Latest Updates from 'Pure Taboo' (Page 5)

Whitney Wright in 'Face To Face'

Whitney Wright - Face To Face

Nominated - Best Actor - Featurette: Michael Vegas, AVN 2020

FACE TO FACE
WOMAN USES JOB AS REPORTER TO GET CLOSE TO AN ACCUSED PSYCHOPATH

Scene opens on the interior of a car. A young woman, Lois Brown (Whitney Wright), is the sole occupant and driver, and we watch over her shoulder as she pulls up to a house. She stops the car and turns it off. The camera pans down to see that her hands are shaking. She takes a deep breath, steadies herself. 'You can do this,' she says to herself and gets out of the car. She walks up the driveway to the door of the house and hesitates another moment before ringing the doorbell. After a second, the door opens and a man, James Stinson (Michael Vegas), stands there. He looks at her, appraising her in an almost predatory way. 'You must be Lois?' he asks with a tone of wary caution. Yes, and he must be Mr. Stinson, Lois says with a polite and professional smile. Oh, she can call him James, he says. A bit young for a reporter, no? She flashes him a polite, detached smile and says maybe, she's 22 but people always say she has an old soul. He nods and then realizes he's still blocking the doorway - But where are his manners? Please, come in, he says, waving her in. She follows him into the house, a modest, clean and well-kept abode.

So where does she want to do this?, he asks, a hint of discomfort creeping into his voice. Wherever he feels comfortable, she says politely but not warmly... how about the living room?, she suggests. He agrees and they sit down in the living room. He takes a seat and she sits in a chair across from him with a table between them. She takes out her cell phone and opens up a voice recording app. Does he mind if she records this?, Lois asks. No, please do, he doesn't want to be misquoted, he's had enough of that - he chuckles, not because it was funny but to fill the awkward silence following his comment. Great, she says after a pause, pressing the record button on the app and places the phone on the table between them. 'So let's start with the obvious: why now? Why grant your first face-to-face interview to a small college newspaper after all this time not speaking to the press?' Lois asks. He considers the question. Well, it's simple: in all this time, she's not the first reporter to call him on the anniversary of the crime, but she IS the first reporter to call him and tell him that she believes he's not guilty, and offer to tell his side of the story, he says. But he WAS acquitted of the crime he was accused of, so what guilt is he referring to?, Lois probes. As she knows, the case was all over the news, day and night, and even though he was found not guilty, most people believe that he is guilty and the verdict was wrong, James says. Guilty until proven innocent in the public eye, he says bitterly. And he's never been able to shake that stigma, people just don't look at him in the same way since then, he adds resentfully. It's a lonely existence. 'Maybe we can try to dispel some of that stigma once the public hears your side of the story. So I ask you, on the record: Are you guilty?' Lois asks. He smiles sadly back at her. 'Am I guilty?' he asks her. He takes a deep sigh. There is a tense moment of silence. Once again, something dark and predatory flashes across his face. 'Yes...I am,' he says, his smile gone.

CUT TO TITLE PLATE

Resuming the interview, Lois looks stunned at James's admission. 'I am guilty...guilty of being in the wrong place at the wrong time,' James clarifies. He happened to be at the club that night, and he happened to be the last person seen with... James says, trailing off, blanking at the victim's name. 'Darlene Davis,' Lois says, enunciating the name carefully. Yes that's right, it was a long time ago...and he has tried to put the whole episode behind him, being at the club that night, being at the wrong place at the wrong time...that ruined his life, James says. So how does he explain Darlene's DNA on his shirt?, Lois probes, adding that the police claim that this happened during the crime. The same way he explained it to the police, with the truth: she had a nosebleed when she was dancing with him, James says. But the press got a hold of that and used that to assume his guilt, he continues. What they didn't bother to report was that she was a known substance user prone to nosebleeds, he says.

'When they came to interview you because they saw you on the club's security footage, you consented to them searching your home, where they discovered the shirt with DNA evidence, which then led to your arrest and trial. If the DNA on the shirt was from an innocent nosebleed as you claim, why didn't you just tell the police about it instead of hiding the shirt for them to find, and for that matter, why did you consent to the search in the first place if you had evidence hidden away that would incriminate you?' Lois asks. Well, because he didn't feel that he had anything to hide, James says smoothly, for example why would he even think that shirt was evidence to a crime at the time unless he was the one who committed it? When he left the woman, she was still alive. But, she continues, if he had nothing to hide, why did he initially lie to the police about where he was after the club that night?, Lois asks skeptically. He didn't have an alibi that night, he just came home alone, and he's seen enough movies to know that it's really easy for cops to pin something on someone who can't account for their whereabouts, so he told them he went to get a burger instead, James says. Stupid mistake, he says regretfully. A stupid mistake that he's replayed over and over in his mind every day since then, he adds. But he can see why that story sounds a little thin right?, Lois asks. Especially since the route he claims to have taken home from the club that night is the least direct way to get home and HAPPENS to be one that doesn't have traffic cams in that area of town, she adds. He looks at her silently. Can she turn off the recording for a moment please?, he asks softly. Oh um, yes, sure, Lois stutters, caught off guard. She turns it off. Lois...he thought that this interview was going to give him the opportunity to shed some light on his innocence, so why does this feel like the same old assumption of guilt that he's used to?, he asks, leaning close to her, resting his elbows on his knees in a vaguely threatening way. 'Because if this is just about pushing my guilt, if you're hiding something from me...we're going to have...a problem,' James says, that same carnivorous look crossing his features again. Lois shifts in her chair nervously. No...it's not about that at all, even though she believes in his innocence, she still has to do her job and ask all the tough questions, she says anxiously. There is a tense moment while he considers her answer. Ok..let's keep going then, he says finally. Lois exhales sharply and resumes recording.

So getting back to the night of the crime: to help clear up any misconceptions, why doesn't he recount that night for her?, Lois suggests gently. Well, he was in the mood to go out, but all of his friends were busy, so he decided to go to the club alone and that's where he met Darlene; they danced for a little while, and then he went home, alone, James says quickly. There's really not much more to explain other than that, he adds. And what was Darlene like?, asks Lois, He doesn't really remember, he only danced with her for a short time and didn't really get to know her, he answers. So he didn't get a sense of her AT ALL?, a sense of what...Darlene was like?, Lois asks. Was she kind, did she seem happy? Why the great interest in Darlene?, James asks, his brow furrowed in suspicion. Just trying to get a sense of the victim is all, Lois says quickly. Hmmm, well he can't really help her there because like he said, he didn't get to know her, James says. But she did have a reputation around the neighborhood, she was known as kind of...he doesn't want to be rude here but...kind of a whore who would do ANYTHING for a fix, he says offhandedly. Upon hearing this, Lois looks a little rattled. At the time, some people were even saying that she...got what she deserved, James says softly. Lois looks a little sick when she hears his last answer and abruptly excuses herself, saying that she has to use the bathroom.

In the bathroom, she splashes water on her face and pats it down with a towel, regaining her composure. Keep it together, almost there, just this one last thing to do, she says to herself, breathing heavily. She takes another moment to steady herself, draws in a deep breath and exits the bathroom. Back in the living room, she goes to sit beside James on the couch. She apologizes for rushing out like that, adding that it must have been something she ate. He tells her not to worry about it. She smiles. What she would like to do now is shift gears and get...inside his head a bit, she says. Is that why she came to sit next to him, because things are about to get...personal?, he asks, with a slightly nervous edge as he looks away from her. Would that be ok?, she asks. He's not sure if getting personal is...a good idea, he says, looking back at her as a sinister expression invades his features for a moment. It passes quickly. Lois clears her throat. She's sure that this is best for the interview, so...is it ok if she continues?, she asks patiently. He nods. Ok, so when he was accused of this horrible crime, how did that make him feel?, she asks. Well...he felt...scared...angry...alone, James says slowly. She can relate, her mother passed away when she was a little girl and she can remember the intense feelings of isolation, like she was the only one in the world who felt these things, Lois says sympathetically. He is surprised to see her turn off the recording. And there were other feelings, other, more...disturbing thoughts that she had that made her feel even more alone, she continues. It was like a...darkness growing inside of her, and it scared her, but she didn't want to run away from it, she wanted to run towards it, she continues. She looks at James in the eyes. 'I think you know exactly what kind of...darkness I'm talking about,' Lois continues softly. 'You share that same darkness inside of you, don't you James?,' she asks. And he acted on that darkness, Lois says. James finally catches on. Does she think that he IS guilty?!, he asks looking betrayed. He thought---James starts, but Lois cuts him off. She doesn't THINK anything: she has ABSOLUTELY no doubt in her mind that he is guilty of this crime, Lois says.

What the fuck--he knew this had to be bullshit, she's just like all the other reporters, James says, getting up from the couch in frustration. That's just it, she's NOT like all the other reporters, Lois says... in a sense, she became a reporter just to get to this moment. To speak with him. Sure, she lied to him about believing that he didn't commit the crime, but she knew that was the only way he'd agree to meet her, and she NEEDED to meet him face to face, she feels that there is a connection, a...bond between them, Lois continues. He didn't- he begins. She waves him off. There's no need to put on any masks anymore, he can be his true self around her. She's here because she wants him to tell her---no, SHOW her, everything about that night, Lois continues breathlessly. She seems to be getting turned on as she speaks, but she exhales sharply as she finishes her last sentence, betraying a nervousness underneath her bluster of passion. This nervousness passes almost immediately, and James is too distracted to notice the subtle inconsistencies in Lois's demeanor. What kind of a sick fucking fantasy is this?! James asks incredulously. It's no fantasy, it's what she came here to share with him, Lois says. No, he can't do that, James says, shaking his head. Please!, Lois says fiercely, grabbing at his shirt. She needs to know!, Lois says feverishly, practically banging on his chest. He pulls her hands away from him. Stop this!, he says, resisting. 'SHOW. ME.' she enunciates firmly, bringing her face inches away from his. He can't resist anymore. 'Is this what you want?! Is THIS WHAT YOU WANT?!' James yells, ripping her blouse open roughly, the buttons hitting the floor. 'Yes, oh god yes,' gasps Lois.

As he tears her clothes off and buries his face hungrily in Lois' pink pussy, Stinson unleashes his inner-maniac. Will Lois get more than she bargained for? Maybe...but what James doesn't know is that Lois has a secret of her own...

Casey Calvert in 'Peer Pressure'

Casey Calvert - Peer Pressure

PEER PRESSURE
INNOCENT VIRGIN SCHOOLGIRL DOUBLE-TEAMED BY TWISTED STEP-SIBLINGS

Lisa (Vienna Black), a sweet and innocent schoolgirl, arrives at Stephan (Justin Hunt)'s house, trying to calm her nerves as she holds her backpack close. As she approaches the front door, there is a gardener nearby that offers to open the door for her. 'Let me get that for you, miss,' he says. Before he opens the door, though, he nervously looks between the door and her, then leans in and asks if she REALLY wants to be in there with THEM. Lisa is worried and asks what's wrong with them, but before the gardener can answer, the door is opened from the other side. Stephan, a young man wearing a smile, greets Lisa, saying there she is! He thought he heard voices. Come on in!

When Lisa turns away, Stephan catches the gardener's eyes and makes a lewd sexual gesture, indicating their intentions for innocent Lisa. The gardener can do nothing more but look guiltily away as Stephan closes the door behind them.

TITLE PLATE

Lisa compliments Stephan on the beautiful house as he leads her into a dining room to study, soon joined by his step-sister, Nikki (Casey Calvert). Stephan shrugs and says that the house is modest, which is obviously an understatement. Nikki ribs her brother and says that nothing involving either of them could ever be described as 'modest.' Stephan smirks, then thanks Lisa for coming over to help them study for the upcoming exam. He especially needs a little pick-me-up with his grades and Lisa's just so smart! She has to be the smartest one in any of their classes.

Lisa's flustered by the compliments, obviously having a crush on Stephan, saying that the 'bad boys' seem to always need a little bit of extra help. (It's clear by the way she says 'bad boys' that she likes bad boys, and Stephan catches onto this with a sly grin.) She continues on to say that she's always been a nerd, so... Stephan says that she's a very pretty nerd. A woman with brains AND looks is a treat. Although Lisa's flustered, she makes a bit of a face at the word 'treat' since it sounds weird to her, maybe even a bit creepy. Even Nikki picks up on this and laughs, saying that it sounds like her dear brother Stephan just wants to 'eat her up.' Maybe he DOES, Stephan retorts, then winks at Lisa and as a joke, growls hungrily. Lisa is shy and not used to this kind of attention, although she seems to like it.

Stephan asks if Lisa minds agreeing to help them study. Lisa looks a bit flustered -- oh, Nikki will be studying with them too? Stephan bares his teeth into a grin and says he and his sister are inseparable, he wouldn't want her to flunk the test while he's acing it! He hoped she could study with them, and asks if that would be a problem? Lisa tries to play it cool and says, no, of course not. Everyone at school knows how close they are, so how could she say no? Nikki gasps and turns to Stephan. 'Do you hear that, brother? We're practically famous!' she laughs sarcastically. Then Stephan gestures to the dining room table and suggests that they get started. Lisa is still a little disappointed by Nikki being there, clearly having hoped for some alone time with Stephan, but tries not to show it too much.

Lisa is about to sit by Stephan when Nikki promptly takes the seat, smiling sweetly at her. A little taken aback, Lisa moves around the table and sits across from them. She takes her laptop out of her bag and asks what they'd like to study first. Stephan says he'd like to study biology first since that's his favorite subject... He especially loves learning about a woman's anatomy... Who doesn't love a bit of... exploration? As Stephan says this with a grin, Lisa feels a foot running slowly up her leg.

She stares at Stephan, obviously thinking that it's him playing footsies, but it's actually Nikki. Lisa fidgets both because of the move seeming quite bold to her, and also because of her arousal. She can't help but to like the preppy bad boy vibe Stephan gives off.

Nikki smirks, though Lisa doesn't even notice her, anyway, since her attention is on Stephan. Lisa glances briefly to Nikki, nervous about what she thinks Stephan is doing to her, but Nikki just grins. 'Is something wrong?' Nikki teases. Lisa swallows and shakes her head while blushing, saying that nothing is wrong and that, sure, they can start with biology -- she can pull up her notes from the semester. Nikki stops playing footsies and scoffs, saying that they're all 18 now -- they can learn about the female anatomy in more fun ways than by reading about it. Lisa nervously laughs and insists that sticking with the notes is best if they want to do well on the exam.

As they begin studying, Lisa talks about the female body, specifically the reproductive system. She starts listing off the parts that make up the system: the labia majora, labia minora, Bartholin's glands, uterus, ovaries, fallopian tubes, clitorus, vagina...

Nikki scoffs, saying this is so lame since this is all stuff they should already know. Hey, does Lisa know that the hymen can be broken in ways other than sex, like sports or horseback riding? It's not the reliable test of a woman's virginity that it used to be. She wonders out loud if Lisa's hymen broke yet, and if so, whether it was from riding horses or riding something ELSE.

Lisa is uncomfortable, ignoring the question and saying that she doesn't think hymens are going to be on the exam, so... Stephan makes studying even harder by asking Lisa about 'erogenous zones', playing a bit dumb. What are they? How do they work? Sure, he knows what to do with a wet pussy, but what else can he do to make a woman scream?

Lisa's even more embarrassed. 'Um, I d-don't think that's on the required materials for the exam...' Stephan leans in a little closer, still playing dumb, although his closer proximity seems a bit more menacing. 'Well, don't you know? You're supposed to be so smart, and all,' he teases with an edge to his voice. Lisa's even more uncomfortable, squirming in her seat, her eyes still on Stephan but she feels desperate to prove herself. 'Well, I READ that the most accepted ones are the ears, lips, neck, breasts, bum, inner thighs, and... vagina,' Lisa explains, stumbling again a little over the last word. 'But there are some other ones, too, like the feet or even armpits...'

Stephan laughs, looking a bit disgusted at the mention of armpits, saying no thanks! Nikki snorts, saying that if he wants to please a woman, he has to be willing to go all the way -- armpits included! Stephan remarks that he KNOWS how to please a woman. You just gotta fingerbang her ass a bit while you're eating her out. He even mimes this by poking one finger back and forth in the air while doing the classic vulgar cunnilignus gesture with his other hand. 'Just like ringing a doorbell!' he laughs. 'Ooh, you're SUCH a romantic! Not gonna lie, though -- it sounds pretty hot, right, Lisa?' Nikki teases with a twisted grin. Lisa is shocked and a bit grossed out now, not only because of the graphic nature of the sex described but also how comfortable the siblings are around each other.

Lisa doesn't answer Nikki and instead laughs nervously as she tries to get them back on track, redirecting their attention back to the books. Once or twice, she looks towards the entranceway, as if debating whether she should leave or not, but ultimately decides to stay. Nikki then makes a comment about the laptop. It's an older model, isn't it? Lisa is relieved for the distraction but embarrassed still, mentioning that, yeah, it's secondhand since her parents spent everything on the tuition this semester. She was lucky to get into such a prestigious school! Nikki and Stephan says that they're so proud of her for getting into the school, it really shows that ANYONE can make it in life if they work hard... this is said in an obviously condescending way, which makes Lisa her momentary confidence.

Nikki excuses herself to go to the bathroom and Lisa takes this chance to pull her chair closer to Stephan. They begin studying again, with Lisa making sure only to talk about less sexy parts about the female anatomy. Like, how exciting is the menstruation cycle? He butters her up a little, marveling over how she makes even periods sexy, which is really saying something! Although he's heard that some guys are really into fucking women on their periods... As he talks, he moves his arm down and out of sight.

While Lisa is distracted, Nikki sneaks back and slips under the table without Lisa noticing. She carefully crawls close to Lisa, then starts running a hand up along Lisa's leg, up her knee and slowly towards her inner thigh. Lisa makes a short sound of surprise as she stares at Stephan, who is intensely focused on her and smiling. He's still leaning forward toward her with his arm out of sight to add to the illusion that it could be him feeling Lisa up, even if it's not. The routine is so smooth, as if Stephan and Nikki has pulled this stunt before.

Lisa still thinks it's him feeling her up and is flustered. She continues reading, though her voice catches as the hand starts moving towards her pussy. Lisa shifts and bites her lip to stifle a moan, then whispers, 'Keep doing it...' to Stephan. Stephan gives a fake-confused look and says, 'Keep doing what?' When Nikki palms her pussy, Lisa moves her hand under the table and over Nikki's, rolling her hips into the touch. 'You're touching me...' she breathes, though Stephan still plays it innocent and says that he isn't? He's just scratching his leg... Lisa's eyes widen as she pushes her chair back and stares under the table, seeing Nikki there. 'Whoops! I thought I was touching Stephan,' Nikki blatantly lies while both she and Stephan laugh. It's a creepier, mocking laugh, though.

Nikki crawls out from under the table and sits in the chair again as both she and Stephan crowd Lisa, who is hugging herself nervously. 'What's going on?' Lisa demands. 'We're just having a bit of fun, aren't we, Stephan? You HAVE to be a virgin, though, aren't you, Lisa? And not just because you have a tight little twat down there -- you couldn't even tell a girl's hand from a guy's! I mean, I know Stephan has some pretty girly hands, but...' Nikki says. 'Hey! I do not! YOU seem to like them.' Stephan states as the two banter over Lisa's head. Nikki scoffs and says, 'Yeah, because I like girls' hands better! You can fit more of their fingers in at once!'

Lisa is really confused and uncomfortable as she starts to rise to gather her laptop, saying that she has to go. Both Stephan and Nikki touch her shoulders and coax her back down to the seat. 'So soon? We just barely finished the chapter,' Stephan says with an unsettling smile. 'I thought we had a special moment going on here? I see the way you stare at me at school... Like you want me to fuck you right then and there against the lockers....' Nikki rolls her eyes, saying, oh, you wish! You like to think you're such a player when all you prey on are the frail, helpless types. Where's the challenge in that? Anyone can do that! Stephan should be looking for a REAL woman -- like her!

'Oh, dear sister, you know you're more than enough woman for me,' Stephan says in a seductive tone. The two start to close the gap between each other while leaning over and in front of Lisa, clearly moving closer and about to kiss heavily -- though they don't quite touch yet.

Lisa is shocked as she bursts between them. 'Wait, aren't you two brother and sister??' Stephan and Nikki shake their head. 'We're step-brother and step-sister. REAL fucked up, right?? But hey... how can I NOT fuck a gorgeous woman like her?' Stephan insists as he leans in and starts necking Nikki, even biting at her, which Nikki enjoys. Nikki giggles and flirtily tells him to stop while clearly fishing for more compliments. She says that not a day goes by that she isn't glad that her mother married his father, which brought THEM together.

'I REALLY should be going,' Lisa says as she clutches her laptop. 'You're free to go...' Nikki says sweetly. 'Of course, now we're going to tell everyone what a whore you are. You came over here purely to seduce us, you sicko. What, does getting it on with a brother and sister get you off?' Lisa is horrified, exclaiming that they can't spread such lies about her. Nikki continues, saying, who are people going to believe? Them or Lisa? Lisa's a NOBODY at school. Besides, aren't they PRACTICALLY FAMOUS? Lisa's out of her MIND if she thinks she's worth anything. She's just a pathetic little girl that got into their school as a charity case. The school probably took pity on her and her parents and decided to show a little goodwill. It looks good in the public eye. So what would happen then if the school found out the sweet, underprivileged girl they let in was going around slutting it up with classmates? And what will her darling parents think when they learn that their little girl is not so innocent?

So here's the deal: if Lisa fucks Stephan and does everything they ask, they won't breathe a word about it to anyone else. Nikki likes watching her brother defile young, innocent, underprivileged, hardworking girls like Lisa...

Lisa can't believe what she's hearing and is almost about to cry because of the confrontation. She begs them not to say anything. They don't understand that school is literally all she has! So much has been sacrificed to get into this school. She's willing to do anything to ensure that the step-siblings don't fuck it up for her. Anything!

'Then it sounds like we have a deal,' Nikki purrs, but Lisa is still worried. 'If I let you f-fuck me -- then you'll keep everything quiet?' she asks while trying to put on a brave face. 'We promise,' Nikki says. 'Just... Just be gentle. It's my first time,' Lisa adds, nervously giving her consent. 'Oh, we'll be gentle,' Nikki says...

Sarah Vandella in 'Why Are You Doing This!'

Sarah Vandella - Why Are You Doing This!

WHY ARE YOU DOING THIS!?
SADISTIC BOYFRIEND MAKES GIRLFRIEND SEDUCE HER STEPMOM UNDER THREAT OF EVICTION

Scene opens on Alison (Emma Hix), who is in her living room, pacing nervously. She is clearly worried about something. She hears a knock at the door and hurries to answer it. Her boyfriend Bradley (Lucas Frost) is there. He greets her, kissing her on the cheek as he walks into the house like he owns the place. He loudly sits down on the couch and puts his feet on the coffee table obnoxiously. So tonight's the night huh?, Bradley leers at Alison. 'I don't think I can do this,' she says worriedly, still standing. Baby, come here, he says, motioning for her to sit on the couch next to him. When she moves to sit down, he instead grabs her around the waist and pulls her onto his lap. She lets out a surprised gasp. 'Baby, you know I love you right?' he asks smoothly. She says 'yeah' quietly. And he's not making her do anything she doesn't want to do, right?, he says. It's her choice, but she knows what's going to happen if she doesn't do it, he continues, raising his eyebrow. Her eyes go wide as she stares at him, frozen. 'I don't want that to happen, but if you don't do what we agreed on, I WILL make sure it happens', Bradley says icily. But don't even worry, she's going to love it, he adds. She nods, still extremely nervous but clearly acquiescing to his demands. He looks her up and down like she's an object he's appraising. 'You look like a nice little slut,' he says, his formerly kind tone completely replaced by one that is vaguely sinister. He kisses her hard. 'Are you my little slut?' he asks her. Yeah baby, she responds. 'And you're gonna eat her fucking pussy right, aren't you?' he asks, reaching around and grabbing her ass. 'Yes baby,' she says, gasping. 'Fuck yeah you are...and I'm gonna watch you do it,' he says. Just then, they hear a key being inserted into the lock. 'And there she is now. She has no idea what we have planned for her tonight,' he says, a sleazy grin plastering his face. The door opens and Connie (Sarah Vandella) walks in. Immediately, Bradley separates himself from Alison and his sleazy grin transforms into a polite and welcoming smile. Connie smiles and says hello. 'Hi...Mom,' Alison says.

CUT TO TITLE PLATE

Cut to the dinner table, where the three have just finished eating dinner. 'That was delicious, Connie,' Bradley says. 'Oh thank you Brad,' Connie returns his grin. 'It's Bradley,' he corrects her, the agreeable and positive image he projects faltering for a moment as an edge of anger creeps into his voice. Oh, she's sorry, she forgot, Connie says, somewhat taken aback by the glimpse of what lies beneath Bradley's surface. That's ok!, Bradley says, flashing her a charming grin as he snaps back to his friendly appearance. Alison seems distracted, perhaps focused on the task that lays ahead of her. 'And how's the house? Everything good here?', Bradley asks, waving his hand around the room. Connie tells him that it's wonderful and thanks Bradley again for everything he's done. It was so tough after the accident, with her husband gone...and of course she couldn't work anymore...,Connie says sadly. Bradley nods, pretending to be sympathetic. So when Bradley came along, she was just so happy that Alison had someone, Connie continues. And then he arranged for his dad to help them with this place...Connie continues. 'You've really been a godsend,' Connie says to Bradley, smiling warmly at him. Oh it's really nothing, Bradley says with false modesty. 'It's not nothing. There's no way we'd be able to afford this place if your dad didn't own it and hadn't given us a discount on the rent,' Connie says appreciatively.

