clutched tightly in her hand. As Kylie paces, she experiences jarring flashbacks to an event that is clearly traumatic for her.

Between the flashes, Kylie looks more and more upset, holding her head and cursing to herself. She keeps looking at something in her hand. Her world is clearly falling apart. She finally brings the phone to her ear, making a phone call.'Something happened. W-we need to talk,' Kylie says, anguished.

TITLE PLATE

We flash back to two weeks earlier as we see Kylie having sex with her boyfriend Austin (Nathan Bronson). The sex is rough, with Austin more in control and Kylie a bit uncertain but going along with it. He is selfish, caring more about his own pleasure than Kylie's. Kylie is trying to go along with his raunchy requests but has trouble keeping up. Eventually, despite her reluctance, Austin convinces Kylie to let him cum in her and he creampies her, talking about how good it feels. Kylie may have satisfied Austin, but she looks anxious.

Back in the present day, Kylie tells her father about being pregnant. He insists on calling a friend to 'set up an appointment.' It takes a few moments for Kylie to realize what he's implying. She protectively puts her arms over her stomach, refusing. Furious, he rages at her and kicks her out, saying that she's 18, so she can make her own way...but not in HIS house!

Later that day, a desperate Kylie goes to the home of Austin's father, Mr. Grayson (Eric Masterson), looking for Austin, but is told that he ran away. Kylie is scared again, nervously eyeing Mr. Grayson. She tentatively tells Mr. Grayson that she's pregnant, flinching away as if she's afraid Mr. Grayson will react as harshly as her father. Mr. Grayson is shocked by the news, though the shock quickly passes, as though he expected nothing less from Austin. Mr. Grayson gently hugs Kylie, trying to comfort her in a genuine way.

Kylie reveals that she's been kicked out of her house and has nowhere else to go. Mr. Grayson offers to take her in, sympathetic to her plight and feeling as though he failed as a father. Kylie is suspicious of Mr. Grayson's offer, though is tempted. Mr. Grayson insists that he's attracted to her, and that he'll take care of her in exchange for having sex with him.

Kylie is very reluctant to have sex, but Mr. Grayson continues to convince her until she finally decides to go ahead with it, intent on providing a secure future for her little one.

Mr. Grayson is going to take care of Kylie from now on, but first she has to take care of HIM.

Kenzie Taylor in 'Inconceivable: A Kenzie Taylor Story'

Kenzie Taylor - Inconceivable: A Kenzie Taylor Story

INCONCEIVABLE: A KENZIE TAYLOR STORY
Devious Fertility Doctor Creampies Desperate Female Client In Front Of Husband

Olivia (Kenzie Taylor) and Jacob (Eric Masterson), a nervous couple, wait anxiously in an office. Jacob is quietly assuring Olivia that everything will be okay. The door opens and Dr. Cross (Tommy Pistol), a fertility doctor, enters with test result papers in hand on two identical clipboards. With his back turned to the couple as he closes the door behind him, he grins darkly to himself.

TITLE PLATE

Dr. Cross sits down and thanks them for coming in. The couple looks anxious but excited until he puts on a solemn face and tells them that he has bad news: Jacob is infertile. They are shocked, with Jacob especially feeling terrible. They tearfully ask what they can do. Dr. Cross kindly and resolutely tells them that there are some options and that he will do everything he can to help them.

Dr. Cross suggests traditional fertility treatments but Olivia and Jacob can't afford any of them. As the couple fret, trying to comfort each other, Dr. Cross is slightly grinning to himself, unnoticed, feeding off their misery. As Olivia clutches Jacob, burying her face into him and letting out a choked sob, Dr. Cross says that there is ONE solution he can propose. Olivia lifts her head, the doctor having their full attention.

Dr. Cross takes a deep breath and levelly says that he can have sex with Olivia to impregnate her on their behalf. Olivia is stunned but Jacob is outraged, coming at Dr. Cross. Kenzie holds Jacob back as he cools down and the couple discusses their options, with Dr. Cross silently revelling in their misery. They are still heavily conflicted and seem about to say no, but Dr. Cross continues his scare tactics. Finally the anguished couple agree.

What Dr. Cross is about to do may have seemed inconceivable to Olivia and Jacob earlier that day, but now they're all out of options...

Story provided by our very own Pure Taboo model, Kenzie Taylor!

Karla Kush in 'Honeymoon'

Karla Kush - Honeymoon

HONEYMOON
Reluctant Bride Hides Dark Secret About Her Sudden Marriage

SCENE OPENS on Carly (Karla Kush) standing in front of a full-length mirror. She is holding a wedding dress to her front as she stares at herself in the mirror. Instead of looking happy, she is sullen, haunted.

Carly's friend Emma (Liv Wild) knocks on the front door, then lets herself in. She calls out to Carly but Carly doesn't acknowledge her. Emma finds Carly in the living room and is relieved. Emma is concerned about Carly's sudden changes in behavior, confused about why Carly seems to be rushing into a marriage. Despite Emma's sincere concern, Carly insists nothing is wrong.

Frustrated that she isn't getting through to her friend, Emma leaves. Carly looks lost as she stares straight ahead at the mirror again while still holding the wedding dress. SOMETHING'S clearly wrong.

TITLE PLATE

It's Carly's wedding night, but she's far from happy. Her husband, Dean (Chad Alva), enters the room and seems to delight in her being miserable, especially when she confronts him.

As they argue, it becomes clear that Carly is with Dean because he was witness to a hit-and-run where Carly was the driver. He promised to keep her secret as long as she does anything and everything he says, including marrying him.

Realizing the full scope of what her life has become, Carly is inconsolable. Dean sidles closer to her on the bed. When he reaches out to touch her hair, she pulls away as Dean tells her that that's no way to behave as a blushing bride.

This is their honeymoon, so Carly better starts acting like it...


Vanna Bardot in 'The Bucket List'

Vanna Bardot - The Bucket List

THE BUCKET LIST
Terminally Ill Man Intimidates Best Friend As Part Of Dark Bucket List

SCENE OPENS on a bathroom counter. We are looking at multiple pill bottles. We can hear a man coughing. A hand reaches out, grabbing one of the pill bottles.

We see the owner of the hand, Gary (Codey Steele). He looks sickly as he stares at himself in the mirror. He slams the pill bottle down on the counter before he chugs water directly from the tap. He takes a deep breath. His coughing ceases.

He leaves the bathroom.

Gary looks in a drawer which contains various sinister-looking items and mementos. He adds an item then writes on a mysterious piece of paper. At that moment, we hear the front door open. From the front door, we hear a female voice call 'Gary?'

Gary looks back at all the sinister items in the drawer. He takes a deep breath, sliding the drawer closed.

'I'm in here,' Gary calls.

CUT TO TITLE

The visitor, Melissa (Vanna Bardot), Gary's best friend, has come to visit him. He has a terminal disease and doesn't have much time left. Gary then reveals the reason he called her over: he has a dark bucket list and fucking Melissa is one of the items on the list.

Melissa is horrified and tries to leave, but when Gary hints to her of the other, worse things he's already done on his list, she ultimately stays and agrees to do what he wants.

Nothing's going to stop Gary from crossing this off his bucket list...

Candice Dare in 'No One Was Supposed To Be Here'

Candice Dare - No One Was Supposed To Be Here

NO ONE WAS SUPPOSED TO BE HERE
Terrified Maid DPed By Two Burglars Who Surprise Her During Home Invasion

SCENE OPENS on Jack (Johnny Goodluck) and Leo (Robby Echo). They are in the car looking out at a house on a residential street. Leo is nervous about what they're about to do, but Jack reassures him, stating that the door is unlocked and the family won't be home for hours. They slip ski masks over their heads and get out of the car.

CUT TO TITLE

Jack and Leo cautiously approach the home and open the door, going inside. They take off their ski-masks and look around, getting a sense of the place. They are clearly there to rob the house. Thinking that they are alone, they make no effort to speak in low voices.

Just as Jack and Leo turn around to go their separate ways, they freeze, looking at something. Leo looks shocked and panicked. Jack appears shocked as well, but also a little curious, almost intrigued.

