Jane Wilde - Living Vicariously
LIVING VICARIOUSLYStalker Makes Two Scared Friends Fuck For Her Twisted EnjoymentSCENE OPENS to an extended shot of Becky (Natalie Knight) alone and quickly walking down a street. Her posture is tense, her expression anxious. She tries to stare straight ahead but sometimes looks over her shoulder. She is clearly paranoid that she is being followed but we don't see anyone. Her pace quickens as she walks down a pathway and nears her house. Her fear gets the best of her and she breaks out into a panicked jog up to the doorway. She frantically digs through her purse for the house keys. She drops them, swearing to herself, but quickly grabs them and unlocks the door.She rushes inside and shuts the door behind her.Becky locks the door behind her and is relieved. Although she hesitates, she looks out the window. Becky yelps in fear, backing away from the window. Standing motionless on the street, Gwen (Jane Wilde) stands, staring at Becky.CUT TO TITLEThe next day, Becky invites her friend Mitchell (Nathan Bronson) into her house and explains that Gwen (a former girlfriend of Becky's ex) is stalking her. She wants him to keep her company and safe, which Mitchell agrees to.Later that night, Becky and Mitchell are sitting on the couch together watching television. Becky is curled up into Mitchell's side, obviously still seeking comfort, although her attention is on the television. Mitchell glances between the television and Becky. He hesitates a moment but puts an arm around her. She accepts his arm, not making a big deal of it as she gets comfortable and snuggles into it. He's trying hard not to smile but he looks innocently delighted at having Becky lying in his arms. It becomes clear that to her, it's not a romantic gesture, just a friendly cuddle. Mitchell looks disappointed but doesn't seem to want to push the issue more aggressively.Suddenly a loud crash startles them both. Becky is terrified and Mitchell jumps to his feet in front of her, being protective. Mitchell tells Becky to stay put and slowly goes towards the back door, the suspense building as he searches for Gwen. Just when it seems like Gwen might pop up, it's revealed to be nothing. Mitchell is relieved and starts to tell Becky but when he turns around, we see Becky watching after him, oblivious to Gwen standing behind her. Mitchell yells to Becky, who is terrified and runs to him.Gwen admits to being obsessed with Becky and wanting to see her get fucked. She starts to manipulate Mitchell into lusting for Becky as well. Mitchell tries to resist but, after more manipulation by Gwen, admits that he does have feelings for Becky.Mitchell admits to feeling a bit resentful of being overlooked. Gwen continues getting into his head until Mitchell suggests that they fuck. Becky is still hesitant but agrees after Gwen promises that she'll leave her alone afterwards.Gwen grins maliciously, ready to FINALLY get what she wants...
Sovereign Syre - Amnesiac
AMNESIACAmnesiac Man's Wife Hides Dark Secret From HimSCENE OPENS from the POV of James (Tyler Nixon). His eyes are closed, so the screen is black. Suddenly, in reaction to the jarring sounds of a car crash, his eyes snap open. We hear him trying to catch his breath as he looks around, registering his surroundings. As his vision sharpens, he then notices Annie (Sovereign Syre), who sits at his bedside tending to him. She has a kindly look about her. He has amnesia and she informs him that she is his wife, pledging to take care of him until his memory returns.CUT TO TITLEDays later, James still remembers nothing and Annie seems intent on keeping him bedridden. It is revealed that Annie discovered James on the road after he had been involved in a hit and run on one of his evening walks. Rather than take him to the hospital, Annie took him home to nurse him back to health.Later that day after Annie leaves for work, James tries to use the internet but discovers it is not working. He sits back in his chair, puzzled. Something catches his eye: a photo of himself and Annie on the mantle nearby. They smile and look like the perfect happy couple. As he looks at it, his brow furrows quizzically. It's as if there is something off about the photo but he can't quite put his finger on it. But before he can investigate further, Annie unlocks the front door and enters. Annie explains that the internet hasn't worked for a long period of time, normal for the isolated rural area they live in. Before his accident, she had been bugging him to call the internet provider about it. BUT, she doesn't want to bother him with this stuff now, insisting that SHE'LL call the internet company as soon as she can. She kisses him and leaves the room to get dinner started. He smiles after her, but a small glint of suspicion is in his eyes.Later that night, James finds a suspicious receipt. He asks Annie about the receipt, which is for their wedding rings and is only two weeks old, although they've been married for ten years. She explains that they could never afford nice rings and a few weeks ago, he surprised them with brand new ones. James seems to believe her, but a growing seed of doubt has been planted.Sometime later, James looks closely at a photo of him and Annie. It is clear that the photo has been altered in some way. James confronts Annie about the photo. She claims that there is something wrong with their printer that makes photos print out with errors.He accepts her explanation, but his suspicion is growing.The next day, as James searches for something incriminating, his memory suddenly comes flooding back. Clear headed for the first time in a long while, James confronts Annie, angrily telling her that he remembers everything.James now knows exactly what Annie's been hiding from him, and he's going to make sure that she NEVER forgets the price of deceiving him...
Emily Willis - Three Sides To Every Story
THREE SIDES TO EVERY STORYDetective Interrogates College Kids With Opposing Statements About Dubious Sexual EncounterSCENE OPENS to Ashley Foster (Emily Willis) anxiously waiting in an interrogation room. When Detective Ryan (Brock Doom) enters, he is sympathetic as he gives her a tissue for her tears. Ashley accepts it with a shaky hand and begins telling him about the incident that forever changed her life. When she met the obnoxious frat boy who wanted nothing more than to get under her skirt, what could she do?Meanwhile, when Detective Ryan interrogates Dirk Russell (Chad White), the frat boy doesn't seem too worried. When Detective Ryan asks him to describe his version of the incident, Dirk shares his story about a sexy woman coming onto him... HARD. When she grabbed his cock through his pants and whispered for them to go somewhere private, what was he supposed to do?As they both resolutely tell their side of the story, the details paint a picture of a night gone wrong. From the initial seduction to the moment Ashley and Dirk fell into bed together, it was all leading to disaster. But was it planned to be an ill-fated encounter right from the start?Who is telling the truth and who is trying to lead the detective astray? Is there even more to this ordeal than meets the eye?
Arietta Adams - Corrupting Her Innocence
CORRUPTING HER INNOCENCEMan Manipulates And Conditions Teen Babysitter To Have His Way With HerSCENE OPENS to Rosie (Arietta Adams) arriving for an ordinary day of babysitting. The father of the children, Jack Harris (John Strong), greets her as warmly as always. When Rosie brings up having forgotten her laptop to do her homework, Jack easily offers her his laptop to use before leaving for work.But when Rosie later checks the laptop, she is shocked to see an erotic video plastered on the screen. Surely Jack didn't mean for her to find THAT?!As time passes, there are more hints that something is amiss, although Rosie can't quite put her finger on it. When she starts having trouble with her boyfriend, Jack seems too eager to give her advice... and he's so sexual and blunt about it! Even though it startles her, Jack always manages to convince her that there's really nothing wrong with them being so free with their discussions... They're both adults, after all.Desperate to keep her boyfriend, she follows Jack's bedroom advice, although it makes things worse. In fact, her boyfriend breaks up with her! When she confronts Jack about it, he gets her to open up about her private life again. Was she ALWAYS this free with her private life? Or has Jack been getting into her head, slowly and surely, each time she showed up to babysit?The answer soon becomes apparent when Jack drives home that the reason why the boyfriend left had to be because she was boring in bed. Well, in THAT case, HE can have sex with her and teach her what guys REALLY want...Rosie doesn't want to be alone forever, does she?
Alex Coal - Swapping Girlfriends
SWAPPING GIRLFRIENDSWoman Is Shocked To Find Her Boyfriend Has Traded Her To His BrotherApril (Alex Coal) is NOT thrilled with the weekend trip her boyfriend, Andy, has planned. The thing is, they're visiting Andy's brother, Pete (Logan Pierce), who gives April the creeps. Even though Pete already has a girlfriend, April is sure that Pete is lusting for HER. Unfortunately, Andy thinks that April is overreacting and that Pete is a bit weird, sure, but harmless.Once they arrive, Pete greets them at the door. Even though he knows how uncomfortable April is, Andy insists that he forgot the bags in the car and needs to run back out and get them. As he takes his leave, April reluctantly follows Pete inside, half-jokingly telling her boyfriend that he better not leave her with Pete TOO long!Little does she know, the brothers have made a secret deal behind her back. As soon as Andy is behind the wheel, he drives away without looking back. He's already looking to greener pastures...When April realizes that Andy's gone, she starts to panic, demanding to know what the hell is going on. Pete, on the other hand, is calm and collected as he tells her that sometimes guys get bored and need a little variety in their lives... So the brothers agreed to swap and share their unsuspecting girlfriends for a little bit of fun.Although April is hurt and betrayed, wanting nothing to do with Pete, she's all alone now and has nowhere else to go...
Chloe Temple - A Valuable Lesson
A VALUABLE LESSONTwisted Tutor Takes Advantage Of Struggling Teen StudentWillow (Chloe Temple) is standing on the front steps with a backpack over her shoulder. She's nervous as she rings the doorbell. Henry (Jake Adams) answers and greets her pleasantly. Willow is relieved she has the right house. Henry warmly invites her inside. As Willow walks by, Henry steals a look at her ass and grins to himself.Willow takes a seat and tells Henry she's glad she found his listing as a tutor because she really needs all the help she can get. If she doesn't pass her math exam, she'll fail her math class, which means she won't have enough credits to graduate high school.Henry says something sympathetic but there's a dark glint in his eye as he insists that they get the lesson started. CUT TO TITLEHenry makes small talk, and brings up that Willow should know his tutoring doesn't mean a guaranteed pass -he insists that he'll do what he can but it's still not the end of the world if she has to do summer school. Willow is desperate to pass, saying that she's fearful of failing and disappointing her father. She's 18 now, she HAS to prove to him that she can do this! Henry seems understanding and promises to help her. She is thankful, and they begin studying.As they study, Henry begins creeping on Willow. At first, she seems bashful and likes the attention, although she becomes uncomfortable as Henry becomes more forward. Willow stammers and insists that she liked getting a compliment or two but he's being weird now...Henry insists that she wants the attention more than she'll admit, though Willow disagrees. When she threatens to leave, he reminds her that she'll flunk out of school without his help.After Willow insists she'll find another tutor, Henry says he'll tell Willow's father that she was coming onto him. He demands sex in exchange for his silence. Finally, she reluctantly gives in, agreeing to have sex with him so that he won't tell lies to her father.Willow is about to learn a valuable lesson, but it has NOTHING to do with math...
Abigail Mac - Lesser Of Two Evils
THE LESSER OF TWO EVILSFear-Plagued Woman Is Given Agonizing Choice By Home InvaderMaggie (Abigail Mac) is petrified of the world outside of her home because of agoraphobia. Try as she might, she just can't bring herself to step out the front door. It's so bad that she even gets groceries delivered, although even that little bit of outside human interaction is overwhelming. Maggie spends her days milling around the house and using forums where other people gather to talk about their phobias. She feels comforted in such spaces, able to freely discuss her experiences. She feels a kinship with these people, although she's never met any of them and might NEVER meet any of them...Or so she thinks.One day, she hears movement within the household. Although she's uncertain, she goes to investigate the sound, glancing nervously to the windows and doors. To her horror, a hooded man (Derrick Pierce) emerges from one of the rooms, confronting her. She's bewildered as the stranger belittles her, telling her how pathetic it is that she's kept herself cooped up for four months -- that's right, he's been WATCHING her. He despises people like her and wants her to prove that her fears are really all just in her head. If she walks out that door, she's a free woman; if she lets her FEARS rule her, then she can submit to him.Maggie is disgusted as she realizes this stranger wants to fuck her. She flees but when she approaches the front door, her heart starts to pound. She can hardly breathe and her feet are like cement. With the stranger smirking at her back, is Maggie brave enough to step outside to save herself?
Vanna Bardot - The Bucket List
THE BUCKET LISTTerminally Ill Man Intimidates Best Friend As Part Of Dark Bucket ListSCENE OPENS on a bathroom counter. We are looking at multiple pill bottles. We can hear a man coughing. A hand reaches out, grabbing one of the pill bottles.We see the owner of the hand, Gary (Codey Steele). He looks sickly as he stares at himself in the mirror. He slams the pill bottle down on the counter before he chugs water directly from the tap. He takes a deep breath. His coughing ceases.He leaves the bathroom.Gary looks in a drawer which contains various sinister-looking items and mementos. He adds an item then writes on a mysterious piece of paper. At that moment, we hear the front door open. From the front door, we hear a female voice call 'Gary?'Gary looks back at all the sinister items in the drawer. He takes a deep breath, sliding the drawer closed.'I'm in here,' Gary calls.CUT TO TITLEThe visitor, Melissa (Vanna Bardot), Gary's best friend, has come to visit him. He has a terminal disease and doesn't have much time left. Gary then reveals the reason he called her over: he has a dark bucket list and fucking Melissa is one of the items on the list. Melissa is horrified and tries to leave, but when Gary hints to her of the other, worse things he's already done on his list, she ultimately stays and agrees to do what he wants.Nothing's going to stop Gary from crossing this off his bucket list...
Whitney Wright - From Afar: A Whitney Wright Story
FROM AFAR: A WHITNEY WRIGHT STORYWoman Confronts Her Stalker In Unexpected WayJamie (Whitney Wright) is an ordinary housewife living an ordinary life. But little does she know, someone other than her husband also thinks she's extraordinary...An obsessive man named Barry (Michael Vegas) watches Jamie from afar, collecting keepsakes when she isn't looking. Whether it's a picture or a napkin with her lipstick, each item makes him feel closer to her. After each candid encounter, he returns home to add the keepsakes to his shrine. As he gazes at all the pictures of a smiling Jamie, while her acquaintances' faces are all scratched out, Barry's hunger for her only intensifies. He MUST have her. Only one thing stands in Barry's way: her husband. However, he's about to change that...One day, as Barry is watching Jamie through a window, he reaches his snapping point as her husband prepares for a romantic night. BARRY is the one that's supposed to be romancing Jamie -- not THIS tool. Tonight's the night that he's going to make Jamie HIS... Fortunately, once he's inside the house, taking out the husband is pretty easy. Now NOTHING is standing in the way...When Barry steps into the bedroom, Jamie is dressed in sexy lingerie with a sheer robe. He knows the lingerie is meant for her husband but he has fun imagining that she's wearing it for HIM alone. But when Jamie sees him standing in the doorway, she's not afraid of him... In fact, as she lets her sheer robe drop to the floor, she tells Barry that she's been waiting for this day to come...
Emily Willis - Within
'Whosoever is delighted in solitude is either a wild beast or a god'-Francis BaconWITHINWomen At Isolated Cabin Are Stalked By Mysterious HermitSCENE OPENS on a close-up of a leaf, crisp and perfect. We slowly pan up to reveal a slightly disheveled looking man (Michael Vegas), his back turned to us. He holds a rabbit, which he has clearly just caught. He looks around, scanning the area. The woods are utterly silent. As he looks around, a gust of wind moves the trees. Satisfied that his scan has yielded nothing, he walks away.We follow him as he walks through the woods, finally arriving at a makeshift camp. Tarps are strung over poles in a haphazardly manner. An old fire lingers in front.As he begins to prepare the rabbit, he is suddenly roused when he senses something. Following his senses, he walks back through the woods until he comes upon a nearby cabin. Hidden in the brush, he watches as a car pulls up and two women get out, Luna (Emily Willis) and Gwen (Emma Hix). They are here for a weekend getaway that Luna booked. Gwen is nervous because she's not used to the isolation of the country.As they are about to enter the house, Gwen seems to sense something. She turns around and looks back at the woods. The trees blow in the wind, but she sees nothing.CUT TO TITLEA short time later, the girls are sunning themselves on the dock. They chat about their new friendship, discussing the fact that Gwen has recently gotten out of a relationship. Luna planned the weekend away as a destresser for Gwen.The girls apply suntan lotion to each other, their hands rubbing their glistening bodies as the man watches, unbeknownst to them. Later that night, the girls watch a movie as the man peers in from outside through a window. Soon, the weather turns stormy and the power goes out. As lightning periodically illuminates the darkened cabin, Luna reveals that she is sensing a subtle romantic vibe from Gwen. After some initial reluctance from Gwen, since she has never been with a woman before, they share a tender moment and kiss. They have sex, with Luna patiently leading the shy and inexperienced Gwen through her first lesbian experience. As they fuck, lightning continues to flash.Midway through the sex, the girls are lost in each other, both of their eyes closed. Lightning flashes. In that split second, we see that the man stands directly over them. The room is then plunged back into darkness.The man has something special planned for the girls, but not everything is as it seems..