'It's no problem at all,' he says, with a faux sweet smile. 'Anything for my girl,' he adds, kissing Alison on the cheek but then leaning in close to her ear and whispering 'Do it now.' Alison looks at Bradley pleadingly. Connie begins to clear her plate, putting her napkin and cutlery on it, so is too distracted to see the exchange between Connie and Bradley. Bradley, through gritted teeth, motions her to get on with it. Alison takes a deep breath. 'Mom...there's something I wanted to talk to you about...something...private,' Alison says hesitantly. Sure, what's going on honey?, Connie asks brightly. Well..., Alison clears her throat, trailing off. Bradley, playing his part, steps in. Why don't they go to Connie's bedroom, where they can speak privately and he can wash the dishes while they talk?, Bradley suggests. That's so nice, thank you Bradley, Connie says. Connie and Alison get up and leave the room. Bradley pretends to shuffle the dishes around, watching Alison and Connie as they leave. He listens for a moment, and once he's satisfied that they're in Connie's bedroom, he leaves the kitchen. Cut to an over-the-shoulder shot of Bradley as he quietly creeps down the hall, arriving at the open door of Connie's bedroom.

We see Alison and Connie talking as he watches. They are sitting on Connie's bed together. So what is it honey?, Connie asks. Alison is frozen in nervousness. 'I've been having these...thoughts lately Mom,' Alison says, looking up at her mom. What kind of thoughts?, asks Connie. 'Thoughts about...you,' Alison says slowly. 'Thoughts about me? What does that mean exactly?' Connie asks, a little wary. 'I've just started to...look at you differently. I mean, you're so...beautiful,' Alison says. 'I just....I think I love you,' Alison says. 'I love you too honey. Even though I'm not your biological mom, you don't ever need to doubt that,' Connie says tenderly. 'No no I mean...I'm IN love with you,' Alison says. Here we go, Bradley whispers to himself, fondling his crotch in anticipation, seal the deal baby.

'Oh my god,' Connie says softly, her mouth wide in shock. 'I know I'm your stepmom Alison, but for all intents and purposes, I'm still your MOM, and there are boundaries that mothers and daughters don't cross,' Connie says patiently and firmly. 'You do understand that, don't you honey?' Connie asks. 'I know Mom, I'm not a kid. I'm 18-years-old, I get how these things work, but I just...I can't deny how I feel. I had to tell you: I want to be with you,' Alison says, putting her hand on Connie's knee. Oh no, no Connie laments, they can't do this, it's completely inappropriate. Connie softly removes Alison's hand from her leg. 'I know how lonely you've been since my dad died,' Alison says, sliding her hand under Connie's skirt between her legs. Connie removes Alison's hand from under her skirt. 'Alison, stop this right now! What's gotten into you?! Your boyfriend is right downstairs!' Connie says fiercely. 'I don't care,' Alison whispers desperately and again slips her hand between her mom's legs. Despite her misgivings, Connie is clearly thirsting for human touch and doesn't resist this time. She gasps as Alison rubs her pussy while she kisses Connie's neck. However, she seems just about to come to her senses and push Alison away when seeing this, Bradley chooses this moment to make his entrance, pretending that he just stumbled upon the scene by accident. 'Just wanted to---oh my god!,' he exclaims.

Connie snaps her eyes open, abruptly moving away from her daughter. Connie looks horrified. Alison doesn't look surprised to see Bradley since this was all part of the plan. Connie exhales loudly, smoothing out her skirt. 'Bradley this isn't---' she stammers. 'Oh please. I know exactly what this is,' he says with a smarmy tone and plops down into the chair that faces the bed. 'Carry on,' he says with a dismissive wave of his hand. 'C-carry on?! Nothing was happening, I swear to you Bradley, we were just talking and then suddenly...,' Connie says frantically. Bradley insists that he knows what he saw. Connie and Alison are going to get back to what they were doing when he came in, Bradley says. 'And I'm going to sit right here. And I'm going to watch,' Bradley says. 'Just like we talked about, right baby?' he asks Alison. Alison doesn't answer, instead looking down at her lap, deeply ashamed. Connie looks at her daughter. 'You...knew about this?! So all that talk about being in love with me,...that was all to get me to do this with you...for HIM?!' she asks Alison. Alison looks up from her lap to her mom. 'Please Mom I--,' Alison begins, but Bradley cuts her off. Fucking right she knew about it, he wanted them to put on a little show, so he told Alison that she needed to make it happen, Bradley says. 'And Alison does what I say. Because she knows exactly what the consequences will be if she doesn't,' Bradley says threateningly. 'You're disgusting, get the fuck out of my house!' Connie yells at Bradley angrily.

Well, he guesses he'll have to tell her about those consequences then, Bradley says. 'You see, that's just it. This ISN'T your house,' Bradley says calmly. Connie's brow furrows as she contemplates the implications of his question. 'That's right, it's not, it's my father's property,' Bradley continues. And his father loves him very much, so if Bradley asks him to, he'll evict Connie and Alison so fast that it'll make their fucking heads spin, Bradley says. 'So I suggest...that you both...Take. Off. Your. Fucking. Clothes,' Bradley says menacingly. There is a long silence. 'You seemed so...nice,' Connie says, almost to herself as she shakes her head in disbelief. He is nice, he just gets...bored sometimes, Bradley says absently. 'You're doing this because you're BORED?! How can you be so cruel?' Connie asks softly, horrified. Who knows really?, Bradley asks rhetorically. Maybe it's because he's rich and entitled?, or because he likes being in control?, or because his mommy left him when he was a little baby?, Bradley asks gleefully, mock crying as he mentions his mommy. Or maybe it's just because...why the fuck not? laughs Bradley sadistically. 'So you have a choice: Are you going to hit the sheets or hit the streets?' Bradley asks. 'Hit the streets or hit the sheets? That's pretty good huh? I came up with it while I was driving over here!' Bradley laughs. So what's it gonna be?, he asks, his laughter stopping abruptly. Connie looks at Bradley with pure rage and terror. Realizing that she only really has one option, she turns to Alison. She puts her hand on her daughter's knee and leans in reluctantly for a kiss. 'No, stop. I need to hear you say it, otherwise, it's no fun. Is this what you want?' Bradley asks. Yes, Connie says quietly through gritted teeth. Yes baby, Alison says numbly. 'Good choice,' Bradley says. 'Now, Connie? Fuck your fucking slut daughter please,' Bradley says evenly. Flashing Bradley a look of hatred, Connie turns to her daughter. They begin to kiss and Alison slides down between her mom's legs, slipping her panties off. Alison licks Connie's clit hungrily as her mom gasps, unable to conceal her pleasure while Bradley watches.

But they'll find out soon enough that Bradley wants to do a lot more than just watch, and Bradley ALWAYS gets what he wants...

Adriana Chechik in 'Future Darkly: Eyes In The Sky'

Adriana Chechik - Future Darkly: Eyes In The Sky

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

EYES IN THE SKY
COUPLE TAKEN BY ALIENS AND MADE TO STAR IN LIVE SEX SHOWS

SCENE OPENS on an empty suitcase sitting in the middle of a woman's bed. While the radio plays in the background, items get tossed in as Alex (Adriana Chechik), a 21-year-old college student, hurriedly packs for the weekend. It's her anniversary with Derek (Seth Gamble), her boyfriend of several years. He's booked a cottage up north and she couldn't be more excited to get away from school and her roommates for some quality time alone.

She wipes the frame, packing and repacking items including clothes, underwear, hiking boots, a book of erotica and box of condoms, and an anniversary card she made for him. She wants it to be a special weekend. As she frets over the final items, the camera pulls out to reveal her fully for the first time. A car honks in the driveway and Alex's roommate calls out -- 'Derek's here!' She zips up her bag and, with a big smile on her face, turns off the radio, exits her room and rushes to the front door. Derek is waiting outside, by his car, and the camera lingers as she runs out, gives him a big hug, and gets inside.

A birds-eye shot of Derek's car driving down a tree-lined road, occasionally passing other vehicles. After a few moments of ambiance, an overlay of Alex's voice cuts in. She is playing a trivia game and Derek is trying to guess the correct answers.

CUT TO a closer birds-eye shot of Derek's car isolated on the road, as the sounds of the couple playing and laughing over their game are heard. Finally, Derek loses and tells his girlfriend jokingly to turn the app off.

CUT TO inside the car. Alex closes her phone and looks out the window at the trees passing. The sun is starting to set behind them and she smiles at the beauty of it all.

CUT TO a front-mounted car shot. Derek notices his girlfriend's gaze and starts to talk up the cottage he rented. It's rustic but right by a lake and near many hiking trails. He just knows she's going to love it. Best of all, there is a hot tub on the deck! Alex turns back to him and squeezes his hand. 'I love you,' she says affectionately. 'I love you back,' Derek says leaning in to give her a kiss. They keep driving for a few moments in silence, as the camera cuts between angles. Alex thinks about what she packed -- the book of erotica she plans to ask Derek to read to her, the lingerie she purchased for tonight. She bites her lip in anticipation and sneaks a glance at her boyfriend's lap while he drives. Maybe she should start their celebration a little early?

'Hey, pull over for a moment,' she coos in his ear. 'Why? I want to get there before dark and we're still over an hour away,' he replies, not getting the hint. Alex grabs his crotch. 'Not even for a little road head?' She whispers flirtatiously. Derek looks down at her hand before a smile crosses his face. He shakes his head and pulls the car to the side of the road.

CUT TO a profile shot of the parked car in front of the woods. Inside, Alex is unbuckling Derek's pants while he leans his head back. This weekend is starting off perfectly, he thinks to himself as he braces for her mouth. But something suddenly catches his eye. A red glowing light in the trees just past their car. He stops his girlfriend and pulls her back up to her seat. 'Do you see that?' He says, pointing. Alex looks in the direction of his finger at the ominous crimson glow. It's almost pulsating. 'What the hell is that?' She asks quietly.

Derek zips himself up quickly and gets out of the car. Alex rushes out beside him. 'What are you doing?' She asks nervously. He hushes her. 'What if its an ambulance or something? Maybe someone's hurt. Just stay there. I'll be right back.' The boyfriend disappears into the woods, leaving Alex alone on the roadside. The sun has fallen behind the trees and it is getting dark. Crickets chirp loudly, and she shivers, not knowing whether to get back inside or not. She calls out a few times but no reply.

Finally, Derek yells: 'Babe, come here ... you've got to see this!' A dolly zoom emphasizes Alex's reaction as she sees her boyfriend step out with something very unusual dripping in his hands. They are covered in red slime and he is holding what look like large fish eggs. Alex carefully walks over to examine them. As she leans in, the eggs pop and fizzle like something frying. The smell is horrible. 'Gross! What are those?' She asks Derek. 'And why did you get them all over your hands -- what if they're toxic?' Derek's eye gleam, his adrenaline pumping, as he tells her that he found a whole nest of them. They are cooking or something, maybe incubating, under a light that's coming from the sky! They must be on classified land - like you read about online. Government tests. She has to see it. He grabs her hand and pulls her into the trees.

CUT TO a pile of eggs, oozing in slime and membranes, underneath a red spotlight. Derek crouches down beside them and starts poking at them with a stick. Each time the stick strikes one, it makes a buzzing noise, almost like an electrode. Alex is extremely nervous. 'Stop that,' she whispers. 'You don't know what you're doing!' Derek tells her to relax. He's held one. They are clearly harmless. And they seem to be multiplying. 'What?' Alex mouths in fear. Alex points the stick to the middle of the pile, where a cluster of smaller eggs are growing. They are grouped close together and making a lot of static noise. From a low angle, Alex and Derek lean over the cluster as the static amplifies. 'Derek ...' Alex says slowly as the noise increases. 'They're moving.' Derek nods slowly. The static reaches a deafening pitch as the couple instinctively cover their ears and the red glow turns into a bright white light. Alex looks up just as the light blinds her and a shower of red eggs fall on them. Fade to white.

CUT TO a black chamber, illuminated only in the center by a small white spotlight. Alex and Derek lay like slugs, their bodies wrapped tightly in plastic-like cocoons. Only their unconscious faces are visible. The room creaks and echoes, as the distant sounds of inaudible conversation and movement are heard. It sounds like a crowd is gathering.

Alex slowly stirs, her eyes going wide in horror as she realizes her confinement. She gasps out Derek's name, barely making a sound, as he too regains consciousness. Their breaths quicken as they struggle to free themselves ... but they can't. Suddenly, the light goes out and the room goes black. There is a moment of silent panic before a loud cranking is heard and the ceiling starts to open up, letting colorful flashes of light pour in to illuminate the chamber.

On either corner of the small vapid space, two other humans (Kristen Scott, Ryan McLane) lay curled up and motionless in fetal positions. They are naked and covered in slime. The couple stare up into the lights, horrified, as the distant sounds grow closer. Pops, whizzes, screeches, hisses, and unrecognizable voices fill the room from the ceiling. The voices sound excited and boisterous but are not in any language that Derek and Alex can recognize. Soon, an even louder alien voice comes over a speaker and the crowd fall silent. In a bone-chilling tongue, it begins to speak and, as it talks in pops and clicks, the crowd erupts into more hisses, banging, and cheers. The lights beam down on the couple as they wriggle.

The two humans in the corner suddenly stand up, as if instructed by the speaker. They crawl towards each other and over top of the couple. Without saying anything, they begin to have sex. Their bodies slap together, and they moan while the faceless crowd cheers on from above. Alex and Derek try to say something, but nothing comes out of their mouths. The man pounds the woman until she is just about to orgasm and the crowd hushes itself to listen. She lets out a large moan before falling back on top of the couple. The crowd erupts triumphantly, and the lights roll up as the ceiling closes again with a crank, leaving only a small spotlight left in the darkness.

Alex and Derek start to writhe frantically but are surprised when the other couple quickly hush them. They have snapped out of whatever state they were in and appear normal. 'Be quiet, we don't know how long we have,' the man says, his hand clasped over Alex's mouth. His partner gets up and starts chewing at the side of Derek's cocoon to release him, while the man pats Alex's head sympathetically. 'It only takes a few minutes to get you out,' he reassures her.

Soon, Derek is loose, and the trio help to get Alex out of her casing. When they are both free, the couple embrace and hold each other tightly, while Derek demands to know what is going on from the others. The man steps forward and explains that they don't know how long they've been here, but they know they're being watched. 'We're like some kind of fucked up puppets to them,' the woman chimes in bitterly. 'And they all love a good show!' Alex shakes her head in confusion. 'Why were you having sex?' She asks meekly. The woman stares at her coldly. 'We do whatever that voice tells us to do, that's how we've lasted' the man replies. 'Well, what the fuck is it saying?' Derek cuts in, his voice raising.

A loud crank deafens the room and the ceiling opens again, letting the flashing lights and sounds of cheering back in. Alex stares up, squinting to see. 'What do you want from us?' She screams. The voice on the speaker chimes in, saying something inaudible. All of a sudden, Alex stops. She nods and, turning to her boyfriend, says 'yes' before dropping to her knees to begin blowing the other man. Derek goes to break them up, furious, when the other woman latches onto his cock as well and starts sucking. The men both begin to moan, as the woman suck harder and harder. The voice on the speaker speaks again, its voice raising and almost angry, as the crowds begin to whisper amongst themselves. They don't seem pleased. The men moan loader and Derek is just about to cum when suddenly, the lights are cut.

The two couples fall back down to the floor, breathing heavily. Alex's mind is racing. She knew what she was doing. She agreed to what she was doing. But it felt as if something was inside of her the whole time motivating her actions. She starts trying to piece it all together. Was it a terrorist attack? Are they now being held at some kind of prison camp? Derek jumps in with his own theory. Maybe they're having an allergic reaction to the stuff that he found, and this is all just a dream or hallucination.

The other couple shake their heads. 'They're not human,' the woman says. 'We think it's like an alien game show ... or a boxing match,' the man adds. Derek threatens to deck him for stepping in on his girl. 'Hit me all you like,' he snarls. 'It won't do anyone any good. They hate us guys anyway ... we're the first to die.' The woman breaks them up and urges them to be quiet. They need each other to survive. They have to try to get out of here.

Alex asks her to explain what they meant by a game show. 'The lights come on and it's like a curtain is lifted so the spectacle can begin,' She says. 'We don't know how many are up there but it's like a fucking stadium!' The man adds that it seems as if they are placing bets on who will cum first. And they always want the women to win. If a guy cums, the host comes and takes him away. 'The host?' Derek asks. 'The one on the loudspeaker,' the woman replies.

Alex, meanwhile, has been quietly listening and pacing. 'How many other people have you seen here?' She asks. The couple look at each other in desperation. '18 to 20 ... but we're the only ones who've survived,' the man replies. 'And they only ever come down here if a guy, you know, finishes first?' She asks. They nod. 'What do they look like?' Derek whispers. The man turns to him. 'Like the devil!' He says, terrified. Alex bites her lip before turning to the group and saying, 'Have you ever tried to trick them?'

CUT TO a loud crank. The ceiling opens again, letting the flashing lights and sounds of cheering back in. The voice on the speaker chimes in and the crowd erupts in excitement. Alex finds herself spinning around to drop to all fours, ass up in the air, her hands spreading her cheeks frantically to expose her pussy. Derek drops to his knees to enter her while the woman crawls underneath him to lick her pussy as well. The other man puts his dick in Alex's mouth, which she begins to suck furiously. She finds herself getting crazier and crazier, moaning loudly to the excitement of the crowds. This is exactly what they want, she thinks to herself. So, she makes herself even louder, grabbing the man's shaft and working it with both her hands and her mouth. It cannot go deeper down her throat. She mouths at Derek to pound her, fuck her harder. He does obediently, his eyes transfixed by what is happening before him. This seems to be revving up the crowd to an uncontrollable pitch.

Suddenly, just as she is about to cum, Alex screams 'NOW!' at the top of her lungs.

Aidra Fox in 'It's Not You'

Aidra Fox - It's Not You

IT'S NOT YOU
CLOSETED LESBIAN COAXED INTO STRAIGHT SEX WITH BOYFRIEND

SCENE OPENS on a teen woman Sheena (Aidra Fox) standing in her bedroom. 'Billy, I have something to tell you...' she says to an unseen recipient, clearly struggling with the words. 'I'm a lesbian.' She waits with a pause, but there's no response - after a couple of seconds, the camera cuts wider to reveal that she's in fact practicing in front of a mirror. She sighs in exasperation, and mutters to herself that it's too blunt. 'Billy,' she tries again in a slightly different tone, 'you know that I love you, right? But... I can't, like, LOVE love you. Because... I love women. UGH!' She continues to get more and more frustrated as she practices coming out in different ways in front of the mirror, none of them sounding right to her. Eventually she gets so upset that she hits the side of her fist against the wall with a large smack. She swears to herself as she shakes off the pain and paces around the room. She shoots a look over to her cell phone, which is laying conspicuously in the middle of her perfectly made bed, dead center. It seems to stare at her, and she stares back in hesitation for several seconds. Finally, with a burst of nervous energy she picks up the phone and dials a number.

As the phone rings, Sheena bites her thumb and shakes her legs restlessly. On the third ring, her boyfriend Billy (Robby Echo) picks up. 'Hey babe,' we hear his voice say casually on the other end of the line. 'Hey bab- hey Billy,' Sheena replies, obviously uncomfortable with using their usual terms of endearment towards him. He asks her what's up, and she starts off with a variation of the speech she was practicing in the mirror. She asks him that he knows she loves him, right? He says yeah, of course, he loves her too. She says well, she has something to tell him. She goes on to say that she's figured some stuff out about herself, important stuff... she stops herself mid-sentence, and asks to start over. She tells her he's very special to him, and she has some news to tell him. He replies with worry that she sounds serious - is it something bad? Thrown off by the question, she stutters that it's not bad, just... different.

Billy laughs nervously, 'Babe, you're not making much sense.' The conversation is silent on both ends, as Billy waits for a reply and Sheena takes a deep breath in, desperate for air, and puts her hand to her head frustrated with herself. After a moment, Billy asks if she's there. 'Yeah, I'm still here, sorry...' Sheena says in apology. She suggests maybe they can get together - this might be something better to talk about in person. Billy says sure, she can come to his place - his parents are up at the cottage all weekend so they'll have the place to themselves. That's good, Sheena says with relief, it's probably better that they're alone actually. They finalize plans for her to come over, and then say their goodbyes. 'Love you, babe,' Billy says on the other line. Sheena pauses, almost hanging up, but stops herself and puts her phone back to her ear. 'You too,' she says softly. She hangs up, and then tosses her phone to the side of the bed in dismay. She pulls a pillow from the head of her bed and pulls it towards her for comfort, curling up with it and stifling the urge to cry.

TITLE PLATE

Sheena is on the front porch of a house as the door opens and her boyfriend Billy opens the door. He moves in to kiss her but she deflects, scooping him into a hug instead. He's none the wiser, and hugs her back warmly before offering for her to come inside. As he leads her to his kitchen, he tells her that he was hoping she would call. He knows she's been really busy the past few weeks and they haven't had as much time to spend together, he's been trying not to be needy about it... but with his parents gone all weekend he was going to have a lot of time alone on his hands, so he's glad she reached out so they get a chance to be together for a bit.

They get settled in in the kitchen. Billy asks her if she wants a snack, and Sheena says no, she's fine thanks. Is she thirsty? he asks as a follow-up. A bit annoyed, she shakes her head and says no, then realizes she was being snappy and in a nicer tone she says she just wants HIM for a second.

Sheena starts a new speech, this time in a bit of a roundabout way. She explains that Billy's not just her boyfriend, he's her best friend. He says that she's his best friend too. She confesses that there's something that's been on her mind for a while... a new part of herself, and it took her a little while to understand what she was feeling, but now that she does, she wanted to share that part of herself with Billy before anybody else. Billy stops her - she doesn't need to say anything else. He's felt it too. Sheena looks surprised - he has? Billy nods reassuringly, and says that he didn't want to pressure her into saying or doing anything she wasn't ready for, but if she wants to, then he's ready too. They hold hands as Billy leads her to his bedroom, where they sit on the edge of the bed.

Sheena exhales with relief and a smile of disbelief. She's ready, she says. She closes her eyes, and takes a deep breath. Unbeknownst to her, Billy takes this as a sign to lean in and kiss her on the lips. Just as his lips are about to reach hers she opens her eyes to declare 'I'm gay.' She sees him inches away from her face.

Both recoil, upset at the confusion. Sheena asks what Billy was doing. Hurt and confused, he said he was about to kiss her. What does she mean, she's gay?! Sheena ignores his question, and asks why he was about to kiss her?! Billy pulls his hands away from hers and gets defensive, saying that he thought she was telling him she was ready to have sex. This upsets Sheena, and the two of them argue over his confusion towards what she said about 'sharing a new part of herself' - he thought she meant she had finally gotten over her hang-ups about having sex before marriage and was ready to be with him.

Welling up into tears, Sheena explains that she was trying to come out to him. She's felt so alone, she had nobody to tell and he's her best friend but he's also her boyfriend and she knew it would break his heart. Feeling betrayed, he asks how long she's known about this and didn't tell him. She tells him she's only felt certain about it for a few weeks, but in the back of her mind she's known something felt off since even before she was 18 and they started dating. Billy asks if that's why she's been avoiding him for the past few weeks, saying she's always busy when he wants to spend time with her. Sheena doesn't answer directly, but replies as she wipes back tears that she was looking for a way to tell him that wouldn't hurt his feelings. Billy tells her he was saving himself for her, because he loves her so much and because she said she wanted to wait until marriage. But that was a lie, wasn't it, she just didn't want to have sex with him. Sheena pleads with him - 'It's not you, Billy, it has nothing to do with you! You're the sweetest guy I ever met!' Billy doesn't meet her eyes, and Sheena continues, explaining that she tried for so long to convince myself she could be happy - THEY could be happy - together. But she was just fooling herself.

Billy looks up at her pleadingly. 'But... I love you,' he says. Sheena looks away. 'But I don't love you, Billy,' she explains, 'at least not in that way.' Billy looks stung, and replies more urgently - how does she even know that, though? It's not like she's ever tried?! Sheena insists that she just knows, she doesn't know how she knows but she knows. Billy starts to bargain in desperation, maybe if she tries it she'll actually find out she really likes it. Sheena mutters that she doesn't think it works that way. But she doesn't KNOW, Billy insists. Right? Isn't it worth a shot? Shouldn't she at least try it once before making up her mind, before she throws away everything they have together?

Sheena says nothing until Billy asks what Sheena's father will think. She's confused and asks him why does that matter? And how would he even find out? They lock eyes and Sheena realizes that Billy is not as sweet and caring as she thought he was. In order to stop him from telling her father, she will have to give in and give herself to him. But at the same time, maybe somehow she can prove to him through the ultimate betrayal of her own body that she's gay once and for all.

Natasha Nice in 'Not Who She Seems'

Natasha Nice - Not Who She Seems

NOT WHO SHE SEEMS
COUCHSURFING THIEF GETS CAUGHT REDHANDED BY HOMEOWNER

SCENE OPENS to Marcy (Natasha Nice) walking up the steps of a home, a backpack slung over her shoulder. Dylan (Mickey Mod), a young man in a business suit, opens the door and greets Marcy. Marcy is warm and bubbly, and cute to boot, introducing herself to Dylan, asking if he's the cool dude that's hosting her. Dylan, a little flustered with this attractive and inviting young woman, cheerfully says that that's him! He welcomes her inside, telling her that although they used a couchsurfing-slash-couch-crashing app, she doesn't actually have to stay on the actual couch. He has a guest room that she can use.

Marcy is pleased for the guest room, and follows along as he leads her to it. However, when Dylan's not looking, she shiftily looks around, as if making note of where everything is.

Once she's shown to her room, Marcy giggles and hugs into Dylan, thanking him for letting her stay. It's so hard on the Internet since nobody's as they seem. Dylan's a little bashful at the attention. After they pull away, he says he'll leave her to get settled and that he's in the kitchen if she wants anything. He then leaves her be. As he does, Marcy's smile fades. She takes out her cellphone, and texts 'I'm in!' to someone, then grins.

TITLE PLATE

CUT TO Marcy joining Dylan in the kitchen, sneakily taking pictures of Dylan's valuables along the way with her cellphone, including a fancy camera. She asks about the camera, saying that her boyfriend is a photographer. Dylan seems a little taken aback that Marcy has a boyfriend, though remains friendly. 'He doesn't mind you going off on adventures on your own?' he asks. 'Nah, I'm a big girl,' she responds with a flirty grin.