Standing in the living room is a young woman, Maggie (Candice Dare), a cleaning rag and spray bottle dropped to the floor in front of her, forgotten. She is frozen in total fear. Maggie is a maid who the men did not anticipate being home. Leo is in a panic while Jack is calm but frustrated at his partner as they try to figure out what to do with Maggie.

When Jack asks Maggie what she's doing there, since she usually only comes in later, she says that she came to the house last night and stayed over. She does this once a month to do a big clean-up.

In a desperate attempt to get herself out of this precarious situation, she offers to fuck both of them. Leo is reluctant, but after some convincing from Jack, he gets on board.

Even though no one was supposed to be there, it doesn't mean Jack and Leo can't have a little fun...

Casey Calvert in 'I Did It For You'

Casey Calvert - I Did It For You

I DID IT FOR YOU
Brother Returns Home From Jail Changed After Taking The Fall For His Sister

As Eric (Chad White) steps out of a car, he marvels over the warmth of the sun on his face for what feels like the first time in forever. Everything about the day makes him feel so ALIVE as he stands before Tanya (Casey Calvert)'s house. He's impressed by her home and how well she's done for herself... because of HIS sacrifice.

Eric's over the moon when his step-sister greets him, although he doesn't seem to notice that she's not as excited as he is. As they catch up, it becomes more and more apparent that Tanya doesn't want him around, which crushes Eric. How could he get anything less than a hero's welcome home after everything he DID for her?? Tanya insists that he makes her uncomfortable... that jail CHANGED him.

Of COURSE it changed him, does she think being incarcerated is a walk in the park? But the more they argue, the more he feels Tanya slipping away from him. For so many years, all he thought about was returning home to Tanya... and enjoying the touch of the woman he loves most. Now THAT'S about to be taken away from him, too?

Afraid of losing Tanya, Eric starts guilting her for just ONE NIGHT with her. Surely after everything, that's the LEAST she can do? If HE hadn't stepped up, SHE'D have been the one in jail, not him. She OWES him that much, at least!

Although Tanya eyes him with contempt, it seems as though the guilt of letting an innocent man take the fall finally plays in Eric's favor. As she tentatively invites Eric to start undressing her, Eric is thrilled...

But will one night really be enough?

Gia Derza in 'The Real Me'

Gia Derza - The Real Me

THE REAL ME
Teen Meets Online Crush For First Time And He Isn't Who He Claimed To Be

SCENE OPENS on Kelly (Gia Derza). She is in her kitchen when she hears the 'ding' of a message being received on her laptop. She looks at the screen curiously. Someone named Brent, who found her through a dating site, has messaged her. Despite some initial skepticism, she feels an early, shared connection with him when he mentions that, just like her, he's 18 and his father died when he was young. She smiles to herself, excited about the new guy in her life.

CUT TO TITLE

Over the next few weeks, Kelly and Brent bond. Soon, Kelly is falling hard for her online crush and Brent seemingly reciprocates her feelings.

A few days later, Kelly, nervously debates whether or not to take nude photos for Brent. Deciding that she trusts him, she takes the photos and sends them to him.

A week later, Kelly nervously gets ready to meet Brent for the first time. She chats with her friend Janice on the phone and talk turns to one of their teachers, a creepy man named Mr. Hughes who seems to have a weird attitude about sex.

Later that night, Kelly arrives at Brent's house to meet him. Kelly goes into the house tentatively. Brent? She calls softly. A male voice says 'Hi, Kelly.' Kelly turns toward the voice and her eyes widen in shock. Standing there is an older, meek-looking man (Dick Chibbles).

'Brent' is not who he seems, and when Kelly finds out what he has planned for her, she'll NEVER be the same...

Riley Reyes in 'Aunt's Hospitality: A Riley Reyes Story'

Riley Reyes - Aunt's Hospitality: A Riley Reyes Story

AUNT'S HOSPITALITY: A RILEY REYES STORY

Aunt Threatens To Kick Nephew Out Of House Unless He Fucks Her

SCENE OPENS on Rita (Riley Reyes), who is in her living room when her doorbell rings. She is puzzled, and says aloud to herself that she isn't expecting anyone. She answers the door. Standing there is a young man (Lucas Frost), looking forlorn and soaked with sweat, carrying a knapsack. Um...Aunt Rita? He asks tentatively. Oliver? Rita asks in disbelief. 'Is that really you?! I haven't seen you since your 14th birthday, and that was...at least 5 years ago,' Rita says. She invites him inside, mentioning how sweltering it is outside.

He sits down on the couch. He is very shy and cagey about why he's shown up. With some encouragement from Rita, he eventually admits that he moved to town on a whim with his girlfriend. But almost immediately after they moved, she cheated on him and kicked him out of her apartment. He doesn't have a job and doesn't know anyone here, except for Aunt Rita. He finishes embarrassed saying that he used all his savings for the move and doesn't even have any money. With nowhere else to go, Rita offers to let him stay with her. Oliver gets up to give her a grateful hug and accepts her offer with relief.

Rita pulls away from the hug and with fake concern remarks that he's soaked with sweat, poor thing! She insists on putting his clothes in the dryer. As he takes off his shirt, he thanks her again for letting him stay there, adding that she should let him know what he can do to pay her back. He'll do anything. Aunt Rita looks at his shirtless body. She licks her lips as a predatory look comes over her. 'I'm sure I'll think of something,' she says with a wicked smile.

CUT TO TITLE

Later that day, Aunt Rita purposefully barges in on him as he gets out of the shower, flaunting her naked body for him.

A few days later, Oliver and Rita are playing cards. They're laughing and joking together as they play crazy 8s. They make small talk and eventually Rita says that she's getting a little bored with the game they're playing. Maybe they should play something a little more...adult. After Oliver warily asks her what she means, she suggests with a mischievous wink that she's talking about strip poker. He can't tell if she's joking, saying with a nervous laugh that that probably isn't the kind of game and a guy and his aunt should play, even if she's only his aunt by technicality.

Hmm, ok, Rita smiles. How about this then---they'll each draw a card and whoever draws the high card gets to ask the other a question and they HAVE to answer with the truth? Rita suggests. Oliver is a little hesitant, but perhaps in his eagerness to play something other than strip poker, agrees. They draw cards. Rita gets the higher card. 'Do you want to fuck me, Oliver?' Rita asks. Oliver is shocked. What?! N-NO, of course not! He stammers. Rita moves her hand to Oliver's leg but he swats it back He pulls away and springs up, stuttering an excuse that he's really tired and needs to get some rest, hastily leaving the room.

The next day, Rita approaches Oliver, who sits on the couch. She says hello, sitting down next to him. She is nonchalant, and he acts polite, but he is clearly uncomfortable around her now and subtly moves away from her on the couch. Rita moves closer to him on the couch, delicately saying that she's sorry if things got a little weird last night. She didn't mean to come on so strong...they can just take things slow, she says suggestively, laying a hand on his leg. He pulls away from her again, insisting that they're not going to take things ANYWHERE.

She was afraid of this, Rita says with fake sadness. Well, if they can't...get along, unfortunately he can't stay there anymore, Rita says. W-what?? He has nowhere else to go! Rita says that she understands, and that he CAN stay, but he'll have to give her what she wants. Oliver is shocked at what she's suggesting. 'Just be a good boy and give Auntie Rita what she wants, and you can stay here as long as you need,' Rita says. 'Ok...OK, fine...I'll...I'll stay,' Oliver says. She grins, unbuckling his pants and slipping her hand around his already-hard cock.

Oliver's learning that there's always a price to be paid for his Aunt Rita's hospitality.

An original story from Pure Taboo's own model, Riley Reyes!

Athena Faris in 'Daughter Caught Stripping'

Athena Faris - Daughter Caught Stripping

DAUGHTER CAUGHT STRIPPING
Father Slut-Shames Daughter After Catching Her Stripping

SCENE OPENS on Belle (Athena Faris) a young woman in an oversized men's coat, who storms into her house angrily. Joseph (Derrick Pierce) stalks just as angrily in after her. 'I CAN'T believe you fucking DID that to me, Dad!' she exclaims as she turns on him, beside herself with anger. 'What is your PROBLEM? What were YOU even doing there, huh?! Now I DEFINITELY lost my job after this, I can't go back after you HUMILIATED me in there! I NEEDED that job, Dad! I'm 21 now -- you had NO RIGHT to treat me like that! You ruined my LIFE! Why--' Joseph breaks his silence as he turns to her and explodes with rage. 'No DAUGHTER OF MINE is going to be a FUCKING STRIPPER!'