Gia Derza - The Real Me
THE REAL METeen Meets Online Crush For First Time And He Isn't Who He Claimed To BeSCENE OPENS on Kelly (Gia Derza). She is in her kitchen when she hears the 'ding' of a message being received on her laptop. She looks at the screen curiously. Someone named Brent, who found her through a dating site, has messaged her. Despite some initial skepticism, she feels an early, shared connection with him when he mentions that, just like her, he's 18 and his father died when he was young. She smiles to herself, excited about the new guy in her life.CUT TO TITLEOver the next few weeks, Kelly and Brent bond. Soon, Kelly is falling hard for her online crush and Brent seemingly reciprocates her feelings.A few days later, Kelly, nervously debates whether or not to take nude photos for Brent. Deciding that she trusts him, she takes the photos and sends them to him.A week later, Kelly nervously gets ready to meet Brent for the first time. She chats with her friend Janice on the phone and talk turns to one of their teachers, a creepy man named Mr. Hughes who seems to have a weird attitude about sex.Later that night, Kelly arrives at Brent's house to meet him. Kelly goes into the house tentatively. Brent? She calls softly. A male voice says 'Hi, Kelly.' Kelly turns toward the voice and her eyes widen in shock. Standing there is an older, meek-looking man (Dick Chibbles). 'Brent' is not who he seems, and when Kelly finds out what he has planned for her, she'll NEVER be the same...
Emily Willis - Quid Pro Quo
QUID PRO QUOTeacher Entices Lesbian Student Into Seducing His Daughter While He WatchesSCENE OPENS on Mr. Jennings (Steve Holmes), who answers his door. Michelle (Naomi Swann) stands there. She looks nervous and reluctant. Ah, Michelle! Mr. Jennings says with a pleasant smile. Come in, please, he says. Michelle enters the house wordlessly. 'SO glad you're here. I can't TELL you how much I appreciate you coming!' Mr. Jennings says brightly. 'Well... it's not like you gave me much of a choice,' Michelle says, an edge of contempt in her voice. 'Oh come on now Michelle, I'm only your TEACHER. I can't control what you do! You're 18, you make your OWN decisions,' Mr. Jennings says. 'Although a decision that you made...a BAD one, I might add, is really what brought you here today.' Mr. Jennings says. 'WELL! In any case, it is lucky for you, then, that we've figured out a way for you to make up for that bad decision,' he continues, in a very stern-teacher way. 'So! What do you say we get my beautiful daughter down here? I just can't WAIT for you to meet her!' Mr. Jennings says. Holly! Mr. Jennings calls. After a moment, Holly (Emily Willis) comes into the living room. Hi! She must be Michelle? Holly says enthusiastically. Yeah...hi, Michelle says, smiling. Ready to get started? Holly asks. Um, yeah, sure, and...and thanks again for doing this, Michelle says. 'Yeah of course! Dad's never asked me to tutor one of his students before, so I hope I do ok!' Holly says with a little chuckle, taking a seat next to Michelle at the table. 'Oh, I'm sure you'll do GREAT honey,' Mr. Jennings says in a sickly-sweet tone. Thanks, Dad, Holly says happily. Mr. Jennings is about to walk out of the room but turns back. 'And be good, you two!' he says seemingly jokingly. 'Don't worry about us, Dad,' Holly laughs. 'Oh I'm not worried. In fact, I think the two of you are going to get along...JUST FINE,' he says with a smile, but a hint of something darker, something...unknown lurks under his grin.CUT TO TITLEAs Holly shows Michelle something on a shared paper, circling something with a pen, she pauses and looks up at Michelle. So...what's it like having him as a teacher? Holly asks, sincerely curious. 'Your dad? Well, he's um, he's...' Michelle says, seemingly unsure of how to answer as she glances at the room's entranceway. We don't see what she's looking at. Actually he's her STEP-dad, Holly clarifies. Oh...she didn't know that, Michelle says. Yeah, he married her mom a few years back, Holly responds. 'I'm 18 now, so I guess it was about...3 years ago?' Holly muses aloud. Oh ok, that's cool, Michelle says noncommittally. But, her mom died last year, so...now it's just the two of them, Holly says, a hint of sadness in her voice. Oh, she's...she's so sorry, Michelle says sincerely. That's ok, Holly says, snapping back to her bubbly self. So? What IS he like as a teacher? Holly presses. Um...Michelle says, fidgeting nervously. She glances again at the room's entranceway warily, but Holly doesn't seem to notice the look. We now see what Michelle is looking at: Mr. Jennings, who is spying into the room, unbeknownst to his daughter. When Michelle glances at him, they lock eyes and he gives her a glare through gritted teeth. He's...he's really nice, Michelle says finally. Holly laughs. 'Don't worry, you can say it,' Holly says. S-say what? Michelle asks cautiously. That he's a goof, Holly laughs. With all his corny sayings and cheesy jokes, Holly says. Oh...yeah, Michelle says, giving a phony laugh and glancing again at the living room entranceway. Aware that Mr. Jennings is watching, Michelle becomes slightly flirty with Holly. Mr. Jennings watches impatiently. Michelle begins to seduce Holly as Mr. Jennings watches with increasing pleasure. The seduction is successful and Michelle leans in to kiss Holly. Holly returns her kiss tentatively, but as she gets swept up and lost in the moment, Holly kisses Michelle back with increasing passion. From the room's entranceway, we see Mr. Jennings. His eyes are lit up as he watches, licking his lips. Swept up in the moment, the girls makeout increases in intensity as Mr. Jennings watches, fondling himself over his pants. Realizing she got carried away, Holly stops the makeout and rushes out of the room in embarrassment, running into her father. Holly realizes that he saw the whole thing. To her shock, Mr. Jennings reveals that he caught Michelle dealing on school property and she agreed to seduce Holly in exchange for his silence. Holly is disgusted, but not wanting Michelle's life to be ruined, agrees to continue. Holly and Michelle begin to kiss again, tentatively and nervously. No...he's seen THIS already, let's move this along, Mr. Jennings says impatiently. 'Take off her clothes...and do it SLOWLY,' Mr. Jennings says to Michelle. Angry and disgusted, Michelle starts to take off Holly's clothes. Holly continues to be nervous, but Michelle tries to calm her down, leading her through the humiliating experience. Michelle begins to eat Holly's pussy. Holly seems ashamed that her dad is watching, but can't help but enjoy it. After a while, Mr. Jennings says 'now it's YOUR turn, sweetie,' and directs Holly to eat Michelle's pussy. Mr. Jennings wanted to watch, but soon enough, WATCHING'S not going to be enough.
Izzy Lush - Health, Wealth and Unhappiness
HEALTH, WEALTH & UNHAPPINESSMAN GROWS PARANOID THAT HIS NEW BRIDE IS TRYING TO KILL HIM FOR HIS MONEYSCENE OPENS on Jeff (Jake Adams). He sits nervously in his car. He taps the steering wheel, looking at his watch impatiently. His phone rings. He answers it, putting it on speaker. Hey man, he says to the phone. Hey little bro, his brother Bobby greets him. 'So did you pick her up yet?' Bobby asks. No not yet, he's actually at the airport now, her plane's already landed so now he's just waiting for her to get through customs, he says. IF she gets through customs, who KNOWS what she's hiding, Bobby says with a little laugh. That's not funny, Jeff says. He knows how he feels about this whole thing, but he doesn't need to constantly be taking little shots at him, Jeff says crossly. 'Sorry, it's just...I'm worried about you. She's a MAIL ORDER BRIDE for fuck's sake,' Bobby says. Jeff sighs, exasperated. Yeah, he knows that he sounds like a broken record, but really: how much does he ACTUALLY know about this girl?, Bobby asks, concerned. 'We've been over this a million times now Bobby. She's a 22-year-old girl from a small town. She's never even been on a PLANE before. She's just looking for a better life. And I can GIVE her that life,' Jeff says. Bobby sighs. They have a connection, Jeff adds. It's really easy to fake a connection with someone when they're MILES away and you've only ever talked to them on the phone, Bobby continues. 'Let's face it, Jeff. When Dad died he left us A LOT of money, and there are certain people who would want to...take advantage of that. You're a good guy Jeff. You're one of the most trusting people I know. But YOU'VE NEVER met this person. You don't know who she really is. I DON'T want to see you get hurt, man' Bobby says. 'I hear you, Bobby, but I DO know her. The things we've shared in our conversations...look, I love you, but I'm a big boy, I can take care of myself,' Jeff says. Before Bobby can respond, Jeff looks out the window of his car. She's here! He's gotta go, he says excitedly. Bobby seems to be about to say something, but Jeff seemingly ends the call and tosses the phone on the passenger seat as he hops out of the car. He didn't end the call properly and Bobby can be heard saying 'Hello? Jeff? Think you forgot to hang up the call, bud.' Bobby sighs loudly. 'Goddammit, just be careful, Jeff,' Bobby says worriedly to himself, ending the call with a click.CUT TO TITLEAnna (Izzy Lush) is now in the car beside Jeff as he drives them back from the airport. Anna looks nervous, wide-eyed and a bit overwhelmed as she looks out the window at the passing sights. So is she ready to see her new house?, he asks, pulling the car to a stop. She nods, her nervousness giving way to excitement. Almost a year passes since the couple has married. In the bedroom one evening, Anna gets Jeff his regular pills after telling him that she filled his prescription yesterday. Jeff realizes that they are the wrong pills and doesn't take them, wondering aloud what they would have done to him if he had. Suddenly, Jeff is gripped momentarily by suspicion towards his wife since he just added her to his will the week before. He dismisses these suspicions immediately, kissing her before settling into bed.Days later, Jeff comes home with a bandage on his forehead, injured because the brakes on his car failed. His paranoia growing, he calls the mechanic, who tells him that it's possible that a puncture they found in the brake line could have been done on purpose. This sends Jeff over the edge and he is completely suspicious of his wife now. The next day, Jeff rifles through Anna's things trying to find something incriminating. He discovers a brochure for a funeral parlor. When Anna walks in, he confronts her and accuses her of trying to murder him for his money. She denies his accusation. Enraged, he is determined to show her that he is not someone to be trifled with. He begins to unbutton his shirt. What is he...doing?, she asks with trepidation. 'WHAT?! Is there something WRONG with a husband wanting to be with his LOVING wife?' he asks. Anna looks at him, taking a deep breath and gulping down her fear. 'N-no, of course not, t-there's nothing wrong with that...that's...fine,' she says softly. He takes off his shirt and begins to take his pants off. He shakes his head disgustedly. 'You think I'm some IDIOT that you can just do this to?!' he spits, getting in her face. 'Well, I'm NOT FUCKING stupid,' he says, his words seething as his eyes burn with heartache and rage.Jeff is about to find out whether or not he can TRULY trust his beautiful young wife.
Abigail Mac - The Casting: An Abigail Mac Story
Nominated - Best Three-Way Sex Scene -- B/B/G: Abigail Mac, Seth Gamble & Jake Adams, AVN 2020
THE CASTINGStruggling Actress Coerced Into Sex Audition By Creepy Director Scene opens on Amy (Abigail Mac), a young waitress, as she waits by a bus stop at the end of a long shift. Still dressed in her work uniform, she rifles through her purse to find some change for the bus when her phone rings. It's her agent on the other end of the line, calling to inform the struggling actress that she received an invitation to audition for a new mainstream project -- a lead role in a pilot. Amy is ecstatic and surprised. It's the first audition she's ever had... The agent tells her that he received the invitation from the director himself, eager to meet Amy after seeing her demo reel. Eager to accept, she tells the agent to set up a time and she'll be there. 'Do you think you could make it to Los Verdes by 5pm?' The agent asks. Amy looks down at herself. 'As long as they don't mind my work uniform,' she jokes. The agent tells her he'll set it up and send the address. Amy puts the phone back in her purse and sits quietly for a moment, before jumping up and down in excitement at the bus stop.CUT TO TITLE PLATE Inside a staged living room, several crew members finish setting up lights and preparing their cameras. A small bespectacled man, the director (Jake Adams), comes on to the set and barks orders at several of them. Despite his slight stature, he commands a presence and the crew work obediently under him. He walks over to a separate area, where a makeup artist is finishing up with the male lead (Seth Gamble)'s hair. 'Tony Romeo,' the director says, clasping the man's hand. 'Do I have a fun audition for you today!' The actor flashes a toothy grin. 'Like last time?' he asks. The director smirks at him, adjusting his glasses, before telling the makeup artist to wrap it up. The actress will be here any moment. And he wants a closed set.Outside the building, Amy paces by the door. It is already after 5pm and she doesn't want to make a bad impression. A PA lets her in, paging the director on his walkie-talkie. Amy steps inside to view the set. It looks so professional ... like a real living room! She nervously sits down on the couch when the director storms in. With a strong handshake, he introduces himself. 'I'm Steven Rothschild, welcome to my set!' Amy recognizes the name instantly. Rothschild is one of cable's most successful showrunners. 'You're the guy behind Red, White, and Bad!' she exclaims. 'That's one of the best shows on television right now!'Tony struts into the room. 'OR ever!' he says, jokingly sliding into their conversation. Amy looks doubly starstruck. Tony Romeo is the hottest young actor in Hollywood right now. 'Oh my god, Tony Romeo. Are you in this?' He smiles, looking at the director. 'Are you kidding? Stevie wrote this for me!' He clasps his director friend on the back before sitting down on the couch. The director puts his arm around Amy and tells her that Tony is going to be helping read lines for her audition today. Is she ready to get started? Amy nods, then asks if he got her portfolio the agent sent over. Steven looks her up and down. 'Don't worry, I've seen everything I need to see about you already,' he says with a smile before turning to tell the crew to leave the room. This is a closed audition.The director sits down beside Tony and asks Amy to stand before them. He asks her age, height, weight and then to spin around for him. Amy looks a little confused. 'Do we have a script?' she asks. The director smiles and repeats his request, with Tony chiming in. 'Stevie likes to freestyle his auditions,' he adds. 'Starting off with how you look!' Amy slowly turns around, trying to keep her composure. She feels awkward. The director likes what he sees and pays several compliments to Amy's physique. 'You look like you take very good care of yourself,' he says, jotting down a note. 'Have you done a lot of physical roles in the past?' Amy feels even more awkward. 'Um ... I work out,' she replies.The two men look at each other and nod, before Tony gets up and walks over beside her. The director compliments how good they look together. 'Now, that's an attractive cast!' he remarks. Tony comes in close to Amy and puts his arm around her. He smells great and is very handsome. Amy blushes at the thought of him touching her. 'Thanks,' she squeaks. 'Now, are you sure you don't want me to read anything in specific?'The director stands up and walks over to them, scoping them out. 'Are you comfortable with romantic roles?' he asks Amy. Amy nods. 'Good,' the director continues. 'Because this new project is a love story and it's going to feature several very intimate scenes.' The camera lingers on Amy's face, as she tries to remain confident and professional despite her unease. Tony playfully teases her by saying not to worry, he brushed his teeth. 'I'm sure that won't be a problem,' she replies quietly.The director goes on to explain that there is one pivotal scene in the project that involves nudity. It is very important that she feels comfortable with being nude on camera. Amy's smile wavers. 'Um ... ok, I guess,' she replies. The director's tone changes sharply. 'Well, are you ok with being nude on camera or not?' he barks. Tony releases his grip and looks at her. Feeling cornered, Amy nods nervously. 'Yes, of course. I'm an actress,' she says. The director relaxes. 'Great,' he says, clasping his hands together. 'So, let's see you out of these clothes then. I want to make sure you don't have any tattoos or blemishes that would take away from the innocence of your character.'Amy stares at the men in shock, before slowly looking across the room. It is empty. The crew have left. She is completely alone. 'I don't have any tattoos,' she whispers. The director crosses his arms and motions again for her to undress. 'He just wants to make sure,' Tony adds reassuringly. There is a long pause before Amy slowly begins to remove her work uniform. She strips down to her bra and panties. 'See, no tattoos,' she says, eager to redress. The director stops her. 'Let me take a good look,' he says scanning her body. 'Please remove your undergarments.' Amy wraps her arms around her chest. 'I don't think that's necessary, do you?' she asks. Tony chimes in again, joking that she might have something hidden under there. They just need to take a quick look. It's not a big deal. 'You are an actress, right?' he says, his joking attitude turning serious. Feeling intimidated, Amy nods and slowly slips off the rest of her clothing.She stands before the two men fully nude and vulnerable. They exchange knowing looks before the director compliments her body again, saying how lovely she looks and what great shape she is in. She is a natural born star. Amy fakes a smile. 'Thank you,' she says. 'Shall I get dressed now?' The director says sure and goes back to sit on the couch when Tony interjects. 'Wait, wait, wait!' he says enthusiastically. 'Stevie, I have a great idea! Since we are all here and there is such a good vibe going on, why don't we just rehearse that scene you told us about to see what the chemistry is like? You can work out the angles you'd like for when we actually film it!' The director smiles. 'That is a FANTASTIC idea!' he replies as Amy covers herself up and the director leaves the room to grab his camera.Tony starts to remove his clothing, staring intently at the nervous woman. 'You should really relax,' he says coldly. 'Stevie hates difficult women!' He pulls down his pants to reveal his semi-erect cock, as she turns away embarrassed. The director returns with his camera and begins to guide them into position. 'I imagine that this scene starts with a long, intimate kiss,' he says. 'Standing just about where you are now. When you're ready, please begin.' He kneels to get a nice low angle look at Amy as Tony closes in on her. 'Are you ready, beautiful?' he says, inches from her lips. Looking down at his cock on her thigh, she closes her eyes and says 'ok.'The director yells action and Tony kisses her. She nervously kisses him back, not sure what to do with her hands, but the leading man grabs them and wraps them around his muscular frame. 'Closer,' the director whispers eagerly. 'More passionate!' Throughout the awkward make out session, the director moves around the couple to view his various angles. When he is not satisfied with something, he sharply asks Amy to bend and contort herself. The requests become increasingly exploitative and she tries to protest but both men remind her that this is an audition and she shouldn't break character. 'If you do what the director asks, you will get the part,' Tony whispers aggressively in her ear. 'So, don't be a diva about it!' She feels horribly conflicted but doesn't want to lose the role of a lifetime so, mustering up her courage, she tries her best to do everything the director says, no matter how invasive. She ends up spread eagle on the couch for both men to see, as the director sticks his lens right up to to her pussy and breathes heavily. 'This will make a perfect transition,' he mutters to himself as he hands his camera to Tony. 'Tony, I want your character to begin the sex scene with oral first, followed by penetration,' he says, matter-of-factly as he undoes his zipper. 'But, it needs to feel authentic, so let me show you how I'd like you to do it first.' Tony nods, pointing the camera. Amy looks at the director. 'I'm sorry ... What?!' she stammers. Looking at her coldly, the director arches an eyebrow. 'You don't have any issue with me showing him, right? I like to get into the minds of my characters through roleplay. It's just my style.' She closes her legs and starts to get up. 'I don't think I feel comfortable with that, I'm sorry.' She rushes over to her clothes and starts to gather them on the ground when she hears the men laughing behind her. Angry, she stands up and turns around. 'What is so funny?' She asks, her anger welling up alongside her anxiety. The men stop snickering and face her. 'You chicks are all the same,' Tony says. 'You take an opportunity and you ruin it with your attitude! Nobody wants to work with a bitch like that.'Amy tries to defend herself. She doesn't have an issue with nudity or even a sex scene, she just wished she'd be informed. 'I thoroughly explained this all to your agent,' the director adds. 'He assured me that you were professional and experienced.' Amy walks back over to them, pleading. 'I am,' she says, exasperated. 'And I want this role, I really do! I just wasn't expecting this much pressure!'Tony puts his arm around her and slowly pushes her back down on the couch. 'Look, I'm sorry if I offended you, I just hate it when actors aren't respectful on set. It's my biggest pet peeve ... right, Stevie?' The director nods, pulling his dick out. 'Nobody is here to pressure you sweetheart,' he says. 'We just want to make sure we create the most authentic scene possible!' She stares at the penis in his hands, her lips quivering. 'So, are you willing to continue?' he says. 'Because I've got girls lined up if you don't think you're strong enough for this role!' Amy closes her eyes. This isn't what she expected. But, if she doesn't do it, she won't get the role. Slowly, she spreads her legs wide again and stares at him. 'Yes,' she says quietly.