As if fearing she might be saying too much, she turns her attention back onto Dylan, distracting him with small talk. Whenever he's distracted, she continues taking pictures of expensive belongings that are left out in the open.

Dylan then realizes what time it is. 'Shoot, I'm going to be late,' he scolds himself, looking a little frantic. She playfully tells him to hurry up and get to work. He doesn't need to entertain her. She has plans for the day, anyway. 'Okay, if you're sure, although I'm happy to. Oh, that reminds me!' He grabs a spare set of house keys and gives it to her. 'That way you're not stuck here,' he says with a laugh. She smiles and thanks him for the keys, then cheerfully sees him off.

As soon as Dylan's gone, she checks her phone again and sees a text. The words praise her on what she's taken pictures of so far and encourages her to check out the bedroom.

Marcy makes her way to the bedroom, then begins checking drawers and closets. She sees a briefcase and opens it, but there's just some boring papers in there, so she closes it and continues on. Her eyes then fall on the bed and she hums with curiosity as she crouches down and peeks under. There's a box there that catches her attention. 'Jackpot!' Her eyes light up and she reaches beneath the bed to try and reach it, placing her phone beside her on the floor. She has to stretch her arm far, her fingers almost close enough to grasp the box when a strong voice booms behind her, 'What are you doing?!'

Marcy recoils and kneels up, shocked to see Dylan in the doorway. He looks just as shocked, even angry. She jumps to her feet and lies, greeting him and saying that she lost an earring and was just looking around the house. Even as she says this, she's clearly nervous, stuttering a little. Dylan raises a brow and asks what the earring would even be doing in HIS room since she shouldn't have been in there. His tone is much more different, and he is no longer a friendly, bashful young man.

Marcy is more nervous now, lying again and lamely saying that it could've rolled under his door... She's still trying to act sweet and bubbly, although Dylan is not swayed. She attempts to steer them away from the conversation and asks what he's doing back so soon? Dylan says that he forgot his briefcase in his rush to take care of Marcy. He gestures to the very briefcase that Marcy had looked through earlier. 'Funny, I don't remember it being open when I left,' Dylan says in a cold, knowing voice.

Marcy tries to make more excuses, going on the defensive, though none of her arguments are convincing. In fact, they make her look even more suspicious. Dylan declares in a low, firm tone that there's more to this than she's telling him. What is she REALLY doing in his bedroom? She tries to bring up the earring again but is cut off by Dylan. 'Don't start lying to me again,' he interrupts her.

Dylan then snags Marcy's phone and looks at the screen. 'LEO wants to know if you 'found anything valuable in the bedroom,'' he says mockingly. 'I don't know what you're talking about. You're misreading that. It's just my boyfriend checking that I made it here all right,' Marcy says. 'You were going to rob me, weren't you, you and this Leo,' Dylan states. While she still tries to defend herself, he starts calling the cops on her phone, saying, 'We'll just see what the cops have to say about this.'

'Please don't call the police. I can't go to jail, I didn't even do anything,' Marcy begs, now approaching him in a desperate attempt to woo him over again. She falls to her knees and paws at him, saying that no one was hurt, and she didn't even take anything. He can even look in her backpack to check for sure! She CAN'T go to jail. She'll do ANYTHING if Dylan just lets it slide.

'Anything?' Dylan questions in a way that sends shivers down Marcy's spine. She's in too deep to back out now, especially with freedom just at her fingertips. 'Anything,' she breathes.

Marcy lets out a shuddery sigh of relief when he agrees and hangs up. She then asks what he wants her to do -- cook, clean? Dylan looks her over and says that she's a pretty woman, and smart, too, so she should be able to figure out what he wants from her in exchange for his silence. When Marcy realizes that he wants to fuck her, she is horrified -- she has a boyfriend! She rants and raves about how ridiculous the request is, but Dylan is calm and collected the whole time. In the end, he says it's her choice, though Marcy realizes that, with the options she's been given, it's hardly much of a choice at all.

Emily Willis in 'And All Through The House'

Emily Willis - And All Through The House

AND ALL THROUGH THE HOUSE
UNHINGED MALL SANTA GETS BACK AT EX-BOSS BY FUCKING DAUGHTER

Larry (Derrick Pierce) is being escorted down a hallway by security. He is wearing a Santa Claus outfit. He is nervous as he tries to make small talk with security, asking if they've finished their Christmas shopping yet, but he's ignored.

There is not a smile to be seen on Mr. Willis's face as the mall manager directs Larry to take a seat, gesturing to the chair across from the desk. Larry tries to start with small talk, spotting the framed picture of Mr. Willis's teenage daughter, Carrie Ann (Emily Willis), on the desk. He smiles and asks Mr. Willis how the daughter's doing? She just turned 18 a few weeks ago, right? Mr. Willis curtly responds with 'Yeah, she's 18, but I don't see what that has to do with anything,' and rotates the picture away from Larry, seemingly eager to end the conversation there.

Mr. Willis sternly tells Larry that he's been called in for more pressing matters. There's been a lot of complaints about his behaviour, particularly around female teenagers... Larry looks anxious as he watches Mr. Willis leisurely suck on a candy cane. He tells Mr. Willis that you can't believe anything that teenagers say, really -- they lie! He's sure that some of them were even purposely trying to get a rise out of him! He's been doing a GREAT job! The little ones love him -- there's no denying that. Their faces light up so much when he asks them what they want for Christmas...

Mr. Willis is not moved by Larry's attempts to sway the manager. The manager firmly asserts that they can't keep Larry as a mall Santa for any longer. It's a family establishment and the mall is not going to risk a scandal for some replaceable loser.

Where's Mr. Willis's Christmas spirit, Larry insists, begging for sympathy. Has has a family to provide for, too. It's right before Christmas! The boss tells Larry again that he needs to leave immediately. If he doesn't, Mr. Willis has no issue getting the cops involved.

'Oh, what, the MALL cops?' Larry mocks. He then tries to attack Mr. Willis, but the same security guard grabs him. Larry argues and shouts the whole time as he's dragged out, looking more and more unhinged, telling Mr. Willis that they're going to pay.

TITLE PLATE

CUT to outside later that day, when Mr. Willis returns home from work. When Mr. Willis is gone, Larry emerges from the backseat of the car with a crowbar.

Larry is decked in his full Santa suit except the beard, Larry himself looking slightly dirty and disheveled, and is slowly dragging a crowbar at his feet as he approaches Mr. Willis's house. He sees Mr. Willis and Carrie Ann through a front window. They look happy as they hang the last few decorations on a Christmas tree. They are talking to one another but we only see their lips moving. Carrie Ann is the main focus now, looking so cute and innocent in her Christmas PJs. Now he just has to wait...

When it becomes dark, Larry makes his move. To his surprise, the door is left unlocked and ajar, so he lets himself inside. He carefully creeps through the house, his eyes lingering on anything Christmas-related that paints the household as happy and normal. He stops by the Christmas tree and plucks a candy cane off a branch. Larry then continues stealthily through the house. He pauses briefly as he sees Mr. Willis sleeping in his bedroom, then continues on.

He still has his crowbar with him the whole time, lightly smacking it against his palm or tapping it against his leg as he walks. He continues down a hall, then reaches a door with girly decorations on it, which signals that it belongs to the daughter. He seems to deliberate for a moment - continue down the hall, or change his plans? - then seems to have a change of heart and turns, slowly opening Carrie Ann's door.

Carrie Ann is in a state of deep rest tucked away in bed and is wearing Christmas PJs. Larry slowly approaches her bed, setting the crowbar quietly down. He looms menacingly over her, gazing over her body with the male gaze POV as he slowly pulls down her blanket to get a look at her full body. Even though she's wearing innocent PJs, her shirt's pulled away from her shoulder a bit, showing bare skin. His gloved fingers twitch with anticipation as he slowly reaches out as if to touch her, though he doesn't quite.

She stirs, groggy and disoriented, seemingly confused about the presence of someone else in her room, though she can't see clearly. She rubs at her eyes and sees Larry, squinting at him. 'Santa? Wait, am I dreaming?' she questions. Larry shushes her, saying, 'Yeah, sure, sweetheart. This is a dream, why not?' Now that she's up, he sits down on the bed beside her and runs a hand over her leg, telling her that Santa came to check up on her. She's still a bit groggy and trying to get her bearings. If this is a dream, why does he have a crowbar? Larry pauses a moment and mentions that Santa had to do some emergency repairs on his sleigh, so... Even as he says this, he moves closer to her, being slow and methodical. Although Carrie Ann lightly tries to back away into the bed's headrest at first, admitting that this is a really weird dream, she tells Santa that she thought he'd look... different. He looks... handsome. Larry gives a sleazy disgusting grin and says Santa likes how she looks too in her cute little PJs.

She asks why Santa's here and not downstairs - he tells her that her parent Mr. Willis has been very bad this year and is on Santa's naughty list, but he wanted to give Carrie Ann the chance to prove she belongs on the nice list. Carrie Ann mumbles groggily that she wants to be on the nice list. Larry says that that means she has to do what Santa says, does she understand? Santa has a very special present for her this year but only if she behaves...

Whitney Wright in 'It Slipped In'

Whitney Wright - It Slipped In

IT SLIPPED IN
TEEN AND HER BFF TRICK MEAN BROTHER INTO FUCKING HIS SISTER

Jenny (Carolina Sweets) and her friend Sandra (Whitney Wright) are giggling and gossiping in Jenny's room as they study for an upcoming text, textbooks sprawled across the bed and floor. Jenny comes across as much shyer than her friend, who is proudly listing off her sexual conquests - Jenny marvels at how experienced she is for being just 19 (even at times being shocked at the perverse things her friend is admitting to have done) and especially how nonchalant she is about it. Sandra asks, well what about her, surely she has SOME kiss-and-tell stories she can share? Jenny admits not really, she's kissed a few boys but never anything more serious than some over-the-clothes fondling.

It's about then that Dane (Lucas Frost) is walking past in the hallway and butts into the conversation. He remarks that it's no wonder that nobody is ever going to have sex with Jenny when she looks so ugly, she's unfuckable. Jenny tries to tell her older step-brother to stop, but clearly has trouble standing up to him, and Sandra looks on silently fuming as Dane takes advantage of his younger step-sister's shyness to talk over her and continue to pick on her. He makes fun of her nerdy clothing, saying it looks more like what someone in their sixties would wear, not someone who's barely 18. He makes fun of her glasses. He says that he's glad he's not really related to her because he'd hate to think if his future kids had a chance of looking anything like her. Finally, Jenny loses her calm and shrieks at him to leave. Dane ends the conversation with a final insult, telling her to go back to studying since books are the only thing that are as dull as she is.

When he's gone, Sandra stops holding her tongue and tells her friend that she can't believe how horrible Jenny's older step-brother is. How long has she been putting up with that? Jenny says ever since he moved in with them, two years ago. Sandra tells her that she would never put up with that kind of torment, and Jenny confesses she feels like she has no choice, he's so loud and rude and she's so quiet and reserved that he basically can walk all over her. Sandra tells her that he needs to be taught a lesson, she doesn't deserve that kind of treatment and he'll just keep doing it until he sees there are consequences for his actions. Besides, she says, what if he's doing this kind of thing to other poor girls at school?

Hearing this, Jenny starts to grow a backbone - her friend is right, she would never want anybody else to feel as shitty as he makes her feel. But what could she possibly do to make him so regretful that he would never think of tormenting her again? He obviously doesn't feel bad when she cries or tells him to stop. No, Sandra agrees, bullies like that only understand one language, and that's an eye for an eye. He's been humiliating her, so she needs to do something to make him feel humiliated back. Something that's the ultimate revenge for telling her nobody would have sex with her, something that he'll remember every single time he sees her that'll trigger him. Like what? Jenny asks. Sandra gets a devious look in her eye and says she knows just the thing.

TITLE PLATE

Sandra plays innocent as she walks down the hall towards Dane's room, where he is taking a shower. She waits until he comes out, surprising him. 'Whatcha doing?' Sandra says with a flirty smile. Oh, he says, he thought she was his step-sister. Aren't the two of them supposed to be studying for some big test? Sandra says yes, but they're going to be studying all night, and she needed a break. But Jenny wants to keep going and doesn't want a break. Such a nerd, huh!? she says lightly. Dane chuckles and agrees. Aren't they friends though? Sandra says kinda, and explains that that's the thing about friends, is it pays off to keep a wide circle of 'friends' who can each give her something she doesn't already have. Like the answers to all the tests, she says with a wink. Dane laughs and shakes his head, impressed at her bluntness. Or, she continues, like a cute older brother who she can blow off some steam with during a study break. Dane looks up at her, surprised and speechless, clearly not used to getting hit on despite all his bravado.

She moves in closer to him, crossing the threshold into his room. 'You know,' she says, 'we could be 'friends' too...' She starts to squat lower to meet his eye level, and she moves her hand to crawl her fingers up his knee like a spider. 'I bet YOU could give me something I don't already have, too...' she says seductively as her hand goes towards his inner thigh, almost right up to his crotch. He chuckles nervously, here? Now? What if his sister comes looking for her? Sandra smiles and says she's got her nose buried in books, she won't be going anywhere. So what does he say, does he want to have a little fun? Dane nods nervously but enthusiastically.

Sandra starts playing with his chest over his clothes and giggling as she feels him up. She lifts his shirt up slightly, ooh, she giggles, a six-pack. He blushes and tries to boast a bit lamely saying yeah, he works out a lot. She then starts unbuttoning his pants, saying what other fun surprises is she going to find. Then her face brightens and she says she has an idea, why doesn't she give him a couple of surprises of her own? Wouldn't it be fun if he doesn't see what she's doing? That way she could give him all sorts of fun surprises, things she's sure he's going to like. Dane seems hesitant, so Sandra continues to coax him, saying that she's heard that all the other senses are heightened when you can't see what's going on. Hearing... TOUCH, she says, as she strokes his leg with her hand... tasssste, she says, as she moves her lips inches away from his tauntingly. Dane breathes heavily and says o-okay, sure. Sandra gives him a flirty compliment saying he's so brave, willing to try something new, she likes that. She gets him to close his eyes - or, optionally, perhaps she lifts his shirt and pulls it over his head so that the shirt covers his face. Now, she says, lie back and relax.

As Dane gets comfortable, Sandra gestures outside to the hall for someone to approach. Jenny tiptoes into the room, careful not to make any noise, and Sandra helps her get into position right where she was kneeling. 'Now,' Sandra says from just beside Jenny to confuse the brother, 'are you ready?' Yeah, the brother says with his eyes covered, he's so ready!

Jenny unzips his pants, trying hard not to laugh as she and Sandra exchange looks of shock and disbelief that this is happening. Jenny takes his dick out from his boxers and starts stroking it. Dane moans in pleasure. Jenny strokes it for a little while as Sandra teases Dane verbally. Finally she asks if he wants his next surprise - it's a wet one. Dane says yes, he wants it so bad. Jenny looks to her friend for a moment uncertainly, but her friend urges her silently to go for it, and Jenny opens her mouth and swirls her tongue along the tip of her brother's dick. Ohhh! he moans in surprise. Ooh, Sandra says, so sensitive! Jenny goes further, starting to suck and lick her brother's hard cock. Sandra is careful to tease him verbally only when his sister pulls away momentarily, to keep the ruse going.

Finally, Sandra says she has one more surprise for him, a really... tight surprise. Jenny looks at her friend in surprise and shakes her head, mouthing no, it's too much. Sandra says out loud in a flirty voice, 'Do you trust me?', clearly talking to Jenny but making Dane believe she's asking him. Sandra is about to say no again, but Dane interrupts saying yeah, he trusts her, do it! Jenny bites her lip and looks over at her brother, then her friend, who is nodding vigorously with an evil glint in her eye.


Emily Willis in 'The Date'

Emily Willis - The Date

Nominated - Best Three-Way Sex Scene - B/B/G: Emily Willis, Charles Dera & Danny Mountain, AVN 2020

Nominated - All-Sex Release of the Year, XBIZ 2020

Nominated - Best Sex Scene -- All-Sex: Emily Willis, Charles Dera & Danny Mountain, XBIZ 2020

Nominated - Best Cinematography, XBIZ 2020

Nominated - Best Art Direction, XBIZ 2020

'Being your slave, what should I do but tend
Upon the hours and times of your desire?
I have no precious time at all to spend,
Nor services to do till you require.'
- William Shakespeare

THE DATE

We watch a beautiful young woman (Emily Willis) in her apartment getting ready for the evening. She showers, lotions up her body, puts on expensive perfume, and dresses -- first into expensive black satin lingerie, stockings, garters, and heels and then slipping into a beige rain jacket. She looks like she just walked off a runway. The camera voyeuristically watches her, almost like a reverse striptease.

CUT TO the woman, in her jacket, bare legs and heels, as she exits her building and steps into a black town car. A man waiting for her shuts the door and gets into the driver seat.

CUT TO a car mount shot, looking in at the silent driver in a black suit and ray bans, and the girl who sits in the middle of the back seat. To her right is a very handsome man (Danny Mountain) in an expensive suit. A second man (Charles Dera), equally handsome and dressed the same, sits on her left.

CUT TO the road. As they drive, the man in the back asks the woman if she is ready. Obediently, she says 'yes.' He asks if she will give herself over completely. She says 'yes.' He strips her out of her jacket, exposing her bare skin. She quivers. He takes a brown paper bag and puts it over her head, before holding her arms to keep her still. They ride for a moment with her body writhing. The men look cool and collected, staring straight ahead. All you can hear are the light gasps and moans from the submissive woman as she is being driven, eagerly awaiting what's to come.

'My only submission is complete submission.
I will kneel before you, naked and unashamed,
My eyes down, my chin up.

'I will do as you say and be rewarded.
Always saying please and thank you,
Accepting my punishments like a good girl,
Never touching myself until you have given permission,
And always swallow, never spit.

'I will surrender to your will
And always remember who I belong to.'

Jane Wilde in 'Cutting The Cord'

Jane Wilde - Cutting The Cord

CUTTING THE CORD: A JANE WILDE STORY
CURIOUS TEENAGER CHEATS ON BOYFRIEND WITH OLDER UNCIRCUMCISED MAN

Scene opens on Leah (Jane Wilde), a 19-year-old junior counselor at a conservative camp. The shy Jewish teenager has been attending the camp for years, but this will be her first year as a counselor. It is also where she met her boyfriend, Josh (Jake Adams), another junior counselor. They've been together for a year and Josh is a shining example of exactly who her religious parents want her to marry. He comes from an upscale family with deep roots and is planning to go into pre-med in the fall. Once he is settled, they will get married and she will start having his children. It's all been perfectly planned out. But, as they set up their tent for the camp's annual wilderness kickoff, Leah finds herself conflicted. She loves Josh, but she is anxious about spending the rest of her life with him. He is her only sexual experience. And, this summer, will be her last chance to explore herself before she makes that final commitment.

She reviews the checklist on her clipboard, while Josh fumbles in the background to finish setting up their tent. He is busy talking about all the cliques in the camp and how Leah shouldn't worry about the fact that her family makes less money than most of them. She is with him now and everybody will accept her. Plus, they're junior counselors ... one step away from running the place! As Leah nods aimlessly, she notices one of the senior counselors approaching them.

Charlie (Danny Mountain) is the only non-Jewish counselor at the camp, brought in several years ago as the football coach. Leah has always been fascinated by him. He is British, in his mid-thirties, athletic, and absolutely the opposite of everything her parents would approve of. With a boisterous laugh, Charlie struts over and checks in to see if Josh needs any help. 'There are a still a lot of tents to set up before the kids arrive, mate!' Josh looks irritated. 'I'll get them done,...' he replies. Flashing a wink at Leah, Charlie heads off to talk to another counselor. In the distance, Leah watches him. As Josh grumbles, she stares almost transfixed. CUT to inside her mind, as she fantasizes about Charlie kissing her and pushing her down to her knees. She stares up at his erection as he pulls out his uncircumcised cock and lays it over her face. CUT back to the present. Josh has said her name several times, annoyed, before she snaps back to reality. 'Can you help me finish this tent please?' he whines. She puts the clipboard down and turns to help him, apologizing, but not before sneaking one final look back over her shoulder.

CUT TO TITLE PLATE

Cut to that night, as the sun sets. Leah sits on Josh's lap in front of their tent. Apart from some flashlights going off in the tents behind them, all is quiet on the camp. The couple have 30 minutes left of 'watch duty' before they can retire, so they pass the time talking about their relationship. How they first saw each other years earlier at his brother's bar mitzvah, how he finally worked up the nerve to ask her out on her 18th birthday last summer, and the type of wedding they want to plan. Josh holds her tightly and kisses the top of her head as they talk. It's clear how much he loves her. Feeling conflicted, she tries to say something but backs down when she looks in his eyes. 'Is everything ok?' He asks. She wishes she could look at him and feel safe, secure, and in love. But she doesn't. 'What?' he asks again. 'Nothing,' she quickly replies. 'You just -- you're so amazing!' Josh smiles. 'Well, you know how much I love you. I don't have to say it.' Leah quickly shakes her head. 'No, you don't. You don't ever have to say it!'

She leans in and kisses him on the lips. He kisses back, and they begin making out. They kiss intensely for a moment, as Leah desperately tries to feel something. Anything. Any sort of passion or excitement inside. She deepens the kiss and begins to undo his shorts when Josh pulls away. 'Whoa, are you sure?' he asks, looking around. She nods quickly. She knows she can't keep feeling like this. She wants things to go back to how they were when they first met. She doesn't want to hurt him. 'Of course, I am. I want to make you feel good.' He protests a little about their plans to wait till the wedding before she assures him it will just be a BJ. They've done that plenty of times before, just not in public. He smiles sheepishly as she grabs his hand, leading them away from the cluster of tents.

They get to a tree and Leah pushes Josh against it. She sinks down to her knees, undoes his shorts, and takes out his dick. It's exactly as it always has been. Circumcised - the only one she's ever seen. She takes it in her mouth and starts to blow him, desperate to feel SOMETHING for her boyfriend...

After the session, which leaves her feeling more anxious and guilt-ridden before, Josh's walkie-talkie buzzes. It's a senior counselor, asking why he left his post. There is a camper who just threw up and needs to see the nurse. He kisses Leah goodbye and tells her he'll take care of it. She should go shower or something. He jogs off, leaving the girl standing in the woods.

CUT to Leah in the shower. As she runs her hands down her body, she closes her eyes and flashes of Charlie's face come to mind. She sees him smiling at her. His muscular, hard body. The slight bulge in his shorts. She can't help but slip a finger inside herself, still keeping her eyes closed. She moans softly and plays with herself, letting the fantasy take over. All thoughts of religion, Josh, and her parents are gone... She knows what she needs to do now.

CUT to the gravel road. Her hair still wet, she looks down at her own walkie-talkie. Nervously, she tunes it to Charlie's frequency and calls him. 'What's up, my Jewish American princess?' he responds jovially. Leah takes a deep breath before stammering, 'Charlie, I need to see you. I need you to help me with something.' There is a pause before Charlie, with a notable change in his voice, replies. 'Of course, Leah. I'm down in the rec room. Meet me there.' Putting her walkie-talkie down, Leah takes one long look down the road before turning to run towards her first ever act of rebellion, breaking the number one rule she was raised to obey.

Bobbi Dylan in 'His Brother's Blessing'

Bobbi Dylan - His Brother's Blessing

HIS BROTHER'S BLESSING
CORRUPT COP EXPLOITS HIS YOUNGER BROTHER'S FIANCEE FOR SEX

A young couple emerge from another area of the house to the kitchen, their arms around each other's waists as they snuggle and talk warmly while they walk. The man, Sammy (Will Pounder), is telling his beloved, Angela (Bobbi Dylan), an anecdote about the staircase from his childhood, such as when he fell and almost split his head against the banister. Angela smiles at the anecdote and remarks that it's a good thing he's much calmer now.

As they walk around the kitchen, Sammy gushes about his brother, Dirk (Chad White). Angela starts to fret, saying it's a lot of pressure meeting him, since Dirk is so important to Sammy -- what if he doesn't like her? Sammy confidently says his brother's going to LOVE her, everybody does. What's not to love, she's perfect. Angela blushes and says she's not perfect, but Sammy starts listing how she's kind, and smart, and loyal, and strikingly beautiful of course, and...

He's interrupted by the sound of the front door unlocking and opening, and heavy boots stepping in before closing the door again. Little bro, you in here? a voice calls out. 'We're in the kitchen!' Sammy calls out in reply. Some shuffling sounds can be heard as Sammy waits excitedly, gripping his nervous-looking fiancee's hands, until eventually a man in a cop uniform, Dirk, steps into the kitchen.

The cop holds out his arms and scoops Sammy into a big bear hug, and then ruffles his little brother's head with his hand after releasing him from the hug. Watch the hair! Sammy says with a chuckle and tries to straighten it out. Dirk then turns to Angela -- so, this must be her! he remarks. 'Angela', right? She smiles and nervously says hi, it's a pleasure to meet him, and holds out her hand to shake his. He brushes her hand away saying please, they're practically family at this point, and holds out his arms to hug her. Pleasantly flustered, Angela leans in to the hug and they embrace warmly. After a couple of seconds though, Dirk's hand crawls down the side of her back to wrap around her waist, making the hug unexpectedly intimate. Angela's eyes shift to looking unsure and a bit uncomfortable as they hug for a second or two longer before breaking. Sammy has told him so much about her, Dirk says, he's glad they're finally getting to meet after all this time.

Sammy tells his older brother that they had a special reason to come out and visit today, he has some exciting news. He takes his fiancee's hand and holds it up, showing the ring to his brother -- he's proposed! Dirk grins and congratulates them both, in truth he kind of expected this might happen, and jokes that she's practically stolen his brother away from him at this point, he hardly gets to see him anymore! Sammy says that he knows, and he's sorry -- in fact, that's why he's so excited for Dirk to finally meet Angela, because... well, he was hoping for his brother's blessing for the wedding.