TITLE PLATE

'You're such a fucking hypocrite! YOU went there to jerk off to girls your DAUGHTER'S age, and somehow I'M the one who's in trouble?!' Belle exclaims. 'Watch your mouth, I'm your step-father, so why don't you show me some damn respect!' Joseph booms. 'Oh, like you're showing ME respect right now?!' Belle challenges.

'What did I tell you about talking back?' Joseph barks, ignoring her words. 'And just what am I supposed to tell your mother, hm?' Belle retaliates by threatening to tell her mom about Joseph being at the club, though that would be admitting that she's a stripper. No, he gloats, she's not going to say anything, and he doesn't have to either. 'So, what do you say? Tit for tat?' he adds, his eyes falling towards her chest. 'Fine, whatever, I won't say anything... I-I'm going to bed now,' Belle says, anxious as she turns to hurry away. Yet, as she does, Joseph grabs her arm -- not in an overly aggressive way, but enough to stop her.

'I want my coat back,' he states. Belle eyes him, but hurries to take the coat off after pushing his hand away. 'No, SLOWER...' he interjects, looking hungry. 'Oh, my god... What the actual fuck?' Belle gasps as it dawns on her that Joseph wants her to strip for him. 'You don't think I'm going to let you off THAT easy, do you, Belle? Since you're so eager to lay it all out at the club, you may as well do it here... or do you only show your TRUE colors when there's a tip in it for you?'

No way, Belle exclaims. Joseph decides to play up another angle now, saying that she mustn't make much as a stripper. She defensively says that she does well enough. 'Well enough to live out there on your own instead of leeching off me? Because, like you said, you're 21... I don't HAVE to be your guardian anymore.'

Belle looks more anxious now. She still eyes him with contempt, then reluctantly takes a sexy stance and slowly removes the thick jacket. 'Okay, I'll do it, but you're still a fucking piece of trash.' She reveals her sexy stripper outfit beneath, which leaves little to the imagination. As she casts aside the coat, Joseph is hooked, hungrily gazing over her tight body. He moves to the couch and sits down.

Belle is disgusted with herself, then closes her eyes to take a steadying breath. 'Just think of him as any other customer,' she says quietly to herself, then opens her eyes. She begins to dance. When she steps in closer and Joseph reaches up to touch her, she smacks his hand away before he makes contact. 'That's taking it too far,' she protests. He says that he'll just have to break Mom's heart when she gets home from work, then.

Something seems to dawn on Belle at that moment. 'You're not going to let this go unless I fuck you, are you?' she snaps. He pushes aside her hair and kisses the back of her neck with a twisted smile, saying, 'Exactly.' She shudders, reluctantly but clearly saying, okay, she'll do it. 'Just think of him as any other customer...' she quietly reminds herself again before rising off his lap to go down on his cock.

Joseph has only just begun to slut-shame his stripper daughter...

Story inspired by an original submission by Pure Taboo member, NightOwl61a!

Emily Willis in 'Quid Pro Quo'

Emily Willis - Quid Pro Quo

QUID PRO QUO
Teacher Entices Lesbian Student Into Seducing His Daughter While He Watches

SCENE OPENS on Mr. Jennings (Steve Holmes), who answers his door. Michelle (Naomi Swann) stands there. She looks nervous and reluctant. Ah, Michelle! Mr. Jennings says with a pleasant smile. Come in, please, he says. Michelle enters the house wordlessly. 'SO glad you're here. I can't TELL you how much I appreciate you coming!' Mr. Jennings says brightly. 'Well... it's not like you gave me much of a choice,' Michelle says, an edge of contempt in her voice. 'Oh come on now Michelle, I'm only your TEACHER. I can't control what you do! You're 18, you make your OWN decisions,' Mr. Jennings says. 'Although a decision that you made...a BAD one, I might add, is really what brought you here today.' Mr. Jennings says. 'WELL! In any case, it is lucky for you, then, that we've figured out a way for you to make up for that bad decision,' he continues, in a very stern-teacher way. 'So! What do you say we get my beautiful daughter down here? I just can't WAIT for you to meet her!' Mr. Jennings says. Holly! Mr. Jennings calls.

After a moment, Holly (Emily Willis) comes into the living room. Hi! She must be Michelle? Holly says enthusiastically. Yeah...hi, Michelle says, smiling. Ready to get started? Holly asks. Um, yeah, sure, and...and thanks again for doing this, Michelle says. 'Yeah of course! Dad's never asked me to tutor one of his students before, so I hope I do ok!' Holly says with a little chuckle, taking a seat next to Michelle at the table. 'Oh, I'm sure you'll do GREAT honey,' Mr. Jennings says in a sickly-sweet tone. Thanks, Dad, Holly says happily. Mr. Jennings is about to walk out of the room but turns back. 'And be good, you two!' he says seemingly jokingly. 'Don't worry about us, Dad,' Holly laughs. 'Oh I'm not worried. In fact, I think the two of you are going to get along...JUST FINE,' he says with a smile, but a hint of something darker, something...unknown lurks under his grin.

CUT TO TITLE

As Holly shows Michelle something on a shared paper, circling something with a pen, she pauses and looks up at Michelle. So...what's it like having him as a teacher? Holly asks, sincerely curious. 'Your dad? Well, he's um, he's...' Michelle says, seemingly unsure of how to answer as she glances at the room's entranceway. We don't see what she's looking at. Actually he's her STEP-dad, Holly clarifies. Oh...she didn't know that, Michelle says. Yeah, he married her mom a few years back, Holly responds. 'I'm 18 now, so I guess it was about...3 years ago?' Holly muses aloud. Oh ok, that's cool, Michelle says noncommittally. But, her mom died last year, so...now it's just the two of them, Holly says, a hint of sadness in her voice. Oh, she's...she's so sorry, Michelle says sincerely. That's ok, Holly says, snapping back to her bubbly self. So? What IS he like as a teacher? Holly presses. Um...Michelle says, fidgeting nervously. She glances again at the room's entranceway warily, but Holly doesn't seem to notice the look. We now see what Michelle is looking at: Mr. Jennings, who is spying into the room, unbeknownst to his daughter. When Michelle glances at him, they lock eyes and he gives her a glare through gritted teeth. He's...he's really nice, Michelle says finally. Holly laughs. 'Don't worry, you can say it,' Holly says. S-say what? Michelle asks cautiously. That he's a goof, Holly laughs. With all his corny sayings and cheesy jokes, Holly says. Oh...yeah, Michelle says, giving a phony laugh and glancing again at the living room entranceway. Aware that Mr. Jennings is watching, Michelle becomes slightly flirty with Holly. Mr. Jennings watches impatiently.

Michelle begins to seduce Holly as Mr. Jennings watches with increasing pleasure. The seduction is successful and Michelle leans in to kiss Holly. Holly returns her kiss tentatively, but as she gets swept up and lost in the moment, Holly kisses Michelle back with increasing passion. From the room's entranceway, we see Mr. Jennings. His eyes are lit up as he watches, licking his lips.

Swept up in the moment, the girls makeout increases in intensity as Mr. Jennings watches, fondling himself over his pants. Realizing she got carried away, Holly stops the makeout and rushes out of the room in embarrassment, running into her father. Holly realizes that he saw the whole thing. To her shock, Mr. Jennings reveals that he caught Michelle dealing on school property and she agreed to seduce Holly in exchange for his silence.

Holly is disgusted, but not wanting Michelle's life to be ruined, agrees to continue. Holly and Michelle begin to kiss again, tentatively and nervously. No...he's seen THIS already, let's move this along, Mr. Jennings says impatiently. 'Take off her clothes...and do it SLOWLY,' Mr. Jennings says to Michelle. Angry and disgusted, Michelle starts to take off Holly's clothes. Holly continues to be nervous, but Michelle tries to calm her down, leading her through the humiliating experience. Michelle begins to eat Holly's pussy. Holly seems ashamed that her dad is watching, but can't help but enjoy it. After a while, Mr. Jennings says 'now it's YOUR turn, sweetie,' and directs Holly to eat Michelle's pussy.