Avi Love - Watching You
WATCHING YOUYOUNG WOMAN BECOMES PARANOID SHE'S BEING STALKED THROUGH HER COMPUTERJessie (Avi Love) is a young woman looking to rebuild her life after her boyfriend, Ashton (Mike Mancini) cheated on her. To start off on the right foot, she gets her laptop wiped so that she NEVER has to see anything reminding her of that asshole ever again. Yet, as soon as she returns home, her ex is waiting for her, confronting her in a heated argument. 'You'll regret this!' he threatens as she slams the door in his face. She may be rattled now, but she's sure there are brighter days ahead of her.Although she's hoping for a fresh start, Jessie's past quickly comes back to haunt her. First, her friend informs her that someone's hacked her social media and posted a raunchy update, claiming that she's looking for guys to fuck. Then she receives an unsolicited dick pic from an unknown number. Finally, her laptop camera keeps turning on and off as if someone's watching her...Terrified, she calls Ashton, begging him to leave her alone, although he insists that it's not him and that she's just crazy. Exhausted and confused, Jessie's almost at her breaking point. When she catches sight of a suspicious vehicle parked in front of her home, she just KNOWS that whoever is in that car is responsible for all of this.As Jessie grabs a baseball bat, she storms into the street, ready to settle this once and for all. Little does she know, the worst is yet to come as she comes face-to-face with her stalker.
Zoey Monroe - Middle Of Nowhere
MIDDLE OF NOWHEREFEMALE HITCHHIKER IS MADE TO PLEASURE BACKWOODS BROTHERS IN EXCHANGE FOR RIDEA young woman, Tania (Zoey Monroe), is walking down a deserted road, looking worried and tired. Her phone isn't working and no one has driven by in what feels like forever. However, when gets scared away from the road by a coyote howl, she returns just in time to see the taillights of a car as it zooms past. She's sure that she's missed her chance at a timely rescue, though her prayers are answered when a second vehicle stops for her not long after.When she approaches the car, the two men inside unsettle her. There's something about the way they look at her and talk to each other that creeps her out. Yet, she can't afford to turn down help, so she agrees to hitch a ride with them. Billy (Seth Gamble) and Willy (Jake Adams) are... odd... to say the least. Her nervousness intensifies when the brothers insist that they need to run an errand at their mother's house first, then they'll get Tania back on the road where she wants to be. Although Tania wants to protest, she doesn't have a choice. She's in the middle of nowhere and has to rely on the weird brothers to take care of her.Once they arrive at the house, it becomes painfully obvious that they've brought her back to fuck her -- together. They'll take her to where she needs to go IF she lets them have a little fun with her. It's her choice, though... she can fuck them or she can start walking out there in the middle of the night. Who knows what's lurking in the dark?Although Tania hesitates at first, she gives in, not wanting to take her chances out there. 'Fine, but you better make it quick,' she states as the brothers slowly grin.
Lisey Sweet - Charity Case
CHARITY CASEHOMELESS TEEN STALKS FAMILY MAN WHO SHOWED HER KINDNESSBen (Will Pounder), a family man, returns home from an outing. He parks in his dark garage and climbs out of his car, chatting with his wife on his phone. Unbeknownst to him, as he says 'I love you' and hangs up, someone is lurking in the shadows.When he turns on the lights, he's startled to see Cassie (Lisey Sweet) there, dressed in a cap and baggy hoodie. Ben goes on the defensive, thinking that he's being mugged in his own home, but she insists that he knows her. She's Cassie, a homeless teen he's shared sandwiches with before! She was so used to seeing him around when she was on the streets that when he stopped showing up, she panicked. She just wanted to make sure he was okay!Although Ben's freaked out at first, he assures her that he's perfectly fine. Seeing how shaken she is, he takes pity on Cassie and invites her inside to get washed up. Obviously, she can't stay with him, but he'll do what he can to help her.Cassie is smitten with him. She's drawn to his kindness, wanting nothing but affection from him, but she doesn't know how to properly show it. She comes on too strong and weirds Ben out, causing him to deny her every advance. Confused and desperate for human contact, she begins undressing, trying to get him to look at her naked skin. Ben is again freaked out, which only confuses Cassie even more. Doesn't he WANT to have sex with her? Otherwise, why would he have been so kind to her?Ben is appalled -- he's a family man who loves his wife very much! Not every guy wants to take advantage of her. But when Cassie refuses to leave and comes onto him stronger than before, Ben is conflicted. If he gives in this one time, maybe she'll get out of his life and never come back...
Chanel Preston - Will You Be My Wife TBD
SUBSTITUTE WIFEMAN REQUESTS ESCORT TO ROLEPLAY COMATOSE WIFE AS SHE LIES NEARBY DURING SEXSCENE OPENS on a close-up of unseen hands finishing putting a dress on a woman (Chanel Preston) on a bed, zipping it up and smoothing out the wrinkles. The hands clasp a bracelet to her wrist before applying lipstick tenderly to her lips. The woman never moves. We don't see her eyes.We cut to a POV shot from the bed, looking up at the man (Tommy Pistol) who is preparing the woman. He has his arms crossed over his chest and looks down at her, appraising his work. He thinks for a moment. Deciding something, he exits offscreen for a beat. He returns with high heel shoes. We cut away to a close up of him slipping the shoes onto her feet and cut back to the POV shot from the bed. He reappraises his work after the update. He seems pleased and smiles.'I hope you can hear me, honey.' the man says sweetly as he sits down on the bed next to her and takes her hand in his. After a beat of silence, he says 'No, I KNOW you can hear me. I just wanted to say...I realize that...that things haven't been...all that great between us ever since your...accident and I...I could tell you a THOUSAND times how sorry I am, but I know it wouldn't change what happened. All we can do is move...forward. And I want SO badly to do that. I'm committed to making this work, I'm committed to being...BETTER, committed to... getting us through this.' After another moment of silence, as he gazes at the woman in bed his eyes mist up with emotion. He reaches out and brushes her hair a bit back out of her face. 'I understand...that this...that this hasn't be an easy...TRANSITION for you and I..I WISH things could be different, but if this is the only way we can be together, to me it's better than nothing,' he continues. A moment of strained silence follows. 'But let's not focus on negativity, let's concentrate on tonight. I'm going to make this such a special night for you honey. You deserve it,' he says, smiling. 'I love you...so much,' he adds sincerely. The doorbell rings. He gets up to leave the room. 'That must be her,' he says with an expectant smile.CUT TO TITLEHe opens the front door to find Amanda (Gianna Dior) standing there, a tight dress clinging to her body as she twirls a small clutch on her fingers. Hi there, she says enticingly. Oh uh, hello, the man says nervously, smiling politely at his guest. Please...please, come in, he says, gesturing her inside. She walks in confidently and he closes the door behind her. 'You look very beautiful tonight. Thank you for...wearing the dress I requested,' he says. She does a little twirl. No problem, it's his night after all, plus...the dress is definitely her color anyway, she laughs. There is a moment of awkward silence.She glances around the house. Nice place, she says, trying to fill the silence. Oh thank you, he says nervously. Does he live in this big house ALL ALONE?, she asks playfully. Not...exactly, he responds, fidgeting anxiously. Amanda sees his obvious jitters. 'Oh baby, you don't need to be nervous, we're both consenting adults, relax! I'll take good care of you,' Amanda says soothingly, tracing her hand along his arm. He apologizes for being nervous, it's just been... a long time and he wants everything to be...perfect. She completely understands, Amanda says agreeably. He asks her if it's ok if he calls her Bonnie. He can call her whatever he wants, baby, Amanda says. 'And what's your name sweetie?' she asks him. Ron, he says shyly, clearing his throat. So...why don't they...go to the bedroom?, he asks. She thought he'd never ask, Amanda says flirtatiously. He leads her to the bedroom. When they get to the bedroom door, he pauses. Now, before they go into the bedroom, he needs to prepare her, he says. His wife is...in there, he continues. Oh, baby, she didn't know it was going to be a threesome, Amanda says. 'No, no, she's not...exactly...it will...maybe it's easier if I just show you,' he says, opening the door slowly.As the door creaks open, the form of an inert woman lying on the bed is revealed. It is the woman that the man was dressing earlier. Seeing this, Amanda becomes instantly wary. Um she's not sure exactly what's going on here...but she should probably go, Amanda says, moving away from the room. 'No no please...wait, it's not what you think. She's perfectly fine. Well, not fine exactly. She's...in a coma,' Ron says sadly. Oh, Amanda says softly. 'I'm...I'm sorry,' she says.'I am too,' he says, looking in at his wife longingly. 'It's been a while since her...accident, but I'm still not used to...not REALLY having her around...to not having that...intimacy with her,' he continues. Amanda's worry has been replaced with pity for this lonely man and she looks at him sympathetically. 'I want SO BADLY to be close to her again. That's why I called you here tonight, so you could...HELP us be close again, so you could---just for tonight---BE my Bonnie,' he continues.Amanda thinks for a moment. Oh sweetie, he could have just said that over the phone, he really freaked her out there for a second, yeah...OF COURSE she can do that for him, Amanda says kindly. He smiles with relief. Thank you, he says softly. 'That means so much to me...to...US', he says, gesturing towards Bonnie. Amanda smiles back at him. So...why doesn't she come in?, he asks, waving her into the bedroom. His side of the bed is waiting for them..., he adds. This stops Amanda in her tracks. Her smile vanishes, her wariness returning. 'Wait, you want me to...right next to her...?' Amanda asks in disbelief. Yes, it will help him to feel closer to Bonnie by actually BEING close to her, he explains. Oh..um..wow, Amanda says quietly, shocked. She understands, but...her services don't usually include this sort of...thing, she tells Ron. Maybe it's best if he calls someone else, Amanda says delicately, again moving to leave.He puts his hand lightly on her arm to try to stop her. 'PLEASE, please...don't go, I just...I miss her SO much. Will you please...will you...pretend to be...my wife?' he asks pleadingly. Amanda looks back at the man, glancing over his shoulder at his comatose wife. She is clearly weighing her options, considering his request. He looks at her expectantly. Finally, she takes a deep breath. Ok, she'll do it, Amanda says. Relief washes over the man again. Thank you, he says quietly. He moves towards the bed, smiles down at his wife and kisses her softly on the forehead. Amanda looks on uncomfortably. He crosses over to his empty side of the bed and sits down. Please, please, he says, motioning her to sit next to him. He smiles encouragingly. Amanda, still a little uncomfortable, hesitates for a second, but her professionalism quickly takes over and she assumes her role, sitting next to Ron as Bonnie lies on her side behind them. Amanda shoots a quick, cautious glance over her shoulder at Bonnie before devoting her attention fully to the man, laying her hand on his leg and smiling seductively at him. He smiles back, brushing a hair from his face. 'You look so beautiful, honey. I've...I've missed you so much,' he says to Amanda. 'I missed you too, Ron,' Amanda says, moving in to kiss him. Their kiss quickly becomes passionate as she moves her hand towards his groin, caressing his package over his pants.As he kisses her neck, Amanda can't help but glance over his shoulder at Bonnie. Bonnie still lies on her back looking straight up with her eyes closed, but it's as if Amanda can feel her watching her.
Sarah Vandella - Why Are You Doing This!