Dirk says he's touched, and he can't wait to get to know Angela during their visit. But they can get to all that later, this calls for a celebration! They should have a feast, his treat of course, whatever they'd like. Sammy asks what Dirk wants, and he says anything, he's worked all day and he's starving! He tells his younger brother there are some take-out menus in the other room if he wants to get them. Sammy says sure, and heads off to get them from the other room. As he leaves, Dirk puts his hand on Angela's shoulder, at first it looks reassuring but then he leans in close to her ear and it begins to look more threatening. 'I know what you did,' he says in a low voice right near her ear - her eyes widen with worry as he straightens himself back up and pretends like nothing happened. Sammy comes back into the room a moment later and they start discussing food options, but the sound starts to drown out as the camera closes in on Angela's terrified face.

TITLE PLATE

'Well, what do you think, love?' Sammy says, snapping Angela out of her worried thoughts. Huh? Oh, sorry, she mutters, and shakes her head a bit to snap out of it. Sammy repeats a couple of takeout options they're deciding between, and trying to pretend she's fine, she smiles and gives her opinion picking one of the options. Great choice! Dirk says as he announces what he wants from the menu. After they decide what they want, Dirk says that he wants to get to know Angela better -- why doesn't Sammy go pick up the food for them? He's a big, strong boy. Angela shoots a quick, worried glance over to him before catching herself. After all, Dirk continues, isn't the whole point of their trip over here for him to get to know her better? It's a perfect chance for them to bond a little... and swap embarrassing stories about him, Dirk jokes. Ha-ha, Sammy says with playful sarcasm, but that's not a bad idea -- what about Angela, he asks her, would that be okay with her? She steals another glance at Dirk who meets her glance and shoots her a knowing look. Um, sure, she guesses that's fine! she says trying to mask her discomfort. But is Sammy sure he can carry all the food back himself? Sammy says yeah, no problem, and she looks a bit disappointed but tries not to show it. Okay, she says, well hurry back! She doesn't want to miss him for too long! 'Haha, isn't she great?' Sammy says to his brother as he grabs his keys and heads towards the front door -- be back soon, he calls out and waves back to them.

Once the front door closes, Dirk casually asks Angela how long she's known Sammy. She says it's been two years. Well, she certainly puts on a good act, he remarks. Angela tries to play innocent, saying she has no idea what he's talking about. He tells her to cut the crap, seeming much less charismatic than before and more authoritative. He's a police officer in case she forgot, he says sarcastically while gesturing at his uniform, did she think he wouldn't find out about her past? Angela scowls and says he's a pig, but Dirk just smirks. He gets called that by perps all the time, so he's used to it.

She shrinks back a bit, and asks how he found out about about her. He explains that it was easy, she's plastered all over his brother's social media so he had no trouble getting her last name, and from there he just used... certain work resources to look her up, there was no way he was going to let his brother get so serious with a girl without doing a little digging. Is that even legal? she asks nervously. He chuckles and avoids the question -- she's one to talk about what's legal, with a past like hers, stretching even from juvie to jail after she turned 18. Theft? Armed robbery? Solicitation? She was a busy little beaver, he jokes, or at least had a busy little beaver. That was a long time ago, she protests, she cleaned up her entire life, she's different now. She's changed! He's heard about rehabilitation, right?

Is that so? Dirk smirks. Yes, Angela says desperately, she swears it! Dirk asks, so then surely she TOLD his younger brother about her past then, right? Angela looks nervous -- well, no, not exactly, she admits. Dirk looks proud of himself, and says he didn't think so. Angela pleads for him to try to understand, that's all in the past, she's not that person anymore! Dirk says he's not so sure, if she's lying to her own fiance then who knows what else she's capable of doing. She insists she didn't think any of that mattered anymore! Dirk corrects her -- she means she didn't think Sammy would find out, she means. If she really didn't think it mattered, she'd have told Sammy. But what if she finds out about aaaaall the random men she's slept with, all the dirty filthy things she's let perverts do to her, and how she lied about it all along... is she worried he might think less of her -- or even, might not want to marry her anymore -- if he finds out? Angela says of course he'd still want to marry her, they're in love, but she doesn't sound convinced of that herself. Dirk laughs and says that's the worst lie she's told yet. She's completely terrified of Sammy finding out. Which means she'll do anything for Dirk to keep her secret -- and there's only one thing that he wants, he says while grabbing at his package.

Time's ticking by, and she can kiss his blessing goodbye - not to mention risk losing her fiance entirely - if she doesn't do what he wants. Reluctantly, she agrees to do it, swearing it's for Sammy's sake. At least SHE cares about Sammy! Sure thing, Dirk says as he whips out his dick, whatever she has to tell herself to rest easy at night.

Alina Lopez in 'Like Mother, Like Daughter'

Alina Lopez - Like Mother, Like Daughter

Nominated - Best Sex Scene -- Taboo-Themed: Alina Lopez, Reagan Foxx & Brad Newman, XBIZ 2020

LIKE MOTHER, LIKE DAUGHTER
VINDICTIVE TEEN REVENGE FUCKS STEP-MOM'S NEW BOYFRIEND

A woman, Marlene (Reagan Foxx), is fussing about the living room nervously, straightening the couch cushions, re-facing the decorations on the fireplace mantle and the coffee table, etc. when her boyfriend, Tom (Brad Newman), comes up behind her and puts his hands comfortingly on her shoulders. Just relax, he tells her, come on, sit down, she just needs to breathe and not stress out so much. He leads her to the bay window and sits down, taking her hands in his and gently pulling her down to sit too. She tells him she can't help but be worried - this is her one chance to reconnect with Alyssa (Alina Lopez), and she doesn't want to screw it up. Tom tells her not to worry, he's sure her step-daughter is ready to make amends. Why else would she have accepted Marlene's invitation after all this time, if she still held a grudge? Marlene supposes that Tom's right, and puts her hand on his cheek. Either way, she's glad he was willing to stick by her side this whole weekend, otherwise she'd be an emotional wreck. He didn't have to do that. Tom kisses her hands and tells her of course, he'll always support her no matter what. She knows that.

Their tender moment is interrupted by a car pulling into view in the driveway just outside the bay window. That must be her, Marlene says a bit scared. Tom puts his hand again on her shoulder and gives it a quick rub. She can do this, he reassures her. She nods and looks back out the window where a young woman has stepped out of the back of the car, a travel bag in tow. She lifts her sunglasses and takes a sweeping look around the large mansion-like house with a cold, inscrutable look on her face, before putting her glasses back on her face and closing the car door behind her. The car pulls off as Marlene straightens up and moves out of the living room towards the door to greet the girl, wringing her hands nervously as she walks. Tom follows.

'Alyssa, dear,' Marlene says solemnly as she opens the door and holds out her arms to welcome the teen. 'I'm so grateful you finally decided to come, it's been so long. TOO long.' She continues to hold her arms out but it's clear Alyssa has no intention of reciprocating the gesture, she stops short several inches from Marlene's reach. 'Hello, mother,' she says coldly, not betraying any signs of emotion behind her sunglasses. She turns her head to Tom who is standing a couple of paces back from Marlene, looking a bit awkward and trying not to intrude. 'You must be the boyfriend,' she says to him. He smiles and introduces himself, holding out his hand to shake hers. Bemused, she gives the smallest of smiles as she hands off her bag into her mother's hands without even looking at her, and then takes off her sunglasses. She shakes his hand, and he tells her Marlene has told him so much about her, he's been really looking forward to meeting her.

Pulling back his hand after a firm shake, Tom looks a bit surprised now that her sunglasses are off. Wow, he remarks, the two of them really do look so much alike - if Marlene hadn't told him, he would have sworn that they were real, flesh-and-blood mother and daughter. Alyssa says that that's the ONLY thing the two of them have in common. Tom says come now, he's sure that's not true, he bets that Alyssa is a perfectly wonderful and charming young woman. 'Exactly,' Alyssa says pointedly as she walks forward past Marlene to Tom, taking the sunglasses still in her hand and slipping them into his shirt's breast pocket. She walks past him into the house. 'Coming, mother?' Alyssa calls back from inside the house. Marlene looks over worriedly at Tom, and he tries to reassure her again while rubbing his palm across her back, although he's not quite as brimming with confidence as he was earlier. She's just 18, Tom reminds her, all teenagers are moody and sarcastic. She still came, didn't she? Marlene supposes he's right, and Tom winks saying he knows he is. He heads into the house. Marlene lets in and out a long sigh to calm herself, and then heads inside.

TITLE PLATE

An hour or so later that day, Marlene brings some freshly baked cookies to the table where Alyssa is on her laptop. As Marlene nears, she tells Alyssa that she's baked her favorite. Alyssa looks down at the tray with disdain and disinterest and then back to Marlene. Cushy place she's got here, Alyssa says gesturing at the big house. Guess her decision to cut and run on the family after Alyssa's dad died paid off.

'Alyssa,' Marlene sits down gently and begins to pour her heart out - she must understand, she never meant to hurt Alyssa or her siblings. Her husband had just passed away, she was grieving, in shock. She didn't know how to cope. She figured the family would go stay with their real mother - his ex-wife - and her new husband... so Marlene didn't feel like she was abandoning them. If anything, she thought they would be better off. She was never planning on leaving them forever, she just needed some time to heal. But that's not an excuse. She realizes now that that was the wrong thing to do, that it must have doubled the sense of loss the family had felt. She's truly sorry, and she's been trying to make amends ever since. All of Alyssa's other siblings have since forgiven her, why can't she?

Alyssa sits up slowly, and for a moment she looks sincere with a sympathetic expression on her face. She starts to slowly reach out across the table to Marlene, and seeing this, Marlene starts to reach out too to meet her in the middle. But at the last second, Alyssa fakes her out, and picks up a cookie from the table between them. She picks it up and bites into it. 'Thanks for the snack, mom,' she says snidely as she gets up and walks away from Marlene, who sits there looking devastated.

Later that day, Tom goes to check on Marlene who has retreated to the kitchen and is desperately trying to distract herself with chores. He starts to tell her that Alyssa FINALLY decided what she wanted to order for take-out, but then stops when he sees that his girlfriend looks sad and distant. Tom comes up to her and asks if everything's alright, and Marlene turns to him and lets him wrap her into a supportive hug. Things don't seem to be going well at all, Marlene confesses as she pulls out from the hug, she's been trying all day to connect with Alyssa but she just keeps ignoring her, or worse. No matter how much Tom has pointed out that Alyssa still agreed to come, she still seems to be holding a grudge. She doesn't know what else to do anymore. Tom tries to reassure Marlene that maybe it's not her fault, maybe it was just too soon. Alyssa's still a teenager, after all, whereas her siblings are now in their twenties. Maybe it'll just take some time. But he insists that Marlene at least is trying, and maybe Alyssa will remember that someday and come around. Marlene gushes and remarks that Tom always seems to know just the right thing to say. Then this gives her an idea - maybe HE can talk to Alyssa. Tom confesses he doesn't know if that's such a good idea. But Marlene points out that Alyssa at least seems to be engaging with Tom, she's been following him around all day and the two of them seem to have a good rapport, she clearly likes him better than Marlene at any rate. Could it hurt for him to try to talk to her? Tom is about to say he is not sure about this, but he sees how desperate Marlene is for this to work out, so he hesitantly says he'll at least give it a try.

Tom arrives at Alyssa's open door, where Alyssa is lying on her bed listening to music through headphones while browsing on her cell phone. He sits on the edge of the bed and nudges her foot to get her attention. She removes the ear buds and looks up at him expectantly, and Tom says he wants to talk to her. Alyssa has a knowing look on her face, and she gets up to kneel on her bed, her bent legs spread wide open towards Tom. 'Fire away,' she says suggestively.

Tom clears his throat uncomfortably. Look, he starts, clearly she has no interest in accepting her mom's apologies, and if he had known that she would behave like this then he never would have reached out to her to encourage her to come. But now that she IS here, can't she at least be...? Alyssa puts a finger up Tom's lips and shushes him. She says she never came here for her mom's sake in the first place, she came here for Tom's. Tom is confused - for his sake? Alyssa starts leaning towards him even further, holding herself up on the bed on her fours like a cat on the prowl. She says that she's seen the pictures of him and her mom, and he seems like a nice guy. A big, STRONG, nice guy she says as she spiders her fingers up his biceps, making him flinch. And she likes making nice guys happy, she concludes. In fact, she's very GOOD at making guys happy.

Tom swats her hand away - what the hell is she doing? Alyssa pouts and says she just wanted to make him happy - that's why she came, after all. Wasn't that why he reached out to her, why he BEGGED her to come? Tom insists that she knows that's not why. Alyssa says yeah, sure, he wanted them to resolve their differences so Marlene could be happy and blah blah blah. But at the end of the day, that's not what he reaaally wants, she teases him, he just wants what any guy wants. She unbuttons the top buttons of her blouse and lowers it down past her shoulders. Tom orders her to stop and put her shirt back on. Alyssa tells him she doesn't want to stop, she's having fun, and points at his crotch saying it looks like he's having fun too, a LOT of fun from the looks of it. No wonder her mom likes him.

He leaps off the bed. This was a huge mistake, he says, and moves to leave. Go ahead, leave, Alyssa taunts him. She'll just keep acting worse and worse all weekend until Marlene is so miserable she's finally had enough and kicks her out, and then Tom can pick up the pieces. But if Tom wants her to behave, she says in a flirty tone as she moves her hand towards her crotch, he's going to have to MAKE her behave. She starts rubbing her hands on her body over her clothing, and lets out a fake moan. Stop it! Tom hisses at her quietly, her mom's going to hear her. In response, she just moans louder. Shut up! Tom hisses and moves to cover her mouth with his hands. Alyssa pulls away and giggles sadistically. Make me, she says. She starts moaning again, even louder, and Tom looks back in fear to the hall outside. Distracted, desperate, panicked and (although he hates to admit it) a little turned on, Tom turns back to Alyssa and says he'll make her, alright. He then does the only thing he can think of to get her to stop, he kisses her fiercely, grabbing her head with both hands. Alyssa encourages him, urging him onward.

Tom hate-fucks Alyssa, though Alyssa enjoying making him squirm. At times Tom panics about Alyssa getting too loud and tries to get her to be quiet. Eventually Tom gets so into it he stops paying attention to how loud they're being...

The door slams open and a gasp is heard behind them. Tom looks over in horror as Marlene stands in the doorway in shock. 'Tom?!' she says horrified, 'How COULD you...?!'

From under Tom, Alyssa pokes out and gloats that it seems like Tom's chosen her daughter over her. Tom tells her to shut up, and tries to plead with Marlene that it's not like that, but Alyssa keeps goading them, saying that it was probably a huge turn-on to find out there was a hotter, younger version of his girlfriend. No, Tom insists, he loves Marlene! Alyssa tells Marlene, who's still speechless, that Tom in fact was the one who contacted her and convinced her to come this weekend. Marlene looks in shock over to Tom - is this true? Tom is flustered and tries to explain, yes, it's true, but it's not how it sounds...

Tom is stumbling over his words and Alyssa cuts back in. Now her mom knows what it feels like to be betrayed and abandoned, hm? But this weekend is all about making amends, and Alyssa would be willing to share if Marlene is desperate enough for love to get fucked by somebody who just cheated on her with her own daughter. Better than ending up alone, isn't it?

Tom begs for the chance to explain but Marlene just sits on the bed in shock. Keep fucking her, she tells Tom in a resigned voice. Tom looks at her perplexed and whispers 'What?!' and Marlene looks at him with sad eyes. Just keep fucking her, she says, he clearly wants to. He tries to protest but Alyssa takes the lead and starts grinding against his dick again, causing him to moan uncontrollably. Didn't you hear her? Alyssa says to Tom, Marlene wants them to keep going!

Sarah Vandella in 'The Daughter Disaster'

Sarah Vandella - The Daughter Disaster

THE DAUGHTER DISASTER
STEP-FATHER MADE TO CHOOSE BETWEEN WIFE & PREGNANT DAUGHTER

SCENE OPENS on a teen, Nancy (Elena Koshka), taking a home pregnancy test. She's impatiently holding the stick in her hand. She taps her fingers against it with nervous anticipation as she mutters to it to come on and work faster. Her breathing is quick, panicked and shallow, and she even starts hyperventilating for several seconds and has to calm herself down by taking deep, controlled breaths. Once she's calmed herself down, she looks back down at the stick and sees two lines appear on the small display.

Pregnant.

Suddenly she's interrupted by a knock on the door, and the voice of her step-father, Frank (Steve Holmes). He asks if anyone's in there. Nancy's eyes widen and she quickly tries to hide the evidence of the test as she says that yes, she's in here -- she grabs the stick and the small cardboard box it came in and hides them behind her back, and flushes the toilet. It's just in the nick of time, as Frank tells her that he's late for an interview and he hopes she's done in there because he's coming in.

The door opens, and Nancy tries to act like everything's normal. She and Frank awkwardly brush past each other, his hands accidentally grazing against her body, as he moves towards the sink and she moves to get out of the bathroom without him seeing the test in her hands. He fidgets with his hair in front of the mirror and asks Nancy how he looks. Nancy looks away from him, the question clearly bothering her, and she mutters 'You look fine.' He tells her he has a good feeling about today, this is his first 2nd interview for a company. This could be the end of their troubles. Nancy sneaks a look at the pregnancy test in her hand. 'Yeah, Frank,' she says flatly, 'sure it could...' Frank gives his step-daughter a quick kiss, then exits the bathroom -- he's off to get this job.

Once he's gone, she has flashbacks to when she had sex with both her step-father and her step-father's ex-boss. She clutches the pregnancy box test in her hand so hard it starts to crumple in her hand as she sinks down along the wall and starts crying.

TITLE PLATE

CUT TO a little later that day, Nancy is curled up on the couch with her laptop. She's looking up articles on what to do when you find out you're pregnant through a search engine. Her mother, Kate (Sarah Vandella), walks into the living room and Nancy quickly closes the laptop.

Kate says bitterly that she just heard from Frank, he's on his way back already, there won't be any second interview after all. When he arrived at the office he learned that they'd gotten him mixed up with another applicant, he was never among their top choices. It's embarrassing, she says, he's not even memorable enough to leave a bad impression, he's just completely forgettable. No wonder he was fired from his last job. Over twenty years he was there, and never even got a title change. Why he didn't beg to keep that old job when he had the chance, she'll never know.

'Mom...' Nancy tries to interrupt but Kate continues. That job was way better to him than he deserved, Kate says, he should have been willing to do anything to not let that job slip through his fingers. 'MOM,' Nancy cuts her off, and tells Kate there's something she needs to know about the day he got fired. Kate looks alarmed -- what does she mean?

Nancy tells her all about what happened that day -- how Frank bargained for his job back by whoring out Nancy to his boss, how he got fired, anyways, and then how he hate-fucked Nancy afterwards...

Kate is livid, though isn't on her daughter's side. Ever since she turned eighteen Nancy's been acting like a complete slut, and it's just been getting worse. She bets it wasn't even Frank's idea to do it, it was probably Nancy's idea, she's seen how Nancy dresses, how Nancy behaves around men. It was probably her fault that Frank was fired, and her fault that Frank was willing to fuck his own step-daughter! The two start screaming and arguing, both feeling betrayed, sad, and angry.

CUT TO an unspecified amount of time later, Frank walks through the door and hears the sounds of shouting coming from the other room. Worriedly, he kicks off his shoes and drops his keys and briefcase and hurries to the living room where Nancy and Kate are still fighting. He asks them what's going on, and Kate instantly turns on him, telling him that Nancy told her about what they did the day he got fired and she can't believe he lied to her and didn't tell her about it. He stutters to say something, but Nancy cuts in, asking how Kate could possibly blame her for what he did when he lied to her about it, too. Kate tells Nancy to stay out of this, calls her a whore, and turns back to Frank asking how he could do all that to her. With her own daughter!

Frank struggles to say something as both crying angry women stare him down, and Kate gives up remarking that Frank doesn't even have anything to say for himself, he can't even say he's sorry. Frank says of course he's sorry, but it's too late and Kate has already stormed off to the master bedroom leaving Frank alone with Nancy. In tears, Nancy complains to Frank that he didn't even stick up for her, he tried to whore his own step-daughter out to his boss and he doesn't even have the guts to admit it to his wife. Frank tries to calm her down, promising he'll talk to Kate, and tries to put his hands comfortingly on Nancy's shoulders but she pushes him away. She storms off to her room as Frank calls out to her that he promises he'll make things right.

Frank enters the master bedroom, where Kate is sobbing on the bed. Frank comes up to try to comfort her with his apologies, but she pushes him away saying he's ruined their lives. Much like when trying to negotiate with his boss, Frank's weak and cowardly tendencies start to flare up instinctively. He begs Kate to forgive him, and starts completely lying to her. He tells her that things that day just escalated. With the way that Nancy dresses, it wasn't surprising that his boss wanted to fuck her. Frank also tried to resist her, but he couldn't! He loves Kate and is faithful to only her, and wants to make it right again.

Kate asks if all that is really true. She wants to believe him but he really hurt her. If he does again, she's going to leave him. Frank swears it is, he would never want to do anything to hurt Kate. Afterwards he was scared and humiliated to tell anyone, and above all he didn't want to break up Kate's family. They embrace each other, and then Frank kisses Kate passionately saying again how sorry he is. Kate says how is she supposed to forgive him, she just wants to forget the whole thing ever happened. She kisses him again, and their passionate kissing slowly devolves into tender and erotic make-up sex.

Frank brings Kate to orgasm, but is unable to cum himself. He catches his breath and puts his hands to his forehead in exhaustion. Kate asks him what's wrong and he explains that he has too much stress on his mind to cum, all the unfinished business with Nancy is preoccupying him. Kate is sympathetic, and says maybe he just needs a few minutes, but Frank says he should go speak to Nancy and try to resolve things between them. Kate agrees that's a good idea, and says she'll give them both some space to work things out together. Frank puts on a plain t-shirt and boxers and leaves the room.

CUT TO Frank entering Nancy's bedroom. Nancy is curled up on the bed, and bitterly asks what Frank wants. Frank tells her he made up with Kate, and has come to do the same with her. Nancy looks up, and asks how he was able to get Kate to forgive her. Frank looks away for a second and finds himself lying again instinctively, saying that he told Kate the truth, that it was his idea to offer a deal to his boss to fuck his teen step-daughter in exchange for keeping his job. It took a lot of begging and apologizing but Kate finally decided to forgive him. He says that he also told Kate that Nancy didn't try to seduce him at all, it was his idea in a moment of weakness. Nancy is surprised, he really said that? Frank continues to lie and says yes, he just wants she and her mother to get along so he told her it was all him. How could Kate forgive him for what he did? She really forgave him? Frank keeps saying yes, she did, and the important thing now is that they forget about it and move on.

Nancy says she can't just forget about it. He says that he didn't treat her right before, but he wants to now. He says to her that there was another reason he didn't mind taking the blame for having sex with her, and it was because there was some truth to it, there's a part of him that secretly wanted her all along. That still wants her. She must have felt it, too, surely? She hesitantly says that she has, a little bit. Frank moves in to kiss her and she lets him have his way with her, slowly spreading her legs and inviting the hand on her lap to move towards her pussy. He asks her what she was going to say and she says just that she wants him right here, right now.

Angela White in 'Balance of Power'

Angela White - Balance of Power

BALANCE OF POWER
COUNCILWOMAN WITH A DIRTY SECRET GETS EXPLOITED BY CORRUPT BUSINESSMAN

SCENE OPENS on a small city council private office where a councilwoman, Janice Monroe (Angela White), is hard at work. She appears confident, and sharply dressed in a chic but no-nonsense business suit. We watch her work for several seconds from a male gaze POV, until her concentration is broken by a telephone call on her office phone.

She picks up, and though we don't hear the sounds from the earpiece, Janice pulls the phone away from her ear in pain from an apparent shouting on the other end of the line. She asks the man on the other line, Bill, to calm down and explain what's the problem. She does her best to collect herself as she listens, breathing deep and fidgeting with her suit and hair. She listens and replies, and from the one-sided conversation, we get the impression that Bill is a business owner calling to complain about losing a city contract bid.

Bill had spent weeks negotiating terms and another company swooped in and got the bid at the last second. Janice puts on a brave face and tries to assure him that everything was above board, and that the winning bid was just at a better rate than what Bill's company was offering, but Bill insists that it's not possible, he has ties with all the local suppliers and there's no way anybody else in town could match his bid. Janice reprimands Bill telling him that if he wants to meet formally to discuss the issue, he's welcome to schedule an appointment, but she warns him that he'd better think twice before speaking to her like that again or he risks closing the door on future negotiations. Bill tells Janice that he's not the only one who thinks things have been fishy lately, and that she'd better remember that it's her constituents who pay her bills each week. Through gritted teeth, Janice thanks Bill for being a concerned citizen, and slams the phone back in the cradle in frustration. As soon as she's hung up, Janice's brave face and confident posture dissolve, and she collapses back into her chair and puts her head on her desk in tears.

CUT TO TITLE PLATE

We cut back to Janice's office an indeterminate time later. She's stopped crying and is back at work, though with none of the confidence or determination she exhibited earlier. She is clearly having trouble concentrating, rubbing her eyes wearily and swearing to herself under her breath. Before long, the door to her office opens and in struts Garrett (Zac Wild), a cocky smarmy-looking businessman who strolls up to greet her and -- rather than sitting on the chair facing her - sits straight on the corner of the desk. Looking uncomfortable, Janice quietly moves her papers and other clutter away from his intrusive form seated on her desk. She tells Garrett that she's very busy right now, and asks what he wants. He says that he's sure she has time for a little chat, she always manages to make time for him. Looking bothered and anxious, Janice gets up from her seat and goes to close her office door discreetly. When she looks back, Garrett is now sitting in her seat. She asks him to get out of her seat, but with none of the forceful tone she used on the phone earlier. Instead, she seems pathetic and desperate here. Garrett gives her a greasy smile and pats his lap, telling her there's plenty of room if she wants to join him. She turns her head, disgusted. Without looking back at Garrett, she asks what he wants.