Mr. Jennings wanted to watch, but soon enough, WATCHING'S not going to be enough.

Alina Lopez in 'Bishop's Interview: An Alina Lopez Story'

Alina Lopez - Bishop's Interview: An Alina Lopez Story

Winner - Best Actress -- Taboo-Themed Release: Alina Lopez, XBIZ 2020

Nominated - Best Actor - Featurette: Dick Chibbles, AVN 2020

Nominated - Best Actress - Featurette: Alina Lopez, AVN 2020

Nominated - Best Featurette, AVN 2020

Nominated - Taboo-Themed Release of the Year, XBIZ 2020

Nominated - Best Actor -- Taboo-Themed Release: Dick Chibbles, XBIZ 2020

Nominated - Best Sex Scene -- Taboo-Themed: Alina Lopez & Dick Chibbles, XBIZ 2020

BISHOP'S INTERVIEW: AN ALINA LOPEZ STORY
Corrupt Bishop Manipulates 18 Year Old Girl Into Sex

Alicia (Alina Lopez) is nervously fidgeting, sitting in a pew with the congregation. A sacrament tray is passed towards her, which is the source of her stress right now. She takes the tray, and hesitates, looking down at it. She knows she SHOULD take a sacrament but she can't. Not after she...

Alicia bites her lip then passes the tray onward, hoping that no one's seen that she rejected the sacrament. However, when she looks up to where Bishop Bond (Dick Chibbles) sits, their eyes meet. Alicia's stomach churns as the Bishop smiles.

When the service ends, Alicia is eager to get out of there but is stopped by the Bishop. Her anxiety spikes when he tells her he wants to see her, although she breathes a sigh of relief when he adds that he wants to discuss her recommendation letter to BYU. She shakily agrees to the meeting and soon finds herself in the Bishop's office.

Although she thinks she's there to get the letter of recommendation from the Bishop, it quickly becomes apparent that he knows that Alicia's recently sinned. He confronts her about her purity, uncovering that Alicia lost her virginity to her boyfriend. Unfortunately for Alicia, the Bishop won't be able to write that letter of recommendation after all. However, if Alicia agrees to have sex with HIM, he can cleanse her of her sins...


Abigail Mac in 'The Casting: An Abigail Mac Story'

Abigail Mac - The Casting: An Abigail Mac Story

Nominated - Best Three-Way Sex Scene -- B/B/G: Abigail Mac, Seth Gamble & Jake Adams, AVN 2020

THE CASTING
Struggling Actress Coerced Into Sex Audition By Creepy Director

Scene opens on Amy (Abigail Mac), a young waitress, as she waits by a bus stop at the end of a long shift. Still dressed in her work uniform, she rifles through her purse to find some change for the bus when her phone rings. It's her agent on the other end of the line, calling to inform the struggling actress that she received an invitation to audition for a new mainstream project -- a lead role in a pilot. Amy is ecstatic and surprised. It's the first audition she's ever had... The agent tells her that he received the invitation from the director himself, eager to meet Amy after seeing her demo reel. Eager to accept, she tells the agent to set up a time and she'll be there. 'Do you think you could make it to Los Verdes by 5pm?' The agent asks. Amy looks down at herself. 'As long as they don't mind my work uniform,' she jokes. The agent tells her he'll set it up and send the address. Amy puts the phone back in her purse and sits quietly for a moment, before jumping up and down in excitement at the bus stop.

CUT TO TITLE PLATE

Inside a staged living room, several crew members finish setting up lights and preparing their cameras. A small bespectacled man, the director (Jake Adams), comes on to the set and barks orders at several of them. Despite his slight stature, he commands a presence and the crew work obediently under him. He walks over to a separate area, where a makeup artist is finishing up with the male lead (Seth Gamble)'s hair. 'Tony Romeo,' the director says, clasping the man's hand. 'Do I have a fun audition for you today!' The actor flashes a toothy grin. 'Like last time?' he asks. The director smirks at him, adjusting his glasses, before telling the makeup artist to wrap it up. The actress will be here any moment. And he wants a closed set.

Outside the building, Amy paces by the door. It is already after 5pm and she doesn't want to make a bad impression. A PA lets her in, paging the director on his walkie-talkie. Amy steps inside to view the set. It looks so professional ... like a real living room! She nervously sits down on the couch when the director storms in. With a strong handshake, he introduces himself. 'I'm Steven Rothschild, welcome to my set!' Amy recognizes the name instantly. Rothschild is one of cable's most successful showrunners. 'You're the guy behind Red, White, and Bad!' she exclaims. 'That's one of the best shows on television right now!'

Tony struts into the room. 'OR ever!' he says, jokingly sliding into their conversation. Amy looks doubly starstruck. Tony Romeo is the hottest young actor in Hollywood right now. 'Oh my god, Tony Romeo. Are you in this?' He smiles, looking at the director. 'Are you kidding? Stevie wrote this for me!' He clasps his director friend on the back before sitting down on the couch. The director puts his arm around Amy and tells her that Tony is going to be helping read lines for her audition today. Is she ready to get started? Amy nods, then asks if he got her portfolio the agent sent over. Steven looks her up and down. 'Don't worry, I've seen everything I need to see about you already,' he says with a smile before turning to tell the crew to leave the room. This is a closed audition.

The director sits down beside Tony and asks Amy to stand before them. He asks her age, height, weight and then to spin around for him. Amy looks a little confused. 'Do we have a script?' she asks. The director smiles and repeats his request, with Tony chiming in. 'Stevie likes to freestyle his auditions,' he adds. 'Starting off with how you look!' Amy slowly turns around, trying to keep her composure. She feels awkward. The director likes what he sees and pays several compliments to Amy's physique. 'You look like you take very good care of yourself,' he says, jotting down a note. 'Have you done a lot of physical roles in the past?' Amy feels even more awkward. 'Um ... I work out,' she replies.

The two men look at each other and nod, before Tony gets up and walks over beside her. The director compliments how good they look together. 'Now, that's an attractive cast!' he remarks. Tony comes in close to Amy and puts his arm around her. He smells great and is very handsome. Amy blushes at the thought of him touching her. 'Thanks,' she squeaks. 'Now, are you sure you don't want me to read anything in specific?'

The director stands up and walks over to them, scoping them out. 'Are you comfortable with romantic roles?' he asks Amy. Amy nods. 'Good,' the director continues. 'Because this new project is a love story and it's going to feature several very intimate scenes.' The camera lingers on Amy's face, as she tries to remain confident and professional despite her unease. Tony playfully teases her by saying not to worry, he brushed his teeth. 'I'm sure that won't be a problem,' she replies quietly.

The director goes on to explain that there is one pivotal scene in the project that involves nudity. It is very important that she feels comfortable with being nude on camera. Amy's smile wavers. 'Um ... ok, I guess,' she replies. The director's tone changes sharply. 'Well, are you ok with being nude on camera or not?' he barks. Tony releases his grip and looks at her. Feeling cornered, Amy nods nervously. 'Yes, of course. I'm an actress,' she says. The director relaxes. 'Great,' he says, clasping his hands together. 'So, let's see you out of these clothes then. I want to make sure you don't have any tattoos or blemishes that would take away from the innocence of your character.'

Amy stares at the men in shock, before slowly looking across the room. It is empty. The crew have left. She is completely alone. 'I don't have any tattoos,' she whispers. The director crosses his arms and motions again for her to undress. 'He just wants to make sure,' Tony adds reassuringly. There is a long pause before Amy slowly begins to remove her work uniform. She strips down to her bra and panties. 'See, no tattoos,' she says, eager to redress. The director stops her. 'Let me take a good look,' he says scanning her body. 'Please remove your undergarments.' Amy wraps her arms around her chest. 'I don't think that's necessary, do you?' she asks. Tony chimes in again, joking that she might have something hidden under there. They just need to take a quick look. It's not a big deal. 'You are an actress, right?' he says, his joking attitude turning serious. Feeling intimidated, Amy nods and slowly slips off the rest of her clothing.