WHY ARE YOU DOING THIS!?SADISTIC BOYFRIEND MAKES GIRLFRIEND SEDUCE HER STEPMOM UNDER THREAT OF EVICTIONScene opens on Alison (Emma Hix), who is in her living room, pacing nervously. She is clearly worried about something. She hears a knock at the door and hurries to answer it. Her boyfriend Bradley (Lucas Frost) is there. He greets her, kissing her on the cheek as he walks into the house like he owns the place. He loudly sits down on the couch and puts his feet on the coffee table obnoxiously. So tonight's the night huh?, Bradley leers at Alison. 'I don't think I can do this,' she says worriedly, still standing. Baby, come here, he says, motioning for her to sit on the couch next to him. When she moves to sit down, he instead grabs her around the waist and pulls her onto his lap. She lets out a surprised gasp. 'Baby, you know I love you right?' he asks smoothly. She says 'yeah' quietly. And he's not making her do anything she doesn't want to do, right?, he says. It's her choice, but she knows what's going to happen if she doesn't do it, he continues, raising his eyebrow. Her eyes go wide as she stares at him, frozen. 'I don't want that to happen, but if you don't do what we agreed on, I WILL make sure it happens', Bradley says icily. But don't even worry, she's going to love it, he adds. She nods, still extremely nervous but clearly acquiescing to his demands. He looks her up and down like she's an object he's appraising. 'You look like a nice little slut,' he says, his formerly kind tone completely replaced by one that is vaguely sinister. He kisses her hard. 'Are you my little slut?' he asks her. Yeah baby, she responds. 'And you're gonna eat her fucking pussy right, aren't you?' he asks, reaching around and grabbing her ass. 'Yes baby,' she says, gasping. 'Fuck yeah you are...and I'm gonna watch you do it,' he says. Just then, they hear a key being inserted into the lock. 'And there she is now. She has no idea what we have planned for her tonight,' he says, a sleazy grin plastering his face. The door opens and Connie (Sarah Vandella) walks in. Immediately, Bradley separates himself from Alison and his sleazy grin transforms into a polite and welcoming smile. Connie smiles and says hello. 'Hi...Mom,' Alison says.CUT TO TITLE PLATECut to the dinner table, where the three have just finished eating dinner. 'That was delicious, Connie,' Bradley says. 'Oh thank you Brad,' Connie returns his grin. 'It's Bradley,' he corrects her, the agreeable and positive image he projects faltering for a moment as an edge of anger creeps into his voice. Oh, she's sorry, she forgot, Connie says, somewhat taken aback by the glimpse of what lies beneath Bradley's surface. That's ok!, Bradley says, flashing her a charming grin as he snaps back to his friendly appearance. Alison seems distracted, perhaps focused on the task that lays ahead of her. 'And how's the house? Everything good here?', Bradley asks, waving his hand around the room. Connie tells him that it's wonderful and thanks Bradley again for everything he's done. It was so tough after the accident, with her husband gone...and of course she couldn't work anymore...,Connie says sadly. Bradley nods, pretending to be sympathetic. So when Bradley came along, she was just so happy that Alison had someone, Connie continues. And then he arranged for his dad to help them with this place...Connie continues. 'You've really been a godsend,' Connie says to Bradley, smiling warmly at him. Oh it's really nothing, Bradley says with false modesty. 'It's not nothing. There's no way we'd be able to afford this place if your dad didn't own it and hadn't given us a discount on the rent,' Connie says appreciatively. 'It's no problem at all,' he says, with a faux sweet smile. 'Anything for my girl,' he adds, kissing Alison on the cheek but then leaning in close to her ear and whispering 'Do it now.' Alison looks at Bradley pleadingly. Connie begins to clear her plate, putting her napkin and cutlery on it, so is too distracted to see the exchange between Connie and Bradley. Bradley, through gritted teeth, motions her to get on with it. Alison takes a deep breath. 'Mom...there's something I wanted to talk to you about...something...private,' Alison says hesitantly. Sure, what's going on honey?, Connie asks brightly. Well..., Alison clears her throat, trailing off. Bradley, playing his part, steps in. Why don't they go to Connie's bedroom, where they can speak privately and he can wash the dishes while they talk?, Bradley suggests. That's so nice, thank you Bradley, Connie says. Connie and Alison get up and leave the room. Bradley pretends to shuffle the dishes around, watching Alison and Connie as they leave. He listens for a moment, and once he's satisfied that they're in Connie's bedroom, he leaves the kitchen. Cut to an over-the-shoulder shot of Bradley as he quietly creeps down the hall, arriving at the open door of Connie's bedroom.We see Alison and Connie talking as he watches. They are sitting on Connie's bed together. So what is it honey?, Connie asks. Alison is frozen in nervousness. 'I've been having these...thoughts lately Mom,' Alison says, looking up at her mom. What kind of thoughts?, asks Connie. 'Thoughts about...you,' Alison says slowly. 'Thoughts about me? What does that mean exactly?' Connie asks, a little wary. 'I've just started to...look at you differently. I mean, you're so...beautiful,' Alison says. 'I just....I think I love you,' Alison says. 'I love you too honey. Even though I'm not your biological mom, you don't ever need to doubt that,' Connie says tenderly. 'No no I mean...I'm IN love with you,' Alison says. Here we go, Bradley whispers to himself, fondling his crotch in anticipation, seal the deal baby.'Oh my god,' Connie says softly, her mouth wide in shock. 'I know I'm your stepmom Alison, but for all intents and purposes, I'm still your MOM, and there are boundaries that mothers and daughters don't cross,' Connie says patiently and firmly. 'You do understand that, don't you honey?' Connie asks. 'I know Mom, I'm not a kid. I'm 18-years-old, I get how these things work, but I just...I can't deny how I feel. I had to tell you: I want to be with you,' Alison says, putting her hand on Connie's knee. Oh no, no Connie laments, they can't do this, it's completely inappropriate. Connie softly removes Alison's hand from her leg. 'I know how lonely you've been since my dad died,' Alison says, sliding her hand under Connie's skirt between her legs. Connie removes Alison's hand from under her skirt. 'Alison, stop this right now! What's gotten into you?! Your boyfriend is right downstairs!' Connie says fiercely. 'I don't care,' Alison whispers desperately and again slips her hand between her mom's legs. Despite her misgivings, Connie is clearly thirsting for human touch and doesn't resist this time. She gasps as Alison rubs her pussy while she kisses Connie's neck. However, she seems just about to come to her senses and push Alison away when seeing this, Bradley chooses this moment to make his entrance, pretending that he just stumbled upon the scene by accident. 'Just wanted to---oh my god!,' he exclaims. Connie snaps her eyes open, abruptly moving away from her daughter. Connie looks horrified. Alison doesn't look surprised to see Bradley since this was all part of the plan. Connie exhales loudly, smoothing out her skirt. 'Bradley this isn't---' she stammers. 'Oh please. I know exactly what this is,' he says with a smarmy tone and plops down into the chair that faces the bed. 'Carry on,' he says with a dismissive wave of his hand. 'C-carry on?! Nothing was happening, I swear to you Bradley, we were just talking and then suddenly...,' Connie says frantically. Bradley insists that he knows what he saw. Connie and Alison are going to get back to what they were doing when he came in, Bradley says. 'And I'm going to sit right here. And I'm going to watch,' Bradley says. 'Just like we talked about, right baby?' he asks Alison. Alison doesn't answer, instead looking down at her lap, deeply ashamed. Connie looks at her daughter. 'You...knew about this?! So all that talk about being in love with me,...that was all to get me to do this with you...for HIM?!' she asks Alison. Alison looks up from her lap to her mom. 'Please Mom I--,' Alison begins, but Bradley cuts her off. Fucking right she knew about it, he wanted them to put on a little show, so he told Alison that she needed to make it happen, Bradley says. 'And Alison does what I say. Because she knows exactly what the consequences will be if she doesn't,' Bradley says threateningly. 'You're disgusting, get the fuck out of my house!' Connie yells at Bradley angrily.Well, he guesses he'll have to tell her about those consequences then, Bradley says. 'You see, that's just it. This ISN'T your house,' Bradley says calmly. Connie's brow furrows as she contemplates the implications of his question. 'That's right, it's not, it's my father's property,' Bradley continues. And his father loves him very much, so if Bradley asks him to, he'll evict Connie and Alison so fast that it'll make their fucking heads spin, Bradley says. 'So I suggest...that you both...Take. Off. Your. Fucking. Clothes,' Bradley says menacingly. There is a long silence. 'You seemed so...nice,' Connie says, almost to herself as she shakes her head in disbelief. He is nice, he just gets...bored sometimes, Bradley says absently. 'You're doing this because you're BORED?! How can you be so cruel?' Connie asks softly, horrified. Who knows really?, Bradley asks rhetorically. Maybe it's because he's rich and entitled?, or because he likes being in control?, or because his mommy left him when he was a little baby?, Bradley asks gleefully, mock crying as he mentions his mommy. Or maybe it's just because...why the fuck not? laughs Bradley sadistically. 'So you have a choice: Are you going to hit the sheets or hit the streets?' Bradley asks. 'Hit the streets or hit the sheets? That's pretty good huh? I came up with it while I was driving over here!' Bradley laughs. So what's it gonna be?, he asks, his laughter stopping abruptly. Connie looks at Bradley with pure rage and terror. Realizing that she only really has one option, she turns to Alison. She puts her hand on her daughter's knee and leans in reluctantly for a kiss. 'No, stop. I need to hear you say it, otherwise, it's no fun. Is this what you want?' Bradley asks. Yes, Connie says quietly through gritted teeth. Yes baby, Alison says numbly. 'Good choice,' Bradley says. 'Now, Connie? Fuck your fucking slut daughter please,' Bradley says evenly. Flashing Bradley a look of hatred, Connie turns to her daughter. They begin to kiss and Alison slides down between her mom's legs, slipping her panties off. Alison licks Connie's clit hungrily as her mom gasps, unable to conceal her pleasure while Bradley watches. But they'll find out soon enough that Bradley wants to do a lot more than just watch, and Bradley ALWAYS gets what he wants...
Jaye Summers - The Bad Uncle Returns
THE BAD UNCLE RETURNSUNCLE CONVINCES NIECE TO HELP LURE & SEDUCE HER YOUNGER SISTERPREVIOUSLY ON PURE TABOO: This is the story about how Diana (Jaye Summers) really lost her virginity. He'd been her dad's best friend for years. Uncle Joe (Charles Dera), as he called himself, had watched her grow up -- and she was his princess, the niece he never had. But once Diana turned 18, something changed about Joe. His fondness for her turned into an obsession. So he came up with a plan to get her alone...SCENE OPENS on present-day Diana and her Uncle Joe fucking in Joe's spare bedroom on the bed, she is riding him cowgirl-style and clearly putting in a lot more work and enthusiasm. She gasps and moans in pleasure and calls out Uncle Joe's name as she bounces up and down on his dick, while Joe mostly lies there and just offers a few generic grunts in reply. Diana seems to reach orgasm after a little while and then starts asking Joe to cum inside her - Diana exclaims that she can feel it and starts to slow and eventually stop.She pulls off of him and collapses to his side on the bed, rolling over to snuggle up to him placing her arm on his chest. He doesn't seem to reciprocate much. Diana tells her uncle that was great, but he corrects her - 'it was fine,' he says gruffly. She asks him what's wrong, she did all his favorites for him! He waves her off, telling her yeah yeah, she was swell... he doesn't seem to mean it. She sits up a bit and looks worriedly at him, did she do something wrong, or something? He looks at her with a serious expression and grips both sides of her head with his hands, playing lightly with her hair. 'Listen 'Princess', no offense, but...' he starts in a rude tone, the novelty's kind of wearing off. She's no longer a teenager and she's certainly not a virgin anymore...She asks him what she could do, what he wants her to do to make him happy. He looks her up and down, considering her, then pinches her cheek affectionately, saying she's cute when she's desperate. He asks about her younger step-sister, she must be getting around 18 these days, mustn't she? Diana reluctantly says yeah, she just turned it a couple of months ago. And she's a virgin, like Diana was? '...Yes,' Diana admits. Uncle Joe looks pleased at himself for the idea and says yeah... yeah, that would do the trick alright. 'Bring her here,' he instructs her, and goes back to stroking her hair with one hand. She looks at him with reluctant subservience but doesn't say anything in reply.TITLE PLATECUT TO another day, where Diana and Cammy (Emily Willis) are greeted at the door by a much friendlier-seeming Uncle Joe. 'There's my princesses!' he exclaims. He takes their bags from their hands and tosses them to the side, then welcomes them in. He gives Diana a brisk, business-like hug then moves on to Cammy, and hugs her for much longer. Wow, she laughs at how warmly he's greeting her, uh hi Uncle Joe! Long time no see! Uncle Joe releases her from the hug but keeps his hands on her arms as he looks her up and down, remarking at how much she's grown. He remembers when he used to come over to their house to visit their dad, and would pick her up for piggy-back rides like it was nothing, feels like only yesterday. Although he bets he could still do it! Without even waiting for permission, he scoops Cammy up in his arms and she yelps in surprise, then giggles in embarrassment. 'Uncle Joe!' she squeaks. Diana looks at them with a mix of jealousy and guilt.Once she's set down, Cammy starts to pick up her bag and Joe says no, let him take care of it! He turns back to Diana. Why doesn't she give Cammy the tour, he says suggestively to her, while he gets all their things settled in their room. Then they can all meet up outside at the pool for a swim. A pool! Cammy squeaks with excitement, she can't wait! Uncle Joe sidles up behind Diana and puts his hand firmly, ominously even, on her shoulder. Make sure the two of them don't skimp on the tour, he says to her with fake innocence, take all the time they want. She nods obediently without looking back at him, and then slips her hand into Cammy's. They scamper off, and Uncle Joe shoots a devious look at the bags.CUT TO poolside, Uncle Joe is seated comfortably in a pool chair wearing his sunglasses when the two girls emerge from the house - Cammy is still wearing her original clothes while Diana is wearing a bikini. Uncle Joe? Cammy asks, he wouldn't have happened to have seen her bathing suit when he brought the bags up to the room, did he? Uncle Joe feigns innocence and says no, he hardly touched the bags other than to bring them upstairs. Diana looks to Cammy and says see, she knew Uncle Joe wouldn't know where it is, Cammy probably forgot to pack it. But Cammy swears she remembered putting it in her bag, it was one of the first things she packed - she was really excited to go swimming and absolutely didn't want to forget. Oh, Uncle Joe says, well she shouldn't let a little thing like that ruin her fun, now. She can just swim in her underwear, he suggests. Cammy seems a bit hesitant, but Uncle Joe says come on, between her step-sister and him being their dad's best friend, they're all practically family here - no need to be so bashful. O-okay, Cammy says, warming up to the idea as she sees they don't seem to mind. She strips out of her clothes, revealing a white bra and panties underneath. 'Atta girl, Uncle Joe says, don't be shy. She flashes a grin at him and then jumps into the pool with a splash and a playful shriek. Unbeknownst to her, her white bra and panties once wet now show Uncle Joe a great view of her nubile teen body.Uncle Joe catches Diana's eye and shoots her a meaningful look and a tilt of his head towards Cammy. Diana looks back obediently and nods again slightly. She joins Cammy in the pool. 'Hey Cammy,' Diana calls out, does she remember when they used to play pool tag as kids? They should play that again! Cammy says that it might be a bit lame with just two people, and Diana taunts her, she's just saying that because she knows she won't be able to catch Cammy. Oh, it's on! Cammy giggles and chases after Diana.The two of them frolic in the water, laughing and giggling as they chase around the pool, splashing each other and trying to catch each other. Whenever Diana is 'it' and catches Cammy, she gets very handsy, giggling and hugging and pressing her body up against Cammy's. Cammy takes a cue from her and starts to do the same. Soon the two of them are barely running or chasing at all, but rather wrestling each other in the pool. Diana even playfully lowers one of Cammy's bra straps or tries to remove it, and Cammy gasps in happy shock and tries to get revenge by doing the same. Throughout, Uncle Joe watches them through his sunglasses with perverted interest.Cammy remarks she's getting hungry, and is going to fix herself a snack. She asks if Uncle Joe wants one and he jokes that he's good, he's got a couple of tasty morsels already right in front of him. Cammy looks weirded out for a moment then laughs the comment off saying that Uncle Joe is so silly, but behind her Diana shoots Uncle Joe a glare of concern.Uncle Joe then watches, with no attempt to hide it, as Cammy steps out of the pool dripping wet and grabs a towel, heading back into the house. Diana steps out of the pool next and rushes up to Uncle Joe. He has to be more careful, she warns him quietly, he's going to scare her off. They have to take things more slowly and get her warmed up to the idea, having sex with her dad's best friend is one thing but sex with her own step-sister too - it's going to make her freak if they don't handle it carefully. Uncle Joe tells Diana she'd better make damn well sure that doesn't happen, because he's just starting to enjoy himself and he's not in the mood to take things slow. So it's up to Diana to make sure her sister behaves when the time comes. Diana wouldn't want to disappoint him, would she? Diana timidly says she'll do what she can. Uncle Joe gives her a smack on the ass and tells her to get going inside. CUT TO late that night - both girls are dreaming sweet dreams, side by side in bedrolls on the floor. The bedroom door creaks open, and the light of the hall spills out into the dark bedroom. Uncle Joe's feet step into frame. He looks the girls over hungrily, edging his way into the room to get a closer look at their teen bodies in their nightwear. He moves into the space in the middle of them both and, careful not to alert them, he settles in lying down between them. His attention goes straight to Cammy. He rolls onto his side to spoon her - she moans comfortably in her dreams. He holds her like that for several seconds, then feeling emboldened, he backs up slightly from her body and pulls his hard dick out from his boxer shorts. He strokes himself, inching as close as he can to Cammy without touching her again now that his dick's out. He breathes heavily against her neck as he strokes himself. Sensing his presence, Cammy's eyes flutter open. 'D-Diana?' she asks quietly and timidly, 'is that you?' No, princess, Uncle Joe says back in a low voice, it's her Uncle Joe.Cammy still seems a bit groggy, Uncle Joe? What is he doing h- ... she rolls to her other side and sees him stroking himself and her eyes go wide. She calls out to Diana, get up, Uncle Joe is-! Diana's eyes snap open and she instantly starts to reassure her, Cammy, it's ok, it's ok! Cammy doesn't calm down right away, and tries to get Diana to realize what's going on, but Diana tells her she knows. 'What do you mean you know?' Cammy asks, panicked. Diana explains that Uncle Joe has something he wants to share with the two of them, something very special. 'No, but-' Cammy starts to protest, but Diana interrupts her. It's okay, she tells her little sister, she's going to like it, see? She grabs Uncle Joe's hard dick in her hand, and then puts her mouth on it to suck it, looking Cammy right in the eyes as she does it and saying mmmm.'Diana, what are you-?!' Cammy tries to say, but Diana pulls her mouth off of his dick and cuts her off again. See, Cammy? she says, moving his dick to point at her little sister now as if offering it to her. It's no big deal, he just wants the two of them to thank him for his hospitality. Didn't mom and dad teach them to show manners growing up? Cammy starts to get flustered and frustrated, but this isn't right, she insists, this- 'Cammy,' Diana hisses, sounding a bit desperate. 'You're being rude! Uncle Joe invited us here, we're guests in his home, and this is how he wants us to thank him. Quit being such a brat and just give him what he wants.' Her tone softens, and she continues, saying that she promises Cammy will enjoy it. Just like Diana did.Cammy's eyes widen - like she did? Diana nods and says it makes Uncle Joe happy. It makes her happy too. Cammy looks from her sister to Uncle Joe, who's staring intently at her. 'What do you say, princess?' he coaxes her and strokes her hair. 'Don't you wanna make your Uncle Joe happy?' Cammy looks down at his dick, which he continues to stroke with his other hand. She says she guesses she can try, but she's never done anything like this before. Uncle Joe tells her don't worry, her big sister will show her everything she needs to know.