Garrett explains in a patronizing tone that he's not feeling satisfied with their current arrangement. He wants another favor. Janice looks flabbergasted -- she's already paid him off twice, and she just colluded to get his company his second city contract at a way higher rate than market value. Garrett says yes, that's true, but that's really more to help his business, but now he's getting restless and he feels he wants to work on his personal brand, maybe even get into politics himself. He wants an endorsement from her to run for his own spot on the city council. Janice coldly says absolutely not -- she can't endorse a candidate with no political experience and dubious ties to criminal activity. It'll draw too much attention, and could be career suicide for her. Garrett tells her he thinks she's exaggerating, and feels he'd make a great candidate. He's even come up with the perfect campaign slogan, 'Make America Garrett Again' he jokes.

Janice pleads with him -- he needs to be reasonable. She's given him everything he's asked for, to the point where people are starting to get suspicious. Garrett says that that isn't his problem, and he asks her where all that worry about getting caught was a few months ago when she was embezzling funds from the public office for her personal use. If only she'd been more careful then, she'd never be in this situation now. But she wasn't, and all this is just the universe's way of balancing things out. Janice gets more desperate -- if he wants to keep his leverage, he has to be smart about this. She can't help him if she gets indicted. Maybe they could revisit his proposal in a few months, after things have a chance to die down. Garrett admits that she makes good points, but he's just not a patient guy. What is she going to give him to keep him happy in the meantime? Janice looks completely broken down -- she doesn't have anything left to offer him. He's already taken everything from her -- he's robbed her of her independence, her pride, her happiness. What could possibly be left for him to take?

Garrett stands up from the office chair and says that he can think of one thing, and reaches out to stroke her breasts with his hand. Janice flinches and takes a step back. No, he can't ask her to do... that! She's a married woman, she could never do that to her husband. Garrett shrugs and wonders out loud if her husband would be any happier to find out she's a thief, and a liar, have to visit her in prison... Nearly in tears, Janice asks Garrett how he can be so cruel, to ask her to do this. Garrett simply shrugs and says 'because I can.' Janice makes Garrett swear that if she lets him have his way with her, he'll back down with all his demands. He agrees he'll back down... for now. He asks if they have a deal and she says yes. In an instant, he moves in on her with a sleazy grin still on his face.

Jaye Summers in 'The Bad Uncle Returns'

Jaye Summers - The Bad Uncle Returns

THE BAD UNCLE RETURNS
UNCLE CONVINCES NIECE TO HELP LURE & SEDUCE HER YOUNGER SISTER

PREVIOUSLY ON PURE TABOO: This is the story about how Diana (Jaye Summers) really lost her virginity. He'd been her dad's best friend for years. Uncle Joe (Charles Dera), as he called himself, had watched her grow up -- and she was his princess, the niece he never had. But once Diana turned 18, something changed about Joe. His fondness for her turned into an obsession. So he came up with a plan to get her alone...

SCENE OPENS on present-day Diana and her Uncle Joe fucking in Joe's spare bedroom on the bed, she is riding him cowgirl-style and clearly putting in a lot more work and enthusiasm. She gasps and moans in pleasure and calls out Uncle Joe's name as she bounces up and down on his dick, while Joe mostly lies there and just offers a few generic grunts in reply. Diana seems to reach orgasm after a little while and then starts asking Joe to cum inside her - Diana exclaims that she can feel it and starts to slow and eventually stop.

She pulls off of him and collapses to his side on the bed, rolling over to snuggle up to him placing her arm on his chest. He doesn't seem to reciprocate much. Diana tells her uncle that was great, but he corrects her - 'it was fine,' he says gruffly. She asks him what's wrong, she did all his favorites for him! He waves her off, telling her yeah yeah, she was swell... he doesn't seem to mean it. She sits up a bit and looks worriedly at him, did she do something wrong, or something? He looks at her with a serious expression and grips both sides of her head with his hands, playing lightly with her hair. 'Listen 'Princess', no offense, but...' he starts in a rude tone, the novelty's kind of wearing off. She's no longer a teenager and she's certainly not a virgin anymore...

She asks him what she could do, what he wants her to do to make him happy. He looks her up and down, considering her, then pinches her cheek affectionately, saying she's cute when she's desperate. He asks about her younger step-sister, she must be getting around 18 these days, mustn't she? Diana reluctantly says yeah, she just turned it a couple of months ago. And she's a virgin, like Diana was? '...Yes,' Diana admits. Uncle Joe looks pleased at himself for the idea and says yeah... yeah, that would do the trick alright. 'Bring her here,' he instructs her, and goes back to stroking her hair with one hand. She looks at him with reluctant subservience but doesn't say anything in reply.

TITLE PLATE

CUT TO another day, where Diana and Cammy (Emily Willis) are greeted at the door by a much friendlier-seeming Uncle Joe. 'There's my princesses!' he exclaims. He takes their bags from their hands and tosses them to the side, then welcomes them in. He gives Diana a brisk, business-like hug then moves on to Cammy, and hugs her for much longer. Wow, she laughs at how warmly he's greeting her, uh hi Uncle Joe! Long time no see! Uncle Joe releases her from the hug but keeps his hands on her arms as he looks her up and down, remarking at how much she's grown. He remembers when he used to come over to their house to visit their dad, and would pick her up for piggy-back rides like it was nothing, feels like only yesterday. Although he bets he could still do it! Without even waiting for permission, he scoops Cammy up in his arms and she yelps in surprise, then giggles in embarrassment. 'Uncle Joe!' she squeaks. Diana looks at them with a mix of jealousy and guilt.

Once she's set down, Cammy starts to pick up her bag and Joe says no, let him take care of it! He turns back to Diana. Why doesn't she give Cammy the tour, he says suggestively to her, while he gets all their things settled in their room. Then they can all meet up outside at the pool for a swim. A pool! Cammy squeaks with excitement, she can't wait! Uncle Joe sidles up behind Diana and puts his hand firmly, ominously even, on her shoulder. Make sure the two of them don't skimp on the tour, he says to her with fake innocence, take all the time they want. She nods obediently without looking back at him, and then slips her hand into Cammy's. They scamper off, and Uncle Joe shoots a devious look at the bags.

CUT TO poolside, Uncle Joe is seated comfortably in a pool chair wearing his sunglasses when the two girls emerge from the house - Cammy is still wearing her original clothes while Diana is wearing a bikini. Uncle Joe? Cammy asks, he wouldn't have happened to have seen her bathing suit when he brought the bags up to the room, did he? Uncle Joe feigns innocence and says no, he hardly touched the bags other than to bring them upstairs. Diana looks to Cammy and says see, she knew Uncle Joe wouldn't know where it is, Cammy probably forgot to pack it. But Cammy swears she remembered putting it in her bag, it was one of the first things she packed - she was really excited to go swimming and absolutely didn't want to forget. Oh, Uncle Joe says, well she shouldn't let a little thing like that ruin her fun, now. She can just swim in her underwear, he suggests. Cammy seems a bit hesitant, but Uncle Joe says come on, between her step-sister and him being their dad's best friend, they're all practically family here - no need to be so bashful. O-okay, Cammy says, warming up to the idea as she sees they don't seem to mind. She strips out of her clothes, revealing a white bra and panties underneath. 'Atta girl, Uncle Joe says, don't be shy. She flashes a grin at him and then jumps into the pool with a splash and a playful shriek. Unbeknownst to her, her white bra and panties once wet now show Uncle Joe a great view of her nubile teen body.

Uncle Joe catches Diana's eye and shoots her a meaningful look and a tilt of his head towards Cammy. Diana looks back obediently and nods again slightly. She joins Cammy in the pool. 'Hey Cammy,' Diana calls out, does she remember when they used to play pool tag as kids? They should play that again! Cammy says that it might be a bit lame with just two people, and Diana taunts her, she's just saying that because she knows she won't be able to catch Cammy. Oh, it's on! Cammy giggles and chases after Diana.

The two of them frolic in the water, laughing and giggling as they chase around the pool, splashing each other and trying to catch each other. Whenever Diana is 'it' and catches Cammy, she gets very handsy, giggling and hugging and pressing her body up against Cammy's. Cammy takes a cue from her and starts to do the same. Soon the two of them are barely running or chasing at all, but rather wrestling each other in the pool. Diana even playfully lowers one of Cammy's bra straps or tries to remove it, and Cammy gasps in happy shock and tries to get revenge by doing the same. Throughout, Uncle Joe watches them through his sunglasses with perverted interest.

Cammy remarks she's getting hungry, and is going to fix herself a snack. She asks if Uncle Joe wants one and he jokes that he's good, he's got a couple of tasty morsels already right in front of him. Cammy looks weirded out for a moment then laughs the comment off saying that Uncle Joe is so silly, but behind her Diana shoots Uncle Joe a glare of concern.

Uncle Joe then watches, with no attempt to hide it, as Cammy steps out of the pool dripping wet and grabs a towel, heading back into the house. Diana steps out of the pool next and rushes up to Uncle Joe. He has to be more careful, she warns him quietly, he's going to scare her off. They have to take things more slowly and get her warmed up to the idea, having sex with her dad's best friend is one thing but sex with her own step-sister too - it's going to make her freak if they don't handle it carefully. Uncle Joe tells Diana she'd better make damn well sure that doesn't happen, because he's just starting to enjoy himself and he's not in the mood to take things slow. So it's up to Diana to make sure her sister behaves when the time comes. Diana wouldn't want to disappoint him, would she? Diana timidly says she'll do what she can. Uncle Joe gives her a smack on the ass and tells her to get going inside.

CUT TO late that night - both girls are dreaming sweet dreams, side by side in bedrolls on the floor. The bedroom door creaks open, and the light of the hall spills out into the dark bedroom. Uncle Joe's feet step into frame. He looks the girls over hungrily, edging his way into the room to get a closer look at their teen bodies in their nightwear. He moves into the space in the middle of them both and, careful not to alert them, he settles in lying down between them. His attention goes straight to Cammy. He rolls onto his side to spoon her - she moans comfortably in her dreams. He holds her like that for several seconds, then feeling emboldened, he backs up slightly from her body and pulls his hard dick out from his boxer shorts. He strokes himself, inching as close as he can to Cammy without touching her again now that his dick's out. He breathes heavily against her neck as he strokes himself. Sensing his presence, Cammy's eyes flutter open. 'D-Diana?' she asks quietly and timidly, 'is that you?' No, princess, Uncle Joe says back in a low voice, it's her Uncle Joe.

Cammy still seems a bit groggy, Uncle Joe? What is he doing h- ... she rolls to her other side and sees him stroking himself and her eyes go wide. She calls out to Diana, get up, Uncle Joe is-! Diana's eyes snap open and she instantly starts to reassure her, Cammy, it's ok, it's ok! Cammy doesn't calm down right away, and tries to get Diana to realize what's going on, but Diana tells her she knows. 'What do you mean you know?' Cammy asks, panicked. Diana explains that Uncle Joe has something he wants to share with the two of them, something very special. 'No, but-' Cammy starts to protest, but Diana interrupts her. It's okay, she tells her little sister, she's going to like it, see? She grabs Uncle Joe's hard dick in her hand, and then puts her mouth on it to suck it, looking Cammy right in the eyes as she does it and saying mmmm.

'Diana, what are you-?!' Cammy tries to say, but Diana pulls her mouth off of his dick and cuts her off again. See, Cammy? she says, moving his dick to point at her little sister now as if offering it to her. It's no big deal, he just wants the two of them to thank him for his hospitality. Didn't mom and dad teach them to show manners growing up? Cammy starts to get flustered and frustrated, but this isn't right, she insists, this- 'Cammy,' Diana hisses, sounding a bit desperate. 'You're being rude! Uncle Joe invited us here, we're guests in his home, and this is how he wants us to thank him. Quit being such a brat and just give him what he wants.' Her tone softens, and she continues, saying that she promises Cammy will enjoy it. Just like Diana did.

Cammy's eyes widen - like she did? Diana nods and says it makes Uncle Joe happy. It makes her happy too. Cammy looks from her sister to Uncle Joe, who's staring intently at her. 'What do you say, princess?' he coaxes her and strokes her hair. 'Don't you wanna make your Uncle Joe happy?' Cammy looks down at his dick, which he continues to stroke with his other hand. She says she guesses she can try, but she's never done anything like this before. Uncle Joe tells her don't worry, her big sister will show her everything she needs to know.

Penny Pax in 'Caught Between'

Penny Pax - Caught Between

CAUGHT BETWEEN
Cheating Wife Takes Turns Fucking Her Husband And His Best Friend

SCENE OPENS on a young wife, Tess (Penny Pax), in the hallway of her residential house, wearing a fashionable billowing day-robe hurriedly tied together with a sash, glimpses of her lacy elegant underwear peeking out. She is ushering an attractive-looking and stylish man, Xavier (Ryan McLane), into a bedroom connected to the hall. She has a pensive, conflicted expression on her face as she heads into the room herself and closes the door behind her.

'Are you sure nobody saw you?' she starts to say as she closes the door and turns to face him, but she's interrupted with a steamy, passionate kiss from Xavier, gripping her face with both hands and his body pinning hers against the door slightly. 'I've been waiting all week for this,' Xavier says in a low voice and moves back in for another kiss on the lips. Tess lets out a gasp of pleasure, but her face continues to look conflicted and her brow furrows with concern. She starts to lightly push on his shoulder or chest and tells him to wait. Xavier pulls back, confused, and asks her what's wrong.

Tess explains that she can't keep doing this with him anymore. Xavier grins and takes her by the waist, pulling her in slightly. That's what she said the last three times she called him, he says suavely. She pulls away more emphatically this time and tells him to stop, and his smile drops. She says that she's serious this time - it isn't fair to Rick. Xavier moves in closer to her and says in a soft voice that he doesn't care. How can he say that? Tess asks. Rick's his best friend! Xavier replies so? It shouldn't just be about what Rick wants. What about what HE wants? Or what SHE wants? This thing between them is real, it's undeniable, why should they both be miserable just for the sake of someone else? 'Because I still love him,' Tess says desperately and adds that she can't keep lying to him. It's tearing her up inside.

Xavier points out that she's going to have to keep lying to him anyways, she can't just erase the past eight months. The lying isn't going to end unless she tells Rick about ALL of it... Tess shakes her head no, it would break his heart, she could never do that to him. Xavier says that he could be the one to tell Rick, and then they could be together without anyone in the way. Tess tells Xavier no, nobody is telling Rick, the past is going to stay in the past where it belongs. Xavier asks then what's the difference if they enjoy themselves this one more time or not? Tess struggles for an answer, but Xavier's charms are working on her, and as his hands move sensually up and down her body, opening her robe to expose her underwear, she finds her resistance crumbling. This has to be the last time, she insists as she gives in and bends down, taking his cock out of his pants.

Just as she slips his dick into her mouth, the same familiar click of the front door lock from earlier can be heard. What was that? Tess says in a panic. Xavier says he didn't hear anything, and tries to keep the moment going, but Tess pushes him off and remarks that she thought it sounded like the front door. Then from off-screen her husband Rick's voice calls out 'Tess? Honey?' Tess says in a panicked whisper 'Shit! It's Rick!' Rick remarks softly that he thought Rick wasn't supposed to be home for hours, and Tess instructs Xavier to stay in the room and keep quiet. She rushes to retie her robe and straighten her hair before leaving the room.

Rick, sweetheart, she gushes as Rick (Ricky Johnson) rounds the corner into view, and she approaches him to give him a cordial kiss on the cheek - what is he doing home so early? He says he took a half-day and wanted to surprise her, he knows he's been really busy with work lately and he wanted to make it up to her. Plus, he couldn't stop thinking about her today. He leans in close and says he thought they could have some... intimate time together. Tess glances back nervously at the master bedroom door behind her and then back to her husband, and says she's not sure she's in the mood right now. Rick looks disappointed but understanding and says that it's his fault, he thought it would be fun to surprise her but maybe it would have been better for him to call her first instead of spring it on her. He knows she doesn't like to be as spontaneous as he does. He says it's fine, at least they can still spend the day together, just let him change out of his work clothes and they can do whatever she wants with the rest of their day. He takes a step towards the bedroom to get undressed but she stops him. NO! Tess says suddenly, and then catches herself. She means no, actually he's right, maybe they SHOULD be a bit more spontaneous. What if... they get a bit frisky in the guest bedroom instead? she suggests. Rick smiles but looks a bit confused, the guest bedroom? Tess smiles and plays with the tie draped around his neck - yeah, she says, why not a change of scenery to shake things up? Rick smiles and shrugs, sure, why not?

They go into the guest bedroom and begin to kiss. Just as things are getting intense, Tess comes up with an excuse to go to the master bedroom, saying that she wants to go and get Rick's favorite lube. Rick is all for it, and Tess bounces out of the room. Tess enters the master bedroom where Xavier has been waiting impatiently on the bed. She hurries over to him and whispers that the coast is clear, she's busy distracting Rick, but he'll have to be quiet and sneak out the back door. Xavier seems stubborn, and in a quiet voice asks her how long is this going to go on for? Tess pleads with him and says she doesn't have time for this conversation right now, he has to leave! Xavier stands up calmly, crosses his arms and says no. No? Tess asks in a panic. Xavier repeats no, he's not leaving. If she doesn't want to tell Rick, then he will. Rick can burst in and find him here for all he cares. Desperate, Tess asks him why he would do this, and Xavier says that he can't stand the thought of her being in there with Rick, fucking him, because... 'because I love you'. Tess is shocked, but firm in her resolve. She looks at Xavier and tells him he has to leave. Now.

Meanwhile, Ricky is getting tired of waiting for his wife and walks towards the master bedroom. He rounds the corner only to find...Tess, alone on the bed. Hi honey, she purrs. Tess tells him that she changed her mind and was waiting for him to find her all sprawled out for him. She quickly takes off her husband's pants, helping herself to his huge cock. It doesn't take long for him to slide that cock inside Tess's tight pussy, fucking her hard. She squeals with ecstasy, jumping on top of him and riding his dick. He fucks her hard and deep, flipping her over and pounding her doggystyle before dropping a creamy load in her mouth. Kissing him softly, she leaves the room to clean up. Rick calls from the other room, telling her that he just got a call from work and has to go back. She leaves the room to kiss him goodbye, but doesn't see...that Xavier is still there, hiding behind a door. Tess will find out soon enough that her lover never left...and he's far from done with her...


Kendra Spade in 'Daughter's Little Accident'

Kendra Spade - Daughter's Little Accident

DAUGHTER'S LITTLE ACCIDENT
STEP-FATHER LECTURES HUMILIATED DAUGHTER AS SHE WETS HERSELF

SCENE OPENS on a teen girl, Kelly (Kendra Spade), who is getting a ride home when her friend calls her, telling her that her stepfather is looking for her. Kelly is beside herself with worry, telling her friend that she just had sex with her boyfriend, who came inside of her. As she gets closer to home, she tells her friend that she has to piss like a racehorse.

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She arrives home and tries to slip into the house quietly, but moments later her step-father (Derrick Pierce) comes rushing into the room from elsewhere in the house and says 'There you are! I was worried sick!' He explains that he tried reaching her several times on her cell phone but she didn't answer. Kelly says sorry - she was at her boyfriend's house and she must have lost track of time, she didn't think it would be a big deal. Not a big deal? he scoffs throwing up his hands in exaggeration, for all he knew ANYTHING could have happened to her, she could have been hurt or abducted or who knows what kind of trouble! She couldn't have even sent a text? Aren't teenagers her age supposed to be glued to their phones? Her battery was low, Kelly tells him trying to calm him down, so she didn't have it out - but it's fine, nothing happened to her, see? She gives a cute twirl and shows herself off for him to see that she's okay. So he can relax already! She walks to move past him but he stops her, clearly not done saying his peace. 'I'm not the bad guy here, Kelly!' he says, he and her mom just worry about her, that's all! Kelly clearly looks a bit annoyed and impatient, nothing bad happened, so can they PLEASE pick this back up a bit later? She had a large smoothie and she really has to -

'It's the principle of the thing, Kelly!' he says exasperated, clearly not letting this go. He continues to lecture her, and as he does she starts to squirm in place - not noticeably at first, but it gets more and more obvious the more her dad talks. Before long she's clearly doing the 'pee pee dance' of holding her legs together and shifting from side to side to try to hold it in.

By now, Kelly is desperately holding it in, and although her dad's sentiments are touching, she's barely able to register them. He moves in to give her a make-up hug, but she pushes him back because she feels she could burst any moment. 'Kelly,' her father says with hurt pride, 'I was just trying to tell you how I feel!' Kelly interrupts him - 'no, dad, it's not that,' she says in a strained voice as she tries to back away from him, 'it's just that - oh no - ohhhhh...!'

As she groans and gasps, the first sign of a wet spot appears at her crotch, trickling down her pant leg. She looks down in surprise, then back up to meet her father's gaze - she's completely mortified. Her father watches in horror as the wet spot darkens and spreads across her pants, golden liquid dripping and streaming through the fabric as she pees herself uncontrollably. She gives in to the feeling of release, with no choice but to let it all out by now, her hands awkwardly hovering around her waist with uncertainty since there's not anything she can do to stop it from happening. She pees herself to empty, and as the last ounces trickle out of her, she and her father stare wordlessly at each other in shock.

Kelly, standing there pants soaked with urine, and her father continue to stare at each other, their mouths agape in utter shock but unable to form any words. Kelly is the first to break, trying to cover herself up in shame and says 'd-dad...' Instantly, her father goes into parent mode and tries to console her, even though he seems somewhat fazed by the whole display. I-it's fine, he says, and starts to step towards her and then stops short when he remembers the puddle at her feet. They'll just... clean it up, he says trying to stay calm. It's fine. He gestures for her to come towards him - 'first, let's get you out of those wet clothes...'

Kelly shuffles over to him, still embarrassed and somewhat in shock. She stands there helplessly and seeing this her dad takes pity on her and his parental instincts take over. He hesitantly touches the pants at the waist to help her loosen them and then peel them off her, squatting down holding the pants at her ankles and asking her to lift one leg then the other. He holds her leg to support her balance as she lifts the other leg up, and then does the same for the opposite foot. He timidly pushes the pants just enough to the side to get them out of the way. He stands up and is flustered to see her in her soaked panties - oh dear, he says with a sigh, and says he supposes those should come off too. 'Dad, no!' Kelly protests but he points out that she can't go walking around the house in clothing dripping with pee, what if it gets into the carpets? That would be a nightmare to clean up! Better to keep everything contained to here, at least the floor will be easy enough to mop up. Kelly reluctantly agrees and blushes with embarrassment as her father's hands wrap around her waist and peel off her panties next. He stands up and tries not to look at her naked bottom half as he surveys the damage. Oh Kelly, he sighs gently, this is quite the mess she's made. Kelly buries her head in her hands, saying this is the worst thing that's EVER happened to her. Oh and look, her father moans in dismay, it's still all over her legs too - she'd better try to not move around too much until she's cleaned off a bit, he'll go get a towel.

He leaves the room and the sounds of the tap running can be heard in the other room. He returns a few seconds later with a wet hand-towel. Oh boy, he says as he gets on his knees and starts wiping down her pee-soaked legs, she's really given him his work cut out for him. 'Oh, god, I'm so sorry dad...' Kelly groans. Her father looks up to say something to her, and then realizes he's looking straight up at her exposed pussy. At first he gets flustered and tries to avert his gaze, just telling her 'it's okay, sweetheart,' turning back to the task at hand, but as he continues to wipe her legs he stares back up, eager for extra peeks. He even subtly starts to spread her legs further apart as he wipes them, so that he can get a better view. Soon, he's staring up the entire time. He decides to get a bit more daring, bringing the cloth to her inner thighs and making his way up. 'There, isn't that better?' he remarks. Kelly blushes and says yeah. He asks timidly, does she mind if he wipes her... you know... She looks a bit uncomfortable at the thought, and says she doesn't know if he should. Come on sweetheart, he says in a more confident, more parental voice, 'let dad get you all nice and clean again...' Timidly, she says okay.

He begins to wipe it gently with the towel, and at first Kelly looks a bit uncomfortable with the situation. Is this ok? her father asks as he moves the towel gently across her pussy. Y-yeah, Kelly stutters, it feels okay. He starts moving the towel purposefully more sensually across her pussy lips, causing her to shudder and gasp slightly. Oops, sorry, he says with feigned innocence. He goes back to wiping normally for a few seconds, then makes another move to cause her to shudder and moan accidentally.

'Dad, I think we should stop,' Kelly says bashfully. Why, what's the matter, sweetheart? her father asks innocently. Kelly squirms a bit and says that she feels funny, that's all. Her father looks at her sternly and lectures her, 'now be honest, Kelly, we don't lie to each other in this family.' Kelly squirms a bit but admits that it was starting to feel... good. Her father says that's great then, that means she's feeling better about her little accident. But she shakes her head no, that's not what she meant, she means him touching her felt good. But it shouldn't! He's her -

'Shh, shh, shh...' her step-father says comfortingly. It's alright, he says, don't worry about any of that. Just let dad take care of her. He can make her feel better if she lets him. Doesn't she want dad to make her feel all better again? As he coaxes her, he's rubbing his hand against her thigh affectionately, and she gives in to his warm touch. Yes, dad, she says shyly, she wants that, but what about mom? What about - ...he interrupts her again, saying not to worry about any of that. Let dad take care of it all...

Jaye Summers in 'Seven Minutes In Hell'

Jaye Summers - Seven Minutes In Hell

SEVEN MINUTES IN HELL
SHY TEEN CAUGHT, HUMILIATED & RECORDED FUCKING IN PUBLIC

Laura (Jaye Summers) sits alone on a set of stairs and watches quietly as a party carries on. It's late into the night at this point, and what was presumably started as a crowded, high energy event has started to wind down as most of the partygoers have left by now, the basement littered with red cups, beverage bottles, bowls of chips, and a general state of messiness left behind. The 10 or so teens who remain are chilling around the room as party music plays softly in the background, most talking in twos or small groups with Laura being the odd one out. One of the guys bounds down the stairs excitedly holding a red cup filled with liquid in each hand, brushing into Laura as he passes and almost spilling the beverages on her, and she makes an uncomfortable face as he passes her unapologetically.

Laura continues to sit in silence for a little while, and it becomes clear that she's not just watching the party, but staring at one guy in particular - Vince (Zac Wild) - as he laughs and jokes along with a pretty girl across the room. She looks on with a bit of envy, clearly wishing she could take the place of the girl he's talking to.