She stands before the two men fully nude and vulnerable. They exchange knowing looks before the director compliments her body again, saying how lovely she looks and what great shape she is in. She is a natural born star. Amy fakes a smile. 'Thank you,' she says. 'Shall I get dressed now?' The director says sure and goes back to sit on the couch when Tony interjects. 'Wait, wait, wait!' he says enthusiastically. 'Stevie, I have a great idea! Since we are all here and there is such a good vibe going on, why don't we just rehearse that scene you told us about to see what the chemistry is like? You can work out the angles you'd like for when we actually film it!' The director smiles. 'That is a FANTASTIC idea!' he replies as Amy covers herself up and the director leaves the room to grab his camera.

Tony starts to remove his clothing, staring intently at the nervous woman. 'You should really relax,' he says coldly. 'Stevie hates difficult women!' He pulls down his pants to reveal his semi-erect cock, as she turns away embarrassed. The director returns with his camera and begins to guide them into position. 'I imagine that this scene starts with a long, intimate kiss,' he says. 'Standing just about where you are now. When you're ready, please begin.' He kneels to get a nice low angle look at Amy as Tony closes in on her. 'Are you ready, beautiful?' he says, inches from her lips. Looking down at his cock on her thigh, she closes her eyes and says 'ok.'

The director yells action and Tony kisses her. She nervously kisses him back, not sure what to do with her hands, but the leading man grabs them and wraps them around his muscular frame. 'Closer,' the director whispers eagerly. 'More passionate!' Throughout the awkward make out session, the director moves around the couple to view his various angles. When he is not satisfied with something, he sharply asks Amy to bend and contort herself. The requests become increasingly exploitative and she tries to protest but both men remind her that this is an audition and she shouldn't break character. 'If you do what the director asks, you will get the part,' Tony whispers aggressively in her ear. 'So, don't be a diva about it!' She feels horribly conflicted but doesn't want to lose the role of a lifetime so, mustering up her courage, she tries her best to do everything the director says, no matter how invasive. She ends up spread eagle on the couch for both men to see, as the director sticks his lens right up to to her pussy and breathes heavily. 'This will make a perfect transition,' he mutters to himself as he hands his camera to Tony.

'Tony, I want your character to begin the sex scene with oral first, followed by penetration,' he says, matter-of-factly as he undoes his zipper. 'But, it needs to feel authentic, so let me show you how I'd like you to do it first.' Tony nods, pointing the camera. Amy looks at the director. 'I'm sorry ... What?!' she stammers. Looking at her coldly, the director arches an eyebrow. 'You don't have any issue with me showing him, right? I like to get into the minds of my characters through roleplay. It's just my style.' She closes her legs and starts to get up. 'I don't think I feel comfortable with that, I'm sorry.' She rushes over to her clothes and starts to gather them on the ground when she hears the men laughing behind her. Angry, she stands up and turns around. 'What is so funny?' She asks, her anger welling up alongside her anxiety. The men stop snickering and face her. 'You chicks are all the same,' Tony says. 'You take an opportunity and you ruin it with your attitude! Nobody wants to work with a bitch like that.'

Amy tries to defend herself. She doesn't have an issue with nudity or even a sex scene, she just wished she'd be informed. 'I thoroughly explained this all to your agent,' the director adds. 'He assured me that you were professional and experienced.' Amy walks back over to them, pleading. 'I am,' she says, exasperated. 'And I want this role, I really do! I just wasn't expecting this much pressure!'

Tony puts his arm around her and slowly pushes her back down on the couch. 'Look, I'm sorry if I offended you, I just hate it when actors aren't respectful on set. It's my biggest pet peeve ... right, Stevie?' The director nods, pulling his dick out. 'Nobody is here to pressure you sweetheart,' he says. 'We just want to make sure we create the most authentic scene possible!' She stares at the penis in his hands, her lips quivering. 'So, are you willing to continue?' he says. 'Because I've got girls lined up if you don't think you're strong enough for this role!' Amy closes her eyes. This isn't what she expected. But, if she doesn't do it, she won't get the role. Slowly, she spreads her legs wide again and stares at him. 'Yes,' she says quietly.

Casey Calvert in 'Can't Say No'

Casey Calvert - Can't Say No

CAN'T SAY NO
Woman Cheats With Ex While On The Phone With Current Boyfriend

SCENE OPENS with Mandy (Casey Calvert) on her way to her ex's house. She's in her car and on the phone with her current boyfriend, Todd, who isn't too keen on her going to her ex's just to get an old sweater. He knows the history and chemistry they have, and is afraid that the ex might tempt Casey...

Casey tries to assure Todd that everything is going to be fine! He trusts her, right? He can even call her in 20 minutes to give her an easy out. Todd promises that he will. If she doesn't pick up, he will charge over there to rescue her. Casey thanks him for his concern, then hangs up to focus on the task at hand...

When she arrives, her ex, Luke (Donny Sins), answers the door. He's as handsome as ever and her attraction to him makes itself instantly known. Although she loves Todd, Luke has raw, sexual appeal that's impossible to ignore. She tries to remind herself that she's just there for her sweater, but even Luke sees through her pathetic attempts.

They both know she's there to fuck. For everything that they got wrong in their relationship, the one thing they got right was that they knew how to fuck.

Casey's unable to resist Luke as he lays on the charm. As she loses herself in a whirlwind of passion, her phone rings...

Autumn Falls in 'Nowhere To Run'

Autumn Falls - Nowhere To Run

NOWHERE TO RUN
Teen's Car Breaks Down and She Accepts Help From A Suspicious Stranger

SCENE OPENS on Anita (Autumn Falls), a young woman. She's in her car and lightly hits the steering wheel. Why won't you just START?, she complains to herself. She exhales heavily, reaching for her cell phone. She tries to turn it on, but it's dead. She opens the glove compartment and roots around in it. After a moment, her head sags in disappointment. 'Aaaaaaaand you didn't bring your charger. GREAT job Anita,' she chastises herself. At that moment, there is a sudden knock at the window. She jumps with a slight yelp, completely startled. Standing at her window is Shane (Derrick Pierce), a somewhat rough looking man. He is unsmiling and motions for her to roll down the window. She regards him warily and hesitantly rolls down her window, but just a crack. Uh...yes?, she asks cautiously. Hey, he's sorry to scare her, but he was coming home and saw her car stall and quit on her, he begins, his tone even and non-threatening.

Oh uh, yeah, it...it won't start no matter what she does, she answers, a touch of wariness still in her voice. Ok, well if she wants, his house is right there, he says, pointing to his nearby house. And he can help her push the car into his garage and see if he can figure what's wrong with it himself, he offers. Oh that's ok, she says still acting a bit wary of the stranger but smiling politely, she wouldn't want to inconvenience him, she can just call the tow service. If she says so, he shrugs, but it'll probably take them hours to get here. And this isn't the best place for a girl like her to be waiting around. She debates for another moment, unsure of what to do. Then she looks down at her phone and remembers it's dead. '...I guess we could give it a shot,' she says hesitantly. He looks at her, shrugging noncommittally. 'Your call,' he says.

After pushing the car into his garage, they chat about what a bad neighborhood it is. Well, he'd better get started, he adds, moving towards the garage door, grabbing the top of it as he prepares to pull it down. Oh um...what is he doing?, Anita asks meekly. The light coming in from outside is shining in his eyes, gonna make it hard to look around and scout out what the problem is. He's just gonna close the door and hook a light to the hood so he can see what he's doing better, he says. That's cool...right?, he asks, a vaguely threatening undertone in his voice. She looks out of the garage toward the street, perhaps deciding whether or not she should just get out of there. Um...yeah, of course that's cool, Anita says, smiling nervously. He looks at her for a second, sizing her up. He pulls down the garage door. It loudly hits the floor, sealing them in.

CUT TO TITLE

Shane hunches over the open hood of the car, tinkering around inside. What's she DOING in this neighborhood anyway?, he asks as he continues working on the car. She was just passing through actually, on her way back from touring a new school, she responds. High school?, he asks, looking over his shoulder at her with an eyebrow raised. No, no, she's 18, she's in college, she clarifies.