Abella Danger - Fool Me Once
FOOL ME ONCE...OBSESSED STALKER TEEN LURES UNSUSPECTING CRUSH INTO SEX TRAPSCENE OPENS on a teen, Kimberly, as she unlocks the door to her house and lets in her companion, a handsome young man, Jamal, only a few years older than her. They are both wearing gym clothes with gym bags slung over their shoulders, and are sipping on smoothies as they engage in lively small talk. They seem to have great chemistry together. Jamal remarks that Kimberly has a really nice place, and she replies that her family is pretty well off so when it came time that she wanted to move out on her own when she turned 18, her parents paid for everything. She jokes that she always gets what she wants, and Jamal suavely asks her what it is she wants right now. 'You'll see,' Kimberly says teasingly. She leads him in to the living room and invites him to get comfortable.Jamal asks Kimberly how long she's been going to that gym, and she says she joined probably about two months ago? What a coincidence, Jamal says, it's been about two months for him too. He remarks that they seem to have similar schedules too, he jokes that it feels like he's seen her almost every time he's been there. And yet it took him this long to come up and say hi? Kimberly asks with a smirk. Jamal chuckles and says he likes to take things slow but that Kimberly definitely caught his eye right away. Kimberly asks him what about her caught his eye right away? With a laugh and a gesture towards her whole body, Jamal asks besides the obvious? Well, he did actually also happen to notice she was wearing a t-shirt of his favorite band. Kimberly seems surprised, that band is his favorite? It's hers too! They both gush about the band for a bit, and compare some other bands they like as well as listing off other favorites, like favorite foods and colors. Both of them seem excited and shocked to learn how many interests and activities they have in common.Kimberly mentions it's crazy it took them so long to meet each other with so much in common, and that they should do one of their shared activities together sometime. This encourages Jamal to turn on the charm, and he hints to Kimberly that he bets there's one other activity they could do if she's interested. Kimberly takes the hint and flirts back, saying that he read her mind. That's exactly what she wants, right now. 'And you always get what you want, right?' Jamal asks with a smile as he leans in closer to her. 'You bet I do,' Kimberly replies. Their faces are inches away, and there's a moment of electric tension before they close the gap and start kissing intensely, with tongue. Jamal's hands move over Kimberly's upper body, feeling her up over her clothes as they make out. After a good half-minute, Kimberly breaks away. She tells him she just wants to freshen up for a second in the bathroom before they go further, and Jamal says no problem. He jokes that she knows where to find him when she gets back. Kimberly laughs and makes her way to the bathroom. Once there, she closes the door and pulls out her phone with a greedy, secretive look on her face.Kimberly wets her finger with her tongue and slips it down her pants to finger her pussy teasingly for a few seconds as she stares at her phone, pleasuring herself to the voyeuristic pictures she'd taken of Jamal from a previous day. Then she closes the phone and puts it back away, and opens up her bathroom drawer. She pulls out a sterile specimen cup, the seal not yet broken, and hides it discreetly in her hand behind her back. She gives a quick check in the mirror of her appearance, and then leaves the bathroom, turning off the light and closing the door behind her, shutting out the camera as we catch a last glimpse of the specimen cup in her hand.TITLE PLATE Kimberly comes back to the couch and says she hopes Jamal wasn't kept waiting too long. Jamal says he likes to take things slow, remember? He'd only ever get with a woman he thinks is worth waiting for. Kimberly remarks that he's quite the gentleman... but she hopes he knows how to be a bit of an animal too. Jamal boasts that he can be as nasty as she wants him to be. Kimberly stealthily tucks the specimen cup behind her back somewhere nearby but out of sight, and then straddles his lap instead of taking her seat back beside him. Her ass sticks out teasingly in this position, and Jamal puts his hands firmly on either side of her ass over her clothes and starts groping her cheeks as they resume making out. Kimberly encourages him to keep being nasty and playfully calls Jamal 'Mr. Williams' , at which point Jamal slows for a second and remarks that he doesn't remember ever telling her his last name, did he? Kimberly lies and says she overheard the greeter at the gym call him that one time, and Jamal believes her.They continue to kiss and grope each other as Kimberly straddles Jamal. He peels her top off revealing her sports bra, and plays with lowering her pants and tugging teasingly at her thong. Kimberly also lifts Jamal's shirt up and eventually off. As she traces her finger along his facial hair, she remarks that she likes it way better than when he was completely shaven, she finds it way more sexy and distinguished. Jamal chuckles but it quickly turns to nervous laughter, and he takes her hand in his and pulls it back. He hasn't been completely shaven for four months, he says. But she's only seen him for two months. Kimberly casually tries to convince him that no, he definitely was completely shaven at the gym, she remembers he had it when he took that spin class she was in. Yeah, Jamal says, at his old gym. He hasn't taken any classes since he joined the new gym. Right, Kimberly continues as if nothing is wrong, his old gym across the street from his house. He doesn't remember her from there too? Jamal's voice grows more concerned and he says no, he doesn't. But more importantly, how does she know where he lives? Kimberly doesn't have an answer, and Jamal tosses her off his lap and spits out the truth - she's some kind of fucking stalker or something, isn't she?!Jamal realizes more and more how much Kimberly had fooled him. He gets up to get farther away from her. All that stuff she said they had in common, that was just bullshit, wasn't it, she's just like obsessed with him or some shit. Kimberly gets up too to try to close the distance between them. She swears that no, maybe it's true she hadn't tried most of that stuff before meeting Jamal but once she found out what he liked, she started learning more about it all and she really does love it. Jamal calls her a crazy bitch, she just stalked him and invaded his privacy and then tried to trick him into fucking her. He's getting the hell out of here.Desperate, Kimberly tells him he can't go. Jamal says 'Watch me,' and pushes past her, snatching up his shirt from the couch. Kimberly hesitates for a moment, but seeing she has no other choice, she blurts out that she'll tell everyone all his secrets if he leaves. He stops, but is reluctant to believe her. What secrets, he asks. 'Gloria' she replies, and Jamal's shocked that she knows about his wife. Also about Sarah, a mistress... Kimberly can tell Gloria all about his weekly trips to the motel at the next PTA meeting for his son...Jamal keeps from shouting, though it's clear that he's barely holding back his anger. She's fucking crazy, does she know that? Like seriously unhinged. How can she say she loves him, and then threaten to ruin his life? Kimberly insists that Jamal only has two options: making love to her or Gloria finding out all about Sarah. Jamal shakes his head again and mutters another insult about how fucked up this is under his breath, then says 'Let's just get this over with...' He pushes her face-down onto the couch since he doesn't even want to see her face while he does what he has to do.
Valentina Nappi - The Housemaid's Tale
THE HOUSEMAID'S TALEWEALTHY MAN INTIMIDATES HIS EUROPEAN MAID INTO CLEANING FOR HIM IN THE NUDEA wealthy man (Charles Dera) comes down the stairs of his house and turns the corner into the living room. He is distracted by his phone, and without looking, he accidentally bumps into a woman (Valentina Nappi), a housemaid who was cleaning in the room. He apologizes, and remarks that she must be the new maid the cleaning company sent over. She responds yes, with a noticeable accent but her english is otherwise quite good. He welcomes her to the payroll, and she replies 'Thank you, Mr. Bradley' in a polite and respectful tone. He tells her there's no need to be so formal, please call him Trent. He asks her for her name -- he's clearly into her. She introduces herself as Rosa. As he listens he notices her accent more, and asks her where she's from. She replies that she's Italian. 'Ah, Italian!' he exclaims, and boasts that he speaks a little Italian himself. He recites a small phrase in French, and Rosa nervously responds that she doesn't know French. Trent dismisses his blunder, then boasts that he travels a lot for work and he's been all over the world. He asks if she likes to travel and she says that she'd never been out of Italy until she moved here a few months ago, her family didn't have much money growing up and since coming to the States she's been cleaning houses for a living and sending some of her wages back to them when she can afford to. Trent misses the point, and tells her that she's missing out if she's never traveled for fun, getting uncomfortably close to Rosa. It's clear that she's unhappy with his close proximity, but he either doesn't notice or doesn't care.Trent seems emboldened by what he mistakes as Rosa being friendly instead of just polite. He asks her if she's ever been to one of the local Italian restaurants, a fancy-sounding one. Rosa gives a strained smile at his tone-deaf question and says no, she hasn't. Trent was clearly expecting this answer, and says that's perfect, he can take her there sometime! There's no better five-star restaurant in the area, he knows the head chef personally. Rosa interrupts him and tells him she's flattered, but she makes it a policy not to date clients. Trent's smile wavers, and he starts chuckling to himself out of embarrassment. 'Oh what, you thought I was asking you out on a date?' he laughs, and then in a bit of a more petty tone, he says 'You must think I'm some kind of fucking loser to pay my maid to go on a date with me.' Rosa starts to apologize, she thought- 'Yeah, I know what you thought,' Trent interrupts, and his rude tone gradually gets worse as he starts to rant at her. 'Let me tell you, I do just fine. I've dated supermodels, I've dated fucking pop stars, trust me, I don't need to be hitting on my fucking maid, OK?'As her boss gets more and more riled up, Rosa tries to calm him down. Finally she admits he's right, she's so sorry, and to make him feel better about himself she lies and says she must have misunderstood, english isn't her first language after all, she sometimes misunderstands things. The fact she acted like he was right seems to cool Trent down, and he starts to treat her nicely again, patronizing her even. Oh, of course, how silly of him, apology accepted. Sometimes he forgets who he's talking to, but he didn't mean to be so insensitive. He'll try to speak a bit slower from now on so she can understand better. Reluctantly, Rosa says thank you, and he says he'll leave her to her work then. He walks past her and gives her a pat on the shoulder, not noticing that she flinches slightly at his touch. He keeps walking away from the camera and out of focus, as Rosa stands there looking shaken.TITLE PLATECUT TO days later, Rosa is on her knees scrubbing the floor with a sponge or rag, and wearing rubber cleaning gloves. She is wearing a nicer outfit than the previous encounter, one that accents her curves nicely and reveals a bit of her legs and cleavage, though it still looks on the plain, sensible and affordable side. She's wearing a cleaning apron to keep the clothes relatively clean. Trent comes down the stairs and quietly approaches nearer to her, with the camera following his male gaze POV as he watches her with voyeuristic intent.After a long moment of watching her silently, Trent says what a nice dress she's wearing. Rosa is startled for a moment, then sighs in relief. 'I didn't see you standing there, Mr. Bradley!' she scolds him with a nervous laugh. He apologizes for scaring her, and says he hopes she's not still on edge from what happened the other day. Rosa, clearly lying, says no, of course not, he's the customer and it's her job to keep him happy. Trent, oblivious, says that's good and he's glad they were able to work things out. He watches for a few more moments and then compliments her on the dress. She looks up at him with a smile and says thanks, does he like it? She's wearing it for someone special. Trent raises his eyebrows, grins, and says 'Are you, now,' thinking she meant him. Rosa says yes as she turns her attention back to scrubbing, and continues saying she has something very special planned for the night. Trent asks her to go on, and she seems to warm up to him a bit since his apology and becomes a bit more talkative. She tells him she's planning a romantic candlelit dinner, followed by a delicious dessert... although if all goes according to plan, 'we won't make it to dessert!' She lets out a hearty laugh. Trent remarks that that's very forward of her to say. Rosa looks back at him with a wink and says that she's Italian, passion runs in her blood. She and Trent continue to talk about her planned special night, with him still thinking it's him she's talking about. She asks if she can leave an hour early to get ready and he agrees.Rosa thanks him graciously as she starts to collect her supplies from around the floor, and says that her boyfriend is going to be so surprised. Mr. Bradley's face cracks, her boyfriend? Rosa says yes, her boyfriend, for their three month anniversary, didn't she say so earlier? Mr. Bradley gets up slowly and starts to walk towards her with a heavy step. No, he says angrily, she didn't say so earlier. Rosa starts to say oh, well who else did he think she was referring to? But before she can finish, Trent interrupts her in a raised voice. 'I'm not paying you to run off and fuck your fucking boyfriend!' he shouts. He continues, talking about how she's prancing around in the dress, trying to turn him on, and now she's going to reject him to go fuck her boyfriend? And she wants him to pay for it? All it takes is one phone call from him and she'll be deported so fast. Trent stomps past her and kicks the bucket of water next to her, causing it to spill onto the floor. There, he says without looking back at her, there's some work to do, she can clean that up.The next day, Rosa arrives at the house and is surprised to be met by Trent upon arrival. She remarks nervously that she didn't expect him home this morning, usually he's in the office until much later. How was her date? Trent asks. Rosa says nervously that it was fine, but doesn't elaborate. Trent looks her up and down, seeing she's wearing very plain clothes. He remarks that she's not all dressed up today, in fact pretty much the opposite. Rosa replies that these clothes seemed more work-appropriate. Trent tells her he disagrees - he liked it when he could see a bit of skin. In fact, he wants to see a lot more. He wants her to strip naked and clean his house in the nude today. Rosa spins around, clutching her supplies in shock. He wants what? Trent says, 'You don't want all that money to stop going to your parents, do you?' She's worried and says that he wouldn't do that, and he says, 'You can try me!' He then tells her that he just wants to help her and her family... Looking sad and humiliated, Rosa reluctantly says 'fine' and starts stripping out of her clothing, throwing them onto the floor in what little protest she can give.As she strips, Trent stares with great interest. When she's finally naked, he instructs her to start cleaning. She begins scrubbing down the sink and he tells her she missed a spot, and another spot, and another...Rosa turns and see that Trent has his cock out. She recoils, saying that this has gone too far while Trent says it's only just started. As he undresses, he tells her that it'd be a shame if she had to fly away, never to see her boyfriend again... Does she understand the words that are coming out of his mouth? So she knows what she has to do. Rosa's hesitant but finally goes down on her knees with a defeated, 'fine.'
Domenic Kane - The Watcher
THE WATCHER
CREEPY VOYEUR SPIES ON YOUNG COUPLE AND FOLLOWS THEM HOME
SCENE opens on an establishing shot of a broken-down shed. It is early morning. Cut to inside. A homeless man's legs stick out from underneath a tarp as he lays huddled on the dirt floor, surrounded by garbage and old food containers. From a dirty POV, we watch him lift off the tarp and sit up to see the sunlight streaming through the cracks in the door. His face is hidden by his hooded sweatshirt, but he is a tall, intimidating figure. He rummages through his garbage before picking up an old tattered porno mag and, with a groan, opening its sticky pages.
CUT TO TITLE PLATE
Several hours later. The man, still shrouded in his hoodie, leans up against a curb begging for money. People pass him by without any notice.
JUMP CUT to a close-up of the man's dirty shoes as he staggers down the roadside, panning up to reveal him holding a tall can wrapped in a brown bag. He comes upon the entrance of a park. From a dirty POV, we watch him look around before deciding to venture inside.
JUMP CUT to the man walking through a secluded, woody area at the back of the park. He has come here to look through more of his magazine. As he settles down by the parameter fence, he hears a woman laughing and pauses. From a dirty POV, we watch as he cautiously stands back up and creeps towards the sound of the woman. Through the clearing, A couple have laid out a blanket underneath some trees and are making out. Jenny, the woman, giggles and play fights with Paul, her boyfriend, who is trying to affectionately get her clothes off. The man watches and listens, as their small talk reveals the pair are a recent couple out on a date. They are both college students. Paul wants to have sex while Jenny is nervous. She doesn't want to do it in public and get caught. He tells her to chill out, no one ever comes to the back of the park. 'Besides, we are both over twenty-one,' he adds. 'And it would only be a misdemeanor ... so isn't it worth the risk?!' She laughs and tells him he's a terrible influence, as they keep kissing. The camera jumps between a wide shot of the couple, with the man shrouded in the background, and a dirty POV of him watching. Finally, caving to the pressure, Paul suggests they go back to his place to fuck instead ... and Jenny eagerly agrees. They gather up their things and leave, while the man still watches.
JUMP CUT to a dirty POV of the man watching Paul and Jenny as they enter his house, leaving the door slightly ajar by mistake. Cautiously, the man creeps up and quietly steps through it after them. He can hear their voices on the other side of the house. Breathing heavily, he walks through the main floor and towards the bedroom. He peeks inside and watches as the couple make out in bed. Paul is removing Jenny's top as they kiss passionately, and she undoes his belt. She begins to give him a hand job, as the camera cuts back and forth between inside the room with them and the man's dirty POV. Paul begs Jenny to suck his dick, but she keeps laughing and pulling twigs out from his dirty shorts. 'Let's just take a quick shower first,' she teases. 'And then you can do whatever the fuck you want to me!' Paul groans and nods, ushering Jenny off the bed and out of the room, as they strip off their clothes and narrowly miss the man who has darted around the corner. From a dirty POV, he hears the shower come on and then creeps into the bedroom, so he can find himself a better view. He decides to hide inside the closet.
A few moments later, the couple come back into the room naked and ready to have sex. The closet door stays in the frame as they begin to go at it, completely unaware that they are being watched.