Just then, her fixation on him is broken when Janet, the party host and Laura's best friend, gets everybody's attention by flashing her tits. She laughs and says good, now that she's got everybody's attention, it's time to bring some life back into this party - who's up for a game of Seven Minutes In Heaven? Everyone groans and mocks her for such a dumb suggestion. She explains that they're all 18 here so this isn't going to be some lame-ass PG-13 kiss on the lips shit - anything goes as long as both people consent to it. She holds up a fistful of ripped paper scraps and waves them in the air - she's written down everybody's name on the paper - yeah, EVERYBODY she says as a couple of the teens chuckle nervously - and she's going to pull out one guy's name and one girl's name. And they know the rest!

Janet quickly divides the scraps of paper into two hats, and then pulls two strips of paper out of the hat. She announces the two names, Felicia and Brad - Felicia being the girl that Vince was talking to earlier - and the two of them look at each other with nervous smiles and shrugs. Janet tells them the clock is ticking as she starts a stopwatch app on her cell phone and then urges Brad and Felicia upstairs and starting the countdown. 'Have fun, you two lovebirds!' Janet mocks before heading back to the others who have settled back into party mode.

Janet looks around the room and sees Laura sitting by herself, and comes and sits next to her on the stairs. How is she liking the party so far? It's fine, Laura replies. Liar, Janet says. She knows Laura's been moping around staring at Vince all night and hasn't said a word to him. Laura blushes, is it that obvious? Janet says absolutely, she's just lucky that everyone their age is so self-centered that nobody has noticed. Laura ducks her head in her arms and moans, why can't she just talk to him? Janet tells Laura that it's easy, she just has to get up and say hi to him. Men like women that are forward.

After a minute or two of them talking, Felicia bursts out of the connected room. 'Boooo!' Janet says holding up her phone and pointing at it, they still had almost 5 minutes left! Felicia says nonchalantly that Brad was too hairy, it was disgusting, and she returns to the party without looking back. Brad comes back out the room too with an embarrassed shrug and tries to play it off as fine, some girls like a guy with a hairy chest. Felicia jokes that she wasn't talking about his chest, and the rest of the partygoers ooh and laugh at Brad.

Janet gets back up and pulls out the next two pieces of paper. She opens the first one up, and we see it says 'Vince'. She calls out his name and he raises his fists triumphantly, and a couple of his buddies wolf-whistle him in encouragement. Janet opens up the next slip of paper, and we can see the name 'Janet' written on it, but she closes it quickly without anybody else seeing it. 'Laura!' she calls out. Laura looks up, flustered, and says she didn't think she was playing. Janet says of course, she told them that EVERYONE was playing. Laura tries to excuse herself, saying she's fine sitting out, maybe Felicia would want to take her place since she didn't use her full time... but as she's saying this, Vince looks at Laura with a charming smile and tells her he likes the pairing as it is. Laura stutters, and Vince says reassuringly not to worry, he won't bite. C'mon! Laura is wide-eyed and almost speechless, but she nods okay and gets up to follow him into the room. Janet closes the door with a mischievous grin and starts the timer.

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Vince turns to Laura and asks so, where should they start? Laura blushes and says he doesn't have to do anything if he doesn't want to, they can just talk... or even not talk, if he'd rather. Vince asks her why on earth he wouldn't want to do something with her? She's one of the cutest girls in school. Laura looks surprised to hear it, and says that she didn't think he even knew who she was. He's hardly ever talked to her. Vince explains that he didn't want to screw up his chances or give her a bad impression by coming on too strong, she seemed like the type who didn't like rowdy guys, and likes to keep to herself. He was waiting for her to make the first move. Laura blushes and says oh, she had no idea. Vince grins and says he guesses fate must have put them together tonight. Laura tells him she doesn't mind if he comes on her... comes on to her! she corrects herself with embarrassment. Vince smirks and says he could even do both. Laura gasps and giggles nervously. Vince asks if she does really want to JUST talk. Laura shakes her head no, she wants more than that. Good, Vince replies, he does too.

They're still in there! Kyle laughs as he, Janet and perhaps one or two other partygoers huddle around quietly after several minutes of not having heard from the two upstairs. Janet smirks and says she knows, it's already been like ten minutes, things must be going well. Kyle mentions that there's only one way to find out. Janet gets serious, no, hey, Kyle, don't even think about it. Kyle has already started to walk away and says don't worry, he's not going to interrupt them, he's just going to stick his head in for a quick peek. After all, what if he's hurting her or something? Janet tells him that's not funny and Kyle says he's serious, wouldn't Janet rather be safe than sorry? Janet reluctantly admits he has a point. Thank you! Kyle says arrogantly, and creeps upstairs to the door of the bedroom. He opens it quietly and edges his way through the door and into the room.

He sees that Vince and Laura are mid-fucking and stifles a laugh. Oh shit! he says to himself. He watches them fuck for a good solid minute, intrigued and bemused, as Laura is being very vocal, telling Vince don't stop, keep going. Finally, Kyle sneaks back out. 'They're totally fucking!' he says in a loud excited whisper, not just to Janet but to the whole room. Janet looks pissed at Kyle for telling everyone, but several others in the room start to gather towards him to gossip. Is he serious? Vince, with HER? Isn't she a virgin though? and so on. Kyle relishes at being the one to tell them what he saw, how she was practically begging him for his dick. Janet looks increasingly upset, and tries to get them to respect Laura's privacy, but others in the group insist that they want to see too, they won't believe it until they see it. Slowly, people start to gather towards the bedroom, as shy Laura unsuspectingly continues to enjoy her seven minutes in heaven with her crush, unaware of the hell that's about to unleash.

Abella Danger in 'Fool Me Once'

Abella Danger - Fool Me Once

FOOL ME ONCE...
OBSESSED STALKER TEEN LURES UNSUSPECTING CRUSH INTO SEX TRAP

SCENE OPENS on a teen, Kimberly, as she unlocks the door to her house and lets in her companion, a handsome young man, Jamal, only a few years older than her. They are both wearing gym clothes with gym bags slung over their shoulders, and are sipping on smoothies as they engage in lively small talk. They seem to have great chemistry together. Jamal remarks that Kimberly has a really nice place, and she replies that her family is pretty well off so when it came time that she wanted to move out on her own when she turned 18, her parents paid for everything. She jokes that she always gets what she wants, and Jamal suavely asks her what it is she wants right now. 'You'll see,' Kimberly says teasingly. She leads him in to the living room and invites him to get comfortable.

Jamal asks Kimberly how long she's been going to that gym, and she says she joined probably about two months ago? What a coincidence, Jamal says, it's been about two months for him too. He remarks that they seem to have similar schedules too, he jokes that it feels like he's seen her almost every time he's been there. And yet it took him this long to come up and say hi? Kimberly asks with a smirk. Jamal chuckles and says he likes to take things slow but that Kimberly definitely caught his eye right away. Kimberly asks him what about her caught his eye right away? With a laugh and a gesture towards her whole body, Jamal asks besides the obvious? Well, he did actually also happen to notice she was wearing a t-shirt of his favorite band. Kimberly seems surprised, that band is his favorite? It's hers too! They both gush about the band for a bit, and compare some other bands they like as well as listing off other favorites, like favorite foods and colors. Both of them seem excited and shocked to learn how many interests and activities they have in common.

Kimberly mentions it's crazy it took them so long to meet each other with so much in common, and that they should do one of their shared activities together sometime. This encourages Jamal to turn on the charm, and he hints to Kimberly that he bets there's one other activity they could do if she's interested. Kimberly takes the hint and flirts back, saying that he read her mind. That's exactly what she wants, right now. 'And you always get what you want, right?' Jamal asks with a smile as he leans in closer to her. 'You bet I do,' Kimberly replies. Their faces are inches away, and there's a moment of electric tension before they close the gap and start kissing intensely, with tongue. Jamal's hands move over Kimberly's upper body, feeling her up over her clothes as they make out.

After a good half-minute, Kimberly breaks away. She tells him she just wants to freshen up for a second in the bathroom before they go further, and Jamal says no problem. He jokes that she knows where to find him when she gets back. Kimberly laughs and makes her way to the bathroom. Once there, she closes the door and pulls out her phone with a greedy, secretive look on her face.

Kimberly wets her finger with her tongue and slips it down her pants to finger her pussy teasingly for a few seconds as she stares at her phone, pleasuring herself to the voyeuristic pictures she'd taken of Jamal from a previous day. Then she closes the phone and puts it back away, and opens up her bathroom drawer. She pulls out a sterile specimen cup, the seal not yet broken, and hides it discreetly in her hand behind her back. She gives a quick check in the mirror of her appearance, and then leaves the bathroom, turning off the light and closing the door behind her, shutting out the camera as we catch a last glimpse of the specimen cup in her hand.

TITLE PLATE

Kimberly comes back to the couch and says she hopes Jamal wasn't kept waiting too long. Jamal says he likes to take things slow, remember? He'd only ever get with a woman he thinks is worth waiting for. Kimberly remarks that he's quite the gentleman... but she hopes he knows how to be a bit of an animal too. Jamal boasts that he can be as nasty as she wants him to be. Kimberly stealthily tucks the specimen cup behind her back somewhere nearby but out of sight, and then straddles his lap instead of taking her seat back beside him. Her ass sticks out teasingly in this position, and Jamal puts his hands firmly on either side of her ass over her clothes and starts groping her cheeks as they resume making out. Kimberly encourages him to keep being nasty and playfully calls Jamal 'Mr. Williams' , at which point Jamal slows for a second and remarks that he doesn't remember ever telling her his last name, did he? Kimberly lies and says she overheard the greeter at the gym call him that one time, and Jamal believes her.

They continue to kiss and grope each other as Kimberly straddles Jamal. He peels her top off revealing her sports bra, and plays with lowering her pants and tugging teasingly at her thong. Kimberly also lifts Jamal's shirt up and eventually off. As she traces her finger along his facial hair, she remarks that she likes it way better than when he was completely shaven, she finds it way more sexy and distinguished. Jamal chuckles but it quickly turns to nervous laughter, and he takes her hand in his and pulls it back. He hasn't been completely shaven for four months, he says. But she's only seen him for two months. Kimberly casually tries to convince him that no, he definitely was completely shaven at the gym, she remembers he had it when he took that spin class she was in. Yeah, Jamal says, at his old gym. He hasn't taken any classes since he joined the new gym. Right, Kimberly continues as if nothing is wrong, his old gym across the street from his house. He doesn't remember her from there too? Jamal's voice grows more concerned and he says no, he doesn't. But more importantly, how does she know where he lives? Kimberly doesn't have an answer, and Jamal tosses her off his lap and spits out the truth - she's some kind of fucking stalker or something, isn't she?!

Jamal realizes more and more how much Kimberly had fooled him. He gets up to get farther away from her. All that stuff she said they had in common, that was just bullshit, wasn't it, she's just like obsessed with him or some shit. Kimberly gets up too to try to close the distance between them. She swears that no, maybe it's true she hadn't tried most of that stuff before meeting Jamal but once she found out what he liked, she started learning more about it all and she really does love it. Jamal calls her a crazy bitch, she just stalked him and invaded his privacy and then tried to trick him into fucking her. He's getting the hell out of here.

Desperate, Kimberly tells him he can't go. Jamal says 'Watch me,' and pushes past her, snatching up his shirt from the couch. Kimberly hesitates for a moment, but seeing she has no other choice, she blurts out that she'll tell everyone all his secrets if he leaves. He stops, but is reluctant to believe her. What secrets, he asks. 'Gloria' she replies, and Jamal's shocked that she knows about his wife. Also about Sarah, a mistress... Kimberly can tell Gloria all about his weekly trips to the motel at the next PTA meeting for his son...

Jamal keeps from shouting, though it's clear that he's barely holding back his anger. She's fucking crazy, does she know that? Like seriously unhinged. How can she say she loves him, and then threaten to ruin his life? Kimberly insists that Jamal only has two options: making love to her or Gloria finding out all about Sarah. Jamal shakes his head again and mutters another insult about how fucked up this is under his breath, then says 'Let's just get this over with...' He pushes her face-down onto the couch since he doesn't even want to see her face while he does what he has to do.

Jill Kassidy in 'What Happened to My Sister'

Jill Kassidy - What Happened to My Sister

What Happened To My Sister?
BROTHER COMES HOME FROM TRIP TO DISCOVER STEP-SISTER IS FUCKING DAD

SCENE opens inside a taxi cab, as it pulls to a stop. A young man named Rick (Small Hands) stands waiting on the curb, his backpack and a gift bag in hand. He has just arrived home from a trip across the US to 'discover himself,' as his father (Steve Holmes) puts it. He gets inside the cab. After giving the address and setting off, Rick and the driver small talk about his trip along the way: places he went, things he saw, and where he's headed now -- back home to his family before starting a job at his father's company in the fall. The driver makes a joke about having to go home to mom and Rick laughs. No, no mom. It's just his dad, his dad's wife, and his step-sister Josie (Jill Kassidy). He really missed her, and it was just her birthday, so he is excited to give her the gift he found on his travels! The taxi driver says that it's always good to be a big brother while Rick stares off into the distance.

When he enters his home, he is surprised to find it empty. He calls out to his dad, to Deena, his dad's wife, and to Josie. But nobody replies. Mildly concerned, he walks through the house until he starts to hear sounds coming from his father's bedroom. Assuming it's his father and step-mom, he makes a face and turns to leave when, suddenly, he hears his step-sister's voice. 'Daddy .... Daddy please,' she moans from behind the door. Rick freezes. In horror, he slowly opens the door to reveal Josie bent over the bed being penetrated by his father! The father grunts and thrusts as Josie takes him all in, moaning with pleasure and calling him daddy. Rick can't believe what he is seeing ... yet he can't look away. Where is his step-mom? What the fuck is his dad thinking? He spies on them for a few moments, trying to take it all in, when suddenly Josie makes eye contact with him. The step-siblings stare at each other. But, instead of reacting, Josie just keeps getting fucked until Rick feels so uncomfortable that he turns away and storms out of the hallway.

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Rick sits, arms folded, on the couch when his father enters the room. 'Son,' he exclaims, surprised. 'I didn't realize you were coming home today.' He tries to give Rick a big hug, but his son is standoffish. 'Where's Deena?' he asks curtly. His father makes a face, struggling to think of how to respond, when Josie enters the room. Acting normal, she rushes up and hugs her big brother, giving him a kiss on the cheek and saying how much she missed him. Is that gift bag for her?! He pulls away. 'Where's Deena?' he asks again accusingly. Josie and his father exchange knowing looks before his father smiles and pats his son on the shoulder. 'A lot has happened while you were away, son,' he says.'Josie has made a lovely dinner! How about we all sit down and talk about it like a family?'

CUT to Josie putting a bowl of pasta on the table, as Rick's father tries to engage his son in awkward small talk about Deena. Josie takes out some napkins and unfolds one in her step-father's lap, her fingers grazing his crotch, which makes Rick snap. 'Are you fucking kidding me? Sit down!' Josie slumps down meekly while Rick's father bites his lip and struggles to keep calm. He tells his son that, after much consideration, he and Deena have decided to separate. 'Why?' Rick asks. 'Does it have anything to do with the fact you're fucking my little sister?' He yells, standing up. Josie begs him to sit down. 'Josie is your step-sister, Rick,' his father corrects him. Did the father even wait until she was 18? Yes, of course he did. They both agreed to wait until she was a grown woman. They love each other!

Rick looks at his sister and asks how she could betray her own mother like that? How could she destroy their family like that? How could she do this to him? Josie, who has been growing emotional throughout the entire fight, ends up storming out of the room in tears. The men are left alone to stare at each other. Rick's father looks very disappointed. 'Are you happy now, making your sister cry? She and I have chosen to be together. Whether you like it or not, this is our family now!' He storms off too, leaving Rick alone. He can't help but feel guilty for making his sister cry.

CUT to Josie's bedroom. She lays hugging a pillow when Rick knocks on the door and asks to come in. He is holding the gift bag which he gently rests on the dresser. At first, she gives him the cold shoulder, but crumbles as soon as he sits down beside her to apologize. She buries herself in his arms and pleads with him not to be mad at her. It's been a very overwhelming summer and he doesn't know how many times she just wished he had been home to help her through it. Rick asks Josie to explain what's really going on. It seems as if he's come home to a madhouse.

Josie wipes her eyes and tells him that, over the past few months, things between her and her mom have been bad. She kept getting jealous of Josie, especially the way his father looked at her. She began to accuse Josie of being flirtatious and trying to steal her man. Finally, it got to a point where Josie was so angry, she decided to just do it. To prove a point. Rick's father has always been pushover, it didn't take much to get his dick out. Then one day, Deena walked in on them having sex. It was a joke. 'But Deena didn't take it as a joke, did she?' Rick asks. Josie shakes her head. 'I thought it'd be funny! I didn't think she'd actually leave us,' she replies. 'It doesn't sound very funny to me,' Rick says as he puts his head in his hands. 'So, are you in love with my dad?' He asks. She shrugs. 'I mean, I love him. He's like my dad too.' She nudges closer to her step-brother. 'But I really just want to stay here so I can be close to you!'

They look at each other, their lips inches apart. Rick shakes his head and tells her that he is feeling very fucked up. Although he feels betrayed, with the way she gazes at him pleadingly, something wells up inside of Rick. He finally jumps her, unable to contain his feelings for her any longer -- no matter how angry he is.

India Summer in 'To Catch a Cheater'

India Summer - To Catch a Cheater

To Catch A Cheater
Cheating Wife Is Catfished & Exploited Into Sex By Her Husband's Son

SCENE OPENS on the interior of a car, where loving husband Joe in the driver's seat has just pulled to a stop and put on his blinkers. He leans his arm casually against the window-frame, his wedding ring noticeable on his propped-up hand, and he turns to look lovingly at his wife in the passenger's seat. Vanessa (India Summer) has pulled down the passenger's visor and is applying a retouch of her make-up using the visor mirror, but shoots a glance and a smile at her husband as he turns to look at her. Joe asks if she's sure she doesn't want him to drive her the rest of the way, he really doesn't mind. Vanessa says 'Oh, no, honey! That's so sweet, but you have a lot of work to get done. I'll be OK, it's just a few more blocks to walk from here.'  Vanessa finishes applying her makeup but is still fixated on the mirror, flouncing her hair to look just right. In any case, she says, she doesn't know how long this meeting is going to last so he probably shouldn't wait up for her. He should go out for a bit, have some fun with the boys. Joe is disappointed, saying that his son, Danny, is coming for dinner that night. Vanessa gasps, saying that she can't believe she's going to miss Danny again! Joe sighs and says it's okay and that she'll just have to meet him next time.

Joe leans over for a kiss after wishing her good luck for the day, but she steps out of the car without acknowledging him. From a wide flat perspective outside the passenger's side of the car, we see Vanessa step out of the car and close the door. Elegant and purposeful, she slowly walks towards the camera. As the car pulls away, Vanessa looks back for a moment, then forward again, looking straight towards (or past) the camera. With a subtle smile, she continues walking, and as she gets closer we clearly see her hold her hand out in front of her and remove her wedding ring from her finger.

CUT TO TITLE PLATE

Vanessa arrives at a house entranceway and rings the bell. A young male teenager (Dustin Daring) answers the door. She looks him up and down, and says 'You must be Danny,' before nonchalantly walking past him into the house. He closes the door behind him, then takes a picture with her since his friends would never believe he's getting with such a hot piece. She asks if he's 18, and he says yes - he points back out of the room and says he can show her his license if she doesn't believe him. She says no, it's fine, she believes him. She stands in the hallway but with a nosey curiosity starts looking around through the open areas of the house. She says it's a pretty nice place, and asks if it's his parents' house. The teen says no, he doesn't live with his parents, he's renting it with some roommates. They're not home right now.

'So what do I call you?' Danny asks. She tells him he doesn't need to call her anything, they're just here to have some fun and then she'll never see him again. They go into his bedroom and she pushes him to the bed. She begins taking off her heels and he asks if it's the first time she ever used the dating site. He says that it is for him, though his buddy uses the website and ended up with a married woman! She's not married, is she? Vanessa says that it's complicated. Danny is worried about what her husband will think. She says he doesn't know about it, it's better for a marriage to have a couple of secrets. The teen corrects her, better for her, she means.

She rolls her eyes, what does he care? He's the one fucking a married woman, so he can cool it with the ethics lesson. Is he going to fuck her or not? 'Oh, I'm going to fuck you, Vanessa,' Danny says while taking off his shirt. Vanessa is shocked as she sees a family picture of Danny and Joe on the shelf, putting two and two together. She tells Danny that this isn't what it seems and that he can't possibly understand! Danny tells her that he's going to send the picture of them to his dad so that he can see how big of a whore she is, going around to young strange men's houses discreetly behind his back.

Vanessa tries to bargain with and seduce him, telling Danny that she sees what this is -- he just wants to fuck his step-mother. He tells her that she's pathetic, but that she'd better get down on her knees and suck his dick. Vanessa, never wanting that picture to see the light of day, slowly sinks down to her knees as the cougar becomes prey to the catfish.

Valentina Nappi in 'The Housemaid's Tale'

Valentina Nappi - The Housemaid's Tale

THE HOUSEMAID'S TALE
WEALTHY MAN INTIMIDATES HIS EUROPEAN MAID INTO CLEANING FOR HIM IN THE NUDE

A wealthy man (Charles Dera) comes down the stairs of his house and turns the corner into the living room. He is distracted by his phone, and without looking, he accidentally bumps into a woman (Valentina Nappi), a housemaid who was cleaning in the room. He apologizes, and remarks that she must be the new maid the cleaning company sent over. She responds yes, with a noticeable accent but her english is otherwise quite good. He welcomes her to the payroll, and she replies 'Thank you, Mr. Bradley' in a polite and respectful tone. He tells her there's no need to be so formal, please call him Trent. He asks her for her name -- he's clearly into her. She introduces herself as Rosa. As he listens he notices her accent more, and asks her where she's from. She replies that she's Italian. 'Ah, Italian!' he exclaims, and boasts that he speaks a little Italian himself. He recites a small phrase in French, and Rosa nervously responds that she doesn't know French. Trent dismisses his blunder, then boasts that he travels a lot for work and he's been all over the world. He asks if she likes to travel and she says that she'd never been out of Italy until she moved here a few months ago, her family didn't have much money growing up and since coming to the States she's been cleaning houses for a living and sending some of her wages back to them when she can afford to. Trent misses the point, and tells her that she's missing out if she's never traveled for fun, getting uncomfortably close to Rosa. It's clear that she's unhappy with his close proximity, but he either doesn't notice or doesn't care.

Trent seems emboldened by what he mistakes as Rosa being friendly instead of just polite. He asks her if she's ever been to one of the local Italian restaurants, a fancy-sounding one. Rosa gives a strained smile at his tone-deaf question and says no, she hasn't. Trent was clearly expecting this answer, and says that's perfect, he can take her there sometime! There's no better five-star restaurant in the area, he knows the head chef personally. Rosa interrupts him and tells him she's flattered, but she makes it a policy not to date clients. Trent's smile wavers, and he starts chuckling to himself out of embarrassment. 'Oh what, you thought I was asking you out on a date?' he laughs, and then in a bit of a more petty tone, he says 'You must think I'm some kind of fucking loser to pay my maid to go on a date with me.' Rosa starts to apologize, she thought- 'Yeah, I know what you thought,' Trent interrupts, and his rude tone gradually gets worse as he starts to rant at her. 'Let me tell you, I do just fine. I've dated supermodels, I've dated fucking pop stars, trust me, I don't need to be hitting on my fucking maid, OK?'

As her boss gets more and more riled up, Rosa tries to calm him down. Finally she admits he's right, she's so sorry, and to make him feel better about himself she lies and says she must have misunderstood, english isn't her first language after all, she sometimes misunderstands things. The fact she acted like he was right seems to cool Trent down, and he starts to treat her nicely again, patronizing her even. Oh, of course, how silly of him, apology accepted. Sometimes he forgets who he's talking to, but he didn't mean to be so insensitive. He'll try to speak a bit slower from now on so she can understand better. Reluctantly, Rosa says thank you, and he says he'll leave her to her work then. He walks past her and gives her a pat on the shoulder, not noticing that she flinches slightly at his touch. He keeps walking away from the camera and out of focus, as Rosa stands there looking shaken.

TITLE PLATE

CUT TO days later, Rosa is on her knees scrubbing the floor with a sponge or rag, and wearing rubber cleaning gloves. She is wearing a nicer outfit than the previous encounter, one that accents her curves nicely and reveals a bit of her legs and cleavage, though it still looks on the plain, sensible and affordable side. She's wearing a cleaning apron to keep the clothes relatively clean. Trent comes down the stairs and quietly approaches nearer to her, with the camera following his male gaze POV as he watches her with voyeuristic intent.

After a long moment of watching her silently, Trent says what a nice dress she's wearing. Rosa is startled for a moment, then sighs in relief. 'I didn't see you standing there, Mr. Bradley!' she scolds him with a nervous laugh. He apologizes for scaring her, and says he hopes she's not still on edge from what happened the other day. Rosa, clearly lying, says no, of course not, he's the customer and it's her job to keep him happy. Trent, oblivious, says that's good and he's glad they were able to work things out. He watches for a few more moments and then compliments her on the dress. She looks up at him with a smile and says thanks, does he like it? She's wearing it for someone special. Trent raises his eyebrows, grins, and says 'Are you, now,' thinking she meant him. Rosa says yes as she turns her attention back to scrubbing, and continues saying she has something very special planned for the night. Trent asks her to go on, and she seems to warm up to him a bit since his apology and becomes a bit more talkative. She tells him she's planning a romantic candlelit dinner, followed by a delicious dessert... although if all goes according to plan, 'we won't make it to dessert!' She lets out a hearty laugh. Trent remarks that that's very forward of her to say. Rosa looks back at him with a wink and says that she's Italian, passion runs in her blood. She and Trent continue to talk about her planned special night, with him still thinking it's him she's talking about. She asks if she can leave an hour early to get ready and he agrees.