'Do me a favor. Pass me a screwdriver. From that toolbox over there,' he says, pointing to a toolbox on the floor. Sure, Anita says, turning around. She bends over, opening the toolbox and rooting around in it. As she searches, Shane is staring at her ass hungrily, licking his lips. Um, there's NO screwdriver in here, Anita says, puzzled. Ohhh, sorry, he FORGOT, the screwdriver is in THAT toolbox, he says with a crooked smile. She immediately goes to the other toolbox he indicated and withdraws the screwdriver, handing it to him quickly. Thanks, he says quietly, turning back to the car.

Ah dammit, he says aloud. What?, she asks, concerned. This cable's been worn away, he says. She narrows her eyes suspiciously, walking over to the hood. Don't worry, she doesn't need to come over here, he's got it, he says, trying to wave her off. No, she wants to see it, she responds firmly, peering under the hood. He is holding a wrench, watching her closely. Yeah, she sees it, but...it looks like it's been...she begins, her eyes resting on a pair of wire cutters that are lying adjacent to the car. Her eyes go wide with fear. ...it looks like it's been CUT, she says in horror, backing away from him cautiously. He has a hard look on his face and slowly leans towards her. Going somewhere?, he asks in a bored, teasing tone. 'Y-you...you DID that to the car. You CUT that cable! You did it on purpose. W-why would you DO something like that?? A-are you trying to...?' she asks, trailing off, unable to articulate what she's trying to say..

'I ain't tryin to do a GODDAMN thing other than fix your car. You can LEAVE anytime you want. Your car sure isn't going anywhere though,' he says, leaning in and sneering with a big wicked grin. That's fine, she says defiantly. She'll walk if she has to. He laughs. Through THIS neighborhood?? She could try. A tasty little morsel like her would attract a lot of unwanted attention. But on the other hand, if she wants him to finish the job so that she can be on her way safely, she could always do...a little something...for HIM, he says, a toothy grin on his face. He swings the wrench around, almost absent-mindedly. She looks upset at his suggestion. What's stopping her from running out into the street and just yelling for someone to call the cops?!, she asks. Nothing, he gloats and goads her, in fact go ahead and try it. People out here fuckin' HATE cops, he says. 'You go runnin' out of here shouting for the pigs to come save you, you think you're gonna get ANY sympathy?? Girlie, you wouldn't even make it two BLOCKS,' he says. Her shoulders sag with disappointed realization as she gulps, weighing her options. Her eyes dart to the garage door. She takes a deep breath. If... if he promises not to hurt her and fixes her car afterwards, then...FINE, she says finally, an edge of defiance and anger in her voice. He can do whatever disgusting thing he has in mind. Shane grins as he draws Anita to him, squeezing a handful of her massive tits.

Anita's got nowhere to run, and EVERYTHING to lose.

Anny Aurora in 'An Honest Living'

Anny Aurora - An Honest Living

AN HONEST LIVING
Homeowner's Son Terrorizes Honest Hardworking Housemaid

Amelia (Anny Aurora), a hardworking and honest housemaid, casts uncertain looks over her shoulder as she cautiously approaches her employer, Mr. Winters. There's something she's been wanting to tell him for months, and today's the day that she's finally going to do it. Yet, she freezes as she stands before Mr. Winters, who is impatiently waiting for her to spit it out. Although Amelia tries her hardest, words fail her, leading Mr. Winters to think she's simply shy about asking for a raise. However, nothing could be further from the truth...

Admitting defeat, she returns to the kitchen to clean the floor, only to be startled by Adam (Alex D), her employer's son. Adam is calculated and cruel, taking great pleasure in tormenting Amelia at every given opportunity. He hasn't shown mercy since the first day she started work. Even though he's not her boss, Amelia feels powerless to stop him from taking what he wants whenever he wants.

As Adam toys with her, he reveals that he knows Amelia was trying to tattle on him. She deserves to be punished for such subordinance... Although Amelia doesn't want to submit to him, she can't afford to lose this job and be left penniless. Once again, as she slowly unties her apron and bends over the counter, she gives in to Adam's demands.

Riley Reyes in 'Homewrecker'

Riley Reyes - Homewrecker

HOMEWRECKER
ANGRY EX GETS REVENGE BY HATE-FUCKING HIS EX'S NEW LESBIAN GIRLFRIEND

A young woman, Evie (Riley Reyes), is enjoying a peaceful day at home when there's a knock on the door. A cableman (Mr. Pete) politely greets her, but Evie is confused since she didn't call him to have anything fixed. The confusion is cleared up when they work out that Evie's girlfriend, Casey, is the one who put in the work order. Satisfied, Evie lets the man in to do his job.

However, things take an unsettling turn when Evie catches the cableman ogling a framed picture of her and her girlfriend. Although he brushes it off and plays innocent, Evie is further unnerved when she catches him wandering off through the apartment, NOT doing his job. She starts to suspect that something isn't right and is about to call her girlfriend in secret when the cableman suddenly reappears.

'Who ARE you?!' she demands, though isn't expecting what she gets in response. The man is none other than Mitchell, Casey's ex -- the same man Casey left to be with Evie. To say he's upset that his girlfriend left him for another girl is an understatement. Mitchell believes that Evie corrupted Casey, stealing her away from him. He wants Casey to know what it's like to have your heart shattered into a million pieces...

And he's going to make Evie, Casey's beloved, help him.

Avi Love in 'The Kindness Of Strangers'

Avi Love - The Kindness Of Strangers

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

'... there are those who cause you to freeze inside... Those you should keep away from. They are not good for you, even though others might say that they are good people...'
-Bodil Bredsdorff

THE KINDNESS OF STRANGERS
Rich Philanthropist Takes In Homeless Teen Who Discovers His BDSM Sex Dungeon

SCENE OPENS to Billie (Avi Love) awkwardly standing in a luxurious mansion. She's a teen living on the streets, though she had the good fortune of being invited to a fundraiser hosted by a well-respected philanthropist, Tom Ridge (Derrick Pierce). She feels so out of place, especially once she catches the rich, handsome man's eye.

Tom is charming and sweet, which Billie is naturally drawn to, though she is still guarded. Yet, she doesn't know what to make of him when he offers for her to stay in this beautiful home with him! She's suspicious -- there HAS to be a catch! Tom assures her that there is no catch... Well, except that she'd have to rely completely on the kindness of strangers.

Although Billie is still uncertain, she can't turn down the once-in-a-lifetime offer.

The next morning, Billie is given free rein of the house as Tom attends to business elsewhere. However, the one thing Tom's made clear is that she ISN'T allowed to do is go into a private room across from her own. Although she's able to resist temptation for most of the day, the mysterious wooden door seems to be calling her name.

Finally, she can't resist as she sneaks inside the room, only to uncover a BDSM sex dungeon.

As she carefully explores the room, blown away by all that surrounds her, it's hard to envision the kind community man having any part in THIS. Yet, she's about to find out just how dark his desires are when he returns home and discovers she's broken his one rule...

Alina Lopez in 'Boys' Club'

Alina Lopez - Boys' Club

BOYS' CLUB
ROWDY BUSINESSMAN TAUNT AND HUMILIATE ESCORT DURING PUBLIC FUCKING

A beautiful, young woman, Blair (Alina Lopez), arrives all dressed up for a party. She's there to entertain a bunch of businessmen, although they don't seem to notice her at first as she tries to find the host. Once the men get wind of her presence, though, she gets hungry looks and cat calls. Even so, she walks with her head held high until she finds the man she's looking for, Hank (Eric Masterson).

Hank explains to her that a young man named Bill (Seth Gamble) is the guest of honor, having just received a big promotion. Since he's ready to play with the big boys now, she's there as entertainment for him. But the main event isn't going to happen until later, so why doesn't he introduce her to everyone in the meantime?

Blair gradually meets all the men, though starts to become uncomfortable with how boisterous they are. They're loud and lustful, coming on to her in unsettling ways, though she remains professional. When Hank finally makes his grand speech about Bill graduating to manhood, Blair takes that as her cue to take Bill somewhere more... private. However, she's stopped by Hank, who reveals that she's going to entertain Bill right there in public.