Adriana Chechik - A Study In Gaping
A STUDY IN GAPINGSTUDENT SUBMITS TO INVASIVE ASSHOLE GAPING FROM HER OBSESSED PROFESSORSCENE OPENS on a professor's lush, old-fashioned-looking university office. Professor Claremont (Mick Blue) stands at an ornate window, looking out lost in thought onto the university campus. On the visitors couch across the room, his teacher's assistant Annabelle (Adriana Chechik) sits, waiting and fidgeting in the awkward silence. The ticking decorative clock on his desk is the only sound for several seconds. Finally, Annabelle breaks the silence -- 'umm, you were saying, professor?' Professor Claremont snaps out of his reverie and turns to face her. Ah, yes, sorry, he apologizes. His thoughts had whisked him away to unknown places, he says playfully. The professor appears eccentric but charming, like a man from another era. Annabelle seems used to his odd behavior, even a bit enamored by it. He says that they've done enough for the day and dismisses her. But as she's leaving, he calls her back to get her thoughts on a new biology project he's working on. He trusts her like he trusted her sister, who he taught years ago. Annabelle is flattered, but tries to act nonchalant about it. He continues, saying that the project would be controversial but of great interest to him on both a professional and personal level. She asks him to go on, but before he does, he moves to sit beside her on the couch and switches to a very serious tone. He insists that she swears she not tell anybody what he's about to tell her. He repeats that it's quite controversial, and it could jeopardize his career if anybody were to find out about his interest in the subject. Annabelle looks a bit taken aback, but promises that she won't tell anybody. 'Marvellous!' he says, switching back to a lighthearted tone. He pats her knee with his hand innocently. 'Now then, tell me - what do you know about 'gaping'?'CUT TO TITLE PLATEAnnabelle tries to recoil a bit from her professor without being obvious about it, moving away from the couch to the desk to make some distance between them. Gaping, she asks incredulously, you mean like the sex thing? Yes, precisely, he answers. He explains that he finds it fascinating... from an anatomical point of view, of course. He remarks that so much of human sexuality is driven by a lust for external body parts -- breasts, legs, butts. But those who are interested in gaping want to see the beauty of the insides. He says that it's remarkable, doesn't she agree? Annabelle looks quite weirded out, tells the professor that she's not the right person for this, and moves to leave. But the professor stops her, grabbing her roughly by the throat. Realizing immediately that he has gone too far, he releases her and apologizes. Annabelle gets her bag and is leaving, but something stops her. Despite her hesitance, something has...intrigued her. The professor regards Annabelle for a moment and then, opening up a desk drawer, slowly and silently removes a magazine and sets it on the desk. Annabelle tentatively looks at the magazine, which is filled with dozens of gaping photos. The professor moves behind her. 'Isn't it beautiful?' he whispers in her ear. Annabelle looks scared, but also a little turned-on. He asks her if she trusts him. Reluctantly she admits that she does trust him and she wants to be a part of something important. The professor is pleased to hear that and reminds Annabelle how her sister trusting him proved very beneficial for her. What they're about to do will change the world, the professor says. Annabelle is ready, and asks the professor what she has to do. In response, the professor silently unbuttons the first few buttons of her blouse before sitting back down on the couch. Annabelle takes the hint and unbuttons the rest of her blouse, taking it off as the professor watches. As she turns to him and begins removing her pants, revealing her perfect ass, he breaks the silence, saying that as soon as he heard about the phenomenon of gaping, he was intrigued. He's since researched thousands of videos on gaping, but none of the videos get it right. That's where Annabelle comes in. Together, she and the professor are going to make it perfect. He leads her over to his desk, where she gets on all fours, sticking her ass up in the air. Slowly, methodically, he slips her panties off. He caresses her ass approvingly, complimenting her on her beautiful asshole. The professor gets to work, lubing up Annabelle's butthole. This is the first step in creating a beautiful gape, he continues. Sliding his thumb in her lubed up ass, she moans in pleasure. The professor begins to get to work in earnest, and his invasive study doesn't stop with just his thumb. With the implements he has at the ready to probe and penetrate her (previously) tight asshole, Annabelle's faith in her professor is about to be stretched to its absolute limits.
Cadence Lux - Bad Samaritans
Nominated - Best Actress - Featurette: Cadence Lux, AVN 2020
Nominated - Best Sex Scene -- Vignette: Cadence Lux, Charles Dera & Seth Gamble, XBIZ 2020
BAD SAMARITANS
COLLEGE GIRL FIGHTS WITH BF AND ENDS UP COVERED IN CUM BY STRANGERS
SCENE opens on an unhappy couple, Carly and James, as they drive through a residential neighborhood on their way home. The pair have just come from James' parents house and Carly is very disappointed at the way in which James has treated her in front of his family. Even though they've been dating for three years now, the man still won't commit to anything more than living together. He even had the nerve to laugh about it with his father in front of Carly's face. Now, as she gives him a piece of her mind, reminding him that she is 25 and just wants to settle down, he accuses her of being overbearing. She should just be happy with what they have and stop pressuring him. The fight reaches a fever pitch when Carly demands to get out of the car. She doesn't want to be near her boyfriend anymore. He tries to tell her to calm down but, when he reaches a stop sign, she jumps out anyway and starts storming off in the opposite direction. James yells after her for a moment, before growing frustrated, and driving off.
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Several blocks later. Carly is still walking, her arms folded, and tears streaking her face. She pauses to look back at the road. Goddamn bastard didn't even turn around! He's going to be sorry when she gets home and dumps him. She mutters to herself as she wanders through the unfamiliar neighborhood. She has no idea where she is, it's hot as hell, and she left her purse and phone in the car.
A black SUV appears in the distance. As it draws closer, it begins to slow down until it is driving parallel to Carly. A nicely dressed, handsome man rolls down his window and asks her if she is ok. Embarrassed, she tells him she is fine and turns back to begin walking again when the man cuts his engine. 'Are you sure?' He asks again. 'It looks like you're crying!' Carly wipes her face and tries to shrug it off. 'It's ok ... really,' she replies. 'I just had a fight with my stupid boyfriend!' The man in the car laughs. 'Let me guess ... did you storm off to prove a point and, like a typical man, he just left you here?' Carly nods, a smile creeping across her face. The man smiles back. He stretches out his hand and introduces himself as Adam. 'This neighborhood is a little sketchy, why don't you get in and I'll drive you home?' He offers. 'Unlike your boyfriend, I don't feel comfortable leaving you here!' Carly pauses for a moment in hesitation, looking around. She knows she shouldn't get in a car with a stranger, but he seems very genuine. Besides, she really has no idea where she is, so she agrees and gets into his car.
As they drive towards her apartment, Adam is friendly and open about himself, telling Carly all about his background and his own relationship history. Carly can't help but feel a little smitten by the handsome stranger, especially in contrast to her jerky boyfriend. When he nonchalantly tells her that he was on his way to hang out with a friend, she makes a joke about wishing she could tag along too. The last thing she wants to do is go home right now and deal with James. Adam shrugs his shoulders and tells her she is more than welcome to join them. He'll even take her home afterwards or call her a rideshare. Smiling at him, she bites her lip and agrees. It'll be fun!
Cut to the doorbell ringing. Nathan, Adam's friend, opens the door and is surprised to see Adam standing there with a young woman. The men exchange a quick glance before Adam tells him how he found Carly on the roadside. 'Your boyfriend sounds like an asshole!' Nathan exclaims, extending his hand. Carly laughs and nods, slightly intimidated, as she is invited in.
CUT to the patio. Adam leads Carly outside while Nathan stays in to grab some beverages. The sun is starting to go down and the view in the back is beautiful. Carly looks around in awe while Adam tells her about how he and Nathan met in college. They played football together and were in the same fraternity. Now they are business partners. Audio-visual equipment. High-end stuff. Lots of celebrity clients. Carly imagines how successful they must be, given the size of Nathan's house. 'Is he married?' She asks. Adam shakes his head. 'Nah ... Lifelong bachelor,' he replies. Suddenly, Nathan bursts through the back door holding a camera and pointing it at the duo. 'Say Cheese!' He jokes. From the camera's POV, we hear him brag about the new model they just got in and how beautiful the picture quality is. Adam walks over, out of frame, to check it out and the friends ogle the tech specs while the camera secretly zooms in on Carly. She stays awkwardly by the patio edge, occasionally making eye contact with the camera and fidgeting. Nathan jokes and tells Carly to smile ... she looks so pretty with the view behind her! Not wanting to be rude, she pushes a smile and even makes some bad modeling poses to play along with the boys. 'You're not actually recording that, are you?' She jokes, half-serious. Nathan puts down the camera and says of course not. He tells them their cocktails are ready inside.
The trio sit down in the living room and Carly nervously sips her beverage. She is starting to think that maybe she should just go home and deal with her boyfriend after all. Nathan continues to tinker with his camera, while Adam tells him more details about what happened to Carly. 'Do you want us to go beat him up?' Nathan jokes. Carly tells him that he's sweet. James probably deserves it after the way he acted ... but, she doesn't need them to do that. She can handle it herself. Adam starts to rant about how shitty men can be, how disrespectful and rude they are. Women should be treated like goddesses ... not like pieces of trash you leave on the roadside. Nathan chimes in, adding that Carly should at least consider some kind of payback. After all, the jerk should feel bad for what he's done. What if she had been attacked out there? 'The neighborhood he left you in,' Adam adds. 'Is notorious for violent crime, especially against women!' Carly didn't realize that, and the weight of what James did to her slowly begins to sink in. 'It is really shitty that he didn't even try to look for me,' she mutters. Nathan and Adam move closer to her on either side of the couch. 'So, what do you think you're going to do?' Adam asks. 'It needs to be something that really pisses him off!' Nathan adds. Carly looks up at them, as they invade her personal space with their questions. 'I don't know,' she replies meekly. The men continue to pepper her with questions: What makes him mad? Does he get jealous easily? Maybe, the best revenge she could take is to make him jealous. Make him wish he hadn't been such a pussy and just married her like she wanted. They get Carly riled up to a point where she is agreeing with them. It would be satisfying to see him suffer a little. Nathan motions to his camera. 'I bet he'd freak out if he saw you with us,' he suggests. Carly looks down at it. 'Probably ...' she trails off. 'Hey, let's take some photos and send them to him,' Adam adds. 'I have a blocked number!' Before Carly can say anything, Nathan is snapping photos of Adam and Carly on the couch. 'Sit on his lap!' Nathan says, laughing. Carly hesitates before Adam encourages her to climb on. He is laughing too. She swallows hard before deciding to just do it and slides onto his lap. She can feel the bulge in his pants as they pose together for Nathan. The man sits down beside them and takes a few more intimate photos before joining in on a selfie. 'Now, kiss me,' Adam says. Carly hesitates again. 'I think we've got enough good photos already!' Nathan pushes her head towards his friend and reminds her that she needs to make her boyfriend jealous. Really jealous. Make it convincing. She reluctantly agrees to give Adam a kiss, while Nathan puts the camera on a tripod and moves into join them. 'Say cheese!' He says again before asking permission to take her clothes off. She looks into the camera lens blankly before turning back to him. 'Like ... do you mean, have sex with me?' She asks nervously. Nathan smiles. 'Nothing feels worse than when your girl steps out on you,' he says, his voice changing in tone. 'So, if you want to prove your point, you'll let us fuck you and you'll enjoy every moment of it for the camera!' Carly looks into the lens one final time before slowly agreeing to have sex with them. After all, James shouldn't have left her. He should have come back. This is all his fault.
Emily Willis - Uncle Charming
UNCLE CHARMING
CHARMING YOUNG UNCLE MANIPULATES NIECE TO TAKE HER VIRGINITY
SCENE opens on a bored-looking 18-year-old girl Sophie at the base of a staircase, leaning slumped against the railing. Her fingers are avidly typing away on her phone, but her expressionless face and glazed over eyes shows she's hardly interested, just killing time. 'So explain to me again why I have to rest on the couch for a whole month just to make room for this loser uncle I've never met?' she says in a deadpan grumble. Her mother Mrs. Kent comes into view, breathlessly scuffling back and forth to straighten a painting here, wipe dust off a shelf there, adjust her daughter's hair (which only frustrates her further). 'Oh come on, Sophie, be nice, it's just until he finds a job in the city. And he's not some total stranger, he's family now.' Sophie snorts. 'Not really,' she scoffs, 'just 'cause gramps found a new trophy wife and she happens to come with kids, doesn't mean we gotta spend time with them.' Mrs. Kent looks scandalized - that's no way to talk about her grandfather. Sophie rolls her eyes. 'I'm just saying, what am I even going to have to talk about with this guy? Shouldn't dad be the one to get stuck with all this family bonding crap?' Mrs. Kent stops hurrying around for a moment and puts her hand on her waist matter-of-factly. 'Actually, Sophie, Blake is supposed to be just a couple years older than you. So who knows, maybe you'll have a lot in common.' For the first time, Sophie looks up from her phone in a moment of genuine surprise, before shaking her head and returning her attention to texting. 'Probably still a weirdo,' she mutters. Her mom shushes her disapprovingly and then continues her lastminute tidying into the other room. A few seconds later, she calls from the other room that she thinks she hears him coming to the door but has her hands full, can Sophie answer it? Sure enough, moments later there's a knock on the door. Sophie groans, puts down her phone and the camera tracks her as she trudges to open the door. A handsome and charming man dressed similar to Sophie is at the other side of the door, a duffel bag slung over his shoulder. From Sophie's POV we see him flash a friendly smile and extend his hand towards the camera for a handshake. 'Hey, you must be my new niece,' he grins, 'I'm Uncle Blake.'
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Several days later, Blake and Sophie are hanging out in what's evidently from the feminine decor Sophie's old room, only now there are some of Blake's things strewn about giving it a lived-in vibe. The two of them are sitting casually across from each other on a sprawling bed, or perhaps Sophie is on the bed and Blake is sitting in a nearby chair. He is recounting to Sophie some stories about one of his recent cross-country hitchhikes, and Sophie hangs on his every word. After the climax of his latest story, he pulls out his phone to show her some pictures he took from the trip. He gets up from where he's sitting and sits back down intimately close to Sophie, and starts showing her the pictures. Tight camera angles of Blake watching Sophie's face while continuing their conversation and looking at the pictures suggests tension, like an animal predator scoping out its prey. Coyly, he turns his hitchhiking anecdote sexual by telling Sophie about a one-night-stand with another traveler. He starts off as telling it like any other story, but then starts to describe the encounter more and more graphically. He relishes as Sophie blushes and has trouble meeting his gaze. Eventually he ends the story by saying it was an experience he'll never forget, and then asks what her most memorable sexual encounter is. Sophie embarrassed admits that she's a total virgin, she's never even kissed a guy before. 'Aren't you 18?' he asks incredulously. Sophie nods. She supposes she's been a bit of a late bloomer. Blake suggests he could teach her how to kiss - Sophie pulls back, flustered, and he shrugs and says at least it would be better to try it with someone she trusts than with a stranger. Sophie stutters a bit and then makes up a lame excuse to leave the room.
CUT to that evening, Sophie and her mother are in the kitchen brewing a pot of coffee while Sophie is asking her mom questions about what to do when you like someone, how do you know whether to make a move or not, etc. Mrs. Kent expresses interest in hearing the details - 'who's the boy?' - and despite Sophie's attempts to keep the conversation vague, she reveals small details ('I haven't known him long', 'he's had a lot more sexual experience than me', etc.). Her mom gets increasingly agitated as she realizes it must be Uncle Blake, especially since the past few days Sophie and he have been inseparable, and she asks Sophie point-blank whether it's Blake she has a crush on. As soon as Sophie admits it, her mother gets agitated, she calls into the other room for Mr. Kent to come and admonishing Sophie for making a huge mistake.
Sophie tries to calm her down, but when Mr. Kent comes to see what's wrong and Mrs. Kent explains the situation, things only escalate further. Throughout the argument, both parents interrogate her with probing questions ('has he tried to make a move on you?'), they try to convince her to forget about him ('you're family for god's sakes' - to which Sophie protests 'that's just because of some piece of paper, before gramps' wedding we weren't related at all! ... ... 'the guy's a loser, he never stays in one spot for more than a few months, what do you see in him?!' etc.) and finally they threaten to send Blake packing. Sophie starts crying that they're overreacting, that he's not like that, in fact he probably doesn't even like her like that. It was all just a stupid crush. Mr. Kent says he's going to have to talk to Blake and Sophie begs him not to, he'll embarrass her and ruin things, but the dad refuses to listen. If Blake is going to stay under their roof, it'll be under their terms, not his.
CUT to even later that night, Sophie is sitting upright on the couch in light pajamas clothes, it's evident she was trying to rest on the couch but muffled sounds of shouting from upstairs are keeping her awake. Finally, the shouting ends, followed by an upstairs door opening and slamming audibly. Sophie rearranges her pillow angrily, sighs, and then lies down on her back, eyes open staring blankly at the ceiling. After several seconds of silence, the same upstairs door clicks open and closed again, this time more quietly, followed by the sounds of the stairs creaking under the weight of someone. Blake peeks his head over the couch into view of Sophie's upward gaze.