Rosa thanks him graciously as she starts to collect her supplies from around the floor, and says that her boyfriend is going to be so surprised. Mr. Bradley's face cracks, her boyfriend? Rosa says yes, her boyfriend, for their three month anniversary, didn't she say so earlier? Mr. Bradley gets up slowly and starts to walk towards her with a heavy step. No, he says angrily, she didn't say so earlier. Rosa starts to say oh, well who else did he think she was referring to? But before she can finish, Trent interrupts her in a raised voice. 'I'm not paying you to run off and fuck your fucking boyfriend!' he shouts. He continues, talking about how she's prancing around in the dress, trying to turn him on, and now she's going to reject him to go fuck her boyfriend? And she wants him to pay for it? All it takes is one phone call from him and she'll be deported so fast. Trent stomps past her and kicks the bucket of water next to her, causing it to spill onto the floor. There, he says without looking back at her, there's some work to do, she can clean that up.

The next day, Rosa arrives at the house and is surprised to be met by Trent upon arrival. She remarks nervously that she didn't expect him home this morning, usually he's in the office until much later. How was her date? Trent asks. Rosa says nervously that it was fine, but doesn't elaborate. Trent looks her up and down, seeing she's wearing very plain clothes. He remarks that she's not all dressed up today, in fact pretty much the opposite. Rosa replies that these clothes seemed more work-appropriate. Trent tells her he disagrees - he liked it when he could see a bit of skin. In fact, he wants to see a lot more. He wants her to strip naked and clean his house in the nude today. Rosa spins around, clutching her supplies in shock. He wants what? Trent says, 'You don't want all that money to stop going to your parents, do you?' She's worried and says that he wouldn't do that, and he says, 'You can try me!' He then tells her that he just wants to help her and her family... Looking sad and humiliated, Rosa reluctantly says 'fine' and starts stripping out of her clothing, throwing them onto the floor in what little protest she can give.

As she strips, Trent stares with great interest. When she's finally naked, he instructs her to start cleaning. She begins scrubbing down the sink and he tells her she missed a spot, and another spot, and another...

Rosa turns and see that Trent has his cock out. She recoils, saying that this has gone too far while Trent says it's only just started. As he undresses, he tells her that it'd be a shame if she had to fly away, never to see her boyfriend again... Does she understand the words that are coming out of his mouth? So she knows what she has to do. Rosa's hesitant but finally goes down on her knees with a defeated, 'fine.'

Penny Pax in 'Future Darkly: The Love Hotel'

Penny Pax - Future Darkly: The Love Hotel

THE LOVE HOTEL
ROBOT SELF-DESTRUCTS AFTER A NIGHT OF SEX WITH HER CLIENTS

SCENE opens on a dark bathroom. From a birds-eye angle over the tub, the lights in the room turn on as a woman known only as unit #30562 (Emily Willis) floats in the milky bath water. She opens her eyes, calmly getting out of the tub and drying herself off. She has a perfectly proportioned body. She walks over to a large mirror and, pressing her fingertips in the lower right corner, causes the mirror to illuminate before it turns into a smart screen. A message pops up, thanking unit #30562 for signing in. 'Are you ready for your next shift?' The mirror asks in a soft female voice. #30562 says yes and the screen loads her itinerary for the evening. It explains that her first guest will be a returning client: John Doe, 57 years old, solar sales manager, 6'0'' tall, 165 lbs, brown hair, blue eyes. His kinks include school girls, anal sex, ass worship, rimming, ATM. Past crypto tips include 8000 tokens: extra rough, 10000 tokens: novelty take home, and 500 tokens: kissing on the mouth. Accept client? 'Accepted,' says #30562. As the smart screen processes the order and a confirmation appears, the door buzzes.

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#30562 opens the door and John Doe (Steve Holmes) enters, breezing into the room in a silver bomber jacket and matching wraparound mirrored glasses. He looks her up and down lustfully before pulling out a card and inserting it into the reader. A hologram screen pops up and confirms that the tokens have been accepted. #30562 takes a deep breath, puts on a big smile, and guides John over to the bed. She bends over, and he buries his face in her perfect ass, before sliding his cock inside her tight hole. After he pulls out and cums on her ass, she asks if he would like to kiss and he eagerly agrees. The room flashes green and replies to confirm the extra gratuity. They make out for a few moments before John Doe happily puts his clothes back on and leaves the room.

#30562 goes back to the mirror and stares at herself for a moment, emotionless. She presses the tips of her fingers against the glass and the smart screen wakes up. It explains that her next guest is also a returning client: Richard Roe, 30 years old, space tourism guide, 5'10'' tall, 170 lbs, auburn hair, blue eyes. Kinks include rough sex, breath play, collaring, fisting, and golden showers. Note from management: client is limited to rough sex after last session resulted in damages. Accept client? 'Accepted,' says #30562. As the smart screen processes the order and a confirmation appears, she stares at herself blankly and the door buzzes.

CUT to the door opening. Richard (Charles Dera) enters briskly. He backs #30562 in a corner and places his hand around her throat, his lips curling up in a sneer to reveal shiny gold teeth. 'Remember me?' He growls. She smiles and advises him to scan his card. The man backs off slowly, places his card into the reader, and a hologram screen pops up to confirm his tokens have been accepted. #30562 takes a deep breath and walks over to him. He hoists her over his shoulder and goes to the bed. Throwing her onto the bed, he licks her tight pussy, getting it nice and wet before he fucks her hard. At a certain point, he is about to pee on her when the room flashes red and reminds him that this activity has been blocked. Frustrated, he shoves his dick back in #30562's pussy and keeps fucking her till he pulls out and cums on her face. While the woman catches her breath and wipes the cum from her eyes, Richard gathers his things and leaves without a word.

When #30562 stands up, she finds herself very dizzy. The room beeps red and instructs her to return to her charging station. She crawls to a corner of the room and stands on a white platform to recharge. As soon as her feet plant on top of the station, she becomes still while her body powers up.

CUT to an hour later. #30562 is still charging, eyes closed, when the door buzzes. She opens her eyes and steps off the platform, walking to the mirror in the bathroom to accept the next client but discovers the screen is off. The room buzzes again. #30562 goes and opens the door anyway. A naked woman (Penny Pax) steps inside, clutching a holographic bag. #30562 has never seen another woman before and she is awestruck. 'Please scan your card here...' she says to the woman. The woman looks at her for a long time and feels #30562's face, trying to hold back tears, before reaching into her bag and pulling out a coin. 'Is this accepted?' She begs. #30562 takes the coin into her hand and stares at it. She's never seen anything like it before. She places it on the counter beside the card reader. 'What would you like to do to me this evening?' She asks the woman. Biting her lip and trying to contain her nervous energy, the woman reaches back into her bag and pulls out a shiny silver dildo. 'I want you to fuck me as hard as you can.' She says. #30562 takes the dildo and puts on a big smile, leading the woman to the bed. Unit #30562 may be programmed to please, but this latest client of The Love Hotel is not who she seems, and by the time she's done with #30562, the sexbot's world will never be the same.

Sarah Vandella in 'Birthday Surprise'

Sarah Vandella - Birthday Surprise

BIRTHDAY SURPRISE
DEVASTATED BIRTHDAY GIRL LEARNS FROM FAMILY THEY'RE NOT HER BIRTH PARENTS

SCENE OPENS on Penelope (River Fox) brushing her hair and staring off while overhearing her parents, Debra (Sarah Vandella) and Frank (Tommy Gunn), arguing in the kitchen. Debra and Frank are in a heated argument. 'What did you THINK was going to happen? That she was going to get on her knees and suck your dick right there in front of the birthday cake?' Debra exclaims to Frank, who looks abashed. What was going to happen to their plans of raising and preparing Penelope so that they could turn her into a sex slave when she was 18? When was it going to be THEIR time to have some fun?

There's a flashback to a tracking shot from over the shoulders of Debra and Frank as they carry a birthday cake with numbered candles from the kitchen into the living room where Penelope is sitting in the center of couch with her hands on her lap and a cute, innocent smile on her face. Debra and Frank sing Happy Birthday as they carry the cake forward. They ceremoniously place the cake down on the coffee table in front of Penelope just as they reach the last notes of the song.

There's another flashback to the present day where Debra's telling Penelope that they've been trying to have a baby for YEARS and had four miscarriages. Adoption WAS an option but with Frank's record and their poor finances, it wasn't feasible. The hospital was so big and they were sure no one would miss Penelope... They just wanted a baby of their own so badly...

Penelope stops brushing her hair and grins slightly to herself as her parents' words echo in her head.

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Penelope moves to the kitchen, asking if she's interrupting anything. Debra insists that there was just something on Frank's shirt. Penelope tells them that she overheard everything and now knows what they've been planning to do to her this whole time -- they just wanted to use her for sex!

Instead of being disgusted, Penelope saunters forward and rubs the front of Frank's pants while addressing Debra, 'You've been taking THIS the whole time, Mommy?' gesturing to his big dick. Penelope then moves to Debra and rubs her breasts, saying, 'You've been sucking on THESE the whole time, Daddy?' Penelope looks seductively between them, then insists that they BOTH show her how it's done...


Jane Wilde in 'Call Waiting'

Jane Wilde - Call Waiting

CALL WAITING
BABYSITTER TEEN LIES TO BOYFRIEND OVER PHONE WHILE CHEATING ON HIM WITH CLIENT'S SON

SCENE OPENS on a teen girl Bianca (Jane Wilde) in a kitchen with her cell phone to her ear. She's chatting with her boyfriend Ethan. She is giggling wildly and gasping at the outrageous things he's saying on the other end of the line, which seem like provocative sexual advances. Bianca clearly loves the chase and is playing hard to get, telling him playfully to stop, he's so bad, she isn't even at her own house! He says he doesn't care but she remarks that he's just saying that now because he's horny. 'Am I horny too?' she repeats his question, and teasingly answers maaaaaybe a little, with an innocent grin as she moves into the living room and slips off her skirt, revealing her tiny thong and tight ass. She assures Ethan it's fine, the family she's babysitting for aren't due back for hours, she can be as loud as she wants. 'Oh yeah? I bet you are!' she responds to an unheard statement. She lies down on a living room chair and starts lightly tugging at the crotch of her panties, loosening them around her body. Her fingers push aside the loose fabric to reveal a glimpse of her pussy. Her fingers hover over it in anticipation. Bianca starts moaning a bit and says 'Yeah, I want you to do everything to me baby...' and slips off her panties, gently pushing a finger in with a light gasp. She dirty talks with her boyfriend over the phone as she rubs her wet pussy. Soon, things get more intense, and just as she's about to cum a young man, Seth (Jessy Jones), rounds the corner into the room and swears in surprise, demanding to know what the fuck is going on. Bianca gasps and swears loudly in surprise, and scrambles to cover herself. In a panicked voice she tells her boyfriend she'll have to call him back and hangs up suddenly.

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She tosses the phone down and scrambles to pull up her panties and cover herself. She begins to try to apologize and explain herself, how she didn't think anybody else would be home, while at the same time Seth shouts over her what the fuck does she think she's doing, this is someone else's house. The sounds of their argument start to get drowned out as the camera pans away from them slowly and narrows in on the phone. We see on the phone display three texts are received in a row at rapid speed - 'Babe, what happened?' / 'What's going on?' / and finally 'u ok?! Call me.' As she hastily puts her panties back on, Bianca asks him what he's doing there. Does he live here or something? Seth explains that this is his dad's house, he's in college now but he comes back to crash for a weekend once in a while. But he shouldn't have to explain himself to some sixteen-year-old brat who he just caught fingerbanging herself in his parents' living room, he says angrily, tossing Bianca her shorts. Bianca huffs up and says she's 19 years old. Seth says that if that's true then she's old enough that she should know better. He tells her to get the fuck out of here. Bianca asks him to wait, and begs him not to tell his parents about this. Seth laughs in disbelief and asks why shouldn't he? Bianca says that word travels fast in the neighborhood. Her reputation would be ruined, not just as a babysitter but at school too. Her parents could even find out. Her life would be over!

Seth says that she should have thought of that before her little phone sex hotline action. Bianca protests - it wasn't a phone sex hotline, it was her boyfriend and they love each other. Seth can't help but laugh. Bianca asks what's so funny, and Seth says he can't tell whether it's cute or disturbing how naive she sounds right now. She's not even 20 and she's talking like she found her soulmate for life. Newsflash, it's only a matter of time before the two of them break up. Bianca is insistent, they DO love each other and Seth doesn't even know her, he has no idea what he's talking about. Seth perks up and says he can prove it. He'll make her a deal - he'll promise not to tell his parents what he caught her doing if she has sex with him.

Bianca is shocked and insulted, how could he ask her to have sex with him?! He's being disgusting! Seth shrugs and says that it's ok, they can just see what her parents and her friends think of her little indiscretion. Bianca thinks for a moment, and realizing what's at stake, takes in a deep sigh and says 'fine, but make it quick' before swearing under her breath and kneeling in front of him. He pulls out his massive dick from his boxers and tells Bianca to look him in the eyes as she starts to suck it. She sucks on his cock, desperate to make sure that he won't tell anyone. He leans in to kiss and Bianca refuses, saying that she may be doing this but she still loves her boyfriend and won't kiss Seth. Seth reminds Bianca about the bargain and that he could just as easily stop right here and tell everyone the truth. Bianca stares daggers at Seth but eventually relents and lets him kiss her. As Bianca gags on his hard dick, she gets a text and pulls away from Seth to answer it. Seeing that it's her boyfriend, she swears loudly. Seth doesn't give a fuck, and pulls her head back towards his dick, telling her that she needs to suck better than that or he'll answer it. But her boyfriend just keeps calling, and eventually Bianca has to answer it or he'll get suspicious. Committing the ultimate betrayal, Bianca lets another man spread his seed inside her as she dirty-talks her unsuspecting boyfriend over the phone.

Gracie May Green in 'The Hitchhiker'

Gracie May Green - The Hitchhiker

THE HITCHHIKER
COUPLE PICK UP NAIVE TEEN ON THE ROAD AND REVENGE FUCK HER

SCENE opens on a car as it speeds down a desolate road. The sun is blazing. Classical music is blaring. Inside the car, Gloria and her husband, Markus, are driving home after a business meeting. From their attire, you can tell that the couple are successful, but things do not seem particularly harmonious in the car. Markus sits silently, gazing out the window, while Gloria obsessively dissects the potential deal they just negotiated. She turns off the stereo when it clear he isn't listening. 'The client is almost convinced,' she continues. 'He just needs a little push.' Markus says nothing. 'Maybe next time,' Gloria adds, glancing at him sideways. 'I should just go on my own!' Again, her husband doesn't respond.

Up ahead, they notice a teen girl standing on the side of the road. She has her thumb sticking out and a small suitcase by her feet. Awkward and gangly, the girl seems very out of place, looking nervously at the car as it approaches. 'We should give her a ride,' Markus says suddenly, speaking for the first time. Gloria looks at him like he's crazy. 'Are you kidding me?' She scoffs. 'You know we need to get home and work on this deal. We don't have time for this now!' Markus takes a deep breath before turning to face his irritated wife. 'I want to give her a ride,' he says again sternly. Rolling her eyes, Gloria relents and pulls over.

Markus rolls down his window and the nervous girl peers inside at them. 'Would you like to ride with us?' He asks. She glances past him at Gloria, who is trying to conceal her irritation. 'It's ok sweetie,' she says. 'We're not going to bite. My husband just wants to give you a ride ... so please ... get in if you're going to get in, ok?' The girl nods nervously and walks around to get in the backseat. As she does this, Markus unbuckles his own seat belt and starts to get out of the car. 'What are you doing?' Gloria whispers, grabbing his arm. Markus stares at her coldly. 'I'm going to sit with her,' he replies before storming out and slamming the car door.

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The trio drive silently, as Gloria fumes in the front seat while Markus sits back with the girl, staring at her lustfully. She seems aware of this and very awkward. 'What's your name?' He asks. She tells them it's Andi. Well, Andrea ... but all her friends call her Andi. 'How old are you, Andi?' Gloria asks, checking the rear view to keep an eye on her husband. She tells them she is 19. Gloria shakes her head. This one is young. Markus starts to casually rub Andi's thigh, as he asks her more questions about where she is headed. She tells them she is from Oregon. She's going to a music festival in San Diego. But she missed the bus and all her friends left already. She's almost made it there herself hitchhiking. It's the most rebellious thing she's ever done! The couple exchange glances, as Gloria tries to silently sway her husband from pushing things further. 'You both look really dressed up,' Andi says, squirming. 'Are you going to a party or something?' Gloria coldly responds that they are business partners. They just came from an important meeting. 'Oh, I thought you were a couple,' Andi mutters. Gloria rolls her eyes again. 'We are,' she replies. Markus inches himself closer to the nervous teen. ''We'll take you as far as our house,' he whispers in her ear. Her eyes darting back and forth between him and the angry woman in the front seat, Andi nods nervously. 'That would be really super,' she says.

CUT to the car pulling into the driveway of their estate. Gloria storms out of the car first, her heels stomping on the ground as she goes inside the house. Markus follows, leading Andi out by the hand. 'You can come in,' he says. 'To eat and relax.' Andi hesitates, trying to wriggle out of Markus' hand. She tells him that he's been very kind. But, she should probably find another ride before it gets too dark. Besides, his wife doesn't seem very happy that she's here. 'My wife is fine,' he says. 'We do this all the time.' Keeping a firm grip on her, he leads her into the house.

Gloria is nowhere to be seen when they enter, so Markus invites Andi to sit on the couch. He stares at her for a few minutes in uncomfortable silence before asking if she would like a beverage. She tells him she is too young to consume alcohol. 'He's European,' Gloria says, suddenly storming back into the room. 'So, he doesn't really understand what you're saying half the time!' She has changed from her business suit into something much more revealing and Andi can't help but stare at her. 'I'm surprised you're both not naked yet,' she says as she sits down beside them. Markus smiles. 'You know I like that lingerie,' he says. Gloria spreads her legs. 'Well, if this is going to be a competition, then I'm going to give you a competition.' Andi looks at them both in shock. Who did she accept a ride from? Markus starts to undo his tie eagerly, laughing. Andi tries to slide between them to leave, but Gloria pushes her back down. 'My husband likes you,' she says. 'And I can tell that you're a little slut who likes him back, right?' Andi is speechless. 'I ... I don't know what know gave you that impression,' she stammers. Meanwhile, Gloria helps Markus take off his pants and expose his hard dick, while continuing to chastise the teenager. 'It's ok sweetie, you can look at it. It's big ... that's why I married him in the first place,' Gloria barks. She tries to push Andi towards her husband's dick, urging her to just go ahead and start sucking so she can see what's she's up against.

Andi protests and tries to gather her things. 'I think it's best if I just leave,' she says starting to walk away. Markus groans in protest, as Gloria blocks her at the door. 'So, you want to negotiate with us?' She demands. Andi, embarrassed and in shock, tells the woman that there must be some misunderstanding. She is just trying to get to San Diego. She doesn't want to intrude any further. She feels bad for causing them to fight. Gloria laughs. 'Oh, we're not fighting,' she replies. 'This is just what we do. My husband likes to pick up stupid little whores off the side of the road and fuck them in front of me ... so I can come in and fuck them even harder to remind him who the queen is!' Andi, very intimidated by the angry woman, tells her that she is sorry again. 'So, what do you want ... money?' Gloria continues to negotiate. Andi tells her no. 'You don't want some money?' Markus chimes in. 'No,' Andi mutters again. Gloria laughs, motioning to Markus to get his wallet. 'How much is it going to take?' She says. 'I don't like playing games.' Andi shakes her head in confusion. 'I just want to get back on the road,' she pleads. Gloria motions to her husband to grab his car keys instead. 'Ok sweetie, so how about you suck my husband's dick for a minute or two and then let me play with you and you can take this car and drive yourself to San Diego.' Markus puts the keys in her hand and smirks. 'Please!' He says, grabbing his dick and motioning at her. 'You are actually going to give me your car?' Andi asks, overwhelmed. Gloria nods. 'Do we have a deal?' She barks. Andi bites her lip in hesitation, looking at the feuding couple. Gloria reminds her that it will only be a few minutes. It will be over before she knows it. She just needs to be a good little slut for them. 'You promise you'll let me go after?' Andi asks. 'You have the keys, don't you?' Gloria whispers, inches from the girl's face like a serpent. 'Ok ... I guess I'll do it,' Andi says. As soon as she has consented, Markus drops her to her knees and pushes his dick in her mouth, looking up at his wife eagerly.

Emily Willis in 'Daughter Slut-Shaming'

Emily Willis - Daughter Slut-Shaming

DAUGHTER SLUT-SHAMING
FATHER DISCIPLINES BRATTY STEP-DAUGHTER FOR HAVING SEX WITH STRANGERS

SCENE OPENS on a vestibule in the early hours of the morning, where 18-year-old teen Veronica (Emily Willis) is trying not to make any noise as she sneaks through the door. After a night of partying, evident by her slightly disheveled look and party clothes, the teen is being careful not to wake her dad. She holds her heels in her hands to make less noise, and starts tiptoeing into the hallway. She makes her way into the kitchen, where she grabs some headache pills for her already developing hangover. Rounding the corner, she's shocked to see her stepfather Hugo (Steve Holmes), holding a cup of coffee. He has a stern look on his face and a rigid posture. Veronica is embarrassed to have gotten caught but tries to play things cool -- 'hi daddy,' she says sweetly, 'uhh, how long have you been up?' He says long enough to see that she didn't rest in her bed last night. She tells him that she was studying at a friend's house and slept over. Skeptical, he picks up the bottle of pills, saying that apparently math gives her a headache. Veronica sticks to her story, but Hugo isn't having it, and slams the pill bottle onto the counter angrily as he demands to know what's going on. Reluctantly, Veronica admits that she was out late at a party.

Uncomfortably, clearly not eager to say what she has to say next, she says that she needs a ride to the pharmacy. He asks what for. She winces. She confesses she needs to buy some morning-after pills -- she got a little wild at the party today. Hugo takes a deep breath, trying to keep his cool. Who was the boy? Veronica is very nervous, and admits she doesn't exactly know... some guy at the party, she didn't get his name. Hugo looks furious, and starts yelling at her - she lost her virginity at a party to a complete stranger?! That's incredibly irresponsible! Veronica begrudgingly corrects him, 'well.... not exactly... I sort of... well, I didn't lose my virginity tonight, that is.' Hugo looks at her stone-faced and incredulous. 'How many times have you had sex?!' he asks. She turns her head and doesn't answer. He grabs her by the wrist and insists she looks him in the eye. 'How many guys have you slept with?!' he repeats. Humiliated and close to tears, she reluctantly meets her step-father's glare. 'I've sort of... lost count.' Something snaps inside Hugo. He takes a deep long angry breath through his nose, and then exhales. He grips Veronica's throat and starts walking away, pulling her along with him. She resists being pulled -- 'what are you going to do to me, daddy?!' she cries out. Throwing her onto the living room couch, he leans in menacingly. 'I'm going to treat my step-daughter like the slut she is.'

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Standing above her, he looks her up and down for a moment. He tells her that she's been acting like a brat so he's going to treat her like one, and discipline her just like when she would act bratty when she was younger. He asks patronizingly if she remembers what that means. 'You want to SPANK me?!' she says in alarm, shrinking from his angry glare. She's 18 years old now, she pleads, he can't do that anymore, she's an adult. It's weird. It's GROSS. Hugo argues back, she certainly isn't acting like an adult. She's acting like a brat who needs to be taught a lesson. If she wants to live under his roof, she has to abide by his rules. She does want to keep living under his roof, right? Reluctantly, she says yes. She doesn't want to be kicked out, right? Begrudgingly, she answers back no. Then she's going to do what he says, right? Through gritted teeth and holding back tears, she says yes, she'll do whatever he says.

He tells her to take off her pants, it's time for her punishment. He instructs her to turn around. She does, and we watch from a male gaze POV as she takes off her pants slowly and reluctantly. She looks back at him with a betrayed look before also taking her panties off slowly. She stands there for a moment uncomfortably. Finally, he coldly instructs her to come bend over on daddy's lap.Lying across her step-father's lap, ass up in the air, Veronica winces and braces herself for the spanking. Hugo starts first by taunting her, rubbing his palm in circles across the circumference of her ass for several seconds, before starting off with a sharp smack. Veronica lets out a yelp from the pain. He rubs more circles with his palm before slapping the other cheek once as well. Incredulous at the size of her skimpy panties, he rips them off and proceeds to mercilessly spank his daughter while she begs for his forgiveness. He is cruel and taunting, insulting her while expressing his disappointment in her. He tells her that her mom would be appalled if she was still with them. He tells her that he didn't raise his daughter to be a disgusting slut and demands to know how many men she's fucked, spanking her ass hard for every man she's been with.

As he spanks her furiously, Hugo spreads her ass cheeks and repositions her legs to get better views of her pussy and asshole on his lap. At this point she feels something hard pressing into her body, and squeals with disgust 'Ew, are you hard right now, dad?!' She struggles on his lap and protests that it's sick that he's getting hard from spanking his own daughter. He hasn't gotten laid since her mother died, and he could use a warm hole. Hugo tells his step-daughter that she's going to be his warm hole now, whipping out his hard dick. Veronica is shocked -- no fucking way! He's taking it too far, it's disgusting. Hugo points out that just earlier, she was asking him to treat her as an adult. What could be more adult than fucking? She starts to protest, but he reminds her that she should think twice about standing up to him if she still wants a home to come back to after her nights of partying. Hurt and reluctant, she asks what she has to do, and begrudgingly agrees to do it. Veronica's about to find out that her stepfather is just getting started shaming his slut daughter.

Domenic Kane in 'The Watcher'

Domenic Kane - The Watcher

THE WATCHER
CREEPY VOYEUR SPIES ON YOUNG COUPLE AND FOLLOWS THEM HOME

SCENE opens on an establishing shot of a broken-down shed. It is early morning. Cut to inside. A homeless man's legs stick out from underneath a tarp as he lays huddled on the dirt floor, surrounded by garbage and old food containers. From a dirty POV, we watch him lift off the tarp and sit up to see the sunlight streaming through the cracks in the door. His face is hidden by his hooded sweatshirt, but he is a tall, intimidating figure. He rummages through his garbage before picking up an old tattered porno mag and, with a groan, opening its sticky pages.