The men surrounding her erupt into cheers, all eager to see the action. They hurl insults at her, trying to shame her, although they don't dare take their eyes off her... Blair hardly knows what to do with herself, since this wasn't in the original agreement, but she needs to save face.

Finally, amongst the jeers, she gives everyone what they want as she slowly sinks down to her knees.

Dee Williams in 'Swapping Daughters: The Other Family'

Dee Williams - Swapping Daughters: The Other Family

SWAPPING DAUGHTERS: THE OTHER FAMILY
PARENTS SWAP DAUGHTERS TO USE NEW DAUGHTER FOR SEX

Scene opens on a young girl, Becky (Maya Kendrick), who sits in the back of a car. She looks excited and anxious to get out of the car. The car pulls up to a flawless suburban home with a perfectly manicured lawn. Outside, three people stand. These are the members of the Darling family: husband Doug (Mr. Pete), wife Doris (Dee Williams) and son Davey (Seth Gamble). Becky smiles when she sees them. The three stand in a perfectly straight line and have the same exaggeratingly welcoming smile on their faces. They wave in unison and are all dressed in similarly preppy fashion with matching colored clothing. As the car pulls into the driveway, Becky notices the odd way they're waving and her smile falters for a second as she regards them skeptically. But she seems to push her worries aside immediately and regains her smile. The car pulls to a stop. Becky thanks the driver and hops out excitedly. She must be Becky!, Doug says enthusiastically. Yes, Becky confirms. Doug introduces himself and presents his wife and son. Doug asks Davey to get Becky's bags from the car. Davey goes to get the bags.

Welcome to Canada, they are so happy to have her here!, Doris says brightly. Becky says that she's happy to be here for her cultural exchange, and it's not nearly as cold as her parents said it would be. Yes, people tend to exaggerate about the climate here, says Doug. 'We don't all live in igloos you know!' Doug adds with a laugh. Why doesn't he take Becky's bags upstairs and show her her new room?, Doug suggests to Davey. She arrived just in time for dinner, Doris says. Dinner is every night at six o'clock SHARP, Doug says firmly. 'And no matter what we are doing, we ALWAYS come home for family dinner at six. NO. EXCEPTIONS.' Doris says, with an oddly insistent edge. She'll see that there are many...family rules, but these rules just make them closer as a family, Doris says. 'Isn't that right sweetie?' she asks Davey. Yes Mother!, Davey answers energetically. Becky catches that and laughs nervously. Well, they'd better get Becky's bags upstairs, dinner will be on the table soon!, Doris says. They'll take care of paying for the cab while Davey takes care of Becky, Doug adds.

As Davey walks Becky up the driveway into the house, they chat. Um... is everything as...strict as they just made it sound?, she asks with a nervous chuckle. Yeah, Mom and Dad just like things done a certain...way, Davey says. She'll get used to it, he adds. He thought it was a little weird at first too, he says. He was 15 when his dad married Doris, but it's been four years now and he's totally used to all their little rules, he adds. 'And trust me, once you get used to them, you'll LOVE it here. I know I do,' he says with a chuckle, as his eyes look Becky's body up and down. Becky laughs nervously.

Cut to the dinner table, where the four sit with their meals in front of them. The three Darlings, virtually in unison, fold their napkins and place them onto their laps. Becky looks on, a quizzical expression on her face, but a moment later, follows along, placing her own napkin on her lap. So Davey showed her her new room?, Doug asks. Yes, it's great!, Becky says happily. Before they can continue their conversation, Doris lightly taps her glass with her fork, getting everyone's attention. It's time to say grace!, Doris announces with a smile. The three Darlings join hands, but Becky hesitates. Is there a problem dear?, Doris asks. Um, no, she just...isn't used to saying grace, Becky says, smiling awkwardly. Well, in this family, they give thanks before every meal, because in life, there is so MUCH to be thankful for, Doug says earnestly. And since Becky's a part of this family now, it's important that she takes part in this, Doug adds, again offering his hand for Becky to take.

Becky smiles nervously and takes Doug's hand and with her other, grasps Davey's outstretched hand. Doug begins by saying that they are thankful for the meal that they are about to receive, they are thankful for their health, and...they are very thankful for Becky, the newest member of their family. When he says 'newest member of their family', all three Darlings turn their heads to look at Becky with unblinking grins. Just as when he married Doris and she became Davey's mother, they have formed a new family, Doug continues. 'We are thankful to be blessed with this young woman, who will be taking part in all of our...family traditions,' Doug adds. As Doug is saying this, Davey's fingers begin to rub Becky's palm. Feeling this, her eyes open with mild surprise. She looks at Davey, who stares at her. He slowly licks his lips.

She subtly tries to take her hand out from his but Davey grips her hand harder, preventing her from pulling away. Becky looks towards Doug, who stares back at her with a blank smile. To Becky's growing alarm, Doug licks his lips. Becky looks toward Doris, who is also staring at her and licking her lips hungrily. She looks around in disbelief at the three of them as they stare back at her.

CUT TO TITLE

They begin to eat. Soon, there is a buzzing sound under the table, coming from where Becky is sitting. She takes her cell phone from her pocket, apologizing. 'Davey, didn't you tell Becky about our cell phone rule?' asks Doris, staring angrily at Davey. No Mother, he didn't, he says, hanging his head in shame. Doris turns to Becky, her fury replaced by a manufactured smile and an artificial sweetness. 'Dear, we don't allow cell phones or any other gadgets like that in this house. We don't even own a television or a computer actually. Those kinds of things are nothing but...distractions. And we don't want ANYTHING distracting us from each other, because family...comes first, isn't that right gang?' Doris says, smiling her sickly sweet grin. The Darlings all smile back at her and say that's right.

Oh um ok, well, she'll put her phone away then, Becky says. Oh no dear, she'll have to give her phone to Doug for safekeeping, Doris says with a smile. Becky hesitates. They really want her to give her phone to them?, she asks incredulously. Oh yes, Doris says with a smile. It's for the best, adds Davey with the same smile. But what about emergencies?, Becky asks softly, clearly becoming weirded out. 'Well, aren't you going to be spending all your time with us?' Doris asks. Yes, she sure is, and they'll make sure that NOTHING bad happens to her, Doug adds, putting out his hand for her phone. Becky hesitates for a moment longer and finally, slowly puts her phone into Doug's hand.

Cut to a few days later. The family is in the living room, enjoying a game of charades. The family plays a few rounds. When it is Becky's turn to act out, she acts out the phrase 'rowboat' successfully. The family congratulates her. Despite the weirdness of the first night's dinner, this wholesome family game seems to be helping Becky relax. Next, it is Davey's turn to act out the clue. He looks at the slip of paper and seeing what it is, smiles mischievously. He gets up in front of the couch, and the family watches him. He begins to squeeze imaginary breasts, staring at Becky as he does so. Becky shifts uncomfortably, looking away. Davey's parents don't see anything sexual about it at all and eventually, Doris guesses 'arthritis' enthusiastically, seemingly interpreting his squeezing motion as him stretching his arthritic hands. That turns out to be the correct answer and the Darlings cheer.

Can he PLEASE go again?, Davey asks with a smirk. That was too easy and he wants a real challenge with a harder clue, he adds. Well, they ARE just playing for fun and aren't even keeping score, so she doesn't see why not, Doris says. Super!, Davey says, choosing another slip of paper. He thinks for a second and begins to mime what can only be licking a pussy, flicking his tongue obscenely in the air as he spreads an imaginary pussy with two fingers of each hand. Again, he stares at Becky as he does it. She is getting increasingly uncomfortable and looks to Doug and Doris for assistance. But they are really into the game, still seemingly not noticing the sexual nature of Davey's actions, and don't even look at Becky. Oh wait, he knows this one, he does this ALL the time, Doug says before guessing 'licking an envelope.' The Darlings again celebrate the correct answer while Becky looks on, outwardly disturbed now. After a moment, Davey again pleads with his parents to let him go one more time. Doug is unsure, he tells Davey he should let other people have a turn, but Davey almost begs him and he finally relents. But this is the LAST time, Doug adds firmly. For sure Dad!, Davey says and grabs another slip of paper.