She sits up again, and he takes a seat beside her on the couch. 'I guess you must have heard all that, huh?' Blake says with fake sheepishness. Sophie apologizes - she shouldn't have opened her big mouth.Blake smiles sympathetically - it's not her fault. Besides, he thinks it's cute that she has a crush on him. Not that he feels that way about her of course. Embarrassed, Sophie says she knows, and she was never going to act on her feelings anyways. She was just being stupid. Good, Blake insists, because it's important to him they stay friends. In fact, more than friends - he's hoping that one day they can really be family, not just by law but have a real family bond. Sophie nods and says she hopes so too. 'Well you know, Sophie, it's important for family to trust each other,' Blake says with a hint of admonishment. He can't exactly open up to her if she's going to go telling her mom and dad everything they say and do together. Sophie desperately promises that'll never happen again - she never wants to relive how her parents shamed and embarrassed her tonight.
Blake's tone of admonishment gets even more exaggerated. Well he didn't appreciate being yelled at by her dad either. Especially when he hadn't done anything wrong, when in fact all he'd done was embrace them as his new family. Sophie apologizes for her dad - she wished she'd never gotten them involved at all. Blake says it's ok - it was their first fight as brothers. There's bound to be plenty more.
They sit in silence for a moment. Blake leers up and down Sophie's scantily clad body before snapping his eyes back to meet hers when she looks back at him. He smiles charmingly. 'I guess your dad's just trying to protect you. Like, if I really were some kind of creep, I'd probably try to take advantage of you. And I'm sure it would probably tear him up inside if he let something like that happen to you.' Sophie rolls her eyes and then laughs. She's not a kid anymore, she can handle herself. 'No, definitely not a kid anymore' Blake says with another appreciative look up and down her body. 'But... well, I mean you are still a virgin. So it's not like you're all grown up either.'
Sophie looks a bit stung by the comment, and a bit embarrassed. It's not THAT big a deal, is it? 'Well,' Blake retorts, 'you're not exactly proving your dad wrong. He thinks you're still daddy's little girl, that you still need protecting... you're kind of reinforcing that by keeping yourself all innocent and precious in his eyes, aren't you?' Sophie doesn't have a good comeback to this. 'If you really wanted him to stop seeing you as his little princess,' Blake concludes, 'having sex would be a great way to start.' Sophie pouts - it's not exactly like she's been intentionally avoiding sex. The opportunity just hasn't come up.
'I mean... I guess I could fuck you,' Blake offers nonchalantly. Sophie is taken aback. Blake continues. 'I mean, it's not like I'm into you like that, but like I said before it's better to do it with someone you trust. Plus, better to learn how in advance, rather than embarrass yourself with someone you really like for your first time.' Sophie protests, she couldn't. It wouldn't be right. Especially after what just happened with her parents. Blake retorts - he thought they'd just agreed that they were going to keep things private between them from now on. How would her parents even find out? Sophie continues to resist, but Blake charms her further. Just a few hours ago she was saying she has a crush on him, now he's basically making her wishes come true and she's refusing? Slowly, he convinces her - all the while making it seem to her that it's what she wants, he's just doing her a favor.
Gracie May Green - Take My Breath Away
TAKE MY BREATH AWAY
SHY TEEN WITH DARK DESIRE SEEKS OUT STRANGER TO CHOKE HER DURING SEX
In her bathtub at night, shy nerdy teen Lucy stares up at the ceiling, unmoving. The tap drips as the only indication of sound or movement. After several seconds, there is a light disturbance in the still bathwater, and then Lucy lets out a small gasp -- she's moved her hand to slip a finger into her pussy under the water. When her finger is all the way in, she pauses for a moment, then starts slowly moving it in and out to pleasure herself, her gasps becoming heavy and sensual -- several close-ups of her mouth and face, along with heightened sounds of inhaling and exhaling, draw heavy focus towards her breathing. After a half-minute or more, fully immersed in her fantasy, she inhales a single long drawnout breath through her teeth, as she slowly slips under the water, submersing herself. She stays under, and the water goes perfectly still.
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At her computer another morning, Lucy is in her pajamas typing up a college paper. She is stuck on a sentence, not sure what to write next. She breaths out a huge sigh of frustration, removes her glasses, and rubs her eyes wearily. Putting her glasses back on a little crooked, she tries to go back to writing... but a previously opened tab in the corner of her eye distracts her, and she clicks back onto it. We see on the screen that it's a site for breath play enthusiasts called 'Breathless'. Her breathing shallows, and she runs her fingers along where her neck meets the collar of her nightshirt as a nervous tic. She opens up a chat bar where she has a message already open and typed out, a message to another member. From the wording, it seems to be the last in a long line of messages between them. Towards the end of her message, she's suggesting that they meet up. Her face and body language shows she is still undecided as to whether to send it or not. Clearly anxious, and idly running her fingers along her chest and up and down her throat, Lucy deliberates for several seconds. Then, spontaneously she shoots her hand out to click send. She gets an alert that the message has been sent. She closes the laptop in panic, almost in fear of what she's just done... or perhaps what the response might be. She bites her thumb nervously and taps the laptop casing, before removing her glasses and flopping down on her bed. Her breathing is fast and nervous as she closes her eyes and lies there, eyes shut, until her breathing eventually calms itself.
CUT TO another evening, in the doorway of a house. Lucy walks through the door, followed by a strange man a couple of years older than her, Preston. He's holding keys and locks the door behind him -- this is his place, not hers. They are both visibly awkward around each other as they remove their shoes and he leads them up to his master bedroom. Once there, they sit side by side on the bed, at first making no move to close the gap between them. They talk about the breath-play site they met at, how long each of them has been a member, how they found out about it, etc. Lucy joined around when she turned 18. Preston reaffirms what was said in the chat, that Lucy has never done anything like it before. Neither has he. The closest he came was when he practiced choke grips on a first aid doll once when his dad brought one home from work, and it turned him on. He's immediately embarrassed from telling the story, but Lucy tells him she understands -- she has nobody she can talk to about her fetish either. It's tough for a guy to ask a girl to do that, Preston admits, it would make him look like a serious creep. He's always hoped some girl would ask him, but he knows it's a long shot. Lucy sympathizes - everyone assumes that because she's shy and nerdy that she's completely innocent. One time she asked her boyfriend to choke her, and he was a bit freaked out by the idea and she quickly told him never mind. For the next few days he acted weird around her, and then not long after he broke up with her. Ever since, she's been too shy to tell anybody she's been with, because she doesn't want boys to think she's some weird freak. Especially with how word spreads around college.
There's an awkward pause, and then Preston asks if she wants to start any specific way. Shyly, Lucy shakes her head no -- she never really pictured where to go from here, she never even thought she'd ever get this far. Preston says he's seen a few videos, it's given him a few ideas of what to do. Does she mind if he takes the lead? Lucy says it's fine, he can try whatever he wants, and that if it gets too intense she can tap on the bed with her hand. Preston agrees to this, and moves his hand up hesitantly towards her neck. He pauses, she nods, and he continues. He grabs her throat, and squeezes -- not too rough at first, but hard enough that she certainly feels it. As he grips her throat tightly, he moves in to kiss her, first up the side of her neck, her ear, the side of her cheek, then he turns her head towards his and kisses her mouth. He kisses passionately, albeit a bit awkwardly -- he moves as someone who is less suavely copying moves that he's seen elsewhere. Still, he remains in control throughout, and Lucy submits with a gasp each time he reasserts his dominance with a renewed grip on her throat.
Lena Paul - Possessive
POSSESSIVE
DESPERATE BROKE COLLEGE GIRL GIVES UP HER BODY TO REPO MAN
SCENE opens on Natalie, a 20-year-old college student, as she lays quietly in the bed of her small apartment. She has been trying to ignore the man at her door for several minutes now. After the knocking finally stops, Natalie waits a few seconds longer before deciding to sneak to her window. She moves the curtain to one side and peeks out, just long enough to spot him outside before quickly retracting and hiding behind the door. The knocking resumes, this time louder and more violently, causing Natalie to panic. The man calls out from the other side of the door and orders her to open it. He isn't going anywhere. Natalie bites her nails nervously, unsure of what to do, before finally letting out a sign and opening the door to face him. An intimidating man, with massive biceps, is holding two empty duffel bags. He looks very irritated, cursing at her under his breath before diving into a prepared script. 'My name is Tony,' he says. 'I'm with Flexline Repossessions. I've come to collect your possessions to compensate for the student loan you've defaulted on ... but I'm sure you already know that!' Natalie looks crestfallen. She tries to reason with him, saying she is starting a new job soon and she should be making payments again by the end of the month. Tony listens and smiles sympathetically. 'Good, then that means this will be the last time I have to do this,' he replies, pushing past the doorway and walking into her room. The camera lingers on Natalie's face as she slowly turns around and closes the door behind him.
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He inspects some items closely, while tossing others directly into his duffel bags. The possessions he doesn't take are put back haphazardly, leaving a trail of destruction in his wake. Natalie tries to interject occasionally -- especially when he touches a gift from her boyfriend or a family heirloom -- but he largely ignores her protests
As Tony works, he begins to pause more frequently to ogle and elicit reactions from Natalie. It becomes clear to her that he is spending less time on this job and more time trying to make her uncomfortable. Through his POV, we see the repo man staring at the girl's body while he laughs at the position she's gotten herself into; asks about the sentimental value of certain possessions; and begins to make crass, lewd gestures to try and offend her. He sniffs her underwear as he bags it; comments on a photo of her mom; and asks if her boyfriend satisfies her after discovering a dildo in her drawer. Throughout the ordeal, Natalie tries to remain calm and polite. She just wants to get it over with it, even when he gets right up in her face to intimidate her.
When he finally finishes, he takes stock of what is inside his bags and then remarks that it isn't going to be enough to cover what she owes. She starts to cry. Glancing out the window, he notices the car parked in her driveway. 'Is that car yours, the red one?' He asks. Natalie's eyes well up in desperation as she feebly tries to hold Tony back. 'Please don't take my car,' she begs him. 'I need it for my new possessive Desperate Broke College Girl Gives Up Her Body To Repo Man job. If you take it, I'll never be able to pay back the rest of the loan. PLEASE! You already took everything else!' Tony is unwavering, clearly enjoying her breakdown. 'Well,' he says slowly. 'There is one other possession I could take instead.'
Kendra Spade - The Census Taker
The Census Taker
Creepy Census Taker Harasses Teen Alone In Her Home
SCENE opens on an 18-year-old girl, Beth Coleman, rushing to answer the door - 'coming!' she shouts asthe doorbell chimes a second time. She opens the door to find a meek man in glasses and a somewhatnerdy-looking suit, holding a leather messenger bag under his arm. He greets her nervously andintroduces himself as Milton James, and holding up an ID on a lanyard across his neck he explains thathe's a census taker - her parents failed to fill out the latest census and so by law he's required to come inperson to interview someone from the household. Beth looks wary - her parents aren't home for theday and she doesn't know anything about this census stuff. He says it's quite alright, anybody over theage of 15 can be interviewed for the household. He looks her up and down - she is over 15, right? Bethanswers yes, she just turned 18 a couple of months ago. Milton adjusts his glasses and says perfect, thenhe can interview her in her parents' stead, it should only take about fifteen minutes or so. Beth is stillreluctant, now's really not the best time and she'd rather he come back sometime when her parents arehome. She apologizes and goes to close the door but it doesn't close all the way - Milton has put hisshoe in between the door and the frame. 'I'm afraid I must insist,' he says in a nervous attempt tosound menacing. 'Answering the United States census is required by law. To put it simply, Miss Coleman,you don't really have a choice in this matter.'
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We cut back to a few moments later, after Milton has since let himself into the house and taken off hisshoes. The two emerge in a large cozy living room with wood paneling. Clearly the Colemans do not lackfor money. 'Do you want a glass of water or something?' Beth asks, in an effort to be polite despite herdiscomfort. Not right now, thanks, Milton says. He seems trying to sound more warm than he was at thedoorway, but comes off as awkward more than anything. He waits for Beth to choose her seat, and thenpicks a seat across from her, and pulls out a fancy-looking folder, some forms, and a nice pen from hisbag. As he does this, he tries to make awkward small talk with Beth, but her answers are very curt andhe soon gives up. He clears his throat and says 'Well then, let's get started.'He asks her a series of mundane questions - do you currently reside at this address? How many peoplebesides yourself reside at this address? Please list the names of all persons who currently live at thisresidence, and their relationship to you. What is your marital status? When Beth answers 'single', helooks up from his paper and coyly asks 'what about a boyfriend?' No, no boyfriend either, Bethanswers, averting her eyes as she says it. Milton smiles and says 'Good, good', as he moves on to thenext questions.
What languages do you speak at home? Do any of your household speak any other languages at homeon a regular basis? Were you born in the United States? Are you presently a citizen of the United States?Have you attended school in the United States? Throughout these questions, Beth's body language becomes less hostile and more bored. She relaxes and spreads her legs somewhat, at which point fromover Milton's shoulder the camera catches glimpses of upskirt panty shots. After the latest question,Milton pauses, his attention lingering on Beth's legs - the pause alerts her to him checking her out andshe very uncomfortably clears her throat, as she tries to pull her skirt over her legs as much as possible.Milton continues as if nothing happened.
What is the highest degree or level of school you've completed? Beth reluctantly answers that shedropped out of high school. In the last week, how many hours of paid work did you do? Beth answersnone, she doesn't have a job. In the last week, how many hours of volunteer work did you do? Also none.Milton tsks condescendingly - no job, no volunteering, not even a high school diploma? Beth's parentsmust not be very proud of her. Beth looks at him angrily - that's not really any of his business is it?Are your parents sexually active? He blurts out. She looks at him, disgusted. How is that relevant? Heexplains that it's to forecast whether or not the census bureau should expect new births from thishousehold in the next few years. Grossed out, Beth struggles to find an answer, she doesn't know, shetries not think about it too much, but she guesses they might be. Are you sexually active? Milton asks,with obvious interest. She looks straight at him, and says 'No' very slowly and angrily. 'Would you liketo be?' Milton asks. Beth stands up - 'I think you should leave, Mr. James,' she says nervously. Miltondoesn't move though - he's almost done, just a few questions about their house and utilities and thenhe'll be out of her hair. Beth doesn't sit down, she just crosses her arms with renewed discomfort.Does the family own the house or are they renting? Does the house have landline service or just cellphones? Does it have complete kitchen facilities - sink, stove, and refrigerator? Does it have completeplumbing facilities - hot and cold water, a flushing toilet, and a tub or shower? He makes a remark abouthow he bets Beth's plumbing is fully functional, and the innuendo further discomforts her. How manyrooms does the house have? How many bedrooms?
'Can I see?' Milton says innocently. See what, Beth asks through gritted teeth. 'The number ofbedrooms the house has. Can you show them to me?' Beth looks like she's about to say no, when headds 'After that, I'll be out of your hair.' Beth raises her hands in the air in exasperation, and then saysfine, follow her.
The camera tracks the two as she leads him to three bedrooms, with the focus being on her backside asif we're watching her walk from his male gaze POV. First she leads him to her parents' master bedroom,then to a guest bedroom that doesn't get much use. Milton pokes his head in when he's lead to each,but he doesn't express much interest in either. Finally she leads him to her bedroom, and before she canreact he brushes past her to walk inside.
He moves around the room with eager curiosity - peering intently into her drawers and closet, poking acouple of her belongings with his pen. He even stands in the centre and takes a deep breath. Beth waitsat the door to the room impatiently, reluctant to go nearer to him but getting more upset and insistentas he intrudes. Finally, he moves to stand up straight rather formally in front of her, and adjusts his glasses. 'Satisfied?' Beth asks uncomfortably. Milton chuckles. 'Oh, very satisfied. Although I'm afraidYOU're in a bit of trouble, Miss Coleman.' Beth stiffens - what does he mean? He explains that he foundbirth control pills in one of her drawers. But she said in the census she wasn't sexually active, whichsuggests that she lied to him. Does she understand what the penalty is for giving false information to agovernment official?
Beth pleads - she only said that because he was acting completely inappropriate. She doesn't even thinkall his questions were part of the census. She'd already asked him to leave. Why can't he just leave heralone? Milton explains that he's only doing his job, and it's a thankless job, meeting with tons ofungrateful people who don't want to give him the time of day. Ungrateful people like Beth. Maybe all hewants is some thanks in return. Beth sees an opportunity and tries to appease him. If it's just a matter ofsaying sorry and thank you, she can do that.
But Milton elaborates, she was so rude to him. She didn't even give him a chance, tried to slam the dooron him if he recalls correctly. If she really wants to make it up to him, she has to do better than a halfheartedapology. 'Like what?' Beth asks nervously. He pretends to think for a moment. How about... akiss? Beth is scared, but hopeful that that's all he'll ask for. 'O-ok,' she agrees. She leans in and theyexchange a quick peck on the lips. Encouraged, Milton asks for another - this time she should reallymean it. Hesitantly, she says OK and leans in again, and this time he kisses her much more aggressively -we can see that she's not very into it and is rather stiff, not moving her lips much, while he is going reallyeagerly at it. Several seconds of awkward smooching later, he pulls away from her. He seems to haveenjoyed it, but he wants more. He knows she can give him what he wants - he knows she's not a virginafter all. If she shows him a good, appreciative time, he'll be on his way. She swallows hard, and thenputs on a fake smile and reaches for his belt buckle to undo it.