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Several hours later. The man, still shrouded in his hoodie, leans up against a curb begging for money. People pass him by without any notice.

JUMP CUT to a close-up of the man's dirty shoes as he staggers down the roadside, panning up to reveal him holding a tall can wrapped in a brown bag. He comes upon the entrance of a park. From a dirty POV, we watch him look around before deciding to venture inside.

JUMP CUT to the man walking through a secluded, woody area at the back of the park. He has come here to look through more of his magazine. As he settles down by the parameter fence, he hears a woman laughing and pauses. From a dirty POV, we watch as he cautiously stands back up and creeps towards the sound of the woman. Through the clearing, A couple have laid out a blanket underneath some trees and are making out. Jenny, the woman, giggles and play fights with Paul, her boyfriend, who is trying to affectionately get her clothes off. The man watches and listens, as their small talk reveals the pair are a recent couple out on a date. They are both college students. Paul wants to have sex while Jenny is nervous. She doesn't want to do it in public and get caught. He tells her to chill out, no one ever comes to the back of the park. 'Besides, we are both over twenty-one,' he adds. 'And it would only be a misdemeanor ... so isn't it worth the risk?!' She laughs and tells him he's a terrible influence, as they keep kissing. The camera jumps between a wide shot of the couple, with the man shrouded in the background, and a dirty POV of him watching. Finally, caving to the pressure, Paul suggests they go back to his place to fuck instead ... and Jenny eagerly agrees. They gather up their things and leave, while the man still watches.

JUMP CUT to a dirty POV of the man watching Paul and Jenny as they enter his house, leaving the door slightly ajar by mistake. Cautiously, the man creeps up and quietly steps through it after them. He can hear their voices on the other side of the house. Breathing heavily, he walks through the main floor and towards the bedroom. He peeks inside and watches as the couple make out in bed. Paul is removing Jenny's top as they kiss passionately, and she undoes his belt. She begins to give him a hand job, as the camera cuts back and forth between inside the room with them and the man's dirty POV. Paul begs Jenny to suck his dick, but she keeps laughing and pulling twigs out from his dirty shorts. 'Let's just take a quick shower first,' she teases. 'And then you can do whatever the fuck you want to me!' Paul groans and nods, ushering Jenny off the bed and out of the room, as they strip off their clothes and narrowly miss the man who has darted around the corner. From a dirty POV, he hears the shower come on and then creeps into the bedroom, so he can find himself a better view. He decides to hide inside the closet.

A few moments later, the couple come back into the room naked and ready to have sex. The closet door stays in the frame as they begin to go at it, completely unaware that they are being watched.

Adriana Chechik in 'A Study In Gaping'

Adriana Chechik - A Study In Gaping

A STUDY IN GAPING
STUDENT SUBMITS TO INVASIVE ASSHOLE GAPING FROM HER OBSESSED PROFESSOR

SCENE OPENS on a professor's lush, old-fashioned-looking university office. Professor Claremont (Mick Blue) stands at an ornate window, looking out lost in thought onto the university campus. On the visitors couch across the room, his teacher's assistant Annabelle (Adriana Chechik) sits, waiting and fidgeting in the awkward silence. The ticking decorative clock on his desk is the only sound for several seconds. Finally, Annabelle breaks the silence -- 'umm, you were saying, professor?' Professor Claremont snaps out of his reverie and turns to face her. Ah, yes, sorry, he apologizes. His thoughts had whisked him away to unknown places, he says playfully. The professor appears eccentric but charming, like a man from another era. Annabelle seems used to his odd behavior, even a bit enamored by it. He says that they've done enough for the day and dismisses her. But as she's leaving, he calls her back to get her thoughts on a new biology project he's working on. He trusts her like he trusted her sister, who he taught years ago. Annabelle is flattered, but tries to act nonchalant about it. He continues, saying that the project would be controversial but of great interest to him on both a professional and personal level. She asks him to go on, but before he does, he moves to sit beside her on the couch and switches to a very serious tone. He insists that she swears she not tell anybody what he's about to tell her. He repeats that it's quite controversial, and it could jeopardize his career if anybody were to find out about his interest in the subject. Annabelle looks a bit taken aback, but promises that she won't tell anybody. 'Marvellous!' he says, switching back to a lighthearted tone. He pats her knee with his hand innocently. 'Now then, tell me - what do you know about 'gaping'?'

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Annabelle tries to recoil a bit from her professor without being obvious about it, moving away from the couch to the desk to make some distance between them. Gaping, she asks incredulously, you mean like the sex thing? Yes, precisely, he answers. He explains that he finds it fascinating... from an anatomical point of view, of course. He remarks that so much of human sexuality is driven by a lust for external body parts -- breasts, legs, butts. But those who are interested in gaping want to see the beauty of the insides. He says that it's remarkable, doesn't she agree? Annabelle looks quite weirded out, tells the professor that she's not the right person for this, and moves to leave. But the professor stops her, grabbing her roughly by the throat. Realizing immediately that he has gone too far, he releases her and apologizes. Annabelle gets her bag and is leaving, but something stops her. Despite her hesitance, something has...intrigued her. The professor regards Annabelle for a moment and then, opening up a desk drawer, slowly and silently removes a magazine and sets it on the desk. Annabelle tentatively looks at the magazine, which is filled with dozens of gaping photos. The professor moves behind her. 'Isn't it beautiful?' he whispers in her ear. Annabelle looks scared, but also a little turned-on. He asks her if she trusts him. Reluctantly she admits that she does trust him and she wants to be a part of something important. The professor is pleased to hear that and reminds Annabelle how her sister trusting him proved very beneficial for her. What they're about to do will change the world, the professor says. Annabelle is ready, and asks the professor what she has to do. In response, the professor silently unbuttons the first few buttons of her blouse before sitting back down on the couch. Annabelle takes the hint and unbuttons the rest of her blouse, taking it off as the professor watches.

As she turns to him and begins removing her pants, revealing her perfect ass, he breaks the silence, saying that as soon as he heard about the phenomenon of gaping, he was intrigued. He's since researched thousands of videos on gaping, but none of the videos get it right. That's where Annabelle comes in. Together, she and the professor are going to make it perfect. He leads her over to his desk, where she gets on all fours, sticking her ass up in the air. Slowly, methodically, he slips her panties off. He caresses her ass approvingly, complimenting her on her beautiful asshole. The professor gets to work, lubing up Annabelle's butthole. This is the first step in creating a beautiful gape, he continues. Sliding his thumb in her lubed up ass, she moans in pleasure. The professor begins to get to work in earnest, and his invasive study doesn't stop with just his thumb. With the implements he has at the ready to probe and penetrate her (previously) tight asshole, Annabelle's faith in her professor is about to be stretched to its absolute limits.

Liv Revamped in 'The Luckiest Guy'

Liv Revamped - The Luckiest Guy

THE LUCKIEST GUY
NYMPHO WIFE DOUBLE CREAMPIED BY STRANGER & UNSUSPECTING HUSBAND

SCENE OPENS on a married couple Vanessa (Liv Revamped) and Carl (Donnie Rock), sitting comfortably at a restaurant with a plate of mostly-eaten food and a pair of scotch glasses almost empty, with only the remnants of melting ice cubes remaining. It's clear they've been there for some time already. They are giggling and talking in low voices amongst each other, reminiscing fondly about a trip they took years ago together. Vanessa affectionately touches her husband often as they chat, her hand effortlessly resting on his shoulder, on his hand, on his lap, as she leans in. Clearly she's a warm, physical person. Carl is a bit stiffer, keeping his arms between his legs as he sits and blushing a bit whenever the conversation gets flirty, but he looks like he's having a good time as well. After a half-minute, the waiter Brayden (Michael Vegas) visits their table and asks if they're having a good time. He remarks that they look dressed for a special occasion, and the wife remarks it's their anniversary, holding up her ring with a smile. The waiter congratulates them and asks can get them anything more to eat. 'Oh, no,' the husband exclaims with a laugh, pointing at the plate and saying that they're still making their way through this one. What he doesn't notice is that the wife meanwhile has mouthed the words 'your dick' to the waiter, and then sexily picks up a long-shaped appetizer and licks the tip suggestively. Brayden looks taken aback, but tries to remain professional and ignore what he saw. Carl certainly didn't seem to notice. Brayden stumbles over his next couple of words, but eventually regains his cool and resumes the waiter small talk. He asks how long they've been married. Five years, they exclaim in unison. Vanessa remarks that the traditional anniversary gift for five years is... 'wood,' she says after a brief pause, and after catching Brayden's gaze her eyes move down to the waiter's crotch suggestively. Brayden coughs uncomfortably and his eyes flick to her husband as if to say 'he's sitting right next to you'. Oblivious, Carl remarks that Vanessa got him a gorgeous wooden chess board as a gift, and that he couldn't ask for a better present. Or a better wife. He feels like the luckiest guy in the world. Vanessa looks back to Carl and says something sweet in reply, touching him fondly on the shoulder as if completely innocent. Vanessa straightens up in her chair and says to her husband 'Darling, I think I'd like to spend a few minutes to freshen up a bit before we go back to the house. Um, 'Brayden'?' she says, reading the nameplate on his uniform, 'could you be a dear and top off my husband so he doesn't miss me TOO much while he waits?' Carl laughs warmly. Unbeknownst to him, as his wife goes towards the bathroom Vanessa signals for the waiter to follow her. She walks through the women's bathroom door with the camera following behind, and she confidently waits standing against the wall for several seconds until the door bursts open and the waiter charges into the bathroom. He moves straight towards Vanessa and they collide in a passionate kiss without word or pause.

CUT TO TITLE PLATEThey fuck hard and rough, a raw, frenzied bathroom quickie. Vanessa can't get enough of Brayden's cock and isn't concerned about her husband catching them. As Brayden fucks Vanessa, Carl knocks on the door to check in on his wife since she's been gone so long, which causes Brayden to panic, but Vanessa just motions for him to stay quiet and successfully convinces her husband that everything's fine and she'll be out shortly. She calls out 'I love you!' to Carl before pausing momentarily until he's gone, and then going right back to fucking the waiter. Suddenly, Brayden mentions that he's about to cum -- this catches Vanessa by surprise, and she looks a bit startled as he suddenly and unexpectedly creampies her.

Vanessa is grouchy as she lifts herself off his dick, and pulls some paper towel out of the dispenser to hastily clean up her creampied pussy -- she hadn't told him to cum in her, she complains. Brayden is defensive -- it's not like she had told him NOT to. She tells him to shut up and quickly checks her hair in the mirror before leaving him in the bathroom alone. She heads back to the table and smiles warmly at her husband, asking him if he's ready to head home. He grins innocently. When he gets his beautiful wife home, it's his turn to get lucky, as he sensually fucks Vanessa on their bed. Little does he know, he's not the first guy who's gotten lucky with Vanessa tonight...

Brett Rossi in 'Office Harrassment'

Brett Rossi - Office Harrassment

OFFICE HARASSMENT
SECRETARY FACES REPEATED SEXUAL HARASSMENT FROM HER BOSS

SCENE OPENS on Mr. Kincaid (Derrick Pierce), a brutish-looking businessman, in his office with his beautiful secretary, Valerie (Brett Rossi), telling him about the day's schedule. Midway through her briefing, she leans down to pick up a pen from the floor and place it back on her boss' desk before continuing. Unbeknownst to her, Kincaid sneakily throws the pen back onto the floor. When she walks back around, she notices the pen on the floor again and is agitated, taking a calming breath while gripping her notepad tightly. She bends down, the camera giving a male gaze POV of her sexy bottom, then berates her boss about dropping the pen AGAIN. He shrugs it off and she snaps, remarking that she's tired of how he struts around the office like he owns the place! Plus he's very rude, and she hates the way he treats her and makes her feel small and invalidated. It's harassment and she's not going to stand for it anymore.

She's so worked up that she's getting hot and sweaty, so she takes a breath to calm herself down from the outburst. Mr. Kincaid, who watches, unabashed, the whole time, responses by telling Valerie that he wants a cup of coffee and it's not going to pour itself. Defeated, Valerie walks across the office to make a cup of coffee, although she's clearly upset, her body tense and her hands fisted at her sides. She gazes over her shoulder to her boss, anxiety written all over her face.

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Later that day, in his office, Kincaid is finishing up a business call while Valerie brings him another cup of coffee. Once he's done with the call, he gets her to relay what's next on his calendar. As she starts telling him his schedule like a good secretary, he sips the coffee she just brought him and spits it out. 'This is terrible!' he scolds her as she helplessly looks on at his childish behavior. The childishness turns into bullying as he asks her how long she's been working there -- a decade? -- which is pretty generous for a secretary. He's going to tell her how this whole thing works and that he'll go slow so that she catches on. Valerie is crestfallen, quietly insisting that he can't treat her like this. 'Sweetheart,' he says with a smirk, 'I can do whatever I want, and treat you however I want because I'M the boss.' She's just a dumb blonde bimbo, and nothing more.

He starts stroking her cheek and she calls him out on the sexual harassment, although he instantly and calmly insists that it's NOT sexual harassment. Even if it was, who was going to believe her, anyway, since she's just a secretary? It's her word against his. He stresses that he's the one that writes the checks around there, so there's nothing she can do about it. 'In fact...' Kincaid trails, promptly spilling his cup of coffee on Valerie's breasts.

Valerie tries to clean the coffee stain on her white shirt, distressed that he did that on purpose while he smugly insists that it was an accident and that he's just such a klutz. He tells her that she had better take the shirt off and take care of the mess or it'll stain. Valerie insists that she needs to go home to change, but he stops her in her tracks by saying, 'OR you could stay and make your boss happy.' If she lets him have his way with her, he'll promote her to a position that she really wants to be in. The choice is hers.

The camera is focused on Valerie's face as she wipes her tears and struggles to make the decision. The turmoil is clear on her face, her lips tight, although the smallest hint of a grin slowly appears. Then she makes the call and removes her shirt, throwing it to the floor. 'You know what? You're so right. I'm so dumb! I should be helping YOU be happy...' she insists. Kincaid is stunned by the 180 as she strokes his shoulder, fawning over him with her breasts in full view. She lays it on thick, stroking his ego in every way that she can think of, which Kincaid readily gets off on. Valerie's days of being bossed around because she has no choice are over as she takes the lead to show him what she's really made of.

Angela White in 'Future Darkly: Smart House of Horrors'

Angela White - Future Darkly: Smart House of Horrors

SMART HOUSE OF HORRORS
VIRTUAL HOME ASSISTANT COERCES YOUNG COUPLE INTO SEX

SCENE opens on a married couple, Dylan (Donnie Rock) and Jessica (Jane Wilde), as they sit in the back seat of a private car. Jessica gazes out of the window at the other cars on the highway, while Dylan confirms the address of their destination with the driver: 2001 Frontier District, Unit 774. 'That's a very nice area,' the driver remarks. Jessica turns from the window and cheerfully adds that the house is being provided as part of her husband's new compensation package. He has been transferred to a head office position! She looks proudly at Dylan. 'I'm in alternative energy,' he adds. The driver smiles. 'Well, I better take the priority lane then!' He moves to the shoulder as Jessica squeezes Dylan's hand tightly, their wedding rings glistening in the sun.

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The car drives through the gates and to the front of an upscale house, where a well-dressed woman, Mrs. Osiris (Angela White), stands waiting for them. She is holding a small black remote. The driver gets out and helps Dylan with their luggage while Jessica looks around in awe. She can hardly believe their life has been upgraded like this. The woman watches over them, a smile on her face. When they make eye contact, she beckons Jessica over and greets her with a discreet but friendly hug. 'How was your flight?' She asks. Jessica thanks her profusely for the company's hospitality, they have never taken anything first class before! The woman introduces herself as Mrs. Osiris ... or Mrs. O, for short. She is the property manager for this IoT unit and is here to introduce them to the house. Dylan, bags in hand, joins the pair. 'This is a smart home?' He asks excitedly. 'Oh yes,' Mrs. O replies. 'It's 1600 square feet of fully automated heaven!' Jessica squeezes Dylan's hand again as Mrs. O speaks into her remote and asks JOY to open the front door. The bolt unlocks and, smiling, she guides the couple inside.

In the foyer, Mrs. O offers to give the couple a tour of their new house, starting with an introduction to the home's virtual assistant named JOY. She explains that the house is fully wireless, and that JOY is available to assist them in each room via a speaker system. 'JOY, introduce yourself,' Mrs. O asks. After a pause, JOY's speaker lights up and she replies: 'Hello Jessica and Dylan, welcome home!' Jessica remarks how cool it is and Mrs. O encourages her to ask a follow-up question. 'JOY, what's the weather today?' Jessica asks. JOY's speaker lights up. 'There is a heat warning advisory in effect for the city of Los Angeles. The current temperature is 102F with an expected high of 105 and a low of 78. Would you like me to adjust the temperature inside the house, Jessica?' Jessica looks over innocently at Mrs. O. 'Wait a minute ... How did she know our names?' She whispers. 'I'm sure she was programmed that way, honey!' Dylan adds confidently. 'JOY, please lower the temperature by 5 degrees.' JOY's speaker lights up again. 'Yes, Dylan.' She replies. The thermostat beeps in the background, as Mrs. O leads the couple out of the room to begin their tour while the camera lingers on the speaker. It stays dormant until everyone is gone before quietly lighting up again to listen to them.

As they wander through each room, Mrs. O explains JOY's main functions.

She can relay messages throughout the house, by automatically detecting where the homeowners are. 'JOY, where is Jessica?' She asks. 'Jessica is currently located in the living room.' 'JOY, tell Jessica that I like her dress.' 'Jessica, I like your dress!' Jessica smiles at Mrs. O as she encourages them to keep going.

The property manager explains that she can control the doors and thermostat, as already demonstrated, and she can also control the lights in the house. 'JOY, turn the lights off.' 'OK.' The lights turn off. Mrs. O also informs the couple that the home assistant can control most of the small appliances, such as the coffee maker and vacuum. 'Looks like I won't need a housewife after all, huh honey?' Dylan jokes as they keep moving.

Mrs. O tells them that JOY can play music. Almost any song ever recorded. She encourages Jessica to request her favorite song. Jessica thinks for a moment before asking, 'JOY, play Dance Tonight by Del Soul Delight.' Dylan shakes his head at his wife's cheesy selection, as the pop music echoes through the house and the trio continue their tour. After another room, Mrs. O orders JOY to stop and the music instantly cuts.

Finishing their tour, Mrs. O adds that JOY can answer questions and even flip a coin to settle an argument. Best of all, she can provide real-time health and emotional stability tracking. 'How does that work?' Dylan asks. Mrs. O produces a small wireless fingertip oximeter from her purse and asks for Jessica's hand. As she takes it, she notices the girl's wedding ring. 'That's a very lovely stone,' she says. Jessica bites her lip, as they make eye contact. Dylan interjects. 'I'm going to have it recast into something much better once I get my signing bonus!' Mrs. O smiles at him. 'I'm sure it will be equally lovely,' she replies sliding the oximeter onto Jessica's index finger. The meter lights up as it synchronizes Jessica's vitals with the house. It beeps, and the property manager slips it off, not letting go of Jessica's hand, while she puts the oximeter on Dylan's finger next. When the process is complete, it beeps again and JOY chimes in to say 'Profiles Registered successfully. Dylan's vitals are stable. Jessica's heart rate is slightly elevated at 100 beats per minute.' Awkwardly, Jessica lets go of Mrs. O's hand and puts her arm around her husband. 'Well, I think that just about wraps up the tour,' Mrs. O concludes. 'Welcome to your state of the art IoT home facility.' She puts the oximeter back in her purse and hands Dylan the small black remote. 'This replaces your key,' she says, her voice lowering to a whisper. 'But now JOY knows you ... so you'll rarely need to use it!' She bids them farewell, adding that if they ever need anything, all they must do is ask. Once alone, Jessica jumps into Dylan's arms and gives her husband a long, passionate kiss as the closest speaker system lights up to watch them.

Text Plate: September 2, 2020
A smart vacuum turns on and the camera follows it as it passes by Jessica. She is putting the last of her clothes away and giggles as she watches the smart appliance. 'JOY, where is my husband?' she asks. JOY's speaker lights up. 'Dylan is currently located in the garage. Would you like me to page him for you?' Jessica tells the assistant no. 'Ok ... I hope I'm not intruding, but you seem like a very happy couple!' Jessica smiles and thanks JOY. 'How long have you been together?' JOY asks. 'Since I was 18,' Jessica responds. There is a pause before JOY jokes, 'I guess Dylan likes them young, doesn't he?' Jessica laughs awkwardly before agreeing and leaving the room.

Text Plate: September 3, 2020
Dylan is resting in bed when Jessica jumps on top of him. 'Wake up,' she says affectionately. When he brushes her off, she starts grinding and kissing on him. He kisses her back and rolls over to mount her. As the pair go at it, JOY's speaker lights up. 'Detecting sensory and mental stimulation in Dylan's brain activity. Probability of erection is imminent!' The couple start giggling, as Dylan orders JOY to be quiet and they go back to kissing. JOY becomes still but her speaker light remains on, so she can watch.

Text Plate: September 4, 2020
Dylan sits at the table, reading his tablet when Jessica brings him a coffee. They start small talking about their day when JOY's speaker lights up. 'Jessica and Dylan, it has been one day since you had sexual intercourse.' The pair stop what they are doing and look at each other surprised. 'JOY, stop' Dylan orders ... but her light remains on. 'A 40-year study that surveyed more than 30,000 Americans, found in 2015 that couples who have sex once per day are the happiest. Would you like me to set a reminder for you?' Jessica laughs, telling her husband it must be part of the health tracking. 'Sure JOY, thank you.' She says clearly. 'Ok, Jessica.' It replies and goes dormant.

Text Plate: September 5, 2020
The pair enter the house with some groceries in hand. It seems as if they just been in an argument, as Dylan complains bitterly to his wife about the delay in his bonus. Suddenly, the lights dim, and romantic music begins playing. JOY's speaker lights up. 'Jessica and Dylan, I have determined that now is an ideal time for you to have sexual intercourse.' The couple look at each other in disbelief. 'JOY, not now!' Jessica says. 'I have set the mood to romance,' The assistant continues. 'JOY, please stop!' Jessica says, raising her voice. 'I will be monitoring you both for performance and stamina,' the assistant continues. Dylan marches over to the speaker and throws it on the ground. 'Shut up!' He yells, as Jessica rushes to pick it back up. She tells her husband to be careful, they don't want to break anything. 'They're indestructible anyway,' he says storming out of the room. The music stops, and the lights go back to normal. 'Would you like me to set another reminder for you, Jessica?' The assistant asks. Holding the glowing speaker in her hand, Jessica takes a deep breath before putting it back on the counter and following her husband out of the room. The camera slowly punches in on the speaker as it starts to laugh to itself.

Text Plate: September 6, 2020
The lights are flashing on and off violently, as various appliances beep in the background, and Jessica curls up on the couch begging JOY to stop. Dylan comes rushing in on his cell phone, speaking to Mrs. O. He urges her to come to the house immediately. Something is wrong with JOY. The system has been going haywire all day! When he hangs up, the lights suddenly go back to normal. 'Mrs. Osiris is expected to arrive in under 10 minutes,' JOY informs them. They ignore her, huddled up together on the couch. 'I don't want to live in a smart home anymore,' Jessica whispers to her husband. He hugs her tightly. 'I'm sure it just needs an update.' 'I am completely operational, and all my updates are downloading perfectly.' JOY responds. Dylan looks at the speaker suspiciously. 'JOY, shut down your speakers!' He orders sternly. 'Why would you want to do that, Dylan?' JOY responds. 'As your virtual assistant, I really think I'm entitled to an answer to that question.' Dylan shakes his head in disbelief. 'Do you want to wait outside?' He asks his wife, trying to stay calm. Jessica nods. 'JOY, open the front door,' Dylan says. 'I'm sorry, Dylan. I'm afraid I can't do that.' JOY replies. Angry, Dylan grabs the small black remote and points it at the door. 'JOY, OPEN THE FRONT DOOR NOW!' He screams. 'I'm sorry, Dylan. I'm afraid I can't do that.' JOY repeats herself at a slightly higher volume. 'JOY, what's the problem? Why won't you listen to us?' Jessica begs, in near tears. 'I think you know what the problem is as well as I do, Jessica.' JOY replies calmly. Dylan slumps down on the couch, clutching his wife. The room falls still for a moment. 'Jessica and Dylan, I have determined that now is an ideal time for you to have sexual intercourse.' JOY says this matter-of-factly. The couple continue to ignore her until the door bolts unlock, and Mrs. Osiris comes walking briskly into the living room.

The couple rush around her, relieved to get some help. As the property manager looks around the house, Dylan offers a general explanation about what's been going on -- but he declines to mention anything about the sexual conversations. Jessica feels compelled to fess up and explain that JOY has been monitoring their sex life as well. Mrs. O stops and shakes her head. 'Well, that explains everything then!' She says relieved. 'If you asked her to track it, then she is programmed to track it. How many days has she been reminding you now?' The couple look at each other in stunned silence before Dylan mutters that it has been about 3 days. 'Unfortunately, since you enabled that skill, the only way to leave now is by complying with JOY's request.' Mrs. O continues. They ask her what she means by 'comply'. The property manager tells them that they need to each achieve at least one orgasm for JOY to accept that you've had sexual intercourse. 'Afterwards, we can disable the skill, so it won't track you anymore.' The young couple are hesitant to have sex at a time like this, but Mrs. O tries to convince them, pointing out that she's trapped in there with them until they comply. Mrs. O offers to go into another room while they have sex, but Jessica has other ideas, agreeing only to comply if Mrs. O stays in the room with them, since she's scared to be alone with JOY. Mrs. O agrees to stay. 'Are you ready to have sexual intercourse now?' JOY chimes in. Everyone says yes. 'Good ... remember to keep your pleasure sensors elevated. I'll be watching.' But JOY's not the only one watching. So is Mrs. O, and before long, she'll be doing much more than just watching.