He grins and thinks for a moment. He begins to thrust his hips as if he's fucking. He then mimes a slap, as if he's slapping the ass of the person that he's fucking. Again, he stares at Becky, grinning a lustful grin. Becky looks again at Doug and Doris for help, but they don't pay attention to her. They are just happily guessing, playing the game. This is too much for Becky now. 'Um HELLO?!, don't you see what he's doing?!' she asks Doug and Doris incredulously. Davey stops his actions. What does she mean?, Doug asks Becky. 'He's...he's acting out...you know...sexual things...and...and staring at me,' Becky says. Dear, he's CLEARLY riding a horse, Doug says patiently. Isn't that right Davey?, Doug asks his son. That's EXACTLY right!, Davey says indignantly.

Oh come on, they can't SERIOUSLY believe that!?, Becky says to Doug and Doris. Well, if that IS what happened, it's certainly no cause for fighting, Doris says. 'He just got a little carried away is all, and you can hardly blame him. He's a competitive boy, that one!' Doris adds with a little laugh. Oh what does it matter anyway, Mom?!, Davey asks. She's going to find out soon enough what's REALLY going on,' Davey adds, a mean-spirited smile on his face. 'David Darling, don't you say ANOTHER WORD. Go to your room, young man,' Doug says instantly. Davey huffs off.

Becky is puzzled and feeling very uncomfortable. Um, what was Davey talking about when he said 'what's really going on'?, Becky asks cautiously. Oh nothing Becky, she knows how boys his age like to joke around, Doug plays it off. Is he sure about that?, it didn't really seem like a joke, Becky probes skeptically. Doug and Doris exchange a conspiratorial glance between them. Becky sees this glance. 'Please, just tell me, you're freaking me out,' she says. Well, they were going to wait until she was fully settled in to tell her, but now Davey's gone and spoiled that, so they may as well explain, Doris says. Is she sure Becky can handle it?, Doug asks Doris. 'Well, I guess we're just going to have to have a little faith in her', Doris says, running a hand through Becky's hair. Becky recoils slightly. This is starting to scare her, can they just tell her what's going on?!, Becky pleads.

Okay honey, she'll do her best to explain it, Doris begins. Well, her husband, like many men, like many...fathers, has certain...urges, certain...proclivities, Doris continues. And as part of dealing with these urges, Doris and Doug are members of an online group, a...support group of sorts, where other fathers with the same tastes can...help each other, Doris continues. What kind of...urges is she talking about?, Becky asks fearfully. Let's call them...appetites, Doug offers. His...appetites are---well, most people would frown upon these kinds of appetites, since they involve...his daughter, Doug continues.

Hearing this, Becky's eyes go wide. 'Your daughter...wh-what did you do to your daughter??, Becky asks fearfully. Oh don't worry, she's absolutely fine and completely safe, Doris explains soothingly. Becky, these urges that they're talking about are perfectly natural, Doris says, smiling sweetly. But Doug would NEVER act on these urges with their own daughter, Doris continues. 'Which is why we made an...arrangement with your parents,' Doug continues.

What the fuck is he talking about?, Becky asks with horror. They made an arrangement that when each of their daughters turned 18, they would...perform an exchange, so that each family could...satisfy their unique appetites, Doug says. 'S-stop, I don't want to hear any more of this! You guys are a bunch of sick fucks and I'm getting the hell out of here, I'm going home to my parents,' Becky says angrily. 'Give me my phone NOW!' she practically yells at them.

He's afraid that's not possible, Doug says. Her phone is in a safe place, but he can't give it to her, he adds. 'Those are the rules of the house, young lady, and as long as you're part of this family, you WILL obey those rules,' Doug says firmly. 'I'm NOT part of your fucking family, asshole!' Becky fires back. 'Becky, that's no way to talk to your father!' Doris scolds Becky. 'My FATHER?!' Becky asks in disbelief. 'You guys are NUTS, I am fucking LEAVING,' Becky adds, moving to exit the house.

Where does she plan on going at this time of night?, Doug asks. Where she goes is none of his business, she's going to call a cab and get out of here, Becky says indignantly. With what money?, asks Doug. What is THAT supposed to mean?!, Becky asks. 'Well, sweetheart, your bank accounts and credit cards have all been canceled, of course,' Doris says with sickening sweetness. What?, Becky asks with disbelief. 'Those people who you used to call your 'parents'? Well, they don't want you anymore sweetie. Don't you see?' Doris says. 'You're OUR daughter now,' Doug says, smiling. No!, Becky screams, running away in horror. We hear a door slam. Sounds like she went up to her room, Doug says to Doris. Yes, let's let her rest, it's been a tough night, Doris says. Yes it has, and they should get some shut-eye too.

Cut to later that night. From the hallway, we see Becky's bedroom door opening quietly. Becky pokes her head out, looking up and down the hall. It is dimly lit and quiet. Everyone seems to be in bed. She sneaks out of her room, careful not to make any noise. She creeps into the living room, constantly looking over her shoulder to see if anyone has heard her. She is very nervous. She begins to quietly look through the drawers of a cabinet that is in the living room. She doesn't find what she's looking for and seems to be getting increasingly frantic as she goes through drawer after drawer.

'Are you looking for this?' Doug suddenly says, making Becky jump in surprise. He emerges from the shadows of the hallway, holding Becky's cell phone in his hand. Becky's jaw drops and she says nothing. Take it, Doug says, offering the cell phone to her. She narrows her eyes suspiciously. 'No tricks, just take it and call your parents, then you can finally understand and maybe might calm down a little,' he says.

She thinks for a moment before approaching Doug, quickly snatching the phone from his hand. He sits on the couch patiently. She frantically dials a number. No answer. She dials it again and again, but still nothing.

'Do you understand now Becky?' Doug asks from the couch. She's stunned.

They didn't answer, did they?, Doris says, emerging from the hallway. Becky is startled by her sudden arrival. No, Doris knows they didn't, and that's because her old life is over, Doris continues, sitting next to her husband on the couch. 'Your new life is here Becky, and you need to accept that,' Doug says. Please, come and sit down, Doug says, patting the couch next to him.

Becky seems almost broken by her parents' rejection and sits down heavily without protest. As part of her new life as a family, as they've told her, there are certain rules, and one of those rules, is that they need to have...family time, Doris says as Doug begins to lightly play with Becky's hair. And family time means being together...as a family....in EVERY way, Doug says, laying his hand on Becky's lap.

At this, Becky snaps out of her daze. No, no, she won't be part of their disgusting games, she says, though she doesn't seem to muster up as much energy. She's going to leave, and call the police, she says, as she begins to dial on her phone. And what exactly is she going to tell them?, Doris says. No one has done ANYTHING wrong, Doris continues. And she's so far from home, with no money...and no home to go back to, Doug says.

At that moment, Davey walks in, rubbing his eyes groggily. What's going on?, he asks. Oh, they're sorry for the noise, they're just having a family...meeting, Doris says. Ooh, he LOVES 'family meetings', Davey smiles naughtily, shooting a glance at Becky as he pokes his tongue crudely in the corner of his cheek in a classic 'giving a blowjob' gesture.

His parents seem to ignore it and Becky looks away in disgust. 'We were just telling your new sister that she has nowhere to go, so she might as well start following the house rules,' Doug tells Davey. Dad's right, and believe him, the house rules aren't so bad at all, Davey says. 'When I became his mother, Davey had some...difficulties, but eventually he got into the swing of things, isn't that right sweetie?' Doris asks Davey. That's right, Davey grins, licking his lips as he looks at Doris. 'And when I finally had a taste of Mom's goodies, I couldn't BELIEVE what I had been missing,' Davey adds, leering now.

Becky looks appalled. 'You can act all doom and gloom if you'd like Becky, but I for one, think this is cause for celebration. After all, it's not every day that we get to welcome a new member into our family! And what better way to celebrate than with some quality family time together!' Doris says brightly. Ok?, Doris asks Becky pointedly. OK BECKY?, Doris asks, a hint of threat creeping into her voice. Okay, Becky says softly. 'That's wonderful! So why don't come over here and give your mother a kiss?' Doris asks Becky.