Kenna James - Peeping Tom
PEEPING TOM
TEEN GIRL LURED INTO SEXUAL ACTS WITH PERVERTED NEIGHBOR
SCENE opens on a long, static shot of a small house, tucked amongst several other units. There is a small flutter of movement in the window, as a car pulls into the complex. A father and his 18-year-old daughter are moving into to one of the other units. As they pull into the driveway, the camera lingers on the window. Someone is watching them. The family parks their car, unpacks some boxes from the trunk, and enter their new home -- intercut with shots of the window. From the POV of the person inside, you see the teen girl run back to the car, grab a final bag, and take a long look around the complex. She doesn't realize she is being watched but there is something about the neighboring unit that causes her to pause. She stares at the window before heading back inside.
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Several weeks have passed and the family has settled into their new home. Inside the neighbor's cluttered unit, the camera pans across various notes, opened mail, and polaroid photos that he has taken while watching them ... particularly the 18-year-old girl. The neighbor sits at an arm chair masturbating over the photos when he hears movement outside. He bolts to the window and watches the father leaving the house. From his POV, he sees the father hug his daughter and then drive off. She watches him exit before pulling out her cell phone, making a quick call, and heading back inside. Not able to make out what she said, he jots down the time and event. An hour later, he is woken up from a nap by the sound of another car pulling in. Wiping the drool from his mouth, he bolts back to the window. A boy gets out of his car and runs to the teen. Coyly, she grabs him by the hand and pulls him into her house. Licking his lips, the neighbor jots down the activity in his note book and decides that he needs to get a closer look.
He creeps around to the back of the unit and watches the teen couple through a screen door. The 18-year-old sits the boy down and starts to do a strip tease for him. The neighbor scrambles for his cellphone and starts to record the whole thing. We watch her strip naked before getting down on her knees and starting to crawl towards her boyfriend, intercut with shots of the neighbor nervously recording.
Several days pass. The neighbor keeps re-watching the clip on his phone and decides that fantasizing over the teen girl isn't enough, he needs to somehow convince her to be with him. So, he comes up with a plan. Posing as the boyfriend, he writes a fake love note and leaves it on her doorstep, before knocking and running back inside his unit. She opens the door and discovers the note, instructing her to come and meet the boyfriend at the neighbor's house. When the neighbor opens the door, he invites her in, reassuring her that he is in on the romantic scheme and that her boyfriend will be there any minute. She steps inside his house and he shuts the door, locking it.
They sit down in his messy living room in awkward silence. As she tries to make small talk, the neighbor studies her and can barely control himself. From his POV, we see him look her up and down. She becomes restless and starts getting up to leave when the neighbor panics and decides to reveal the video he has recorded. She watches it in silence, her mouth falling open. 'What are you doing with this?' she demands. 'My father can't know about AJ. I just turned 18 and I'm about to move out on my own next fall. If my dad finds out, he'll never allow it!' Gathering his courage, the neighbor tells her that has no choice but to be a good neighbor and tell the father what's really going on behind his back. The daughter is stunned and, in a moment of weakness, admits to the fact that's she got secrets she's trying to keep from him. She begs the neighbor for his silence -- offering to do whatever he wants to destroy the evidence. Feeling further empowered, the erratic neighbor asks her to do everything that she did with her boyfriend in the video to him. Not wanting to get caught, she reluctantly agrees, and this descends into the BG sex scene. Throughout the sex, the creepy factor is heightened by the fact that he has clearly memorized the video and keeps referring to it, making her repeat her strip tease and saying things like 'do that thing with your tongue like you did to him' etc...
After they have finished, the teen girl makes the neighbor delete the video file as promised. She exits the house angrily, looking over her shoulder. The neighbor closes the door and, leaning up against it with his eyes closed, breathes a sigh of relief and satisfaction. Then he walks over to a laptop set up in the corner of the room that has been secretly recording everything. He leans into the camera and, smiling, turns it off.
Arya Fae - Doctor's Origins
DOCTOR'S ORIGINS
Perverted Doctor Gives Teen Patient a Sponge Bath and Vaginal Probe
SCENE opens late one night as Dr. Marshall is finishing her rounds at the hospital. She walks through the emergency room door and briskly heads down the hall to visit her final patients, accompanied by a tired-looking resident under her supervision. The resident, named Bill, has been on call for the past 48 hours and is ready to collapse -- he can barely keep up. But Dr. Marshall pays no attention; she's used to this life and expects the same from her residents. She waits impatiently for him before softly knocking on the patient's door and entering the room. There are two recovery beds set up inside. Dr. Marshall walks over to the first and kneels to check on the male patient. He grumbles and complains about being woken up as she adjusts his pillows and makes a few quiet requests for the resident to jot down. As he absentmindedly does this, Bill looks over to the patient in the second bed. A young woman lays there, dreaming, her leg in a fracture boot, her arm in a sling. She is wearing a neck brace. Bill seems transfixed by her innocence. He stares at her, lost in thought, when an announcement comes over the loud speaker, paging Dr. Marshall to return to emergency. The busy Doctor hands her clipboard over to the resident and informs Bill that he will need to finish the rounds himself. It's probably the McGuire patient, responding negatively to surgery. Just check vitals on the female patient and ensure she is in a comfortable position before signing out. Dr. Marshall exits the room, leaving Bill alone. He swallows hard and turns back to stare at the girl.
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Approaching the bed slowly, Bill continues to stare. His eyes scan over the girl's petite body, as she adjusts in her slumber. Her hospital gown is loose, and he can easily peek underneath it. He takes a deep breath and slowly leans in to get a closer look when the girl suddenly wakes up. Innocently, she asks what time it is. Composing himself, Bill calmly informs her that it is early in the morning. He has come in to check on her. Yawning, she tries to sit up and Bill swoops in to assist, moving the bed to an upright position and adjusting her pillows. She looks over at the next patient, who is now snoring, and awkwardly complains about having to share a room with a strange man. Bill laughs nervously as he settles her.
She asks if he can remove her neck brace, just for a few minutes. Bill nods and moves behind her. He has her lean forward, so he can unstrap the brace ... long enough for him to look down through the cracks in the back of her gown. She is naked underneath. He starts to gently massage her neck as she sighs, relieved to have it removed. Casually, he asks what happened to her and the girl, who introduces herself as Rebecca, tells him she was in a car accident. It was her stupid boyfriend's fault ... and the prick didn't even get a scratch. Meanwhile, she has a broken foot, sprained wrist and whiplash. At least she is supposed to be released in the next day or so. Moving around to check her vitals, Bill asks how old she is. She tells him she is 19 years old. He begins to sweat at the thought of such an innocent young woman. He knows he needs to get a closer look. Suddenly, his fatigue has faded.
Eying a bath kit on a nearby dresser, Bill pauses for a moment before walking over to the first bed, confirming the male patient is out, and then closing the door. He wrings his hands nervously, walks back towards Rebecca and asks her to get undressed. He is supposed to give her a bed bath. Rebecca, who has done this several times during her stay already, questions the resident as to why a Doctor is giving her one instead of a nurse. Thinking quickly, Bill informs her that he is a new Doctor on staff and is very hands-on. She still seems skeptical. Smiling, Bill he quips that he can go and get a nurse if it will make her more comfortable, but he'd rather do it himself, so he can be assured she has the proper care. Rebecca stares at Bill, as he wipes his brow. He seems professional. So, she asks if he will help her get undressed.
He slowly slips her arm out of its sling, revealing a bandaged wrist. Then, he has her lean forward and undoes the back of her gown. Gingerly, she pulls it off and uses it to cover her front as he slides off the boot and places her bruised foot on a pillow. Discreetly pinching the bulge in his scrubs, he walks over to the bath kit. He unscrews a bottle of distilled water, fills the tub, and brings it over to Rebecca's bedside. He puts on some gloves before dampening a wash cloth and putting it over her eyes. This seems strange to Rebecca - no other nurse did it. Bill calmly explains that he thought it would relax her, so she doesn't have to see the other patient in the room while she was naked. Rebecca laughs nervously as she can hear the man snoring softly in the background. She agrees. While they continue to small talk about her hospital stay, her boyfriend, and how he hasn't even bothered to visit her once, Bill gives the girl a sponge bath. He takes great pleasure in wiping and lightly massaging her body, starting from her head and working his way down towards her legs. Remaining professional on the surface, he asks for permission each time he moves into a new area. But, unbeknownst to Rebecca, he slowly removes one of his gloves and pulls out his erect penis. Stroking in between wipes, his breath quickens as he nears her pussy. He asks her if he can spread her legs, so he can clean her genital area. Nervously, she says ok and, taking his hand off his dick, he opens her wide and sees her fully exposed for the first time. He starts to wipe around her pussy.
Rebecca twitches at the cold touch of his fingers and the sponge. There is a long awkward silence before she makes a bad joke about this being the most action she's received in a long time. Bill laughs, telling her he is just doing his job while cautiously removing the other glove. He asks why she doesn't dump her boyfriend, especially after the accident. Rebecca tells him that he is the only man she's ever been with and, even if he is an asshole, he still says he'll marry her one day. Not really listening, Bill informs her he is go inside of her now. She hesitates before saying OK and he sticks his fingers in her, wiggling them around. Why do you have to clean my insides? She asks. Bill, still stroking his dick, tells her that many female patients end up with sores or infections from not properly cleaning themselves. It's customary for a Doctor to do a quick check. He wiggles his fingers some more before pulling out and tucking his dick back inside his scrubs. He turns around, licking his fingers, before grabbing his clipboard and taking some notes. He lets out an audible sigh of concern before the room goes silent. Rebecca slowly pulls the towel off her face and looks at him.
What is it, Doctor? She asks nervously. Did you find something? Bill composes himself again before turning around. Yes, I'm afraid. He says. I felt an abnormality in the cervical region. It could simply be that your cervix is in a low-hanging position due to your limited sexual experience, but it could also be something else much more serious. My concern is whether it is the result of an internal injury from your accident. Rebecca looks panicked. She asks him what, in layman's terms, he means. Wiping his brow again, Bill does his best to calm the patient and explain that a woman's cervix is normally in a higher position relative to the opening of her vagina. Hers is very low, which could be because her organs were damaged during the collision and are now putting pressure on her uterus. The last thing she wants is a rupture! Rebecca looks very anxious before asking how he can be sure. Well, I'm going to recommend a vaginal probe, Bill says matter-of-factly. This will allow me to properly investigate how pliable your cervix is before determining whether an emergency surgery is required. Rebecca nods and asks if he can do it now himself. Bill guides her back down on the bed and assures her that it is a quick procedure. She just needs to be quiet out of respect for the other patients. She asks if it will hurt and he explains that he uses his own body vs. an instrument to keep the pain levels low. Plus, since she's been with her boyfriend before, it shouldn't feel all that different. Just relax and let him do his job. This descends into the BG sex scene where Bill quietly fucks Rebecca just out of earshot of the other patient. He has her carefully move into several positions, to minimize her discomfort with her injuries, and all within the ruse of him checking her cervix. She agrees to each one innocently ... and bravely continues even she is in physical discomfort. In the end, Bill pulls out and cums just outside of her pussy on the bedsheets. Nervous about leaving evidence, he wipes it up and then tells Rebecca that the final step will be a douche to ensure he leaves her fully flushed out. He unwraps a douche from the bath kit and squeezes it inside her swollen pussy. The water seeps out as she asks him if he can now make a proper diagnosis. Wiping her up, Bill tells her that he was able to adjust her cervix into its proper position and that she can be rest assured, there were no internal injuries. He slides the girl's gown back on, puts her foot into its boot, and helps her into her sling. Just as he is about to put her neck brace back on, she asks if its ok for her to rest without it. He smiles and leaves it on the bedside. Get lots of rest Rebecca, he says and quietly exits the room.
Dillion Harper - Open House
OPEN HOUSE
Young Real Estate Agent Tricked into Sex by Creepy Pervert
SCENE opens on Karen, a 20-year-old real estate assistant, as she puts a tray of cookies into the oven. She is preparing one of her new properties for an open house today and wants everything to be perfect. While the cookies bake, she walks through the downstairs to make sure everything is in order: straightening pillows, spraying air freshener, placing a bouquet of flowers on the table, and stacking her house flyers neatly by the door. You can tell the young woman is nervous, it's her first ever showing on her own and she is eager to become an actual seller's agent one day. She checks herself in the mirror and adjusts her pencil skirt and blouse ... before walking out onto the lawn and staking an 'OPEN HOUSE' sign into the ground. A long POV shot shows her walk back into the house and close the door, before a creepy young man steps into the frame and reveals that he has been watching her. He grabs the bulge in his pants and walks towards the house.
CUT to Karen arranging the cookies on a plate when the man quietly enters the house. He watches her from the hallway for a moment before noticing him. She steps back startled as he approaches. 'I'm sorry to frighten you,' he says calmly. 'I'm here for the open house.' Karen composes herself and apologizes, quickly snapping into show mode. She offers the man a cookie and begins to show him the kitchen, proudly explaining that this is her first listing as a real estate assistant and, once she sells it, she will be able to move up the ranks in her agency and get a full-time position. While she is explaining, the man lingers behind her staring. POV angles show him watching her every move. She can feel his eyes on him and it makes her nervous. When she asks him questions, he always answers calmly ... but his eyes never leave her. He seems very insistent on seeing the view from the master bedroom.
Just as they are about to go upstairs, the doorbell rings and another visitor arrives. Relieved, Karen excuses herself and goes to open the door. She begins to show them around while the man hovers at the stairs, watching her. After a few moments, he slowly walks up the stairs and disappears.
Two Hours Later
Karen opens the door and shows the final visitor out, thanking them profusely for the visit and urging them to check her other listings out online. The young agent seems desperate. She closes the door and presses herself against it, swearing. All that effort to get the house ready and ANOTHER failure. She had promised the listing agent she would sell it today and she knows they will never give her a chance now. Muttering to herself, she kicks off her heels, throws the flyers, flowers, and cookies in a trash bag, and heads upstairs to shut off the lights.
When she walks into the bedroom, trash bag in hand, she is startled again to see the man standing there admiring the view. She lets out a noise as he spins around and smiles at her. 'It's beautiful up here,' he says. Stuttering, she apologizes ... she didn't realize he was still here. The man stares at her for a moment before slowly approaching. 'I overheard you downstairs,' he continues. 'It's a shame that you didn't get any leads today. I know how cutthroat real estate can be! How old are you anyway, you seem so young?' Karen stares down at the bag and her bare feet and tells him she is 20 years old. It was her final test with this agency today but she will find another one. 'Everything happens for a reason, right?' She says, trying to remain cheery. The man walks around the room a little more, admiring it. 'Well, maybe I can help you with this.' He says. 'What was the listing price again?' Karen's ears prick up and she fishes in the trash bag for a flyer, handing it to him. 'It's $749,000 asking,' she says. 'But I'm sure the homeowner would be open to negotiate that down a bit.' The man stares at her while she urges him to look over the details again. He smiles. 'I'll take it.'
Karen can't believe it. A huge smile crosses her face as she hugs the man, thanking him profusely. She tells him she'll need to get some paperwork and an initial offer in the books today to meet her quota. The man assures her he wants to offer full list price and, because she was such a great agent, he wants to double her commission. The young woman can't help but jump up and down in excitement. The man calmly walks over to the bed and sits down. This causes Karen to stop awkwardly. 'This is a really big bedroom,' the man says. 'Do you think I could get a lot of girls in this bedroom?' Not wanting to lose the sale, Karen says yes and tells him she is sure it will make a great bachelor pad. 'I think I'll put mirrors on the ceiling,' he continues. 'So I can watch the girls while I fuck them. Do you think that would look nice?' Karen makes a face before awkwardly nodding. 'Do you want me to go get that paperwork now?' She asks, trying to steer the conversation away. 'If only there was a way I could test this room out first,' he continues. 'It would be a shame to commit to this house without really knowing if its what I want.' He stares at her blankly. She stares back. 'What kind of test would you need?' She asks slowly. 'Well, I think if you would come over here and let me test you out, that would probably work.' Karen closes her eyes, fully realizing what the man is proposing. 'Will it be quick?' she asks. He says yes. 'And will you promise to double the commission, like you said?' He says yes. Karen bites her lips and starts to unbutton her blouse in front of the man. He asks her to strip down completely, which she does. He asks her to get on her knees and crawl to him. She does. Looking up as he unzips his pants, he asks her to start by sucking his dick. She says YES and this descends into the BG sex scene.
After he has cum on her face, the man begins dressing behind her as the overwhelmed Karen wipes the cum from her face and asks if she can go get the paperwork now. The man silently grabs his tie and approaches her, filing the frame. CUT to outside the house. In a final long shot, the man hurriedly exits the house and walks over the lawn, grabbing the 'Open House' sign for sales as he exits.
